#the lines are quite vague
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agentoffangirling · 1 month ago
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Also was watching Turn, Turn, Turn today, and as I'm well aware of the twist, one of the things I like to do is pay attention to everyone's facial expressions-- notably Ward's and Garrett's
When May is ICED and hauled into the containment room by Coulson, being referred to as a "sleeper agent", it's quite interesting to see what Ward possibly thinks in that moment. He's not yet aware that HYDRA has reared its head within S.H.I.E.L.D., though he is obviously well-informed on their plans. At that moment, there's a possibility that he believes that May was a sleeper HYDRA agent just like him, and that she was found out
And remember that Ward was placed there intentionally by Garrett. He was there to figure out how Coulson was alive. He was told that he was the only HYDRA agent among that team and that he must remain secret
So the idea that May is also a sleeper agent and that he wasn't told? Downright offensive, how could Garrett NOT tell him?? It marks up well with how he reacts to May when she wakes up; he's more than annoyed with her. He asks her to "elaborate" and "I deserve to know". Up until she mentions "Fury", it's completely likely that he believed she was HYDRA just like him
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aroaessidhe · 2 months ago
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2024 reads / storygraph
The Last Hour Between Worlds
fantasy locked room murder mystery
set in a world with alternate universes that bleed into it that get increasingly more eldritch as they go down, following a woman able to step between them
she’s on leave to take care of her newborn, but decides to attend a new years’ party to give herself a short break to socialise
but when everyone is murdered - only to suddenly be alive again, but with the whole building shifted one echo down, she realises she’s caught in a dangerous looping game and will have to find a way to stop them from dying permanently…. with the help of her rival slash almost-ex
very lightly demi-coded bi MC, f/f
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edwinisms · 7 months ago
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see I can’t accept charles’ comic background and socioeconomic status as canon for the show because if I did that would mean the whole group would be a bunch of rich kids and that’s a horrifying concept
#ranging from vaguely upper class (niko and charles via comic logic) to presumably quite wealthy (edwin) to straight up ultrarich (crystal)#well off but doesn’t own a mansion -> owns a mansion -> owns several mansions in several countries#but yeah that aside. I don’t like the idea of him being raised upper class or even upper middle and yes I know he went to a private catholic#school that presumably costs a decent amount of money but for one we don’t Know how much exactly by that point in time (I’m assuming it was#more prestigious and expensive back in edwin’s day) and it’s not like middle class or even working class people can never afford#to send their one (1) kid to catholic school. like that’s really not too unusual. I know this is an american example but im thinking about#lady bird and her catholic school situation- her family was financially unstable and still paid for Catholic school because it was (in their#opinion) the best offering for an education in the neighborhood (and as someone who lives in the same city in the same Area of the same#city I can tell you that that choice does make sense even for a non-catholic. the public schools round here can be uhhhhhh rough)#so im seeing charles’ situation sorta like that#his dad seems like the type to want him ‘kept in line’ and ‘whipped into shape’ and I think he’d pay for that if he could manage it#idk something about charles is just……he has an appeal by being the Normal Kid amongst them. not raised as anything special. not having all#his needs met. never expecting to do anything super grand with his life. just a city kid yknow#anyway SOMEONES gotta know how to cook. I don’t think crystal or edwin have ever had to cook for themselves in their lives and niko seems to#live on instant ramen and i mean I bet she can cook very basic japanese meals but that’s about it#please for the love of god tell me charles learned some stuff from his mom and can cook an adequate meal#I know ghosts don’t eat but shut up#rambling#charles#dead boy detectives spoilers
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uncaught-coolfish · 1 year ago
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every time i remember the “people hurt me long before we met. all sorts of people in all sorts of ways” line I start seeing spiders
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hum--hallelujah · 2 years ago
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like a sledgehammer to a disco ball - 3.9k words, Fun Ghoul angst and protective Kobra Kid
Kobra jerks awake at the first creak of the floor. The only person who has any right to be in his room at night knows better than to step where the floor creaks. Instinct takes over and he's holding his blaster at body height by the time his brain and eyes are awake enough to see through the dark.
"It's me, it's me, it's me," Ghoul stammers, holding his hands defensively in the air. Only, it sounds more like "'smee," because of the way Ghoul is slurring. And he's bleeding.
Kobra drops the blaster as soon as he realizes that the dark smear across Ghoul's face is blood. "What the hell, man," he hisses, groping in the dark for a light with one hand and trying to pat Ghoul down to make sure he's not like, actively dying, with the other. He could be blackout drunk or he could have gone out alone like he does sometimes and any number of things could have happened. The cold metal of an old flashlight meets his fingers and he flicks it on, shining the dim light over Ghoul.
"I did something stupid," Ghoul says. Only, it comes out as "Uh did su'hn stooid," wavering slightly, because the entire right side of Ghoul's face, from the corner of his mouth to his cheekbone, is sliced open. There's a horrific flap of flesh hanging loose that's supposed to be connected to the rest of his face. That's where the blood staining his face and clothes and hands is coming from, and why when he speaks, it sounds wrong.
"Holy shit," Kobra whispers, feeling cold Zone night air sting his eyes because they're open so wide. "Okay. Okay, what happened?" He holds Ghoul carefully by one arm, feels the way he's shaking. He's always shaking, except when he's got his hands in a bomb. This is worse than normal though. This is so much worse than anything Kobra's ever seen.
Ghoul shrugs, waves his hands vaguely and wildly. Kobra hisses a sharp breath through his teeth, frantically runs a hand through his hair. "Okay," He says again. "I'm gonna get-" He needs Jet, de facto medic, he needs Party, needs his brother-
"No," Ghoul says sharply, and that at least is completely clear. His eyes are wild from what Kobra can see in the dark. If human eyes could glow, his would. He grips Kobra's arms. "Please don't," he mumbles around the gruesome injury. His voice is high and frantic, and it has to hurt to talk. "Just you."
Kobra freezes. There's a slowly building feeling of dread, growing stronger by the moment. He pulls Ghoul off him, holds him by the wrists. "Okay. Just me," he promises, and feels sick about it. "Just me."
Ghoul noticeably relaxes, though he's still trembling head to toe, and lets Kobra drag him across the diner in near-silence aside from the occasional seemingly involuntary whimper on Ghoul's part, into the single-stall bathroom with a barely working lightbulb. Somehow, they make it past the front room where Party sleeps without waking him, much as Kobra wants to let his brother take care of this. He's practically trembling at how badly he wants Pois right now.
There's a medical kit in the cabinet that Kobra pulls out immediately. He knows how to handle this, physically speaking. It's whatever else, the shit he doesn't know and is scared to find out, like how this freaking happened, that makes him nervous. Ghoul stands in the flickering light like he doesn't know what to do.
"Sit the fuck down," Kobra snaps nervously, gesturing to the toilet lid. Ghoul does. Kobra pulls a dubiously clean rag from the cabinet and eyes it. It scares him to see Ghoul like this. Usually if he's scared, he fights. He hisses and spits and claws at whoever comes near him. More often than not, that's Kobra. But this, the wide-eyed jittering, is a whole other animal.
"This whole thing is gonna suck," he says stiffly. Ghoul nods. With a little more light, Kobra can see the thick, shiny blood streaming from the wound through his cheek. It isn't enough that Kobra's afraid Ghoul will bleed out, but the cut is so long and clear through and absolutely grotesque. He crouches down in front of where Ghoul is sitting, sideways on the toilet, and he can't tell if Ghoul is looking at him or through him, almost as if he's the ghost.
In a quick motion that startles both of them, probably, Kobra grabs the back of Ghoul's head with one hand and presses the rag to the seeping wound with the other. Ghoul's eyes go even wider and even greener, and what starts out as a shout of pain from him turns into a choked keening sound. Hearing it feels like being stabbed.
"What happened?" Asks Kobra again, when he's convinced that the bleeding has slowed enough to try and actually deal with this thing. He twists the handle on the faucet on and off, on and off, enough times that the ancient water pump starts up and clean water gurgles into the sink. He cleans the rag that way, then wets it and wrings it out before shutting the water off.
Ghoul's shoulders rise and fall in short, panicky breaths. "I'm sorry," he says. "I'm sorry. I'm- I didn't think, it was stupid, I'm sorry," he continues babbling like that before going silent again aside from the sharp sounds of his breathing.
In a testament to Kobra's selfishness, his biggest worry is that Ghoul took his motorbike out for a spin and crashed it. He can't think of what could have caused something like this. He has visions of his bike sliding out on a turn, crumbled metal and Ghoul's body flying through the air. But if that had happened he'd be hurt other than this. If that had happened he might be dead.
"Yo," he says quietly. "Chill. Just tell me what happened." He presses the now-damp rag to Ghoul's face, trying to ignore just how grotesque the wound really is. Maybe because it's fresh, maybe because of the fear, but somehow it's worse than the space where Jet's other eye used to be. Kobra never wanted to see an injury of that level on another person again in his life, let alone someone he cares about.
Ghoul flinches away, but Kobra shoots him a look and it must process somehow, because he stills and lets Kobra clean the already drying blood away from the edges of the wound with barely a whine. "It was stupid," he repeats, his voice shaking as much as it's slurring. "I don't know why I did it, Kid."
Something about the way he says that, voice small and wavering, sends a chill down Kobra's throat. Sudden understanding dawns on him. The blood on Ghoul's hands. He's not injured anywhere else. "You did that to yourself?" Kobra asks hoarsely.
Ghoul's eyes snap onto his and the rest of the color drains from his face. Kobra thinks he's going to pass out for a second, but he doesn't. He pulls as far away as he can, scrabbling awkwardly against the cold tiles and porcelain of the bathroom. "I don't know what I though, I was stupid, I don't- Kobra," he whines, with enough animalistic despair that Kobra wants suddenly to burst into tears, if he weren't so utterly stunned.
"Ghoul, calm down, I've gotta stitch it still," he says on autopilot. "Cool your engine, man."
Maybe it's the practicality of the thing that makes Ghoul momentarily stop panicking. "I'm sorry," he says again, tears welling in his eyes that he then blinks away half-frantically. Kobra's never heard him apologize for anything before tonight. He never wants to hear it again.
"It's okay, man. I've got you." He replies. If his own voice is shaking now, too, no the hell it isn't. "Come on, you have to let me..." he trails off, eyes wide. "Ghoul, why..." Then he shakes his head. He can't think about that now. He needs to disinfect the wound and stitch it up. And it's going to hurt Ghoul really, really badly.
He reaches behind him, grabs at the bottle of alcohol. This stuff is rare out in the Zones. They try to use it as little as possible. Only in emergencies. This is enough of an emergency, though. This is a fucking crisis.
He pours the bare minimum of the alcohol onto another piece of cloth, feels the cold soak in. Ghoul watches every move with jerking, stilted intensity. Kobra looks up at him from where he's now kneeling on the cold tile. He puts a hand behind Ghoul's head again. "This is going to hurt," he warns. They've nearly gouged each other's eyes out before, yet suddenly Kobra feels like he's going to be sick at the thought of causing Ghoul any more pain. Ghoul shuts his eyes in preparation.
Ghoul still nearly screams when Kobra dabs the alcohol over his wound. Kobra can see it in the way he holds his breath, the spring-tight tension in Ghoul's entire body. The only noise he makes is a quiet, drawn out whine, though. When a tear streaks down his cheekbone, Kobra catches it before a drop of salt can enter the wound.
"'Kay," he says in a ragged whisper. "That's done. Now I have to-" he gestures like he's sewing. Ghoul's eyes pop open to see what he's saying and he visibly forces himself to breathe again.
"'Kay," Ghoul says back in an equally torn up voice.
It only takes Kobra three tries to thread a needle. Medical supplies of any type are hard to come by, a whole new kind of commodity, but this stash has been here for as long as he can remember, just in case. Blaster burns, the most common injuries amongst 'Joys, come pre-cauterized. He's rarely had to sew sutures before.
Ghoul flinches back when the tip of the needle first touches the edge of his torn skin, and Kobra pauses. "Hold still," he grumbles, more out of familiar sniping than any real frustration at this point. He keeps his hand in Ghoul's hair the entire time he sews.
The feeling of a needle piercing flesh is horrible. The fact that it's his friend, someone he'd give his life for before seeing them hurt, is even worse. Kobra wants to fucking throatpunch whoever did this to Ghoul, or better, do the same thing to them, before he remembers with a sinking feeling in his stomach that Ghoul did this to himself.
He ties off the suture just barely keeping his hands from shaking. He doesn't know how Ghoul does this with bombs. Ghoul flinches again, violently, when Kobra cuts the excess line, and Kobra has to jerk back to keep from catching a flailing, uncoordinated fist in the face.
"Hey," he snaps. "Ghoul!"
Ghoul slips off the toilet lid and onto the floor almost as if he intended it but halfway as an accident and immediately curls in on himself. He pulls his knees to his chest and curls his arms around his head and Kobra can hear him hyperventilating. Kobra fucking freezes. He's used to fighting and wrestling and knee-jerk reactions that wind up with someone sporting a black eye. He is terrified right now. And there's still Ghoul's blood on his hands, too.
"Ghoul..." He cautiously reaches out, puts a hand on Ghoul's leg. Ghoul twitches, lets out a hiccupy sound that takes a moment to register in Kobra's mind as a sob. Ghoul, chaos loving, cackling Ghoul, is crying. And not just a single tear, now, his whole body is shuddering with the force of how hard he's crying. Kobra's heart is pounding with how hard he does not know what's happening, but he grips Ghoul's arm and lightly shakes him. "Hey, I'm still here, man."
Ghoul makes that keening whine again and Kobra thinks at first that he's going to pull away at best, or throw a real punch at worst. They fight enough, for any and no reason at all, that he expects it now. That's their normal. This isn't.
Ghoul scrambles to his knees, his hands finding the front of Kobra's shirt. This restroom is small, they're already in close quarters. But maybe unintentionally, maybe just scrabbling for a little purchase on anything, Ghoul winds up grabbing onto Kobra. And Kobra has always had a hard time letting anything go.
Ghoul's forehead crashes into his shoulder and Kobra instinctively puts his hands up, grabs back onto Ghoul in return. Ghoul's usual shaking is familiar to him, but the repressed wracking sobs aren't. Kobra clutches desperately around Ghoul's back, like he could hold together what he's just sewn up, like if he keeps Ghoul close enough he can't shake into pieces. No one should be able to break Ghoul. Not even Ghoul himself.
The edges of the cabinet dig into Kobra's back, but he ignores it. Ghoul is folding in on himself, making himself as small as he can against Kobra, and Kobra doesn't fucking know what to do. He's never seen Ghoul cry like this. He's never seen anyone cry like this.
"It hurts," cries Ghoul suddenly.
"I know," Kobra says, before he realizes that crying like this is probably making everything worse, that he'd worried about salt in the wound a minute before for this exact reason. He can't imagine the pain Ghoul is probably in.
"It didn't hurt at first," Ghoul mumbles, then chokes on a sob. "It didn't hurt when I started. And then it did."
Kobra wants to ask again, why? But he won't get anything intelligible. There's a part of him that doesn't want to know. He's terrified of knowing the truth. Instead, he threads his fingers through Ghoul's hair again and just repeats, "I know. I know."
A few minutes pass in speedy, spiraling silence. The only sound between them is their shared too-fast breathing.
"I can't," stammers Ghoul finally, after his cries have tapered out into raspy gasps. "I can't turn it on or off."
"Huh?" Is all Kobra can think to say. "Ghoul, you're not making sense, nothing about this makes sense," he snips, too quick and too tense. He's so beyond his depth. He wants Jet or Party to come help but he can't have it his way because he promised. He promised Ghoul. He wants to hit something. A wall, just to feel the impact. To imagine he's hitting whatever it is that hurt his friend so badly he hurt himself.
Ghoul sniffs. All Kobra can see of him is the top of his head and the cheek with the stitches. The wound is swollen and red and is going to leave a horrific scar. Kobra clenches his fist tighter behind Ghoul's back. "When I'm having fun or not," Ghoul says. "I can't. I am or I'm not. But."
"But what?" For fuck's sake, Kobra just wants to understand. He can read Ghoul like a book from cover to cover most times, and it scares him that he's so lost right now.
"It isn't good enough," he mumbles. "It's... It's in my fuckin' name, Kid, if I can't live up to that what am I?"
Kobra stares, wide-eyed, at the wall across from him. Something clicks. The clean cut through Ghoul's face, clearly from a recently sharpened knife, clearly intentional, reached from the corner of his lips almost to his ear. "Oh fuck no," he whispers. "Hell no. What the fuck. You're not-" He feels himself shaking suddenly, with restrained searing hot anger. Ghoul cut his head open, mutilated himself, to make himself permanently grin. "You're not fucking beholden to your fucking name," Kobra says. He never swears this much, only in his own mind. He's running out of words. "Fuck," he says, with feeling.
Ghoul shudders again. "I'm fuckin insane, aren't I?" He asks with sudden clarity.
It's exactly what Kobra had been thinking, for once completely unable to figure out Ghoul's mind, but he can't just say that. He can't just say that he's terrified because nothing makes sense and he's never going to freaking leave Ghoul alone again because this is all completely unhinged on so many levels that he can't even begin to sort through it. He can't say anything. He hopes Ghoul is sane enough to understand that, at least.
He just holds his friend tighter. He wants his brother more than anything right now, wants Party to come and take this weight out of his hands, but a part of him knows that even if he did, he wouldn't be able to let go of Ghoul. Why didn't Ghoul want anyone else but him? Why, after pretty much imprinting on Party like a feral kitten when they'd first met, to the point that sometimes Kobra thinks bitterly than Ghoul might know Party better than his own brother does, did he come to him? Why did he do any of this?
If a few tears of his own drip down Kobra's nose and land in Ghoul's tangled hair, no the hell they don't. He's never seen anyone go to pieces like this and he's struck dumb at the fact that it's literal. Very, very literally, Ghoul has gone to pieces. Taken a knife, that's probably still lying on the floor of his abandoned-office bedroom, and cut a line through his own cheek just so others might see a smile there.
There's crazy in his veins. Acid, maybe. And Kobra's always known that even if Party recognized it first. Watching your whole family die, failing to save your baby sibling, doesn't leave a person without any scars. Only, now, the scar is far too visible. Kobra's always known that Ghoul is more wild than any of them. Feral, unpredictable. He was raised by a pair of Killjoys who named themselves Hoot and Holler, and the thing is, a ghoul is just a ghost, and ghosts wail too. He should have known.
"I should've known," he says out loud, the first words in a while. He knows Ghoul so well. Better than he knows himself. He should have known something was wrong. He should never have left him alone. "I'm sorry. I'm sorry." He can't even blink. He stares hard at the opposite wall and tries not to scream.
Ghoul shakes his head against Kobra's shoulder and winces. "Nuh-uh," he mumbles. "I'm crazy, man. I'm insane." The fuzzy way it sounds around the stitches and the swelling just seems like proof. Just last night Ghoul's cheek was smooth and soft as he grinned across a table in triumph after winning a card game. How is it that that was just a few hours ago? He shudders again. "I'm scared," he says more quietly.
"Me too," Kobra says. As soon as the sun comes up he thinks he's going to storm out into the desert and find something, anything to beat up. Even a freakin cactus would do at this point. He doesn't know how he's going to explain this to Pois or Jet but he knows that much. He's gonna shake so hard he blows up, like a can of soda, unless he hits something. "I fucking hate you," he snaps suddenly.
Ghoul starts to flinch away, but Kobra doesn't let him. In fact, he curls tighter around him without even knowing why. "What the hell," Ghoul rasps.
Kobra hisses through his teeth. Speaking of living up to names. He fucking hates anyone who hurts his friends. But he can't say it. Hard as he tries, in the one moment of clarity about his own mind that he has, he can't speak.
"I fucking hate me, too," Ghoul says finally. The single dusty lightbulb above them flickers. If it goes out, they'll be in total darkness. Kobra thinks one or both of them might have a wicked eyeshine by now. The desert makes you wild. For some people, they're born that way.
"I think you're my best friend," Kobra finally manages to whisper. It isn't exactly what he was going for. It's not something he would ever say if he had thought of it before it popped out of his mouth. But Ghoul gets the point. Of course he does. Ghoul always gets his sharp edges, snakebite teeth and misspoken definitions and all.
"I think you're mine," Ghoul says back. "I'm-"
Kobra smacks the back of his head, like this is in any way normal, like they aren't collapsed on a dim bathroom floor in the middle of the night or the early hours of the morning and like one of them isn't mutilated for life by his own hand. Like this isn't the worst thing they've ever gone through together. "If you say you're sorry again, I'll cut you myself."
It's rough, and it's torn up and pained and choked, but Ghoul laughs. Just a short bark of laughter, hardly like the dry, rasping cackle that Kobra knows so well. It sounds like agony but it also sounds like the sun coming up. Kobra makes a noise in the back of his throat, more whine than laugh, but he's so close to blowing up that it's as good as it gets. He wants to freaking die if that would keep Ghoul in one piece.
Ghoul shifts in Kobra's arms and pulls away just far enough to look him in the eye. He clumsily wipes at the tears and snot all over his face and Kobra has to snap a hand out to catch his wrist before he unthinkingly swipes at the fresh wound and stitches. "Kobra," Ghoul says, shivering in the dark. The sun won't take long to come up once it starts but until it does, the Zones are freezing. "Kobra."
"Yeah, man, I'm still right here." Kobra forces himself to look Ghoul in the eyes and not the stitches. The wound takes up so much of his face. It's all Kobra can see when he looks at Ghoul, his best friend's mutilated mouth, sliced open by his own hand. Kobra flinches just imagining it. He focuses instead on Ghoul's green eyes, boring holes into his head with the desperate pleading in them. "I'm still right here," Kobra repeats, quieter. Reminding himself, too.
Ghoul doesn't blink. Kobra doesn't blink. Their eyes reflect the dim light back at each other. This is what wild animals must feel for each other. Terror. Uncertainty. Just themselves, each other, and whatever comes. Ghoul licks his lips, tongue flicking briefly, visibly, to the corner of his mouth that he cut open. "Don't let me-" Ghoul starts and then falters. "You gotta make sure," he says. "Don't let me- do stupid shit like this, don't let me go crazy again, Kobra, please."
Kobra stares back at him, matching Ghoul's trembling desperation. He's known Ghoul since the day their crew found him, shell shocked between the shelves of an empty gas station with the bodies of his parents and previous crew around him. Perpetually shaking hands and feral bared teeth, animal eyeshine. No one can match Ghoul for determination, and no one knows Kobra as well as he does. Even if Ghoul does know his brother better than him, the same is true in reverse.
Kobra Kid has a hard fucking time ever letting go of anything once he's got it. Fun Ghoul holds on too loosely. They're both terrified. What a pair they make. But when Kobra Kid makes a promise, he means it. He grabs the ends of Ghoul's hair and pulls, not too hard, but hard enough. That's their normal. Play fighting and hair pulling, and they both know it's a kind of language for when they can't speak. "Okay," he says, and because it's a promise, he repeats it. "Okay."
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gobstoppr · 10 months ago
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first draft at a john design..
some design notes in the tags
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pikkish · 1 year ago
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breaking news: surprising absolutely no one, pik has fallen in love with the fast paced fps game where the big, silent badass of a main character's sole goal is to protect the small, squishy innocents.
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kashilascorner · 4 months ago
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Oh ok. I get now why a lot of people didn't vibe with the ending.
All and all: excellent manga, overall very good final act, too rushed final 2-3 chapters but weak and honestly mediocre epilogue, which makes the high of the ending kind of leave a bitter taste. I think Noda had a good steed and suddenly he had to finish and had to rush all. So the ending in the sense of the final arc was good but the ending proper (final couple chapters) + epilogue......... Not so much
#i liked rhe ending (though made the mistake to read comments so now I'm like 'yeah you are right that did not make sense' when on my own i#probably would not have noticed. but ok. I'll work my suspension of disbelief. HOWEVER the epilogue WAS indeed very lackluster#i get it's an epilogue but it was so rushed. we barely get a closure for ume and saichi and tanigaki did not get to#take asirpa back to uci as he should have (though he was instrumental for that). overall it was super rushed#like we did not even see how Sugimoto was rescued. the epilogue was faaaar too rushed tbh and also too vague in parts#siraishi not really saying goodbye.... also sugimoto and asirpa living together that's cute idc and i think the line into nastyness was not#crossed but oh boy is it a thin thread... i still choose to believe they are platonic soulmates lol but i want to see an official#translation of the volume that's all i say. what else... oh yes. the way the gold never got to actually be distributed doesn't sit right#with me at all but the worst part was definitely the sugimoto/ume thing oh god that was BAD#we did get to see osoma which was cute#OH AND DON'T GET ME STARTED ON VASILY??? We didn't even see him. the epoligue for him in particular was great though but his ending was not#like he just hanged around ogata gor chapters and chapters on end and we don't even get a glimpse of him during the final showdown??#tbh i think noda wanted to do something more with him but realized he did not quite fit into the story and in the end got#caught up with all the main lines he did have to close and he obviously had planned and probably combined with his own exhaustion well#did not go nice for vasily! i also would have liked a more proper epilogue for tsukishima and koito. they deserved it#I don't like how pre-epilogue the tsukishima-tsurumi-koito tension seems to reach a breaking point only to kind of not get resolved because#they have to keep fighting lol.#laura reads#also i get the sentiment of the ending regarding the ainu and i think noda did his best but it seems like a rather soft thing for asirpa to#do like... sure. museums and stuff. i GET it but it goes a little too soft in the actual colonialism that went on from the japanese. i feel#noda starts off fairly critical of that but in the end softens his stance which is a shame but ok. the bar is in hell so this is actually#much better than average from what i can personally gather of my little knowledge#golden kamuy#gk spoilers
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cdroloisms · 4 months ago
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I just came across your post about vagueposting and I think I agree with it, but the situation you most likely wrote it about is hardly a "vagueposting" because you could say who it was about after reading it literally one time and that person got jumped and insulted in the anon ask anyway so discussing it in person could be safer...
I'm reeeally sorry for bring up a past situation, but I don't think it's a good idea to write nasty things about another person and specific details about how they interact with the fandom and their post, say things that will help to easily identify a person and at the same time insult them or say how you think they feel about the characters or the story based on your feelings about their one take that you didn't like and then call it's "vague" because there is no name in the post. I mean, It can lead to bad consequences, it literally did in that situation.
And yes, I do think people have the right to discuss bad takes or takes they don't like, but there's a way to do it without giving away every detail about the post and the person who wrote it so everyone knows who you're talking about, and if you're not good at being vague, just discuss it in a private chat.
this ask is old but i was busy last week, so forgive me for the late response. i was debating answering it at all, but i dont want myself to be misunderstood, so just. to clarify under the cut.
i'll agree with you that the post/situation in question wasn't vagueing. now, i don't know exactly the difference between the number of followers i have and the number of followers that the blogger in question has, and when it comes to the number of active dsmp followers i think both of us have even less of a clue. that being said, both of us frequent much of the same circles, so i think it's fair to say that many of my posts will end up being exposed to a very similar audience to his, and so therefore this response about the situation you're talking about will be just about as clearly traceable to a specific person as the post he made that started the situation in question. just as a general observation.
if i'm understanding your ask correctly, while vagueing a take is fine, the vague shouldn't be clearly identifiable if you're going to speak badly about it or disagree heavily. to which i have to ask what, specifically, is defined as clearly identifiable? i think most takes in this fandom can be pretty easily traced to a person, even if that person is not the only person that believes in that take--just as an example, c!tommy as a butterfly pinned behind glass was a take in response to the c!sam and c!dream stream after techno escaped, and grew to be a pretty prominent theme to the point of a zine being modeled after it, but i can also trace it to a pretty specific tumblr post with a name attached. i also think that that same statement probably isn't true for many fans who maybe joined later on in the fandom. i mean, i'm aware that i'm being pedantic here, i'm aware that the situation in question created conflict specifically due to it being within dreblr and in a space where multiple people would've seen both posts and felt ensuing awkwardness bc they know both people either on a personal or acquaintance level, but i mean the same applied ages ago whenever strategist-interpretation and trauma-interpretation c!dream apologists felt like going at it again on the dash.
in this scenario specifically, what made the situation clearly identifiable was the nature of the take that was being discussed. the main identifying detail was the take that the asker was asked about, imo, and i mean ... yeah i mean. most takes that haven't blown up pretty heavily do end up being tied to one or two people? i mean, staged finale is a take that can be tied to three people who argued in favor of it the most before the rest of dreblr got on board only in late 2021. i simply don't think that a take that maybe only one person has argued for (which, i dont remember the statistics of the take in this situation, so i dont remember how many notes it had or how many people in total may have expressed public agreement towards it, honestly) is exempt from discussion when it is posted in a meta or analysis space as an analytical piece, which i do think applies to this take from what i remember about it and how it was tagged.
and back to the discussion of what's acceptable as far as directly responding versus vagueing, i mean, a lot of the discussion i've had on my blog (abt discourse etiquette in General in meta spaces on dreblr moreso than this specific situation, largely bc i did want to avoid commenting on a situation that 1) i really had no business in and 2) i have reason to be biased about. the main reason why i'm talking abt it now is bc hopefully enough time has passed for feelings to be less fraught and bc i want to make certain thoughts of mine clear, in case they weren't clear enough in my original posts abt dreblr and whatever) revolves around both direct responses and vagueing having their reasons as well as pros and cons, and both will likely continue to exist in analysis spaces and generally i don't think it's productive to really comment on what people can or can't do on their own blogs. in this scenario, i don't think "vagueing about one specific person in a way that may be clearly identifiable to parts of their audience" is uniquely unacceptable? a direct response very clearly would make the person in question identifiable -- outside of how it's kind of impossible to make a post vagueing someone in a way where No One has Any Idea who you might be talking about without making the post like, incoherent inherently, if vagueing (not identifiable) is okay and directly responding (identifiable) is okay, then why is vagueing (identifiable) not okay?
now, i understand that any situation where the person in question might be identifiable, some people may take the open disagreement as permission to harass them. and obviously, harassment sucks. part of the whole point of opening up this conversation on my blog was bc i worry, with the way that a single conflict between dsmp opinions has kind of rippled through dreblr recently and the responses to this "situation," that an environment is being created with too much of a forced global consensus that punishes people for stepping out of the status quo in both opinions and behavior, which is obviously bad for the whole community, and was looking to voice some of that and have a conversation on solutions. and i understand that in this situation, a lot of your problem with the blogger has to do with his general attitude in discussing the take and his statements on the person who made it. now, i think you have every right to find his statements offensive and disagreeable and to unfollow and/or block him. that being said, i am not exactly a PR agent, and i want to reiterate that what people do on their own blogs isn't my business and i don't think it should be my business. or uh, anyone's business, for that matter. i don't think that everyone "in dreblr" is beholden to keeping to a certain person's standard for "acceptable" disagreement and "acceptable" sharing of their own opinions on their own blog as long as they're not inciting harassment, which entails, like, actively encouraging harm to happen yk. i mean, you can think that the blogger was being rude or an asshole and prefer to never see him again, that's fine. that's your prerogative. but i mean, i'm not gonna tell the guy how to interact with the fandom on his own blog, haha.
to be clear, im not telling you what you can or can't do on your own blog either. if you wanna make a post about how his posts contain harmful rhetoric, how he's an idiot, or how he's rude bc you disagree with his public posts on this situation or on the dsmp as a whole, i mean, i'm not gonna handwring over it and tell you that you're not allowed to do that. it's none of my business, and i like to think i'm not that hypocritical. and honestly, i think that in a space where we're talking about analysis, commenting on harmful rhetoric happens often and should happen often when it happens -- literally anyone can make an analysis post that has harmful rhetoric, and sure it's fiction and no one has to answer to the analysis police for making a bad analysis post, but i've also been in this space and seen enough truly mind-boggling amounts of parroting takes about torture that make people sound like CIA psyops to go "well saying that someone's analysis post contains harmful rhetoric is really rude" pfft. again, i'm not saying i'm immune to hypocrisy, but i've certainly malded enough times in public about the shit people have said in this fandom to take issue with that. now, getting a little less into the strictly-analysis side of things, i understand that insults like calling someone an idiot may not sit right with everyone, to which i say. block to your heart's content. but c'mon man i've called people idiots before i'm no saint 😭😅
anyway. i hope this clarified some things, anon. take issue with whatever and whoever you like, honestly, whether that's me, the person that i just not-vagued for the last however many words, etc etc -- again, your prerogative. and i agree, it's a shame the situation devolved into stuff like insults in both bloggers' inboxes when it really didn't have to be like that like. at all.
#disk horse#tw discourse#tw negativity#my asks !!#i dont mean to cause offense but i do think it's important to clarify in case my original posts were unclear#i dont think there's any amount of group tone policing anyone's blog and deciding what people on dreblr can or can't post#when said posts aren't you know actively harassing someone else and encouraging harm#that's like. productive. or good at all for the health of this community#hence why i've emphasized the idea encouraging disagreement in healthy ways so much#now would i have approached the conflict the same way as this blogger? i mean no. but we're not the same people#and we both do things for our own reasons. his blog isn't my turf and isn't where i'm setting my rules#and it would be a massive level of overstepping for me to try and do that? and you know. controlling and rude etc#further vagueing re: personal conflict is quite different from vagueing re: analytical conflict#and i understand that some people might take the insults as too personal to be within an analytical environment but again#i think it's absolutely fair to draw that line for yourself and block whoever you think is being unacceptably rude#but im sure as hell not gonna go up to him and say that it's my right to decide for him how 'rude' he is or isnt allowed to be on his blog#the two bloggers in question in this situation weren't exactly friends and the vagueing was with respect to the person's analysis#not vagueing them for being a Bad Person or Bad Friend or whatever#but anyway. i hate to comment on this honestly so i might delete later#and this is definitely the last i have to say on this specific situation
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goblins-riddles-or-frocks · 9 months ago
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Scorched sea verse for the title game!
This is a doc where I’ve jotted down several supplementary ideas for the Darklina Roleswap AU where Nikolai is just hanging out as their third lol
There was a lot of backstory lore that didn’t make it into the fic proper that seemed fun to explore. The entire segment where the Apparat builds her up as a saint before Grisha are at all accepted in Ravka and the higher stakes of that. Then things going south, Mal dying and her turning to Ilya Morozova for help. And the vague Baghralina that happens then falls to pieces after the falling out with her father lol.
I also had ideas for two future separate scenes, that would probably be one shots in a collection. Alina being driven to tell Nikolai that she’s not actually going to human sacrifice herself in the next couple of years, can he please stop being so damn melodramatic about it???
The main fic wrapped up before the actual collaring so I also had some loose ideas for that. Here’s a snippet of it!
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michyeosseo · 2 years ago
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She's come to disturb my heart again.
Yoon Hae Young and Choi Myung Gil as JANG SE-MI & BAEK DO-YI LADY DURIAN (2023) 1.04
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x-for-a-y · 3 months ago
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"Hey, Jake! Would ya help a curious guy out and answer a question for me?" Guptill hits him with a smile- one landing more on the side of appraising than friendly, but hell if he's one to judge people's social skills. "What landed you in this diary anyway?"
Now there's something Jake hasn't given thought to in a hot minute. "Oh, it was... weird. Like, uh, not explained very well." But here he is trying to do it anyway. "I just was on... the night shift at my job, and a client's, uh, wife, said some weird stuff to me. I wasn't even trying to be funny, but... then I guess word got out about that-"
He's heard enough. "That's it? He got mad at you over just a workplace incident?"
"I don't know if 'mad' is really the word for it." He's a teenager or something, right? He probably knows nothing about insurance.
Guptill's indignation is so righteous it somehow slips right around into being charismatic. "Still, that's nothing! Boy, it really drives me up the wall the way people make mountains out of molehills."
Jake extends a lazy glance from side to side, calling attention to their surroundings too subtly to do much good. "I'll say," whenever he has anything worth saying.
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wall-eye · 2 years ago
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a peek into the past of our feywild west characters
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moe-broey · 4 months ago
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Bruh that trope where like a character's friend or partner or something will get hit w some magic aged down beam and that character has to look after the now kidified version of their friend. If you're transgender, does it just detransistion you???????? Fucked UP
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voxxisms · 8 months ago
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@harteatiing  whispered a line  !! confrontation starters  ( not currently accepting. ) ❛ i wish it were that simple. ❜
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         ❛  you could make it simple.  ❜
     arms were crossed over his chest,  standing across from alastor,  tense energy surrounding him.  holding his body like he was ready to flee or attack,  uncertain which would be necessary,  but primed for movement,  regardless.  little branches of electricity jumping from his body,  ready to launch into the nearest circuit,  or to formulate some kind of weapon.  as it stood,  it was building static,  raising the hair  &&  fur between them,  the threads of his clothes.
        ❛ the only person being complicated about this is you.  all you have to do is talk. ❜
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supahstarrr · 6 months ago
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as a dr fan we need to acknowledge that some of the danganronpa characters suffer through chronic liners for bad humor by out-of-touch old guy writers syndrome
#glaring at himiko yumeno. kaede akamatsu. sonia nevermind. akane owari....#uhmmm if anyone wants me to explain i can i dont think i can organize my thoughts in tags rn... maybe later ugnnnn#drv3#danganronpa#Okay fine here are my thoughts#“chronic liners for bad humor by out-of-touch old guy writers syndrome” is a simplified term for this phenomenon where writers#give characters lines not to reveal their characters but to please the audience in distasteful ways for the sake of being ''funny''#(uh maybe i should like... do an actual proper text reblog for this because its hard typing this shit in tags but)#i feel like a huge example of this is kaede's comments towards tsumugi to the point shuich says shes an ''old creep''#although these comments *could* be an extension of her trait for pushing people too far (ex: the tunnel shit)#the comments actually dont. instead they are treated very unserious. in a way they feel so... vague and light#to the point that it appears that those comments *arent* trying to reveal anything about her character#especially since that trait is more specific than quite broad#i get people being uncomfortable with those comments (i am too) but they feel like a terrible#''writers talking through their characters for people to be more engaged with the media in a quirky relatable way'' than anything else#like ''writers are trying to appeal to the audience humor/desires and reach the audience's culture to the point of being out of touch"#so THATS the reason that i feel like it will be weird to shit on ''kaede defenders'' for the comments cuz they're just so..#detached from her character that people hardly take that as genuinely being apart of her character#and if it is genuinely apart of her character then its only as a way to keep people engaged with the story and character#it hardly adds anything meaningful to her character#fuck me these tags are long but onto himiko: most things ive said about kaede's comments apply to himiko's weird#fucking racism comments (ex: the afro comment that genuinely made me a little upset)#but to add onto that. himiko plays into a very specific trope that is ''lo1i girl'' and often that trope comes with quirky and “funny” trai#they're supposed to be so palatable and marketable to the audience and apart of the charm is how ''funny'' they are#the racism comment is way more revealing of the writers than himiko's character itself.. so no himiko is not racist; the writers are.#feeling the need to play into a trope by creating “funny” lines that is basically just fucking racism is just soooo danganronpa#*eyeroll*#and yeah i mentioned the other characters. sonia and akane being a victim of this phenomenon#although this moreso reflects the english translators than the writers of the game...#them randomly speaking in aave (which may i add theyd never do this) for the ''lols'' is a choice..
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