#the humphrey saga

[hopefullyababe]

Local dragon sneaks into the Horse dimension to throw Humphrey a birthday party and gets a bit too excited

OH MY GOSSSSHHHHH OMGOMGOMGINGIOMGOGMOGGMGGGGGF

EVERYONE LOOK AT THIS LOOK HKW CUTEEEEEEEEE

[xbomboi]

Prince in Distress

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read the next comic —> here

read the previous comic —> here

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start saga from the beginning —> here

[itswhattheycallyou]

yo!!!! thank u so much for your humphrey enthusiasm it has made my day. im glad people like him he is so dear to me ;~;

Humphrey is unironically one of my favorite guys of all time now!! And one day, i hope he becomes everyone’s guy of all time

[bbcghostssocialmedia]

MASTERLIST

Accounts:

Part 1 (Alison, Mike, Julian, Pat, Captain, Button House)

Part 2 (Fanny, Thomas, Kitty, Mary, Humphrey, Robin)

Posts:

Part 1

Part 2

Part 3

Part 4 (the TV saga)

Part 5 (Humphrey's problem + reviews)

Part 6

Part 7

Part 8 (Kitty watches TV)

Part 9 (Pat and memes)

Part 10

Part 11 (plague ghost edition)

Part 12 (return to Button House)

Part 13

Part 14

Part 15 (Pride Month)

Part 16 (Pride Event)

Part 17

[rebelrayne]

Can't believe I thought of The Wizard of freaking Oz first & not this one; really, it should be a crime!

Gossip Girl: LITG edition - who is who?

I nominate either Hamish (mostly because it's funny to imagine, I want to see that man in everything), Erikah or Summer for the role as our gossip sneezer

Hi Saga! Thanks for the ask!

Yes, I loooooooove OG Gossip Girl and I have had a thought on it, though many people may not completely agree with my casting. No one is fully, exactly going to fit here but I tried to use the more affluent Islanders to cast it. I do have 'xoxo' in my drafts, but I doubt it'll ever see light of day. I put the other characters under the cut but left Blair and Serena visible. I don't think there's a perfect match for either and if I were to write this, Blair and Serena would both be OCs. Again, I don't think any Islander fully matches any of the GG characters but mostly because they're so ruthless at different times.

Blair Waldorf - Honestly, no one can match Blair. She is her own level and she's amazing, but if I absolutely had to cast her: Lexi. Lexi is so self-conscious and has a bit of low self-esteem. Though hers is her sister, Blair compares herself to Serena.

Serena Van Der Woodsen - Serena is so bubbly and captivates everyone. I would say Chelsea, but Chelsea is so much of a people pleaser that I don't think she would do a lot of the manipulating Serena did. Now it may be because I didn't do a female route in S8 but I could see Claudia being similar to Serena. She's sunshine and everyone loves her, but cross her and she won't let you forget that she could take that crown away from you before you could even comprehend.

Chuck Bass - Oh Chuck. Probably the best and worst lay of your life. Whoever could fit this super rich business guy with Daddy issues? Obviously this one is Hamish.

Dan Humphrey - Sadly, Dan is sneaky and the most manipulative of everyone and because he's a writer that wrote himself into the story...James. I hate it, too. Sorry.

Jenny Humphrey - This one was hard. I'm obviously going by personality here and not by how I have Dan casted so the Islander that fits Jenny the best and may spiral the way she did would be Jen. They both love fashion, a little edgy, have bite.

Nate Archibald - Again, I'm using affluent Islanders that would actually, possibly be apart of the UES (sorry Lewie you're not affluent). Nate is so boring to me and has no personality except for the fact that he's so perfect that he does no wrong and has this like, exceptional moral compass. He's always pushed by his parents to do things he's not really in favor of doing. Hmmm who else has that problem....Tom.

Georgina Sparks - Georgina is a whole ass mood. She's diabolical and is probably the smartest out of all of the UES. If I had to pick someone to be casted as Georgina, it would probably be Hannah. She flips a switch pretty quickly and doesn't seem to mind getting her hands dirty and pissing off that people she previously thought of as friends.

Carter Baizen - Sorry it's Eddie. I don't make the rules lmfao and I am a Carter apologist. I would have loved to see Serena end up with Carter in the end (yes, even over Nate).

Prince Louis - Youcef would so turn around and be a petty bitch. I do think Louis was actually a good guy but Blair played him the fool too many times for him to let that last one slide. Honestly? Justice for Louis because he was actually so good for Blair despite the little fit she pitched when he acted like he was just a driver on that date.

Lily - Oh come on! This one was so fucking easy. It's Juliet. I don't think I need to explain this one.

Rufus - This one was not easy. He talks about waffles a lot, but is also a good dad (okay, not always when it came to Jenny). Since he's really big into music...I don't know. I can't say Rocco, even though the hair is there, you know? Some part of me wants to say Max, but I don't know why. I think it's because I imagine that Max was similar to how Rufus was when he was young.

Eric Van Der Woodsen - I almost forgot Eric!!!!!! But he's just so special, I can't actually pick someone for him. Literally no Islander fits Eric, but I guess we can say Rohan or Tim. I just think Eric is so specific and the issues his character tackles are so important that you'd need an OC for him too.

Vanessa Abrams - In my GG x LITG universe, she doesn't exist. Bye.

[childofaura]

Anyt thoughts you have regarding Kirk Thornton? He did Dorcas, Surtur and Yen’fay.

AH YES, I LIKE THIS ONE. THIS WILL BE FUN.

Ok I wanna start off this review with an obligatory statement I usually make whenever I open my mouth about Kirk Thornton:

Kirk Thornton catches seriously unfair flak for voicing Shadow the Hedgehog. Now Jason Griffith and David Humphrey are definitely THE Shadows for me, but Kirk actually does a great Shadow voice, he just gets constantly and horribly fucked over by outside issues, namely either the cringe-ass writing we’ve had since Colors, or the horrible audio mixing they had in Forces. But he IS a good Shadow voice.

In FEH, he does play Yen’Fay, Dorcas, Iago (under a pseudonym of Ron Allen), and Surtr. I think I’ve heard that he was only just recently credited for playing Surtr, but I’m not sure. Outside of FEH, he’s Shadow (and Orbot), Askeladd from Vinland Saga, Saix from Kingdom Hearts (haven’t played that series though), and Jubei from BlazBlue. Plus many others.

His performances are SOLID. While his role as Dorcas is pretty casual and laid-back (but still good), his other roles are absolutely outstanding in how much he gets to emote. Yen’Fay’s voice is quiet and cold while simultaneously being smooth as butter, it’s absolutely mesmerizing to listen to him talk. And his line about Say’ri is full of such denial, especially when you hear him talk about her finding good company with Chrom. Makes me think that this Yen’fay is actually the one who died in the battle with Chrom, rather than the one from the other world where he killed Say’ri instead. Iago is so much fun to listen to, his voice is just as greasy as his hair is, lol. Each line has such a high level of inflection that really drives home how narcissistic and dishonest he is; even if I don’t much care for him, he was definitely handled with good care in his art and voice. But man, SURTR. That role is the crown jewel of his performances. The raw energy he brings to the lines while he roars about burning everything in his grasp is just phenomenal, and honestly it’s so criminal how slow FEH is to give the male book villains (or any male book characters) any kind of good seasonal alt outside of the obligatory New Years alts. Pirate Surtr was probably the coolest fucking alt we had for any of the book characters; definitely not the only good one but certainly the coolest. Unfortunately the only book villain who gets any attention is Freyja, and we all know it’s only because of her big breasts. Where’s my ninja/Halloween Hel, IS? Where’s my Christmas Fafnir? Or my Valentine’s Embla? But I’ll settle for now with Surtr finally getting a much deserved alt and Resplendent, especially when the new lines and art are so badass.

I think he fits all these characters perfectly like a glove, and I would like to see more alts for Yen’fay and Surtr. And like I mentioned before, if FEH were ever going to replace Joe J. Thomas for any reason, I think Kirk would be a good replacement simply due to sounding decently similar and having not lost his energy like Joe did.

I would definitely say he has amazing range. Between his roles, almost none of them sound like he’s using the same voice, even if they all sound pretty recognizable. They’re very vastly different characters and he does an amazing job giving them different qualities to their lines.

I actually feel comfortable giving Kirk a 10/10. He’s a fantastic actor who got the perception of his acting skills screwed over by how badly his Shadow was handled. He’s definitely an actor whom I’m always happy to hear in media.

[caps-clever-girl]

the humphrey's neck slice saga are the best ghosts fics out there there i said it

[ggblasts]

Spotted: Dan Humphrey, looking absolutely miserable, sulking through the streets of Brooklyn. It seems like our favorite *Lonely Boy* is even lonelier these days, especially after his recent break-up with none other than Roxanne Long. You remember Roxanne, right? The gorgeous, statuesque model with a heart of gold and a smile that could melt ice? Yeah, that Roxanne. And now, here Dan is, walking around like he's carrying the weight of the world on his slouched shoulders. It makes you wonder: Is he having second thoughts?

The break-up shocked everyone, but what really set tongues wagging was how it went down. One minute, Dan and Roxanne were Brooklyn’s hottest couple, and the next, we get a mass text from Dan himself, claiming he didn’t love Roxanne after all. Say what? Was that really the truth, or was there something—or someone—else pulling the strings? Sure, the text had his name attached, but it felt oddly out of character. Could Dan Humphrey, the sensitive brooder, really be that cruel?

And of course, the gossip mill started churning, with one outrageous rumor standing out above the rest. You guessed it, the rumor that we, Gossip Girl, had a hand in Dan’s shocking confession. Now, I know we can be mischievous, but come on. We would never stoop to that level. Dan’s love life is a mess on its own; he doesn’t need our help. We watch, we report, but meddling? That’s not our style. So, whatever led to that fateful message, it wasn’t us.

Still, you can’t help but wonder if Dan is starting to regret his decision. They say hindsight is 20/20, and with every somber glance, every forlorn sigh, it looks like Dan’s realizing he might’ve let a good thing go. After all, Roxanne wasn’t just a bombshell; she was the kind of girl who made him better, who got him out of his own head and into the real world. Maybe he didn’t appreciate that when he had it, but now, with her gone? It’s a different story.

Roxanne, for her part, seems to be doing just fine. She’s been spotted out and about, looking as radiant as ever. No late-night crying sessions or tear-streaked selfies for her. If she’s heartbroken, she’s hiding it well. But that only makes Dan’s misery more apparent. It’s hard to see someone thrive when you’re spiraling, and Dan? Well, spiraling might just be an understatement.

As for why Dan chose to send that mass text in the first place? That’s the million-dollar question. Was it impulsive? Did he panic? Or maybe, just maybe, he thought it was the right thing to do at the time. But now? It’s starting to look like the biggest mistake of his life. Whether or not Dan comes crawling back to Roxanne remains to be seen, but one thing’s for sure: this saga isn’t over.

So, what’s next for Lonely Boy? A heartfelt apology? A desperate attempt to win Roxanne back? Only time will tell. But for now, all we can say is that Dan looks like he’s in way over his head—and he has no one to blame but himself. Stay tuned, Upper East Siders. This drama is far from finished.

XOXO, Gossip Girl

@danhumphreyx

[ladonnahumphreyarkansas]

LaDonna Humphrey Arkansas, Releases Final Installment in Series on the 1994 Melissa Witt Case

"Connected by Fate," the final installment in LaDonna Humphrey's riveting series about the 1994 murder of Melissa Witt from Fort Smith, Arkansas was released on April 5, 2024. This deeply moving and meticulously researched saga has captured the hearts and minds of readers nationwide.

"Connected by Fate" not only revisits the haunting details of the unsolved case but also explores the profound impact it has had on the community, law enforcement, and particularly the relentless pursuit of justice by those closest to the case. LaDonna Humphrey, with her unique access and insight, has crafted a narrative that intertwines despair with hope, and resignation with resilience.

In her dedication to the memory of Melissa Witt, Humphrey has been a tireless advocate, seeking answers in a case that has remained cold for too long. "With each book, and every piece of information uncovered, we are one day closer to finding justice for Melissa," says Humphrey. Her commitment reflects a broader quest for truth and closure, not only for Melissa’s family but for all families touched by similar tragedies.

"Connected by Fate" offers readers a comprehensive look at the intricate web of this complex case, providing a detailed exploration of the investigative steps taken, the suspects considered, and the community’s ongoing engagement with the case. This book serves as a poignant reminder of the lasting effects of crime on individuals and communities alike.

As the final book in this series, "Connected by Fate" stands as a testament to the enduring human spirit's fight against the darkness of unresolved crime.

For further details about the book or to arrange interviews with LaDonna Humphrey, please visit ladonnahumphrey.com

LaDonna Humphrey

Team 9 Consulting, LLC

+1 479-966-0471

[hopefullyababe]

this post made me think so much of baby humphrey sorry

[geniusbook1]

"Connected by Fate": Unraveling the Mysteries in the Ozark National Forest

In the heart of the Ozark National Forest, the echoes of an unsolved murder linger like a haunting melody. For nearly three decades, the unresolved case of Melissa Witt has cast a shadow over the dense woodlands, becoming an integral part of the land's lore. The true identity of Melissa's murderer remains elusive, concealed by the imposing presence of the forest.

Enter LaDonna Humphrey, an individual propelled by an unwavering commitment to justice and an inexplicable connection to Melissa's tragic fate. Despite never having met Melissa, LaDonna's life becomes intertwined with the mystery, driving her to devote almost a decade to unraveling the truth.

"Connected by Fate" unfolds as a riveting narrative of courage, resilience, and an unyielding pursuit of truth. LaDonna's relentless investigation takes her through a maze of breakthroughs, setbacks, and clues, leading her into a web of intrigue that extends far beyond the initial crime.

https://geniusbookpublishing.com/products/connected-by-fate

This true crime saga transcends its genre, emerging as a testament to the indomitable human spirit. LaDonna's quest to solve Melissa's murder is not merely about bringing a killer to justice; it's a profound journey to restore dignity to a life cut short and offer closure to a community haunted by the specter of an unsolved crime."Connected by Fate" is more than a crime story—it's a poignant exploration of the resilience of the human spirit against the backdrop of a haunting mystery in the Ozark National Forest.

[journeywithjoanne]

Top 10 Must-Watch Movies of All Time

Movies have the power to captivate us, stir our emotions, and transport us to different worlds. Here, we present to you our carefully curated list of the top 10 must-watch movies of all time. From timeless classics to modern masterpieces, these films have left an indelible mark on cinema history.

Here's a list of timeless classics and iconic films that have left an indelible mark on cinema:

The Godfather (1972) - Francis Ford Coppola's epic crime saga remains a masterpiece of storytelling and cinematography, exploring themes of power, family, and loyalty. [2]

The Shawshank Redemption (1994) - Frank Darabont's poignant tale of hope and friendship in the confines of a prison continues to resonate with audiences worldwide, earning its place as one of the greatest films ever made. [2]

Schindler's List (1993) - Steven Spielberg's powerful portrayal of the Holocaust, based on the true story of Oskar Schindler, is a haunting and unforgettable cinematic experience that captures both the depths of human suffering and the resilience of the human spirit. [2]

Citizen Kane (1941) - Orson Welles' groundbreaking film is a masterclass in filmmaking, revolutionizing the art form with its innovative narrative techniques and compelling storytelling. Its exploration of the complexities of power and identity continues to captivate audiences decades later. [1]

The Dark Knight (2008) - Christopher Nolan's gripping superhero epic transcends the genre, offering a dark and gritty portrayal of Batman's struggle against the Joker. Heath Ledger's iconic performance as the Joker is widely regarded as one of the greatest in cinematic history. [5]

Casablanca (1942) - Michael Curtiz's timeless romance set against the backdrop of World War II is a classic tale of love, sacrifice, and redemption. Humphrey Bogart and Ingrid Bergman deliver unforgettable performances in this enduring masterpiece. [1]

Pulp Fiction (1994) - Quentin Tarantino's stylish and unconventional crime drama weaves together multiple interconnected stories with wit, humor, and razor-sharp dialogue. Its nonlinear narrative and memorable characters have made it a cultural phenomenon. [2]

The Lord of the Rings: The Return of the King (2003) - Peter Jackson's epic conclusion to J.R.R. Tolkien's fantasy trilogy is a cinematic triumph, blending breathtaking visuals, stirring performances, and epic battles to deliver a truly unforgettable journey into Middle-earth. [5]

Star Wars: Episode V - The Empire Strikes Back (1980) - Irvin Kershner's space opera sequel is widely regarded as the best installment in the Star Wars saga, featuring iconic characters, groundbreaking special effects, and one of the most memorable plot twists in cinematic history. [4]

Forrest Gump (1994) - Robert Zemeckis' heartwarming tale of a simple man who unwittingly becomes a witness to some of the most significant events of the 20th century is a poignant exploration of love, loss, and the human experience. Tom Hanks delivers a career-defining performance in the titular role. [2]

These films represent the pinnacle of cinematic excellence, each offering a unique and unforgettable viewing experience that continues to resonate with audiences around the world.

🌐 Sources

Timeout - The 100 best movies of all time

IMDb - Top 100 Greatest Movies of All Time (The Ultimate List)

CBR - The 45 Best Movies of All Time, Ranked

Reddit - What's your top 10 movies of all time?

Quora - What are the best movies of all time?

[buxberg]

Contrairement à la plupart de ses compatriotes, qui ont également connu le succès à Hollywood, Cavill n'a pas étudié dans les prestigieuses écoles de théâtre de Londres

Il s'est retrouvé sur le plateau juste après le pupitre de l'école. Après le thriller Lagoon, Henry décroche un rôle de premier plan dans l'adaptation en 2002 du Comte de Monte Cristo, réalisé par Kevin Reynolds.

Mais les années suivantes ont été difficiles pour la carrière de l'acteur. Il a joué des rôles épisodiques dans les séries "Inspector Linley Investigates" et "Purely English Murders". Henry est ensuite apparu dans les films discrets Hellraiser 8: Inferno et Little Red Riding Hood. Dans de bons projets, Cavill s'est vu confier le rôle de personnages secondaires : Meloetta dans "Tristan et Isolde" et Humphrey dans "Stardust".

Dans le même temps, les fans voulaient voir leur acteur préféré dans le rôle de Cedric Diggory dans "Harry Potter", mais c'est Robert Pattinson qui l'a obtenu. Stephenie Meyer, auteur de la saga Twilight, envisageait Cavill comme Edward Cullen. Mais au moment où le tournage a commencé, le Britannique était déjà vieux pour le héros de 17 ans, et il a de nouveau été remplacé par Pattinson. De plus, Henry était proche du rôle de James Bond dans "Casino Royale", mais a perdu face à Daniel Craig. Une autre ironie du destin était le projet sur Superman.

[toptenthing]

Top Ten Iconic Movie Quotes That Became Pop Culture References

Top Ten Iconic Movie Quotes That Became Pop Culture References #MovieQuoteMagic, #PopCulturePhrases, #CinematicWisdom, #IconicFilmLines, #FilmReferenceGems In the captivating world of cinema, certain lines become more than just scripted dialogue – they transform into cultural touchstones, forever etching their place in the lexicon of popular culture. These iconic movie quotes transcend the silver screen, embedding themselves into our everyday conversations, memes, and references. Here, we delve into the top ten unforgettable movie quotes that have left an indelible mark on pop culture. - "May the Force be with you." - Star Wars (1977) A rallying cry for countless fans, this line from the Star Wars franchise encapsulates the power of hope and the enduring appeal of the space opera saga. - "Here's looking at you, kid." - Casablanca (1942) Humphrey Bogart's poignant farewell in Casablanca remains a symbol of romance and nostalgia, echoing in moments of bittersweet reflection. - "You can't handle the truth!" - A Few Good Men (1992) Jack Nicholson's explosive delivery has become synonymous with revealing uncomfortable truths and challenging those who dare to question them. - "Houston, we have a problem." - Apollo 13 (1995) This line encapsulates both the tension of the Apollo 13 mission and the universal feeling of encountering unexpected challenges. - "I'll be back." - The Terminator (1984) Arnold Schwarzenegger's mechanical promise has become an enduring catchphrase, embodying his indomitable screen presence. - "You talking to me?" - Taxi Driver (1976) Robert De Niro's introspective inquiry captures the essence of urban isolation and the universal contemplation of self. - "Life is like a box of chocolates; you never know what you're gonna get." - Forrest Gump (1994) Tom Hanks' sage advice encapsulates the unpredictable nature of life itself, offering both comfort and insight. - "Keep your friends close, but your enemies closer." - The Godfather Part II (1974) Al Pacino's chilling wisdom reminds us of the intricate dynamics of power and relationships, echoed in political and personal spheres alike. - "Why so serious?" - The Dark Knight (2008) Heath Ledger's Joker encapsulates chaos and intrigue, reflecting a world that sometimes thrives on unpredictability. - "You had me at hello." - Jerry Maguire (1996) Renée Zellweger's heartfelt confession crystallizes the moment when emotional barriers are shattered and vulnerability takes center stage. These movie quotes have transcended their cinematic origins to become part of the cultural vernacular, offering a shared language that bridges generations and experiences. They've been parodied, referenced, and remixed in countless ways, proving that cinema's impact extends far beyond the theater. In an era of fleeting trends, these iconic lines have demonstrated the power of storytelling and the lasting resonance of human emotions. Whether providing comfort, humor, or insight, they remind us that the magic of movies lies not only in their visual spectacle but also in the lasting imprint of their words. As pop culture continues to evolve, these iconic movie quotes remain timeless markers of our shared human experience. Read also : https://top-ten-thing.com/2023/08/12/top-ten-iconic-movie-quotes-that-became-pop-culture-references/ https://top-ten-thing.com/2023/08/12/exploring-opportunity-10-emerging-markets-for-business-expansion/ https://top-ten-thing.com/2023/08/11/top-10-successful-entrepreneurial-stories/ https://top-ten-thing.com/2023/08/11/top-ten-highest-grossing-films-in-history/ #CulturalQuoteIcons, #SilverScreenSayings, #CinephileFavorites, #MovieQuoteLegacy, #QuoteThatLivesOn Read the full article

[tudosobrefilmes]

10 Clássicos do Cinema que Marcaram Época

O cinema é uma das formas mais poderosas de arte, capaz de transcender gerações e fronteiras, deixando um impacto duradouro na história da humanidade. Ao longo dos anos, inúmeros filmes se tornaram verdadeiros ícones, moldando a maneira como entendemos e apreciamos a sétima arte. Neste artigo, apresentaremos uma lista de 10 clássicos do cinema que marcaram época, destacando suas principais características e o significado que eles trouxeram para a história cinematográfica.

"Cidadão Kane" (1941): Dirigido e estrelado por Orson Welles, este filme é frequentemente considerado uma obra-prima e uma das maiores realizações do cinema. Sua narrativa inovadora, técnica de profundidade de campo e enredo intrigante contribuíram para sua reputação como um clássico atemporal.

"O Poderoso Chefão" (1972): Dirigido por Francis Ford Coppola, este filme é uma obra-prima do gênero mafioso. Com atuações magistrais de Marlon Brando e Al Pacino, o filme apresenta uma história épica sobre poder, família e corrupção, definindo padrões para futuros filmes do gênero.

"Casablanca" (1942): Estrelado por Humphrey Bogart e Ingrid Bergman, "Casablanca" é um romance clássico ambientado na Segunda Guerra Mundial. Sua história cativante e diálogos memoráveis o tornaram um dos filmes mais queridos da história do cinema.

"O Mágico de Oz" (1939): Este conto de fantasia, dirigido por Victor Fleming, tornou-se um marco cultural. Com suas cores vibrantes, trilha sonora encantadora e personagens icônicos, como Dorothy e o Homem de Lata, o filme é uma jornada mágica que continua a encantar o público até hoje.

"Cantando na Chuva" (1952): Dirigido por Gene Kelly e Stanley Donen, este musical é conhecido por suas cenas de dança icônicas e performances brilhantes. Com Gene Kelly, Donald O'Connor e Debbie Reynolds no elenco, o filme é uma celebração do talento e da alegria do cinema musical.

"E o Vento Levou" (1939): Baseado no romance de Margaret Mitchell, este épico histórico dirigido por Victor Fleming é uma saga emocionante da Guerra Civil Americana. Com atuações poderosas e uma produção impressionante, o filme tornou-se um clássico amado por sua história envolvente.

"Um Corpo que Cai" (1958): Dirigido por Alfred Hitchcock, este suspense psicológico é uma obra-prima do mestre do suspense. Com uma narrativa complexa e uma atmosfera inquietante, o filme se tornou uma referência para o gênero e influenciou muitos cineastas subsequentes.

"2001: Uma Odisseia no Espaço" (1968): Dirigido por Stanley Kubrick, este filme de ficção científica é conhecido por sua abordagem visionária e sua representação da evolução humana. Com efeitos especiais revolucionários para a época, o filme deixou uma marca indelével na história da ficção científica no cinema.

"O Encouraçado Potemkin" (1925): Dirigido por Sergei Eisenstein, este filme mudo é uma obra-prima do cinema soviético e uma referência para a montagem cinematográfica. Sua sequência de escadaria é considerada uma das cenas mais famosas e influentes da história do cinema.

"E.T. - O Extraterrestre" (1982): Dirigido por Steven Spielberg, este filme emocionante captura a imaginação e o coração do público com sua história tocante sobre amizade e aceitação. Com efeitos especiais impressionantes e uma mensagem universal, o filme se tornou um clássico querido por todas as idades.

Esses 10 clássicos do cinema são apenas uma pequena amostra da riqueza e da diversidade da história cinematográfica. Cada um deles, à sua maneira, contribuiu para moldar o cinema como o conhecemos hoje e continuam a inspirar e encantar novas gerações de cinéfilos ao redor do mundo. Eles são testemunhas do poder duradouro do cinema e da sua capacidade única de tocar as nossas vidas de maneiras profundas e significativas.

[personal-reporter]

Raymond Chandler: l’arte del noir

Lo scrittore che mutò per sempre il mondo del noir americano. Raymond Thornton Chandler nacque a Chicago il 23 luglio 1888 e si trasferì in Gran Bretagna nel 1895, quando i genitori divorziarono. Tornato negli Usa nel 1912, Chandler nel 1917 si arruolò prima nell'esercito canadese, poi nella Royal Air Force, combattendo la Prima guerra mondiale in Francia. Nel 1924 Ray sposò Cissy Pascal, di 18 anni più anziana, già divorziata due volte. Lavorò saltuariamente come giornalista e corrispondente e, dopo una breve parentesi in campo petrolifero, pubblicò il suo primo racconto all'età di quarantacinque anni, nel 1933, su Black Mask Magazine, rivista di storie di detective. Il suo primo romanzo, Il grande sonno, venne pubblicato nel 1939 e la casa di produzione cinematografica Paramount, nel 1943,  gli propose un contratto come sceneggiatore. La produzione letteraria di Chandler è di solo nove romanzi, di cui uno incompiuto, e varie sceneggiature per Hollywood: le più importanti sono per La fiamma del peccato del 1944, di Billy Wilder, The Unseen del 1945, di Lewis Allen e L'altro uomo del 1951, di Alfred Hitchcock. Nel 1955 con il monumentale Il lungo addio lo scrittore vinse il premio statunitense "Edgar Award, dedicato annualmente alle migliori opere gialle. Raymond Chandler fu sempre molto critico verso il romanzo giallo tradizionale per la sua mancanza di realismo e seguì così la strada della narrativa hard boiled, iniziata da Dashiell Hammett. Il suo personaggio ancora oggi più famoso è l'investigatore duro ma onesto Philip Marlowe, visto come cavaliere dei tempi moderni, cinico tuttavia profondamente onesto,  portato sullo schermo con interpretazioni indimenticabili da attori come Dick Powell, Robert Mitchum, James Garner, Elliott Gould ma soprattutto Humphrey Bogart. Ma i produttori ebbero sempre un rapporto difficile con i suoi testi, spesso ricchi di temi come sesso, corruzione, pornografia e omosessualità. Nel 1954 Cissy morì e Chandler si trasferì in Europa, ma non riuscì più a riprendersi dal dolore e, da tempo vittima dell'alcolismo, un anno dopo la morte della moglie tentò il suicidio. Lo scrittore mori a La Jolla il 26 marzo 1959 a causa di una polmonite, lasciando incompiuto l'ottavo romanzo della saga di Marlowe. Per anni considerato solo come un discreto autore di gialli, Chandler è stato rivalutato oggi come uno scrittore capace e completo. Read the full article