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seimeinotaka · 3 years ago

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Rêverie (An OberonXGudako fic)

MASSIVE LOSTBELT 6 SPOILERS INCLUDING OBERON'S PROFILE AND BOND CE

Summary: Oberon has been unexpectedly summoned to Chaldea. He wonders why he is even there as he reminisces what happened in Avalon Le Fae. But it seems Ritsuka isn't leaving him alone, much to his annoyance.

Thanks to jellyfishy for beta-reading this!

Once again, the story has major spoilers for LB6, Oberon's profile and Bond CE, as well as important plot points of Solomon, LB1 and LB5.

There's implied one-sided love, mentions of heavy topics such as loss, and mentions of deceased characters.

"Master, Master, you've gotten better at this!"

"Thank you, Gogh! I've been practicing a lot using the tips you and Oui gave me. Even Jeanne Alter praised my background, hehe!"

"Hey, I said it was passable. Pas-sa-ble!"

Ritsuka Fujimaru has been drawing something in the cafeteria, surrounded by many servants that come and go. No one asks what she is doing, they all seem to know or if they don’t, they don’t bother to ask.

It is so bothersome. Annoying.

So many people surrounding her, like an ultraviolet lamp that attracts all the bugs. Never mind that they end up getting zapped the moment they ever dare to touch it.

The people, the sound, the merriment, it all annoys Oberon, who only watches in silence as he eats some ice cream with melon.

To be able to smile like that, even after discarding all of those stories...Oberon doesn't hide a crooked smile. In the end, the lostbelts are no more than faint dreams doomed to end, forgotten by the winners, the panhuman history citizens. Ritsuka Fujimaru isn't different. For her, it's like reading the doujin the swimsuit berserker is making. Once the pages are closed, the story ends and it ceases to exist. She can choose to forget.

Truly detestable.

Oberon stares and then walks away, just as Ritsuka lifts her face. She looks around, the feeling of being watched faintly breaking her concentration.

But in the end he doesn't say a word as he leaves.

“Hey, you keep looking at Master!” Jeanne Alter slams her hands on the table where Oberon is sitting. Said Master is working again, too enthralled talking with Gogh to notice Jeanne Alter slipping away to talk to him.

“Does it bother if I do?” He gives her a crooked smile as she huffs and scowls. Though of course her face turns slightly pink.

“Tch, of course not! It's just your stare is getting on my nerves! Wouldn't you get distracted if someone is looking at you intensely?”

“I am a creation, not a creator. I wouldn't understand what you're saying. Besides, I wasn’t looking at her or you anyway,” he says mockingly.

“Hmph, whatever you say. Leave when Master is drawing, what she is doing is very important and I won't let you make it messy.”

“Hah, a page of your little comic? As if you need a lot of care. But fret not, I am certain that with your keen insight and guidance it will be something so memorable, up to the level of the famous writers here in Chaldea.”

“You bug...Bring it, I will burn you to a crisp! Moths do like fire, don't they? Surely you will feel at home then!” Jeanne Alter laughs. “I'll let you know that it is something so impressive that it would make you cry, if you're capable of that anyway.”

Though her Saint Graph right now is one of a Berserker, it seems the insight of the Avenger still exists deep within. After all, only those who are similar can recognize each other. Fake recognizes fake. Emptiness recognizes emptiness. Hate can only recognize hate.

Though come to think about it, Ritsuka has always been writing, he noticed she kept a small book on her, during quiet times. Perhaps a diary of sorts. It wouldn’t be surprising, to record everything she has experienced, as the writer of the winning history.

When we die, we'll become like those stories. Our lives are stories that might be discussed and forgotten, so it's not that different from your midsummer night dream.

A dream you forget once you wake up from your slumber.

“You're a tsundere,” Ritsuka says flatly as she rests her chin on her hand. She even dares to give Oberon a shrug and a smile, as if she can tell the truth between the lies.

“Ah, you're annoying.”

“That's exactly what I'm talking about, hehe!”

An obnoxious smile continues to be on her face, and he simply looks at her with unveiled disgust and apathy.

“Why am I even here?”

“Well, you answered the call, so you can only blame yourself for that.”

“What.”

“The rayshift system call can be refused. That's an inescapable truth. You lie a lot but there are some truths in your words. Or actions in this case. You wanted to be in Chaldea, even if you don’t want to admit it.”

“Ah there it is, your virtuous nature shining through. One day you'll be fooled by someone who is pretending to be your ally...ah, my bad, that has already happened, isn't that right? Maybe you should learn your lesson.”

“Ah, yes. But it doesn't change that you are here. And because you lie often, that means I can just take it whatever way I like. You'll just deny it even if I'm right. But you can't deny we get along pretty well!”

“We do not!”

“See, that's a lie!”

“Ah, I'm going to the cafeteria! Don't follow me!”

Yet we thrive on dreams, don’t we?

“How long do you think I've been in this business? Have you interacted already with some of the servants here? I can tell you don’t mind my company.”

“I quit, I'll break the contract!”

“So, one cube or two?” Ritsuka dares to offer him the sugar cube container, even holding some tongs, just to put the amount he requests in his cup.

“You really want a poisoned tea, right, wonderful Master?~”

Even if they are something that doesn’t exist, we yearn for them, even to make them a reality. No matter how impossible. No matter how painful.

That is why we can never get rid of them.

Even if we forget once the veil of dawn has ended, something of it remains.

“There's so much that is subjective. For example, you were Artoria's Merlin, weren't you? For a moment you were Merlin, that was her truth. There's different Merlins, I mean we have different Artorias here from different eras and classes. You were a different Merlin than the one I know.”

Ritsuka is busy trying different colors. Oui and Gogh got into a discussion on how to best get the tones she was aiming for, and they even went to do some research on their own. The reds of a forest seem familiar yet not quite right, not that Oberon was looking at the notebook.

It has to have a dreamlike feeling, that’s what she wanted, but that’s not easy to pour into a painting.

“What we see as a lie or as truth, it changes with our perception. Your lies and my truths might be different, but it's ok. In the end we have only one perspective. That's why lies and truths can mix, that's why contradictions exist. I mean, that is why you are here.”

“Here's some advice from the bottom of my heart, don't quit your day job, Master. Stick to the world saving and leave the philosophical dissertation to virtually anyone else.”

In the end, does the truth really matter?

Something that can change when you close your eyes. Something that is as fleeting as a moth's life.

Would anything change in the grand scheme of things?

To protect Ritsuka, Chaldea forged a story, one where Romani Archaman was at fault for everything that happened.

To the world that is on the verge of disappearing, that became the truth.

To everyone in Chaldea, the truth is that this girl worked harder than anyone to protect this world.

That was what Sherlock Holmes said once they met. Oberon didn’t like him, but in a way he seems familiar. Holmes is a great detective, but since he keeps everything to himself, he might be wrong the entire time until the last minute.

So it’s not like Oberon can take him that seriously.

Even so, he told him the story of the great journey before Panhuman History was at risk by the Alien God. A story of which he was somehow aware, but it seems different when it is told by someone else.

To Oberon, it was a story of selfish survival. A fitting story of those who fight in the mud to continue existing.

To Holmes, it was a story of humanity bravely fighting to avoid destruction. An unlikely event that might have inspired others. Or rather, that is how the Leonardo Da Vinci from that time would have framed it, since Holmes isn’t an author and the current Da Vinci is someone different now.

The events are there, what changes is our perception of them. Perhaps this is where truths and lies take root, the lie of today becomes the truth of tomorrow.

The lie allows the fake existence to continue even when the dream has already ended.

But in the end, everything will fade, so nothing really matters.

"Well, I don't know if it has a meaning, but doesn't that mean you can give it your own? Just like how I can take your lies the way I want."

"Aren't you a simplistic one? No, perhaps it is that kind of thinking that has let you get this far. What a naive Master Chaldea has. Though it helps you accomplish your goals. "

He is not sure why they are taking tea while chatting, but here he is. Perhaps it is to hide his annoyance, the Master won’t stop until she gets what she wants anyway, so he is just avoiding a pointless squabble.

"You can think whatever you want~ and in any case, even if the feelings of today will be nothing in the future, that doesn't mean they are worthless. Because they affect the you of today and that is the moment when you are alive.”

The joy of living, that is something Oberon can’t understand nor tolerate. It angers him.

Of course, he is an entity of the abyss so how could he comprehend that?

The will of self-destruction, the cessation of existence. That something is so fundamentally wrong that it must wiped out, for there is no way to fix something that crooked.

Faerie Britain wished for him because it had to be wiped away from all records, because it had no way of being salvaged.

Therefore, he can only listen to those words.

(Perhaps it is the envy of not having something? Perhaps it is the bitterness of no longer having something to do, to dream for? Or simple ennui that no matter what, in the end it doesn’t matter?)

Ritsuka ignores his silence, as she continues.

“I don't know but for someone who likes stories you don't seem like you're actually enjoying them.”

“Would you enjoy a story where you fade away like everyone in the lostbelts you have erased? Ah, my bad. Surely, as the winner you can afford to disregard those stories. Silly me, of course you would be able to believe that as the victor you can claim to be the true history. Panhuman history is in the end mankind's right path, after all, and everything else can fade into the abyss.”

Her smile is complex, almost a facade. From one angle it looks like a forlorn frown, from the other a faint smile. She plays with the spoon on her table.

"Hmmm, I wonder..."

Dr. Roman, we finally beat the British Lostbelt. It was unlike any other places we were, and I keep thinking of Percival's words...

I wish you were still here.

The sacrifice of someone can mean the whole world for a single person. The sacrifices of millions can become a mere statistic, a simple cold number to show how bad an event was. In the end, it doesn't matter.

What was once lost will never come back.

The void left in one's soul will never heal, it only becomes more bearable with time.

But even so, that lingering pain is the proof that someone was alive, that they left a mark on the others they met as one looks at the twinkling stars and reminisces of the never-happening-again past.

“Did you know the true opposite of love isn't hate but indifference?”

“Haaah? Perhaps you didn't think so but I was being honest about my suggestion. Thinking too much will only hurt your head. You should only focus on what's in front of you.”

“Whether you love or hate, you end up putting a lot of attention to the object of your affections, but if you're indifferent to it, it ceases to exist. Perhaps your hatred of everything is because there's something you cannot afford to lose.”

Titania was the wife of Oberon in Shakespeare's Midsummer Night's Dream. She was the only one who could accept the king's eccentric personality.

But in reality, she was just a creation for the story, a being who was never real.

Of course, there isn't a person like that in the world.

Someone who accepts a hollow entity like me.

“I don’t know, if Arjuna Alter was able to come to terms with his own humanity, well...nevermind. I was just thinking aloud.”

(Ideals are just that.

A concept not belonging to this world.

It is when you reconcile with the flawed reality that you can grasp your happiness, the one you have.)

“Heh-Hahahaha, that's rich, Master!”

This is so sickening.

Only Titania could have loved(tolerated) such an unpleasant existence. Only Titania could have loved(tolerated) a being born of hate, a destructive force whose only purpose is to rend everything to ashes.

But the fact is, Titania doesn't exist. This means no one could accept someone like him.

That is the unpleasant truth.

That is why people are entranced(poisoned) by falsehoods, lies to sweeten the body and protect the soul. It's a sweet elixir to hide from the harsh reality, the ultimate end of the journey of everyone, a pointless, worthless life. Because at the end of the dream, no matter what one has accomplished, it doesn't change the finale of this story and it is doomed to be forgotten.

Just as the one princess from before, who also fell in love with the Fairy King. The one who tried to give fire to his cold body. But he didn't notice this, not even when her snow body had ceased to move, a protection of love.

So in the end, if it's not acknowledged, it is the same as it never had happened.

“Tell me, does it matter to you? Are you going to tell me you know how I feel? That you understand what I'm going through? Come on, tell me your important story, that everything is going to be alright as long as I'm not alone-”

“I can't. I don't know how you feel. Even if we had suffered the same, I wouldn't know how you feel.”

Her words or her smile, the same as before. He doesn’t know which but it cuts him short.

“All I know is the pain of losing someone important to me, but that's not what you're feeling, right?”

The Titania I wish for doesn't exist in this world. The Faerie Britain that gave birth to me no longer exists, even if I have accomplished my goal.

I am merely a dream whose purpose has been fulfilled and thus, the curtain shall be down as I exit the stage.

The things I yearn for are merely dreams. Even so, I hope, because I saw it existed for someone else. For another Oberon, not the one I am.

The illusion of happiness, the hope of a love.

I don't know how it is to not be Oberon, the lying king. The king without any other purpose. The villain that has exited the stage having won, but now even that victory is pointless.

Then, why am I still here?

“For what it's worth, I like you. You're nice company, lies and all.”

“You’re an odd one.”

“I've been told that often.”

“It's not a compliment, you have no taste.”

“You know, for Panhuman history I am the hero, ensuring our world survives. But to everyone else from every lostbelt erased...I am the worst of the worst, the villain that destroys their world.”

Ritsuka traces the notebook on her hands. The contents of the rest could be disclosed but Oberon doesn’t open any of the other pile of notebooks, so they all lie on her bed.

“Patxi cursed me for showing him a world that he thought was happier than his.”

Tears fell from her eyes as she smiled weakly. “I wonder if that was ever the right choice.”

“Panhuman history isn't the perfect utopia you can imagine. Humans seek hatred and war, there's suffering and agony. While some can lead happy lives, there's so many who can't even enjoy a warm meal or think of a future. Kirshtaria saw that, he wanted to make a better world because ours was so imperfect.”

“Why are we still going?”

“Why was ours the correct one?”

“Even now, I don't know. And I'm not sure if I'll ever know. Any justification might seem a rationalization, something to feel less guilty for killing all those people.”

“That is why I cannot forget, I cannot let the history of those lostbelts be erased. Even if I'm the only one who remembers,” her grip on the notebook tightened, “I can never forget them.”

Like a dream, one time Oberon caught sight of what she was drawing, finally reaching the dreamy red hue she long sought, depicting the autumn forest Oberon knew and hated.

The words depicting what happened in Faerie Britain, the stories of Artoria, Morgan, of Barghest, Baobhan Sith and Melusine, of Aurora, of Mike, of Ector, of Knocknarea, of him.

“Even if the rest of the world forgets, I cannot. That's why I want to record as much as I can. I caused them to disappear, remembering all of them is the least I can do.”

“That's guilt for you.”

“...Yes, I can't deny that. I've caused many people to suffer, that is why I cannot stop.”

“You're an idiot. Pursuing a fleeting dream that will only cause you to hurt, as your heart tears itself apart with these thorns you surround yourself with.”

“I guess. But someone has to do it right? But even so…

“I enjoy the moments with everyone here in Chaldea and I can say I'm happy.

But I also feel deep sadness for everything that I have done and continue to do.”

There are many contradicting truths, woven into each other.

Like overlapping threads in a beautiful(horrible) story.

“I could think Panhuman history is the correct one because it was there. There was a reason why it was chosen.”

“And if there isn't? If there is truly no meaning to your journey? That the reason your world was chosen was a mere whim of fate, a sudden lucky roll of the dice? That there is nothing special to your world that makes you worthy of the title of proper human history?”

“Then I guess I will have to make it so that there is one.”

“And if you can't?”

“Just because I can't doesn't mean I shouldn't try.”

“Trying doesn't mean you will succeed. Morgan tried her hardest, but in the end, she still failed, crumbling in despair as her Faerie kingdom burnt to ashes.”

“Well, that will come bite me when the time comes, but for now, that’s all I can do, right?”

In the end, as long as it entertains, does it matter?

What is the purpose of a story? To bring joy(tears)? To break one from that moment of boredom, of despair, and heal the soul even if just a little?

And in the end, does it even matter?

“I like this Saint Graph more.”

It’s been a long time since he has donned the clothes as King Oberon. Once the façade was over, once he could ascend, he has never worn anything but the colors of the depths of the abyss. Anyone else would think they are unsightly, hateful, depressing.

After all, the warmth of King Oberon’s butterfly wings makes children smile, makes people trust him. His monstruous limbs right now are not enchanting.

“I thought you were a butterfly girl. And I have been wearing these ever since, why are you even saying this up until now?”

“I just wanted to say that. I like the fluffy cape and the butterfly wings, but you sound less pained right now. And this outfit is cool too.”

In the end, perhaps Titania isn't meant to be someone who brings the sun to your eyes, with laughter so contagious that she makes the bitterness of a day go away. She's not a neverending warmth on a cold winter, nor a guiding bright star up in the dark sky. She's not the simple to your complicated, the light to your dark, the smile to your frown, the opposite of your miserable existence that brings joy to your life. An illogical being that accepts you in spite of your incompatibility.

Was I wrong all along?

A companion when watching a wonderful(decadent) play.

Someone who walks by your side in a crumbling world.

Someone whose company makes the poison more bearable and hell, tolerable.

Someone who simply loves me for who I am. Who gazed at the abyss, saw the void yet didn't run away.

Ah, this is so laughable, an amateur terrible tragicomedy, a hideous play with no sickeningly sweet ending.

(Perhaps it is because Titania is a wretched creature herself. Or perhaps because Titania's wings have been torn off that she understands a small fragment of you. Even if true understanding is a lie, a pipe dream. Titania has seen her own hell and can sympathize with yours, with the emptiness and resentment you hold. Not fearing it, not judging it. Just accepting you as the flawed existence you are.

If that is the case, then there is nothing beautiful about Titania.)

But even so...

"...You are..."

"Did you say something?"

"No, nevermind."

Ritsuka smiles as Oberon looks away. He grumbles about the cramped space as he hoards the bed, swatting a mosquito away while she writes in her diary. The boring stories she writes that he doesn't care about even if his fingers have traced those letters.

But even so, he stays.

Ah, love is a bothersome thing.

Thank you for reading!

Now, OH BOY WHERE TO BEGIN. Title comes from Debussy's Rêverie. I wanted to play with it, seeing that Oberon's Bond CE is called Pavane for a Dead Princess, which is the title of a melody by Ravel. I am sure it is no coincidence. Both Ravel and Debussy were considered the cornerstones of Impressionism in music, however, they both HATED being labeled like that.

Pavane for a Dead Princess is one of Ravel's solo compositions for the piano. However, unlike what the title implies, Ravel specifically said that it wasn't meant to be a melody of a funeral, but he wanted to evoke the idea of a princess dancing to the pavane. However, some people didn't really listen to him. So in this case, I think that rather than to see Oberon's CE as a funeral to Blanca, it is a way to celebrate her story, even if it didn't end on the happier note we would have wished. You can listen to it here

Now Rêverie is by Debussy and it's meant to feel like a dream, hence the name. The melody became a massive hit, though Debussy later hated this piece because he felt that he had written better pieces but this one was the one that made him famous. Since it was written when he was young, he felt he was still lacking a lot, but the melody became one of his most popular compositions nonetheless. I think that story ties nicely with what we perceive vs what others perceive. You can listen to it here

Now onto the actual fic, I had this vague idea when part 3 was released, especially after all the spoilers about Oberon's true identity. I really wanted to get him, and I was super lucky. In between getting him, his profile and bond lines being translated, I just got possessed to write this as a way to honor and thank him for coming home AND to give him a sort of happy ending after Avalon.

Oberon in that bed is thanks to that comic on Twitter where he is eating chips without any care and the kind reminder of his voice lines that in spite of him constantly complaining, he spends an awful lot of time on our room. Hehehe.

Best of luck if you are pulling for him! And once again, thank you for reading!

#fate grand order #ritsuka fujimaru #obeguda #fgo oberon #oberon vortigern #fgo

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