#the important thing is i let my favorite manager know so if something more happens i have a trail 😌

[piknim]

BRO today my least favorite coworker said "hey you know what you need?" And i asked what he thought i needed. He kept beating around the bush about it until he came up to me and said "you need a man"

I laughed and told him im not into men and that theyre gross. He kept asking "so you dont like men at all" fuckin nope

[hellfirenacht]

Anomaly Part 3

Summary: You can talk to anyone in school with no problem. At least, anyone who’s not named Eddie Munson.

Tags: Anxious-ish!Reader but not shy, one sided pining, no use of y/n, fem!reader, one sided enemies to lovers, fem!reader

2.4k Words

Part 1, Part 2, Master List

Miles Cooper was still at school the following week, which meant that he was given no consequences for what had happened to you or for blaming Eddie. 

Eddie couldn’t even say he was surprised by this point. If Eddie really had been the one to trip you up, he was sure he’d get suspended or even expelled. It was so close to the end of the year and he could feel that Higgins was looking for any reason to keep him from walking across that stage to get his diploma. 

You hadn’t shown up on Monday. Not that it mattered to Eddie either way, you two didn’t even know each other. But you had cleared his name. That was the thought that kept buzzing around his brain like a mosquito that he just couldn’t swat. Despite the glares and the snide remarks, you had gone out of your way to make sure that he didn’t get in trouble for something he didn’t do, which is more than what he could say for a lot of people at this school.

He had to give you credit for that at least. Not many people outside of his small friend circle would stick up for him like that. 

With work and band practice, it was easy to forget about you until Wednesday when you showed up to English class with a thick white cast around your wrist and arm. Shit, your fall really had done a number on you. You were struggling with juggling your books and they fell off your desk with a clatter, and you thanked the girl next to you for helping you pick them up. 

Eddie would like to think he was above eavesdropping and gossip, but he’d be wrong. 

“What happened?” The girl- Sarah- asked. 

“I face planted on the bleachers at the pep rally.” you said, taking your seat again. “One minute I was trying to get down, and the next I’m getting elbowed and my arm hurt.” 

“I heard someone pushed you” 

Eddie heard that emphasis on someone and gripped his pencil, hearing the subtle sound of wood splintering against his thumb. This was not the time to make a scene. 

“No one pushed me. Miles elbowed me and I fell.” you said firmly. 

You were still defending him, Eddie wasn’t sure how to feel. 

“If you’re gonna spread rumors, could you do me a favor and make it sound more interesting?” You continued, “Like, start telling people that I dived off the bleachers to distract everyone that Miles shit himself.”

Eddie snorted loudly before he could stop himself. He slammed his hand pencil down on the table and covered his mouth. Dammit, why did you have to be funny?

Sarah laughed, much less obnoxiously and agreed before asking to sign your cast. You must be covered in signatures now, as you seemed to be friends with everyone. 

Everyone except him. 

Not that it mattered. 

It was nice and all that you saved him from getting in trouble, but it’s not like you two were ever going to be friends, no matter how funny you were. 

Class started and Eddie spent the rest of class doodling and barely paying attention to the teacher. This was usually how his school days went. Yeah, he had been trying harder in the past two years to graduate and pass his classes but some days his brain just refused to focus on anything important. 

The bell rang and Eddie took his sweet time getting his things together. Next period was his favorite- lunch. 

“Shit.” He heard you mumble as you tried to wrangle your books with one arm. He knew there was a rule about not being allowed to carry around a backpack but, shit, Eddie would have thought you’d get some help. Shouldn’t one of those many signatures be offering to carry your books? 

Obviously not, as you finally managed to tuck your notebook under your arm. You looked flustered, and hot in the face. Your brows were furrowed in concentration and you finally let out a loud groan as your papers went flying everywhere as students for the next class started coming in. 

It was pathetic, and Eddie couldn’t exactly leave you stranded. You cleared his name, so at least he could try and help you out right now. Maybe he’d even figure out what your problem with him was. 

“Here.” Eddie said and grabbed the papers closest to him and picked up your binder before you could stop him. 

Normally when Eddie looked at you, you’d turn your nose up at him and look away. This time, he found himself giving you direct eye contact. Your eyes were wide with surprise that he had stepped in to help, followed by more frustration. 

“Thanks.” you said shortly. 

“Need help getting to the lunch room?” Eddie asked. He’d wait for you to say no, to tell him to get out of your face, and he can walk away with a clear conscience that at least he tried. 

You were staring at him as if he were some sort of alien who had just asked you why the sky wasn’t orange. Yeah ok, he could take the hint. 

“Yes.” 

The word sounded choked out, as if the single syllable was a struggle to say. But you had said it, and Eddie was a man of his word, even though he hadn’t promised you anything. 

Eddie stacked your notebook and binder on top of his. You were still staring at him as if you couldn’t believe he was talking to you. Eddie couldn’t really believe it himself. 

He’d do this small favor for you as a thanks, and then you two could go back to ignoring each other. 

“Lead the way.” He said, offering up his best impression of his dad’s smile. If he was lucky (which Eddie never was) then maybe some of his dad’s Munson Magic might rub off on him enough so that you’d at least relax a little. 

You only nodded and led him out of the classroom. 

You didn’t like the cast and it’s off-putting stark white bandages. You wanted to choose a different color- maybe red or black or even that weird obnoxious toxic green that was offered to you. But your mom decided that white would be better because it would make it easier to sign, so white it was. 

Your parents at least took pity on you Monday, letting you stay home to wallow in embarrassment that you had broken your wrist and fractured your arm in front of all of your classmates. Tuesday they released you back to school, but you had instead skipped getting on the bus (because you could not drive one-handed) and played hooky at the local library. It’s not like anyone would care that someone your age was skipping school. 

Wednesday came, and you forced yourself onto the bus, the first time you had used it since moving to Hawkins. The ride was bumpy and long, and your walkman ran out of batteries halfway to school. 

It wasn’t as bad as you thought it would be. A few people came up and signed your cast, some asking what happened. You just told them the same thing, that Miles elbowed you and you fell. It wasn’t as exciting as the idea of the school Freak attacking you, but you weren’t about to get Eddie involved in something that he had nothing to do with. You were just going to ignore the fact that Eddie had been the reason you were heading in that direction anyway. 

English class rolled around, and you spent most of it poking the inside of your cast with your pencil, trying to scratch an itch that just wouldn’t go away. It was bad enough that you had fucked up your dominant arm, but this was actually Hell. 

When the bell rang, everyone else seemed to be in a huge rush to get out of the classroom. Everyone but Eddie. Obviously. Because of course the one person you were trying to avoid was now slinking around you. 

Your long weekend, you had done your best to try and not think about him. You could handle falling in front of everyone else in school, but with Eddie it was different. Your stomach twisted as you remembered how he had yelled as you fell next to him and how he had looked at you as you had ignored your stinging arm as you ran out of the gym to clear his name. 

It was bad enough he had heard you make a poor joke out of context, you weren’t going to throw him under the bus either. 

“Need help getting to the lunch room?”

Your face was already hot with the embarrassment of not being able to carry your own books. Your backpack had ripped the second you got off the bus, and you lost your math homework to a puddle. You hated that he was still here to begin with, was breaking your wrist already not enough pain and suffering? 

You were staring at him. Fuck- dammit- shit say something back-

“Yes.” 

The word almost got stuck in your throat. The only reason it came out was that as painful and embarrassing as this moment was, what Stacy would do to you if she found out you said no would be far worse. 

Eddie dropped your books on top of his, and gave you a smile that looked so forced that you couldn’t stand to look at him. Was this being done just out of pity? You’d run for the hills if he wasn’t holding you binder hostage. 

You led him through the hallway, and towards your locker. “I need to put some things up.” you said, and he followed you. 

The hallway was already mostly clear, and so no one seemed to pay you much mind. You weren’t sure what the rumor mill would churn out with Eddie carrying your books, but did it even matter? Two more months and you’d be out of this school and none of these people would matter. 

No one except the young man following behind you. 

Eddie dutifully held your books as you put them away. The door to your locker stopped you from seeing his face, which seemed like the perfect time to take the foot out of your mouth that had been there since the pep rally. 

“...I’m... uh... I’m sorry for what I said on Friday.” you started, pretending to rifle through a folder. “About you being in a cult. It was a stupid joke and I shouldn’t have said it.”

Eddie was quiet for a moment, and you felt your whole body tense up as you waited for him to say anything. 

“Yeah we uh.. We aren’t big on sacrificing in Hellfire.” he said carefully. “Had to stop that with the club budget cuts.” 

You had to bite the inside of your cheek and close your eyes tight to keep from laughing. You covered it up with a cough. “Yeah uh... sounds like that’d be a lot of paperwork.” 

You took a slow and deep breath before closing your locker to look at him. He was smiling at you, a far less forced one than before. It was almost the same smile he gave his friends when he didn’t know you were looking. 

It wasn’t much, but it didn’t stop the butterflies from exploding in your chest. You should see a doctor about that. 

“Oh yeah, tons.” Eddie said. “And with all the letters we get about our club being associated with the Devil it was just a bureaucratic headache.”

I know that if I could just talk to him one then I’d be fine. You had told yourself that every single day since these pesky little feelings emerged. Maybe you had been right. The two of you made your way to the cafeteria. 

“You’re just some nerds playing with dice.” you said, and realize that could be taken the wrong way. “Not that there’s anything wrong with that. I’ve also... played board games.” 

God you were acting like a total airhead. Board games? Really? You were acting like your brain was broken rather than your wrist. 

You felt Eddie’s eyes on you, and saw how he also looked unsure about your answer. Whatever was going through his head, he brushed aside. 

“I should also thank you for clearing my name.” he said, changing the subject. “You came running out of the gym and saved my ass.” 

“I wasn’t going to let someone get in trouble just because I fell!” It was the most assured thing you had ever said to Eddie.

“Well, either way I’d say you’re my hero.” Eddie said. “I’m pretty sure if you hadn’t come running to my rescue I’d probably be expelled by now, and then who would be around to corrupt the youth of Hawkins?” 

Hero. Eddie called you his hero. You felt your body buzzing with an energy that you were not in a place to use. 

You two were in the cafeteria now, and you led Eddie over to where Stacy was sitting. Stacy, being the queen of subtlety that she was, was openly gawking at the sight of the two of you together. 

She was giving you a look, and that look said that the second that Eddie was out of earshot you would be giving her a play by play of every single second of this interaction. 

Eddie dropped your books on the table by Stacy.

“Hi, Eddie!” she said in a perky voice. You wanted to kick her, and shot her a warning look which she ignored. “Will you be dining with us today?” 

You wanted to rip your hair out. 

“As much as I would love to spend my lunch period with you two ladies, I’m afraid my freshmen wouldn’t survive out there in the wild without me.” Eddie gave a dramatic bow. 

“Thank you. For helping me.” you said stiffly. Being on the receiving end of Eddie’s theatrics was making your brain blow a fuse. 

Eddie gave you a nod and sauntered off to his usual table where he was immediately hounded by his friends for being seen with you. You wondered what they were thinking. Did you look weird next to Eddie? Were they judging you for not being part of their group?

“Stop drooling.” Stacy said. “Talk.”

I have never broken a bone and have done minimal googling.

Also these chapters are getting longer dammit. This is supposed to be the easy stuff to wright UGH. Also tell me if there's something you wanna see with this, because I'm winging it like I do with all my writing lol

Tag List: @eddiemunsonfuxks @kirsteng42 @strangereads @pedroschka @generoustrashpeach

@sheneedsrocknroll92 @cyanfairywren @crocworkships @tomtomslongdong @aphrogeneias

@ghcstpyre @totheforestandtheocean @stevekeeryswife @dreamyyy222222 @ajnerdess

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@2spock @c14r3v1b3srs @yujyujj @saramelaniemoon @morganlolitta

@veemoon @mrsrdlw @eddieheart @bambibiest @mylovelycrazyworld

@sassidykassidy @cultish-corner @thedoubleexposurephotography @bambibiest @wheels-of-despair

[dyns33]

Family protection

I missed Alfie during Flufftober, I'm not going to lie, even if it was fun

Thomas Shelby was preoccupied.

No, if he was honest, Thomas was just as terrified and furious at that moment, hurt inside, ready to devastate everything in his path, like every time he was told that a member of his family had been targeted.

It had perhaps been a mistake on his part to believe that it was not necessary to monitor Y/N after her marriage. Solomons' men took care of that.

So, when John had called him in a panic, saying that there were rumors about the kidnapping, or even the murder of their sister, he had at first remained frozen at his desk.

Since Polly had brought her back, this little girl from another mother, also abandoned by their fucking so called father, he had loved her. Maybe even more than the others.

The child was adorable. Shy at first, then smiling, with a crystal-clear laugh, asking for cuddles from her brothers, playing with dolls with her sister, and always wanting to be with them.

Normally, boys didn't accept the presence of girls. Poor Ada knew something about that. But strangely, with Y/N, it was different. Neither he, nor John, nor Arthur, could refuse her anything.

She came with them in the streets, in the countryside, in the trees. There were some limits of course, but he had shown her how to climb, jump, run. How to defend herself, if one strange day they weren't there.

Thomas confided things to her and her only when they were alone. The times he slept in the fields, she came to join him. That was often what pushed him to come home, because he didn't want her to catch her death. She stayed there, glued to him without saying anything, respecting his silence like no other member of his family, and for that, he ended up talking to her.

It was a false secret, that Y/N was his favorite. A secret that didn't bother anyone, since she was everyone's favorite.

So Thomas Shelby was preoccupied, because it was said that something had happened to his little sister, without anyone being able to clearly say what.

"She was in a bookstore." Arthur mumbled. "She goes there several times a month, to get books and read to the kids. They like it, she has a beautiful voice. After the session, she often has tea upstairs with the old owner. Men came in, beat up the employees and customers, before going upstairs. Then there was a fire. We don't know anything else."

"And Mr. Solomons ?"

"Haven't managed to reach him. His little assistant says he's… busy."

You'd think the same guys had come to Camden Town to destroy the King's Bakery. Because everything was in a pathetic state, and it was the doing of one man, who shouted orders from his office when he wasn't breaking anything that came his way.

If Thomas was preoccupied, Alfie had lost his mind.

During an important meeting with the Irish, he had let Ollie handle the business, and since the men had to be watched, it was a new kid who answered the phone.

He learned only two hours after his return that a woman had called. Not just any woman, his wife. Who was worried, because there were men in front of the bookstore, whom she didn't know.

She was smart, his wife. His tender Y/N, well raised by the Shelbys. Even if she was normally safe, she remained wary, thinking of looking behind or through the window, knowing all of her husband's employees.

The incompetents who followed her that day had been found with their throats slit in an alley.

Even though his patient was at his limit, Thomas let Alfie finish his tantrum, noting that he had left only the phone and the record player intact, which was playing opera to try to calm him down.

Y/N had disappeared for four hours now. He wouldn't calm down.

"They would have called, huh ? To give their fucking instructions. Or maybe they're scared, they know that my men, the most competent this time, and yours, are all over town, and that as soon as we know who did this, they'll be dead. But… If they don't have her… Tommy, if they don't have her, if she's in that still smoking pile of ashes… I'll burn everything."

"Arthur and John are going to find her."

"Yeah, huh ? You can sense it with your gypsy powers ? Your witch aunt read the cards and saw that my Y/N was healthy ?"

"Not now, Alfie."

Solomons growled, turning his office chair in anger and slamming it against the floor until it was all crumbs. It was only because it was his wife's family that he was acceptinf Thomas' presence.

And for his part, even though he wanted to blow his head off for not protecting his sister properly, Tommy sat there smoking his cigarette, remembering how it had felt to hold Grace in his arms.

When the phone rang, he stared at it for a moment, before looking at Alfie, frozen in the middle of the room, staring at the wall. He wondered if he hadn't heard, before realizing that the wandering Jew was afraid to answer.

It might have been the famous ransom demand, which would teach them that a lot of harm had been done to Y/N, and much more would come if they didn't do what the kidnappers wanted.

It might also have been the coroner, who had finished putting names on the bodies following the fire.

Slowly, Thomas put down his cigarette, before answering.

"… Tommy ?"

"… Y/N ?"

"Give me that !" ordered Alfie who immediately came back to life, snatching the phone from him before finding a softer voice. "Treacle ? Love ? Are you okay ? Where are you ?"

It turned out that despite the lack of practice, taking young Y/N into the woods to teach her how to climb, jump, play tightrope walkers and hide, had been a good thing.

Realizing that something was happening and since her husband was not reachable, she had climbed through the upstairs window on the courtyard side, hoisting herself up onto the roof, until she found a secluded spot to climb down.

Then, not knowing who to trust, she had stayed hidden until nightfall, to go to the closest and safest place from her position, which was her sister's house.

"Faster, Ismael !"

Thomas could have muttered that it would be better to get to Ada's alive, but he only clung to the door handle while the driver obeyed Mr. Solomons without worrying about pedestrians or other cars.

It was also useless to stop Alfie from jumping onto the sidewalk, forgetting his cane in the car to go and bang on the door like a madman until someone opened it.

Calm only returned when he laid eyes on Y/N, settled in the living room and already surrounded by all the other Shelbys who had been called after them.

"Treacle. Forgive me." he sobbed as he threw himself at her knees, his arms around her and his head against her stomach. "I was so worried, love, I thought I was going to die."

"Oh, Alfie. I'm sorry, I wanted to call you before but I didn't have access to a phone."

"I'm the worst husband. I didn't protect you. If my men weren't dead, I'd slit their throats myself."

"Let's try to talk about something happier." Thomas coughed as he approached, placing a hand on his sister's shoulder who smiled at him. "Did you hurt yourself jumping off the roof ?"

"No, I'm fine. Just a little tired."

"Strange clothes."

"Yes, love. You weren't wearing that this morning."

"Oh, I…" Y/N said, visibly embarrassed. "I may have "borrowed" a disguise. And money. And a car."

"She's our lil sis !" Arthur declared proudly, oblivious to the dark looks from his aunt, sister, brothers, and brother-in-law.

Maybe they had also shown young Y/N how to steal, but only once or twice, for fun, telling her that it was wrong, and that she would never need to do that because they would take care of her.

Alfie mumbled in Hebrew, which made her laugh. Probably insults without malice. He only let go of her to allow the others to kiss her before he took her back to their home, returning worse than a leech at the first opportunity.

When he proposed to add some of his men to Solomons' for her next outings, the king of Candem was at first outraged. He didn't bark only because his wife had already experienced a lot of emotions, but he would not let Thomas humiliate him.

However, in the middle of the night, certainly when Y/N was sleeping, Solomons contacted him.

"How many men, and what price ?"

"I'm the one who feels insulted now, Alfie. She's my sister, that will be the necessary number and for nothing at all."

"Hmm… You know, they all have something to say about you, your siblings. All of them, while you take care of them. I know it, I see it, but they are never happy. But not Y/N. No, my treacle has nothing but compliments for her big brothers, and you the first. Tommy this, Tommy that. She adores you."

"I adore her too."

"Hmm. Not as much as me, and so there will be fewer men than mine, but… I accept the offer."

"Glad we almost agree on something, Mr. Solomons."

He did not sleep that night, because Thomas Shelby was a preoccupied man by nature. By business, by his family, by the future and the past.

But as for his favorite little sister, he could have slept peacefully, knowing that her husband was there to ensure her happiness and protection as he had sworn during their marriage.

And if something were to happen, they would join forces, then Thomas would probably kill Alfie to punish him, if the madman didn't kill himself first to join Y/N whom he loved at least as much as her brother loved her.

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[bandtrees]

this has always been one of my favorite lines in this scene it’s so striking to me. i think debating over callum’s level of lucidity and what can or cannot “fix” him is deeply antithecal to what the story is trying to express with him - but the idea that callum is still there and still a person who does have the capacity to love mingus, just not in a way she can ever comprehend or accept, because she can't comprehend or accept anything outside her narrow worldview, is sooooo good.

there is no way of actually knowing if callum is proud of mingus, much less recognizes her at all - but it's added to by the fact there's only so much of that she would accept even if he could. ultimately, she wants validation and power, his prestige, from him, she wants a supportive parental figure she never had - there's only so much of that callum is able to provide even in a world where her stint to fix his memory actually worked. he's like a hundred. he never even MET her. to say nothing of all he's missed in the past fifty-odd years. to say nothing of how his age may have messed with his mind deteriorating even without the pre-existing brain damage.

and mingus' phrasing here implies he doesn't even look at her when she visits - which brings me to the visit that radicalized her: the one after her surgery, where he was watching gingi out the window.

obviously, callum watching gingi is mostly for the thematics of it all, how similar the two of them are in ways mingus refuses to recognize, but theres also the thought of... callum's been sitting alone in that room for over half his life, barely lucid if at all. of course he's going to be drawn to a brightly-colored thing making noises and knocking stuff over outside. if he can't respond to stimuli of the people around him he's at the very least going to latch onto something more visually interesting than Brown Wall and Brown Figure.

but it's not like mingus can think of it like that, because she's internalized so much about her grandfather and built up such a specific, personalized vision of him - she doesn't see him as an elderly man with (a fictional equivalent to) dementia, she sees him as President Callum Crown™, the man she personally has to please and live up to the legacy of and make proud, disregarding the fact that's not something he has the mental capacity to even do - because she's so obsessed with validation and complete control that the only way she can get it is by either subjugating others and forcing it out of them (what she does with her townsfolk), or just completely projecting on someone who, for her purposes, is basically a blank slate.

which is maddening to her in its own way, see how crazy she drives herself trying to restore callum's memory in the first place - but also, would she be happy even if callum could see her for who she is? post-game, when she's working on herself, that's an irrelevant question as she's pushed past that need, but as we know her? absolutely not.

i love the ch3 standoff between norm and mingus as a show of "Okay guys let’s see who can dehumanize this disabled guy harder (via pedestal-putting) and justify themselves for it better" and why i think it is so important that it’s gingi who reads the postcard and ultimately speaks for callum instead of either of them, or even the narrator. they can’t read, and they struggle to, but they manage to get it right even when people are telling them to stop. and the fact they’re able to do it at all, are given the chance to do so, and are ultimately the one to wind down this conflict shows that the world of dialtown, while not perfect, really is how callum would have wanted it.

both gingi and callum are some of the most altruistic and human characters ever, and the crux of their parallels is that they are denied this by close-minded people because they happen to Behave Strangely. it's why seeing mingus act the way she does hits so hard - she loves her paw-paw, yes, but if she were to see him in a vacuum, a one-limbed man who can hardly think, much less speak for himself: or even his younger self, who was struggling to make ends meet with his odd inventions...

...well, the feeling norm's imagining here would probably be mutual. mingus' relationship with bigotry is a very fascinating one, she's very close-minded but views certain oddities (ie her flesh-head) as having earned their place and thus being fine - she's a freak too, by her own admission, but she's doing it for a just and wider purpose, so it's fine. which is, ironically, the ideology callum forced upon himself.

callum was obsessed with helping people, pushing himself to do more and more, because it was the only way he ever found respect. if he didn't help people and have grand visions for the world and make himself "useful" to society at large, then what would he be, if not a freak?

mingus and her paw-paw are very similar people, from their well-intentioned extremism, to their stubbornness and paranoia, to their inability to view themselves as anything more than a vessel for that grand cause they believe in (callum in the dialup, mingus in restoring her paw-paw's memory) - which is funny, because if mingus was able to view callum, and herself, as a flawed human person, she would come to understand how similar they really are.

:(

[traveler-at-heart]

Across the Natashaverse - Part 2

Natasha Romanoff x F!R

Summary: After you're sent to another world, Natasha has to deal with yourself, from another universe, and a very different life.

Other POV from this fic.

“Put more weight on your left foot” Natasha says, barely checking America’s movements.

Of course she knows this is important. Maria asked her to train Chavez in the basics of hand to hand combat. Her mind is elsewhere, though.

Especifically, you.

Natasha thought she was doing you a favor, she really did. Someone as kind as you could do much better than her. Agreeing to a date would only give you false hope, so she rejected the invitation.

It was foolish of her to think that things would be the same after that. You weren’t distant or rude, though that might have been easier.

Every morning, you’d still have breakfast with her, show her funny videos or tell her about your latest discoveries in the lab with Stark, which in the end, were related to her work as well.

You simply stopped sharing your interests, or going out of your way to seek her company. Long gone were the days of sitting together at the Met while you talked about your favorite paintings. Or the grocery shopping that turned into strolls through Central Park and ended in your favorite bookshop.

All that was left now were pleasantries.

“Am I doing it right?” America asks. She sure as hell isn’t, so Natasha shakes her head, hoping she can manage to focus on the task at hand.

“Stop” she says, stepping on the sparring mat.

“Please don’t tell me you want me to fight you”

“You’re punching the air, Chavez. The only way to learn is by doing. It will be fine”

The girl doesn’t seem too convinced, but Natasha starts with slow movements and corrects America as they go. When the intensity of the training increases, the girl’s powers begin to stir. A yellow flash on the ceiling distracts Natasha, and the next thing she feels is America’s fist colliding with her cheek.

“Crap! Agent Romanoff, I’m so sorry”

But there’s another loud thud, not far from the gym.

“Did you hear that?” Natasha asks, trying to figure what the noise is.

“Maybe”

“Take a break” Natasha instructs, looking around the room to check if everything’s alright. The team is still figuring out the extent of her powers and Natasha worries the girl just unleashed a demonic creature or something.

The redhead is so focused on the room, she doesn’t notice someone approaching.

That is, until she feels a hard slap on her ass, and a sultry voice against her ear.

“There’s my favorite ass-assin”

Five seconds later, she has the intruder upside down, back against the floor, gasping for air.

“Baby, I know you don’t like my jokes but this is a little too much, don’t you think?”

It takes her a second to process what’s happening.

“Y/N?”

“Hey, love” you smirk, all smug despite being knocked down by Natasha. “The weirdest thing just happened, I was going to get a snack because Anya was moody and then fell on my ass right outside the gym”

Natasha stares at you, as if you’re speaking a foreign language. And then it all clicks. The slightly longer hair, how you smell and feel different.

She let’s go of you and starts pulling your shirt by the collar.

“Hell yeah, let’s get naked”

“Where’s your birthmark?”

“I don’t have a…”

“You’re from another world”

“Ah, that’s so sweet…” you try to lean forward and kiss her, but she pushes you away. “Babe, I’m getting mixed signals here”

“F.R.I.D.A.Y., call for an emergency meeting”

—

“I’m sorry, she’s what?” Sam points at you, and Natasha pinches the bridge of her nose.

“She’s from another universe. America must have opened up a portal when we were training”

“Alright, so she just opens it back and we correct the mistake”

“It’s not that simple” Tony walks in.

“Uhm, guys. This meeting should be for Avengers only” you lower your voice, eyeing the man suspiciously.

“Hello? That table you’re sitting in so carelessly. Mahogany. Paid by me”

“Yeah, I’ve never seen this man before”

“A world without Tony Stark” Steve says, amused.

“Must be really quiet in your Compound” Sam says and you smirk.

“Why, no thanks to you. Not with all those super models you’re always bringing back to your room” you raise your eyebrows and Sam’s eyes widen.

“I date super models? I wanna go to her world”

Steve and Tony begin to argue about how that will make the multiverse collapse, when Natasha interrupts them.

“She’s messing with you, idiots”

Tony and Sam look at each other and then at you. You almost fall to the ground as you laugh. Since you’re not helpful, the team ignores you as they keep discussing the best way to identify your reality and correct the glitch.

“Y/N 2.0, we need more information about your… where did she go?” Tony grumbles.

“I got this” Natasha sighs, stomping to the kitchen. Sure enough, you’re rummaging through the fridge, complaining at every item of food you find.

“Don’t you have anything with sugar here?”

“You’re free to prepare anything for yourself”

“Not unless you want the kitchen to explode, Nat”

The redhead pushes you aside, while you look around the living room, inspecting the pictures on every place you can find.

“No wedding? Or Anya?”

“Nope” Natasha says, her voice shaking lightly.

“Why?”

“None of your business” she says, handing you a plate with a sanwich.

“Thanks. How did you know I was lying about Stark and Wilson?”

“Your voice gets all high pitched when you tell a lie” she answers, refusing to look at you.

“Huh” you mumble, taking a bite out of the sandwich. “Um. Is this peanut butter?”

“Would her Highness prefer caviar?” Natasha teases, but turns around and finds you covered in hives. “Shit!”

“That’s fine” you say, struggling to breathe. “Nothing an epi can’t fix, love”

You pass out in the middle of the kitchen, wondering if you’ll leave this foreign universe in one piece.

—

After leaving you at the medbay, Natasha goes back to the meeting room. She’s examining all the reports and missions that are related to multiverses. It’s a lot to digest, including all the quantum physics.

Alone for the first time since this whole thing started, she finally allows herself the chance to miss you. Right around this time, you’d be making dinner, and she’d be in the kitchen, pretending to help just to be close to you.

What if she never gets you back?

“Hello, there” a voice says. You approach slowly, knowing it’s best not to surprise her.

“How are you feeling? I’m really sorry…”

“There’s no way you could have known. It honestly never occurred to me that things like allergies were different” you say, patting her leg. “Interested in string theory?”

“Yeah, it’s a great ice breaker” Natasha says, and you chuckle. “You don’t seem too worried”

“The America Chavez of my world has had a bit more training. I’m sure I’ll be back home for lunch tomorrow”

“You could have said something!” Natasha feels the need to kick your ass again.

“Hey, I was gonna! And then I almost died”

“Jerk”

“What are you so worried about? She’s in a safe world”

“What if your Natasha gave Y/N a similar welcome?”

“Oh, I’m sure she had her pinned to a wall, only for very different reasons”

Natasha turns to you, alarmed. Her jealousy is so obvious that all you can do is laugh.

“There it is. I wasn’t sure you had any feelings towards her. Wanna tell me what happened?” you nudge her chair with your foot and she looks at you, annoyed.

“She asked me out, gave me flowers, I said no”

“Flowers, huh? Well, she’s more romantic than me. Natasha and I were pretending to be a couple for a mission and then I just blurted out I wouldn’t mind doing it again under different circumstances” you explain, laughing at the memory.  “But hey, if flowers and chocolates aren’t your thing, I respect it”

“It’s not like that”

“Then, what is it like?”

She thinks back to all the times you’ve made her feel safe, cared for, loved. You make it look so easy, but for the life of her, Natasha can’t figure out how to reciprocate.

What you make her feel, is too good and beautiful for someone like her.

“I haven’t earned her love” is all she manages to say.

“Natasha” you call, softly, and only speak when she finally turns to you. “You don’t have to do anything to be deserving of love”

There is silence, and then you take her hand in yours.

“Come on, I’m starving. Let’s grab some Chinese”

“Fine. No more peanut butter, though. I don’t want to fight myself if something happens to you”

“Now that would be entertaining”

—

Next morning, everyone is back in the meeting room. Apparently, due to some bad experiences, they’ve decided you should come back to your world immediately, before the universes collapse.

“I promise you, it will be fine” you insist. Natasha is the only one that seems to believe you, so you save yourself the trouble and spin around in the office chair.

“Can you stop?” Steve says, irritated.

“I’m trying to create a vortex that is powerful enough to send me back to my reality, Steve” but he still glares and you stand up. “Fine. I’m getting a snack”

As you exit the room, Natasha comes running behind you.

“Wait. I wanted to apologize”

“Steve is an old grumpy man, don’t sweat it”

“No, not about that. I’m sorry for… being so hard on you when you first got here”

“We deal with aliens and all kinds of threats.  It’s not so crazy to think that an intruder is dangerous. It’s all good, Nat” you shrug your shoulders.

“I just wouldn’t be ok if your Natasha had acted that way with my Y/N”

“Your Y/N?” you repeat, pleased as Natasha blushes. “Good for you, Romanoff. Get the girl. Trust me when I say, she’ll make it worth it” you wiggle your eyebrows.

“Such a flirt”

“We can’t help ourselves around you, no matter the universe”

You wink, and walk to the kitchen, leaving Natasha in the hallway.

Inevitably, she thinks about you. The one that belongs here, with her. Are you enjoying your time in that other universe? Will you resent her for bringing you back? Maybe that Natasha is more loving and sweet, and you’ll finally realise that she can’t actually make you happy…

Her thoughts begin to spiral again, until the commotion in the room breaks her train of thought.

“Damn, you fell from the ceiling” Sam says, looking up. A yellow portal closes just as Natasha opens up the door. Everyone’s around you, and when your face comes to view, Natasha’s heart almost stops.

There’s a little cut and bruising from the fall, but you’re back.

She pushes everyone, and wraps you in her arms. You return the gesture.

“Hey, it’s ok. It’s me”

She hugs you closer, smiling against your neck.

Natasha’s never letting go again.

—

“So, tell me everything!” you say, sitting next to Natasha as you drive back home. “Did I tell you I almost died to peanut exposure?”

“Looks like someone had fun” your wife comments and you smile.

“What about you, my love? Did you do anything dirty with my other self?”

“Well, there might have been some kissing and touching before I noticed…”

“Not to brag, but the other Natasha was on top of me” you say, trying to pretend like it’s no big deal your wife kissed another you.

“You pissed her off and she threw you to the ground, didn’t she?” Natasha smirks.

Damn it.

“Maybe”

Seeing your daughter brings you back to reality. Fun as it was to be in another universe, your life is perfect here.

“Mommy, are you cooking dinner again tonight?” the girl says as you carry her to the kitchen.

“Uh… let’s have lunch first, yes? Go wash your hands”

Natasha hands you a plate of what the other Y/N made and you gasp.

“Holy crap, this is delicious! Babe, not gonna lie, I wouldn’t have judged you if you fucked her against a wall after tasting her food”

“You’re such an idiot” Natasha rolls her eyes, sitting on your lap and stealing a bite of the pasta. “But you are my idiot”

“Always and in every universe, baby”

You kiss her softly, happy to be home.

[thezombieprostitute]

The Arrangement - Part 7

Summary: Jake's done a lot of things to keep his sister, and then his niece, safe from his parent's influence and manipulation. If he wants to keep them safe, he has to marry you.

Warnings: Bad parents, Implied physical abuse. Let me know if I missed any!

Part 6 -- Part 8

Series Masterlist

Breakfast is a quiet affair. You're still trying to get your head around your strange husband. He feels like a walking contradiction. Angry, but apologetic and seemingly caring. You weren't too hurt to notice how strong his arms are as he moved you to the sink. He looked so stern and serious that, combined with the unexpected touch, you were certain he was going to lose his temper at you. Instead, he apologized.

"This food is so good," Jake comments. You realize he's already eaten most of his plate! "You're such a good cook. Where'd you learn how?"

You flinch a little at the question. "You're going to think I'm a horrible person," you preface. "The kitchen was one of the few rooms in the house my family never went to so I asked some of the staff to teach me cooking so I'd have an excuse to stay in there." You stop eating, waiting for him to tell you how horribly ungrateful you are to your family.

"That's smart," Jake nods. You look up at him, but he seems sincere. "What? You needed to get away from time to time and, while you could have just said you were managing the kitchen, you instead take the opportunity to learn a skill. Plus, that way you never have to rely on someone else to cook for you. Very smart."

"Oh, um...thank you," you sputter as you get back to eating.

"I'm guessing that's why you went to college? Like me in the military it was a good reason to get away?"

You nod and gather your courage before answering, "I even specialized in shark conservation so I'd have an excuse to be out in the middle of the ocean. Away from anything and everything resembling wi-fi or phone networks."

He chuckles, "I had similar scenarios, but in the middle of jungles. All I'd have is a sat phone or something that would only occasionally work." He pauses to take a few more bites. "Honestly, I think one of the reasons I went into Coms and Tech is so I could learn to detect if my phone was bugged by my parents."

Both of you go quiet again for a bit, alternating between bites of food and sips of coffee.

"Um," you start, "would, can I ask..."

"Feel free to ask me anything," Jake assures.

"Do you have any food preferences I should know about? Things to avoid? Things you're allergic to?"

Jake smiles, "no allergies, as far as I know. And I am, by no means, a picky eater. You cook, I eat, simple as that."

"Okay, um, what's, what's your favorite food?"

He thinks for a minute. "Honestly, I'm a sucker for a good cheeseburger. I know, I'm pretty basic like that."

"It's a comfort food?"

He takes a breath, "maybe. Growing up, my parents had almost complete control over my diet. In high school, me and a couple friends would sneak out for lunch and hit up the burger place down the street. It was the closest I had to rebellion."

Your eyes go wide. "That's...I never could!"

"It was definitely stupid," Jake agrees. "I'm not sure what would've happened if we got caught, but we needed some way to act out. I didn't want to become a bully, I didn't have sports as an outlet, so I needed something else."

Silence falls over the two of you again for a bit.

"I hope you don't mind me asking," Jake starts. "Why sharks?"

"They have such a horribly undeserved reputation," you begin. "So much so that they're over-fished and almost no one cares. They get mutilated for a delicacy and they did nothing wrong! They're incredibly important to the ocean's ecosystem but because of some stupid movie series no one bats an eye when they get hunted to extinction. It's just...not fair!" Your emotions start catching up with you so you so talking for fear of being taunted and sneered at for being "too sensitive".

"You're really sweet," Jake says, his voice barely above a whisper. "Have you been able to do any conservation things since graduating? Like a fundraiser or something?"

You hang your head in embarrassment. "Mother and Father would never allow it. Said they didn't want the family name associated with cold blooded creatures for fear of the comparisons the press would make."

"That's bullshit," Jake softly exclaims. "You can't even make an anonymous donation or something?"

You bite your lip, trying to gauge how much you can trust him.

Jake sees your reaction, "have you already been? Going behind your parents' back?" You stay silent. "If so, I seriously congratulate you! That's dedication to your cause and a sign of how strong you really are."

You're glad you're keeping your head down so he can't see the shock on your face. You really do hope he's sincere. That he can be trusted.

After a bit more silence Jake starts grabbing up the plates. "Guess I should keep my end of the deal and get to work on the dishes. Thanks, again for the delicious breakfast."

"It's not a problem," you whisper, fighting the urge to clean up for yourself.

At that moment you hear the door to the penthouse open and Jake's father loudly proclaiming, "we're here!"

Part 6 -- Part 8

Series Masterlis

Tagging: @alicedopey; @ashdoctor; @delicatebarness; @ellethespaceunicorn;

@icefrozendeadlyqueen; @lokislady82; @ronearoundblindly

[plutoccult]

HOW CAN I SNOOZE AND MISS THE MOMENT? YOU JUST TOO IMPORTANT

pairing: kei tsukishima x gender neutral reader

description: even after a long and frustrating day at work, you can’t help but fight to stay up with your favorite person on earth.

word count: 1.6k

also available to read on my ao3 here

author’s note: i wrote this because i hated my job at the time (i have since quit and found a job that pays me way more), and this idea spurred after a draining day at work. i debated on who to write it for, but ironically the #1 tsukishima anti (/j) @heavenfilm suggested i write it for tsukishima. i mean, since no. 1 party anthem was so successful, it makes sense for me to write for him once more. plus, the fandom is probably bumping again thanks to the new movie. i know this is short, but don’t most people want that? anyway, i hope you enjoy!

tags: @solefleurs @heavenfilm @mayariviolet @dragon-slayer5 @darthferbert @5sos-wdw @todorokiskitten @intheewrld @localgaytrainwreck @rasisarchive

taglist form here

the second you walked through the door and slammed it shut behind you, you wanted to fall to the floor and rot there. it was incredibly overdramatic, you were well aware of that, but you felt such theatrics were more than valid after the hellish day you had at work.

your job was easy for the most part. while you knew you wouldn’t spend the rest of your life working there, you at least wanted it to be somewhat tolerable. sometimes you dealt with annoying customers, treating you as if you were an idiot despite knowing the policies like the back of your hand. but today wasn’t one of those days where you put up with some snotty karen, funnily enough. the villain of your work day happened to be your manager.

when things are going their way, they’re the coolest person in the world. but whenever there was the most minuscule inconvenience, it turned into everyone’s problem, and you couldn’t stand it. it was like playing survival mode on the hardest level. many a time were you tempted to put your foot down and quit, but you were too afraid of being jobless for too long and leaving your boyfriend to pay all the bills. it didn’t help that applying for jobs was such a pain in the ass either.

after a long day at work, you scrunch your face in frustration then let out a long sigh, sliding your back against the door as you found comfort sitting on the carpet. too lazy to do anything else, even kick off your shoes, you sit there for a few moments with your eyes closed. it was the most relaxing moment you’ve had all day, but that title would soon be taken over once your boyfriend tsukishima emerged from your shared bedroom, having heard you come through the door just moments ago.

“y/n?” he pattered down the hall, finding you in your current position. “why are you on the floor?”

you open your eyes and see tsukishima’s face. it was hard to read him most times when you first met, but you had learned him inside and out, down to the way he let out a sigh once agreeing to something he didn’t really want to do. the sight of him just standing there, looking down at you with his head slightly tilted brought you utter joy. his face was the one thing you always looked forward to see after days like these.

“hi, my love.” you say. “it’s been a long day…”

“your manager again?” tsukishima asked. he knew you all too well.

“a pain as always.” you groan. it didn’t require any more detail than that for him to understand your struggle. days like these had been going on for a while, and it pained him to see you like this.

“well,” tsukishima offered his hand, you taking it immediately as he pulled you to your feet, bringing you close to him by wrapping an arm around your shoulder, all in such slick movements. “you should probably have some food then get to bed.”

you quickly shake your head in protest. you didn’t want to go to bed yet. you just got home. you wanted to spend time with him.

“go to bed? but i wanna stay up with you…” you pout.

while your puppy face was one of tsukishima’s weaknesses, he valued your wellbeing far too much than to be selfish and let you sacrifice time that could be spent resting.

“you need to rest.” he insisted.

“but—”

“you’ll fall over if you stand a second longer.” tsukishima interrupted you, gently running a hand through your hair, which almost lulled you to sleep on the spot despite your resistance. “i’ll bring you something to eat as long as you get to bed, okay?”

“okay…” you let out a sigh, looking down to the floor as you dragged your feet to your bedroom. you stop for a moment, your feet aching too much for you to bother taking another step.

“tsukki?” you turn around, tsukishima saying “hm?” as he anticipated your next words. “carry me?”

ah, of course. he couldn’t ever say no to that. “alright…”

tsukishima lifted you up with ease, a given considering he always stayed in tip-top shape throughout the years thanks to playing volleyball. as relaxing as it was to be in his arms, you fought like hell to stay awake, wanting to keep your eyes on that gorgeous face as long as humanly possible.

he placed you down on the bed, going as far as to take your shoes off your feet and set them aside. the constraint of your shoes were killing you all day, so you felt immediate relief upon their removal. you were thankful for tsukishima doing such things for you without you even having to ask. he truly understood you through and through, his love shown in his acts of service rather than words spoken.

“get comfy while i bring you a plate.” tsukishima placed a kiss on your cheek and ruffled your hair before leaving the room. you were tempted to get under those cozy blankets, but you knew it would only make you sleepy, and you couldn’t have that. you didn’t work all day just to fall asleep before you could spent more than just a moment with the one you love.

tsukishima found you yawning as you tried sitting up as straight as possible. he came in with a bowl of fettuccine alfredo, having made it earlier with you in mind, just freshly reheated for your enjoyment. but tsukishima couldn’t help but sigh at the display in front of him.

“didn’t i tell you to get comfy?” he rolled his eyes as he sat down on the bed next to you. “here. i’m sure you’re starving after a long day.”

“i’d start gnawing on your arm soon enough.” you joke and take the bowl from his hands. “but thank you.”

“i’d rather you didn’t.” tsukishima cringed at the thought. funnily enough, he thought that such a thing would affect his performance at games. he wasn’t the same as he was as a teenager, that’s for sure.

you’re too busy to even respond, inhaling your food like it was going out of style. sometimes you’re just too caught up at work to even think about taking a snack break. even if you did relax for once, someone was always bound to ask for your help because they either didn’t 1. have a clue on what to do or 2. feel like doing their job. you were truly stuck to a ball and chain because of these people.

once you finished the last bite, you didn’t have to say a thing as tsukishima took the bowl out of your hands, already thinking to wash the dishes for you later so you didn’t have to lift a finger. he placed the bowl down on the nightstand for a moment, grabbing the edge of your shared comforter, which you immediately took notice to.

“woah, woah, woah!” you exclaim and grab tsukishima’s wrist. “i’m not lying down!”

“you think just grabbing my wrist can stop me?” he snickered, harshly tugging the blanket like a magician pulling a tablecloth off the table while leaving the dishes unscathed. you plop over face first onto the bed as you try to scramble for the blanket, but fail miserably. tsukishima couldn’t help but chuckle at the sight.

you roll onto your back and pout over his laughter. “what’s so funny?”

“i just don’t understand why you want to stay awake so bad. you’re clearly exhausted.” tsukishima said as he gently stroked your hair, almost trying to lull you to sleep. had he scratched a certain part of your head, you would’ve been a goner and he knew it.

“because i…” you sit up, continuing to resist your inevitable slumber. “i wanna spend more time just with you. you’re too important to me.”

“you’re important to me too.” he replied. “and if you weren’t, i wouldn’t care about your health.”

you can’t help but smile at his words. curse him for caring so much, you almost want to say, but how could you? it’s not like you’d rather he didn’t give a damn at all, you would never. but still, you can’t resist wanting to lay your eyes on him as long as you humanly could.

“ass.” you say, a giggle escaping your mouth with ease.

“butt.” tsukishima grinned, leaning in and planting a kiss on your lips. his kiss felt like a spell to you, and you’d be pulled in each and every time.

as you lay down now, the only source of light being the lamp on the bedside table, you find yourself starting to succumb to the sleep you fought so hard to resist. tsukishima took notice, pulling the blanket over your body and reaching his hands to scratch your head. you fell asleep within seconds, just as he predicted.

tsukishima couldn’t be mad seeing you in this state. sure, he missed you like hell all day, but watching you now, looking so peaceful, tsukishima knew this was one of his favorite sights in the world. if he could sit here and just stare at you like this all day, he would do it instantly.

“i love you, y/n.” he said, gently caressing your cheek, hoping he wouldn’t wake you up. “i know i should say it out loud more often, but i hope you know that i do. there aren’t enough words to describe the feeling, but i love you.“

even if you didn’t hear tsukishima, you could still feel his love just from him sitting beside you. you feel it when you look at his face down to when you yap your mouth off while he just listens. you would never feel this with anyone else, and you would forever try to savor it.

© plutoccult / 310802. please do not copy, repost, modify, or translate any of my content in or outside of tumblr. reblogs are appreciated <3

[crusty-chronicles]

Stubborn

Synopsis: In which our two favorite demons tend to and scold Reader for being careless during a fight. Separate drabbles btw

Kurama 🦊🦊🦊

The first thought that crosses his mind is one of anger. How dare that feeble demon even think to put it's hands on you. The next is that there's blood. So much blood seeping from the wound on your side. The decision of what to do is made without hesitation. He wasted no time rushing to your side. Lifting up your shirt slightly to heal the wound.

The others would take care of the fleeing demon. For now, his top priority was you. Making sure you'd be okay. But apparently that wasn't how you saw it. Pushing his hands away with the little strength you had.

“I'm fine. Don't worry about me. You should go after that thing with the others,” you tried to sway.

As if your life wasn't more important.

Like he didn't cherish you more than anything.

His gaze hardened, maneuvering you on your back to get a proper look at your wound. Summoning his spirit energy in his palm and pressing it firmly against your side.

“You'd think of me so callous as to abandon my injured lover?” He questioned.

His accusation temporarily shocking you.

“No but-” ‘you shouldn't be wasting your time with me.’ you wanted to say. But you were cut off before you could finish.

“Then there's nothing more to discuss. When I'm finished, we'll go right back home. Yusuke and Kuwabara are more than capable of handling this by themselves.”

You once again shifted around, trying to get him to stop. The case came first. It should've come first. Not you. You were hurt, but wouldn't die from it. It was pointless wasting energy on something you could manage with on your own. Kurama shouldn't be focusing on you when there was still an important mission at hand.

He gave you a glare and that was all it took to have you stilling.

“Why must you insist on being difficult? Don't you know that I'll choose you every time? I'll always choose you over any fight, any mission, any person. No matter what, it's always you, so sit still and let me heal you.”

—------

Hiei ⚔️⚔️⚔️

Impulsive, impulsive, impulsive.

He sees red the second your body hits the floor and you struggle to get up. A dark crimson trailing down your forehead.

Damn whoever hurt you, and damn anybody who dared get in his way.

He quickly slays the one responsible for your injury. Not even giving them enough time to process what's happening before it's over. When that's taken care of, he makes his way over to you. Shooing the group of your friends away so he can inspect your injuries himself. Despite the protests from a certain troublesome reaper.

“Let me see.” It's more of an order than a request.

But instead of complying, you turn your head and try to stand. Trying your best not to make a big deal out of nothing. Only for Hiei to shove you back down.

“I'm okay. It's just a scratch.” You brushed off, but he wasn't convinced in the slightest. Moving to wipe off the blood from your forehead.

You grabbed his wrist and stopped him.

“Don't. It doesn't hurt, so leave it. And anyways, you shouldn't have killed that guy. He needed to be brought in for questioning.”

Your words only further irritating the three eyed demon.

It seems you didn't quite understand the importance you held in his life.

He would have slayed thousands for even looking at you wrong. And here you were defending some cretin who'd committed an offense that was deserving of a fate worse than death. Sometimes he hated that human heart of yours.

“Shut up. You don't get to run your mouth after being so foolish.” He scolded. Moving to heal your injury with his spirit energy. He didn't do it often, but you were always a special case. You were special.

Yet you continued to try and avoid his help.

“I'm fine!”

“Argue any further and I'll put you to sleep myself. You think I care about some low life over you? You must have a concussion if you believe that.”

Then his next words were softer. For your ears only.

“Your life takes priority over anyone and everything, got that? You're mine, and any creature that dares lay a finger on you will have to deal with that consequence.”

----------------

[elstoy]

omg please please expand more on abby being a brat tamer…. PLEASE i’m so obsessed with your writing

thank you! definitely will expand so… (nsfw is under the cut)

౨ৎ sfw:

౨ৎ one of the things that abby deems as most important, are your manners. so if you’re being impolite, she will a hundred percent shoot you a stern look. let’s say you’re having dinner with abby but you slowly but surely grow more and more impatient for… something, and you get a little moody, start playing with your food instead of just eating it, she’ll stop you mid sentence with a clearing of her throat. “eat that, and quit being rude. i know what you want, patience, yeah?”. or if she’s about to go on patrol and you’re clearly scared for her well being, which leads you to being mute and not talking to her, she’ll demand you kiss her on the cheek for good luck regardless of you “wanting” her to go or not. “hey, i know you’re scared — but let’s not forget our manners. now, i need your kiss sweet girl”

౨ৎ as stern as abby can get, it doesn’t mean she can’t calm you down and deal with your moods, especially if you’re a sensitive person. if she sees you crying or frustrated — maybe to the point where you’re even non verbal, she’ll be the sweetest most calming presence in the world. she’ll have you lay down on her lap, head against her firm thigh, and she’ll let you cry it out. “i know, i know… shh, angel, s’okay, let it all out”. she’ll rub your head, kiss your knuckles one by one, do everything she can possibly do to help you feel better. if you’re frustrated to the point where you literally don’t know how to let it out, she’ll be perfectly okay with letting you bang up your fists on her chest. you’d be sobbing incoherently and abby will be there for you, “use me, i can handle it”, and you’d doubt her for sure, but she’d smile at you and tell you that she’s a big girl and she has you, always.

౨ৎ if you go patrolling with her, and you even dare to argue with her, she’d grab your face and smush your cheeks together. “wipe that pout off your face, or i will”, and she’d hold your chin and make you look up at her stern gaze, “no arguing or i’m sending you home. you want manny to take you home?” and when you’ll shake your head no, she’ll pat you on the cheek with a soft smile. “thought so, now behave”

౨ৎ nsfw:

౨ৎ obviously with abby being a brat tamer come the spankings. she’d lay you on her lap and make you count them. if you lose your count, she’d make you count again from the start. her hand is huge so it would be painful, but she’ll make sure to soothe it later, either with her lips or her hands. abby’s favorite thing to say to you is probably “on my lap, little brat, now”

౨ৎ is definitely not scared to remind you of how big and scary she can be. if she caught you in a lie, and you shake your head “no” instead of nodding a “yes”, she’d grab you by the chin and nod your head for you. “i know you’re lying… why do you bother, huh?”, and when you’ll cry and try to argue back, she’ll definitely push you to sit on the edge of the bed as she towers above you. “you want me to show you what happens to girls who lie?, you don’t wanna be my sweet girl anymore huh? want me to break you till you can’t fucking walk?” — and you definitely don’t (or you do, but secretly), so she’ll pull out her huge strap and make you gag on it till you actually admit you were lying. she’ll make you say the truth as her shafts shoved down inside your throat, and click her tongue when you struggle and slur up your words. “what was it? you were lying? say it again, sound so fuckin’ stupid with my cock down there, speak up” although she clearly knows you can’t.

౨ৎ abby’s huge on punishments, not just by spanking you. loves tying you to the bed with a thin rope and placing a pink vibrator on your cunt. it’ll be far enough from your pussy for you to actually manage to cum, but close enough so you can feel it’s vibrations on your pulsing clit. then she’ll just sit there and gaze at you, laugh when you’d cry and beg for her to help you cum. “bad girls get nothing, maybe if you weren’t such a little fucking brat i’d help you… but you are, so stop squirming and take it”

౨ৎ clearly we’ve established how much she loves calling you a brat. even when she’s being nice and actually letting you cum (which surprisingly is more often than not), she’ll whisper in your ear “my little brat’s gonna cum on my cock? yeah? you’re gonna make it all messy? gonna have to clean me up later?” and when you moan out her name she’ll just coo on and on. “yeahhhh, cum for me brat, wanna feel that little pussy, mhm… such a good brat for me”

[weaselthing]

OKAY REMADE RAINFOREST FLOODS INTRO POST. YOU WANT TO LEARN SO BAD

rainforest floods is an ocverse made by me and @jamescarpenterhooper. its about a waterpark in new mexico and all the horrible people and circumstances it has born witness to. oooo you want to click the read more button so bad PLEASE IM BEGGING

i'll try to keep this as brief as i can so as not to waste your valuable time but just know theres so much i wont be covering here.

rainforest floods is the name of a waterpark that was established in 1971, but dont let that fool you! theres been shit going on for sooo many years beforehand. meet these freaks

^these are the founders of rainforest floods! i dont know how exactly to explain it. patrick and joanna are married. patrick and phillip have had an affair going on for over ten years. which happens to be about as long as patrick and joanna have been married. how strange. anyway

IMPORTANT: for some fucking reason patrick sets a curse on the park that makes it unable to close. KEEP THIS IN MIND FOR LATER BECAUSE IT IMPACTS A LOOOT.

patrick has a favorite little guinea pig among his employees whom he has been trying to teach how to run the park because one day he wont be able to run it anymore. and eventually when 1976 rolls around she gets the chance to do so!

SUUUUUUUUUUE you love her. she takes over the park in 1976 and manages it until 1990. shes a little bit my favorite. she actually does a much better job of managing the park!

but things cant be great forever. in the year 1986 something a little bit crazy happens. one of her employees, bruce krelborn (remember him), is a lifeguard at rff during the summer. just before closing on august 7th, a young woman (remember her too) comes to the park to go on one of the waterslides. but there arent any rafts!!!! oh no!!!! so bruce goes to ask sue about getting more rafts but sues like Um its fine.that doesnt matter.

so then the woman goes down the slide and she gets flung off and dies because she didnt have a raft. and then sues like OKAY.WELL YOU HAVE TO COVER THIS UP NOW. BURY HER RIIIGHT HERE. so he does. and the death is still covered up to this day. surely this will have no long term consequences.

(also semi important to note: sue had a weird favoritism thing with bruce in a similar way that patrick had a weird favoritism thing with her. #cycles)

in 1990 sue decides shes done with this shit and tries to burn the park down and get out of dodge. but unfortunately THE CURSE prevents the park from actually being destroyed. so it looks completely burned from the outside but on the inside its pretty much fine. awesome!

in 2004 two shitheads decide to start the park up again. THEY DONT LOOK LIKE THIS YET I JUST DONT WANT TO PUT IN THEIR 30S IMAGE

"hey bruce krelborn?? that name sounds awfully familiar" YES that is because just a few paragraphs ago he was the lifeguard that had to cover up that poor womans death! he's back now! and also hes like mean and jaded or whatever. the faggot on the right also worked at rainforest floods in the 80s but he wasnt involved in that at all and he is completely oblivious to the fact the coverup is going on despite the fact that one of his employees is the ghost of the woman that died.

also bruce and andy have horrible awful toxic yaoi together and theyre also not dating or anything. what do you get when you combine "insane need for control" (bruce) and "insane need for validation" (andy). and dont say macdennis because thats different. barely.

WAIT WHAT WAS THAT ABOUT THE GHOST??

THIS IS KELSEY shes so awesome oh my god. she cant leave rainforest floods its part of ghost logic. trust me when i say she would leave if she was able to. her and bruce have crazy insane dynamic. when bruce first started reopening rff kelsey didnt recognize him. but he recognized her but didnt tell her he did. so they were actually friends for a little bit before kelsey found out it was the same guy. and now shes mad at him.

THE THING IS kelsey could probably find it in her heart to forgive him. but the thing thats keeping her a ghost is the unfinished business that came from her death being covered up. and shes so scared of actually dying that she cant let go because what if thats the thing keeping her around. LOL.

-> LEARN MORE ABOUT HER HERE. PLEASE READ THSI <-

ok theres like two other employees they dont matter as much

yay jeff and vincent. jeff is normal vincent is Weird. theyre kinda like pim and charlie smiling friends if charlie thought pim was stupid and annoying and pim was a little conspiracy freak. theyre fun i like them. theyre the only ones we're not THAT worried about doing themes and motifs with and even then.

onto side characters now.

^this is kelseys love interest aww. she doesnt have a name dont call her anytihng call her [REDACTED] or unnamed girl. its spoilers. dont worry about it. shes crazyyyy love her. its fun bc she dresses 80s inspired and kelsey died in the 80s so its like wooaahh

and thats [REDACTED]'s brother kyle who is always getting tormented by the staff at rff. he is cursed so that no one outside of his family will ever remember him so its not like they have a vendetta against him theyre all just freaks.

GINGERRRRR she's jeff's girlfriend and shes awesome. her and jeff do bits together theyre funny silly. theyre also kinda high school bullies that never got the chance to bully people in high school so theyre just kind of mean. but at least they dont have septic tank yaoi unlike SOME people

IS THAT IT THAT MIGHT BE IT. IF YOU HAVE ANY QUESTIONS PLEAPLEASPELAEPLALSPELAS PLEASE GO TO @rainforestfloods ITS OUR COLLABORATIVE TUMBLR BLOG WHERE WE TALK ABOUT THEM AND WE WILL BE ABSOLUTELY JAZZED TO ANSWER ANY QUESTIONS YOU HAVE ABOUT THEM. PLEASE.

okay bye thats it i hope im not forgetting anything. ooooh you wanna go to waterpark soooo baaaadd

[thekingofwinterblog]

How to fix Halamshiral as a Zone

Inquisition is a flawed game.

I don't think there's anyone who is going to argue otherwise.

The only question is wheter you place it higher or lower than DA2.

One of the things I think it does better than DA2, is that it managed to give every place a soul, an identity of it's own, and at least a distinct, if not always amazing storyline.

The emerald graves doesnt have a very interesting plot, but it has some spectacular side quests, and atmosphere, inculding a haunted mansion, which might be my favorite possession based quest in all of DA because it shows much better than others just how dangerous untrained mages actually are to those around them.

The storm coast tells a story of what was once an important dwarven port, and shows how it fell and was repurposed over time.

The Hinterlands shows the aftereffects of the templar mage war, as well as solas stupid plan to give cory his orb, and the mage rebellion and an actually decent time travel story.

I could go on, but the point is, I usually have at least aomething nice to say about every single region.

All except one.

Halamshiral.

Halamshiral was the single worst part of all of Dragon Age Inquisition for me, and every single time I boot up this game, it's always the last thing i do before the temple of sacred ashes, despite how bizarre the game flows as a result.

And the reason is because i hate everything about it.

I hate it's unique attempt at side quests, i hate the characters involved, i hate the Orlesians who inhabit it, and i hate how this section tries to copy what worked so amazingly well with Orzammar and Denerim during the landsmeet section, and fails every single shot it lines up.

The ONLY good thing i have to say about this, is that it's at the very least relatively short.

So here's today's question. How to fix Halamshiral?

Let's begin with the three main players.

Celene, Gasparde, and Briala.

The big problem with every single option, is that they all suck.

Celene and Gasparde are both fucking awful people without any redeeming qualities, they have no charisma, and there is no prospect of the Empire reforming itself under either of them, the way Orzammar would under Bhelen.

Meanwhile, Briala is much, much better, but the problem is that we know exactly what is going to happen here if you support her.

Maybe today elves will have it better, but tomorrow, when Gasparde is gone, or celene turns on elves again as she always does all the progress will be repealed, and reversed, along with a few purged alienages.

Its an old story that's been told before in Dragon age.

In short, there is no reason at all to care about this overall plot. None whatsoever.

There were so many reasons to care about both Orzammar and Denerim in the same situation, and every single character involved had so much more charisma than either of these would be monarchs.

So let's fix that.

Starting with Celene, take the idea of her wanting to reform the empire, and actually take it to the next level.

Celene is genuine in wanting to reform the empire, and has already taken grand, successful steps to make the entire thing much better for everyone, even elves, giving them and serfs more rights, outlawing the practice of chevaliers having a tradition of killing unarmed city elves to graduate.

But the catch is, while she is genuinely making progress, she is doing so within the confines of the great game.

Celene has nonintention of changing the great game, no plans of wanting to remove this thing that holds Orlais back more than any other, this center stone of their nobility and it's culture.

Meanwhile, Gasparde is a different kind of reformer, one that takes the ideas he had of him claiming to hate the game, and actually doing something with it.

He is far less progressive, has no love for elves, is far more warlike than Celene ever was... But unlike Celene, his ideas of reform isn't going to act within the grand game.

He's going to break it.

Unlike canon gasparde, this gasparde is hated by every single noble family in the entire empire. His only support, and it's a strong one, is the army. The parts of the army that supports Gasparde, and they are a huge part, are loyal to him personally to the hilt.

And he hates them back. He hates the game, he hates the way it cripples the empire, and he wants to change things. Like Celene he plans to break the serfs free of their chains, for the good of the nation and it's power and economy if not for any progressive reasons.

And he'a going to start with Halamshiral.

For this Gasparde isn't merely positioning men to stage a coup... He's planning to kill EVERY SINGLE NOBLE in Halamshiral. Evety man, every woman, every child there.

He's going to reform this empire by wiping out it's cancerous nobility in one fell swoop, and install himself as supreme dictator to see his reforms through, and wiping out the entire Orlesian nobility that might have opposed him, french revolution style.

And thus the Inquisitor has a dilemma.

Unlike Orzammar, where only one side was a reformer, both of these Orlesians are... But you have to choose one.

Do you choose Celene? The more progressive candidate, who wants a more peaceful Orlais going forward? But who is not willing to get ridd of the grand game to do so, thus making it a permanent risk that all her reforms will be undone...

Or will you support Gasparde, and by doing so be complicit in destroying the entire nobility of Orlais, many of whom are not guilty of the shit that Celene and Gasparde here both hate so much? Gasparde is far less likely to create a peaceful Orlais going forward... But he will have obliterated the Grand Game for good and all, a prize that might be worth this Red Wedding style bloodbath.

Meanwhile there is Briala, the elven spy who has enough influence to allow, or prevent Gasparde's plans from going through.

Here there should be another moral dilemma, quite different from the base game.

Do you convince her to aid Gasparde, in exchange for the Elves getting a duchy of their own in Halamshiral? Do you then back her up with Inquisition forces and support, forcing Him to publicly announce her as such, and trust his own, twisted version of honor to actually stick to it going forward(Something he ultimately does), or do you throw her to the Wolves the moment things get rough?

Or alternatively, do you convince her to side with Celene, and bury the hatchet? And if so, on what terms? And similarly, if she actually wants to get something out of this, you actually need to back her up... Something you may, or may not choose to do.

And voila, here you have an actual story of intrigue, massive, lasting political changes as a result of the Herald's actions, and morally grey on grey choices.

Everything that Denerim and Orzammar had in spades.

Now moving on from the plot to the actual place.

Halamshiral has no soul.

It's a french villa on a mountaintop. Whoop de freaking do.

It has no interesting murals, unique art only found there, interesting geography, or anything really to make it stand out.

Compare it to Denerim and Orzammar, and the way they fleshed out the entire city's levels of power and criminal underworlds, and you see the difference.

Denerim is a very realistic, squat, squalid medieval city, with it's buildings built on top of every single bit of available space.

Orzammar is a full on high fantasy dwarf city lit up by a lake of lava.

Halamshiral is a villa presented as a city.

How do you fix that?

There is an artist here on Tumblr who pretty much showcased what Halamshiral could have been, if they had taken the idea of the Dalish(who were the original owners) taking inspiration from native americans(amongst others), and use that to build a truly spectacular city, which has long ago been paved over, but the structure is still there.

Make it a city on the water, like the aztex capital of Tenochtitlan, a marvel of canals and stone.

Make it this Venezia like city, with canals everywhere you look, and the entire city running on water. A marvel of Dalish city building, where they took something as simple as a couple of islands in a lake, and built the most beautiful city in the world.

And rather than just limit you to the palace, instead let you actually explore this city.

Expand the entire event from one night, to a week.

Let the Herald explore the city, meet the players, interact with the nobles, become friends with a few like you could with Ferelden's bans, which in turn makes the possibility of sacrificing them for the greater good hit so much harder.

Let you choose what fancy stuff to wear to the balls and meetings, rather than have this stupid motto of forcing you to wear one, pre determined outfit like this game had for some reason.

Let you discover the places where what little Elven Architecture and art still remains can be found, and talk with the elves who still live here, the descendants after the first elves the Orlesians enslaved.

Make the plotting of Gasparde and the positioning of troops be gradual, not instantly discovered and twarted.

And at the end, if you choose to back Gasparde, you mirror that scene from Dragon Age 2, where the Templars sail across the bay, and you either step aside and witness the bloodbath you just allowed to happen, or you fight them and be recognized by the nobility(most of which are horrible, horrible people) as a hero who just saved the day.

Have the venatori plot be to kill both Gasparde and Celene, rather than their involvement mostly be about handing the player the the easy knife for the knot of which monarch to pick without having to get your hands dirty.

Also have the entire group be gathered for once. Every inner member of the Inquisition just like at Denerim.

Each of whom have their own thoughts on the events.

Who supports who? What is the right thing to do? What is better for the inquisition? Are you staining your honor beyond repair if you back Gasparde? Does the Inquisitor maybe have a breakdown after witnessing what they just allowed to happen and they walk through the gardens or rooms filled with corpses? Maybe have the scene at the end with the love interest be about a moment of them truly comforting their lover in the aftermath of it all, understanding(or not) that as boss, it's your job to have to make the tough decisions. And now you have to live with them.

Or if you wanna go the other way, this could be one of the breaking points like Origins had. If you support Gasparde, Blackwall choses to tell you to get bent, and that he will die as benefits a knight. Defending the week, and calling you out on how you are just as bad as he ever was, a child killer who's going to run away from responsibility, to pretend you are some better person than what you actually are. You're a murder. Just like he was. You are just as responsible for the blood that's flowing as he was with that carriage back in the day.

It would have been a far more impressive reveal moment for his crimes, that's for sure.

Cole probably would be the one who would be second most upset, but wheter he leaves or ultimately stays should probably be depended on your other choices and your relationship with him prior to this, probably have his personal quest be the determinating factor of what he chooses to do.

And i could go on, but point is, this would be a return to Origins choices actually mattering. There were choices that could make or break a characters bond with you. Shale would not budge regarding Caridin, Leliana and wynne would stand against you if you choose to defile the urn, Sevran would choose to betray you for his old friend if he didn't like you enough, and of course the age old choices at the end of act 3 in da2, where you have to pick between templars and Mages, as well as anders fate, and chances are regardless of what you do, at least 1 person ends up dead.

If anyone reading this has any suggestions for how to further improve this storyline, feel free to share, but regardless, i think we can all agree that this is a vast improvement of what we actually got.

[doublerainebow]

Roronoa Zoro x Reader

Look, I gotta be honest, I've never actually watched One Piece outside of the episodes that would air on Toonami back in the day, and I only really cared enough about it because my brother-in-law and my irl best friend both LOVE One Piece... and now my older brother is getting into One Piece too... but like I said in a previous post, I caved and ended up watching the One Piece Live Action (though I guess it didn't help that seeing Taryn cosplay as Zoro kinda reawakened my crush on ZoloZoro as a 4kids)... and I'm also sick right now and I have nothing better to do than write some Zoro boyfriend headcanons apparently. Aside from watching the OPLA, I did do my research on Zoro.. research being reading his page on the OP Wiki 😂😂

Okay, I'm rambling too much and this is still the introduction asdfghjkl

EDIT: Added the links lmao

~ Masterlist ~

The way Mackenyu said that he looked at his wife and knew that he wanted to marry her (supposedly, I couldn't find any concrete sources for this save for a YouTube video using TTS... but hey, it fed my imagination for this), I felt that so much for Zoro.

Of course, it doesn't happen overnight for Zoro. It takes a while, maybe even years, for him to look at you and be like, "I wouldn't mind settling down with you if possible." Oh boy, but when it does happen, he becomes very perceptive of you.

Just like his training, he takes his relationship with you very seriously, and even if he doesn't act on his feelings for you straight away--because one, he has a strong sense of duty to Luffy first, and two, you'd be his first and maybe only romantic partner ever--he'd still reserve a certain amount of softness and gentleness to you when not in the presence of others.

Let's go back to Zoro's perceptiveness really quickly. Yes, my man can be a dumbass at the best and worst of times and we all love that about him, but when it comes down to what's important, he knows how to analyze and read the situation. So, because he views you as someone important and someone he should take seriously, he's going to personally be making sure that you're okay, mentally, emotionally, and physically. He's that dedicated to you.

There will be times where his loyalty to Luffy might have to take center stage in the relationship, especially if its during a critical juncture, rest assured that he will do his best to make it up to you afterwards. He doesn't voice it often because of his strong loyalty to Luffy, but there are brief times in which he wishes that he could just spend time with you.

Now, Zoro isn't one for PDA, he gets very embarrassed by it because showing affection in public isn't something that he's comfortable with doing, but, get him out of public and into private, that man is on you, no question. The most affection he's comfortable with showing in public is you two taking a nap together, or even sharing a bottle together (which is very hard to get him to do, the man loves his alcohol, so congrats if you manage it).

As an official romantic partner, he's actually very sweet. Yes, he can come off as very blunt and cold sometimes, but he's just being honest with you. To him, its more important to be truthful than to sugarcoat things. For you, however, he's working on saying things more gently if in the case you get hurt by his initial blunt tendencies. Past that, however, he tends to you with the same care he tends to his swords. He sees a fruit or snack that you adore in the markets when he's helplessly lost? He'll absolutely buy it for you. Finds an item you've been wanting for a while? Don't worry, he's already paying for it. He finds out that you maybe feel a bit homesick? He'll begrudgingly ask Sanji to cook one of your favorite hometown dishes. He sees that you're feeling down on yourself? He's there to either quietly lend an ear or his presence, whichever you need. My man is an attentive boyfriend.

Also also, Zoro is a man of few words, so don't expect to hear him say, "I love you," very often, but that's okay. He's a man of few words, but his actions speak so much for him. You can feel him say those words in the way he kisses you thoughtfully, in the way he holds you so securely to him when you two nap or sleep together, in the way he dutifully monitors your alcohol intake (if you drink alcohol of course), in the way he tends to you carefully if you get hurt in a fight. To him, words are useless and actions mean so much more.

In other words, Zoro would make the best boyfriend in his special own way.

[everlasting-rainfall]

I didn't see anywhere that requests are closed, so I was wondering if you could write something for your pages au with Boa Hancock? She's my favorite female character, so thank you!

Okay so I’m gonna have to come clean about something and it’s that I haven’t yet reached Amazon Lily like most of my knowledge about One Piece characters comes from a lot of outside sources and for why I haven’t reached it yet?

That’s a simple answer as I have a very bad attention span so if I’m not watching with a friend then my brain wanders and suddenly the episode is over but I promise that I’ll do my absolute best to write her for you!

As Boa is honestly a really cool character like she isn’t my favorite female character as that honor goes to Rouge a lot of the time but I do love that girl regardless!

So before I start rambling too much and making an absolute fool out of myself, let’s get into it. Yeah?

Also since I do know what Boa’s backstory is, I can’t see her trying to actively force someone into a relationship but she is probably willing to keep them if it means they’re safe

!-MINORS DO NOT INTERACT AT ALL-!

!-POTENTIAL TRIGGER WARNINGS-!

Manipulation, Copying of Work, Workplace Sexism, Implied Homophobia (?), Delusions, Kidnapping (?)

!-POTENTIAL TRIGGER WARNINGS-!

!-MINORS DO NOT INTERACT AT ALL-!

Okay so let’s imagine that you wrote a book, it was a romance novel of course and it was pretty good like it didn’t sell well but it was seen as pretty good by those who did read it

But about a year later while you’re working on the sequel story that you managed to convince the publisher to give you, something happens as a book is released into the market that looks so much like yours except… bad…

The main character on the cover is grossly sexualized when they’re supposed to be someone that the reader can project themselves onto and the two love interests have basically been turned into big muscle men with no personality compared to how you had them as powerful women with quite a lot of personality and complex backstories that helped to shape their characters

You took some time to read it and found yourself absolutely disgusted with it as it was exactly your book just if every trope from R/MenWritingWomen was stuck onto it, certain important plot points were changed and romantic scenes were either completely changed or removed

Attempting to talk to the publisher didn’t do anything as they simply told you that your book hadn’t been copied and clearly you were seeing things if you thought that… You should just get back to what you were writing and be quiet about it…

This was humiliating but there wasn’t much you could do except hope that your next book would absolutely blow this gross copy out of the water especially as when the reviews came in, you found that most people loved it with very people pointing out that it was a gross copy of you

Eventually when you did release your sequel book, it had some moderate success but not as much as the copy… It was truly discouraging…

When you tried to ask your publisher to at least push it a bit more with advertising, they were reluctant but decided to do it in the end to just get to be quiet so they started doing some advertising on other islands and quite a few people picked up the book

Your book achieved more success! It was great!

Soon enough, word of this book had reached Amazon Lily and it was raising quite a few eyebrows in interest as although it did have a few male characters in it but the story and what they heard about it was truly what interested them

A female marine captain saving the MC from certain doom at the hands of pirates by holding them close with one arm and defending them with the other even despite their injuries? A pirate captain who promised to give the MC the world and much more if she would simply take that first step and set out to sea with them on their ship?

All these things that they were hearing were quite interesting and after hearing about one scene in particular where both of the love interests put aside their differences to save the MC from a dragon? Interests peaked!

So a request from so many was given to Boa as they asked her to please make it so that a shipment of the specific book would be sent to Amazon Lily, it took her a bit but she soon made a request and sent it out

The publisher picked it up and within the week, a small shipment of the book had been delivered to Amazon Lily. So many were excited to read the book that they had heard about but there was one problem with it…

This wasn’t the book that they expected, everyone was so confused as the book was awful to the point where most dropped it within the first few minutes of reading it as what had been delivered wasn’t your book but instead the copy

When Boa found out about this, it was safe enough to say that she was quite irritated as in all honesty based on the way that the story had been described to her

She was getting excited to read it as well only for this to be what was delivered so she had the shipment be taken back away from their island alongside a message detailing how disgusted she was and how she demanded every last beli that she spent on this shipment to be refunded or there would be hell to pay

Of course, the publishers listened as who wants an angry pirate empress after them? But they fucked up yet again and instead of realizing that they sent the wrong book, they gave you the message thinking your book had disgusted the women of Amazon Lily that badly

Upon reading the entirety of the message, your heart sank and you got ready to reply as you started writing an apology along with an explanation of what had happened

You took your own personal copy of the book at home and attached the apology to it alongside a gift before sending it to Boa Hancock herself who almost threw it away the second that she saw it until she noticed the cover and stopped

A close look at the cover revealed that this was the true version of the story as there was the MC laying down in the bed of flowers with her hands clasped with the pirate captain laying facing towards her on her left with a red rose in hand while the marine was laying on the opposite side with a blue rose in hand

This was not the same story… The title was even different so she sighed and decided to at least give it’s first page a read to see if it was truly different…

It was and she found herself hooked, she read through the entire thing and couldn’t stop a smile at the scenes that you had written alongside the part where the pirate captain and marine saving you from a greedy dragon despite the fact that they may fail? It was lovely

When finishing the book, she took another look at the note accompanied with the book and reread the explanation. She was honestly unsurprised about learning the truth and set it aside before opening the gift

It was the only piece of merch to ever exist for the book and it was because you had made it yourself only to give it to her as a truly sincere apology, it was a pair of fake roses with their stems tied together. A red rose and a blue rose tied together with a lovely white ribbon, a physical version of the books very last illustration

Part of her was touched by this and in all honesty, she found herself thinking about it for a good while as you had taken the fall for the shoddy knock off created by the gross imitator and the publishers hadn’t even been willing to help you sort things out

It was downright deplorable in her personal opinion and she knew that you weren’t the MC from the story but part of her started to feel like she wanted to rescue you

Rescue you from your life dealing with the publisher on that island where no one would ever appreciate your work just like how the MC had been rescued from the dragon, she would keep you safe and keep you in a place with people who actually appreciate your work and wouldn’t just disregard it in favor of someone’s fantasy

She would keep you safe from the prying eyes of anyone who wanted to harm you, she wouldn’t even let anyone brand you as theirs and do horrible unspeakable acts to you

If you wanted then the two of you could even become friends and maybe potentially something more which she grew to like the thought of more and more until she started to imagine the two of you going on nice walks together, laughing together and having fun

Ah yes, that was the life that would be perfect for you in the end…

All that she needed to do was get you here and she knew exactly the way to go about it…

It was a few weeks after sending your own letter when you received one from Boa Hancock, it was a request to come to Amazon Lily with copies of your book as she no longer trusted the publisher to send them the right ones

She also requested for you to bring your things as well as she would like you to stay on the island for an undisclosed amount of time, you didn’t want to potentially make the pirate empress any angrier than she already was so you packed some things and took a large box full of book copies of the first book and the sequel and headed off

A few days were spent at sea before you finally reached your destination, you were greeted and the books were quickly taken off of your hands in order to be enjoyed by everyone who had been so excited to read it

Meanwhile you were taken off to meet with Boa herself, she was a scary lady and more than intimidating but she was kind to you despite everything and had a smile on her face when you offered her the sequel story

Your time on Amazon Lily started on that very day, a lot of it would be spent with Boa simply spending time together as she took her time getting through the sequel story as she always stopped to ask you questions about it

As time progressed however and Boa continued to read the story, she found that it was wrapped up in the end with a neat little bow and the person the MC chose got married in the end. The MC had wound up marrying the pirate in the end and symbolically tied a ribbon around the stem of a red rose as a sign that they would always be together

Boa found herself enjoying the scene of the wedding and she smiled to herself as she reread the chapter only to notice certain things this time around like how the pirate had her hair done in a similar fashion to Boa’s and not only that but the way that the outfit was described? It sounded like her…

Part of her tried to write the entire thing of as a simple coincidence until she reread the line “The beauty of the two was so strong that it could turn anyone who laid eyes upon them to stone”

…Oh my god…

That was all that Boa needed to see and she quickly closed the book and set it aside, she honestly wasn’t sure what to think as this couldn’t be a coincidence anymore as the one who had won over the MC in the end was a Pirate Captain who would do anything for her…

It couldn’t have been just a coincidence now and she had to be sure that you didn’t write about some sort of deep hidden feeling for her… So she picked up the other book and spent quite a bit of time searching it for answers…

And as they say, if you’re looking for something hard enough then you’re gonna find it regardless of whether or not it’s there

Slowly Boa becomes convinced that you wrote about some sort of feeling that you had for her despite the fact that you could have never known her before this point…

And she would confront you about this, she would tell you off for doing this and make you leave but something in her refuses to do so

You don’t see Boa for days as she deals with these emotions, you aren’t sure why this has happened but you don’t bother her simply thinking that she’s busy while she attempts to figure out what’s going on

Until it hits her… She returns your feelings…

And when this happens, this is when things start as she starts to attempt to show you that she feels the exact same way about you that you do her

It starts with her trying to spend more time with you, it progresses into her getting jealous when other people speak with you, it progresses even further to her actually touching you with hand holding and the occasional caress

When it reaches its peak? That’s when Boa starts to greet you with a red flower of some kind whenever the two of you meet, she hopes that you’ll get the hint and finally realize

But hey, it’s not so bad that you aren’t getting it as your smile is heavenly to her to the point where she could look at it all day and has even caught herself staring at your smile for long periods of time when the two of you are together only breaking out of it when you point it out to her

Eventually you’ll start wanting to return home and back to your old life but Boa will insist that you stay, the world off of Amazon Lily is dangerous for someone like you after all and she wants to keep you right where she can absolutely make sure that you’re safe

You might try to insist on returning to your old life and that’s when Boa will start to manipulate you, I can’t see her turning violent but she probably would tell you things like “If something were to happen to you out there then I simply wouldn’t be able to live with myself”

She’ll trap you into staying on Amazon Lily this way until you’re ready to stay of your own accord…

It’s for the best after all and once you finally realize that she returns the feelings that you oh so clearly have for her, everything will be perfect…

A pair whose beauty is strong enough to turn people to stone…

[sleepytwilight]

I have a fun idea lmao

Imagine arcana twilight cast react to mc who's is an aggressive fighter lmao.

This remind me of that request about Bakugou Katsuki as Summoner.

𝔸𝕣𝕔𝕥𝕦𝕣𝕦𝕤

He did not expect for you to actual manage to kill the lizard monster with your bare hand.

Summoning him was a pure mistake because you already killed the monster-

You mistook Arcturus for a kidnapper and almost hit him but Arcturus knocked you out of self defense

Self defense is important kids-

Good thing he managed to calm you down when you arrived at academy

Trust me Arcturus supervised you almost everyday, please don't get into any fights-

And you got into fights.

At least you get rid of monsters-

𝕊𝕡𝕚𝕔𝕒

My guy was disappointed in 69 languages-

Well at least he put a good use on your strength by letting you go to missions.

Please stop getting into fights though, Spica is considering his life decisions.

At least you get along with Queen Tet- Okay you need to stop kidnap Pollux just because he's look like he needed to he protected.

He get concern why you fight so aggressively so he put you into fighting lessons by Vega.

It works but it doesn't stop that habit of yours on biting people's ears.

Seriously why?

ℙ𝕠𝕝𝕝𝕦𝕩

He wonders why the hell you keep on kidnapping him everytime you lay your eyes on him then snuggled with him.

He's not complaining- he actually like being like this.

Okay he should complain when you bit off some students ears that made fun of him.

Jk he didn't complain and cheering you on until Arcturus came then he pretended he was about to stop you

Pollux wonder if he put you and Alpheratz in the same room, what will happen.

He did put you and Alpheratz in the same room to see what happens 💀

𝔸𝕝𝕡𝕙𝕖𝕣𝕒𝕥𝕫

Alpheratz didn't get pay enough for this, he was planning to live like a slacker because Spica seems don't assign him to babysit you.

Of course Pollux was the one who did it-

You keep on challenging Alpheratz into a fight, he doesn't want to and keep on ignoring you.

Well you get tired from yelling at him for a fight, he pulled you closed to him and you both take a nap

Pollux got detention from Spica for locking Alpheratz in a room

Alpheratz could easily escape though, he chose not too-

𝕊𝕚𝕣𝕚𝕦𝕤

He said something that instantly stop you from fighting.

The committee guide members are grateful but curious what the hell Sirius said to you.

We will never know-

Jk he promised to turn into your favorite animal, you really could use an animal support-

Anyway Sirius enjoy your unpredictable decision, seriously why did you punch a student nose then throw them out of window.

how???

He doesn't really care if the student die, less student, less problem they say

𝕍𝕖𝕘𝕒

He got Vietnam flashbacks

You guys were childhood friends, of course he know how to tame you.

Okay but he used to tried to copy you when he was little because he thought you're cool. You still cool but you need to stop fight people like boar.

He asked you what does it taste when you bit off someone ear, you never answer him-

Well he didn't like the way you fight, you need to learn more. You can't always depend on your fist and teeth.

He sometimes asked himself whether it's a good decision to let you use a sword.

At least you make missions easier and both of you can enjoy your little date.

[hiso03]

what makes you ship halbarry, mine is the amount of symbolism and moments they manifest about them being compatible with each other and even the main lore knows theybare one😭😭

sometimes I wonder why these two aren't together yet since they are basically soulmates 😭😭

This is probably the question I have been waiting for the most and for which I have to have the longest possible answer. I will try not to go too far, but I will also try not to miss any points that I consider important.

I think I can start by saying that I love their dynamic, I've always liked it. To start Barry is a more serious guy, shy and introverted, always thinking about some situation and planning. And Hal is more outgoing, noisy and confident, he NEVER plans and is too impulsive.

They are opposing poles, not radically opposed as with other characters in the league, but they remain opposing enough to provide contrast to the relationship. There's also the fact that the two of them are fully aware of those differences, and even though they don't like some at all, they've never tried to change anything between them. Even when people constantly point out how different they are and how no one understands how they are friends. (Even they can't understand how they're so close if they don't resemble each other at all)

(Personally this panel is one of my favorites, as I love how Hal immediately jumps up to Barry's tastes, making it clear that while he doesn't like to do the same things Barry does, he doesn't find it as bad or boring as some might think.)

In general, the series of “The brave and the bold” I like because it allows you to take a close look at their relationship and give us lots of interactions of them, allows us to see a little more of their real character and their friendship.

There is also the fact that in that series they constantly show how well they know each other Hal and Barry manage to combine their skills to help each other. They always take advantage of each other's ability to resolve conflicts, and even when they fight or argue, they resolve them quickly. Another of my favorite numbers is the last volume of the series, when Barry falls into a terrible and painful depression and Hal is the only one who supports him.

Literally Hal tries to have some stability in his life to let Barry stay with him, helps him like Barry has always helped him and says one of the phrases I love the most.

“The poor man needs something to hold on to, so he will stay with me, maybe our friendship will be a comfort to him, he will always be able to count on that until the day we die.”

In this same comic is where Barry tries to sacrifice himself and Hal stops him, to that I add that in a previous issue we also show that one of Hal's biggest fears is losing Barry. The thought of seeing him die or get hurt is something that scares him.

Hal's not afraid to die, he's afraid that Barry will die and it's his fault, that I can't save him. And that point added to everything that's going on with Parallax and Crisis on Infinite Earths feels like a stab for both of them.

It's fucking tragic.

Generally in many moments of Hal as Parallax or The Wraith, Hal talks about Barry, continues to talk about how amazing he was as a person and a hero, talks about how he remains his best friend even though Barry is still dead. (That reminds me a lot of when I'm with my friends and some of them start talking about their boyfriends even though they're not there and we didn't talk about them originally)

And when they both revive, Barry constantly lets him know that everything that happened with Parallax wasn't him and tries to support him, try to be there for him for as long as he couldn't help him when his friend needed him the most.

We also have the fact that Barry has canonically been a blue lantern, and well, hope and willpower isn't exactly two opposing poles, on the contrary, it's likely that both entities are reciprocal forces. That they stick together and support each other, just like Hal and Barry do.

I also like to think that they had a somewhat similar childhood.

Both lost a father or mother, and that led to the loss of the rest of their family and childhood, they had to grow up faster than the other children, became more independent, and soon discovered that the world was cruel and unjust.

Although we also have other universes like:

The universe of Injustice where the two of them continue to support each other and remain together despite the mess that is around them, and there is even a panel where Hal as a yellow lantern is going to rescue Barry after Constantine abducted him.

Or we also have the fact that red and green in the chromatic circle are two opposite or complementary colors that are usually used when you want to create a harmony on a visual level. That is, from the choice of colors we can know perfectly well that they are opposite poles, but they complement each other so well that it creates a visual harmony when you see them together. (For some reason Christmas usually uses these two colors as its main ones).

There's also the fact that Hal and Barry met before the league was formed, and even when they met Batman and Superman, Hal wanted him and Barry to work it out on their own. (Barry refused because someone has to put prudence on their duo)

And we have the fact that in the story of how they met, Hal calls it his “first date”. (Let's pretend he didn't say that when he and Barry weren't literally on what looked like a date, where they went to dinner at a restaurant where there was live jazz music and Hal actually had a good time sitting on Barry's cell phone).

(Hal hates jazz, but he's still there with Barry at a dinner party while putting up with music he doesn't really like. That's pretty.)

I think it was also in this comic where Hal lets Barry use his ring to get you both out of there.

There's also universe 36 where we have two variants of Green Lantern and Flash that canonically speaking are couple. It is worth remembering that the two of them did not stay together, since in an event they participated in, the Flash of their universe dies. (It seems there can't be a crisis without a sprinter dying) Luckily at DC Pride they made the green lantern of their land look for their Flash, and they revived and were happy.

(They're supposed to be neither Hal nor Barry, but the truth, their designs and even their names feel like very inspired by them, so I scored it as a little extra point although I don't know if you can consider it).

We have DC vampires that although in that universe, Hal kills Barry because they won't let him turn him into a vampire because he would end up killing everybody. Hal finally gives us that line where he admits that he REALLY wanted to conquer the world with Barry, which kind of fuels his tragic gay romance.

Anyway, I would like to go longer, but I can't find some panels that I was looking for to explain me more, plus I feel that this is already long enough and meaningless to make it clear that I love them both. I just want to add that I think probably the thing I like most about them is that they both admire each other. Both their heroic parts and their civilian parts, and I think that's very sweet and nice, added to the fact that they're always there trying to support each other or show off parts of their personality that you can't appreciate with all their friends to the same extent. I like that they always have symbolism and like many times in the comics it refers to some moments that they have lived together. This makes me have the theory in my head that maybe some cartoonists and writers also like them in a sense beyond friendship, but since NOBODY dares to take the leap of faith and make them canon, they let us drop some crumbs so as not to lose faith.

(If anyone got here, thank you so much for reading all this even though it doesn't make much sense in some parts, I apologize for that and make up for it with some panels of them two)