#the implication of grief is there

[femslashspuffy]

I'm not so much mad Izzy dies I'm just mad that the tone feels so wrong. It shouldn't be happy before happy after, if it's supposed to be a big thing make it a big thing and this one for sure shouldn't be small

[uncharted-constellations]

~What i couldve been~

I was just gonna do the adult timeline zelda but im so enchanted by the idea of these two versions of the same character. People always talk about how link would be changed but never zelda.

[swollenbabyfat]

I don't really believe that "everything has a silver lining", sometimes things are just horrible and painful, and can just cause more suffering for those effected to try and find the bright side in such cases.

That being said, I think it's also okay for those suffering to try and find some beauty in the pain, inevitably it will change you regardless, and if you can have it move you towards something more livable then you should do so. Death takes more than just the person whose died, be as kind to yourself as you can, coping looks different for everyone, making beautiful things and experiences is how I deal with it.

Anyways, some of my favorite illustrations from Failgirl Fluttershy.

[darkholdharkness]

can you even begin to comprehend how absurdly you need to be loved to become a scar on death’s body?? she’s been around since the dawn of time and the only person to take residence in her heart was agatha. i need a minute

[tangledinink]

"it just seems inhumane to lose this much."

[ambiguousfan]

I love the ship. Well one of them >///< i have more!!!!!

Better Place AU or What If....(I havent come up with a name, if you have any idea commend down below)

Warning

Mention of Grief, Ruins, Recklessness, Family, John Dory centric, Loss

Au Idea (Warning Messy)

Yodeler went to Lonesome Flat for a Better Life.

Hickory move with his brother who become the sherif of the town, taking care of few things and there

Dickory usually do more work than what needed like checklisting merchant traders; Bounty Hunter Like issue; Missing Pets; so one and so forth.

He then met a particular Jazz newbie Bounty Hunter (he failes his first hunt) save him, all in the days work. Eventually they warm up with one another.

Hickory on the other hand become the town bartender and hat maker.

Delta Dawn known Delta as long as he move to Lonesome Flat.

John went off after went to the mountain only to return months to the troll tree. Seeing it condition and no sight of his family. He wanted to take his mind off by coping finding more adventure elsewhere.

He take a reckless route venture of somewhere unknown when he found Delta and Hickory; more like they found him

wanting to explore more found tribe of troll hut stumble upon them

They did everyday life shenanigan; kind of slice of life adventure. John more than the rest, Having Hickory and Delta getting him out of a sticky situation. He try not to be too reckless of his wellbeing

I imagine chapter of Delta slowly become a mayor-to-be of the country troll town; Hickory continues his business; John taking job here and there around the small town. Eventuallly at break they would go on tour outside, 'way to make out brain exploded for how huge he world it' John like to say.

They go to every tribe learning exchanging culture and making few trade when John heard about the possible rumors of his brother being alive.

I wanted them fall in love with one another, their dynamic be intersting. Hickory more calm and collect, Delta more bossy and confident (way of leadership), John Dory more resourceful and bit emotionally unstable.

He went off better, less reckless after processing his grief of the loss of his family.

Movie 2

(I have not thought of it yet)

Maybe somehow John start to hear about pop troll saving the world and find branch

he wanted to find him but got kidnapped

or they met, branch angry while John just relieve of his safety eventually they grow on mending ties as Delta and Hickory there to support him .

Take place in movie 3

I wanted to imagine that John was one diamond instead of Floyd after singing in Mount Rageous resturant. Or maybe other way around

If Floyd kidnapped, the change event would be having Hickory and Delta onboard. More emotional support and trying become mediator. Delta more blunt and defensive on John behalf. Hickory try to stop any argument become it become too far.

Depend on the role Hickory and Branch got along more for survivalist tips

If John was kidnapped, also Hickory and Delta come, more determine and a bit tense and more defensive. Hickory would leave few snark here and there but trying understand situation. Delta a bit more hurry more.

I wanted to think Delta and Brandy would get along, talk about being in a family. And consideration of kids (i can think of an OC on this hehe, thy be so cute!!!).

Anyway I can't think any more idea that all i have.

[doyelikehaggis]

7 Days of Scarepairs: Sciles | Scott McCall x Stiles Stilinski (Teen Wolf) + “Grief”

Requested by @joanthangroff (TW mention of suicide attempt)

It was a long ride back from the motel. At least, it felt longer. Stiles' gaze burning holes in the side of his face wasn't making it go any faster, either. Scott could see his bouncing leg, hear his racing heart and smell the anxiety radiating off of him. Even if he were oblivious to all of that, he would still know something was wrong with him.

"Stiles," he said wearily, looking at him properly for the first time since Coach snatched his whistle back off of Lydia and told them to sit down. "Are you okay?"

"What? Oh, yeah. I'm fine. All good."

The way he glanced at him said otherwise. Scott raised his eyebrows pointedly and the leg bouncing stopped. Stiles ran a hand over his thigh and nodded jerkily as if reiterating that he was fine.

"Look, we're gonna figure this out, okay?" Scott assured him as best he could. "From what Ethan said, there's a good chance that Derek is alive. Once we get back to Beacon Hills, we can find him, and we can make a better plan. No one else is going to get hurt."

He just managed to bite back a promise. He knew he couldn't. He only hoped that it was the truth.

But Stiles stared at him like he could see right through him, his eyes narrowing. He parted his lips like he was going to retort, as he usually would, but instead, he just shook his head and turned to face the back of the seat in front of him. As he ran a hand over his face, Scott frowned.

"You're angry," he blurted out.

Stiles shook his head again and sighed. "No. No, Scotty, I'm not angry." His heart skipped but he acted like Scott couldn't hear it. "I'm just... I'm tired. Last night was..."

"I know," Scott said softly. His own heart skipped. "But the darach's not going to catch us by surprise like that again."

Stiles nodded, but he didn't say anything else. In fact, he didn't say anything else for the rest of the ride. Scott wanted to, but something stopped him. He took to staring out the window and letting his eyes unfocus as he repeated his plan to find Derek in his mind the whole way home.

*

The bus dropped them off at the school. Stiles insisted on driving Scott home, even though he had his bike. He didn't put up a fight - he just wanted to go home and see his mom before he did anything else. That phone call back at the motel had felt too real. He just needed to see her.

Of course, she was at work. Scott sighed when he found the note on the fridge, but he told himself not to overthink it. She was fine.

"Alright, well, I think we should go to Derek's loft first," he said, turning to Stiles who was lingering by the back door, his arms folded. "He'd most likely have gone back there to try and heal."

He frowned.

"Although, if the alpha pack are looking for him, that might be too obvious. Maybe we should try the animal clinic first. He could've gone to Deaton, right?"

He waited for Stiles to agree with him or suggest something he hadn't thought of because right then, all Scott had was a handful of guesses and maybes.

But Stiles didn't chime in. He shrugged when he realized Scott was looking at him.

"Stiles, are you sure you're okay?" he asked gently.

Stiles dragged a hand over his face and sighed again, his tongue in his cheek, and he could smell the irritation on him, just like when they were on the bus.

"You know what? No," he snapped, throwing his hand up. "No, Scott, I'm not okay, and, quite frankly, neither are you, and I don't get why we're just pretending that last night never happened. Because it did."

"Do you mean..." Scott couldn't quite get the words out, his throat closing up around them and forcing them back down. He shifted his feet, his gaze dropping to the ground for a moment. "The wolfsbane?"

"Yeah, I'm talking about the wolfsbane," Stiles said, his voice thick with emotion he was failing to contain. "More specifically, what the wolfsbane did to you, Scott."

Scott shook his head, his eyebrows drawing together as he tried to ignore the sick feeling weighing down on him. "It was just... you saw what it did to all of us. Ethan-"

"Tried to saw himself open, yeah," Stiles cut him off. "Probably something to do with his freakish ability to combine into one even more freakish mutation with Aiden. Isaac - he was hiding under his bed. Boyd and Lydia were hearing things. But you, Scott..."

He took a step toward him, and Scott watched his feet, observing every little detail of his shoes and the kitchen floor.

"Scott, you tried to kill yourself."

"It was just..."

"No. No, Scott, the wolfsbane brought out all of your biggest fears and just - just heightened your true emotions. Boyd's guilt about his sister, Isaac's fear of his dad, Lydia always being the one to find dead bodies. It wasn't the wolfsbane talking when you did that. Was it?"

Scott knew he had to give him an answer. He just didn't think either of them really wanted to hear it. The truth hung in the air between them, as suffocating as the gasoline that still clung to Scott's senses.

"It doesn't matter," he said quietly, then looked up to meet Stiles' disbelieving stare. "We need to find Derek. We can't waste any more time, we need-"

"Scott, stop! Can you even - you nearly died! Twice!"

"But I didn't-"

"Because someone stopped you! Allison literally had to sew you back together because you felt so guilty about Derek being dead that you were going to let yourself die, too! Scott, I had to talk you out of setting yourself on fire, how can you not - how do you not see how messed up that is?!"

"Stiles, I'm sorry about last night, okay? I shouldn't have... I should've fought the wolfsbane, or..."

Stiles just stared back at him, shaking his head incredulously. Finally, in a much softer voice, he said, "Scott, I don't want you to be sorry that I had to save you. I just... I just wanna know that you don't actually believe what you said last night."

It was a simple request. It would take just two words. And yet...

Scott opened his mouth. Then he shook his head and closed it again, looking away with a piercing pain where his healed wound was just yesterday.

"You have to admit that a lot of what we've gone through wouldn't have happened if I hadn't..."

"Hadn't what?" He looked back up to see the reason for the quiver in Stiles' voice; tears shone in his wide eyes. "Hadn't survived being bitten by Peter? That's what you meant, wasn't it?"

He tilted his head but he didn't get a chance to deny or confirm. Stiles already knew. He looked like he might crumble into a million pieces.

"Scott," he said, his voice cracking as he moved closer. "I don't care what's happened to us. I don't care about the murderous werewolves or - or the hunters, or any of the crazy supernatural things that keep happening around us, alright? Because we've survived it, but what I wouldn't have survived was losing my best friend."

Scott bit his tongue, his eyes stinging. Part of him wanted to point out all the bad things - the numerous times he's put his life in danger, the people who haven't survived the craziness of their world, and everything else.

Then Stiles really did crumble. "Scott, I meant what I said last night. And I can't lose you. I can't - you and my dad, you're all... you're all I've got, and I can't - Scotty, I can't lose you as well. I need you. And I know how selfish that is, but it's true. So, if you need a reason to - to believe that you should be alive, then there it is. Me, Scott. Make me your reason if you have to, or your mom, or even Allison, because I promise you that none of us would be better off if you weren't here."

"You'd be safe, at least."

He didn't mean to say it. It just slipped out.

"You don't know that," Stiles countered, then he shrugged. "And even if that was true - I don't care. Scott, I'd rather be in danger every day of my life from some supernatural threat than live without you."

He didn't know what to say to that. All he could do was surge forward and hug him. Stiles immediately wrapped his arms tight around him, as if he never intended to let go.

"I'm sorry," he repeated quietly into his shoulder.

"Just make me a promise, Scotty. Alright? Promise that you'll talk to me, so that, when you start blaming yourself for every bad thing that's ever happened, I can tell you what an idiot you are."

Scott chuckled and nodded. "I promise." Then, he softly added: "I mean it."

Stiles tightened his arms just a little more. Both of them savoured the feeling of the other against them. Solid. Real. Alive. Safe. For a moment, they were as physically intertwined as they were in every other way.

Scott knew they should look for Derek. They should come up with a plan to stop the darach. But he wasn't ready to let go of the first real feeling of comfort he'd felt in a while.

[tollsoftheclockwerkbelle]

sega please do not save maria please do not save maria PLEASE do not save mariaaaaaaa sega PLEASE

[rmbunnie]

It's most likely just Starlin trying to get to Jason dying faster because he did not like Robin, but the whole "Jason's spiraling because of his grief for his parents" thing they were trying to spin was honestly really weird, not supported by the rest of the run INCLUDING the parts Starlin wrote, and kinda reads like an unreliable narrator situation because all of the information supporting it is given through Bruce's narration, him speculating on Jason's thoughts and actions.

The plot thread of Jason's grief for his family affecting his behavior shows up like TWO issues after Jason first becomes Robin back when Collins was writing, and gets sorted out after one conversation where Jason gets to confront Bruce about hiding his father's death from him for 6 months. After that Jason is behaving normally until they encounter three predators in a row, and each time Bruce insists that they can't do anything because of The Rules and assorted red tape/diplomatic immunity plotlines. (The sister of a woman who got dismembered actually tricked the violent-misogynist killer who dismembered her sister (and then got his serial killings dismissed through a technicality) into attacking her, and ends up killing him in self-defense, and then Jason's like "seems fair" and Bruce is like "no. it's NOT. we need to follow laws and not take justice into our own hands. which like wtf Bruce! you are a vigilante who just used a custom tank to fight an evil televangelist! who then got ripped to shreds by his followers while you watched!)

Bruce kinda just decides with Alfred that it must be grief upsetting him and not the dozens of brutally killed women and their predatory killers who the law inexplicably protected, (all written by Starlin, so retconning it for DitF like five issues later would be an odd move) but the only text claiming that's why Jason was upset is from Bruce's POV and through Alfred's dialogue. Jason himself doesn't display any signs of grief in the story itself, or even act or speak in a way that alludes to Catherine and Willis beyond looking at a picture of them and smiling fondly while he sorts through their possessions. He kinda just happens upon the box with his mother's info by chance, and is like ok i guess we're doing mom searches now. He was only going for a walk through his old neighborhood, not actively searching out info on his family. When Jason is deciding whether or not to run off without telling Bruce, he considers telling him and then goes "no, all he cares about is being Batman, he wouldn't even understand why I want to see my mom." Which, I mean, "Bruce wouldn't get it" is a REALLY odd angle if the sole motivator for spiraling, then getting benched* and running away to search out his bio-mom, was because he was mourning his dead parents, a thing he notably has in common with Bruce. That statement only really makes sense if he's thinking about a different thing that was greatly upsetting to him that Bruce brushed past, like maybe a combo of hiding the murder of his dad for half a year and allowing several cases involving sexual violence to freely develop body counts in the name of the law.

Lots of people have written about how Jason's stay in the manor might have seemed dependent on being Robin with how he was kinda just scooped up, but (if we're including Detective Comics in our characterization,) Bruce had offered to let him resign from Robin and just live with him (a little late, but still. It's worth noting Batman proper shows Jason afraid and uncomfortable at the thought of Dick taking Robin back, which lends more merit to the housing-dependent-on-Robin-misunderstanding interpretation, but canon is pick and choose anyways.) The lack of trust involved in his choice to search out his mom kinda reads like it was bred by more than that alone, and Bruce's prioritization of the law over the protection of the people it ignores is notably upsetting to him in the prior issues. tbh I really do believe the outcomes of those cases could have informed Jason's stance that Bruce's method of justice is ineffective right alongside his own murder and his experiences in Lost Days.

It would make sense for Bruce to not consider his own actions while he's thinking through things that would upset Jason, because from his point of view the things there that were bothering Jason were the criminals alone, not the way that the methods with which they were approaching their crimes continually led to the perpetrators evading actual justice. During the point in DitF where he's thinking through motivations for Jason's running away because something isn't adding up for HIM, the idea doesn't so much as cross his mind. It would also add another layer to Jason's sulkiness upon Bruce's arrival if he held the belief that Bruce is ignoring the consequences his brand of justice has on victims (and the way it's affecting him to helplessly watch it play out), starts to hope that Bruce actually can understand his thought processes/relate to him when he shows up, only to be told to his face that Bruce is prioritizing his style of justice over Jason again. With the way everything that led Jason to his bio-mom was comically circumstantial and the context of the previous issues, it's kind of the ONLY way Death in the Family makes sense to me. Tldr: I feel like the grief claimed as reasoning for Jason's actions leading up to his death is mainly speculation from Bruce and Alfred and the more textually-supported reason for his erratic behavior and lack of trust in Bruce is the lack of intervention in several sensitive cases that led them to worsen unobstructed and eventually permitted them to escalate into casualties in 2 out of 3 cases.

*Also, side note, but the idea that Jason got benched for the Filipe situation, while perfectly reasonable, is not quite spot on. The Filipe situation escalated into the fight in the junkyard where his dad is crushed by a car and Bruce is all "everything you do has consequences" which is kinda big words for a guy whose lack of action indirectly lead to a girls death earlier in the storyline, but true. Jason actally gets benched because he jumps directly into gunfire while fighting the third set of predators and Bruce starts to worry he's getting a little suicidal with it. He baits a guy into shooting at him on purpose again trying to protect mom prospect number 1 later on in DitF, so Bruce might have had a point with that one.

[pinkgrapefloyd]

daniel larusso & terry silver / the smallest man who ever lived

[casscainmainly]

Just asking for fun cuz I think you being really interesting points abt so many of the bats to the table: who do you think should be Batman if 1) Bruce Died, 2) Bruce voluntarily steps down (old age / debilitating injury) or any other scenarios you would like to explore.

It's an age old question, it's fun to see who thinks what and what thoughts they bring to the table :)

Such a great question!! Though honestly I'm not sure I have any original or good thoughts haha. For me the Batman successor should be one of two people: Cassandra Cain (I am a Cass blog) or Dick Grayson.

For Cass the reason is obvious. So many people have written about how Batman is the culmination of her arc about agency and controlling her destiny - for a girl who was raised to be nothing, to be a tool for other people, becoming the centre of the narrative is an incredibly poignant and wonderful conclusion. She wants to be Batman, she has the ability to be Batman, she believes in Batman; she is as clear a successor as you could get.

Dick is more debatable. His feelings on being Batman have always been tangled up in his frustrations with Bruce, in a way Cass (who is more able, albeit imperfectly, to separate the man from the symbol) doesn't deal with. So I think there's some panels of him saying he doesn't want to be Batman, doesn't like doing it, etc.

However, in my mind he does like being Batman, he just doesn't like being Bruce's version of Batman. He comes to this conclusion in Gates of Gotham, and the back parts of Batman and Robin (2009) is basically him having fun once Bruce is alive. It was Bruce's death that made things difficult, not the mantle itself. Where Cass can be Batman now, Dick can elevate the mantle; and it's no secret that Bruce himself views Dick as his clear successor.

I honestly think both should wield the mantle. I love the idea of Cass being Gotham's Batman while Dick is the Justice League/wider world's Batman. This plays to their strengths, and solidifies their arcs: Cass finds a permanent home and a place she loves that loves her back, and Dick gets to travel again, using his leadership and interpersonal skills to save people.

In the case of Bruce's retirement, this would be the perfect set-up. For his death, though, I think it would be complicated by both Dick and Cass' grief. Look at the Batman Reborn era: the Dick and Cass parallels were actually insane. They were both told not to wield the Bat mantle - Dick by Bruce's message, and Cass by Bruce asking her to give Batgirl to Steph. This hurt them immensely, but they tried to follow Bruce's orders. The only difference was that Tim (and Jason) forced Dick's hand into disobeying Bruce, while Cass was already gone.

In an ideal world, Tim should've been asking them both to take up the mantle. His meeting with Cass in HK should've kickstarted her journey home, and she would've arrived back for angsty talks with Dick about who the Bat symbol belongs to or something. This basically happens in Gates of Gotham: Cass' conversation with Dick in the car is about not letting Gotham (and, I would argue, Bruce) dictate who they can or cannot be. They both want the mantle, and this was an acknowledgment that they both deserved it, too.

So, long story short, Cass and Dick are my picks for Batman successor. Them simultaneously being Batman would be so fun too, given their complicated relationship. They would be keeping score of who's the better Bat, and Cass would probably lob Dick out a window again, but they'd also have a shared understanding and deep compassion for each other's circumstances and desires. Curious to hear other people's thoughts!

(Also Duke Thomas should be their Robin but that's a post for another day).

[lesbiradshaw]

bradley & carole moodboard for suffering purposes

[redhoodinternaldialectical]

New Authorial Goal: Write a Gay Ass Fight Scene Like this:

"When Gilgamesh arrives, the two heroes seize each other, butting heads like wild bulls, careening through the streets, crashing into walls, and making the houses tremble. The confrontation could hardly be more primal, stripped down to the element of male pride. Enkidu's anger is besides the point. There are no principles to be upheld, no justifications and counterjustifications. The battle is as silly as a schoolyard fight, yet there is something beautiful about its energy. There is also a deeply erotic element in it. This is not a fight to the death, as in the Iliad or Beowulf. It is a fight at the end of which each man will be able to say to his opponent, "Now I know you," or even (as Jacob said to his angel) "I will not let thee go, except thou bless me." It is an entrance into intimacy, and as close to lovemaking as to violence."

-Stephen Mitchell in the introduction to his 2004 translation of the Epic of Gilgamesh

the oldest story in the world is screamingly bisexual and I NEED to match some of this energy

also bc Jason is the lens through which I mentally interact with the world: I think he'd view this as a deeply Romantic and aspirational way to fight. he yearns to be known. he communicates through battle. he wishes his introductions could have been so profound and he wishes that through them he would have been so understood. His Gilgamesh, though, knows him not, and the people of the city of Uruk see him only as a wild thing no matter how he cuts his hair

[seaweedstarshine]

Thinking about the convolution of Eleventh Doctor's expressions of love for River Song in Season 7B. He does not trust Clara. He is utterly (wrongly) convinced that he and Clara are playing a grand manipulative game together. “What are you, eh?! A trick? A trap?!!”

So naturally, the last thing he should do in this game is to clue his opponent in on something that could be used to hurt him. Something like River, so painfully near the end of their time together, whose data ghost he can always see, who “it would hurt too much” to acknowledge. He can't let Clara know of the loss which constantly floods his senses; (“You are always here to me. And I always listen, and I can always see you,” he professes, once Clara has vanished into his timestream).

And yet. River fills his every moment (irregardless of any sneaking out for dates with increasingly-young Rivers while Clara is asleep like he did while the Ponds slept, which would explain his absence when the TARDIS is hiding Clara's bedroom). Even though it's not strategic, he can’t help but tell Clara about her. The best defense he can manage is to phrase it as if River isn’t as important to him as she is. Not only is avoiding her first name in his grief; he's also completely avoiding pronouns; which seems extreme given that he's still mentioning her as often as: “Oh yeah, of course he has! Professor Song! Sorry, it's just I never realized you were a woman.”

Leave out the emotion — leave out the details — don't show the cracks in the armor — play the part — win the game.

“Well, there's no point now. We're about to die. JUST TELL ME WHO YOU ARE.”

[sforzesco]

HAIL TO THE KING, BABY

it's like. the horror of war and bodies and the gore of power that demands people be brought violently under the heel. something else about renaissance discourses on tyranny, too. everything repeats itself. everything repeats itself. everything---

Vercingetorix throws down his arms at the feet of Julius Caesar, Lionel Noel Royer, The siege of Florence, Stefano Ussi

Caesar and Genocide: Confronting the Dark Side of Caesar's Gallic Wars, K. Raaflaub, The Medici, Mary Hollingsworth

[ambiguousfan]

Distant Memory Part 1