#the hustler 1961

[sam-rothstein]

The Hustler (1961), dir. Robert Rossen

[oscarupsets]

Both films from 1961 were adapted screenplays that spurred additional films - West Side Story was adapted from the 1957 Broadway musical and adapted again in 2021 by Steven Spielberg, while The Hustler was adapted from the 1959 book and continued with a 1986 sequel. I can already tell you that the sequel, The Color of Money, will not be mentioned as a future upset, but will get Paul Newman his one Academy Award win!

West Side Story feels ridiculously cheesy at times, but Leonard Bernstein nails the soundtrack, the dancing is good, and the production quality is ahead of its time. It's an absolute classic and a joy to watch.

(FYI: The "one major role" that was mentioned as not terrific was Richard Beymer as Tony)

There was overwhelming support for The Hustler as the upset for 1961, and I'm still trying to understand why. I sat through the first 10-15 minutes so optimistic that it was going to be a good film, and after the first 30-45 minutes I debated if I wanted to finish it at all.

The plot was decent and the film style was quite pleasing to watch, but it was overwhelmingly slow and could not hold my interest at all! I tried my best!

At the 34th Academy Awards, West Side Story took home the second highest number of Oscars to date (and 4th highest of all time), missing out on only one Oscar for Screenplay.

The Hustler was nominated for 9 Oscars, the third highest of the night, and took home two for Art Direction and Cinematography.

George Chakiris and Rita Moreno (as Bernardo and Anita, respectively), were awarded at both the Oscars and the Golden Globes for their performances.

Unofficial Review: This ain't an upset. Unless I'm SERIOUSLY missing something about The Hustler.

[sesiondemadrugada]

The Hustler (Robert Rossen, 1961).

[barstoolblues]

i can make any man a lesbian

[ethanhuntfemmefatale]

that movie was fucking brutal

[falsebooles123]

An Incredible Long Couple of Weeks. Diary of a Big Ole Gay.

Hey Whores, this is going to be a really long post because I may not have the energy to finish this this week.

So I guess I haven't done one of these in about two weeks and a lot of that is me being very busy. Last week of March I was working on like fifteen million different articles and videos and other content creation thingies and the first week of April literally started with my co-worker HAVING A MENTAL BREAK AND LEAVING TO THE OTHER SIDE OF THE LITERAL COUNTRY.

(i'm posting a funny GIF but I'm actually kinda pissed)

so instead of having a lot of great help to ease into running a full ass kitchen by myself doing 70 heads a day. I was doing this with exactly one other person doing the bare minimum to help me. It was a lot of hard work, and of course it went great. But I was extremly exhausted.

I also didn't watch that many queer films because of it.

but lets get into it.

Reflections in a Golden Eye (1967) dir. John Huston

OK so I don't remember a lot about any of these films because I watched this one in particular, *checks notes* the 27th of last month. Yeah theres a reason why theres no date on this one.

So this one I think is based on a book or something and features Marlon Brando being a CLOSET HOMOSEXUAL. oh also he stays right in that closet.

(god this gif is something else. so creepy)

Hes like yeah I'm going to spend this entire movie staring at this naked guys ass, (yeah I'm not going to explain the plot your'll either love this movie or hate it but you can't say it doesn't have a plot), but I ain't going to act on it. I'm just going to fight with my beautiful neglected wife who beats my ass for beating her horse.

See the relationship is super toxic but its liz taylor and Marlon Brando so its also the hottest thing ever.

anyway lot of repressed homos in the background of the entire rest of the plot. One of the more fun dramas I watched cause it was MESSY!

Flesh (1968) dir. Paul Morrissey

ok so Flesh is one of those weird cineme verite movies that Morrissey made and it is very artsy and very gay but there isn't actually any guy on guy stuff. The main actor spends most of his time naked, and some of that is like eroticized but also its kinda meant to desexualize nudity. Or rather the film is using casual nudity as a way to lampshade the way we objectify people because after we see this long scene were hes just laying in bed with his dick out (relatable), we get a 5 minutes scene of him starting his day buck ass naked feeding his 1 year old real daughter a muffin. they actually use that as one of the posters

so like yeah hes naked but hes clearly not erotised in that moment in fact even though the main character is a hustler he never actually has gay sex on screen. His only client is a man who wants to draw him for like classical sculpture. Hes someone whose literally objectified scene for his body and not as a living person.

OMFG am I a film critic or something.

anyway this is another pretty cool film and especially something gay people should watch even through there isn't that much PDA.

Funeral Parade of Roses (1969) dir. Toshio Matsumoto

ok first look at this iconic photo.

Pretty this follows a bunch of transwoman in like Tokyo just honestly vibing and being faggot punks. We love, we stan, we support.

theres a lot to enjoy about this film and honestly just iconic trans woman you need to watch this. oh also all these ladies are straight so theres no gay kissing.

My Hustler (1966) dir. Andy Warhol, Chuck Wein

NOTE: This is a clip from the 1961 SPORTS THRILLER "The Hustler" but also this is pretty good dupe to the experience of My Hustler

Yeah so My Hustler is the story of a rich gay bringing a gay whore for his vacation and then having his fag hag friend and then the hustler friend show up and they all get in to this contest about whos going to fuck him. So I guess more objectification of men through the queer lens. Noone actually fucks him and its a lot of naturalistic dialogue. Its warhol you get it.

The Children's Hour (1961) dir. William Wyler

Ok so Childrens Hour is about Audrey Hepburn and her GAL PAL Shirley McClaine who run a school together. They are in fact just roommates but doesn't stop snot nose little brats from spreading rumors that like she totally saw Mrs. Hepburn drowning in pussy. So yeah they have there lives ruined and there not even dykes da fuck. Its very Tea and Sympathy in that regard about how homophobia hurts those that arn't even faggots. Y'know the innocent. /s

except it turns out that Shirley McClaine is in fact like a totally LESBIAN HAROLD. and this was the push she needed to admit how fucking gay she is for audrey hepburn, (which like we get it girl it audrey), oh and then she fucking kills herself. Thanks I hate it.

The movie up to that points pretty good.

The Leather Boys (1964) dir. Sidney J. Furie

ok so this is another British New Wave movie and it manly follows this newly married couple. And like the wife Dot, is literally the worst fucking person. She spends all her money on her hair which 1. He doens't like and 2. Doesn't even look good on her. She doesn't have a job and she doesn't keep the house. And then she won't move into his mom's house after his dad fucking dies and his mom literally can't take care of herself which like sorry girl I get if you don't like your mother-in-law but um kinda a consequence of marrying someone at some point you kinda have to deal with there parents getting old and dying. Oh also shes cheating on him. SPOILERS.

Anyway so they spend most of the time seperated while this guy sleeps with his best friend.... in like the same bed. hahaha not like in a gay way that would be ..... gay.

Also I'm totally sure his best friend isn't like a faggot or something.

Yeah, basically this guy was sleeping next to a gay guy the whole time and everytime his friend was like "omg babe lets ditch your looser wife, (can confirm she sucks), and move to america together" that he meant it in like a gay way.

and so the dude just fucking leaves. Honestly I would try sucking dick just once if I was him. You guys have a great relationship and your wifes a bitch.

Advise & Consent (1962) dir. Otto Preminger

The Best Man (1964) dir. Franklin J. Schaffner

just going to throw these together. Basically there both about some future were the president wants to nominate some dude and people are like ew no. also some random other person is getting blackmailed for being a faggot in the war. Yeah both of these movies have like the same exact plot.

I like The Best Man a little bit more but there both kinda awful. Also Betty White is in the first one and SHES A SENATOR. yaaaas girl.

Manji (1964) dir. Yasuzo Masumura

THESE LESBIANS ARE TOXIC.

Like don't get me wrong they kiss, they suck, they fuck. Lot of Women absolutely just being the most, this is the most lesbian thing I've seen.

Oh also eventually they start a death cult it goes to some really weird places. Also theres like three remakes.

anyway whores, sorry that its taking so long for me to post this diary update. I'm going to draft the next post and try to get it out by the end of the month. Thanks love you.

[stannisbaratheon]

PAUL NEWMAN in THE HUSTLER (1961), dir. Robert Rossen

[vamplire]

lgbtq+ films per decade

1910s:

Different from the Others (1919)

Two male musicians fall in love, but blackmail and scandal makes the affair take a tragic turn.

1920s:

Wings (1927)

In this silent film, romantic rivals fly against the enemy in World War I.

1930s:

Queen Christina (1933)

Queen Christina of Sweden is a popular monarch who is loyal to her country. However, when she falls in love with a Spanish envoy, she must choose between the throne and who she loves.

1940s:

Rope (1948)

Two men attempt to prove they committed the perfect crime by hosting a dinner party after strangling their former classmate to death.

1950s:

Rebel Without a Cause (1955)

A rebellious young man with a troubled past comes to a new town, finding friends and enemies.

1960s:

The Children’s Hour (1961)

A private school for young girls is scandalized when one student accuses the two young women who run the school of having a lesbian relationship.

1970s:

The Rocky Horror Picture Show (1975)

A story of creation, love, hate, adventure, and most of all, sex.

1980s:

Maurice (1987)

After his lover rejects him, a young man trapped by the oppressiveness of Edwardian society tries to come to terms with and accept his sexuality.

1990s:

My Own Private Idaho (1991)

Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way.

2000s:

Dorian Gray (2009)

A corrupt young man keeps his youthful beauty eternally, but a special painting gradually reveals his inner ugliness to all.

2010s:

Call Me by Your Name (2017)

In 1980s Italy, romance blossoms between a 17 year old student and the older man hired as his father’s research assistant.

2020s:

Ammonite (2020)

In 1840s England, an acclaimed but overlooked fossil hunter and a young woman sent to convalesce by the sea develop an intense relationship.

[turgidmuff]

The Hustler 1961 dir. Robert Rossen

[maguireboyd]

The Hustler (1961) and The Color of Money (1986)

CAP: You're too hungry. / ...I'm hungry again, and you bled that back into me. / [no text]

[citizenscreen]

Piper Laurie and Paul Newman in Robert Rossen’s THE HUSTLER (1961). 🎭💕

[sam-rothstein]

The Hustler (1961) // Scarface (1983)

[queer-cinephile]

our enhanced photo of classic actor Paul Newman, who starred in films such as The Hustler (1961), Butch Cassidy and the Sundance Kid (1969), and The Sting (1973)

[usafphantom2]

B-58 Escape Capsule

When the B-58 Hustler entered service in 1961, the three crew members had typical ejection seats, but ejection from the Hustler at very high speed proved extremely dangerous. To improve aircrew survivability, the Stanley Aircraft Corp. developed an ejection capsule which was retrofitted into the aircraft in late 1962. It allowed aircrew to eject safely at twice the speed of sound and from as high as 70,000 feet.

The capsule sealed the aircrew inside airtight clamshell doors, and air for the pressurized capsule came from the independent oxygen supply system. When activated, a harness system secured the occupant, and the clamshell doors closed. The occupant could either continue the ejection by firing the rocket motor or remain secure in the capsule until a lower altitude where he no longer needed a pressurized cabin. The pilot's capsule also had the control stick and other controls needed to fly the aircraft to a lower altitude. After ejection, a parachute lowered the entire capsule to the ground, and shock absorbers eased the impact. If the capsule landed in water, manually operated flotation cells turned it into a life raft and provided stability.

[dyouknowwhatimean-archive]

the hustler (1961) dir. robert rossen // supernatural 2x07

[ethanhuntfemmefatale]

paul newman has the same smile as lizzy caplan