#the implications this one scene gives us is insane

[jellycass]

austin's wife and kids comment being set up as a running gag only to then get thrown back in showfalls face when he breaks away from them for a moment and immediately says "I don't have a stacy" in the most unsure, anxious voice before snapping back to a monotone reassurance "I have a stacy" is something I can be soooo normal about (lying)

[humornaut]

Hey, @basil-daisy here.

I just wanted to drop by because there's something that has been eating my insides for a long time and I can't get it out of my head.

I wanna talk about the scenes in Black Space, more precisely the scenes in the Church of Something, both the Sunny route and Omori route, although the Omori route one was really the one that made me think.

Have you ever thought about how the scene where Omori finally finds and "saves" Basil in the Omori route feels strangely like... A wedding?

It's not only the bridal style way Omori catches Basil. It's the way Basil lightly complains about Omori being late, the way they stop as Omori gives Basil his flower crown back and how directly after the act is interrupted by Stranger, who objects the whole "thing". A spectacle a bunch of "guests" witness.

I was always really curious about the church symbolism. For example the way Basil is stuck at the top of the church. I've tried really hard not to think about what usually is in the same place in churches because that comparison is making me die inside, even if it weirdly makes sense (Basil died for your sins U^U).

Besides that we have Sunny's interesting relationship with religion. Mainly that he probably feels insanely guilty. He feels judged by all the religious statues, moreover the snow angels, which are also one of my favourites, don't need to have the game tell us Omori feels judged by them. You feel it just by looking at their eyes.

The fact that Basil is in a church of all places is so telling too. Besides masses churches are known for holding weddings and, well, funerals. And in case of Faraway town's church is has a graveyard right behind it, where Mari lies.

I wonder if the scene in the Omori route is supposed to feel like a wedding but also double as a funeral (considering it marks the end of Stranger and his admittance of defeat that is actually a premonition of Basil's death in real life). It's one of the few scenes between routes that changes drastically and what it represents is absolutely fascinating.

What is really interesting also is that in the Sunny route the scene feels is completely different. It no longer feels like wedding. If anything it is just Basil begging for forgiveness, which does of course ties well with religion. But he's not begging for God's forgiveness, no, he's begging for his best friend's forgiveness.

I imagine this might be another way of showing us that Basil idolises Sunny as well as telling us that Basil feels really bad (what an understatement).

I also question if the Omori route scene is there to mirror the Sweetheart marriage scene somewhat, but I think I would need to dwell a bit more on that to come reach a proper conclusion.

Anyway, I hope you're having a lovely day! 💜

Wow, this is a really good ask! I'm going to break it down into a few different parts.

The Symbolism of the Church of Something

I think you are right on the money in how things go down in the Church of Something in the Omori route. The entire scene does almost play out as a wedding! Not just as a marriage to Headspace Basil, but as a final marriage to Headspace in general. After Sunny moves, whether or not he ever finds out about the fate of the real Basil, he has wholly become Omori. Stranger's objection does represent the last vestige of Sunny's mind trying to stop him from doing this; after all, saving the real Basil is the only loose end that Sunny really feels a responsibility for in a way that he can fix. He may want to see his other friends again, but he doesn't feel guilty for not doing so, because he feels he doesn't deserve it. Basil's a different story, because he knows he did Basil wrong for the selfish reason of protecting himself from his past.

To deepen the significance of this "wedding to Headspace Basil, and with it, a marriage to the concept of Headspace itself", I also want to point out that there is an implication that the end of Black Space in the Sunny route is not an end to the loop of Headspace, which won't happen until Sunny decides to shatter the light bulb on the next night. There is Stranger dialogue in the hub area that makes clear that killing the Basil that has seen the truth in Red Space is something that usually happens, and when you go there, you can find multiple of Basil's bodies littering the area. Instead, it's the Omori route that "breaks the loop of Headspace", via Stranger choosing to attack Sunny for abandoning Basil and the others.

That's not even mentioning the things that happen after this in the Omori route.

The flower crown that Headspace Basil gives to Sunny in the last Headspace Night in the Omori route provides twice as much HEART as the next best charm in that department (with those charms being the the Pretty Bow, a charm tied to Aubrey, and the Tulip Hairstick, a charm tied to Omori). The use of the word "precious" is also used in the Sunny route, in the description for Basil's Photo Album:

All three of these charms are only accessible in the Omori route, as well. The Pretty Bow item is only receivable after defeating Abbi, and is explicitly described as "too flashy for your taste".

Finally, so long as we are talking about weddings in Headspace, there is another thing that we would be remiss not to talk about. To go along with your mention of the Snow Angels (who have another interesting connection that I will go over later), the charm that you get from completing this area is the Wedding Ring.

As I've mentioned before, there are three different charms that allow the wearer to start happy, and they generally have fairly romantic connotations. First is the daisy, which both you and I understand is likely tied to Basil, but also has a romantic connotation due to the context of being a reward for assisting a character acquire a gift for their crush.

The second is one that I would also tie to Basil.

The Heart String is such an interesting little item, and the way it is tied to Basil isn't as immediately obvious as the Daisy. First off, this item is really easy to miss. You have to grab it during the chase section within Humphrey, and you can't go back to grab it afterwards to get it. There is also another item in the same area: the Blender weapon for Hero. This item immediately sets off alarm bells in my head, because smoothies (the only snacks in the list that are made in a blender) are snacks that are pretty clearly tied to Basil. Why make these two items into two of the only completely miss-able items in the game? And it doesn't evade my notice that shortly before Humphrey, where you find these charms, you have the Branch Coral, who makes another connection to Basil using the romantic image of a string.

Finally, the wedding ring is tied to Basil in another way, and that is what's going on in the area that you find it. Obviously, there is a negative association between Headspace Basil and the cold/snow, but there's also the fact that the ascent up Snowglobe Mountain is reminiscent of the leadup to the Church of Something in general, with the stairs and the snow. And regarding the Snow Angels, aside from the religious connotations behind them, there is another neat association. Take a look:

this was pointed out by someone in a discord server that I am in, and I unfortunately do not remember who at this point. Let me know if you see this and want credit!

I would argue that this similarity was intentional, as an older version of the game had White Egret Orchids looking much different, though I can't find a beta picture of Basil's house at this exact moment. These Snow Angels serve much the same purpose as Stranger in this route: being embodiments of Sunny's guilt for abandoning Basil and refusing to take responsibility for his sins. This takes place on the final night before Sunny moves, the same night that the real Basil chooses to end his own life. These are his final thoughts following Sunny into his dreams (whether you take this as literal or figurative).

One last thought on Basil in the Omori route before moving on: the Basil Rush, and how it’s the most explicit the game ever gets about how Sunny imagines his Basil's closeness.

Like, oh my goodness. The TAG photos didn't even need to exist, but they were put in anyway! And a little detail that goes unnoticed a lot, is that the hand-holding TAG photo is one in which Omori has initiated it! I think part of the tragedy of the Omori route is that it is most player's second playthrough (if they ever play it at all) and it is when the idea of Sunny and Basil having romantic feelings for each other starts being implied way heavier than before. Congrats! You got some heavy romantic subtext between the two boys. One of them is dead in the real world because you didn't save him.

Moving on!

The Religious Connotations of Headspace Basil

You didn't want to go into it very heavily, but I will: among other things, Sunny's dreamworld has turned Headspace Basil into a Christ-like figure.

Of course, there is his position in the Church of Something, but that's not all. He constantly wears a Flower Crown (crown of thorns, anyone?). In fact, Omori has to give Basil the Flower Crown back in the very first Black Space area, the Watermelon Area, seemingly as a preface for what's going to be happening with Headspace Basil throughout that portion of the game.

Look at what he says during the hide and seek game:

There's also the fact that in the Sunny route, we are looking at a game that takes place over three days and three nights after Basil disappears from Headspace, which I'm sure I don't have to point out the significance of.

This is a connotation that Sunny is making himself. Basil did not choose to take on Sunny's sins in real life, he expected that they would always be together. It was Sunny that decided to throw the responsibility of both of their sins on Basil, by choosing to forget. Basil will literally die for Sunny's sins in the real world.

Which brings us to the Flower Crown that Basil gifts to Omori after being rescued. Whether Sunny knows it or not, Basil has decided to end his own suffering in the real world. By gifting the flower crown to Omori, Headspace Basil has symbolically indicated that the situation has been reversed. Basil is no longer suffering for Sunny's sins, but Sunny is about to start suffering for Basil's. We are told numerous times throughout the game that Headspace is on its last legs. It's running out of places to hide the truth. We see Black Space leaking through almost everywhere, and the Basil Rush ends in a direct reminder of the day of the incident.

All that is to say, Headspace is seemingly going to fail, and soon. Black Space has grown too strong. If you ask me, it's only a matter of time until news of the real Basil's death has reached Sunny in the real world, and that will be the tipping point. From there on, assuming Sunny even decides to go on after that point, he will be living with the same weight that Basil did for those four years after Sunny left him, and there won't be anyone to save him.

The Sunny Route and Sweetheart's Castle

Finally, you mentioned how the scene goes in the Sunny Route. It should be noted, right after Stranger merges with the version of Basil there is the first time in the entire game that a version of Basil in Sunny's head refers to Sunny exclusively as his best friend, and from that point on, we will see that repeated in Sunny's mind. The room that Omori and Basil fall into prior to Red Space is one that we will see during the truth sequence, but it also appears in the Omori route, in a manner that we should discuss, as it ties into what you said about Sweetheart's Castle being connected. After all, the room that Omori and Basil falls into is the same room that Sweetheart's Castle turns into once you accept the Keeper of the Castle's deal, as I noted in my post about Sweetheart's Castle previously.

Sweetheart herself represents Sunny; both in his quest for presenting a perfect version of himself and his broken understanding of love, both of others and himself. Spaceboy represents the more "Omori" part of him; someone claiming to be above his emotions, but ultimately ruled by them. He even changes his name while he is in a relationship with Sweetheart. From this interpretation, we can extrapolate that their wedding in the castle is a representation of the Omori route's ending, right down to ending up on Snowglobe Mountain.

I also want to point out what happens right after this. You don't immediately just jump on down to the Lost Library. You try to leave, but right before you exit the area, you get the cutscene showing Stranger on the stage, leading you into the hole, meaning you literally need to walk down the aisle of an area explicitly designed for a wedding to follow Stranger into the Lost Library.

Whether or not you interpret Sunny and Basil as having romantic feelings for each other, this seems very symbolic of the fact that accepting and following Stranger (who I have previously described as the individual in which Basil's love of Sunny resides, be it romantic or platonic) is how you get to the truth. It's as if Sweetheart and Spaceboy's wedding represented the ending of Black Space in the Omori route, while what happens right after represents the ending of Black Space in the Sunny route. And like most of the ways Sunny remembers aspects of his history, the library is tied to Basil. Where the real Basil would provide books for Sunny to read, Stranger leads him to an entire library filled with books depicting his memories, both good and bad.

I hope you found all this interesting! I haven't really gotten the chance to talk about these things before, since I haven't really found the motivation to talk about them in their own post before! I hope you have a wonderful day as well! Time to go back to packing for my flight tomorrow!

[bluginkgo]

Ep 8 Thoughts and Details Part 1

Some thoughts and details I had while watching ep8, and some parallels I found. And yes, I had to split this into 2 parts because Tumblr said "fack you, you can only upload 30 images :P"

Spoilers, duh

Already starting strong, the song that plays through the radio is "Cyn's theme" if you will, that is heard all the way back in ep5 (time stamp about 2:34)

Ep8 showcasing the first teaser image that was released on Liam's channel. Quite bittersweet, in a good way.

Well, uh, Uzi is a true god now XD She's got the AS that was originally in Cyn as well, double powerful and double traumatized/damaged OC!

"A How-to guide of overcoming the existential dread evoked by murdering innocent sentient robots capable of emotion and independent thought. Real life JCJ engineer testimonies. Thought provoking analysis of life and the benefit of being the apex predator. Insanely philosophical advice such as, 'Get over it,' 'Shut up and keep working,' 'Do you want a job or not.'"

Bleh >:P The fact that the AS is still playful is something a bit silly to me, in a funny way. Despite it being the god of the universe- almost- it has a silly side to it.

The amount of times there were cuss words either almost said/implicated made me so happy and burst out laughing one too many times XD

I've seen some people mention how the reunion between Uzi and Nori was unsatisfactory. In my opinion? It was perfect. The awkward feeling of meeting someone you should have known your entire life, all the while trying to the world was perfectly translated here. The silliness that Uzi inherited from Nori shines here. But most of all, N's kindness shines through Uzi. I think if Uzi was still her angsty rebellious teen like she was back at the beginning of the series, she would have not had as nice of a reunion with Nori as she did now.

Omg, you have no idea how happy I was in this scene. The animation, VAs, the DETAIL- ALL OF IT was so amazing! N looks so silly and goober-y <:3 Another thing I took notice later on was the timing. It's not really stated how much time it took for Uzi to go from falling down the AS hole to being punted into space. But assuming about minutes, that implies N facking booked it. The moment he got tossed out of the cathedral with the keys, he absolutely booked it to the ship without evening thinking whether Uzi was alive or not. He needed to see the evidence for himself. He didn't give up on and assume that Uzi was gone.

Recently one of the animators posted the scenes they worked on, giving us a clearer view of expressions. The work done by Xoriak was amazing and really pushed the expressions on these characters to the limit. What used to be Uzi's anger, quickly melts into relief an sadness as she realizes that N didn't give up on her in this scene. While she sacrificed herself, N did not accept her possible death as the only answer. No, he chose to look for her, and he would have done the same with V had the elevator not been blocked off.

This made me happy too. N has grown so much from who he was in the pilot. He used to be the push over that made friends with rocks, that accepted any order from the higher ups and didn't dare question any rebuttals. Now? Now he's confident enough to even voice the fact that he was mad about what Uzi did.

Give me like- giv- give me a second- LKJD;OIADKNVKVNAKDJF;OIWAEJFANVKJASDJFAOIWEFNAKJSDBV For the longest time my hyperfixation has been BONKS. Evident enough with what I've drawn (looks back at the 4-5 bonk drawings I've made). The fact that I got to see them bonk in canon made my sad sorry soul ascend into the upper plane of existence XD Oh and "die man bit-"

I grew up watching Studio Ghibli, so to see this moment- of NUzi falling and holding hands, of course my brain said- YOYOYOYO LOOK LOOK THEY'RE SO CUTE-

The moment of respite, the hug, the tail wrap around and the quick release from Uzi's part after having a heart to heart- it was all so perfectly beautiful ;w; NOT TO MENTION THE MUSIC, as usual AJ DiSpirito absolutely delivered. I REQUIRE THAT MUSIC TO BE PLAYING LOUDLY IN MY EARS 24/7 PLEASE AND THANK YOU AJ.

"I owe you 1 spaceship" -N

Couple things:

It's funny how J just either gave the ship up without a fight, or N was so stupidly fast that J couldn't even do anything about him taking it XD

N is an absolute machine at speed drawing XD

"I'm FINE, and calm, and GO AWAY." J is the embodiment of the entire work force TwT Couldn't help but say "same, honey, same ;w;"

Excuse me while I just- ITS VVVVVVVVV SHE CAME BACK OH MY GOSH- passes out On a more serious note, I've seen plenty of people mention that if V came back, her sacrifice would be for nothing. I don't think so. V came such a long way and grew to be more kind and honest thanks to her interactions with N, Uzi, Lizzy, and even her "death." It shows, because she chose to side with Uzi and N, and they all fought together in an amazing dance.

There were many moments in the episode that were a bit "slower" pace as many have put. That these moments took away from the intensity that was supposed to be in the episode. I don't think so. These moments are needed not just for the comedy part of it, but to give our brains to rest. To take a second, process the fighting we just saw, and be ready for more action. This is often used in Studio Ghibli movies, where after heavy action, it is followed by moments of quiet serenity to give you time to let the events sink in.

This, this right here TwT CRIES. These three have been together, hanging out, figuring out the eldritch mysteries- of course they'd pick up habits from each other. From N becoming more confident with himself and allowing himself to be mad at someone. To Uzi picking up on V's crawling on the ceiling habit. To V picking up Uzi's "bite me."

The amount of hand holding that was in this episode gave me enough serotonin for a life time. And the way that N always ended up wrapping his tail around Uzi, be it a hug or a cool pose. All of my NUzi hyperfixations are becoming canon and making me go FERAL.

Something that is interesting and always comes back to us, is the AS's interest and fixation on N. The way I have always seen it was Cyn was the reason for it. The AS tends to take something from the host and amplify it ten fold. For Uzi's case the perfect example was when she felt anxious or upset. Ep4 and ep7 are great examples of that. For Cyn's case it would seem that she got attached to N after she entered the mansion as a Solver host. The AS probably took that thought and amplified it to unhealthy amounts.

Oh.MY.GOD. THESE GOOBERS SEND HELP THEY'RE TRYING TO KILL ME WITH HOW CUTE THEY ARE. N first attempts to protect Uzi, and she says "nuh uh" and covers his hand instead. This. This right here. It's far too beautiful TwT

Great frame, but uh, how the fack are we able to see the AS symbol? XD Cause uh like, her face has a split for the nose section still and all of a sudden it just... went away? XD Don't get me wrong, the animation is TOP NOTCH in these last episodes, but silly little moments like this- where it's super tense and scary, but after a rewatch it just seems silly.

When I first saw this I figured "oh shit, it's ep7 all over again, they're gonna be obliterated." The demonic screams I let out were a bit embarrassing to say the least XD

This little shit. She's just playing with them, and she knows it. This entire fight was nothing more than a little game for her. Like a cat playing with a mouse before killing it.

In this scene you can actually hear the first notes of Eternal Dream, but in a super distorted way, much like it sounded in ep6 (timestamp about 15:30)

Alright, Ginkgo what now, why include this blurry frame of nothing? I really admire Cyn's VA. Fitzy has always done an amazing job at making my favorite character- Cyn- the creepy silly goober that she is. So of course I would have watched and unwillingly memorized laugh takes that Fitzy also shared. One of which was here (time stamp of about 0:47. The laughs are similar, and most likely reused from ep7 takes that never made it into ep7 but carried over to ep8. Just a fun little detail I noticed.

OMFG LMAO AAHAHAHHAHAHAHAHAHAHHAHAHHAHAHAHHA THE WAY I BAWLED THE FIRST TIME I HEARD IT XD

Split second frame but I see it. I SEE IT V. SHE COVERED UP N'S CORE TwT Despite all of the comments she made, despite all of the things she did, she still cared for him. And the entire show, her entire character growth shows that. She didn't run in that moment- she could have much like she did from Cynessa mere seconds ago, but she stayed, and tried to protect N too.

OMG BAHAHAHAHAHAHHAHAHHAHAHAHA YESSS UZI XD

The entire fighting scene between Uzi, Cynessa and J was so amazing. As usual, AJ DiSpirito did an AMAZING job with the songs, but more so the fact that Uzi is able to hold her own against J and Cynessa, that just amazes me. She has always been strong, but seeing it in battle made me appreciate it all that much more. Another thing about this episode, it seemed like the animators didn't particularly try to hide anything sneaky. All of the glitched sections (ex: Uzi's visor after she at the AS) were code that general population is unable to read/decipher- unless someone with an actual expertise tells me otherwise, I can only assume its code of her CPU functions- once again, remember, I know next to nothing about computers and that language TwT But the moments that were evident were these- they were even changed to BLUE. From the pilot time, everything was sneaky. I mean from the way the Murder Drones logo switched briefly into the AS symbol, to N's waking up having administration "CYN" written on his visor upon reboot. All of that was sneaky details put in for us to hunt down. This time around, it didn't feel much of like a hunt and more like silly easter eggs.

Wanna see the rest of it? Yeah, here's part 2 because Tumblr doesn't like more than 30 images per post TwT

[snikt111]

hi hi hi hi I found out about Hal Jordan TODAY and am going so autistic over him it’s insane can you please give me a rundown on what his deal is I think you’re the Tumblr Green Lantern guy

omg hi, insane compliment btw, tysm! i'm glad to give you a rundown!! also definitely check out @katmaatui for more hal info, red is SUPER knowledgable abt him. @rillette, @catboyollie, @halcarols, @starsapphire and @yellowcorps (along with so many others that i cant think to tag off the top of my head) have some great hal takes too! (edited the post just to tag more ppl)

apologies if this is a bit rushed/messy, i'm doing this while i smelt stone in minecraft LMAO

that being said... i think this will be a long one, so more below the cut :3

(cw for light mentions of pedophilia, abuse, canon typical violence)

okay, so hal jordan is the first human green lantern of the GREEN LANTERN CORPS. it's important to note that there was technically a human green lantern before him (alan scott, originally from earth two/the justice society, but integrated into main DC canon after crisis), but his power comes from a different source- which is a whole different ballpark that would take ages to explain, lol, so i'll move on from that.

hal was originally introduced in a showcase issue in 1959, but ended up getting a solo run in the mid 60s because of his showcase issues doing well. he's been a test pilot, middle brother, compassionate, rule follower (although being surprisingly liberal for the time) with an interesting relationship with star sapphire carol ferris since those first appearances. for the first 20 odd years of his appearances we had no information on his parents, but we got a lot from other family members, such as uncle titus, cousin hal jr (aka airwave), younger brother jim jordan and older brother jack jordan. through the 60s and 70s those members of his family were developed along with him; with the audience learning that jim's wife sue thought jim was green lantern, rather than hal, and hal himself training his cousin, hal jr.

the most known version of how hal got the ring in the first place is probably based off of geoff john's rewrite in the mid 00s, reiterating the original story of abin sur crashing onto earth and dying, leaving hal with his ring to be trained by sinestro and the rest of the glc, while also changing miniscule details that had been developed in emerald dawn 1 & 2 (which was released in the 90s, more on that later). the main premise of abin sur's crash has stayed the same, but the story around hal's current life, job, family and stability keep changing. for instance, the original comic with abin sur in showcase only showed hal getting the ring, the guardians choosing him. the first rewrite i can think of was emerald dawn volume 1, published in 1989 and continued in emerald dawn v2 (1991). here we get the classic hal watches his father die in a plane crash with carol ferris beside him as a pre adolescent, and some of the biggest implications of the mistreatment from his father. we also get introduced to hal, despite his stick to the rules, straight edge attitude, making some serious mistakes and putting people in danger and even death- with the implication of alcohol abuse. the audience HAS known hal used to be in the air force since sometime in the late 60s or early 70s (sorry, i don't remember the exact issue!), but emerald dawn shows us that hal's moved on from the air force and into test piloting, and that his mother keeps having to bail him out for making mistakes. emerald dawn vol 1 shows the abin sur moment, followed by fights that cost hal's friends life, and is followed up by sinestro training hal in emerald dawn vol 2, where we get to see the iconic scenes of hal finding out about sinestro and his... dictatorship.

along with that; how the guardians and rings are treated and hal and the glc's perception of them is vastly changed over time. in the early days of gl in the 60s, the guardians were really never to be seen. hal was repeatedly summoned to them and then had his memory almost fully wiped- only leaving a vague notion of his orders. the guardian's called hal to them at seemingly the worst times, ending up with him almost getting injured, getting in trouble at work, and even ending up jobless and homeless. the chaos of being a green lantern has been around the WHOLE time, but originally, the green lanterns didnt really... fight it. the guardian's were their masters (and even father figures, to hal) and not to be questioned. the rings in the 60s were also much more powerful, despite the yellow weakness (the yellow weakness is the notion that from about the 60s to the mid 90s the green lantern rings were completely unable to be used against anything yellow). time travel, phasing, teleporting, etc were all very viable and common things- as well as forceful shapeshifting, invisibility, mind control, mind reading, etc etc. these days, writers have dampened these powers down to mostly shooting light and constructs.

okay, it's parallax time. the emerald twilight arc from the mid 90s wasn't an arc that was as thoroughly planned out over a long period of time as it probably should have been. a lot of fans at the time (and even now) hated what happened there, and claimed it ruined hal's character entirely. i can understand why! but, at it's core, the parallax arc is a story about a broken man pushed to the limit, fully grieving his home and family (originally, he lost his brother jim in the destruction of coast city, along with a lot of other family members) and being goddamn fed up with how his "masters" treated him and the rest of the corps. the so called "perfect lantern" (no, he wasn't that much of a rebel, despite what johns wants you to think) snapped and essentially tried to gain as much power as he could to bring back coast city. when the guardians stripped him of his powers so he couldn't, hal became enraged and took down every lantern in his path, just to get to the guardians and that power. long story short, he kills the guardians and absorbs all the energy from the central power battery on oa, becoming parallax- essentially a god. this marks the start of zero hour, an event made by dc to restructure and reset; giving the comics a new generation of heroes. hal destroys the world and remakes it, but is ultimately taken down by kyle rayner, the new green lantern, with the help of the jla, jsa and associates. there are a few more run ins with parallax after this, before kyle convinces parallax/hal that he can make up for all of this by reigniting the sun after it went out- aka killing himself. hal does it, is stuck in limbo for awhile and then becomes the spectre to continue to make up for the horrible things he did as parallax. the spectre is the spirit of god's wrath and vengeance, a weapon used to drag sinners to their very own, self made hells, and scare the shit out of people. the spectre, from it's very first appearance, is a ghost like spirit that takes on a host, and is primarily described using christian terms and is used in a very... christian ideology. HOWEVER, the spectre 2001 confirms that hal is jewish (jewish mom, catholic dad) and that belief system, plus his personality as a whole, literally makes him change the spirit of vengeance into the spirit of redemption, for at least as long as they are bonded. the whole parallax to spectre arc is about grief, pain, cycles of abuse and terror, redemption and guilt. it is NOT about a fear bug that possess hal. (im so serious though, the spectre 2001 is one of the best comics ive ever read. amazing. changed my world view) but... geoff johns changed all of it, decanonized the spectre, and ruined the legacy of parallax and hal's growth as a person by releasing green lantern: rebirth in 2004/2005. this retcons hal's breakdown and journey through grief into him BEING POSSESSED BY AN ENTITY CONTROLLED BY SINESTRO THAT FULLY CHANGES PREVIOUS GREEN LANTERN CANON AND IMPLICATIONS. also, fucks up the importance of kyle becoming ion, but whatever. geoff johns writes hal (and even more so, carol) so very wrong, and change their stories so vastly in ways that go against the stories very meanings.

SIGH.

now... time to get started on some rougher stuff. hal jordan misconceptions. i'm saving that arc for last.

- hal jordan wasn't much of a rule breaker or rebel until the 70s/80s, where he BEGAN (very slowly, mind you) to be radicalized by oliver queen during denny o'neil's green lantern/green arrow. hal was painted as more of a conservative during this period (which, admittedly, kind of goes against previous canon... he's always been relatively central to liberal, not to any extremes like ollie though, lol) but gets more and more understanding of how power structures work and how lower classes are mistreated during this time- which ends up opening his eyes a bit to how shitty the guardians are. (this is helped by the guardians literally just. leaving. the green lanterns and kind of disbanding them so they can go fuck the zamarons, lmao). geoff johns tried to change this narrative into making hal a very... maverick-from-top-gun type of character, who punched his way out of the military (when, in reality, the original story during emerald knights in the late 90s was that hal had been framed for stealing a jet and was dishonorably discharged, which he took the punishment for because he knew someone had to) and hits on women constantly and gets ladies and allat (which, funnily enough hal was awful at getting carol to like him for a long time, since carol fell for green lantern rather than hal. not to mention the awkwardness of carol's proposals or hal's many, many failed relationships). hal has always been insecure and lowkey boyfailure, he is NOT a top gun maverick tom cruise sorta guy! fuck you jeremy adams!

- hes not that much of an idiot asshole. hal can be a real dick, he's had that going for him since the beginning, but he isn't what you read in batfam fics. he's not stupid and shouldn't be the laughingstock of the justice league. i assume this idea started from the obsession with batfam and the fact that the jla has quite the history of ignoring hal and his issues (as well as. all of their issues. theyre not so great at work life balance), but it's gone too far. hal isn't making fun of the robins and pissing bruce off bc of that. hal isnt fooling around on the job 24/7 (he takes being a gl and pilot VERY seriously, although he does enjoy some danger and high stakes) or slacking off to get girls. again. not top gun maverick.

- hal has not been a creep since the beginnings. hal was not weird with carol in the 60s. things were weird between them, yeah, but that's based off circumstance and the craziness of star sapphire and green lantern. he was NOT being horribly sleazy! i hate that i even need to say this, but i see this take too much not to

- going off of what was said above, lets discuss the arisia arc. if you want to be a real hal fan, this is unfortunately something you need to know about. in action comics, after crisis and the guardians left to go fuck the zamarons, most of the green lanterns fell apart and seperated. a small group went to earth- led by hal and consisting of hal, john stewart, katma tui, kilowog, salaakk, ch'p and arisia rrab. (also sometimes guy gardner, but that's complicated) previously to this arc, hal treated 14 year old arisia like a beloved little sister, welcoming her and leading her into the corps just like everyone else. things started to change once the timeline gets closer and closer to crisis, where arisia starts showing that she has a crush on hal (who is roughly 30s at this point). any advances made by arisia are shut down by hal at the beginning, because she's a child. now, it's unfortunately a common thing to just call hal a "pedophile" because of what happens in this arc- but it really isn't that simple. still weird and icky, but definitely not to the degree of which some fans like to act like it is- esp to attack hal fans for, which is... an odd choice regarding how many fucked up things every character (esp male characters) did back in the day. arisia ends up using her power ring to artifically age herself up, making her body AND MIND into that of a young adult (the comic makes this very clear). once this happens... hal stops rejecting her. they get together, they kiss. the only person in the group of green latnerns who actually has an issue with it is john (salaakk is meh about it, but he just doesn't like human-esque romance no matter what), and katma even directly encourages their relationship. kilowog ends up crushing on arisia as well, and guy gardner hits on her repeatedly throughout the whole period. eventually, hal and arisia break up, but this legacy (thank so much englehart, for wrtiting this. /sarc) is a big controversy among the comics crowd. "is hal jordan a predator?" personally, and i know a lot of friends/mutuals/other gl fans choose to erase the arisia arc entirely (versus how canon ended up retconning it to be 14 earth years is equal to that of an adult and she didn't really get super ages up, or whatever) and go with the familial relationship between hal and her. that's my preferred version! i know red (@katmaatui) has explored that version as well as an alternate version where the arisia arc did happen, and how it affects arisia in particular, which is really depressing but super interesting. anyway, it's complicated and weird and nuanced, but that whole occurence doesn't mean hal's a bad character or person (cause yk. retcons) and it's certainly not bad to like his character. (definitely ignore any guy gardner fans who try to bitch about this arc. cough cough. guy was ALSO into her and hit on her repeatedly. smfh) most people who bring this up to demonize fans didn't even read the arc, and don't know the nuance or the other weird shit that happens in it. (hal is not a horse, sigh)

OVERALL NOTES!

hal jordan is a super complicated character with an extensive history spanning from the 60s to his worse written appearances in modern age. it's okay to like any version of the character, but it is important to note the changes that have been made, the storylines butchered and lost, and more. he has quite the legacy, and he's particularly interesting as from a moral standpoint. hal's a real sweetie though, when it gets down to it! he's neurodivergent coded (imo at least.. his dad very much gets onto him for being disrtracted, hes kinda shit at social interaction (and then amazing at it the other half of the time) etc etc. "spacecase") and his dad is an abusive asshole, who he desperately doesnt want to be like but thinks he NEEDS to be like!

[osarina]

to the anon - i’m putting it under the cut because i’m not bringing discourse to my dash again. you are right in that you’re getting blocked, but i'm afraid that's where it ends!

i don't know WHERE you get the inclination that you think i think i'm being "cool" by my previous message, i'm sure that you think you're cool coming on anon to act like the selfship police, but i'll entertain your shitty asks one last time. i did not LIE about anything you said, that's a bold and absurd accusation.

i fear that is common sense. if someone does not have their exact age on their account and gives a vague range instead, you're a crossing a boundary by pressing for that exact age range to call them "weird". don't play stupid, it's not "mature" of you.

but quite frankly i don't CARE what you find weird! i am not aging myself back to being 18 again in my fics, i'm portraying the two of us at the stage in our selfship when we would have both been 18. when people write childhood friends to lovers, and the scene includes them being 12, they are not "regressing themselves" to be 12 again to selfship with a 12 year old version of a character. they are creating plot and substance to that point in a timeline and that's NORMAL. that's how writing works. i can write the 18 year old versions of me and dazai from the past in my fics to portray that portion of the story while still being in the 20s! i like substance and background to my selfships.

what about this is NOT judgmental? you come into my ask box judging me for having a selfship with dazai and pressing me about my age while calling it "weird" (that's a quote!) there is no twisted narrative here, you're acting like the selfship police. more than that, you're prioritizing the feelings of someone that does not exist over the feelings of a real life person. comparing someone in their early twenties to finding comfort with a character that is LITERALLY THEIR AGE is fucking absurd. dazai is 22 currently, he was 18 once. i am in my early twenties currently, i was 18 once. ???? i'm going through the timeline of what our relationship would've been like. comparing this to someone who is 50 selfshipping with a 14 year old is INSANE. that is a FOUR decade difference, not a few years. be fucking real right now, i actually can't believe someone typed this out and thought "wow this will totally get her!!"

again - your "simple question", if you put a little thought behind it, crosses boundaries. don't YOU lie. you can play innocent all you want but we all know that if someone doesn't have something explicitly stated - ESPECIALLY when they have an alternative there - it is CROSSING BOUNDARIES to press and ask for it. you can play innocent and stupid, but it's not going to work here, sorry. i'm not going to let you come onto MY blog and disrespect me.

... let me understand this .... dazai left in the spring .... his birthday is in the summer .... dazai is eighteen when he leaves the mafia .... meaning his birthday in the summer passed (and thus spring as well), so he left the next spring ... which means he's been 18 for nearly a whole year ............ regardless of the fact that you just disproved your own point, you sent no source and i'm afraid i'm not going to just take your word because i cannot find ANYTHING on this topic online.

on this topic, i never claimed to be the end all knowledge of dazai, i am not asagiri, i don't know everything and i dont claim to. but continue to get your snide comments in, i hope it makes you happier.

i allow simple questions when they are not rude and disrespectful. furthermore, i am NOT a content creator. i am a person who enjoys writing and enjoys sharing it. this is my personal blog, i don't make money from this. i will repeat - i am NOT a content creator, i don't like that term and the implications/expectations that come along with that. and this ask is precisely why.

this is the end of this discussion. there is one immature person here and it is YOU. you can act innocent and play stupid, but everyone knows that wasn't meant to be a simple question, and your response is even more showing of that. you're not going to come onto my blog - MY safe space - and disrespect me. the moment you ended that ask with "it's weird" it becomes rude and judgmental. if it was meant to be a simple question, you would have cut commentary altogether.

comparing someone who is in their early twenties selfshipping with a character who is ALSO in their early twenties to someone who is 50 selfshipping with someone who is 14 is actually insanity. i will always add substance and backstory to my selfships, just like i do with my fics. if you don't like that, kindly stay off my blog.

and claiming that i'm immature when you're throwing a fit in my inbox over someone selfshipping with a fictional character is more telling of you than me.

i will reiterate one last time that i am not a content creator nor do i want to be treated like one. this is my personal blog that i write fanfiction on. i don't get paid, i don't get sponsorships, brand deals or anything. i write fanfiction for myself and i share for those who might be interested. i'm not going to sit here and be told i'm "bad" at something that i'm not because you have a preconceived idea of how i "should" be acting because you presume i'm something that i'm not. it says right on my nav that this is a personal blog.

you're blocked, this conversation is over. i hope you reflect and realize why you were wrong here and you don't put another writer on here through the same thing.

i hope you have a good life and heal. peace and love.

[kerubimcrepin]

LIVEBLOG: Wakfu Season 4, Episode 2 [PART 1]

I miss the grittier, browner Bonta of older seasons...

Agardoes what Jorisn't.

(totally not a joke I've been making for months now)

Moooooom Yugo was MEAN to me. Ngl Qilby was so good in this season, his interactions with Eliatrope are filled to the brim with insane implications.

Even more movie asset reusage. Ughh. The tavern Kerubim talked to Bakara at would NOT still be standing. It's canonically underwater and underground and shit. Like the rest of Dofus era Bonta.

Kettle insulting a pan for being on fire.

Ush will only have the right to insult him if he can stop fucking cats. <3

Both of these are also asset reusages but I'm too lazy to track down from where. The woman is from Aux Tresors, and the man is from Wakfu season 2, is all I can tell without further inspection.

I'm sure there's more stuff I missed, but I'm already annoyed enough that they decided to cut costs at every single corner even without looking further into it...

He's still a catfucker. Sad, oh well.

My beautiful wife.

[start talking shit about Ush as loud as possible the second he is in a hearing distance, in an exaggerated, expository way]

This is some school locker bully behavior, made funnier by the fact that the person actually doing all the bullying is Ush.

The way Atch starts staring here, and Ush immediately says "not here to fight, lol" just confirms the fact that this conversation is 90% all about letting Ush know he is not welcome <3

Something that makes me extremely mentally ill is about to happen, chat.

When it's Wakfu cast, who are Joris's friends whom he wants to impress, it's all "Papa... you're being awfully selfish for not letting us go and fight together with you :))"

But when it's Ush, it's immediately "whether my little Jojo is home or not depends entirely on what the fuck you want from him." as if Joris isn't a 600yo politician and kind of should hear whatever Ush has to tell him, and as if there aren't huge eyes in the sky that he was interested in.

Conspiracy theory: one of the reasons Joris is still single (besides the aromanticism, horrible personality, misantrophy, 20 psychiatric disorders, not wanting to be in relationships—) is that 99% of people who have ever had a crush on Joris were afraid of disappearing under mysterious circumstances.

Kerubim's little mad, unamused look...

I want to point out, once again, that when you actually pay attention to the OVAs and this moment, Atcham and Kerubim always kinda... act like Joris is a child.

Joris expressed that the eyes in the sky concern him? They try to stop Ush from talking to him outright. Because they don't like Ush, because they don't want Joris to investigate this, and because they want him to stay home.

Joris expressed that he doesn't want them to fight Ush together with him because he doesn't want to see them hurt? They don't give a shit, and try to express that in the softest way possible that won't embarrass Joris in front of his friends.

It feels like a mix of holding Joris on a leash, but also trying to wrap him in a cotton wool. Sometimes it helps Joris, sometimes it's just patronizing.

Ngl they do have good reasons to protect their [checks notes] 600-year-old ambassador from this guy.

You have no idea what this moment means to us, Atcham fans. All three of us.

Kerubim's expression..... probably gauging how likely it is that Atcham might start screaming or clawing at something.

Words can't express how much of a Gift this entire scene is.

Atcham looks like he's about to lose his anger management badge. Kerubim looks like he's scared that Ush is going to die or kill Atcham in self-defense.

HE'S SO SCANDALIZED.

The anger management classes + not wanting to be arrested?

KERUBIM SO UNAMUSED.

Kerubim is probably so used to seeing Atcham freak the fuck out about things. It's his brother's special charm.

[wipes tear] He's learned to love the bomb.

...sorry for making references to the band glass animals. it will happen again,. if you dislike that maybe you should learn to love the bomb too.

[lunar-wandering]

things about the Boboiboy series that drive me NUTS (this list is written solely from memory)

the fact that the first three elements, Wind, Earth, and Lightning, didn't really start out as having different personality's from Boboiboy himself (at least, not by much/it wasn't extremely noticable) but then, Lightning, after being split for too long, losing his memories completely, and achieving tier 2, becoming Thunderstorm, suddenly goes all Edgy(TM). and then Wind eats a mood-changing potion and goes manic, and not only does that unlock his tier 2, making him Cyclone but that becomes his personality. like. hello??? the implications.... and then later on, Fire, Water, Leaf, and Light manifest WITH their personalities pre-set. what??? the vague implication that the elements are sentient and the personalities started becoming more obvious when Boboiboy's mind started slipping/letting them have freer reign haunts me every day.

speaking of Fire's manifestation. he initially manifested from the stress of exams and walked around accidentally burning shit down in the middle of the night. what a mood tbh.

if the elements are sentient, the implications of Retak'ka stealing them from Boboiboy and using them- without having his personality change, is INSANE. like bro. he used them as a weapon instead of letting them be actual people..... and then later on in the comics Thunderstorm gets taken away AGAIN and is trapped in a sword, a literal weapon, and is used. again. HELLO????

both of the first times Thunderstorm gets summoned (both the obvious first time and the first time after they all got reset to tier 1 due to Complications) involving his phobia kills me every time why the FUCK did they do that. they didn't even address it the second time around but they animated Lightning looking like he was in distress anyways. WHY DID THEY DO THAT TO HIM. i know he's the fave but like. was this necessary.

BOBOIBOY JUST DECIDING "Y'KNOW WHAT??? I'M GONNA INVENT FUSIONS NOW HERE WE GO" IN THE SECOND MOVIE AND PROCEEDING TO ABSOLUTELY WIPE THE FLOOR WITH RETAK'KA

i could list so much Thunderstorm stuff tbh he's definitely the fave they give him so many cool bits of animation. he does the "teleports behind you" move SO OFTEN and it's SO GOOD

Leaf's deadpan "Fashion Tragedy" line

that one time Boboiboy split into Fire, Wind, and Leaf, and EVERYONE agreed he shouldn't have done that and should never do it again cause those three have negative braincells when in a group together

the songs??? like. the opening songs. the insert songs used in the movies. the OST. why the hell are they so good. i mean i know i personally like em cause they tend to use rock. but like. its SO GOOD.

Yaya and Ying being arguably the two most powerful/capable members of the friend group as they should

that one time Thunderstorm and Fang fought and they paused right before hitting each other and the objects behind both of them exploded from the force of the other's attack

in the first movie when it hinted that we'd see Boboiboy without his hat for the first time ever throughout the entire movie and then it FINALLY HAPPENED when he caught a giant hammer right before it could hit him and punched the dude away with a blast of energy. he has a white streak in his hair and it's visible in the series from this point onwards.

I KNOW IVE SAID A LOT OF THUNDERSTORM SCENES BUT THAT POINT IN GALAXY WHERE HE WAS USING TIER 2 BEFORE HE SHOULD'VE BEEN USING IT AND HE KEPT SWAPPING IN BETWEEN BOBOIBOY AND THUNDERSTORM THROUGHOUT THE FIGHT??? THAT WAS COOL AS FUCK I LOVED THAT

i could list so many of the really cool shots from this series tbh. that one time Light slow-mo backflipped over a bunch of debris and then activated laser eyes to shoot at the villain is a highlight.

literally everything about the fact the plot of this show went from "aliens come to earth to steal chocolate" to "boboiboy nearly fucking dies on an almost daily basis"

[cocogum]

The Great Wave - Chapter 5 Review

‼️ SPOILERS FOR THE CHAPTER ‼️

I’m not going to lie, this was the best chapter of the first volume so far. Not only was it better than the old chapters because we had much more to see and think about, but it’s also because it had some soft intimate moments mixed with happy scenes and not to mention felt longer than the others.

I would like to point out that I was completely in the right to explain why it was perfectly reasonable for Amalia to be worried that Aurora would take her place. In my chapter 4 review, I mentioned how Aurora had no right to lead the kingdom without Amalia even if it was in her legal right to do so. Aurora doesn't fully grasp the beliefs of the Sadidas. If she banishes Amalia, the final member of the royal Sadida family, from the kingdom, she will lack crucial insight into the kingdom's governance, particularly regarding the functioning of the Tree of Life.

It's important to note that while Yugo may not be a Sadida or a Twelvian, he has at least demonstrated the bare minimum level of cultural understanding and interaction that surpasses Aurora. Having lived among the Sadidas and rescued them multiple times, he has even communicated with King Oakheart without difficulty. However, it's worth noting that not all Sadidas may fully accept Yugo despite everything he has done. A good example of this would be what @vinillain has said about the topic in their post. I actually recommend you to see what they have to say about it.

Aurora has told Amalia to go back to her adventures, implying that she doesn’t need Amalia IN HER OWN HOME. Not only is the blue cow trophy wife a dumbass, but she’s also extremely unaware of the consequences she could receive if she lets her go.

It’s completely ridiculous but insane to kick the only remaining royal family of the Sadida kingdom if you don’t know how to keep the very living thing that keeps its people breathing.

This just keeps me wondering what the hell is Aurora’s goal besides ruling another kingdom other than the Osamodas one. Is there even another goal? Because if there isn’t, you gotta keep the only member of the royal family around you if you don’t want to fuck a kingdom up babes.

Aurora is legitimately an embarrassment to all blondes out there. They are already tired of hearing the annoying stereotype of “being dumb blondes” so don’t make it worse for them.

I hate what this is implying and I hate how Amalia explains it to Yugo.

Amalia already told Yugo in Season 4 that the sadidas protect the trees with their lives. And now, she’s here specifying to him that once a Sadida dies, they are still very much present in other ways.

Tot I swear on my ass, if this turns out to be some kind of foreshadowing for Amalia’s death, I’m booking a plane ticket straight to France. However, if this turns out to be some sort of implication that Amalia will replace or be the official guardian of the Tree of Life, I might be into it. We’ll just have to see where her words will go.

I loved how Yugo immediately went to console her and brought her into his arms. My guy doesn’t hesitate at all anymore and I’m so proud 🥰 He’s now able to give her the love she deserves 💕

This is the first time he mentions the past, and I'm glad he remembers how she used to be and can see the good in her, even when she was less mature.

Look at how he admires her in this very moment! He’s absolutely smitten 💕💕

“But already full of courage.” Yeah, the fearless sassy adventurer is definitely his type lol

I’ve been seeing a lot of people talk about the pregnancy situation with Aurora and with Amalia as well. The recurring references to pregnancy in certain chapters have led some to speculate about their significance. They are so vaguely placed in some instances but still present that the mentions almost appear like they’ve been strategically placed, leading to the belief that they may play a crucial role in upcoming events.

Here, we have Amalia crying her tears out at the idea that Aurora is perfectly justified to regain her position as queen simply because of her alleged pregnancy.

Just this scene alone makes me believe that Amalia has all the right to get pregnant as well. This is literally the scene that’s pushing the idea of her getting a kid.

Amalia. Get pregnant already. YUGO HELP HER-

I genuinely hate the fact that Amalia believes Armand would’ve let Aurora become the leader in his place because she’s harbouring his “child.”

Like no babe that doesn’t make any sense.

Throughout Season 4, we were able to clearly understand that Armand and Aurora did have feelings for one another but that didn’t mean Armand thought she was worthy to take his place if he was gone.

There’s a reason why there was only one throne in the Sadida kingdom.

There’s a reason why he was the only one conversing the most with other symbols of power or influence such as Master Joris, Yugo, and the cow king.

There’s a reason why he only addresses himself when he’s talking about the sadida leadership.

There’s a reason why he says “my people” rather than “our people”.

There’s a reason why he told Amalia, straight to her face, that she’s got it from here right before he sacrifices himself.

Armand never thought about Aurora when it came to any kind of leadership.

And sure, even if the child is real (because I still do not believe that wench), that doesn’t mean Armand was expecting the child to take over for him, much less Aurora, when Amalia was still in the picture.

Man was just horny that’s it.

Oh oop- drama???

Omg no this is genuinely such a good moment.

Amalia accidentally tells Yugo that he’s a stranger in the eyes of the royal Osamodas family and supposedly the other leaders as well and Yugo simply accepts this fact while she’s over here internally cursing herself for saying that to his face.

Because Amalia knows she’s right. And Yugo knows it just as much as her, if only more. Despite how Yugo wants to help Amalia in the situation she’s in, he’s aware that his very existence is a disturbance to the other leaders. (Which is a parallel to what happened with the Eliatrope goddess and the other gods around her.)

It greatly bothers Yugo to not be able to help his wife because of what he is and it is pretty understandable. There are people who are clashing with Amalia so he’ll obviously want to fight back.

While we're on the subject of who’s more of a stranger than the actual alien, I’d like to point out that even the royal Sadida staff treats Yugo like he’s part of the family. When Yugo and Amalia were having their moment, Renate (or Canar, I can’t remember who is who these two are just always together) enters the sacred grounds and calls for them, reminding them to be a part of the wedding their friends are having. But the way Renate (or Canar) addresses them is not by their royal status, but simply by their names.

This is an important detail to be aware of because Renate/Canar had no reason to justify why he called them by their names alone.

It just goes to show that some royal servants can be comfortable calling Yugo and Amalia this way without receiving any consequences. It also implies that only the servants who have interacted and gotten along with Yugo and Amalia when they were younger, are allowed to address them by their names.

And I love that fact so terribly much.

Amalia is a queen who understands personal relationships with servants and doesn’t think the idea is a bad thing. She has always been looking forward to speaking to her servants and befriending them since she was a child. Renate, Canar, and Evangelyne are examples of this.

Another detail that can be pointed out in this scene is what Renate/Canar said next: there was a wedding the two are supposed to attend later in the day.

This wouldn’t have been such a big thing to think about if it wasn’t for the fact that Yugo mentioned to Grougal that the two people in question who are getting a wedding, are two of his and Amalia’s friends.

Literally what? Who?!? Who are those friends??? That literally came out of nowhere!

It can’t be Eva and Dally because they already got married ages ago. So who could they be? Some friends who the brotherhood of the tofu met during one of their adventures? New characters that we’re going to see in Season 5 if it ever gets released? Or simply new characters that we’re going to discover in the manga? I’m throwing all the possibilities in the air because these two individuals cannot be normal civilians that Yugo and Amalia decided to plan a wedding for. Yugo precisely stated that these people are their friends.

Because of the Brotherhood’s lack of presence, one might assume that the couple getting married could consist of a Sadida and an Eliatrope, which would explain why Yugo and Amalia are familiar with them.

The Eliatropes and Sadidas depicted in this panel appear to be getting along, as they are all gathered in circles surrounded by Sadidas who seem to be accepting of their presence.

@aphilayx circled the exact amount of small groups that contained sadidas and eliatropes conversing together.

We can also believe that the marriage is unlikely to have any of the brotherhood’s friends who they met in their adventures take part in the ceremony, as was the case with Tristeva and Yumalia’s weddings. It appears that only Alibert, Adamaï, and Chibi, who are not from the kingdom, will be participating.

All of these points only encourage the idea that the marriage Yugo and Amalia would participate in could be between a sadida and an eliatrope.

…if the eliatropes weren’t children.

The eliatropes are not adults yet. Only a few months, or possibly a year, have passed between Season 4 and the webtoon. The eliatropes are not ready to marry anyone.

But then again, an interracial marriage would still make sense. Because why would any other race be here? I don’t see anyone else. The room we were shown only displayed sadidas and eliatropes. The only other person who isn’t an eliatrope, a sadida, or even a dragon, is Alibert (poor guy’s the only Enutrof there lol). He sticks out like a sore thumb 😭

Speaking of the room, we finally get to see Chibi and Grougal! It's great to have more opportunities to see them, especially since they were only featured in the first episode of the Ovas and one episode of Season 4 until now. In both of those times, they barely spoke or said a line. But here, we can finally see them having more moments and SPEAKING.

Well, only Chibi is talking but I think that’s pretty understandable since Grougal seems to be less talkative than him cuz he’s…well a baby dragon.

Grougal chews on wood when he can’t eat anything else…

Honestly, that’s relatable for all human babies. And then we got Chibi over here who decided to snitch on him for trying to eat Az. I never thought the future inventor would be able to snitch like that, how embarrassing.

DUDE WHY ARE YOU BRINGING DOWN GROUGAL LIKE THAT?! BRO’S JUST TRYNNA BE A DRAGON-

I’ve never seen Yugo get this mad at Grougal damn. I only saw Adamaï acting like that in season 2...daddy’s mad.

Yugo gives off the vibe of being the responsible older brother who had to act mature to help the parents handle the younger kids. He’s such a big brother to them both to the point where he’s making me think he’ll be such a good househusband father.

He’s even compromising with them!! Telling Grougal to wait a bit until the food can be ready.

Please that is such a fatherly thing to do!! They usually do this when the mother isn’t watching lol. Yugo’s over here telling Grougal to wait just a bit longer so he could be able to eat whatever he wants at the banquet.

By the way, I bet the feast will only be filled with drinks and fruits based on the food we’ve seen in the webtoon trailer.

Ruel had once complained that all the sadidas ate were soups so I guess that’s also another thing these people eat. The only time I’ve seen a sadida eat meat was Amalia in the first episode of the Ovas cutting a cooked animal in Ruel’s contraption.

So yeah, Grougal’s gonna starve either way lol

Also I’m definitely using this panel as my lock screen 💕💕

Look at him, he’s about to ground him before Alibert can.

Just cuz of this scene alone, it made me think that’s how he’s gonna act if he ever gets a kid(s) with Amalia. So if his kid misbehaves, he’d make that frowning face lol

And now we’re back to these imbeciles.

It irks me that these two blue-skinned clowns are being served and taken care of by the sadidas. They got THEIR OWN SUITE ARE U KIDDING ME-

The blue cow king even had some food prepared by the sadidas for his goofy ass ride! Stop treating the sadida servants like they are your own ones!!

Aurora is as unlikable as always, ordering the people to prepare her room.

I swear not even younger Amalia used to order her people like that. She used to get along with them and even talk to them as if she was about to spill some tea. But Aurora? Cow is so entitled that she’s even acting like that to people who are not even from the same race as her.

Blue cow mentioned that the chest the Sadida servant was carrying, had a “kougnard” in it (in English it’s a “skrot”).

We couldn’t see what it looked like but it clearly scared the shit out of that sadida woman. So I took the time to search up what a “Kougnard” was and it turns out it was actually a very ugly bat creature.

A “kougnard” is an animal you can use for transportation or a companion you can bring around while adventuring. Their main use is transportation though so they carry you from point A to point B if you can’t find a zaap gate near you.

They originally came from Ecaflipus, the Ecaflip God’s dimension. The kougnard that Aurora has is a newborn one which would explain why it could fit into a chest.

For a visual example, this is what a kougnard looks like in its adult form 👇

So yeah, pretty ugly.

Like ew wtf no wonder the sadida woman shit her leaves. Sorry for any player who uses these things but I don’t see how you can even touch one of them, let alone look at them for more than fifteen seconds. They look like ugly crusty bats that are fighting for their lives just to breathe.

Also what’s up with Aurora keeping familials in chests?? Wtf?? Isn’t she pro-animal or whatever?? Literally what’s up with that?? What’s so special about a living baby kougnard that she has to keep it in a chest???

That thing is even ugly as a baby, just look at how that sadida woman reacted when she saw it. Literally freaked her the hell out.

Apparently, Aurora wears the animal on her head in the next chapter according to what the next chapter’s cover entails. She seems to have something in her head and @geekgirles deduced that if we focus our attention on the top of her head, we can see claws.

I swear if that blue cow is actually looking down on people in that panel while having an ugly crusty-ass bat on her head, I’ll be laughing my ass off at this goofy behavior.

[genericpuff]

I simply don’t agree that Aphrodite sleeping with zeus was coercion. Eros was rightfully going to be punished for doing the same crime as persephone. Aphrodite was the one manipulating zeus into sleeping with her again to lessen his punishment. (And they had a previous relationship/fling considering Eros is his GRANDSON and Aphrodite definitely hurt Hera in that process as well) if Eros was innocent I would understand the viewpoint but Zeus was doing his job and he is scummy for being so easily swayed but Aphrodite was perfectly scummy as well using sex to get her son off the hook.

I don't entirely disagree with some of the points you raise (that Eros had committed an act of wrath that led to this whole thing to begin with). That said, I think that more proves the point that Rachel's framing could have been more clear, as it's why the debate of "is it coercion or not" even exists in that scene. Yeah, she was totally attempting to get her son off scot-free from committing an act of wrath, but then the plot expects us to also root for Persephone to get off easy, who still gets a trial. It might not be a fair trial, but the implication with the Eros / Aphrodite / Zeus scene was that Zeus was just gonna go straight into punishment without even bothering to give him a trial to plea his case. And unlike Persephone, Eros didn't go to insane lengths to hide it from Zeus and Hades (which was more why Zeus took such offense with Persephone's Act of Wrath in the first place - he didn't care that she killed people, he cared that she killed people and then hid it from him and his brothers.)

Apparently Artemis and Apollo were outright celebrated for committing an act of wrath.

(notice how Zeus shifts the goalposts from it being about the death of 300 mortals to it being about Eros harboring a mortal?)

In the original Greek myths, acts of wrath were common. Poseidon would drown sailors at sea, Aphrodite and Eros would toy with the emotions and lives of mortals who had wronged them, and Demeter has created an entire dang season that resulted in the starvation of mortals en masse.

So in LO, which is it? Are acts of wrath something that need to be taken to trial? Or are they not that big a deal and Zeus is simply an asshole who picks and chooses who he punishes? Because when taking how he treated Persephone's act of wrath into context - as well as Artemis and Apollo's - then him deciding to punish Eros right then and there seems a little unwarranted, I don't blame Aphrodite for trying to think on her feet. I'd like to think if he was willing to offer Persephone a trial, he could do the same for his grandson, but evidently not. He didn't even know Apollo and Artemis were his kids yet back when he rewarded them for murdering people, so his relation to them can't even be used as a "well clearly he's biased towards his kids".

If it's meant to highlight how unfair of a king Zeus is, then flipping the script from Aphrodite to Zeus offering sex as a bargaining chip would have made the intention a lot more clear. That said, I do still agree with the notion that Aphrodite was clearly backed into a corner here knowing fully well that her son was about to be unfairly punished for something that wasn't even being given a fair trial or route to defend himself. That's why I argue that Aphrodite is still a victim of coercion, even if she's the one who "offered first". It says more about Zeus that Aphrodite even felt the need to go that far in the first place IMO.

[directdogman]

Hey dogman, idk if you answered this

Who, out of both DSAF and Dialtown, was your favourite to write and/or create?

It's very hard for me to pick favourites with my characters because I don't tend to give characters a lot of screen-time unless I find a character interesting or fun to write. You've caught me in a talkative mood, so warning, there's an onslaught of text coming!

DSaF: Dave was the most fun to write for, as I remember it. I mean, the guy is the walking personification of chaos and even when he's being constructive (eg, rigging robots to do insane stuff), it's usually in a destructive capacity. Dave will do LITERALLY ANYTHING but contribute to society in meaningful/valuable ways.

In terms of what character-writing I was most 'proud' of, I was also pretty happy with Dr Henry Miller, as a villain. Namely the research he embarked on, described in his logs in DSaF 3 (which the fandom evidently agreed with, as I got really strong feedback on those logs.)

One issue a lot of people (including myself) have with canon William Afton is that he's this kind of mad scientist character but his research doesn't really seem to be... idk, going anywhere? Other than using remnant (soul nectar?) to make kids possess robots, it's kind of a mystery how he got to this point he did from running a bad fast food restaurant. William gets fleshed out motivations in TSE and even then, it mainly revolves around his relationship with Henry Emily, iirc. It's actually pretty accurate to how real serial killers think, imo, but there's a pretty wide berth between this kind of serial killer and becoming a sci-fi fast-food mad scientist... So, I decided to try to bridge that gap.

DSaF Henry's logs actually mention where the idea for his research came from, namely the fact that he existed in a world with normal scientific rules just like ours and seemingly discovered something supernatural, and he approaches it like an amoral scientist would - trying to figure out how to figure out more about the fabric of reality using the newly discovered phenomenon of possession. The 'joy of creation' phrase people pulled from Golden Freddy's phone call in FNaF 1 is given context - Henry is trying to find out what's on the other side (and eventually, how existence itself formed.)

There's other aspects to his character that make him more interesting too, like the implication that his research is partially an excuse for him to act on an underlying sadism (with scenes implying that he inflicts damage on others than can't be justified as assisting with his research.) His background as a dissident/quack laughing-stock scientist (thanks to pushing his soul theory in a best-selling book, which is considered pseudoscience) BEFORE he embarked on his journey to become a fast food tycoon also makes it less farfetch'd that he'd be capable of y'know, harvesting human souls intentionally to continue his research?

I had more for the character on paper that people haven't seen but some of it wasn't revealed due to it feeling a bit too disturbing to publish. None of the contents would've been all that controversial, more just too tonally disturbing when written about in detail (like a omitted part from his backstory/lore post where he managed to pick up a hazy audio of his wife + son's crying from the radio of the car his wife/son drowned in and reacted with genuine elation upon realizing he'd discovered a new scientific phenomenon (as this was the first time Henry witnessed soul-possession.)) Yeah.

I don't feel much of a need to revisit Henry as a character because as a series villain, he was pretty thoroughly-written and he did his job effectively... And his fate was well earned! (He even got an epilogue short-story a few years back, further cementing his fate!)

Dialtown: From the characters/writing that the fandom has seen? Tough to say. I genuinely really like every DT character. Gingi and Mayor Mingus are two of my favourite characters to write for because they're both really insistent and react to adversity in a really comically indignant way. Mingus is more like Gingi than she cares to admit in very specific ways, which is the core hypocrisy of her character - she's one of the most abnormal things IN Dialtown, and spends the game on a quest opposing abnormality that she, herself, can't stand.

Many absolute rulers have debilitating physical and/or mental cruxes and despite that, usually have the final say on what is/isn't okay, often guided by arbitrary preferences. It's funny to remember all of the ancient kings and emperors who dictated how others should act, talk and even think, when very many of them themselves were anything except a good reflection of their own subjects! It's an irony I quite enjoy and leads to a fun character to write for!

My favourite DT writing is probably some of my Callum Crown speech drafts. I have a definite bias here since Crown's character is based on many figures I've encountered in my own reading (and his story relates to topics I enjoy reading about.) A lot of that is real nerd shit that wouldn't be interesting to 99.9% of DT fans (like a long conversation where Crown + Milt discuss a campaign speech Milt wrote for Crown and they bicker about if the wording/arguments used are truly honest.) Again, not super relevant to Dialtown-proper, but it explains a lot about why the world of DT ended up the way it did.

Realistically, the story of Dialtown itself is basically a weird little epilogue to a story that ended decades upon decades ago, centered around a bunch of small-town nobodies circling around the carcass of the last surviving main character of the old story.

I'm also very happy with Gingi's character partially because I know more about Gingi's past/future than you guys do. Gingi has such rotten memory that Gingi's backstory before DT's story begins is basically a complete mystery. Thanks to Gingi never getting close enough to any humans before laying its eggs, there's nobody in Gingi's life that can fill in the gaps. Companionship means so much to Gingi because prior to meeting The Gang, Gingi is aware of a massive and unknown block of time that's a complete mystery precisely because Gingi had nobody in its life. To Gingi, this time was basically akin to being non-sentient or dead, and Gingi would never go back.

While I was making DSaF, I drafted a ton of other stories on paper. I considered making most of them, but decided not to for various reasons, despite getting some solid feedback from collaborators. Bits of almost all of those project ideas made it into DT, with Gingi having traits from several other main characters I prototyped years and years ago. This includes where Gingi came from and what exactly Gingi is. I don't want to mislead people into thinking Gingi is more important than it is, like Gingi is the key to unlocking DT lore (I promise there's a LOT of aimless scuttling/devouring in Gingi's past and relatively little else!) BUT: Of everything from those old scrapped projects, Gingi is what I decided deserved to survive the most. And that has to count for something.

One day I'd love to make sequels to DT and perhaps explore some of the stuff I've described above, like why the hell the world of DT is the way it is or maybe where the hell Gingi spawned from. Thanks

[thewillofdeez]

Talking to my husband about One Piece theories (as you do in a Healthy Adult Relationship ©). He said Mihawk vs Sengoku would be an interesting showdown. We've only seen the extent of Sengoku's powers once at Marineford, and that may or may not be the full picture. But that got me thinking.

Mihawk currently has no named attacks, whereas even the most powerful pirates we've seen have named attacks. The implications here are either 1) Mihawk simply DGAF about doing things the way others do (which tracks and I love that for him), or 2) all the Mihawk attacks we've seen thus far are such a teeny tiny fraction of his power that they're not even worth naming.

So let's say the second one is accurate. What level of power does Mihawk have to display in order for it to warrant a named attack? We've seen this bad bitch cut a damn ship in half but also scale his power low enough to cut Zoro without literally slicing him in two. The control he has over his power is insane.

We've seen what Zoro can do. We've watched him level up so far from when we met him. But we don't really see Mihawk in action very much. What displays of power we've seen are just a tiny fraction of what he's capable of because we simply haven't seen him have a real need to fully display his power. This is a guy who does just what he wants to do as much as possible, and only does anything else begrudgingly. We saw him at Baratie facing off against this 19 year old moron who thought he was ready to take on the World's Strongest Swordsman, and wasn't. We saw him at Marineford, but let's be honest, he had no reason to do more than the bare minimum. He doesn't care about the World Government, he probably doesn't care about the conflict between them and Whitebeard. He shows up, puts on a show, and peaces out so he can keep living his relatively quiet life. The World Government can say "you could have done more!" all they want, but at the end of the day, he did what he was required to do, and no more.

It's vital to Zoro's character not just that we see him defeat Mihawk, but that we fully understand how strong Mihawk is so that we can understand just how strong Zoro has to be to defeat him.

So, how can Oda do this? How can he possibly show how very strong this untouchable character is in a way where we can appreciate it before his inevitable downfall? Because I feel like if we see him give his first real attack in the middle of his final duel with Zoro, it's not gonna hit as hard. It'll be like "Oh, that was cool, aaaaaaaand he's dead now."

Mihawk not only needs but deserves a scene independent of his final fight with Zoro where he can truly show off what he can do. I want to see this man EXHAUSTED. I want to see something that completely takes it out of him, that shows us he's not untouchable, that it's possible to wear him down, that beneath his strength he's just a guy who gets tired and winded with the right amount of exertion just like the rest of us. Mihawk was one of the OG antagonists of One Piece, he deserves his own version of Galaxy Impact or Divine Departure.

Okay, so hear me out. Outside of his fight with Zoro, what could Mihawk possibly do to display the true extent of his power? What is a feat so massive that it would be exceptional for even a man of his power?

Perhaps it would be something that avenges a man who was (per SBS) betrayed by a Marine, an agent of the World Government. Something so impossible and insane it was only alluded to in a relatively minor character.

So....what if Oars the Continent-Puller created the Red Line 800-900 years ago, and Mihawk will become the Continent Destroyer by taking it down, destroying Marie Geoise and at least symbolically everything the World Government represents? And furthermore, what if he and Zoro do this together? We've seen them both cut enormous things..... combined, at their full power, what if they just slice a 10k meter wall that encircles the globe to bits? What if they create the All Blue?

This is a mishmash of various theories, but tbh..... I'm happy to give Oda an enormous amount of leeway. He's the artist here and I have my wants and hopes and ideas, but there is very little in One Piece that I think could truly and deeply disappoint me because things not going the way I want /= things are bad. I'm just along for the ride, ya know?

But this is a must-have. Oda has been setting this up for more than 20 years now. This rivalry between Mihawk and Zoro needs to be concluded in a way that does both characters justice. And this would be a pretty cool one.

[caramel-flan]

🏮 3.4 LANTERN RITE EPILOGUE 

// SPOILERS AHEAD

There’s so much to unpack here regarding Venti and Zhongli but can we talk about this exchange at the end:

Going insane because the way the scene is framed and how the conversation pans between the two of them... it seems like Venti is speaking indirectly about himself and Zhongli.

If we take a look at some of the previous scenes:

What’s interesting are the moments after the dinner, when Hu Tao and co. are gathered to re-light the incense.

While Hu Tao makes her speech we see Venti looking contemplatively at Zhongli while everyone else is looking at the incense.

He applauds Hu Tao for her idea before nominating Zhongli as the most distinguished guest

This part is hilarious, to the humans present it sure is strange that Venti would immediately nominate this person he’s just met and chatted with briefly as opposed to one of his equally accomplished “old friends”?

But Venti gives his reasoning and finally this leads to another scene we aren’t talking about enough:

For the majority of the night Venti and Zhongli have been so un-serious with each other. At the dinner table they’re having fun with their ridiculous 4d compliments battle slash game of ‘Hey stranger’.

And it’s understandable that the masks are up tonight, the two of them can’t speak openly about earth-shattering plot-moving topics without giving away their identities after all.

But it’s here that we the audience get a glimpse of Venti and Zhongli at their most plain and honest about each other:

“If knowledge were a form of power, one could even say that you’re a wielder of unlimited strength.”

“But when it comes to having a way with words, the notable bard is certainly one cut above the rest.”

 Zhongli is genuinely impressed that his ‘new friend’ can spin such an ‘unexceptional skill’ into an ‘unparalleled talent’ and he humbly downplays the claim. 

But Venti is absolutely correct. Having a photographic memory is an extremely powerful and valuable skill to have in the world of Teyvat if we recall the events of Sumeru, and the purging of knowledge from Irminsul. 

Zhongli likewise acknowledges Venti’s exceptional literary skills as a bard. We know now that fiction can be used to depict knowledge that has been erased from Irminsul, anything that can be recorded into song or ballad is ‘safe’ and therefore can be retrieved later.

For all their bickering, Venti and Zhongli recognize each other’s strengths in the effort to record Teyvat’s history, and preserve the ‘truths’ of the world.

It’s easy to see then why both of them would be so important and invaluable to each other as friends, and why they’ve stuck together for so long.

- 🏮 -

At the beginning of Lantern Rite Zhongli tells Traveler: “Setbacks are inevitable over the course of a long journey. If you wish to share what's troubling you, allow me to lend my ear. There is no need to shoulder all burdens by yourself.”

Through lore and gameplay we know that Zhongli and Venti are the last surviving members of the first iteration of the Seven.

Both have yet to personally reveal anything about their origins before the Archon War, only scattered hints that implicate Venti having strong connections to the God of Time Istaroth, and that Zhongli may not originally be from Teyvat.

But regardless of which theory you subscribe you, it’s clear both of them understand all too well the hardships of being on a long journey, and the importance of having someone there by your side to help shoulder those burdens.

[notnights]

Oooh what implications (I love when you talk about them thay are very weird/very pos)

It’s not exactly this deep I don’t think, hard to say because ADC seems like it’ll be a mix of cartoon mannerisms and serious topics. So it could just be funny cartoon interaction but could also imply something darker, or tbh could be both. But I guess I’ll be insane here for a second and talk about it as if it is that deep. (Thanks for liking when I ramble about them also heh.)

Gangle is scared and threatened when Jax points the gun at her. Anyone would be that’s not unusual, especially under Jax’s handling and excitement for violence since the start of this episode.

Jax however is perfectly chill with holding the gun to himself. Granted he doesn’t have the muzzle directly pointed at himself but most people wouldn’t face a gun toward themselves at all, dangerous.

Jax however does NOT care one bit. He is not afraid of any damage that could be done for one reason or another. I think this says more about Jax not caring for consequences and actions because let’s say he does accidentally shoot himself. Maybe it’ll hurt but probably not for long and they can’t die so he has nothing to fear, not really. Jax has less self-preservation than Gangle who is terrified of Jax pointing that her direction. And in a way that’s kind of sad but also who could blame him.

But if this says something about THEIR relationship (and it could always be both) it’s a form of showing control, even if it’s subconscious on Jax’s end.

He threatens Gangle with something that scares her, then “uses” it on himself not even caring, showing her there’s nothing (within that context) she could do against him that would threaten him in the same way. She has no real options to oppose him.

On TV this is often simplified and shown as a scene where a subjugator tosses a weapon at their victim and says something along the lines of “go on then, kill me. You won’t.” And they don’t. And as an audience member it’s often frustrating “just kill them!” But direction wise it’s the quickest way to show just how much control this person has over their victim/minion/partner/whoever. The implication being their victim has been under the subjugator’s thumb for a long long time to the point they’re terrified to fight back even when the opportunity presents itself.

This isn’t a big scene showcasing that here, but it’s one of those small and subtle things. Even if Jax isn’t doing this consciously, the body language can still be interpreted that way by Gangle. Subliminally telling her if she some how turned that same gun on Jax he would not be as fearful as her. Therefore she has no sway over him within these current circumstances. Giving subliminal signals she is powerless against him even if she gained a means to push back.

[beigetiger]

Honestly Skulduggery in Hell Breaks Loose hurts my heart. He was simultaneously a hyper-violent asshole who sold out his teammates for a half-assed attempt at killing Serpine, but he was also JUST SO SAD. I spent the first half of this book wanting to punch him and the second half wanting to give him a hug, no matter how bad of an idea that would be. Anyways, spoilers ahead.

His self-esteem, for one, is absolutely awful, and he’s kinda right to think of himself in that way. He understands that his love of violence and hurting people isn’t normal, even if his friends go out of their way to try and not make him too uncomfortable. He questions Ghastly as to why he sticks around despite Skulduggery ditching camp to try and failing to kill a guy, and berates Ghastly for trusting and loving him on account of the fact that Skulduggery will probably just hurt him again.

And that scene where he was talking to Valkyrie and they were just chatting about random stuff? Broke my heart. At first I thought that Skulduggery might not like or trust someone who claimed to be his friend from the future, but him being happy to meet Valkyrie because it means that he’s still capable of loving someone and that he’s not a total lost cause was heart-wrenching. I really loved all of the Dead Men interacting with Valkyrie, but those two definitely hit me the hardest.

And another absolutely heartbreaking thing to watch was him using necromancy magic on Serpine by accident. The aftermath of the whole thing did such a fantastic job illustrating his frustration with his own magic, with how he killed Serpine, and with knowing that he’s now essentially damned his teammates. He also seemed so legitimately frightened by his own magic, making him default to refusing to acknowledge it as part of him and not want to talk about the subject. In fact, watching him panic and the other Dead Men react to his shadow magic was super interesting because they don’t really fear it. And why would they? Lord Vile hasn’t happened yet, Skulduggery is their friend, they all have nothing to fear, even if they are a bit out of their lane. Valkyrie was really the only one who understood the full implications of the situation that they were in, which gave her even more of a reason to panic because it means that the timeline had gone horribly wrong.

Also, some of the stuff that Serpine was saying to Skulduggery while chained up? Absolutely FOUL, I cannot even begin to imagine the amount of self-control it must have taken for Skulduggery to stand there and take all that for as long as he did. Because while he has pretty much no self-restraint for 90% of this book, this was the one place he knew he couldn’t mess up. And he messed up, not that it particularly mattered in the end anyways. But I like to tell myself that I have decent self-control, and I would have snapped that man’s neck so fast if he started talking in disturbing, gloating detail about the death of my loved ones. Really just goes to show that Skulduggery didn’t want to lose the rest of the people he cared about as well. That went great, didn’t it.

Somewhat unrelated to this whole tangent, but knowing that Skulduggery and Rustica (Ghastly’s mom) were buddies and would hang out and joke with each other hurt so much more knowing how Rustica dies.

And completely unrelated to this tangent, Valkyrie having to watch a version of her partner die only to kill an old man and have the timeline revert so that he’s alive but remembers nothing that happened must have been a DISTURBING experience. I’d probably never sleep again, I’d be so worried about the people I care about constantly. And also I’d be stuck trying to unravel the layers of the universe. I’m fully convinced that the reason Valkyrie sometimes blocks out information people are trying to give her (or trying to dumb it down/ trivialize it) is because this woman has handled the horrors of the universe and probably implements this technique to stop herself from going insane thinking about it.

[neros-very-first-fiddle]

I've been reeling over Spike's speech in s7e2 all day, so here's my shitty attempt at an obsessive analysis:

"Why does a man do what he mustn't? For her. To be hers. To be the kind of man who would nev- To be a kind of man."

Something that really grated me about Riley and his departure from the show is how good of a reason he had to leave Buffy, but how poorly he explained it to her. Xander literally had to come in and re-explain it to Buffy, so she could understand. But, that reason was that he felt like she could never love a human. She was crazy about Angel the vampire, completely in love with him, body and soul. She wasn't the same about Riley. And maybe she couldn't be. Because how can a normal living guy ever compare to the flame and thrill of a centuries-old vampire?

The point I'm getting at is that I find it interesting how Riley didn't work out with Buffy because he was human, while Spike hasn't worked out with Buffy because he's not a human.

I don't think Riley understood Buffy. Not on any deep, intrinsic level. He was jealous of her past and assumed she would see him as boring because of it.

Spike's different. He understands (eventually) that flame and thrill isn't actually what Buffy wants. She wants someone she can trust and rely on. She wanted Riley so badly because he was supposed to be normal, reliable, trustworthy. But inevitably, she couldn't give him her all because she also wanted the flame and thrill that farmboy just couldn't give her. But spike can. He endures hell to get his soul back because he wants to be someone Buffy could love- a man.

"She shall look on him with forgiveness, and everybody will forgive and love. He will be loved."

Spike saying this while staring intently at the crucifix leaves a heavy implication of death/suicide. It almost sounds like something he's repeated before, possibly to comfort himself. Because maybe no one will ever forgive him. Maybe he will go to hell like the voices tell him to. At least there, he will be loved.

"Can we rest now? Buffy, can we rest?"

I'm just using this to add on to what I said above. In death, there is love and a final repose. Spike's so tired. Everything he's done is eating him dead alive and all he wants is to rest with Buffy.

I also really like how he uses we instead of I because no matter how insane or sick he is, he wants to be with Buffy.

anyways, I'm done rambling now. I will be rewatching this scene a million times.

[the-cat-and-the-birdie]

It bothers the hell out of me when no one talks about what George stacy? (whatever his name is) (gwens dad) pulling out a gun and was (probably) going to harm his own kid?? why is no one talking about? why is that scene so overlooked?? it's so fucking overlooked, call me whatever, but my gut has been screaming to me about it, it's so weird how overlooked it is, And I know it's not just me, but I also feel kike I know why and it sucks, I feel bad for gwen, I don't think she'll ever look at him that way and it's not being talked about as much.

NO DEADASS REALLY FOR REAL DEADASS

Like the implications of that scene are insane - if we question what he would've done, like it gets sickening.

Because he let out a warning shot, he's going by procedure. So if Gwen hadn't complied, what would he have done? If she 'resisted arrest' is he really ready to use force - A GUN on his own daughter.

He KNOWS she Spider-Gwen now. He's see what she can do - Gwen could probably dodge a bullet if she knew she was being shot at. Knowing that, he was doing that to get her to submit in fear, that hopefully his place as a cop would scare her into WHAT?? Giving herself up.

Gwen CAN'T.

This is NYC mind you.

If you get arrested in NYC they send you Riker's Island while you wait for trail. Riker's Island being the jail that inspired ARKHAM ASYLUM.

It's considered one of the foulest facilities in the country. Gwen is what, 16-17? Wanted for murder - the cops HATE her, the courts could easily trial her as an adult.

Was he REALLY ready to throw his 16 year old daughter into the most dangerous neglective hellish place the city has to offer? Was he ready to shoot her or worse?

WHAT WAS HE GONNA DO??? CAUSE WHATEVER IT WAS...HE SEEMED COMMITED TO DOING IT.

SIR WHAT WERE YOU GOING TO INFLICT UPON YOU INNOCENT CHILD - HOBIE GET THE GUITAR

No wonder she was gonna leave without talking to him. If Hobie hadn't come over, she would've rather been homeless on the streets rather than try and face her dad again - knowing it can end up MUCH worse.

Not knowing if he's looking for her to apologize or throw her in a cruiser he makes me SICKKKK BRUHH ITs NOT EVEN FUNNY AT THIS POINT

As soon as he started talking she had an attitude because she's still pissed about there. There's so much sadness there but anger too, cause like

How you deadass pull a gun on your only family??????????????

How you deadass about to send your daughter to a detention center or a jail OR MORE LIKELY COMPLETE SOLITARY. Consider her powers.

Like..... These movies want me to pat him and Peter B. on the back for a job well done when they BOTH let Gwen down. And Gwen has to come TO THEM to fix it (which I understand for her dad but Peter r u deadass)

Meanwhile Jefferson is doing TWENTY THOUSAND TIMES BETTER WTF

FUCK GEORGE STACY ALL MY HOBIES HATE GEORGE STACY JEFFERSON DAVIS IS A KIN

DO YOU THINK HED EVER PULL A GUN ON MILES NO!!!!!