#the last of the mohicans 1992

[foggycatgarden]

[atomic-chronoscaph]

Daniel Day-Lewis on the set of The Last of the Mohicans (1992)

[onefootin1941]

Daniel Day Lewis & Madeleine Stowe, The Last of the Mohicans (1992)

[grunge-samurai]

Pretty much any Michael Mann film can be described as: "the masculine urge to fuck your entire life up".

I refuse to elaborate any further.

[rolandrockover]

Reprise Vol. 1 - Master & Slave

I think it's no big secret that Paul doesn't have much good to say about Kiss' Carnival of Souls. To put it mildly. Or he simply does everything imaginable to at least create such impressions whenever this album title should rarely enough become the subject of an interview question. Of course, he's welcome to do as he pleases, but personally, from my humble perspective, I think it's a bit of a shame, because I can also remember times when he spoke a tiny bit differently about it.

For example, I can still remember the time when the subject of a reunion was still treated as fictitious, and it wasn't on anyone's horizon, least of all Paul's and Gene's. That was back in 1994/95, when Kiss' laudable motto of perseverance and giving their best was for a change increasingly emphasized in their new music.

And I still remember very well that regular little Kiss feature in the German Rock Hard magazine, which was supervised by their Kiss Die-Hard (0), and from whom one got the vivid impression that he regularly got a certain insight into the world of our favorite band. I think it must have been February or March 1995 when Paul and Gene (1), but also Eric Singer (2), apparently got in touch with the interviewer directly from the rehearsal room in a telephone interview and Paul confidently said, not without his usual side-swipe at Gene, that his songs were much more melodious and heavier than Gene's. There was a certain pride in that. At some point later he even went so far as to claim that the new album was the best and heaviest since Creatures of the Night. Oh my!

What I mean, since that's a rather thoughtful and equally rare tribute to their own music, which was previously only outspoken to give a very special shine to the indeed excellent Revenge, and the return to form associated with it. And I must add to this Paul seemed quite proud of Revenge in 1992 regardless of how hard he had contributed to the previous albums in the 80's anyway. But who knows, once again, it was probably just the latest sensationalization of the upcoming album (3). Promotion is a double-edged sword, but to wipe Revenge away so succinctly because of it, I really don't know. But maybe and probably because it wouldn't have sounded so good to say their new album was the best since... their last one.

But to get my act together and to at least briefly talk directly about Master & Slave in this context.

So, as I already mentioned in my original entry, Master & Slave had the working title: Paul's Riff. In my perception, this suggests pride and respect, not necessarily from Paul himself, but clearly from his band environment. And the fact that such a meagre, yet all-saying no-name was chosen as accepted as a working title, if not even honored from everybody involved clearly speaks for itself.

And because this is a reprise, I'll simply feature an excerpt from my original text about what I see in this song:

"What begins in Not For the Innocent with a few approaching, ominous tones, continues in Unholy as a small extension in a slightly different pitch, and a much more compact back and forth oscillation of these tones, which thereby does not form the entire riff, but only a complementary part of it. In Master & Slave the whole thing gains in drasticness, and the motif is doubled to a lower pitch, added to the previous one to secure its terrain, only to turn into a Black Sabbath motif a la After All. An endlessly repeating highly dynamic acrobatic feat in loud and quiet/guitar and bass contrast."

When writing Master & Slave, Paul must have thought to himself: Ok Gene, a dark album full of Unholys shall it be? This time I'll listen to you, then you shall get Unholy. Which must have stimulated his ambition to try to outdo Gene in terms of Unholy by more than a small margin. I think the result shows in all strength what the right ambition can achieve.

"To conjure up this wet dream of riff Paul must have really tried hard and done his very best to achieve such a result - regardless of what he claims about Carnival of Souls as a whole today."

It is a real pity that he no longer stands by it. Gene and, above all, Bruce (4) seem to have fewer problems with this.

Side Notes:

(0) Jan Jaedike.

(1) Gene emphasized the psychedelic component and compared Carnival of Souls to the Rolling Stones' Satanic Majesties Request (1967) (5) , and that they couldn't explain either why it sounded different from the previous album.

(2) Eric said the album was super heavy and exactly the kind of music he wanted to play. I love to mention this because he had also clearly distanced himself from Carnival of Souls over the past few years. Klassik!

(3) Can anyone still remember how they loud-mouthedly advertised Crazy Nights as a mixture of Animalize and Destroyer back then? There's even a Youtube video of it, but don't ask me where. Anyway, that was still was something different.

(4) Or the last of the Mohicans, as I like to call him.

(5) Hmm, which Stones album did Ace's cover of 2000 Man actually come from?

Master & Slave starts from the beginning. Unholy and Not For The Innocent are highlighted. Turn up the volume and open your ears, I assume no liability:

Master & Slave (1997)

Unholy (1992)

Not For The Innocent (1983)

I'll add After All by Black Sabbath on top.

After All (1992)

[grrlmusic]

The Last of the Mohicans

[erstwhile-punk-guerito]

[max-e-doodle]

Daniel Day-Lewis.

The Last Of The Mohicans. 1992.  

[persephone-nymph]

Keanu Reeves dressed like a 1930s cartoon drifter at a screening of The Last of the Mohicans, 1992.

[princesserene]

Alice and Uncas from the Last of Mohicans (1992) somehow remind me of Elain and Lucien.

I know the story ends tragically for A. and U. but look at them 🥺

And the waterfall scene...imagine this as Lucien holding Elain at Hybern's when she was Made:

Brb crying

[didanagy]

The Last of the Mohicans (1992)

dir. michael mann

[gatheringbones]

[“A deep psychosis inherent in US settler colonialism is revealed in settler self-indigenization.

The phenomenon is not the same as the practice of “playing Indian,” which historian Philip Deloria brilliantly dissected, from the Boston Tea Party Indians to hobbyists dressing up like Indians to New Age Indians. Settler self-indigenization’s genealogy can be traced to the period of the mid-1820s to 1840s, what historians call the Age of Jacksonian Democracy, marked by, among other phenomenon, the blossoming of US American literature.

The giants of the era are well known to every US high schooler who has had to suffer through American Lit classes—Thoreau, Emerson, Whitman, Longfellow, Hawthorne, and dozens of others. Among them was James Fenimore Cooper (1789–1851), who conjured the United States’ origin story in his Leatherstocking Tales, made up of five novels featuring the hero Natty Bumppo, also called variously, depending on his age, Leatherstocking, Pathfinder, Deer-slayer, Hawkeye. Together the novels narrate the mythical forging of the new country from the 1754–1763 French and Indian War to independence to the settlement of the plains by migrants traveling by wagon train from Tennessee. At the end of the saga, Bumppo dies a very old man on the edge of the Rocky Mountains as he gazes east. But it is The Last of the Mohicans, subtitled A Narrative of 1757, that relates the self-indigenization myth that has endured. The Last of the Mohicans was a best-selling book throughout the nineteenth century and has been in print continuously since, along with a half dozen Hollywood movies, the first in 1911, plus several television series made in the US, Canada, and Britain. The most recent Hollywood production was a blockbuster that appeared in 1992, the Columbus Quincentenary.

Cooper conjured the birth of something new and wondrous, literally, the US American race, a new people born of the merger of the best of both worlds, the Native and the European, not a biological merger but something more ephemeral involving the disappearance of the Indian. Cooper has Chingachgook, the last of the “noble” and “pure” Natives, die off as nature would have it, handing the continent over to Hawkeye, the indigenized settler and Chingachgook’s adopted son. The publication arc of the Leatherstocking Tales parallels the Jackson presidency. For those who consumed the books in that period and throughout the nineteenth century—generations of young white men mainly—the novels became perceived fact, not fiction, and the basis for the coalescence of US American settler nationalism, the settler ideology that justified the fiscal-military state.”]

roxanne dunbar-ortiz, from not a nation of immigrants: settler colonialism, white supremacy, and a history of erasure and exclusion, 2021

[laurentcarbonelle]

The Last of the Mohicans (1992) Directed by Michael Mann. Alternative movie poster.

[misterlemonztenth]

04-24-24 | Native actor Eric Schweig played Hawkeye's adopted Mohican brother, Uncas, in Michael Mann's 1992 epic, The Last of the Mohicans. misterlemonztenth.tumblr.com/archive

[harrison-abbott]

In order to prepare for his role in The Last of the Mohicans (1992), Daniel Day Lewis lived on his own for a month in a forest in North Carolina. He taught himself how to hunt animals and skin them, as well as practising with a tomahawk, and running at high speed with his flintlock (a heavy rifle used in the 18th century).

[artorojo]

Top 100 military movies of all time.

1. Saving Private Ryan (1998)

2. Apocalypse Now (1979)

3. Full Metal Jacket (1987)

4. Platoon (1986)

5. Black Hawk Down (2001)

6. Das Boot (1981)

7. The Thin Red Line (1998)

8. Paths of Glory (1957)

9. Hacksaw Ridge (2016)

10. 1917 (2019)

11. Dunkirk (2017)

12. Patton (1970)

13. Gallipoli (1981)

14. We Were Soldiers (2002)

15. Bridge on the River Kwai (1957)

16. The Deer Hunter (1978)

17. The Hurt Locker (2008)

18. Letters from Iwo Jima (2006)

19. Zulu (1964)

20. Black Book (2006)

21. Stalingrad (1993)

22. The Battle of Algiers (1966)

23. The Longest Day (1962)

24. The Bridge at Remagen (1969)

25. Zero Dark Thirty (2012)

26. Jarhead (2005)

27. The Patriot (2000)

28. Tora! Tora! Tora! (1970)

29. Master and Commander: The Far Side of the World (2003)

30. Enemy at the Gates (2001)

31. Glory (1989)

32. The Great Escape (1963)

33. All Quiet on the Western Front (1930)

34. The Wind That Shakes the Barley (2006)

35. Lone Survivor (2013)

36. Kelly's Heroes (1970)

37. The Green Berets (1968)

38. The Alamo (1960)

39. The Messenger (2009)

40. 13 Hours: The Secret Soldiers of Benghazi (2016)

41. 12 Strong (2018)

42. The Last of the Mohicans (1992)

43. The Pianist (2002)

44. Rescue Dawn (2006)

45. The Beast of War (1988)

46. A Bridge Too Far (1977)

47. Behind Enemy Lines (2001)

48. Inglourious Basterds (2009)

49. The Boys in Company C (1978)

50. Red Tails (2012)

51. Battle for Haditha (2007)

52. Courage Under Fire (1996)

53. 5 Fingers (1952)

54. Company of Heroes (2013)

55. The Finest Hours (2016)

56. Windtalkers (2002)

57. Battle of the Bulge (1965)

58. The Nightingale (2018)

59. A Midnight Clear (1992)

60. Attack on the Iron Coast (1968)

61. Sergeant York (1941)

62. Empire of the Sun (1987)

63. The Pacific (2010) - Mini-series

64. The Desert Fox: The Story of Rommel (1951)

65. The Pacific (2010) - Mini-series

66. Enemy at the Gates (2001)

67. The Monuments Men (2014)

68. Days of Glory (2006)

69. Fires on the Plain (1959)

70. The Steel Helmet (1951)

71. Battle of the Damned (2013)

72. Memphis Belle (1990)

73. Crimson Tide (1995)

74. Attack on the Iron Coast (1968)

75. Sergeant York (1941)

76. Empire of the Sun (1987)

77. The Pacific (2010) - Mini-series

78. The Desert Fox: The Story of Rommel (1951)

79. Enemy at the Gates (2001)

80. The Monuments Men (2014)

81. Days of Glory (2006)

82. Fires on the Plain (1959)

83. The Steel Helmet (1951)

84. Battle of the Damned (2013)

85. The Longest Day (1962)

86. The Bridge at Remagen (1969)

87. M*A*S*H (1970)

88. Jarhead (2005)

89. The Patriot (2000)

90. Tora! Tora! Tora! (1970)

91. Master and Commander: The Far Side of the World (2003)

92. Glory (1989)

93. The Great Escape (1963)

94. All Quiet on the Western Front (1930)

95. Platoon (1986)

96. Come and See (1985)

97. Hamburger Hill (1987)

98. The Red Badge of Courage (1951)

99. Born on the Fourth of July (1989)

100. Fort Apache (1948)