#the fey writes
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sirgawainofgalifrey · 4 months ago
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Not to knock on Wrightworth or other Phoenix ships but people like to make most of Phoenix's actions have a romantic undertone and really miss out on the fact that he'll just about die for anyone he considers a friend.
Like he took on a clearcut murder case with zero experience (what's a cross-examination lol) because he was friends with Larry in school.
He STRAIGHT UP ATE GLASS AND METAL for the girl he was dating and was willing to ignore that she'd murdered someone.
He changed his whole ass career to get in contact with Edgeworth again just to make sure he was okay emotionally (and for other reasons that people like to ignore just for making it all about Edgeworth), even though they literally were like in 4th grade together for like half a year.
The first case he defended Maya was almost entirely because of Mia, because he didn't know Maya yet.
Literally EVERY CASE that he defends Maya in he's going above and beyond all reason and logic to prove that she's not guilty.
Him literally going against all reason and evidence and Edgeworth's own admission in the Edgeworth case to prove he's not guilty.
HIM LITERALLY ONLY TAKING ON THE SKYE CASE BECAUSE EMA AND LANA REMINDED HIM OF MAYA AND MIA.
Him literally in the Engarde case willing to compromise all his principles to get a murderer off the hook to save her (they give you the option of going with pleading that Engarde is innocent, even though it doesn't effect the outcome).
Him literally running across a burning bridge at night over a huge cliff to make sure she's alright.
All I'm saying is I think the writers more intended to characterize Phoenix as someone who is willing to do almost anything for people he cares about (even if he acts like a grumpy asshole most of the time), more than emphasizing any one romantic relationship.
(I also think that's why he took Edgeworth faking his death so hard, and was so pissed at him for it. Like he felt betrayed and helpless at Edgeworth commiting suicide, mad (at Edgeworth and himself) that Edgeworth thought he couldn't come to him for help, when he would do anything for him. And then he finds out he was deceived, and couldn't understand how anyone could do that to someone they care about, like it's not in his friendship vocabulary ((also the fact that Edgeworth had confided in Gumshoe and not him that he was still alive, meaning he trusts Gumshoe more than him as a friend.)) It all comes down to Phoenix being betrayed that he's not trusted and his devotion to his friends not returned.)
Anyway sorry this is so long I hope it makes sense.
(also I've only played the original trilogy)
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whereserpentswalk · 6 months ago
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Reblog to summon the creature, like to hug them. We are not responsible for any quests, bodily transformations, or monsterfucking that may occur.
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thefatedthoughtofyou · 9 months ago
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He's been at Steve's house a week before he manages to gather up the courage to ask.
He shuffles into the living room, Steve's old slippers on his feet, Steve's old pajamas hanging off him. He'd lost weight in the hospital. And hadn't gained much back yet, still in too much pain to really have an appetite. But this, it needed doing. He needed it done.
"Steve?" He asks, throat clicking, voice scratchy from underuse. Steve looks away from the tv immediately, hits the mute button, eyes wide and on Eddie.
"Hey. You okay?" He asks, turning his whole body on the couch, towards Eddie, giving him his full attention.
Eddie just nods. Slowly. His eyes going unfocused, staring at the floor.
"Eddie?" And Steve's in front of him now, he hadn't even heard him get up.
"Hmm?" He hums in his throat, eyes still feeling foggy.
"Did you need something?" Steve asks, Eddie's eyes focus, the concern in Steve's voice bring him back into his body. He looks at Steve, nods, says,
"I need you to cut my hair." His lip trembles, he digs his teeth in.
"You... what?" Steve's confused. Rightfully so. Eddie swallows around the fire in his throat, tries to explain it to Steve. This thing he can barley figure out himself. Has a half formed idea at best. He wipes at his nose with the back of his hand, Steve steps a little closer.
"It's just- it keeps- I keep laying on it. And it... pulls. And I'm sleeping and it pulls and I wake up and I can't breathe and it's-" he inhales, sharp and shakey and then Steve is there, his hands on Eddie's shoulders.
"Okay. It's okay. I'll do it. Whatever you want Ed's." He pulls Eddie upstairs, into his bathroom. Stands with him in front of the mirror, scissors in hand.
"Where do you want it?" Steve asks, his eyes meeting Eddie's in the mirror. Eddie takes a deep breath, brings his hand up, winces at the pull on his ribs but keeps going.
"Above my shoulders. But like... I wanna still be able to tuck it behind my ears?" He's not sure why it comes out as a question, but Steve just nods, Eddie sees his lips twitch into the start of a smile before dropping again. He reach up, drags his fingers genlty through Eddie hair.
His stomach sinks, his hair is gross. He hasn't washed it in days. Too tired. Too much pain. Too much effort.
"Sorry my hair's gross." He mumbles, lips barley moving.
"It's not. It's fine." Steve assures him, his voice soft, sections out a small lock of hair, he looks at Eddie in the mirror again.
"You're sure about this?" He asks, he looks sad. Eddie hates it. But also doesn't. Because it means Steve sees him, understands him, and how important his hair is to him.
But it doesn't matter right now. That his hair is a peice of him, a peice of the Eddie he'd built to keep himself safe. A peice of his armor.
"I'm sure. Please." He isn't begging, exactly, but his hands fist in his pajama pants, and it feels like it anyway.
"I'm gonna go just above your shoulder at first okay? And then if you want more off we can do that." Steve waits for Eddie to agree and then starts cutting.
Eddie closes his eyes when the scissors sink through his hair. Keeps them closed as Steve works. He stops a few cuts in and tells Eddie to wait there. Eddie sits on the toilet seat as he waits for Steve to come back.
He brings a radio with him, clicks in one of the tapes Eddie made him, and gets back to work. Eddie's eyes stay closed. He finds himself smiling as he listens to Steve hum behind him. Scrunches his nose when Steve full on sings a few times.
Not because he's bad. He's got a really nice voice actually. Eddie loves listening to him sing. But if he didn't scrunch his face he might to do something else instead, something stupid, with Steve so close.
It only takes a couple songs before Steve's hands are on his shoulders, gentle, reassuring, an anchor.
"Okay. It's done. Or at least. Might be. I can take more off if you need me too." His voice is soft in Eddie's ear, Eddie can feel the heat of his chest on his back he's so close.
He opens his eyes and feels his heart flutter in his chest. His head swimming a little. His hair hadn't been this short since junior year. He can see Steve watching him in the mirror.
"Good?" He asks, dragging his lip into his mouth and letting it go again.
"I think so." Eddie says, feeling a bit dazzed, a bit dizzy. And then Steve fucking reaches up with both hands, tucks Eddie's hair behind his ears genlty, his fingers moving down his neck to rest back on his shoulders.
"I could take another inch. It'd still fit behind your ears." Steve's eyes are moving over his head, like he's doing some complex math equation. Eddie wants to cry. His chest tight.
"Okay. Take it." He says, Steve's eyes move to his in their reflections again.
"Yeah?" Steve asks, reaching up and smoothing his hand over Eddie's hair. Eddie nods.
"Yeah. One more inch." He breathes the words out, like he just needs them gone, out of his mouth. Steve smiles at him, untucks his hair from his ears and starts cutting again.
Eddie watches him this time. Watches the way his tongue sticks out as he concentrates, measuring Eddie's hair between his fingers before he cuts. His tongue peaking out between his lips, brow furrowed in concentration.
Eddie watches him and tries to convince himself he actually wanted it shorter. And maybe he did. But he knows too, that he didn't want Steve to stop touching him. Steve's eyes meet his in the mirror and he smiles again. Eddie looks away. His cheeks burning.
"Okay. You're done Munson." His voice is teasing, it makes Eddie's stomach flutter.
"Thanks. Harrington." He teases back. Too soft. He knows. But he can't help it. His voice is stuck in his throat. Steve snorts as Eddie turns, takes a step toward the door.
"Actually. Can I-" Steve stops, his hand curling around Eddie's bicep, stopping him there. Eddie looks at him. Waiting.
"Can I wash your hair for you?" Steve asks, his voice quiet, Eddie barely hears it over the radio.
"My...?" Is Eddie's articulate reply.
"Please? It'll make you feel better. I- I think." Steve stammers a bit, always so endearing when he does that. Eddie loves when he's flustered.
"I uh... yeah okay. If you want." Eddie shrugs, tries to act normal. Like any of this is normal. And Steve fucking beams at him, that beautiful smile on full display.
"Okay cool. Just uh... here you can sit here while I get this cleaned up and get a towel and I'll be right back." He's talking fast, his hands flailing and jumping around as he talks. Eddie just nods, smiling at him as he watches him toss Eddie's chopped hair into the trash. Watches him take a lock of it and tie it in a knot, tells Eddie he'll put it somewhere safe. So they'll know when it's fully grown out again.
Steve wipes up the counter and disappears, comes back with two towels a few seconds later. Instructs Eddie to sit on the floor. He sets a towel down for him to sit on and lays the other over the side of the tub.
Eddie lets Steve guide him. His hands gentle as he lowers Eddie's head back over the tub, asks if he's comfortable, Eddie hums an affirmation. Steve makes sure the water is warm, not too hot, because Eddie doesn't like hot water. He gets it perfect. And then starts pouring water onto Eddie's hair.
Eddie's not sure where he got the cup. Or if it was already there for some reason. He means to ask but Steve's fingers sink into his hair and his brain short circuits. The shampoo smells amazing. Minty. It tingles against his scalp in the best way as Steve's fingers move in slow circles.
Eddie's eyes fall closed. He's sure he makes some obscene noise but Steve is kind enough not to comment. His fingers working magic in Eddie's hair. He rinses with warm water, the contrast from the cool minty feeling making Eddie shiver.
He hears Steve laugh a quiet laugh as he does and smiles himself. He hears another bottle pop open and closed and then Steve's fingers are back. Working the conditioner into his hair slowly, massaging it into his scalp as well. His hands moving slowly, with a purpose, for what feels like hours. He pulls back eventually, fingers dragging slowly through Eddie's hair as he goes.
"I'm gonna let that sit for about two minutes and then we'll rinse okay? You doin okay? Not in pain are you?" Steve all but whispers in Eddie's ear. The radio is still playing in the background. But Eddie couldn't tell you a single fucking song that had played since Steve started touching him.
"I'm good. Kinda tired. But that might just be your magic fingers." He peaks one eye open, watches as Steve laughs, shakes his head. He closes his eye again and laughs too. Only it wasn't a joke. Not really. Steve's fingers were magic. Just like the rest of him.
Steve hums along to Queen's Radio Ga Ga as they wait, Eddie tapping out the beat on his thigh as Steve hums and sways. The song ends and Steve scoots closer.
"Ready?" He asks, turning the water back on.
"As I'll ever be." Eddie deadpans, scooting back a bit from where he'd slid down.
"You're not gonna try and put products in my hair and blow dry it are you?" Eddie asks as Steve starts pouring water over him, fingers moving quicker now, moving his hair around to get it clean, he snorts again.
"No. Just wanted to get you clean." He says, pouring one last cup of water over his hair and turning the tap off. He grabs at each side of the towel under Eddie's neck and lifts, pulling Eddie up and wrapping his hair in one smooth motion. Eddie's eyes land on him and he can't help it.
"So my hair was gross. I knew it." He sighs, watches Steve's nose crinkle.
"It really wasn't that bad. But you thought it was. So i figured this would help." Steve shrugged, like it was nothing. Eddie bit his lip as Steve patted and scrunched his hair in the towel, being careful not to pull.
He claps his hands down on his thighs and helps Eddie get back on his feet. Pulls him genlty to stand in front of the mirror again and smiles soflty when Eddie takes the towel off his head and drags his own fingers through his hair.
It's short, leveled at his chin, a little above when he tucks it behind his ears. And he feels... better. Lighter. He shoves his hands up into the back of it, taking a deep breathe when his fingers drag over his neck, it makes him shiver.
"Fuck. I'm gonna be cold now." He mutters, chuckling in his throat, he hadn't thought about that.
"I'll keep you warm." Steve's voice is soft, when he speaks. The tape in the deck clicks and goes quiet as they stare at each other in the mirror.
"I just wanted you to feel better. But I'll gladly keep you warm too. Whatever you need Eddie. I- I mean I'm here. For you. Not goin anywhere." He shrugs after he mumbles through his little confession, his eyes on the floor when he turns to Eddie.
"I feel better." Eddie whispers, bites his lip and decides to be brave.
He steps forward, into Steve's space, Steve lifts his head, hazel eyes darting around Eddie's face. Eddie hears his breath stutter when he leans closer, presses his lips to Steve's cheek, firm.
Wanting no doubt in Steve's mind that Eddie means this. Means to kiss him. Means to pull him into a tight hug after. Means to hum happily into Steve's neck when Steve pulls him close, arms wrapping around Eddie's skinny frame and holding him tight.
"I'm not going anywhere either." Eddie breathes into his shoulder, presses another kiss there, into his shirt, like a promise. Steve squeezes him tighter, Eddie thinks he might be crying. His chest fluttering against Eddie's as he breathes shakily.
"Can I sleep in your bed tonight?" Eddie asks, lets Steve pull away a bit so he can see him. Eddie was right, there are tears in his eyes, but he's smiling as he looks at Eddie.
"Yeah. Course you can. You can sleep there every night if you want. Forever." Steve says, nuzzles into Eddie touch as he wipes tears away from his flushed cheeks.
"Forever huh?" Eddie teases, kissing acoss Steve's cheeks genlty as he laughs, it's wet, and wobbly, and Eddie is so fucking in love with him already.
"Yeah. Forever. Or however long you want me I guess." He shrugs again, dismissive, as if he really thinks Eddie would ever give him up.
"Forever sounds good to me. Not fucking letting you go now I've got you." Eddie whispers, his hands holding Steve's face, Steve's hands on his wrists, holding him too.
"You're gonna keep me forever?" Steve asks, his lip trembling as he looks at Eddie with hope in his teary eyes.
"Forever and ever, if I can." Eddie nods, and it seems to break Steve. He sighs, grabs at Eddie's pajama shirt and tugs him forward. Their lips crash together, a little rough at first, their teeth clicking until Steve seems to calm and slow down. His lips move genlty against Eddie's, soft and slow, and when he pulls back he's smiling again, his crooked little half smile that Eddie loves so much.
Steve scrunches his hair a few more times and then drags Eddie upstairs, gets them both comfy in his bed. And he holds Eddie as they fall alseep, pressing kisses into his hair and against his temple before sleep takes him.
Eddie wakes up warm. Drapped across Steve's chest as the sun hits them. He feels lips press into his hair, smiles when Steve makes exaggerated kissy noises. But he keeps his eyes closed, nuzzles deeper into Steve as he feels his fingers press into his hair.
Eddie hums as they drag through a few times, nimbly untangling rats or snags as they move. He sinks deeper into Steve, his heart fluttering as Steve's hand moves through his hair genlty, scratching at his scalp as he goes, before settling against the back of his neck, his thumb moving in slow cirles against the newly exposed skin.
Eddie whimpers into Steve's chest and snuggles closer, Steve keeping him warm, just like he promised. Eddie couldn't wait to spend forever with him.
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the-modern-typewriter · 1 month ago
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your writing is seriously amazing and what got me back into role-play writing! thank you! if possible could we get a human princess who attempted to outsmart a fae king and failed miserably? whether it be for power of her own, or the better good of her people and now she is to be at his side, watching the consequences of her own schemes play against her?
"You..."
"Me," the fairy king said. He sat upon her father's throne with the improper grace so common to his kind - legs dangling over one of the arms. He twirled the crown of her kingdom between his elegant fingers like it was a mere trinket.
The princess squared her shoulders.
"You tricked me," she said. "I asked you to get me out of this - this wretched marriage and you-!"
His head tilted, gaze sharpening a fraction, as she panted. His eyes seemed to glow in the dimly lit room, ever brighter with the rain pelting outside of the window, like he was the only thing that the sun still remembered.
"I'm not marrying you," she said, through gritted teeth.
"You didn't ask not to marry me," he said. "You asked not to marry Prince Calloway or any of the other silly mortal men intent on wielding your power as their own. I do not fall under either of those categories."
That was true. But she hadn't thought for a second-
"You asked," he continued relentlessly, "to rule upon your throne forever more. You never specified you would do so alone."
"It was implied."
"Implication is not a contract."
"Why would you even want to marry me!?"
"Why would you think for a second you were capable of outsmarting a fairy king?"
The princess swallowed.
His voice hadn't exactly changed, still light and breezy, but something as old and dangerous as winter lurked beneath his sunny smile.
The deal had been a simple one, a classic tale. He would save her from the stupid fate her father thought best for her, and she would give him her first-born child. Fool on him that she didn't plan on having any children no matter the lineage of her bloodline. Why would she need to do that when she planned to be the first and eternal queen of her kingdom?
"I suppose," he said, with a sigh, "it is because you are a silly, spoiled mortal, no? Incapable of coping with the one time daddy didn't cave to your whims immediately. A child throwing a temper tantrum."
"That doesn't sound like someone you want to marry."
"Oh, you'll learn. Don't worry."
Her fists clenched. "I do not need your tutelage."
"Evidence suggests otherwise."
"I'm not marrying you."
"Your father has already agreed. And you owe me a child."
"It's absurd to marry someone simply to punish them!"
"Your unhappiness is a mere bonus."
"You're insufferable!"
"Careful, beloved." The very rain outside seemed to stop for a moment, two, as the princess's heart hammered. "For a second there it seemed like you'd forgotten who exactly you were addressing."
Her mouth dried.
He was prettier than Calloway was, but it was easy to mistake him as having the same nature. A foolish prince. Some player of the court too dumb to realise when he was being manipulated, as so many of them were.
He was not that.
He was very much not that.
"I'll marry Calloway," she said, a slight quiver in her voice. Calloway, at least, could be controlled. He was a brute, an idiot, but...
"Too late. The deal is done."
"We could make another deal."
"Why would I wish to make another deal? You have nothing else that I want."
"I - but I - I'm not marrying you. I refuse."
"Then you will be in breach of contract." His head tilted the other way. "Do you know what happens to silly little mortals who breach their contract with me?"
She did, regrettably, know that much. She had read about the fae before she summoned him. She hadn't - well, she'd considered some of the lesser fairies of his court and kind, the less powerful ones, but she was a princess. She'd thought it only right that she dealt with royalty. With him.
Now...
"You've made your point," she said. Her pride burned. "Please."
"Kneel."
She'd never knelt for anyone or anything in her life. She dropped to the cool tiles, face aflame with embarrassment, fear twisting in her stomach.
"What is my point, princess?"
"I'm - you're smarter than me," she said. "I'm a fool. A silly mortal girl."
"Indeed."
"So I've learned my lesson. You don't need to do this."
"Are you sorry?"
"I'm so sorry," she said. She managed to squeeze out a few tears. "I was unforgivably rude. You have my deepest, sincerest apologies. Sire. Uh - fairy king."
"Mm." He finally adjusted his pose, no longer so careless, sitting properly, leaned forward a little to appraise her with his handsome face resting upon his hands.
"So..." She dared another glance at him, biting down on her lip. "You'll call off the deal? Write this all off as a mortal mistake?"
"Oh, not at all," he said. He flashed her a smile. "But it's always good to start a marriage as one means to go on, isn't it?"
"You!" She jerked to her feet, dashing the tears from her cheeks. She managed to stop herself from outright insulting him again as he raised a delicate eyebrow.
"Me." Flat. Simmering.
She backed up a step. Her breath caught in her throat.
Thunder rumbled on the horizon.
"You're dismissed, princess," he said, cold, bored. "After all." He straightened. "You have a wedding to prepare for, don't you?"
She really wished, later, that she hadn't asked him for forever.
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u3pxx · 2 years ago
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⚖️☀️🌻 we always hear about propaganda from the fans... but how about from the characters? luckily interviewer, anita knough, is here to ask our lovely ace attorney cast!
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little comic for this poll from @theyrebasicallycanonpoll !!! (no being toxic to em! we're here to just have fun oki!!)
you heard the aa cast!!!! now go vote nrmt go go go!!!
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feyhunter78 · 6 months ago
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The Tower of the Wolf
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Description: You, one of the last remaining ladies of Dowager Queen Alicent are brought before Cregan Stark, acting Hand of the King.
You attempt to cling to the former Dowager Queen like a child, your nails digging into her skirts. The fabric once beautiful, a vibrant green now dirtied and torn, her pale shaking hands holding your wrists trying to keep you with her. The both of you sobbing as Northmen pull you from her, ignoring your tears and your lady's pleas for your life. Your lady was good, she cared, she fought for you, even now in chains she fought for you, not only because you were her niece, but for you were a cherished member of her court
“She has done nothing wrong, have you no compassion, you beasts?” She spits out the word like it is poison, her nails digging into your skin, leaving raised marks as they drag you from her grip.
“Please, do not take me from her, she is my lady, my duty is to remain by her side!” You try to fight against them, clawing at the man's face, neck, hands, any skin you can reach, you will not leave your lady. Not when she is all you have left, not when you fear what they will do to her if she is alone. The Brothel Queens.
That horrid fool Mushroom had spread the tale, laughing at the way all color drained from your face. It had not been done, the usurper Rhaenyra had died before it could be, but who is to say it could not still be put in place? There are cruel men that remain within the Keep, cruel men who would see your lady punished for the Greens’ actions.
The Northmen clearly grow tired of your protests, and one backhands you. “Waste of time trying to reason with Hightower whores, Lord Stark should just get rid of them.” The force of the slap sending you stumbling into the wall as your lady cries out, tugging at the chains that keep you beyond her reach.
You hold your hand to your cheek, trying to scramble back to her, but you are caught before you can take a step.
“Quit struggling.” Another man snarls, before he flings you over his shoulder, your chin slamming against his armored back, the metallic taste of blood blooms on your tongue, and your vision blurs as more tears pour forth.
You can hear Lady Alicent’s cries as they carry you away. The agonized screams tear at your heart, echoing in your ears even when the door to the dungeons is slammed shut, and you find yourself back in the relative quiet of the Keep’s halls.
The Hour of the Wolf, that is what they are calling it, and you curse the whole of House Stark. How dare they, how dare they come here and act as saviors? You have not even seen Jaehaera since you were thrown in the dungeon with your lady, is she even alive?
You try to calm yourself, focusing on the floor, counting the marble tiles as your captor takes a brisk pace through the halls, muttering to himself in that barbaric northern way. He is taking you to the Tower of the Hand, and your stomach lurches. The screams of your cousin Helaena, sweet, kind Helaena return to your mind, the blood, Jaehaerys’ little body. It was beyond cruel that plot of cursed Daemon Targaryen, beyond cruel that Princess Rhaenyra would go along with it having lost her own son. How could she wish that pain upon sweet Helaena, a girl who had done her no wrong?
Finally, your captor lets you down, dropping you like a sack of potatoes, pain flaring through your body at your ungraceful landing upon the hard stone floor. Someone had removed the carpet, perhaps it had been dirtied. The remainder of the decorations were still present, the rounded window letting light spill in, the hearth empty and boarded up to prevent any assassins from sneaking in. Besides that, it was pristine, untouched by the havoc outside its walls. Though you and Lady Alicent had been allowed to bathe—to walk towards the Stranger in rags, but not filth—before Lord Stark had sent word that you both would be moved, you still felt dirty. Still felt as though the stench of death, the filth of grief, clung to your skin and hair.
“Lord Bolton, I asked you to escort Lady y/n, not drag her here as if she is a common criminal.”
“Apologies, My Lord, but she attacked my men.”
“Attacked?” You can hear the suspicion in his voice, picture the raised eyebrow.
“She attempted to claw their eyes out.”
He laughs, the damned Stark lord laughs, as if it is humorous that you feared so greatly for your life. “If your men are so easily caught off guard perhaps, they need to spend more time training, it does no good to have an army so easily defeated by a single woman.”
You bite down on the inside of your cheek, uncaring if more blood fills your mouth, you cannot stand to hear his voice, cannot even raise your head to look at him. Will he kill you? You were not a key player in the war, merely a lady-in-waiting, a loyal one, a third daughter of a second son who did not leave her aunt even when she ordered you to. Perhaps you can make a deal, offer yourself as a bedwarmer while the Stark lord is here? Attempt to convince him your lady should be sent back to Oldtown to remain under house arrest with what little family you and her had left. Though he is a Stark and their honor is known, he would not take a mistress…
Bowing your head, you take hold of the seven-pointed star around your neck, a gift from Lady Alicent. You swear that you will go with him, back to the frigid North, if it means your lady would not die in a cell haunted by the ghosts of this cursed keep.
You are too lost in your thoughts to notice that Lord Stark has dismissed Lord Bolton and is kneeling before you, his eyes fixated on the blood trickling from your lip, the ever-forming bruise on your cheek.
“Lady y/n?” He asks softly, much too softly for a man in his position.
You swallow hard and force yourself to raise your eyes, your mouth still tastes of iron, and you know you must force your spine to be made of it as well.
Lord Cregan Stark is handsome, strong jaw, dark hair, eyes like storm clouds, full lips and a scattering of stubble and roguish scars. But his handsome looks do nothing to dampen the raw strength, the aura of a warrior, a man who has killed and will again, that cannot be hidden beneath cloaks and clothing. Broad shoulders, large, calloused hands, and arms that tell of training and hard work, he towers over you even as he kneels, and you are terrified.
“My Lord?” You answer his question with a question, unwilling to give anything away to this beast.
“Are you hurt? You are bleeding.” Cregan says, reaching inside his cloak and pulling out a handkerchief, gently dabbing at your wounded lip.
You flinch back, and he pulls away slowly, his hand still outstretched, leaving the handkerchief between you. “I did not mean to hurt you, my apologies.”
“It was not your fault.” You say quietly, your eyes downcast, focusing on the handkerchief, the pristine white cloth marred by scarlet, blood scattered amongst snow.
“I will have those men disciplined, you are a lady, and should be treated as such.” He sounds earnest, you can detect no falsehoods, but still you are wary.
“Thank you, My Lord, but it is not necessary. I am a prisoner of war; I do not expect to be treated as an honored guest.” You say demurely, clasping your hands in front of you, wincing when you see the blood that covers them.
Cregan takes a waterskin from the desk behind him, the very desk Lord Hightower used to sit at, and wets his handkerchief before gently reaching for your hands. You watch as he cleans the blood from them, using soft circular motions, his calloused hands warm against your much smaller ones, and he does not release them until they are clean.
“This is your home, is it not? You should not be treated as such in your home.” His voice is warm, warmer than his hands, and if you close your eyes you can pretend. Pretend he is a brave knight who has rescued you, not a barbarian from the North who aided those who keep you prisoner.
“This is my lady’s home as well, and she is treated far worse than I.” You protest, praying that he will not grow angry and strike you.
“Your aunt—the Dowager Queen has been sorely mistreated; I arrested the men who cast her into those foul dungeons, and she should be returned to her chambers by the time we have finished here.” Cregan says, folding the handkerchief and setting it with the waterskin on the desk behind him once more.
“I am glad to hear that.” You say, finally able to meet his eyes.
“I am honored I could lighten your spirits.” He says, a wolfish grin gracing his lips, his gray eyes flashing with an unreadable light.
This is what you have prepared yourself for, you must do it, for the good of your lady, for Jaehaera if she still lives, for the realm. All women know a satiated man does not wage war, does not continue the fight when it has been won, he simply takes his prize and returns home. You gather your courage and place your hand upon Cregan’s, looking up at him through your lashes, hoping you do not look as horrid as you feel. “Perhaps you would allow me to show you how glad I am, My Lord?”
He sucks in a breath, almost imperceptibly, a blush blooming across his face, his eyes widening a fraction, and for a moment he does not seem so beastly.
“I cannot imagine you had many comforts on your journey, it is such a long way from Winterfell, is it not? And now after all that fighting you must hold a war-torn city together until others come to a decision, how awful.” You pout at him, for him, and allow one of the torn sleeves of your gown to slip off your shoulder.
“Aye, it was a long journey.” He manages to say, his fingers twitching beneath your hand, his breath catching in his throat when you move your hand to his wrist.
His shuttered breaths embolden you, and you shift forward, placing your other hand on his thigh, the muscle is firm to the touch, you note. “Such things must weigh so heavily upon you…if I am able to lighten that burden, I would be more than happy to.”
“You do not need to.” He says, his eyes flickering from yours to your hand on his thigh. “Truly, Lady y/n, I would never press myself upon you, I am not that kind of man.”
“But I want to, I want to help.” The lie rolls off your tongue easily, for it is half-truth. You cannot deny Cregan is attractive, but he still holds your life in his hands and could easily crush it at any time. There is something dangerously appealing about that, though, and you find that despite the dangers, you are desperate for the warmth he radiates.
Cregan’s eyes darken, and he groans low in his throat, closing the distance between you, stopping a hairsbreadth from your lips. “Tell me to stop, push me away, scream, slap me, I will not fight you, I will have you seen back to your lady, there will be no punishment.”
Liquid heat rolls through your veins at the sound of his desperate rasp, the restraint he possesses to not surge forward and claim you as his own. “Lord Sta—”
“Cregan.” He corrects softly, “I wish to hear you say my name.”
“Cregan, I do not wish you to stop.” You tell him, head spinning with the way his mere presence overwhelms your senses, the scent of pine and campfire smoke, his warm hands, his eyes, so dark, so deep you may drown.
Cregan’s lips meet yours, tasting of salt and honey, an oddly pleasant combination, his hands on your waist, beacons of warmth and civility, as his lips take you under, whispering heated words every time you part for air. “Say it again, I beg of you.”
“Cregan, please, do not stop.” You oblige him, grabbing at his tunic, pulling him impossibly closer, desperate for him to do something. Like sully that Stark honor and bind himself to you forever, giving you some kind of foothold in this new era that he has helped usher in.
He pulls back, breathing ragged, and he looks at you, truly looks at you. “If I do not stop now, My Lady, I will not be able to stop at all and I—”
“I wish to hear you say my name.” You echo his words from before, threading your fingers in his dark locks, and guiding his lips back to yours, but turning at the last moment and pressing your lips to his jaw.
“Y/N, please, if you do not stop me”—he lets out a strangled curse when your lips drift lower finding a seemingly sensitive spot, your teeth making a home there—“I am a man, an honorable one, and I have fought and won a war, and I am tempted, by the gods I am tempted, but I do not wish to view you as a prize.”
“Why not? I wish to be your war prize.” You press the words into the skin of his neck, reddened marks blooming in your wake, his grip on you tightens at your words, his head falling back exposing more of his skin.
“Others take me, will you truly have me live up to their stories, the barbarians of the North who steal innocent maidens away from their homes?” Cregan asks, even as he leans into your touch, moaning when you shift in his lap.
“My home is where my lord husband is, wherever he will have me.” Your words drip with implications, your lips pressed to his ear.
He shivers at the sensation, his eyes impossibly dark, his voice low, heady with lust. “I will have you in Winterfell.”
TL: @nyctophilic0vitnir, @svtansdaddyx, @fan-goddess, @dc-marvel-girl96, @shintax-error, @bellameshipper, @the141bandicoot, @the-phantom-of-arda, @haydee5010, @partypoison00, @serrhaewin, @issshhh, @pax-2735, @malfoytargaryen, @sahanna, @dellalyra, @mxrgodsstuff, @jkhomes, @unusual-raccoon, @boofy1998, @kravitzwhore, @caribbeangel, @krispold, @issshh, @afro-hispwriter, @ryswritingrecord, @prettykinkysoul, @elissanatok, @sahvlren, @its-sam-allgood, @happinessinthbeing, @8e-h-e8, @feyres-fireheart, @just-emmaaaa, @crazylokonugget, @hedahobbit98, @devils-blackrose, @mercedesdecorazon, @snh96, @imjustboredso, @izzicle, @hiatuswhore, @aslanvez, @devils-blackrose, @yentroucnagol, @queenofshinigamis, @partyposion00, @cryptidsrcool, @jennifer0305, @solkara, @simpinonyouz, @lorarri
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relicsongmel · 1 month ago
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Currently losing my mind thinking about how badly Maya wanted to save Miles in Turnabout Goodbyes.
How she, despite (mostly) only knowing Miles as the asshole he is in AA1, recognized that he's important to Phoenix and did everything she could to help him without question or complaint.
How she tried as hard as she could to channel Mia and ask for her guidance, and beat herself up endlessly lamented neglecting her training when she struggled to reach her spirit.
How she interrupted the judge's verdict on the first trial day to call Lotta's testimony into question, and got thrown into contempt of court as a result, taking full responsibility for her outburst and insisting Phoenix not be punished for it.
How she enthusiastically pursued any and all leads during the investigation to find the clues that could help Miles be found innocent, even if they seemed meaningless (re: the Gourdy escapade).
How her first instinct upon being threatened by a taser-wielding Manfred was not to run, but to JUMP ON HIM and snatch the evidence he was carrying.
How she was the one to make the connection between Phoenix's theory that the DL-6 murderer had been shot, and Grossberg's comment that Manfred had taken a vacation after DL-6, and immediately shared her realization with Phoenix.
How the bullet she stole ended up being the decisive evidence needed to declare Miles not guilty.
How Miles would have been declared guilty on several occasions if not for many of these actions.
How even despite all this she STILL claimed she was basically useless and resolved to return to her village for training so she doesn't have to feel like a burden to Phoenix.
All for a man who once tried to have both her AND her best friend found guilty of murder.
Maya Fey is the MVP of Turnabout Goodbyes and I WILL NOT STAND FOR ANYONE SAYING SHE ISN'T I love her so fucking much
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stoatallybored · 5 months ago
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Here's an Apollo and Athena version to go with my ACE Attorney pride drawing from last year! 🖤💜
(...I don't think anyone warned Apollo he was coming to the pride parade)
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exaltedfuzz · 3 months ago
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Wrote something...
Bonus sketch:
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lutzlig · 4 months ago
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Stardew valley mod concept art from aaaaaages ago... set sometime after apollo justice... cruelly abandoned due to uni stress.... featuring phoenix (jodi) pre and post the return of edgeworth (kent)...
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tojisun · 1 year ago
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still thinking about him 😔
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whereserpentswalk · 25 days ago
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Reblog to give your entity a warm blanket and a bed. Look under the cut to see what meeting your entity is like!
Undead: You can see them, below the pale starless lights from the skyscrapers above, and the shine of streetlamps and headlights. It's scary to see them wandering the street, they look human at first, wearing a long black trench coat, and a wide brimmed hat, but when you look into their eyes, they look so still and cold, unbreathing and unblinking, no matter how much makeup and wax repairs their flesh they're so obviously dead. Yet you walk closer, and realize they look alone, look as if they have nowhere to go, sympathetically you offer them some money and they begin telling you a story that begins a long long time ago...
Faerie: You seem them flying at your window, human shaped yet so clearly not human, looking at you as if they've never seen a person before. Their entire body is a sandy green, with hair the color of pussy willows, and eyes the color of jade, you think they're wearing plate armor, but you realize they have an exoskeleton like that of a mantis or a grasshopper, with four transparent wings shining in the sunlight. They inspect you as if they've never seen something like you before, they seem to need help but when you move towards them they seem afraid. You open the window for them to come in, and they rush into your bed, warm as if they haven't been warm in a very long time.
Vampire: You seem them first waiting for the local train, sitting there, a slender completely genderless humanoid, with bluish white skin and eyes a piercing blue. They slowly play guitar as you wait, and you take a moment to listen. After they get on the train with you, you strike up conversation, and young as they look, they speak as if they have seen all of humanity's history, as if they've lived more lifetimes then you could ever know. They eventually life up their facemask for you, and you can see that their mouth isn't humanlike at all, it's massive with many moving parts and blade like fangs, like the mouth of a viper. And their skin so cold, you can even feel batlike wings below their coat as you put an arm around them. You let them drink some of your blood from your hand, and it feels so good, so intimate, and you pet their head as you let yourself fill them.
Dragon: You thought you could see them changing their form out of the corner of your eye, a massive, scaled creature with many heads landing on the city streets, and slowly shrinking down to the form of a human, fixing some minor details, and changing the color of their eyes from orange-red to something more human-passing before they talk to you. They study you strangely, asking about how certain technology works, taking interest in your kind's society, your religion, your mating habits. They seem so smart yet so naive to this world that they've walked into. Awkwardly they ask if they can stay with you for a while, to learn more about how such strange creatures live.
Cyborg: You can see them, sitting at a cafe, looking out as if trying to think of a long-forgotten memory, long since eaten by the sands of time. Layers of clothing covers their body, as if they're hiding something. Worried they're lonely you strike up conversation with them, and though they seem shy at first, they eventually seem happy to have had a chance to talk to you. Their scarf slips for a moment, and they become afraid you saw something, but you hold them and say that it's ok, and their body feels so hard, as if they barely have any skin below their head, and warm like a computer being desperately cooled down by fans, like a churning machine. They open their coat to show you what they were hiding, and you can see a chest made entirely out of steel and wires, all their flesh long since cut away, you can see that even their eyes are screens. You assure them that it's ok... it's ok...
Nature spirit: Slowly they walk to your door, as if they know nowhere else to go. They don't look human at all, they're made out of rock, and sand, and animal bones, two large antlers sticking out of a skull head. There's something broken and distorted and wrong about whatever they are. They rush to a cactus you've kept on your desk and gain the last of their sustenance from them. You can see visions when you look into their eyes, visions of a desert paved over by lawns and by highways, drowning it in chlorinated water. You turn up the heat, and let a blanket lay on top of them, as you let the tears of a dead world pour out through their hollow eyes.
Face stealer: It rushes towards you, crawling through the alleyways where nobody will hear your cries for help. The massive black creature, with mortal faces hanging off the side of its segmented body. It stops an inch from your face, it could rip you to shreds with its fangs, but it doesn't It can tell there's something different with you, and you reach out your hand, slowly trying to pet it, and then it rushes back, not letting you feel the cold of its body. But it can see you, and it knows you now as an ally to its undying cause...
Angel: You see them in a cold studio, abandoned for the night, the unfinished paintings looking down on both you and them. Their body is doll like, segmented, and textured as if it looks like white and blue porcelain, but with cracks filled with gold. As you approach them, they let their wings spread. They seem to assume you're afraid of them, assume you'll hurt them, assume that they deserve it. But you don't, and they're shocked that you don't hate them at all. You let them step closer, and you can see their eyes, a radiant golden light replaced with something pale and cool. You tell them that they have nothing to apologize for, as they try to apologize just for existing as they do.
Game entity: It's strange that the system is even working in this condition. And this game doesn't seem to exist at all outside of this one copy. Messages keep coming to you, and it's like the characters inside, as primitive and pixilated as they are, as talking to you directly. And you can see the message beyond the screen, beyond the music and the flashing lights, and the message says help, and the message begs to be freed, and the message is for you.
Werewolf: They come up to you from out of the twisted woods of the park, human and fleshy as their form is, they don't act human, it's as if they want to be pet or fed. And when you approach them, they back away as an animal would too. Their muscular body is contrasted by clothing they seem to have forgotten how to wear, you can see a human mind in there, but one that's been lost for a very long time. You give them a piece of food, they are about to rip it apart like a beast but something about you reminds them of something, and they eat it as if they were human.
Goblin: Small, and skinny, and pale, you think they're a human at first, but the pointed ears and sharp teeth reveal otherwise. They inspect you, slowly trying to figure out what you are, trying to square your modern clothing with their iron armor and flowing cape. For a moment it looks as if they'll kill you, but for some reason they choose not to. They ended up in a subway station, but it seems they came from lower down, you wonder if they've seen the sun at all. Maybe you can show them, you try to ask them, but they don't understand your language, but they want to, they certainly want to...
Demon: you can see them looking out at the sea, a human head and chest, but nothing else fitting in with this world, tentacles in place of their arms, and feet like a crab's wing's like a seagull's and teeth like a shark's, and a lamprey's neck and head where their genitals should be. They look at you with their eyes, confused and disturbed by this world, by the moon and the sun and the towers in the distance. They tilt their head, as if you share a face with the creature who bound them to this realm. Most people would be afraid of such a creature, but you understand, understand that they didn't choose to be here, and wonder why such a horror exists in this world, and if they would rather not be within the place they call home. You apologize if you scared them, and they reply with a similar statement...
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thefatedthoughtofyou · 1 year ago
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{ Thank you for the idea @imsodonewiththissite !! It almost got angsty but i controlled myself!!! }
"What in God's name is that?" Dustin’s voice goes almost shrill as he walks behind Steve, looks down at his pumpkin. Eddie's head shoots up from where he's carving his own pumpkin, his legs shot out in front of him, his feet hitting Steve's across from him. Steve flushes, tells Dustin to shut up, and shoves at his legs to get him to move on.
"Alright alright jeez! It's just... I've never seen a pumpkin like that. Did you even try?" Dustin huffs as he settles back into his own carving area between Lucas and Will.
"Yes. I did try. Thank you very much. Henderson." Steve huffs, wipes at his pumpkin, then wipes his hand in the grass to get the bits of guts off. Eddie sits up taller, making a show of trying to see Steve's carving, but not really trying to see, they'd agreed to show each other at the same time.
Steve hadn't really had any idea what to do, so he'd just done something silly. But he could see Will and Dustin’s and theirs were detailed, and spooky. And his just looked... stupid, now. Steve sighed and put the top back on his, waiting for Eddie to finish.
He was staring, he knew he was. He couldn't help it. He loved when Eddie was in full concentration mode, his tongue poking out between his lips, his brows crinkled. Steve would never tell him that. But he could look. No harm in that.
Eddie looked up and met his eyes, smiled brightly, and dusted of his own pumpkin before popping the top back on. He tilted his head, this way and that, a few times and then looked at Steve again.
"Okay. You ready?" He asked, drumming his fingers on the gourd resting under his hands. Steve scrunched his nose.
"I'm having second thoughts." He said quietly, the kids were all yelling, in their own little world, but he still didn't want them to hear.
"Aww. But I'm excited to see it! Especially with the way Dusty Buns reacted." Eddie drooped, his eyes going wide and sad, the way Steve was weak agaisnt. He sighed, his own body drooping.
"Ugh. Fine. On three?" He tilted his head. Eddie nodded.
"On three."
"One."
"Twosie." Eddie wiggled his fingers, Steve rolled his eyes fondly.
"Three!" They both said it together and turned their pumpkins toward each other.
Steve's eyes shot open, Eddie's was... good. Like really good. Everything a spooky jack-o-lantern should be. Creepy eyes, sharp teeth, what looked like a skull nose.
"Holy shit Eds. That's... holy shit. Mine is so shit compared to- why are you making that face? What's happening?" Steve changed directions mid sentence because Eddie's mouth had dropped open as he stared at Steve hideous excuse for a carving.
"Oh my god you hate it." Steve grabbed at his pumpkin, about to turn it back toward him and hide it forever but he froze when a sound started coming out of Eddie's open mouth.
It took a moment to really form, but once it got going, Steve could hear it. Manical giggles were bubbling up out of Eddie's mouth. He slapped his hands over his face to stop them but they just kept coming.
Steve wasn't sure if he should be offended or not. He frowned though, his brows dropping on his head and Eddie immediately shook his head.
"Oh my god he's ADORABLE!" Eddie cackled the words, shoved his own pumpkin genlty aside and crawled toward Steve's, his hands outstreched and grabbing.
"I know it's- wait what?" Steve was so confused.
"Steve I love him. Look at his stupid little face." He'd devolved into baby talk and was scratching at the pumkin like you would a babies chin. Steve felt himself smiling.
"Wait you actually like it?" Dustin guffawed from behind him. Eddie spun around fast, guarding Steve's pumpkin from sight.
"Excuse me?! 'It'? Don't you ever speak like that about my son- our son!" He jerked his thumb over his shoulder at Steve. Dustin rolled his eyes.
"It's not even scary! It's just a big mouth!" Dustin’s hands flailed. Eddie screamed at him dramatically, clutching his chest.
"He has a tooth! And two adorable teeny tiny eyes!" Eddie moved, pointed at the face Steve had made. El and Will both aw-d, Max and Lucas smiled, Mike just rolled his eyes.
"He's not- it's just-" Dustin stammered a bit.
"What? Dustin. He's what?!" Eddie asked, his hands still clutching at his chest.
"He's ugly! Okay? It's an ugly pumpkin!" Dustin yelled, Steve didn't even have time to feel hurt, because Eddie shrieked again, his voice going impossibly high.
"Dustin Henderson! I can't believe you just called your brother ugly. You heathen!" Eddie practically hissed the last word before he hopped to his feet and bundled Steve's pumpkin into his arms.
"Unbelievable. We don't need them Steve. Let's go." He popped his nose into the air and looked to Steve. He knew he had to look like a deer in headlights, not sure exactly where they were meant to be going.
"Kitchen." Eddie whispered, giving Steve a wink.
"Oh right. Okay yeah." Steve stumbled toward the door, opening it for Eddie as he stomped after him.
"Oh what you're going inside? Just leaving us out here?" Dustin called, Will and El booing him as he kept taunting Steve and Eddie. Eddie spun, looked at Dustin, propped the pumpkin on his hip like a toddler and pointed his finger accusingly.
"Yes. And we are leaving... in a huff!" Eddie's accent sounded slightly French at the end as he spun around again and stomped into the house.
"Slam the door Steven. Show them we mean it." Eddie said with an air finality. Steve grinned, fighting back laughter, and slammed the door. He tugged the blind closed too, for good measure. He turned to find Eddie wiping at the pumpkin with a wet washrag, getting all the little shavings off.
"You didn't have to do that." Steve said, moving to stand next to him. But not too close.
"Do what?" Eddie asked, grabbing the dish towel off the little hook and drying the pumpkin now. Steve sighed, leaned his butt against the counter and looked at the floor.
"Play it up liked you love the pumpkin. To make me feel better about my complete lack of skill." Steve laughed a little, shrugged, and looked up to find Eddie staring at him. He tossed the towel down and took a step forward.
"Oh no. Unfortunately for you, Steven. That was a genuine reaction. I fucking love this thing." He patted at the side of the pumpkin and grinned at Steve. Steve frowned.
"Really? It's not... I mean it's nothing special. Did you see Will's, I swear there was a castle on it." Steve shook his head. Dismissive.
"Oh I saw it. Still like yours more." Eddie said, matter of fact.
"Why?" Steve was still frowning. Eddie sighed, walked over and stood next to Steve, his arm pressed agaisnt him, warm.
"Me and my mom used to buy four pumpkins. Every Halloween. Always four. Two for her. And two for me." Eddie's voice was soft, the way it always was when he talked about his mother. Steve found himself trying not to breathe to loudly, he wanted to hear everything Eddie had to say.
"We'd each do a classic, spooky guy. But the other one. The other one we used to make just... the most ridiculous faces. Or the dumbest ones. Anything cute and silly." He looked at Steve for a moment, a soft smile on his lips at the memory.
"It very quickly became a contest of who could make who laugh the most. Just by carving some silly face." Eddie shook his head and laughed gently.
"I haven't made a funny one since she died. And you turned that pumpkin around and it took me back. To all those stupid pumpkins and how we used to laugh. And I mean really laugh." Eddie's voice was getting tight as he spoke, a little wobbly, and Steve wanted to hug him, wasn't sure if he could.
"She had the best laugh Steve. She'd have loved this." He moved his hand over the pumpkin again, gently stroked down it's side.
"And you."
It was almost too quiet. Steve almost didn't hear it. Wasn't sure he had until he looked up and saw the way Eddie was looking at him. Steve is so sure that it's the same way he'd been looking at Eddie for months now.
"It's the perfect pumpkin Steve. The best one I've seen in years." He's so serious, when he says it. Steve feels like he might cry. Feels a bit reckless, with Eddie looking at him like that. So he leans toward Eddie, his heart fluttering as Eddie smiles, just a barely thing, and leans toward him too.
The kiss is soft, Eddie makes a little sound in the back of his throat when Steve's hand moves to his neck and pulls him closer. They kiss until they're both smiling so much it's just their teeth clicking together and Eddie dissolves into manic giggles again and buries his face in Steve's neck as he holds him close.
"You have a good laugh too Ed's. " Steve sighs, pulling Eddie closer as he hums and nuzzles into his neck, his fingers pressing into Steve's back as he cuddles closer. Steve breathes deeply, his nose buried in Eddie's hair, and feels Eddie smile against the soft skin of his neck.
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( below is an approximation of their pumpkin faces. I fucked up the eddie one's mouth dont looookk at meeeee )
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turnaboutfix · 6 months ago
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Oh yes of course!!!
I meant specifically like her very early concept art (blue haired) and like, one of the first ones where she has short hair (but still with those 2 loose locks at the front)? I hope you know which one I'm talking about lolol
BUT if you wanna speak your thoughts on like. All of them. I want to hear 👂❓️
( @ellivcca asked what I thought about Maya's concept art and I replied in priv if they could be more specific)
Let's talk about Maya's designs! ✨
I will skip the blue-haired art for now, since I have more to say about her other early designs. They're in a few Japanese AA Guidebooks, but "逆転裁判2 真相解明マニュアル", or "Gyakuten Saiban 2: Fact-Finding Manual" has the most in one place. There are blurbs that discuss the designs, and I'll do my best to summarize them. My Japanese isn't amazing and I had to mostly rely on machine translation + cross referencing dictionaries, so it's possible I may be inaccurate. Also, I'm a novice at Japanese culture, so if I'm misrepresenting anything please bring this to my attention and I'll correct things accordingly!
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The book acknowledges that Maya was intended to be of high-school age, hence the the sailor suit artwork. They seem to suggest that the loose socks was a hint at Maya's spunky personality.
When they began to explore her as a spirit medium (1), they wanted her to come from a wealthy, noble family. It looks like a lot of these explorations made it to Franziska's design, with some of the shapes of the shoulders and the jabot-looking neck wear, which is interesting!
As they kept exploring in the second round of sketches (2), they stressed traditional/folk dress as being an important part of her design. They noted they had her carrying something on her back at the time, which I think hints more to her "folksy" feel.
The beaded necklace she's wearing in (2) are drawn from Mala bead necklaces, which are prayer beads rooted in Hinduism and Buddhism and are said to help focus the mind during meditation. They seem present in a lot of spiritual figures in Japan.
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Later (3), they explicitly comment drawing inspiration from the Matagi, a group of hunting clans in the northern Japanese mountains (be careful looking them up, they do bear hunting and there's a lot of explicit imagery, even on the wikipedia).
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They comment on that this version of her early character might be very athletic. She also seems to be more stoic in these explorations.
Then, for (4) and (5), they evolved the design to make it look appear more feminine, giving her long hair, but making a note that her look isn't typical of modern people. The large orbs in (3), (4) and (5) I think are supposed be drawn from "Yuigesa"(結袈裟), or harnesses decorated with pom-poms worn by Shugendō practitioners, hermits who live in the mountains and practice asceticism.
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Then in (6), they added the magatama and committed to her having black hair. They note shortening the hem of her costume from design (5).
The magatama addition is pretty significant! Magatama necklaces are used by noro priestesses of the Ryukyu Kingdom from the islands in the very south of Japan.
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Their religion broadly speaking, involves ancestor worship and the relationships between the living and dead, gods and spirits. It seems to me like the culture in Kurain Village draws a lot from the Ryukyuan people--and you can even see this with the beads along with the magatamas.
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But there seems to be a lot of generic imagery of Spirit Mediums that I've been able to find in Japanese media which have shared elements of design in Maya's final design. The most interesting of these to me is "ほんとにあった!霊媒先生", or "It Really Happened! Spirit Medium Teacher". The design similarities are striking (and make me wonder if Maya was an inspiration?)
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So, to summarize it all up, it seems like the early designers (and there were only two! Kumiko Suekane and Tatsuro Iwamoto) wanted a character who was different, folksy, feminine and spunky that displayed unique spiritual power to aid in the narrative/game mechanics of the games, and they explored the different facets of their own culture--from the northern Matagi clans to the southern Ryukyuan people--Japanese iconography, and tastes into Maya's final design.
And I think that's Real Neat. :)
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Thoughts about other designs (Blue-Haired/SoJ Maya) under the cut cuz oh my gosh this post is already huge.
Blue haired Maya!
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What's interesting to me is that a lot of the design language on this early Maya art seems to have been carried over to Ema's design (glasses, boots, coat/skirt). She also has similar vibes to Lynne from Ghost Trick.
I definitely enjoy Maya's final design a lot better, but I like the triadic color harmony and spunk here!
And then her design update in Spirit of Justice! These concepts are from "逆転裁判6 公式ビジュアルブック", or "Gyakuten Saiban 6: Official Visual Book". :)
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Takuro Fuse (the character designer) comments that he never drew Maya before when he took a stab at updating her, so he wanted to get that down first before tackling the designs. He wondered how she would change over the course of 11 years, and first experimented with a design, thinking about how Mia would look like as a spirit medium. He thought it would be interesting if Phoenix wouldn't be able to tell if Maya channeled Mia. (Me too tbh.)
I feel like this design has a bit too much going on, but I do like the longer cream colored sleeves!
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Takuro talks more about how he was exploring all sorts of designs before landing on something more simple. He wanted her to have what he called a "traveling costume" and was very fond of the hat. These designs seem to pull from similar places I've discussed with Maya's early designs, as well as Japanese pilgrims.
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As fun as the additions and changes to her design are, I think it was very smart to just add subtle changes: the longer robes, jacket, and the additional beads to her necklace. The shawl is a nice touch, too. This reflects how post-7yg Phoenix and Edgeworth also have subtle changes to their designs as well, which I love and I think were very smart moves from a design-perspective as well as personal taste. Their designs are very iconic and I think it was a service to maintain that iconography.
This was a very fun thing to explore! Thank you kindly @ellivcca for the ask!
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meraarts · 5 months ago
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Been thinking about this banger of a parallel
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raven-at-the-writing-desk · 3 months ago
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What did you think about Jade's role in the latest book 7 chapter? I found it hilarious how between the tweel's dreams his was more chaotic. It was also funny how they brought up Jade's motion sickness since I think the only moments it's been shown was in flight class and I think in Vil's playful land vignette after a rollercoaster ride. I'm really curious about your own highlights ^~^
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Honestly, I felt pretty meh about Jade’s involvement in the Octavinelle update 😅
***Book 7 part 10 spoilers below the cut!!***
His own dream segment was alright, it got a few chuckles out of me (though as expected, we didn’t really learn anything significantly new about Jade because of the shallow nature of the dream). Jade’s crybaby dream!Azul was about what I expected, but his dream!Floyd certainly wasn’t. The goofy face on his twin… It made me wonder how Jade truly sees Floyd. Does that weird face mean Jade sees his brother—who comes off as imposing to many others—as cute and harmless? Or does that mean Jade actually looks down on Floyd and thinks of him as a simpleton who likes to eat…? It’s hard to tell (personally I like the former interpretation), but it’s been fun looking at the different perspectives of the same information.
Something I find interesting is that the twins’ moments of waking mirror each other’s usual approaches to a task. Floyd usually foregoes a plan and prefers to use his fists to get the job done. However, he is slowly roused by reminiscing about his memories at NRC and the promise of being presented with a challenge. The final blow that shocks him awake is the presentation of a dream!Azul and dream!Jade who attempt to lure him deeper into the dream. Floyd doesn’t fall for it; in fact, he gets mad instead, and that fury, so biting and clear, snaps him awake. The opposite is true for Jade. He is someone who meticulously plans before acting, and would rather control the circumstances and use other roundabout methods before resorting to violence. But ironically, the master manipulator Jade is the one who falls for his own dream’s manipulations—all because he trusts himself above all else. He only wakes up because of a very strong physical force (ie Sebek’s UM) striking him. Prior to this, Jade was putting up a very good fight and the blows be was taking were not sufficient to wake fully him. So… Floyd, the brother who prefers brawns, woke up after reflecting and experiencing strong cognitive dissonance between his fake reality and bis true reality. Jade, the brother who prefers brains, woke up after being smacked the right amount. They woke up after experiencing an intense shock related to what is essentially the opposite of their preferred problem solving strategies.
I liked seeing Jade and Floyd fight! Book 7 is showing us a lot of things that were brief off-handed mentions elsewhere (like how Rook used to be in Savanaclaw, how Lilia is a war vet, etc.). The twins having violent brawls was previously brought up in Floyd’s Beach Wear vignettes, and it’s nice to be able to view the full extent of it ourselves. Floyd was NOT joking when he said they got into serious fights…
I have mixed feelings about Jade’s behavior within Azul’s dream. I’m NOT saying any of this is out of character or that all of his moments were bad. There were lots of little standouts (like Jade’s motion sickness, the passive aggressive “Azul-san”, smashing up the restaurant, and, of course, him and Floyd grabbing onto Azul and then trusting him to make it out on his own before choosing to let him go). Unfortunately, there were just as many examples of Jade wasting time and meandering, which I was a little annoyed about. The world might be done for if y’all don’t hurry it up 😭 You do NOT have the time to casually smash plant pots or to sit idly by and go “…………” while you watch Azul act like an idiot. I know you have a bigger brain than THAT, Jade. If you already knew what Azul’s weak point was, then you should be acting on it much sooner, not wasting my time like this.
I can see the reasoning for some of this to an extent. Jade is the type of person to drag things out; he wants to enjoy the show as others struggle to attain what they desire. The problem is that this segment still feels… forced or artificially drawn out simply because of the already established pattern of “well we gotta dedicate more time to the OB boy, we have so many other novel assets and scenarios to show off!!” There continues to be so little urgency while prioritizing showing off new assets or even things that seem cool in concept but may be lacking in execution because of how fast new stuff is being thrown at us. It’s just so frustrating because it creates this domino effect where the implication is that Jade doesn’t seem to be taking the situation seriously even though he, as an individual who is skilled in reading others + pinpointing their weaknesses AND as one of Azul’s close aide, should automatically clock what would reasonably wake him. But nooooo, Jade doesn’t do it right away because HEY, we need to create contrived scenarios where he, Floyd, and Azul have to use their UMs once each. Why? Because we have to follow the patterns we’ve already established in the updates before theirs! No other reason, we’re not allowed to stray from the formula! This is even worse when you think about how Jade was somehow unable to deduce that Azul would have moved the contracts to his own room… Like shouldn’t that be the FIRST place you think of, Jade????? No??? Is this an excuse so you can waste time using your Mouse mandated UM on dream!Jade to get the location??? 🤡 Okay, I guess…
The one last thing I have to note is that I’m so glad his and Floyd’s Groovies don’t show them crying. I feel like a lot of people were anticipating that because we previously had Kalim and Rook breaking down… However, it would be remiss to equate all the characters as being as emotional as those latter two are. (Lilia, Sebek, and Ortho were also limited story cards and none of them featured crying.) That’s not to say that I think the twins are incapable of expressing intense sadness, it’s that I don’t think they’d shed tears while attacking each other or Azul. Not crying doesn’t make Jade and Floyd “worse” or “less emotionally available”. It, in fact, alludes to the strength of the trio’s bond. It means they trust the others to be strong enough to take the hits, to fight back and to survive. The same thing is demonstrated when Jade and Floyd willingly let go of Azul and allow him to sink into the darkness, even wishing him well before they do. And to that, Azul just says the same to them (in a smug tone). These three trust each other, and that is why the twins don’t shed tears; how can they cry when they fully believe the ones they’ve chosen to spend their time with are strong enough to make it out on their own?
Overall, I just 💦 do not like the rigid skeleton of these dreams… (which I’ve already expressed before here!) I’m so tired of the same thing back to back, and no matter how many details they try to change to make it cool or feel unique, it always comes at the cost of pacing or, in this case, some character integrity being removed. xbjsvskwjekw Maybe I’m just more sensitive about this since I hate it when a smart character has to actively be dumbed down in order to progress the plot in a certain way. This is a much more subtler of a dumbing down than what book 2 did with Leona, but… It still doesn’t leave me feeling very good 😔 If anyone has played the first Ace Attorney game, this feels a LOT like that part in case 2 where Phoenix is too dumb to check the back of a receipt until Mia literally tells him to. The character has to actively be made stupider because the scenario calls for it, and that really rubs me the wrong way.
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