#the early battle theme goes crazy hard too

[irbcallmefynn]

Toby Fox is the kinda guy to make the coolest fucking character design concept and then start writing dialogue for them and realize "wait a second I wanna make em silly" and then he does exactly that and somehow the character gets COOLER

[beneathstarryskies]

Coming home to find you sleeping (feat. Nanami, Gojo, Geto)

Warnings: fem!reader, smut, slight somnophilia, toxic/yandere themes, fingering

Nanami is never one to work longer than he absolutely has to. Although, sometimes overtime simply can’t be avoided. 

He will always text you to let you know when he’s gonna be coming in late, and to his delight, you usually always motivate him to finish up quickly with a sexy picture or a flirtatious text. 

Sometimes, though, he runs just a little too late. When he comes in the door, the apartment is dark. He’s greeted in the bedroom by your sleeping form, but how is he going to get a good night’s sleep when he still has that adrenaline pumping in his veins? 

Nanami tried to ease his racing thoughts and trembling hands by taking a long, hot shower. He’s not usually one to jerk off, but he even rubbed one out just to see if he’d relax a little bit. However, as he steps out of the shower he’s still wide awake. The dark circles under his eyes would tell a different story, but that’s the effect of the adrenaline still running through him from battling a curse. He dries off before wrapping the towel around his waist and padding into the bedroom. 

The sound of the shower running had woken you up. You were trying to stay awake to greet him, but you’d fallen into a light sleep. When Nanami walks into the bedroom, he’s surprised to see you sitting up in the bed. You’re rubbing your sleepy eyes, but a sweet smile stretches over your mouth when you see him. 

“Nanami,” you coo softly. “I missed you.” 

“Hm, you saw me this morning, darling,” he teases softly before sitting on the edge of the bed. 

“Still missed you,” you whisper as you lean against him. Your arms wrap around his slim waist. It takes no time for goosebumps to rise on his skin when you start pressing soft kisses on his shoulder, moving in slowly for his neck. Your hand slowly moves along his abdomen. Then, your teeth scrape against that sensitive spot on his neck you know drives him fucking crazy. He shudders with delight and tightens his grip on you.

“Be careful, darling. You might not be able to handle this in your sleepy state,” there it is again, that soft teasing that’s only vaguely covering his guilt at waking you. 

“What? You mean this?” you punctate the question by cupping his cock through the towel, giving the shaft a gentle squeeze. He’s already half hard just from your affection, and he grunts as you keep teasing him through the towel. 

“Yes,” a pleasured sigh falls from his lips. “That’s exactly what I meant.” 

You pull the towel loose from around his waist so you can wrap your hand around his cock, relishing in the moan that falls from his lips when you start stroking him. His head rests on top of yours and his eyes flutter closed as he enjoys the sensation of your soft hand jerking him off. His breaths become heavy, ragged pants. 

“I waited for you all night, baby,” you whisper softly. 

He begins to remind you he hadn’t asked you to do that, but he doesn’t want to soil your sweet gesture. He wishes he’d made it home earlier. By now he’d have you fucked into a peaceful sleep instead of just getting started if he’d been home at his usual time. 

“Such a needy little thing,” he chuckles before pushing your hand away from his cock. You’re about to protest when he pushes you onto your back. His big hands drag against your thighs before spreading them to tease you through your panties. “I suppose we’ll have to make up for lost time, hm?”

Gojo comes and goes at all hours due to his status of being the strongest. Sometimes he even has to leave the country suddenly, and you’ll only find out through a hastily sent text. 

Despite this, his favorite part of the day is coming home to you. Even if you’re asleep by the time he comes home. 

Gojo does not make quiet entrances. It doesn’t matter how early in the morning or late at night it is by the time he gets home. He tends to run on very little sleep, and it doesn’t occur to him that you don’t function that way. 

“Honey, I’m home!” Gojo’s voice echoes through the apartment. Even though the sun is starting to rise and he’s just now walked through the door, there’s still a pang of disappointment when he gets nothing in response. He pouts to himself before walking to the bedroom. There you are, sleeping so peacefully. Only turning over when the morning sun peaks through the blinds into your eyes. He watches as you fall back to sleep so easily. 

“Lemme try again,” he says to himself. “HONEY! I AM HOME!” 

“Sleeping,” you answer with ample annoyance dripping out of that one word. 

“Oh? Are you?” he feigns innocence. 

You try to ignore the sound of him kicking off his shoes and hastily tugging his clothes off. You pull the covers over your head, willing yourself to fall back to sleep. You’ll make it up to him when you wake up later, you tell yourself. Then, you feel his weight shift the mattress as he knees settle on either side of your legs. A pitiful whine leaves your lips when he pries the blanket away from your head, then past your shoulders. You try to fight it, but he easily pulls them from your grasp. 

“Just a little long, ‘toru,” you plead. 

“No,” he says as he leans over you to kiss your shoulder. “Need you now.” 

His voice is suddenly deeper and raspier. You know that voice. He’s dead set on getting his way now. He gently rolls you onto your back, amused by the sleepiness of your eyes staring up at him and that cute little frown on your lips. He adores you more than he thought he’d ever adore anyone. Even in moments like this when you’re being a sleepy little brat, he can’t get enough. 

“Come on, baby. I missed you,” his fingers trail down from your chin to your chest. He teases your nipples through your shirt. “Didn’t you miss me?” 

“Of course I did, baby,” you whine. “I’m just so sleepy.” 

“Just relax,” he kisses you passionately before kissing down your neck. His hands cup your tits and he starts kneading them gently. “I’ll take care of everything.” 

You hum softly, growing weaker to his touch now. He caresses your sides then pushes your pajama shorts down. He has to adjust his position so he can spread your thighs. He’s amused to find your little panties damp despite your little protests. 

Geto had been very open with you about his hectic schedule. Often he’d have no idea when he’d be able to make it home. 

Once you moved in with him, he’d set a rule not to ever go to bed without him. It was a silly rule, in your mind. After all, you have to sleep sometime. 

You tried to abide by this rule though, and it wasn’t really difficult. Most times you couldn’t even fall asleep without him there with you. Despite his hectic life, he did try to maintain coming home around the same time anyway. However, sometimes you struggled to wait up for him. 

Geto opens the door to the apartment. Right away the silence strikes him. Usually, you’re always greeting him so sweetly as soon as he walks through the door. More often than not, you’d be throwing yourself in his arms and kissing him so sweetly. He decides perhaps you’ve not heard him, or maybe you’re waiting for him in the bedroom with a little surprise. His cock twitches just with the thought of that. However, there are no clues to such a fantasy as he moves through the apartment. 

“Sweetheart?” he calls out to no response. 

Finally, he pushes the bedroom door open. You’ve curled up on top of the covers, and you’re sleeping deeply. You’re illuminated by the light of the television, now with a prompt asking if you’re still watching that he can only guess has been pulled up for hours. The remote to the television has slipped out of your hand onto the mattress, but your fingers are still curled. 

“Sleeping, are we?” he mutters to himself. It wasn’t even very late, and that’s what makes him the most frustrated. He’d made it a point to be home early to spend time with you. 

You were wearing one of his black shirts, and as he sits on the bed beside you he pushes it up. He’s delighted to find you’re not wearing anything else. His hand soothes over your ass before going between your thighs. You stir softly as he rubs your folds. A sleepy moan falls from you when he teases your clit. He pulls his hand away to lick his fingers, and he uses the wetness to push one finger into your little hole. Your walls clench around the digit, but you still only stir a bit. He starts thrusting it in and out slowly, feeling you grow wet from the stimulation. 

“Naughty girl,” he growls. Then, he adds a second finger. 

“Suguru,” you whine in your sleep and wiggle your hips closer to the source of that sweet sensation filling your core. With his free hand, he pushes the shirt you’re wearing up even more to reveal your tits. He starts tugging on one of your nipples while he’s still fingering your pussy. You whine his name again, and finally he sees your eyes open. You try to move, but he’s quickly pinning you down. 

“Suguru! You’re home,” you squeal happily, but then you see the sternness in his eyes. 

“I certainly am,” he says. “And what were you doing, sweetheart?” 

Your eyes widen, and as soon as you open your mouth to answer he curls his fingers against your sweet spot. Your words fall out in a desperate whine. Your hips buck against his hand. 

“I was just-” 

“Sleeping, without me,” he answers for you. “Now, I think I’ll have to keep you up all night.”  

[loopingpyre]

So much happened in this session. Started by spamming WIRE messages to the club. Didn't realize there were so many bits of characterization there. Ayana straight up admits to being into girls lol. Aquarium layout was much nicer than the Sun Temple's. Also had a lot of pretty rooms! The fish... Another banger for the OST though not quite as hard hitting as Onboro. Reina Ueda's range is crazy. Kotono getting into a petty name calling contest with Mirei and then doubling down later was what I am here for. I love it when characters choose to suck! Her punching out the guy after saving him was great too. Mirei throwing a tantrum and everything being played a bit less seriously was a nice cooldown after the previous arc. Looks like any big reveals for Kotono are going to have to wait a bit more though. Her character story looks like its moving to the main conflict. Speaking of character eps, there were a lot, especially for Ayana and Eiji. I didn't expect Ayana to be one of the older members. No concrete age but based on her idol career + the years she stayed shut in I'm guessing late twenties to thirties. I wonder if there's anything deeper to the diving into the person's heart or if it's just for emphasis. Still, the idol backstory makes a lot of sense. I wouldn't be surprised if she hated men even without the tragedy of what happened to her friend. I'm curious to see how it will resolve. In one of the eps Aria mentions how it's possible that someone can't just heal and move on and I appreciated the game having a line for it because it shouldn't be like a Fire Emblem support where someone just fixes a problem in three conversations. Ayana sending everyone a letter was great too! I love when more of the cast gets involved beyond the mc and Aria. Also everyone supporting the potential yuri was nice. Now, it tying into Eiji's story was the real woah moment. Not that Eiji needed more suspicion thrown his way, but that kinda confirmed his kidnapping story was bs. And then he casually goes and tries to kill the guy lol. I buy that he's a lawyer (evil) but not so much the guilt being too much for him. Lots of theories as to why he's so mad so we'll see which one is his actual trauma. The other character eps weren't as dramatic. Izuru's eps were about what I expected but its early. Naruko's went in a different direction than I expected but I'm here for it as someone who has struggled with mustering up creativity. Speaking of relatable, Suzuna trying to have lunch with people was cute, though I don't think her trauma was simply isolating herself. Shogo's teased his issue with Thorn again which I don't expect to get any light on anytime soon and Kotaro's has been surprisingly slow moving too. Aria straight up hiding things from Mifue in her ep was a twist though. Aria finally being compelling... I never thought I'd see the day. Mifue being a volleyball player and her weird relationship with food makes me think she's starved herself? Or developed an eating disorder. In battle her outfit has the mask over her mouth too. Brings up some possibly disturbing implications with Kotono (her outfit only changes below the bottom half) and Eiji summoning fire. Now I feel like I should definitely be paying more attention to the designs! Looking forward to the musician hangout portion! Oh and wanted to thank mads for adding commentary to these posts too. Appreciate having a place to ramble on. Apologies for the length!

This sparks joy, yay yay!!

The wire stuff is always super fun and adds all sorts of details you might miss! You can also check WIRE and ask for a recap of where you are with the plot and youll get all sorts of little bits from the rest of the gang about it! It's such a cute mechanic!

Sadistic Queen is a very fun one! I love how the boss theme's piano is so discordinant, it reflects so well on the petulant temper tantrum of a musician.

I think the diving to the heart is just for emphasis, and a reflection on how you are moving towards something deeply personal. You had to work to get that far, sort of thing.

Ayana and Eiji are extremely good additions, I like them adding more adults to the team. I wonder which of the gang you think are underage? The original promotional material for OG Caligula via it's key art pushed Kotono as a Main Heroine, which is the most comedic choice.

Shogo is my favourite of the main gang, for what it's worth.

The Catharsis Effects are always really interesting, from both a visual design standpoint as well as the flower choices. In fact, when they did the anime adaptation and made the Male Protag into a full character, they changed his flowers to fit.

I cant think of much more to comment on right now but make no apologies for the length! Im very happy to hear this!

[canmom]

Animation Night 176: The Hedge-Pigge Whin'd

Thrice the brinded Cat hath mewed, Thrice and once the hedge-pig whin'd, Harpier cries, 'tis time! 'tis time! - Macbeth

For the fourth time, Animation Night encounters Halloween. What horrors yet await us? Oh, there are....... many...

I'm going to keep this writeup pretty short bc (as is probably evident from the Posting lately) I'm not in the best of sorts.

The traditional Animation Night halloween goes something like this: a vampire-related anime, some Yamishibai, and something weird and different. Sometimes that leads to discovering some truly great and unexpected films, like Birdboy: The Forgotten Children (Psiconautas) by Alberto Vasquez. I had been thinking of doing Vasquez's Unicorn Wars tonight, but I decided to hold off to rewatch Birdboy alongside it in a week or two.

Other gems we've encountered have been the Chilean stop-motion film obliquely about a Nazi cult The Wolf House, the 'gekimation' works of Ujicha, the gorgeous one-man adaptation of Suehiro Maruo's ero-guro manga Shoujo Tsubaki, and of course Phil Tippett's 30-year magnum opus Mad God. There's a reason I look forward to Halloween each year.

Animation is a tricky fit for horror stories, particularly traditional animation. The stylised and clearly artificial presentation intrinsic to animation can be distancing and make it hard to make things genuinely scary - so if anything, a lot of horror creators benefit from a deliberately low-fi style, which avoids being too obvious with displays of technique. But animation of all kinds loves horror images and themes, from gory OVAs of the 80s full of rapacious demons, to what you could call 'spoopy' works like The Nightmare Before Christmas, Hotel Transylvania and Paranorman which play around with all the Halloween/Hammer Horror imagery - the Draculas and Frankensteins and so on.

So what's the recipe tonight?

Well, for our vampire anime, we have now worked through the obvious ones, so it's on to... the Darkstalkers OVA from 1997-8, adapting Capcom's series of fighting games. Though in Japan it's called ヴァンパイアハンター THE ANIMATED SERIES (Vampire Hunter: The Animated Series).

Fittingly for a late-90s OVA, this is full of crazy sick animation, notably including a number of cuts by Yoshinori Kanada. The story is basically: two vampire clans are having a war, but then aliens show up. Somehow that leads to battling atop exploding zeppelins. I'm curious.

For our Western Animation slot we have something by Genndy Tartakovsky (Animation Night 35). While Tartakovsky is best known for his 2D animation and hyper-simplified graphical style, he's also directed Hotel Transylvania in 3D. I was rather dismissive of this one at a glance apparently, but I've been told it's good and I mean, it's Tartakovsky right? I'm definitely curious to see how his style crosses dimensions.

Hotel Translyvania was created at Sony Pictures Animation, the studio that would later blow everyones' minds with Spiderverse. Their history is this: Sony, the international media and tech giant, had a visual effects studio called Sony Pictures Imageworks. They were considering selling it, but then came the wave of CG films beginning with Shrek, and suddenly the smell of money was in the air. So Imageworks was retooled into a studio for making feature-length CG movies. Their early films were pretty formulaic, but they gradually began to get more ambitious.

Hotel Transylvania, which depicts a hotel for monsters run by Dracula, has had a rough history, with Tartakovsky actually the sixth director to take on the project. His goal was to try and take the vibe of 2D animation, with its squash and stretch and variable timing, and bring it to 3D - a concept that was perhaps ahead of its time! How did he manage? Let's find out.

For our Yamishibai slot we have Yamishibai.

...ok, for those just joining us this I should probably explain. It's kind of like creepypastas for weebs. Yamishibai is a series of limited-animation shorts in the style of kamishibai paper theatre, telling short horror stories. In the first half of the 20th century, kamishibai performers would go around telling stories with illustrated panels, and the form was influential on the early days of manga. They're usually a blast so we'll definitely see a few of these.

...and, given the late start that will probably be all we have time for, but if we're in the mood, I can pull out a couple shorter animated horror works. Next week, we'll follow it up with Alberto Vasquez, revisiting Birdboy and also checking out Unicorn Wars.

Sound fun? See you at twitch.tv/canmom; we will start the spooky playlist soooooooooooooooooooooooooooonnnnnnnnnn...

[chuckbass-love]

Johnny gives me rough childhood vibes. Maybe a fic about his childhood or why he acts the way he does

Hiya lovely anon! Right so again, i’m sorry for making everyone wait ages for their requests but i never want to rush them and have them be bad. So i like to take my time to plan out how i want to write them before i write. I hope this was worth the wait and i hope that you love it. I’ve followed the story of Johnny and Sue and what happened to their parents but i’ve changed the age of when it happened, sort of. It’s for the sake of the fic to make it work.

Disclaimer: My work is not to be posted anywhere else other than MY Tumblr, Wattpad and Ao3 without my permission. However, reblogs are welcome.

Pairing: Johnny Storm x Reader

Summary: You’ve been dating Johnny for a while now but you still don’t feel like you know him, the real him. So when you finally ask about his life growing up, he hesitates to open up.

Warning: Angst, mentions of death, mentions of murder (not much), mentions of depression, self harm and just all round dark. If any of these themes upset or trigger you then please don’t read. 18+

Word Count: 4,311

GIF NOT MINE!!! Credit to @xo-tough-love-xo go check them out🥰

Demons Unmasked

Ever since you first met Johnny you knew there was something about him, something behind those eyes, an immense pain that he could never move on from or heal. But being his partner didn’t automatically earn you the right to know and he wasn’t exactly the best at opening up. So for a while you learned to let it all go and let him be the one to tell you whenever he felt ready.

You can still remember when you first asked him about what life was like for him and Sue. He’d clued you in very early on about his parents and the fact that they passed when he was younger. It was hard on him, he didn’t need to tell you that, you just knew. And since he barely shared any more details, it was obvious that the whole thing was still a sore subject. 

Sue pretty much raised him after that point and it wasn’t easy, she struggled day in and day out and worried like crazy about setting him on the right path and keeping him there. Gangs were all the rage and let’s just say it wasn’t an easy job to do to keep him far away. 

When you and Johnny first started dating, Sue pulled you to the side for a chat at dinner and gave you a heads up about everything. At first you didn’t get why but the more time you spent with Johnny, you realised that he was very guarded and she wanted you to be aware of what you were getting into. She wanted you to know that patience is key when it comes to him telling you things.

And over the last year you’ve really learned a lot about patience. You’ve been there in the middle of the night when he’d wake up from a nightmare that scared him so much that he struggled to sleep again afterwards. You’ve wiped the sweat from his forehead and held him in your arms to soothe him. You’ve watched him change the subject umpteen times whenever the conversation turned to family. 

Which isn’t a surprise because to him, his only family was Sue. She’s the only family member he ever knew and the thought of him growing up with next to no one else, saddens you deeply. 

Today is your birthday and Johnny has been driving himself up the wall with plans for it. He keeps saying how he wants today to be perfect for you and that his favourite person in the world deserves nothing but the best.

Whoever said romance is dead hadn’t met Johnny Storm. 

“Babe” he calls, his voice echoing through the apartment until he reaches the bathroom to find you drying off after your shower. His eyes rake over your body in awe before you turn away out of embarrassment “everything okay?” you ask, wrapping the towel back around yourself and padding into the bedroom and then to the closet to pick out your outfit for the day.

“Yeah, i just wondered when you wanted to do gifts” he smiles, leaning against the door frame as you change and then turn to him with the same smile on your face “whenever you’re ready” you say, glancing at yourself in the mirror briefly before following him out into the lounge and the moment you step foot into the room, you gasp at the sight. Balloons and banners cover the walls and floor. A small stack of presents sit nicely on the coffee table in front of the couch and you roll your eyes before looking at him.

“Johnny” you sigh, he’s really gone all out and you feel so lucky right now. Despite you consistently telling him that all you wanted was to spend the entire day with him, no gifts needed, he didn’t listen.

“What? You didn’t seriously expect me to not spoil you on your birthday did you?” he smirks, leading you over to the couch and handing you a card. You open it and pull it out to see it’s covered in love hearts with a simple ‘Happy Birthday’ on the front. However, when you open it to look inside, the cutest message is written.

‘Y/N, 

Whether we are together or apart, you’re first in my thoughts and first in my heart. Happy birthday baby.

Lots of love, Johnny x’

As much as he likes to play dumb, he’s actually very intelligent and very cute and thoughtful. This card means more to you than any present ever could. Your lips touch his as you thank him for his beautiful words and mutter “i love you” in between the kisses.

“Now, open this one first” he instructs, pointing to the square box. You pick it up, placing it on your lap and start to undo the black ribbon tied neatly on top and when you lift the lid, a canvas is lightly covered in red tissue paper. It’s a picture of you and Johnny together. His lips are just touching your forehead and you’re smiling so big that you’re pretty sure your face was hurting. You both look like the epitome of happiness.

Tears brim in your eyes and you let one fall before turning to him “Johnny, i love it. It’s perfect” he tilts your head up to capture your lips in a loving kiss followed by a small make out session. He’s always struggled to stop at one kiss. 

“I was worried it would be too much but i thought you could hang it right above our bed” 

Did he just say our bed?  Wait, are you missing something here because you don’t live with him, sure you’ve discussed it but never made any official decisions. 

You can see he quickly regrets saying it as soon as he widens his eyes before clearing his throat and handing you the next present. This one is a tad smaller than the box before and it’s a white box with sticker in the middle, the writing is unclear but you waste no time in pulling the lid off to reveal a gorgeous apron. 

When you and Johnny first met it was at a bake sale that Sue had dragged him along to. You were selling cakes that you had made, all sorts of flavours. He kept coming around to your booth over and over, tasting a different cake each time and giving you more than the money that they costed. You remember your sister who was helping you sell them telling you that he liked you but you waved her off, refusing to believe that you’d caught someones eye. But funny enough, before he left, he plucked up the courage to ask for your number and the rest is history.

The apron is white with a variety of colours all over it, the strings are pink and you’re in love with it. Now you’re desperate to get in the kitchen and bake just so you can wear it. He must have noticed the way your current one was getting rather tatty and the fact that he thought to get you this just goes to show how thoughtful he is and how much attention he pays to you. 

“It’s so beautiful” you beam, holding it up to admire it some more “just like you then” he winks, snaking his arms around your torso and pulling you closer as he holds the final present in his hands. 

Though you’re trying your best, you just can’t get the way he said our bed, out of your head. What did he mean by that?

“And this is the last one, i promise” he chuckles, popping it into your small hands and allowing you to open it. Once you do, a key sits in the middle with your initials written on one side and his on the other. You look up at him, more tears forming as it starts to click what this means “will you move in with me?” tears form in his eyes too as he looks at you with puppy dog eyes and you wrap your arms around him “yes, i’d love to” you grin, kissing him some more.

“Really?” does he even need to ask?

“Yes, really. I’d love to live with you” 

He cups your face with both of his hands, deepening the kiss if that’s even possible before resting his forehead to yours and a relieved sigh escapes “i tried my hardest not to ruin it when you opened the canvas but i guess i just got too excited” he explains, so that’s what he meant by our bed. 

Now it makes sense why he was looking at duvet sets and toothbrush holders for his place. He was preparing in case you said yes. Which you did and it was the easiest yes you’ve ever given. 

Johnny then stands up, clearing any rubbish away before sitting back down next to you and going over the plans for the rest of the day. He mentions how he’s booked a table for dinner tonight but wants to take you shopping for something new to wear first. You reluctantly agree, after losing the battle with him. You tried to explain that you could just wear something you already have but he wasn’t having any of it. 

You never win.

After getting your shoes on and brushing your teeth, you walk out into the hall to get your coat from the rack and as you do, Johnny bends down to pick up some post before spotting you stood there.

“Looks like you’ve got some cards” he states, handing them to you for you to open. 

The first one you open is from your sister, she’s been busy lately with college so you didn’t expect to see her today but it’s the thought that counts. 

The next one is from your parents. Johnny takes them from you once you read what’s inside so he can set them down next to the card you got from Sue and Reed and his one. 

As he does this you notice him reading the cards and his face falls once he reads the one from your parents.

“Are you okay?” stupid question but you can’t just jump straight into a conversation like that, he has to know that you’re treading lightly. It’s always been a tough subject for him.

“Yeah, i’m fine” he shrugs it off before placing it down and turning to leave the room “shall we go then?” but you stop him.

“Johnny” he shakes his hand from your grasp, pulling away and letting out an annoyed deep breath “leave it Y/N” he snaps but you don’t. You can’t just keep leaving it. You want him to tell you when he’s ready but you’re afraid that day may never arrive unless you prove to him how much you care.

You sit back down on the couch and your silent prayers that he’ll join you pays off as he takes a seat next to you “Johnny, i know this isn’t exactly a conversation you want to have with me but i want you to know that i love you no matter what and i want to be here for you if you ever need me” you explain, taking his hands and holding them both in yours.

“I’m fine, Y/N seriously. I just need to stop being silly and move on from it. Most people have their parents around and i don’t, i haven’t since i was 10 and that’s fine” he rushes, in hopes that it’ll get you off his back but you aren’t budging. 

Silence falls upon the two of you for a couple of minutes and you decide to just let him calm down before speaking. Eventually he beats you to it “i didn’t exactly have the best childhood. I was raised by my older sister and spent years so angry at the world that i did everything in my power to shut everyone out. I constantly wanted to lash out and make people hurt the way i was hurting. I joined gangs, i’d commit silly crimes like stealing and when that stopped distracting me, i resorted to self harm. I’d sit in my room for hours upon hours, sometimes even days and just lay there, music drowning out all the noise as i constantly attacked my own body. I hated who i’d become but who i’d become was the only way i could stop myself from hearing those voices in my head. Voices that told me my parents were better off not being parents to me and that i was a failure”

Tears drown your vision out as you listen to the man you love open up for the first time since you met him. He’s never told you about any of this. Now you can see why. When terrible things happen to us as a human race, we’re taught that no one will understand or that we are freaks and should just keep it to ourselves. Men are conditioned to feel like showing any kind of emotion will make them less of a man and that they need to be strong. The stigma attached to mens mental health is shocking and now you wonder if he ever told Sue any of this. You know she’s aware of him having some issues but has she known about this all along, all of the details?

“My mother died when i was 8, her and my dad were in a car accident, he survived and she well, you already know. Her side of the car was the side that got hit and my dad who was a doctor, struggled to save her. He spent so long beating himself up for it, blaming himself and soon enough he found comfort in alcohol. He drunk himself stupid every night almost and eventually got into gambling. Sue tried her best to help him, using me as a bribe for him to turn his life around, telling him that i needed a dad and if i lost him too it would destroy me. But he didn’t care. He was consumed by guilt, so much so that he got into a lot of trouble, mostly with loan sharks, we lost our house after he left and had to go and live with my aunt”

“Left? Where did he go?” you ask, keeping a hold of his hands as they shake from recounting all of his childhood trauma to you, you can see this is hard for him “if you don’t want to tell me then i won’t make you” 

“No, i need to do this. He never died, i lied to you. He got sent down for murder two years after my mom passed, the lone sharks he got into trouble with were threatening him, it got pretty bad and he saw no way out. It’s just easier for me to say he died because i’m ashamed to admit that he refuses to see me or Sue and if i’m being honest, he might as well be dead. He doesn’t want anything to do with us. He said the guilt that fills him at the mention of our names is enough to make him want to stay away. He still blames himself for my mothers death”

You feel extremely overwhelmed right now, unsure of what to say until he turns to look at you.

“Listen to me, in no way are your parents better off being gone. If they were still with you and in your life, they’d be so proud of you. Johnny, i mean it. You’re incredible, the things you’ve achieved in the last year alone are something to be celebrated. I love you and i’m not going to let you diminish everything that you are. You’re brave and strong and i’m so glad to call you my boyfriend” 

He leans his head on your shoulder and you pull him in for a hug. Both of your eyes fill with more tears as some fall down your faces and you can tell that right now all he needs is for you to be here and hold him.

After hearing all of that, everything makes sense. The way he acts, the way he overcompensates with his flirting and humour. He uses it as a mask, to cover up who he is in the dark when he’s alone. When you’re not around, this is him. Just a scared little boy who’s known rejection, sadness and regret for as long as he can remember. He’s just wanted to feel accepted, loved and wanted by those around him and he was forced to grow up way too early, losing his parents so close together can’t have helped him at all. Knowing his dad doesn’t want to see him saddens you all the more.

“Are you, you know... self harming now?” the one question you hate to ask but you have to know “no, i haven’t since before i met you. I found other ways to help my anger like working out” you both pull away from the hug and he sees how puffy your eyes are, his aren’t much better either.

“How did you do it?” again, you really don’t want to know but you have to, you want to understand him more and you’re hoping he won’t pull away from you now “however i could. Cutting, punching. All sorts. To me it didn’t matter what i did as long as i did something to ease the pain but the release never lasted long enough”

You close your eyes, sighing. All you feel for him right now is sympathy and anger. Angry that you didn’t know him then to help him but sympathy because no one should ever have to go through that. No one should ever have to feel so much pain that they resort to hurting themselves, no one should ever have to feel so worthless that they get themselves into trouble and lash out at everyone around them. His dad should have stayed, he should have used Johnny and Sue as a reason to fight but even then, addiction is hard to fight so it’s not like it would have been easy for him. Guess life just has a funny way of working out and this all happened for a reason. A very sick reason but a reason nonetheless. You’re just glad he’s with you now. 

“I ruined your birthday” he mumbles, looking down and picking at the skin around his fingernails, anxiety practically drowning him but you’re not gonna let him do this.

You force him to look in your eyes and wipe the tears as they fall from his bloodshot eyes “hey, I don’t want to hear that you ruined my birthday. My birthday could never be ruined with you here. Whenever you’re around i feel like nothing could take away how good i feel” and it’s true, he makes you feel better, he improves your mood. You love him and you don’t think you’ll ever be able to stop.

There’s nothing he could ever tell you that could ever make you leave “are you sure?” his voice is low and barely audible but you hear it “i’m certain” he falls into your arms again and you kiss his head whilst you squeeze him tight “i love you” he sobs, his tears dripping onto your skin “and i love you” you rock him side to side, hoping to calm this frightened boy.

---------------------------------

After a while of just sitting there holding him, your phone rings, bringing you out of that sad state. It’s Sue.

He opens his eyes to see where all the noise is coming from and you move to pick the phone up.

“Hi Sue” you greet, barely even attempting to act nonchalant “sure, when?” she tells you that she was thinking of cooking for you, for your birthday and wants to know if you and Johnny are free.

You put the phone on speakerphone so Johnny can hear and he just gives you a nod as if to say ‘it’s up to you’. You know the relationship he has with Sue is important to him and he’s always been very happy about how well the two of you get along so you agree without a second longer to fester over it.

Sue hangs up to start cooking whilst Johnny excuses himself to reschedule the reservation for tomorrow instead. He insists that he wants today to be all about you and if going to have dinner with Sue is what you want, he doesn’t mind making the change but you still feel bad. He had this whole day planned and you can’t help but feel as though you’ve ruined it.

“Baby, it’s fine. Sue’s cooking is great, not 5 star Greek restaurant great but still great. We’ll go to that place tomorrow” he kisses your forehead as he heads into the other room to freshen up and you follow.

-------------------------

The journey to Reeds place doesn’t take long at all, it’s practically round the corner which doesn’t surprise you. You can recall Reed and Sue looking at bigger places but Sue ended up calling it off because she wanted to be close to Johnny at all times. Close enough so that if he ever needed her, she could be there. 

Sue answers the door, smiling at you both as she ushers you inside, giving you a big hug and a present before you sit down “i was going to give this to you yesterday along with the card but i decided to wait until today” 

You rip open the simple wrapping paper to reveal a Tiffany & Co. box with a white gold lock pendant necklace inside . It’s gorgeous “wow, guys. You really didn’t have to” you’re in shock “thank you so mucj”

She brings you into a hug before you stand to hug Reed too and shortly after Sue leads you away from him and Johnny and into the kitchen.

“You know i really ought to thank you” she says as she starts to dish up the food into serving bowls “since you came around, he’s been different. Happier. And i’m not saying this to make you feel obligated to stay with him but i want you to know that seeing him truly happy really means the world. You listen to him, you care for him and you love him”

Hearing Johnny say that you make him a better person and improve his life always leads to you waving him off like it’s nothing and that he doesn’t need to remind you what you’ve done for him because he’s improved your life too but hearing Sue say it, hearing her thank you like this. It all feels more real, like you really have made a difference.

“He told me everything” you blurt out, unsure if Johnny would want you to tell her that you know and by the way she shivers, you can see you caught her off guard “really?” she keeps herself busy with the food as she talks and when you walk closer to face her she freezes.

“I’m sorry for what happened to you both and i just want to say that any time you want to talk, i’m here. It must be hard sometimes carrying all of that on your back but just so you know, you’ve done an amazing job with Johnny. I couldn’t think of someone who’s sweeter or more polite and he’s doing well for himself” your praise sets her off and she starts wiping at her eyes before hugging you once more “thank you” 

Johnny enters the kitchen, clearing his throat to announce his presence and when he sees the two of you, clearly having a heart to heart, his eyes soften “is the food almost ready?” 

Sue nods, gesturing to the many serving bowls on the kitchen counter “take the potatoes and vegetables in please and send Reed in too” he nods, smiling as he does as he’s told before looking towards you with pure adoration.

God, he’s everything. He’s brave, loving and strong. You’re so glad he trusted you enough to open up and you’re gonna continue to be there for him, should he ever need to talk to you about any of it again.

Years have gone by with him never being able to find the words to talk about his childhood until you came along. Sharing everything with you was the first step to finally moving forward. Maybe he stands a real chance now at living a life free of all that pain. Maybe one day that will be possible and he can finally stop worrying about everything haunting him. One step at a time though.

He’s got you here with him to help him through and that’s all that matters right now.

----------------------

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[icecreamkink]

watched all of the untamed / cql in two weeks after my friend 1 told me abt mdzs a hundred years ago and my friends 2 and 3 tried to get me into cql for like two whole years and there are.

feelings.

very first scene is a very dramatic death in the middle of nightmare battle on sith planet land . i will forget abt it in the next tenish episodes and then will be very surprised when it becomes Extremely Painful

anyway magic flying gays and possession and human sacrifice! we are off to a great start

in retrospect, chaos goblin wei wuxian must have had a blast pretending to be so cRaZy and be as disruptive as he could as mo xuanyu lbr

listen. why is fire always evil coded. cant a magic clan wear red, black and orange and have flame motif while being wholesome?

For Legal Reasons These Are Not Zombies

i wish the politics of the sect were a bit clearer, especially at the beggining when the wen clan had sm power, was wen ruohan the chief cultivator? is that why they were so slow in responding to the attacks? im v confused by the pre yiling patriarch politics

fighting in the roof by the moonlight as way of flirtiiiiiiing. as i understand this is a wuxia/xianxia trope and honestly...... thank u for ur service

slight bullying and being a nuisance in general, as a way of flirting we love to see it

wwx: if i drink on the rooftop, thats not inside the cloud recesses! hmmm check and mate :D lwj: i will fuck u up so help me god   wwx: :0

i lov them

through hell or high water (quite literally) wei wuxian rem ains a trashfire gremlin till the end and i love him with my whole heart

in the pt subs wei wuxian calls jiang cheng a stubborn duck and i dearly wish that had come back

my opinions on almost every character goes from love to hate u - Hmm Me Like U - BABY. ILY. and i am Very Pleased w that. its been a while since i loved such a complete cast so much i think

no really. i WONT go into a detailed rant abt what i love about each of these characters and each of their relationships to each other. but i COULD. 

some lan disciples in the loudest whisper ever: YEAH THATS THE JIN BASTARD MENG YAO HEARD THE GOT SUPER HUMILIATED BY HIS DAD LOL SURE HOPE HE DOESNT TAKE SLIGHTS TO HIS CHARACTER TO HEART

lan xichen, immediately: i must Love him 

being into problematic ppl is in the Lan genetics, we come to realize

wen qing deserves so many awards for so many things but not snapping and just stabbing wen chao is at the top 

that scene at lan qirens class where wwx talks about using resentful energy to fight a violent spirit. exquisite.

 It establishes Good Student lan wangji, wei wuxian as curious and questioning and not afraid of taboo,  lwj sees that wwx is not, in fact, a dumb ass hes just a Dumbass,  shows us the audience (esp. a western audience) how shocking the idea of disrupting the dead/dying and controlling resentful energy actually is,  the theoretical foreshadow arguing, everyone else like ‘shUT UP’,  “and how could you ensure that the resentful energy would obey you and not hurt other?” “well i havent thought that far” and of course, lan qiren just straight up lobbing a hard object at wwx head,. chefs kiss

fellas is it gay to bother the hot rule obessessed nerd from ur school and make drawings of him with flowers in his hair and then hide gay porn in his book to antagonize him and ask him to hold ur hand and be ur friend and talk to him all the time and get him drunk and give him bunnies bc you know he likes them and give him a lantern and always want his attention and dedicate yourself to getting him to smile-

and after all of that wwx rly said oh i Admire him, aksd like yeah we all were there in high school buddy

i have Learned. caves = gay.

 accidental marriage +beint physically tied together with the sacred married ribbon+ gay panic+foreshadowing+bunnies! in the cave (1)

the story abt lan yi and baoshan sanren tho. i would like to see it

early days wen bros pull my heart strings like a guqin 

EVERYTHING about the lantern scene; disaster hets jiang yanli and jin zixuan; how wwx made lwj a bunny lantern. how soft and touched lwj was. wwx gleefully pointing out he was smiling and lwj IMMEDIATELY PULLING HIW SWORD ON HIM LMAO. tragically foreshadowy promises to do right by pepople, living without regrets. lwjs 'oh no do i love him??' face. just. all of it. 

i have it on good acc that in the novel lwj is explicitly Repressed Gay Panicked Big Horny which is delightful and rly Adds to the performance

 baby lwj is really just conceal dont feel dont let them know u have EMOTIONS (derogatory)

jiang cheng rly went "why dont.u go play with HIM if u like him so much"

jc and wwx have big BIG annoying sibling energy dont think too hard abt it or youll cry

lotus pier is soo pretty :((((((((((((((((

up until episode 13 you could think this could be a magical ancient chinese gays pride n prejudice w swords and shenanigans ................youre just not prepared for the game of thrones of it all

seriously ha ha ha i cried so much w this show my eyes genuinely swelled up . like. physically. fun timez fun timez

that being said, its hilarious that wen xu goes to cloud recesses like 'come out or ill kill all these hostages' and then DOESNT WAIT FOR AN ASWER AND KILLS THEM ALL IMMEDIATELY. do u know how blackmail works sir

 would like to make it recorded that from day one i was like 'CALL A GODDAMN CULTIVATION G20 THIS ASSHOLE SECT IS LITERALLY MASSACRING YALL!!' and it took them like 3 or 4 massacres to do anything and they STILL sent their heirs into their territory  LIKE

when wwx cites the gusu lan rules to wen chao tho. that rebel/attention whore/cutie pie 'look lan zhan i DID memorize the rules after all' ‘also a big fuck you to the wen sect :D :D’ sweet spot that scene achieves . delicious

all the cultivator young masters being petty af even though they are practically prisoners at the cave is hilarious and i love them

hurt and comfort + gay mistunderstandings + watsonian gay declaration music + accidental evil acquisition! at the cave (2)

its like where do i start? the fact theyre both trapped and kind of heavily injured inside an isolated cave with a murder turtle? wwx gay panicking lwj into coughing up bad blood? lwj being jealous as wwx babbles abt mianmian? telling him he shouldnt play with people and wwx saying he never played him? wwx going Oh. I See what is happening. YOU like mianmian, and lwj absolute done face ??? (iconic) wwx touching the sacred married ribbon Again? the telepathic communication? the sword? WEI WUXIAN ASKING LAN WANGJI TO SING TO HIM AS HE IS PASSING OUT AND LWJ SINGING HIM. THE SONG. HE WROTE. FOR WWX. AND THAT HE CALLED. THEIR SHIP NAME????????????????????????????????????????????????????????????????????

they are SO insufferable pleeeeease

in the words of my friend 1 : “CQL is so gay we were all amazed how it got past the censors Ofc unfortunately it can't be novel level gay But they did their best And we love them for it”

in the theme of songs THIS OST. WUJI HAS BEEN LIVING IN MY MIND RENT FREE SINCE I FIRST HEARD IT the whole ost is so so sO beautiful.

 the costuming in this is also soooo exquisite. the embroidery? the fabrics? the details? how every sect and clan has a distinct style and architecture? (also ik they based each off of dif periods in chinese history which is REALLY fucking cool) just chefs kiss

the direction too!. i enjoy the unusual camera movements and i think they give it that Vibe, also their composition is PARTICULARLY good when it comes to telling the subtext through position of camera/position of character (like nhs off to the side in scenes he at first glance doesnt need to be/ how lwj is often centered when hes Jealous Yearning at wwx being affectionate w other ppl, wwx return from burial mounds etc)

ik madam yu is like Badass Milf Check and shes not getting any mom of the year awards but im delighted at how messy she is. IMAGINE that woman on tiktok

you better have enjoyed gay cave (2) bc its Just Pain from here on out! 

jiang fengmian and madame yu win the Most Dramatic Way to show they do care about each other, actually ..... ever :)

i thought jiang yanli jiang cheng and wei wuxian forcing themselves to escape yunmeng barely holding on after their parents are killed was going to be the height of pain in this show. ha. 

the family dynamics in general on this showwwww, both blood/ adopted/ found families, brotherly bonds and lifelong friendships just. rly. truly. fucked me up. theyre all so important and complicated and well rounded and beautiful and tragic

and beyond being a Win For the Gays im so glad the relationships w wwx and jiang yanli/ wen qing were NOT changed from platonic bc they are so much better like that imo. like maybe if we didnt Live In A Society it wouldnt be so, but the fact wwx and others can love and value them so much and theres nothing romantic or sexual abt it is like. so refreshing. especially @ jyl, with the way he and jc are overprotective of her and shes such a nurturing/care taker figure for them, it would just not vibe as well if they made it romantic

i love that this is a story abt Wei Wuxian, the Yiling Patriarch aka Actual Satan/Boogey Man/Village With/Public Enemy Number One , my dude is literally a necromancer who only dresses in black and has evil smokey black tendrils wafting out of him, but the really edgy one is still jiang cheng, pastel purple fashion icon

and speaking of best/worst siblings wei wuxian and jiang cheng *immediately starts crying* 

The Golden Core Transfer i just. no thots only tears 

wen qing and wen ning putting themselves in so much danger just.... to help them. wn saving jc from wen chao. wq finding a way to get wwx to transfer his core. like thinking about the monumental work these two did to help wwx and jyl and jc... jyl trying so fucking hard to be strong and keep on moving and giver her little brothers comfort after losing everything... jiang cheng. losing his parents and his home and his ability to do anything abt it and his complete desperation and lack of self worth and turning on them with agression  when he didnt realize all that they did for him ... hhhhhhhhhhhhh

me, pointing at the whole cast “i just LOVE them mom!!!”

its sad tho, that BARELY ANY of the women have like.... actual important conversations let alone relationships with each other at all in the story. and like wq and jyl have stayed at the same place for extended periods of time, where wq actively took care of her TWICE,  and still! not one measly convo, nothing! ................ .𝓌ₕᵧ

everyone in this show need a good sip of Self Worth and Stop Sacrificing Yourself juice 

ngl the sword flying looks very dumb 

“a-cheng, please bring a-xian back.” “i will, i promise.” ;-;

the whole calling each other by the More Intimate Version of the name, first as teasing and later as true intimacy. mmmhmmm yes

untamed where everythings the same but wwx evil flute song is eoeo

related that scene when wwx comes back from the burial mounds for the first time w demonic cultivation and he acts all formal and calls lwj hanguang-jun and keeps being evasive and distant and mean and soooooo................. facetious 

and how hes kind of desperately trying to keep intense lwj at bay (A FIRST) and avoiding actually talking to either of them and its all tension ughhh and then he MOCKS his and lwjs relationship, he jokes w him in this like... mean echo of their usual ~banter~ oof 

 and like!!! uncertain but so relieved jc who just HUGS him w no reservations for once and its not like he isnt just as worried as lwj abt wwx and what hes doing, but he chooses in that moment to enjoy getting him back first and mmhmMMMmMm yes (maybe my favorite scene in the whole show? MAYBE SO. ) 

highkey hurt me but also. i might be into mean wwx. i will take no criticism.

lan zhans sad eyes tho :((((((((( 

on one hand i wish we could have seen what happened at the burial mounds but on the other the timeskip adds so much flair to his return so im hnnn

also i love that hes been missing for 3 months reappears kinda melancholic and bloodthirsty and knowing malign tricks and jc is like 'so. are u sad bc of lan wangji'

when ur bae survived the war but he thinks ur evil/ might be evil so you cant kiss :///

hmmm talking at the rooftop under the moonlight not mentioning everything that stands between usssss

they are the two jades of lan and we’ll be the two heroes of yunmeng is the type of line u dont even need to know whats gonna happen to know thats gonna be sad

when they fight wen ruoshan at the nightless city i thought that was the battle we see at the first ep and its not and its so easy and theyre all like ‘yayy we won go wwx!’ i was just. SCREAMS WHAT is gonna HAPPEN

so like. post burial mounds/sunshot campaign pre yiling patriarch wwx is like. ultra arrogant, ultra mocking, peak lil shit and it gave me e v e r y t h i n g i wanted

even tho having the wen prisoners at the targets at phoenix mountain and still having wwx and jzx shooting the arrows was???? so.... tone deaf 

wwx: fucking w demonic energy   jyl: he has never done anything wrong in his life, ever <3 <3 (mood)

the parallels between meng yao/wei wuxian (and even xue yang a bit?) are Seen and they are Valid

wwx post burial mounds: can yall SHUT UP abt the goddamn sword (suibian left the chat)

LIKE truly, we talk abt the angst and yearning with wangxian. but what abt wwx and suibian. xianbian / xianqing angst and comfort 100k

take a shot everytime someone coughs up blood

zidian is simply the coolest spiritual weapon rip to suibian and chenqing and bichen and sendou and baixa........ but tis the truth 

cons: everyones families died in a nightmare war! everyones homes burned to the ground! everyone is traumatized! pros: everyone gets cooler clothes and weapons!!

wen ning and a-yuan and yanli bestest babes squad dont touch me rn

everyone: brooding and fighting                                                                wq and jyl: why dont you try some acupunture/drinking some soup and calm down huh? how abt that bitch?? 

showing the battle/massacre at the nightless city first was genius actually bc then everytime we have a cute scene w yunmeng bros and theyre like 'we'll be together forever! uwu' youre like oh. oh no. oh no no no. 

justice vs lawfulness vs means and ends 👁

jc: stay in the right path and practice the art of the sword                        wx: yeah thats not gonna happen chief

my reaction to wwx renouncing to the sect politics to help the wens was just that elmo burning gif in succession

the dramatic rain. wen qing desperately calling out to wen ning. the ghosts/puppets killing the guards. how terrifying wn actually was while wwx was controlling him :( lwj goeing after him to try and stop him and then he just; he Sees him and understands him even if he cant actually do anything about it other than let them go. 

“there must be somewhere in this earth we can go to :(((((((((”

"IF I HAVE TO FIGHT THEM, I'D RATHER IT BE YOU. DYING BY YOUR HANDS WOULD AT LEAST BE WORTH IT." oh my god oh my god oh my goooooooooooooooooooooooooooooooooddddddd

also lwjs umbrella is white w black smoke.. .  . nice

yiling patriarch / demonic farming burial mounds settlement is like one of my favorite concepts. they an "EVIL" FARMING COMMUNITY LED BY THE VILLAGE WITCH COME ON

they planted TURNIPS and LOTUS FLOWERS and ONE (1) baby and made lanterns and a common hall :(((((((

wen qing and wei wuxian, baddest bitches and genius science best friends i absolutely LOVED to see it. they rly went ‘is anyone gonna sibling/project partner that’ and didnt wait for an answer

both wwx and jyl getting lotus ponds at the burial mounds and in lanling bc they miss lotus pier ;;;;;;;w

;;;;; wish jyl had actually gone into the burial mounds. we were robbed of jyl and wq meeting again and jyl meeting a-yuan and seeing the settlement and the homes and all ;w; at least jc did go, stab wounds and broken arms and all

wwx like... having thrown his whole life away to help the wens (yeah the sect leaders and jin guangshan in particular wanting his stygian tiger amulet was an Element but still) and not.... necessarily regretting it, but grappling with all of the consequences of it... becoming moody and drepressed at times, missing his family and lotus pier and his friends and probably simply missing being around people and causing trouble, extrovert that he is, lashing out at the wens and at a-yuan, just in general the whole messiness of that experience

the way the resentful energy does affect his temperament is rly nice bc its not too in your face,(i mean outside of the Shaky Hands of Rage) but like he clearly has a much lesser control on his anger and impulsivity (tall order) than both before bm and after hes ressurected

on that note A-YUAN BABIEST BABY BOY BEST BOY

lan zhan being like oh hey there wei ying fancy meeting u and our son here. just passing by u know how it is hmmmmMm and then PLOT TWIST having defied orders to go see him and being punished for it. oof;;

 they habent seen each other in like? a year? and now theyre tgt 10 seconds and are already parenting a child together

also lwj rly kneels down in the snow way too much to be healthy

wwx: calm down guyssss i wont lose control of demonic cultivation omgggg  .   spoiler alert: he loses control of demonic cultivation

did u enjoy cute children? good bc now the Real Pain Begins

jiang yanli and jin zixuan rly out there APROPRIATING both disaster gays AND bury ur gays huh ;w;

i KNEW jin lings birthday was gonna fuck something up but the GASP that left my body when wwx lost control of wn and killed jin zixuan .. . . 

im sorry and thank you aaaaAAAAAAAAAAaaaaaaAAAAaAAAAA 

when wen ning and wen qing were telling wwx their plan i was saying NO NO NO NO NO NO out loud in despair 

also can we talk abt how wq is definetely talking about only the both of them surrending themselves but then? everyone else just surrenders w them? IT MAKES NO SENSE LIKE WHY WOULD THEY what would be the Point

 sometimes there are some pretty gaping jumps in logic and continuity that are just like                     ?          ?

wwx: oh so when you try to murder me its justified but when i survive through dark magic and murder all of you its a "war crime"

unsurprisingly, his most feral, most spiraling moment talking to the sect leaders on the roof and attacking them and even fighting lan zhan is among my favorite scenes... its like, so painful to watch but also   so       thrilling   (and maybe my wen bbs dying arose some resentful energy in me what can i say) 

and its JUST, all they ever wanted was to do good but then... war. and trauma. and hubris. 

jiang cheng on the ground clearly thorn between what to do and feel is a Mood, lets just say

i was already crying when jyl showed up, but if i wasnt-

 i suffered SO MUCH through this series trying to figure out WHY jc would kill wwx. and when i understood. its somehow not as bad as i thought and also MUCH MUCH WORSE

a look into my group chat during the last flashback episodes:

SO ANYWAY. after the BLOOD BATH and RIPPING YOUR HEART OUT and FEEDING IT TO YOU  the untamed goes ‘ayy back to the present!! tu du dud ud du’ 

literally it ends a quarter into an episode and then KEEPS GOING i had to pause and stare blankly at the ceiling for an hour

babie cultivators and detective soulmates . i do need some cute after All of That 

(not that the pain is over LOL)

lwj is significantly less emotionally repressed in the present and its delightful. hes just ALL IN with wwx. and not just in the ‘i would and have killed various men and risked my reputation for you’ but also ‘ur tired here have a drink i brought it up cause i know u like it and it want you to be happy, always’

“when everyone praised me and wanted my power, you were the only one that challenged me. now that everyone hates me and wants me dead, youre the only one that stands by my side.” hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhnnnnnnnnnnnnnn 

and just filling in the blanks how lan zhan searched for him. for all of those 16 years he searched for him and was punished for it and raised a-yuan, the only survivor of the burial mounds settlement, as his own in gusu......

and jiang cheng.  being the tough love uncle . having raised the yunmeng jiang clan from the rubble all alone, his whole family dead, some of it on the blame of his own brother, his siblings, his closest friends gone.......and only jin ling there needing his guidance. 

THE PARALLEL BETWEEN JIN LING BEING A LIFELINE FOR JIANG CHENG AND A-YUAN FOR LAN WANGJI AFTER THE BATTLE AT THE NIGHTLESS CITY  

great now i made myself sad

and like . the fact! that lwj and jc dislike each other!!. jc projects blame onto him for wwx both “leaving” him and indirectly causing their families deaths and when hes so consumed by it he makes wwx an enemy, lwj is there now? trying to protect him?? and lwj, who can never understand the pain that wwx , indirectly or not put jc through, but who was right there when jc tried to kill him and will never allow him to hurt wwx again. and how they like. in a way project blame of their tragedies onto each other while dealing with some type of survivor guilt and in their own way still loving wwx through it all???  amd in way its kind of fundamentally selfish but also tragically understandable? and like when u put it against the fact that after he disappears during the sunshot campaign they were looking for him together and fought together??

JUST. THE CHARACTERS. AND THE RELATIONSHIPS IN THIS. MAN. UGH. GOD. 

and like i think thats what makes it so good? its such a sad and painful and violent story, edgy even, but its compelling bc at the center of it there are all of these relationships and different types of love and hope and. :( i love it

enough crying lets talk abt wwx sleeping at the jingshi with lwj and wearing his under garment for a minute 🙏

 jin ling just has that Was Raised by JC energy tho lmao i love him

babie cultivator squad is the perfect ammount of cute and comedic relief while still bearing the weight? of the narrative in a way, both from sizhui and jin lings existences, and also. like. how do i put this. they feel hopeful? they were born after a war, they came of age at a time of relative peace, they dont hold on so closely to the resentments of their parents/father figures, they are specifically shown as more accepting and open minded. and its like.... Hope for the future  

one of the ?? things  i love the most is the fact that the main cast are often in situations where theyre hunted/running but they like. never wear disguises... just going around in their gorgeous expensive clan clothes and hair ornaments and distinctive spiritual weapons.... maybe w a straw hat on, just for kicks

wwx teacher 🥺🥺🥺

so this is why its called Yi City Misery huh

a-qing is such. an icon. im so sad. my girl even knew to leave xys dumb self rotting by the road but no one listens to her thats why theyre all dead or sad 

her and xue yang measuring each other up was so entertaining lmao

 its the funniest thing when hes like. HERES MY SAD STORY. FOR WHY IM A SADISTIC MURDERER. I BROKE MY HAND ONCE. 

like ok someone broke his hand in a horrible way, and like Poverty, i get it but also like.......... that lost the brunt of a proper sob story like, 50 sadistic murders ago bby

and i love that xingchen does not entertain that for a second hes like ‘not ?????? good enough???’ and the best thing is he wasnt even like 'u hadto be the bigger person' or sth but ' well then break that dudes hand back, rip his arm off for i care, what do the rest of us have to do w anything???” 

anjo sensato :(

xue yang is like..... the sexy sadistic evil version of a himbo..... a meanbo...

the fucked upness of xy’s feelings for xxc/ xxc and sl feelings for each other... like my dude literally gave his bf HIS EYES. and xy getting so attached to xxc .... the fucked up fake domesticity.... having him hurt sl..... then desperately trying to bring him back ...................... oof

song lan........... literally had his eyes AND tongue removed, his bfs eyes put in place, was almost killed, turned into a puppet by his bf unknowingly, manipulated by xy, sees his bf killing himself in despair.... and STILL finds the strenght to get up from there, and keep on traveling and helping people and attempting to fix xxcs soul.......... like, my man. damn. 

wangxian looking at songxiao and seeing an Actually more painful parallel for themselves. ft. that Color Coding. 

THE A-YUAN/SIZHUI REVEAL PUNCHED ME IN THE HEART but in a good way for a change

should have know that he would be the Best Boy the cute one w all the braincells

the butterfly AND the bunny lantern. i see how it is

u know is very convenient that no one can see the stark black veins on wen nings neck, ever 

BAT WEN NING 

wns face when lwj comes into wwx room like ‘:0 omg did u two finally get your shit together? good for you master wei good for u’ 

(they didnt) (yet)

DISASTER DRUNK LWJ. JUST. THRUST SOME CHICKENS TO SHOW UR RESSURECTED BAE THAT U LOVE THEM.

i have absolutely no idea WHY they gave lwj the same punishment for fighting his own sect/allies to protect the burial mounds as when they got drunk on cloud recess class days.... like? its such a ... emotional continuity error again

also is lwj gonna get an actual friend besides wwx , ever

mianmian marrying and having a family and a cute life after saying FUCK U AND UR SYSTEM TOO in a much less unhinged and dramatic way than wwx......... fills me w joy

also lol the idea that like. her husband not knowing that shes friends w satan/the boogey man/the village witch is hilarious

i love nie mingjue bc hes the resident Though Guy but also the most dramatic bitch in this show and thats Saying Something

jin ling cant have one uneventful relative can he

the fact that everyone present already knew “mo xuanyu” was wwx at the stairs is so funny, their faces are like ‘oh............ wow. that. sure is a development. shock” 

in the tradition of extremely loud whispers wwx tells lwj with twelve guards standing like one meter away from them: HEY PSH LAN ZHAN PRETEND IM FORCING YOU TO STAY W ME DO IT

oh my god oh my god

the absolute Yearning on his face when he leaves wwx and a-yuan at the burial mounds and refuses to stay for dinner was already Enough but the fact?? they brought it back?? to this declaration of love?? their expressions??????? strike me dead right now just go ahead

lFor Legal Reasons We Cant Kiss but we will have a very sappy declaration of love and trust and look at each other in way that is the actualization of 💞💘💗💖💓💘💞💗💖💘💗💖💕💞

also icb all the sect leaders and guards are standing there watching them say they like like each other with a dozen swords pointing at their neck

i enjoyed the depiction of the fickle public perception and how easily it can be used to scapegoat people. when the sect leaders turn on jgy and wwx knows thats its more for convenience than anything else...

poor lxc is literally like 'oh so when YOUR problematic boyfriend gets called evil its a misunderstanding but when its MY problematic bf-'

ok like i cant get over nmj let jgy play a song that messed with his temperament at all, like maN u KNEW he might be shady wth

wwx: “hey dont say anything bad abt lan zhan hes not an arrogant dick, thats just his face. 

ME ON THE OTHER HAND"

the cultivators as wwx is poking holes in their narrative is literally *nazaré meme*

"wei wuxian-!" "what did i break your leg, too?" not to be problematic but i laughed so hard

not as hard as "you dont have the rank to talk to me " tho

i Enjoy that, over the course of story, wwx sees that... theres nothing truly to Do, but move on. he saw how his arrogance and his mistakes hurt others, and hes trying to fix what he can, but he already did die for his mistakes and there are things he cant fix and that's. just how it is. even towards jgy, the narrative doesn't go gleefully and completely with "lets make THEM pay bc theyre the big bad" bc its not that simple, and it wouldn't lead anywhere but more pain...

re him and jiang cheng and the wens and kinda. isnt that what nhs did? scheming to displace jgy out of revenge more than any justice and doing so in the most painful way?

idk if that actually makes sense im truly just babbling

i thought the scene at the lotus pond would be CUTE but the context was PAIN again

jiang cheng finding out about his golden core and his conflict with wwx at the guanyin temple .... destroyed me but in a nice way kinda.... same way it destroys him look at his face oh god

and. the fact??? he sacrificed himself for wwx?? first?? and he'll probably never tell anyone much less wwx???? keeps me up at night

i havent decided if the neckbreak transition between jgy does sth super Evil or does he he does OR Does He yes he does O R does heeeee is sth i dislike or not

jin guangyao and wei wuxians most interesting parallel is that... theyve both seen 'hmm hey this system is fucked up' and wwx went 'so fuck it all i will renounce it and challenge it' and jgy went 'so fuck it i will use all of it to my advantage and manipulate it to my goals and whims'

the fact jgys mom was actually great and he loved her and his whole issue w it was more than simply being ashamed of being a bastard kinda got me ngl

never trust a dude with a fan.

nhs and jgy: the first rule to a convoluted and decades spanning violent revenge plot is to have fun and be yourself! 

when a-yuan finally FINALLY remembers ;;;;;;;;;;;;;;;;;;;;;;-;;;;;;;;;;;;;;;;;;; wen ning has someone in his family back and a-yuan has someone to talk abt his wen family and wwx has him back bc he survived and lwj raised him anD HES THEIR SON. THEYRE MARRIED AND HAVE A SON. UGH.

and theyre allowed to heal. everyone is allowed to try and recover and be happy

netflix put all of the 3 endings on top of each other and it looks kinda weird actually BUT I DONT EVEN MIND :’’’’’’’’’)

the gasp that left me when lwj says ‘wei ying’ and wwx turns.........

there was also a screen with ‘thank you mxtx for creating these characters, we hope their wishes come true’ and i might. have cried then too. maybe. 

that was . a ride. as is proven by this behemot of a ramble clearly i just really needed and Outlet. i am currently trying to convince dumb monkey brain to not consume the other medias of mdzs immediately bc i REALLY need to like. live. a life. and take care of real responsibilities.  *longest oh boi ever*

[withluvgen]

I don’t hate you - Warren Worthington III

Warren Worthington III X Reader.

Words: 1,442

Summary: Y/N gets paired up with Warren for training and things take a turn for the worst.

Warnings: Angst, Curse words, mentions of blood and death. Not proof read.

Request: Loved ur ‘not the right time’ fic! Can I request smth where warren takes care of the reader? xx - Anon (I hope you like this anon hehe)

A/N: Hallu!! I am back from a hiatus that took longer that I expected. A lot of things happened this past month. So anyway, this was based on the request above! Not sure what they meant by taking care of the reader but this is what I came up with. I was originally going to make this about the reader getting sick and Warren taking care of her, but I couldn’t find the inspiration to write that one, so this is what happened. I have another Warren fic in my queue and another request I’m about to write so stay tuned.

REQUESTS ARE OPEN!!!

It was around early fall, the leaves have just started to turn brown, and the weather became a lot cooler. Shops and restaurants started putting out their fall themed products and decoration. Everything was beautifully orange and earth-toned. But the students of Xaviers can’t enjoy the season just yet.

It was time for their training exams to test how far they have mastered their mutant abilities. They were grouped into pairs that would then spar in the danger room with the supervision of Hank and Raven. Y/N was originally paired up with Jubilee, her best friend and roommate, but Raven decided to switch up the pairings last minute. Y/N felt her stomach drop when her name was called right after Warren’s.

Y/N had a crush on Warren ever since he became a student at Xaviers. They were in the same friend group, yes, but they didn’t get the chance to talk much because whenever they do Y/N always ends up getting too nervous to talk. It was bad enough that she had to spar with the guy she liked, but what made things worse for her is that Warren is far more experienced in fighting that her. She knew about Warren’s times in the cage fights as he had told them the story of how he met Kurt and how his wings are the way they are now, heavy and made of sharp metal.

“Don’t worry, I’ll go easy on you.” Y/N jumped at the sudden whisper in her ear. She looked over see Warren standing next to her.

“T-thanks.” She said immediately avoiding eye contact. Warren frowned slightly at her actions. Thinking that she didn’t like him or was afraid of him like everyone else in the mansion is, but he couldn’t blame her after all he has done some not so nice things in his past.

The sparring begun and Y/N watched as her classmates battled and showcased the mastery of their abilities. Y/N grew nervous after every battle as it was getting closer and closer for her to spar with Warren. She knew that she couldn’t get out of this one. She looked over at Warren who was leaning by the wall, his head down.  She was thinking about going up to him to talk when their names were called. Warren looked up to see her starring at him. He gives her a small smile to try and reassure her or something, and she did the same.

She closed her eyes and took a deep breath as the bell rang to signal the start of their sparring. She opened her eyes that were now glowing purple and energy discs of the same color appeared around her. Warren’s eyes grow wide as this was the first time he sees her use her mutant abilities. She flicks her wrist and one disc goes flying towards Warren, he dodges it easily. He stretches his wings and flies up into the air.

“For a minute there I thought you didn’t have any powers.” Warren said as he shot a few metal feathers at her. She used an energy disc as a shield causing the feathers to fall on the ground with a clang.

“I just don’t use them without reason.” She said as she sends a few more discs at Warren. He avoided them with ease as the discs blast onto the metal walls of the danger room.

“Fair enough.” He said as he swooped down to grab her. Y/N struggled in his arms as he lifts her up into the air. Her energy discs circled around them ready to strike at her command. “I’m just going to get straight to point. Do you not like me?”

Y/N was caught off guard by Warren’s sudden question and loses control of her energy discs. The purple discs burst in midair like fireworks. Warren was blinded by the sudden burst of light and accidentally drops Y/N. In her panic, Y/N materializes her energy discs to catch her. However one stray disc hit Warren’s chest causing him to send a few metal feathers flying towards Y/N. Warren falls to the ground as Y/N quickly used her discs as a shield but one feather still hits her. She screams in pain as the feather cuts her arm.

“Shit.” Warren said as he stood up and ran towards her. “I’m sorry. I didn’t mean to hurt you.”

“I know.” Y/N said as she winced in pain from the cut on her arm. The door opened as Hank and Raven rushed inside the danger room to check on the two students.

“Are you both alright?” Raven asked as she knelt down next to Y/N, inspecting her cut.

“Y-yeah. It’s just a cut. I’m sorry. It’s my fault. I lost control of my energy discs.” Y/N said as she held onto her bleeding arm.

“What about you?” Hank looks over to Warren. He nods as he wrapped an arm around where he got hit. “I’m taking these two to my lab for first aid.”

Before Hank could get to work on treating Y/N’s cut, Peter came into the room and said that Hank was needed back in the danger room as another student from their class hit the control panels and caused the room to go crazy. He looks over to Y/N and Warren.

“It’s okay, I got this.” Warren said as he grabbed the first aid kit from Hank who nods and rushes out of the room with Peter.

Warren opened the first aid kid and took out some gauze pads and a few other things. He pats the table telling Y/N to sit. He went to work on cleaning the blood off of Y/N’s arm.

“This is going to hurt a bit.” Warren said as he took a sterilized needle to suture Y/N’s cut. She winced in pain as Warren continued to close up her wound.

“God. That wasn’t even a bit. It hurt a lot.” She said as Warren wrapped her arm in gauze. “Where’d you learn to do that?”

“I treated my own cuts when I was in cage fighting. Nobody really tried to patch us mutants up when we were trapped there. I honestly feel sorry for the mutants I beat up, but it was kill or be killed. Learned that the hard way.” He said.

“Oh.” It was the only thing  Y/N said, even if she wanted to comfort him so badly, tell him that he’s safe here.

“That’s why it was so easy for me to join Apocalypse before. I hated what those humans forced me to do, I hated what they did to me. But jokes on me, that bastard used me and turned me into this monster.” He said as his fingers traced over the tattoos on his face.

“Oh, Warren.” She said feeling bad for him. She wanted to wrap her arms around him so badly.

“I’m sorry.” He said. Scratching the back of his neck “You must really hate me now, huh?”

“It wasn’t your fault.” She said swinging her legs that were dangling from the table. “and I don’t hate you, Warren.”

“You don’t?” Warren looked at her with an eyebrow raised.

“No.”

“Then why don’t you talk to me? Every time I try to talk to you, you reply in short sentences and run off. I just assumed you just don’t like me.” He said as he leaned on the table.

“Quite the opposite really.” She said looking at the ground in an attempt to conceal the blush forming on her cheeks.

“What?” Warren snaps his head to look Y/N.

“You see, I’ve had a crush on you since you came into the mansion. I just get nervous when I’m around you.” She said still looking down. Warren grabs her chin and lifts her head to make her look at him.

“Well that’s a relief, because I feel the same way.” He said with a smirk. “Can I kiss you?”

Y/N nods and Warren closes the gap between them. She wraps her arms around his neck as he pulls her onto his lap. His hands find their way to her hips and holds her closer to him. When they break apart Warren leans his forehead against hers. For the first time since he came into the mansion, she sees Warren with a goofy grin on his face. She stared lovingly at him, lost in her thoughts about how she was the luckiest girl right now.

“What?” He asked her as he stared into her eyes. He noticed the way they sparkled under this light.

“Nothing.” She smiled and placed a chaste kiss on his lips. “Thanks for taking care of me.”

[bluescreening]

Practical GCSE Advice

Tips From A New Year 12 Who Somehow Got All 9s

Don’t worry, I’m not becoming a studyblr. I’m writing this on results day as a sort of farewell to GCSEs and to impart some “wisdom” upon the youngsters before I move on to A-levels. I’m going to keep this to specific, practical things you can do to improve, none of that vague nonsense. Subject-specific tips for maths, geography, triple science, language, literature, graphic comms and comp sci under the fold because this is too bloody long already.

General Tips:

Don’t go revision crazy. People will always emphasize revision, but so long as you’re revising effectively (see below) you’re safe to start revising about a month before mocks, and two months before your final exams. In terms of a revision schedule during those months, I worked with one or two hours per day, with a free day on Friday and Sunday. 

Use apps to stay organised. Put your school timetable and exam dates in your calendar of choice with appropriate reminders and colour coding. To keep track of homework and revision, use Adapt - you can put in your GCSEs and it tracks which topics you have covered and how many times, as well as allowing you to input homework and your school timetable. During study time use Forest (free on Android) to lock yourself out of your phone for a certain amount of time.

Pay attention to lessons from the start. From the beginning of Year 10 every lesson is a GCSE lesson, and everything you learn could come up in an exam. Follow along with your teacher, make the best notes you can, do the work and understand the concepts as early as you can. You’ll thank yourself in a year as you watch the rest of your class wonder what a ribosome is when revision time comes.

Revise effectively. Use Adapt or a textbook to keep track of your confidence level on every topic, so when you’re revising you can focus on the ones you don’t understand whatsoever. Also, don’t just read stuff when revising. You have to train your brain to retrieve the information. Memorise vocabulary and basic facts using flashcards, then answer exam questions. Lots and lots of exam questions.

Use your teachers. They want you to succeed because it reflects well on them! If you don’t understand something after a lesson, pop back at break or lunch, or shoot them an email and they will help. Don’t just bank on it not showing up in the test because Sod’s Law dictates that it will. After Christmas in Year 11 they will often start revision sessions or intervention. Attend them for any subjects you’re even slightly shaky on. They’ll boost your grade like nothing else, even if it does take up some of your chill out time.

Buy textbooks and study materials through school. If your school offers you textbooks and workbooks it’s likely that will be the best deal for them, since they’re purchased in bulk. Grab all you can in Year 10 and talk to the school if you can’t afford many - they may be willing to help. If you know any higher-level teachers see if they have any sample study materials from CGP and the like. My English teacher gave me a lovely set of sample CGP Macbeth flashcards that would have proved really useful.

Make flashcards at the end of every topic. Stay on top of them. You want a term on one side and a definition on the other, or a quote and analysis etc. If you don’t like endless bits of card floating around use Quizlet - you might not even need to make them yourself as many people have shared GCSE flashcards there.

And finally - don’t forget you’re a human! Humans need regular sleep, healthy food including breakfasts, hydration, fun and social time. Make time in your day to take care of yourself. Your brain works better when you’re healthy so often an extra hour of sleep will do more for your grade than an extra hour of revision. Hanging out with your friends and keeping up with your hobbies reduces stress. 

Feel free to ask me any questions you may have about any of this stuff, or if you just need advice I’m here too! I’ve done it before, I can help you out.

Subject Specific Tips:

Edexcel Maths:

Use CorbettMaths. All the time. If you haven’t done every one of his worksheets at least once you’re not grinding hard enough. Jk, but seriously this guy used to teach me in real life and he’s awesome. He makes flashcard packs, videos on every aspect of GCSE maths, daily challenges, textbook exercises, practice exam questions... literally everything you could ever need.

Practice everything until you’re sick of it, and then do ten more questions.

You’ll need to memorise some trig identities. Don’t memorise them as a table, that’s hard. Memorise them as these triangles, sketch them out in an exam and work it out on the spot. Easy.

AQA Geography:

Don’t goof off during your fieldwork. Don’t make the same mistake as me. If I ever had to do the fieldwork paper I would not have got a 9. Even though it’s a field trip, even though you’re with your friends, this will directly impact your GCSEs and you need to treat it like an exam.

Memorise vocabulary then move onto exam questions. Geography is very formulaic and exam questions repeat themselves - take advantage of that.

Memorise. Your. Case. Studies.

AQA Biology, Chemistry and Physics:

A l l  h a i l  f r e e s c i e n c e l e s s o n s .

Practice those reading comprehension questions where you’re presented with information and have to answer questions about them. A surprising amount of people get overwhelmed because they haven’t revised it. You can’t! You have to read and understand it within the exam.

Memorise your bloody equations for physics or you will fail. Use Quizlet, learn them all by the end of year 10 even if you don’t know what they’re about yet, practice using them.

Buy the CGP workbooks and complete them! Make sure to buy the answers too, because CGP are scammers.

AQA English Language and Literature:

Identify 10-20 brief quotes from each piece of literature so you have a few for each character and theme. They can overlap! Also, memorise the author’s intentions for each one. With poems (for those of you who have to do them... I’m not salty, I promise) ask your teacher to recommend 5 that match up with the most themes and memorise 3 quotes from each. Remember to analyse the rest of the poems too - any of them could come up so it’s good to have an understanding.

Memorise structures for every question. The examiners will tell you not to use structures. Shut up, I got all 9s. Structures are the best way for slow writers to ensure they get everything they need to in. TETAAC (topic, evidence, terminology, analysis, alternative interpretation, context) works for lit essays and can be modified for every other question. Work out how many paragraphs you can write in 40 minutes and take that into account when planning. Once the plan is done it’s just a matter of making it sound frilly. English: hacked. My normal plan for a lit essay is a one-sentence thesis statement for an intro, 3xTETAAC paragraphs and a conclusion which reiterates everything but better.

Don’t worry if your grade is terrifyingly low to begin with. That’s just how English rolls. You’ll slowly develop the skills you need and start to make 3 or 4 grades of progress throughout year 11.

OCR Art and Design - Graphic Communication:

Think long and hard about whether you want to do graphics or fine art, if your school offers both. Graphics is designing logos, fine art is whatever you want. I should have taken fine art in retrospect.

Make as much work as possible from the very start, even if you haven’t decided on your portfolio project yet. Everything, and I mean everything, can be shoehorned. If you make a lot of work you have some leeway and can leave out your early stuff so your overall portfolio looks better.

Annotate as you go and store all your thoughts digitally. Even if you have no clue what you’re supposed to write in annotations, put down your thought process. It’s easy to tidy up something you wrote a year ago, but it’s really hard to stare at a letter F made out of newspaper and remember where on earth you were going with it.

To make enough work you will need to stay after school often and give up a lot of lunch times. That’s just how it goes. At least with the right crew it can be fun - the combo of my friends and the very chaotic art teachers at my school made my Thursday graphics sessions something to look forward to.

OCR Computer Science:

Use Quizlet flashcards to memorise terms. Being able to correctly define terms is half the battle, literally. You’ll basically get an instant 9 on the first paper if you memorise every term defined in the textbook. Luckily, someone beautiful and generous by the name of sporkified (wink wink) on Quizlet has created two sets with everything you need to know for the entire qualification.

Practice programming in your chosen language before your programming project starts. Learn to do everything mentioned in the textbook and try it out on a sample project. Many will tell you to not bother about the programming project, it doesn’t matter. That’s true to some extent, but excelling in the programming project can tip you up a grade as well as making the algorithm questions on paper 2 easier for you.

Take part in Cyber Discovery. Give it a Google, sign up. It’s really hard if you have no practical computer experience but doing it gave me a real edge with paper 2 which is where you want to focus your energy as it’s weighted more. Also it’s fun.

[ninjaslegos]

For her clothing you could make the Accessoires in those colours or search Up a specific theme/Core (example Dark Academia) If you Need Inspiration for the clothes.And would you mind Sharing Info about your oc?:0 she Looks already pretty cool

I didn't think anyone would love her this much I-

I know what I want two of her outfits to be; one is a dress they wear on special occasions, like when they go to the fangblade competition to cheer on their 'dad'. The other is their 'concealed' outfit I mentioned, which looks cool in my head, I just need to get it on paper. I'm thinking they wear a lot of warmer clothes since they're in the sky for a long time, (the monastery in the mountains, The Bounty, riding dragons, etc.) I actually really like the jean shorts and leggings style so I at least know what they'll wear for pants.

Infodump below :)

(warning, IMMEDIATE death mention)

Anya comes to Ninjago after trying to run from home; she slips on ice, falls down a hill, and crashes into a tree, where she essentially bleeds out/freezes to death. They wake up just outside Jamanakai village and feel cold and confused, so they seek refuge in the village. However, upon seeing all these tall, crayon-yellow people, she freaks out, and they freak out, calling her one of Garmadon's goons and attacking her. They drive her under an overturned wheelbarrow, where she hides out until the ninja arrive. Scared, injured, cold, hungry, and confused, they nearly die of heart attack when four very tall men come to beat her up. She acts like a feral cat; growling and hissing, and bares her teeth, curling herself up and pressing far away from them as she can.

As the brave one, Cole treats her like a cat and holds his hand out. Very tempted to bite and run, she's panting heavily, and her eyes are darting around. Instead, Zane warns Cole not to touch her without talking first, so he tells her it's okay, that she's safe, and that she can come with them. Jay is freaking out about aliens in the meanwhile, which doesn't put Anya at ease, so Kai has to walk him away from the situation.

So Zane and Cole get her to calm down, feed her, tend to her wounds, then she goes into hiding again. She just becomes this little creature they have that they put food out for and leave alone while she hides somewhere; they can't find her when she's hiding, thus they can't kick her out. Besides, they know she has nowhere to go. After a week of this, Cole gets brave again and starts hanging around her food areas until she feel comfortable near him to eat beside him, and he can even pet her hair/rub her back.

He does this until one day she just goes "oh by the way my name is Anya." and the ninja freak. They thought she was some sort of animal from another planet and couldn't talk, so they apologize and formally invite her to live with them. They start treating her more humanly, and she's grateful for it. After being treated like some sort of thing to awe at and pity on Earth, she's finally glad to have people actually listen to her.

Her relationship with Cole becomes a father/daughter one. Zane is like her trusted friend/the cool uncle. Kai starts to form a smallish crush on her, but they're clueless as hell, and Cole is ready to throw hands with him. Jay is still really wigged out about the whole situation, but after they talk about it, he feels better about having them around.

Anya turns into a fighter who wears special gauntlets with spikes on them. Because of her power of Will, she can't really die because she genuinely believes she can't die here because she has cool alien powers. So she uses this deathless ability to beat the shit out of people until she is unable to fight anymore. Examples include trying to deck Garmadon in the face despite being half his height, threatening the Great Devourer (which was stupid on their half because if they were eaten the Devourer would've become a literal god), kicking Clouse in the shins for shits and giggles, and eating random things in Prime Empire which made both her AND Unagami sick.

In later seasons, they go on the mission to stop Garmadon to revive the Grundle and turn young, but they get returned back to normal because they get hit with the tomorrow tea. But when Garmadon goes back in time with the other ninja and mess up the timeline, it turns out in the other timeline Kai didn't like her (because in this timeline, she ended up showing up early, so he blamed the loss of Nya on her) so he made her stay behind when they went to the comic shop, so she loses her adult memory and is stuck as a kid and has to grow up again. This makes Lloyd jealous that 'oh she gets a second childhood while I had to grow up too soon'. This plays a big big role in season 4 (where things get worse) and season 5 (where Morro takes her along and Lloyd can see how much she is hurt because of her second life, and finally gets over his feelings about it.)

SPEAKING of Morro, when they didn't know who the Green Ninja was, she trained like crazy because she wanted to prove that she could be strong, and could be worthy of being the Green Ninja. This set off a lot of red flags for Wu and he felt bad knowing they might go down the same path as Morro, but he couldn't do anything because he didn't know what to do to get her to calm down and stop without upsetting her. Luckily things went okay,

Also in season 5, Morro possesses her, which upset her and sent her emotions spiraling so hard that she actually became a big slime creature, but the ninja help her out by singing to her. She calms down, before attacking the Preeminent. Before Morro leaves her body though, she eats the Preeminent, which causes her to transform into a giant monster who, when they eat people, sends them to a peaceful dimension full of food and houses and places to play. People can stay there if things are looking Bad in Ninjago, before they can return home if they're ready (for example, during season 9/10, she contains people in her dimension, then they can escape through her mouth again. They run off because they're scared, and no one sees them for a long time. In season 6, Nya and Jay saw her in the tower with Echo, who has named her Hero. The ninja feel devastated to find this out, so once they go back in time, they make an excuse to find Anya/Hero. She's not there though, because she remembered, and she was scared.

In season 9 though, just before Harumi is killed/crushed, Hero barrels into the rock creature and battles with it. She isn't as scared as she was anymore, and when Cole comes back, he manages to finally calm her down, and she reverts to a human form.

(For those who don't want to read all of it she is full of love AND trauma and was definitely the weird kid who was way into bugs and pretended to be a cat in elementary school)

That's really all for now...but I definitely feel inspired for outfits now! Thank you!!

[sluttyopinions]

The Blunt Reality of Attack on Titan

August 4, 2020

Written by Samantha, Slutty Opinions

OPENING

People usually tend to associate anime and manga with being crazy over the top action packed experiences. Attack on Titan is a series full of exactly that. It’s a hugely popular franchise known for having insanely cool action and bombastic music. People flying around doing impossible feats and fighting fantastical enemies that are larger than life are common. Despite all this flash and excitement, the series never lets you forget the harsh reality of the world itself in a unique way, effectively separating it from many of its peers.

This grim reality is basically used to beat the audience over the head over and over, at times too liberally and too often as some would argue. I personally think how the original author of the manga that started it all, Hajime Isayama, entwines every aspect of his story with cynicism and grimness is one of the major reasons why I love the series, and I’m willing to bet it’s a big reason for a lot of fans whether they know it or not. Before I get into the details, I will say that I won’t be putting in any real spoilers of either the manga or the anime so if you’re just curious about what I may have to say, you can keep going. I’d also like to mention that I am more of a recent fan, but still a big one. I’ve seen the entire anime and have been trying to catch up on the source material, so my knowledge and opinions will be limited to that amount of content.

THE TITANS

For anyone unaware of the basic premise of Attack on Titan, the last remnant of the human race has been trapped by huge humanoid beasts in an expansive settlement surrounded by walls. It is humanity’s job to fight off these mindless monsters and survive behind the walls. The titans are a large part of what creates the identity of the series. Seems kind of obvious since it’s literally the title and all. The way these titans are integrated into the action and the story of the show is a large part of what prevents Attack on Titan from simply being another generic action series that ends up forgotten as a flavor of the month. It seems like I’m not giving the series enough credit because there is a LOT it does right otherwise such as pacing, story structure, characters, and so on that combine to make an incredible experience that has captivated many. However, I still stand by the idea that the titans help make the franchise feel truly one of a kind.

Everyone who’s ever seen the titans has probably noticed how grotesquely and uncannily they are designed. In the manga, the whole world and the way many things and people are drawn especially all have very creepy vibes to it all. While it would be a huge stretch to claim Attack on Titan is a horror manga, it’s common sense to acknowledge it’s strongly influenced by horror. The absolute sense of uncertainty and powerlessness these monsters present nearly every time they’re on screen is overpowering to both the characters that must deal with them and the audience as well. 

Isayama creates a feeling of dread involving these beasts insanely effectively. Any encounter with them even if it is merely 1 or 2 of them can always lead to sudden death. There is never safety in the presence of the titans even for the most skilled. Their pure size and physical ability is nearly never downplayed. While the humans have their own special weapons and crazy abilities, the titans are hardly ever presented as mere battle fodder or mulch. Titans happen to be very good at killing people and the delivery of it all makes it feel believable. Keeping the antagonists intimidating and serious is very important for the overall feeling of Attack on Titan. 

At times it can even feel like too much. The idea of any character dropping dead at any time can be very discouraging when you’re trying to get invested in a cast or just getting started. Sure that amount of pure “edge” in itself is appealing to a lot of people, but edge without purpose or substance makes for very bad entertainment in my eyes. It’s honestly in fact one of my pet peeves. I did not expect to like Attack on Titan for a long time due to this reputation it had for being brutal and random. Just not my style. When I actually gave it a shot however, I realized the writing is a lot more purposeful and I’d even say forgiving than I expected. While at times being an emotionally exhausting experience and definitely pessimistic in many ways, this series treats the terrible events that occur left and right with proper gravity and maturity.

THE NATURE OF WAR

Attack on Titan has a lot to say about a variety of subjects. It’s honestly much more subtle and intelligent than I even thought with my initial blind viewing of the anime. Reading the manga through the same events really gave me an appreciation for the thought and detail that goes into Isayama’s writing. The most obvious subject he focuses on is something that is probably less than subtle however and can be spotted quickly by anyone who has seen or read even a bit of the series. 

That subject happens to be the horrors of war. On the surface the story seems to be just a simple story of man vs beast and it wouldn’t make much sense for it to have anything to say about war. While the circumstances involved are very fantasy-themed and at times ridiculous, it still at its heart is a narrative about war and how humans cope with it, both those on the front lines and those who watch from afar. 

The grim and serious nature of the series is the way it is directly thanks to that theme. If life wasn’t always at risk, if it wasn’t treated as fragile, if death wasn’t respected and dwelled on and treated with the utmost permanence and seriousness, this theme would not work the way it does. Anything less runs the risk of just looking like glorification while merely saying the opposite. Admittedly there’s a lot of people who still somehow think Attack on Titan glorifies war but that’s a whole other subject. A very impactful and relevant part of the story is one early on where humanity wins a huge battle, yet no one bothers to celebrate merely because the overwhelming weight of the dead hangs heavier than any related relief ever could. This kind of grim and depressing, yet honest storytelling about war is very common throughout the plot.

What it means to be a soldier, the intricate overlap of society, media, government, and economics on war, the will and the reason to fight, the sanctity of human life and the nature of sacrifice and finding meaning in meaningless and constant death are all discussed often and in detail in Attack on Titan and the grim realness of everything that happens in the story and the overall feeling of being unsafe it conveys are deeply important to allowing these themes and discussions to work as well as they do.

PHILOSOPHY AND PSYCHOLOGY

The last major aspect of the story that I think benefits greatly from the unrestrained reality and brutality of the series is the very unique philosophy and psychology that Isayama presents. Most of the points and lessons the characters learn through the story are not pleasant ones. Everything the characters go through and the utter bleakness of Attack on Titan’s world shapes everyone’s worldviews. People take small steps and make concessions to have hope in this world. Optimism is present plenty, but the way the characters experience optimism is still rife with sacrifice and harsh undeniable truths. 

This very unique perspective compared to a lot of similar media is refreshing in its own way and kept me questioning what I knew. You couldn’t often easily predict the conclusions characters would come to because they are not what you may have come to expect from other media. One major character, Erwin Smith, is a great example of the kind of ideas Attack on Titan will throw around. His character is labeled as a demon by some, but a hero by the same people as well. The necessity of pain and sacrifice underlies all progress and achievement and he knows it and so do many others, even if it’s hard to accept. Having to create guidelines bound by the rules and expectations of reality only makes them that much more applicable to real life and real war. 

Despite all this, the series never feels outright preachy. Characters dwelling on the meaning of what’s happening to them is specific to which character and which circumstances. It doesn’t feel nearly like the author is writing an essay about the way things are or should be while using characters as mouthpieces and more just people in a hard situation trying to make meaning out of the meaningless suffering around them. Agreeing or disagreeing with any point as a reader or viewer isn’t portrayed as wrong in any case it’s more a vehicle for thought as well as phenomenal character building.  Like real war, none of the questions presented have a genuine correct answer. The character Levi himself at some point in the story even admits that as a veteran in battle, he can never be truly sure of his choices.

CLOSING THOUGHTS

The amount of respect and purpose Attack on Titan treats its frequent suffering with is key to the experience as a whole. While a series with just good writing all around and good reasons for its fame, something that in my opinion makes it feel like something special and something that captivated me is the overall gravity of the story. Without being effective at intensity and discomfort as well as in dealing with said discomfort, the story just wouldn’t feel real. And if it doesn’t feel real, it won’t feel like it matters. This series matters quite a lot to myself and many others and I hope this is at least a glimpse as to why.

[tirorah]

In ‘Shizuka, Come In!’ Everyone Still Has Much to Learn

That’s right, kids, it’s that time of the week again! I’m back with yet another Strike Witches rant!

This week we had the Shizuka episode, or at least, that’s what the episode’s title led me to believe. But interestingly, this wasn’t totally a Shizuka spotlight. Although it did show us how far she’s come, it also hammers home one of the central themes of Road to Berlin: everyone has flaws, and they need to overcome them to win the day.

The Hattori Dilemma

I’ve had mixed feelings about Shizuka so far. When she was first properly introduced, her hero-worship of Yoshika was understandable but grating. Thankfully, that only lasted for one episode, and she became a nice support character thereafter. Through her, we’ve also gotten a bit of an outsider’s perspective of how the 501st behaves, showing us how much their lofty reputation can deviate from reality. But I wouldn’t say she’s filled any particular roles that couldn’t be handled by one of the other members of the cast. The fact this has come at the cost of so much potential Lynne screen time is a bit disappointing.

When I went into this episode, the above was the number one thing I hoped to see resolved, or at least somewhat alleviated: giving Shizuka a clear role that would justify adding her to a roster of 11 already-developed characters.

Did this episode do that?

No. But I don’t think that was the intention either.

Shizuka Is a Great Soldier

Although this episode wasn’t all-out combat, owing to the setbacks the cast faced, this was definitely the start of a three-part finale. And I think we’re going to see more of Shizuka in the rest of it, all the way up to the ending. Plus, there’s still the matter of what her special magical ability is (if she has one; it might be cool if she didn’t), and this episode seemed more about showing us how much she’s improved since joining the 501st.

In particular, I really enjoyed how much Shizuka valued communication. She’s good at following orders and protocols, and she showed that here: constantly communicating with Minna whenever needed, and holding her own in the meantime. In fact, Minna implicitly trusts her to do well, as when Shizuka reports she’s fighting a new Neuroi solo, Minna doesn’t sound all that concerned. She doesn’t immediately send someone over to help, either (although Shirley did show up to catch her later.)

Did you notice the pool of blood is bigger later on? RtB has been so good at these little details.

Shizuka did everything right, and others even comment on how much she’s improved. But her strong suit is also her glaring flaw: she’s stiff and is incapable of thinking on the fly at times, making her less adaptable in the heat of combat. This is most clearly seen when she realizes the Neuroi’s core isn’t where it was last time; shocked and flat-footed, she stops moving around, and it’s in that moment that the Neuroi’s drones surround her and self-destruct, wounding her. This stiffness also stems from her inexperience; as she matures, she’ll likely learn to adapt to rapidly changing battlefield conditions. And she’ll probably loosen up a bit like Trude has.

This comparison to Trude isn’t accidental: in the Movie, she was introduced as an inexperienced Trude knock-off at first, and in the tail-end of this episode, their similarities are on display once again. As Shizuka sees what’s happened to Yoshika, despite having done everything perfectly fine, she blames herself for her friend’s condition. Yes, her injury did put everyone else in a very tight spot, but there was nothing she could’ve done better. There’s also the factor of her self-confidence; while she’s improved in this regard, there are still moments in this episode where she feels useless—lesser—compared to her more experienced colleagues.

And Shizuka isn’t the only one whose flaws were shown this episode. Episode 10 was, surprisingly, more of an ensemble work than previous episodes; Yoshika, Minna, Trude and Shirley were all given some time in the limelight.

Yoshika Is a Terrible Soldier

Let’s start with Yoshika, because oh boy, she was flawed as all hell. Longtime viewers of Strike Witches will already know that Yoshika isn’t much of a soldier. She starts out as a pacifist, and only takes up the gun when she realizes she can use her power to protect others. Protecting people is so ingrained into her psyche that it’s the very foundation of almost everything she does in this show, and nowhere is this as apparent as here.

This means that although she’s a sweet girl who will happily follow orders, she also disregards those orders the moment it conflicts with her desire to protect people. This trait ebbs and flows throughout the episode: at first, she does her bit for the plan, but when things go tits-up and she’s ordered to retreat fully, the lives lost around her push her to defying her orders. Shizuka manages to placate her by saying she’ll fight in Yoshika’s stead, and Yoshika does end up doing as she’s told; a fact that has Lucchini and Shirley ribbing them, stating that’s the biggest headline of all.

Ah, but then in come Patton and Bradley, and when they find out what’s wrong with Yoshika, they tell her not to use any magic until they go for another attack on the Hive. Before Yoshika can respond to this, a Neuroi appears to attack their facilities in Kiel.

When the need is this great, Yoshika ends up undermining her earlier character growth and runs off to the hangar before Minna or anyone else can even get a word in. She remains adamant when Minna stops her; it’s only Mio’s stinging reprimand, saying she should trust in her comrades, that makes her relent.

You say this, Minna, but it didn’t do much good in the end, did it? Also, another good Commander moment for Minna.

Keep in mind: this relapse of sorts may be frustrating for us as viewers (it did annoy me a little), but it’s all part of the struggle to become a more balanced person. Whether Yoshika will move past this compulsion is hard to judge at this point, but setbacks are also a natural part of progressing as a person.

Finally, when Shizuka is wounded and the others are struggling to stop the bomber Neuroi from crashing into Kiel, Yoshika decides to use her amazing shield to save everyone. Unlike the previous situation, this action is at least justified: Kiel is important for the operation, and had it been wiped out, Operation Southwind would be back at square one and many people would’ve died, including high-ranking personnel.

Her condition is unknown by the end of the episode, leaving us to wonder if she’s finally pushed herself too far again. I suspect the ramifications of this ending won’t be fully felt until the show’s final episode, at which point Yoshika may pull another deus ex machina and fly once again. (I think there’s still one shot of the first PV left unused, where she’s alone in a hangar and she says she wants to protect people.)

Minna Is a Great Commander

Yay, Minna got more to do! She actually gets to fight again, and she also gets to lead the 501st into battle, meaning we were finally shown some more of her leadership abilities in the field. She keeps a cool head, and this time suspects the trap before it’s sprung. She also has to rein in Trude a little this time around. Best of all, she somehow finds the time to give Shizuka some pointers even though they weren’t fighting alongside each other. It’s this grasp of the bigger picture where Minna performs better than anyone else.

But Minna is still incredibly protective of her girls, so when Shizuka’s out cold and they seem to be in an unwinnable situation, Minna gets a bit crazy again and flies at the Neuroi to slow its descent with her shield. This, at least, is born purely out of compassion; she wants to give the others more time to rescue Shizuka. But it is a loss of self-control in a way, not a good look for the person who’s supposed to keep everything under control.

Trude Is Put on the Back Foot

It was interesting to see Trude in this episode. She seemed her usual, level-headed RtB self…right up to the moment things started going wrong. Even though the Wall-type Neuroi have drastically altered the situation—making it clear the Neuroi were prepared to deal with them—she disregards Minna’s warnings and dives at the core. And when the retreat is ordered, she makes it obvious she’s unwilling to leave. Fortunately, for her sake, Minna hits back with this:

Trude does follow orders again after that, but these are curious lapses in her self-control that we haven’t seen for quite a few episodes. And now that Trude is officially the second-in-command of the Wing, such errors in judgement potentially spell disaster for the very people she wants to keep safe.

She indirectly faces a similar challenge later in the episode: when Shizuka is stranded and unresponsive, everyone tries to save her, only for the Neuroi to crowd its explosive drones around her prone body. Trude and the others stop short, and as Shirley asks her for orders, it becomes clear that she has none to give. She doesn’t know what to do. At least she doesn’t lose her cool, which is a small victory.

To contrast her actions earlier in the episode, when the Neuroi starts descending toward Kiel, Trude’s role shifts from attack to support. It’s very fitting that when Minna attempts to slow down the Neuroi to save Shizuka, Trude first once again calls her an idiot—and then goes in to help her anyway, because damn it Minna, you can’t do it by yourself. The two of them, plus Erica, go completely on the defensive, trusting in the others to save Shizuka.

Shirley Is Overconfident

Shirley had a very interesting role this time around. Early on, everything seems to be going smoothly and she gets quite cocky, even saying they might not need Yoshika at all. But she does change her mind once things start going awry; she’s obviously matured a fair bit since the early days, and in this episode, she’s very responsible and quickly feels like things have become dicey.

There are also a few moments where she’s supportive of the others, like telling Yoshika they’re almost in firing range and she just needs to hold on a bit longer, or telling Shizuka she did well and kicked lots of Neuroi ass. This is important, as Shirley technically has a responsibility for many of her younger comrades. But instead of Minna’s nurturing, motherly attitude, or Trude’s mix of tough love and gentle attentiveness, Shirley is the fun big sister who tells the best stories during parties. You need all three.

She also saves Shizuka’s life twice, first when Shizuka faints after defeating the bomber Neuroi solo, and later, when Shizuka is stranded on the Neuroi with a wounded leg. That second rescue is especially nice to see: Shirley zipping between Neuroi mines and grabbing Shizuka’s hand so precisely at that speed; it’s quite impressive! It also rewards the trust Minna and Trude placed in their subordinates (who would then, technically, be under Shirley’s command) to find a way to save their friend while the Karlslanders bought them time. Shizuka’s rescue is a nice team effort, spearheaded by the woman who used to be far more concerned with her own dreams instead of being a responsible figure.

Patton Is a Goddamn Idiot

I would not at all be sorry if he got blasted into space by a Neuroi beam.

What, you thought there’d be more here? Nope. The man is so flawed he wraps right back around to a void of nothingness.

More Importantly, There’s Also Something Fishy Going On

At least Patton and Bradley had some narrative weight in this episode, though, first with the reveal of Yoshika’s old prototype Striker, and then…with this:

For the first time in the season, we see hints of the military being dumbasses by holding onto some sort of secret weapon. Ah, Strike Witches traditions, what wonderful things they are. Anyway, the weapon seems to be some sort of huge tank with two frontal cannons. (Other commenters think it’s this thing, and I believe them.)

Either way, they seem to highly regard this thing as some sort of trump card, and Bradley also had this bizarre line:

…Luck?! I’m pretty sure that’s not how commanding works. If it did, I’d be much better at strategy games.

To me, their dialogue about the secret weapon seems to indicate they have some sort of ulterior motive. But they don’t seem to dislike Witches like Maloney did; it’s more like they’re using them as tools, ready to discard them when they think Witches are no longer needed to achieve victory. That was obvious when, after two tense episodes of retaking Kiel, the military just rolled past the Karlsland Trio with a cheery “Hey, good job! We’re going to go and retake Berlin now, choo choo!” They didn’t even inform Minna and co. of that before their arrival.

There’s also this little fact that Trude—of all people—points out:

Because Operation Southwind has faced delays and the like, the military’s apparently decided to keep the public unaware of their struggles. Instead, the newspapers paint a rosy immediate future, even though they failed in their objectives.

I’d also like to point out that this tidbit, while not followed up on in this episode, was impressive to see mentioned. War propaganda is a real thing—we’ve seen some examples of it in headlines before, such as when Shirley was reading the paper in Episode 4—and it makes perfect sense that the narrative’s been twisted like this to keep people calm. Minna doesn’t show much of her personal feelings on the matter, but while Trude doesn’t show any anger, it’s clear she’s not a fan. I really hope this gets some payoff later, and RtB’s track record gives me confidence it will.

But yeah, all this secrecy and stuff is a bit suspicious. I can’t put my finger on it.

…Or maybe I’m overthinking this. Maybe the military’s higher-ups aren’t as bad this time around. After all, Mio was witness to the whole thing with the secret weapon.

…

Oh shit, Mio!

O Mio, Mio, wherefore art thou Mio?

Considering we heard her in the preview, I was 100% expecting Mio to have a big role in this episode. Except…she didn’t? She barely did anything important. I was very thankful when she told off Yoshika, as Yoshika’s flaw was getting out of control, but she didn’t do much else of note, mostly serving as a link between scenes or conveniently broadcasting Shizuka’s injury just before the chaff cuts off communications.

Heck, she didn’t even have any dialogue with Minna! I was fully prepared to roll my eyes at their drama-filled shipbaiting (wholly different from Minna and Trude’s drama-filled shipbaiting, of course), but no, nothing.

I assume she’ll still have a role to play in things to come. That plane of hers has been teased all season, and in an earlier post I alluded to a way she might be able to fly into combat with it. Well, we’re almost at the end, so I might as well tell you my theory:

I think this has been set up as far back as Episode 2. In that one, we found out some sort of anti-Neuroi technology has been invented. It can be incorporated into an object (like that ship) and it will give that object a certain degree of resistance to Neuroi beams.

It seems to show up as red dots in the material itself, whenever a beam hits it. This shielding isn’t infinite, but it did allow the Doge to survive several otherwise fatal hits. With this technology, as well as the maneuverability of a fighter plane and Mio’s experience and skills, she could be capable of contributing somehow.

Road to Berlin

Is the title of episode 11, which is intriguing. Usually, namedropping the title is reserved for final episodes, or very special ones. As we know, the ‘Road’ is the personal challenges and setbacks the cast must overcome along the way. With some of their flaws built up in this episode, it seems natural for episode 11 to continue this theme, as the final offensive on Berlin begins, Patton and Bradley reveal their weapon (which I assume will backfire in some way), and we’re treated to an ominous shot of Mio watching over a bedridden Shizuka. Will Yoshika and Shizuka recover? Will Mio finally fly into combat?

Interestingly, the preview doesn’t have Mio’s voice in it at all, which makes me wonder how big her role is going to be. Instead, it’s Minna, Erica and Trude we hear, signaling we may have more Karlsland Trio goodness coming our way. I know which I prefer, but I do hope Mio gets one awesome scene all for her, so that Mio fans who’ve been waiting for her return all season won’t be left disappointed.

[paladinwife]

ya didnt have to call me out like that man- GSHSGSJKJGJ but uh all 50 for goober :> (beatrice-santello)

@beatrice-santello​ @of-saints-and-demons​ oh god here comes Goober

1. Does your F/O have a birthmark? (or any type of freckles or beauty marks?)

None that are visible! She might have some on her body under the clothes, but none that we know about in canon. I headcanon that she has a couple of moles on her torso.

2. Is your F/O the type to volunteer to their community? 

Judging by her past, which she spent fighting to protect her community, she does in her own way. She’d probably keep doing it as well, were she not trapped as an AI in the Corporation.

3. Does your F/O the type to be giving or to take?

Ignoring what I thought this question meant as first she’s more selfless than you’d think. There’s a reason she’s kind of a hero figure in the Back Streets. Even now, her anger is over the dangerousness of the anomalies and her inability to protect people. I’d say she’s more of a giving person.

4. Does your F/O have any battle scars?

There’s a couple very visible on her face. Most likely there’s some on her body as well that you just can’t see because of the bodysuit.

5. Does your F/O wear make up? (Do you think they would be open to wearing makeup if they don’t wear it daily?) 

I don’t think she does, mostly because she sees it as a waste of time. The fact that she’d look great is beside the point.

6. Has your F/O ever dye their hair or worn a wig?

She hasn’t. She probably sees that as a waste of time too, but her natural hair is gorgeous either way.

7. What is your F/O fashion taste?

Sleek and maybe a bit edgy, with lots of black and red. Especially considering her signature longcoat.

8. How tall is your F/O?

Taaaall. She’s taller than every other sephirah in the game. If she’s not six feet tall, she’s pretty close.

9. What is your F/O’s blood type?

In her present form, she doesn’t have blood. Which is a really ominous statement out of context. Even when she did, I have no idea what her blood type would be.

10. When is your F/O birthday?

She doesn’t have a canon birthday, but I think sometime in late October to early November. She’s probably a Scorpio.

11. Does your F/O know how to cook? If so are they good at it?

She’s an okay cook, I think. She’s not amazing at it, but she can get by.

12. What is your F/O favorite flavor?  (sweet, sour, bitter, salty and umami (savory))

It isn’t listed here, but she probably prefers spicy food over anything else, and I mean very spicy. If she’s not in actual pain, it’s not enough.

13. If your F/O could be a fan of any video game what do you think it would be?

For some reason I like the idea of her just being unfairly good at Smash. She can and will crush you. Her main is probably Ganon or something similar, heavy on offense.

14. What type of aesthetic does you F/O have?

Reeeeed. She has a clear theming color, and I feel like her aesthetic involves it a lot. Red and slightly edgy.

15. What color is your F/O eyes?

They’re a golden color. Sometimes in fanart she’s portrayed as heterochromatic because of her damaged eye.

16. Does your F/O have any tattoos? If not do they like or hate the concept of tattoos? 

She doesn’t have any in canon, but I feel like she could get behind the idea. She’d probably get something in memory of her fallen comrades, as a reminder of what she’s here for and what’s at stake.

17. If you could matching tattoos what would it be?

Hmm, some kind of matching symbol to remind of us everything we’ve been through. Potentially one another’s weapons?

18. Does your F/O have any piercings?

I don’t think she does. She doesn’t hate the aesthetic, but depending on where they are they might be risky in battle, so she might not get any.

19. Is your F/O a cake or pie person?

Oooh, hard. I don’t think she’s crazy about sweets, but she’d prefer pie.

20. Is your F/O a morning or night person?

More of a night owl, I’d say. She’s just used to getting most of her work done at night, and it’s a hard habit to break.

21. Is your F/O a coffee or tea person?

Definitely a coffee person. It’s more readily available at the Corporation, and she prefers the taste. She takes hers black.

22. Is your F/O half empty or half full type of person?

She’s more of a pessimist and can maybe be a bit bitter at times. Hard to blame her, considering everything she’s gone through.

23. Does your F/O have a pet? If not in canon what do you think they would have if given the chance? 

I don’t think she has one in canon, due to the peculiarities of working for the Corporation. In a AU I could see her going for a big dog, or maybe a cat.

24. Is your F/O the type to want to live in the city or live out in the country? 

She’s lived in the city all her life and is used to it, but I don’t think she’d mind the space when it comes to living in the country.

25. Does your F/O like to swim?

I’m not sure she ever has, but (assuming she’s not in robot form) I could see her enjoying it. Helps keep her strong and all.

26. What harry potter house would your F/O be in? (Gryffindor, Hufflepuff, Ravenclaw and Slytherin)

She’s a pretty clear shoe in for Gryffindor, especially considering her past.

27. If your F/O was in “avatar: the last air bender” what type of bender would they be? (air, water, earth, and fire) 

Honestly if her design didn’t already scream firebender, the fiery personality sure does.

28. Is your F/O LGBT+? 

It seems to be a pretty popular idea in the fandom that she’s some kind of wlw. I personally like to see her as bi like me.

29. Does your F/O have any artistic hobbies? (Knitting, drawing, painting, etc)

I don’t think she’s ever tried any, and she’d probably say something about just not being meant for that. Still, I wonder if she’d enjoy it if she ever did get the chance to try. Maybe just as stress relief.

30. What’s a piece of clothing your F/O is never seen without? (glasses, a necklace, hat, etc)

Her design changed as a sephirah, but that long coat she wore before was so iconic. When it comes to accessories though, she tends to keep things light.

31. What type of scent does your F/O remind you of?

Maybe some kind of warm, smokey scent. I mean I know she’s portrayed smoking a lot but maybe some kind of nice bonfire smell?

32. What’s something you see often that has little to no relation to your F/O but always reminds you of them?

She’s never used one in canon, but I could see her appreciating a good knife. Just like swords, which I absolutely do associate with her.

33. Do you have any silly nicknames or pet names for your F/O?

Goober. She probably hates that one. I’m also pretty generous with pet names, which embarrass her if they’re done in front of others, but she kinda likes them when it’s just us.

34. What does your F/O house/apartment look like? (or what do you think it looks like)

I think she’s just fine with a smaller space, just a small apartment is fine. She keeps it pretty organized, not minimalist by any means but she keeps it nice and clean.

35. What season reminds you of your F/O? (winter, spring, summer, fall)

Honestly, fall. Not just because of the colors, but I could see her liking it best.

36. Have you ever had a dream with your F/O in it?

Recently she has started appearing in my dreams. Confusingly Binah (who I’m not considering at all) was also there?

37. Does your F/O play any musical instruments?

I honestly doubt she’s ever had the chance to try, so she has no idea how. Her learning to play a saxophone though, hmm...

38. What’s a song that reminds you of your F/O when you hear?

For her as a character and not in a romantic way, Firestarter by the Prodigy. It definitely has the right heavy feel, and the fire imagery is always good for her.

Also, low key, Together Again by Janet Jackson came on earlier today, and it had me thinking about my ship with her.

39. What is your relationship like with your F/O?

Actually, really close. I’m one of the few people she feels like she can trust, and really she needs me around. I’m the only one she can lean on, and while she knows sometimes she doesn’t know how to handle emotional things, she’ll repay the debt by doing everything she can to protect me.

40. How long have you been with your F/O? (or at least been interested in them?)

I only just added her to the list in the past few days, but I’ve been thinking about her for slightly longer. Still, it hasn’t been very long.

41. Where is your F/O from? (as in born)

She’s from the Back Streets, which is a slum kind of area which is apparently pretty dangerous to live in. I’m also not sure what the city from Lobotomy Corporation is called, but it’s some kind of metropolitan area. 

42. Is your F/O the type to read reviews, or just go with their gut

She definitely goes with her gut, just as a general rule. After all, her gut is all she has.

43. What does your F/O’s Saturdays usually look like?

God, a much needed break. Get some coffee, maybe get a workout in, not have to deal with the bullshit from the Corporation. Maybe have some time with me. (This is, of course, unless she just has to work on Saturdays anyway, but god I want her to have a break.)

44. What is your F/O’s most valuable possession?

It’s probably a memento from her time in the Back Streets. Something small, but she’s still pretty fiercely protective of it. In some ways, it’s a reminder of what she’s lost.

45. What’s a fad you can see your F/O taking part of?

Honestly the thought of her taking part in any fad is really funny. The closest thing I can think of is her trying crossfit or something along those lines (and even then, something tells me she wouldn’t be impressed).

46. does your F/O prefer to work alone or with a team?

You know, I feel like it’s really easy to assume she prefers to work alone, especially with how she acts in game, but I think she misses having a team of people she could really trust. I feel like she likes to work with a team, but it has to be the right team.

47. How well does your F/O know tech? (such as computers, smart phones)

She has some exposure to tech, but mostly in a Corporation setting. So some things she’s pretty used to handling, but others she has no idea what to do with.

48. What’s some advice your F/O would tell you?

My first thought was she would tell me to hold on to what I believe in. I think in many ways she’s ashamed of not being able to protect others and the situation she’s currently in, so that’s what she wants to say the most.

49. What animal reminds you of your F/O?

I know she’s been compared to various kinds of big cats before, but maybe a bear? Like for both the vicious reputation and the protectiveness.

50. What color reminds you of your F/O?

Well, considering how strong the color theming is, it feels wrong to say anything but red.

51. What’s the most interesting fact you know about your F/O?

So we’re limited in how much we know about her in canon, so my fact might be kind of lame. But while she’s usually depicted wielding Mimicry (Nothing There’s weapon), she uses many more than that in her Sephirah Meltdown. They include, from what I remember, weapons from Spider Bud, Burrowing Heaven, Silent Orchestra, Apocalypse Bird, One Sin and Hundreds of Good Deeds, Mountain of Smiling Bodies, King of Greed, and Judgment Bird. In fact, I’m pretty sure she touches on most of the aleph-class weapons. Of those, my favorite one that she wields is Twilight (from Apocalypse Bird).

[aion-rsa]

Best Martial Arts Movies on Amazon Prime Right Now

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Search ‘Martial Arts Movies’ on Amazon Prime and you’ll get over a thousand results ranging from the classics to the campy, to the critically acclaimed. It’s an overwhelming library for the uninitiated and the mother lode for stalwart fans of the genre. There are so many gems buried in Amazon Prime that digging out the favorites is dirty challenging work but extremely rewarding.

When it comes to martial arts, Amazon Prime has a killer Kung Fu collection. The ‘80s were the ‘Golden Era’ of Kung Fu films when Hong Kong film studios cranked out films faster than any grindhouse ever. Many Hong Kong filmmakers put out up to half a dozen films a year, and most have hundreds of credits on IMDb. This glut of Kung Fu films spread to every Chinatown ghetto theater on the planet. And like with horror, American networks broadcasted late night Kung Fu Theater shows because there was so much cheap content available.

Consequently, Amazon Prime’s Kung Fu film selection leans heavily that way, but we’d be remiss if we didn’t include some non-Chinese favorites too. Martial Arts movies cross over to all other genres and nations. There are comedies, romances, horror, fantasy, sci-fi, and art house films. From countless cheesy low-budget exploitations, many so funky that they’re totally awesome, to the brilliant ground-breaking works that are staggeringly sensational, here’s some classic jewels and hidden treasures currently included with Amazon Prime membership.

Fist of Fury (1972)

Despite his fame, Bruce Lee only lived to see three of his martial arts movies premiere because Enter the Dragon and Game of Death were released posthumously. His impersonators are innumerable, so many that Bruceploitation is its own genre.

But Fist of Fury is the real Bruce in all his nunchuck spinning glory. It’s loosely based on the history of the Chin Woo Athletic Association, which remains one of the largest international martial arts organizations to this day. When Bruce shattered the ‘No Dogs and Chinese Allowed’ sign with a soaring flying kick, it became a battle cry for the racially oppressed worldwide, firmly cementing Bruce as the world’s first Asian global superstar.

Come Drink with Me (1966)

Long before Charlize Theron went Atomic Blonde, Cheng Pei Pei blazed a path as Golden Swallow, the mysterious invincible swordswoman, and all female action heroines are in her wake. Fiercely independent and savagely lethal, Cheng delivers several sophisticated long-take fight scenes, the hallmark of real Kung Fu skill, with the poise and precision built upon her foundation in ballet. Cheng is remembered in Hollywood as Jade Fox from Crouching Tiger Hidden Dragon and played the matchmaker in Disney’s live-action Mulan. Note that Amazon Prime also has the sequel, Golden Swallow, but it’s not nearly as good.

Once Upon a Time in China (1991)

This tour de force from director Tsui Hark and Jet Li launched a six-film franchise and a TV series. Jet plays Wong Fei-hung, a real-life folk hero and Kung Fu master who has been depicted in well over a hundred films and TV shows. Set during the late 19th century, the film examines themes of Western colonization and Chinese cults, and while blatantly nationalistic, it captures Jet in his martial prime and contains some of his finest fights.

Read more

Movies

Wira Review: Meet the Next Martial Arts Movie Star

By Gene Ching

Games

The Forgotten Bruce Lee Video Game From the ’80s

By Craig Lines

Amazon Prime also has Once Upon a Time in China II, which is an excellent sequel, however the third installment (not on Amazon Prime) falls apart, allegedly due to disputes between Jet and Hark.

Ashes of Time Redux (2008)

This was internationally acclaimed director Wong Kar-wai’s first stab at the martial arts genre. It’s sumptuously artsy and laboriously dystopic, not one to see for the action but the art. Based on a classic wuxia (wuxia is Chinese for martial arts genre books and film) titled The Eagle Shooting Heroes, Wong simultaneously filmed a parody titled after the book with the same cast. Wong did the Redux after the original print was lost, salvaging what was left, reediting and re-scoring it. 

(Prime US only)

The Assassin (2015)

Director Hou Hsiao-hsien won Best Director at Cannes for this magnificent epic, which was also submitted as Taiwan’s Foreign Language entry at the Academy Awards. Starring the ever-glamorous Shu Qi, who made an early Hollywood crossover attempt with The Transporter, The Assassin is based on another wuxia tale that’s parallel to The Manchurian Candidate but instead of Korean brainwashing, it’s 9th century Chinese sorcery.

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Movies

Best Horror Movies on Amazon Prime Right Now

By Alec Bojalad and 2 others

Movies

Ninjas All The Way Down: The Mysterious World of Godfrey Ho

By Craig Lines

The exquisite filmmaking makes this spectacular–panoramic landscapes, lavish costumes, intricately detailed sets, all gorgeous. Every shot is a stunning composition of light and shadow, and the camera lingers on each frame with ponderous and quiet respect, the kind that film students will gush over for years.

(Prime Video in the US, rent only in the UK)

Fearless Hyena (1979)

When people cite Rush Hour to reference Jackie Chan, it just goes to show they don’t know Jackie at all. Long before Jackie crossed over to Hollywood, he made dozens of films that truly captured his astounding Kung Fu skills, unrestricted by U.S. insurance liability. His late ‘70s period was particularly ripe because he was in peak physical shape and first creating his unique acrobatic comedies. Remember that chopstick dumpling training scene between Po and Shifu in Kung Fu Panda? In Fearless Hyena, Jackie and his shifu (James Tien) do it in live-action, no wires, no CGI, and the choreography is absolutely mind-blowing.

Wheels on Meals (1984)

Jackie Chan earned his Kung Fu prowess from being trained from childhood in traditional Chinese Opera. Many of his classmates also became stars in martial arts film. This is one of two collaborations between him and his two martial brothers, Sammo Hung and Yuen Biao (the other is Dragons Forever).

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Movies

Jackie Chan’s Project A Movies Are Spectacular

By Craig Lines

Movies

Jackie Chan’s Hard Road to Hollywood

By Craig Lines

A modern comedy shot in Barcelona, the chemistry between Jackie, Sammo and Yuen is magical as they bring the fastest three-person sparring scenes ever captured. On top of that, Jackie faces off against real-life kickboxing champion Benny ‘The Jet’ Urquidez in what is considered by many as the greatest fight scene ever filmed. 

(US only)

Knockabout (1979)

Knockabout is Yuen Biao’s first lead role after dozens of supporting roles. His acrobatic skills are unparalleled, stronger than Jackie’s because his body frame is built like a gymnast. Sammo Hung’s girth has typecast him as villains and buffoons. Nevertheless, he’s a leading director and choreographer and serves as both in this film, on top of playing a comic beggar who trains Yuen in jump rope monkey Kung Fu (that’s right–jump rop –you have to see it to understand).

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Movies

10 of the Weirdest Kung Fu Movies Ever

By Craig Lines

TV

Cobra Kai and the Legacy of The Karate Kid

By Gene Ching

It’s a slow build past some goofy comic hijinks, because Yuen’s skills improve over the course of the film. In a fight against Hoi Sang Lee, Yuen pummels so many goose-egg bruises into his noggin that he looks like the coronavirus. But once the training begins through to the final fight, Yuen and Sammo show why they are legends in the industry. 

(US only)

Dirty Ho (1979)

When this film came out, the title wasn’t as funny as it is now. But it still works in a way because this is one of the best Kung Fu slapstick comedies. Starring some of top talent from Shaw Brother studios, including Gordon Liu, Wang Yue, and Lo Lieh, it’s full of the stylish long-take choreography and blazing stunts using real fire long before CGI.

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Movies

King Boxer: The Enduring Legacy of a Martial Arts Classic

By Craig Lines

Movies

The Man From Hong Kong: A Genuinely Dangerous Action Movie

By Craig Lines

It’s a classic tale of hidden master, a punk student, and notorious villains, including hilarious absurdities like sex change tea, and wheelchair and crutch fighting. The discreet Kung Fu challenge while sampling rare wines out of crazy cups is ludicrous fun; the sort that only master fight choreographer Lau Kar-leung can deliver.

The Eight Diagram Pole Fighter (1984)

Here is another classic from Gordon Liu and Lau Kar-leung, but serious and somber. Alexander Fu Sheng, a prominent leading man, died in a tragic car crash during production, making this his final film. His character suffers PTSD after losing his family in a horrific opening ambush, but his storyline dangles unfinished.

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Movies

A Beginner’s Guide to Chinese Black Magic Movies

By Craig Lines

Culture

Ip Man: The Man, The Myth, The Movies

By Craig Lines

The film was rewritten to focus Gordon and Lau, as well as the always brilliant Kara Hui. The cast goes all out to honor their fallen comrade’s legacy, showcasing some of the finest weapon choreography ever shot. Based on the legend of the Yang family generals, the untimely death tugs hard on the heartstrings for anyone in the know. 

Return to the 36th Chamber (1980)

Just one more Gordon Liu and Lau Kar-leung project, this is the sequel to The 36th Chamber of Shaolin, which is also amazing and available on Amazon Prime. However, Return to the 36th Chamber has such an odd concept for a sequel that warrants special attention.

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Movies

The 36th Chamber Trilogy‏ – Essential Kung Fu Movie Viewing

By Craig Lines

Liu plays a swindler impersonating the Shaolin monk San Te, the character he played in the first film. When his clan is oppressed by the Manchus gang, Liu sneaks into Shaolin, only to be deceptively trained by the real San Te, then returns for vengeance. His clan are cloth dyers, which makes for colorful pools for villains to plunge.

Liu’s uproarious rooftop Kung Fu and his battle with Wang Lung-Wei’s bench-fighter gang are outstanding. Kara Hui has the best retort after Gordon tries to play off his lack of Kung Fu, claiming it’s only for “universal peace,” and not revenge. She claps back “Huh! That’s a stupid Kung Fu.”

The Lady is the Boss (1983)

Kara Hui (aka Kara Wai) is one of the greatest Kung Fu divas of all, yet she’s only known by true devotees of the genre. If you’ve never heard of her, here is one of her finest comedy vehicles. Set in modern-day Hong Kong, Hui plays an American master returning to save her father’s Kung Fu school after his passing. Lau Kar-leung is the eldest student in charge (also the choreographer) and he resists her attempts to modernize.

Long take fights are staged in a topless club, a disco, and finally, a gymnastic gym replete with rings, parallel bars, and a beam, perfect for the choreographic shenanigans only Lau can bring. Gordon Liu appears with hair, which feels wrong because he built his reputation on playing bald monks. 

Crippled Avengers (1978)

From director Chang Cheh, the “Godfather of Kung Fu Films,” Crippled Avengers stars four members of the Venoms crew, from Chang’s classic The Five Venoms (also available on Amazon Prime).

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Movies

The Five Deadly Venoms: An Essential Martial Arts Movie

By Craig Lines

It was repackaged as The Return of the Five Venoms (and also Mortal Combat), however it is its own standalone masterpiece and has nothing to do with the original beyond the cast.

Lu Feng (Centipede from the Venoms crew) gets his arms chopped off and replaced by iron arms (a plot device that RZA echoed The Man with the Iron Fists). Lu and his father, played by the rough and tumble Chan Kuan Tai, cripple the heroes, who must then walk the road of vengeance while handicapped. The portrayal of the disabilities is dated (arm tied behind the back for the amputee, eyes closed for the blinded) but the choreography is ingenious. 

Five Elements Ninjas (1982)

Another echo of The Five Venoms from the sanguineous Chang Cheh, Five Elements Ninjas showcases the director’s unique eye for fantasy. It’s an orgy of weird fantasy weapons and ultraviolence, bloody fight scene after bloody fight scene, a cult film of truly epic proportions. As the title says, the ninjas are based on the five elements.

The gold ninjas don gold lame suits and switchblade shield hats. The wood ninjas look like rejected apple trees in The Wizard of Oz. If you turn this film into a drinking game where you take a shot whenever blood is spilled, you won’t make it past the first half hour. 

The Web of Death (1976)

What is the ultimate Kung Fu WMD? It’s a tarantula that roars like an elephant and shoots acidic webs, sparks, and death rays, and it decimates the wuxia world. The Web of Death has everything a cult film requires: crazy weapons, cross dressing, romance, complex set-pieces, halls of traps, including acid pits, spiked poles and dragon-headed sparkler cannons, silly superheroes and villains in costumes that would make MCU heroes blush. Filled with jaw dropping WTF moments, it’s a real treat for anyone into cheesy over-the-top Kung Fu cinema.

The Bride with White Hair (1993)

Based on a wuxia novel, The Bride with White Hair is a surreal plunge into the Kung Fu subgenre of Fant-Asia which blossomed in the ‘90s. It’s a doomed romance between rival cult members set in a world of swords and sorcery that stars Brigette Lin in the spurned titular role and the dreamy heartthrob Leslie Cheung.

What makes this stand out was the visionary direction of Ronny Yu. His pre-CGI special effects hold up surprisingly well. Lin’s characterization of the bride was so compelling that it spawned an homage in The Forbidden Kingdom and a remake in The White Haired Witch. The Bride with White Hair II is also available on Amazon Prime which reunites Lin and Cheung, but without Yu’s direction it’s not nearly as special. 

(US only)

Detective Dee and the Mystery of the Phantom Flame (2010)

Fant-Asia has been revitalized with the advent of CGI. Detective Dee and the Mystery of the Phantom Flame marked a triumphant return to form for director Tsui Hark. Armed with quixotic special effects, Hark casts Andy Lau as the legendary detective Di Renjie, who is like a Tang Dynasty Sherlock Holmes. Wuxia films are akin to comic book movies, filled with glaringly overdone heroes and villains, super saturated color schemes, and a lot of flying about.

It’s high fantasy wirework in front of CG backgrounds with physics-defying fight choreography by Sammo Hung (Kung Fu physics are not subject to the laws of gravity). Most of all, it takes unexpected turns like the old Fant-Asia story arcs have always done. 

(US only)

Tai Chi Zero (2012)

Director Stephen Fung took Fant-Asia another step into an emergent subgenre of Shanghai Steampunk (Legend of Korra is another example). It’s an action comedy about the legendary forefather of Tai Chi, Yang Luchan, in what was meant to be the launch of a trilogy. However, it was filmed back-to-back with the second installment, Tai Chi Hero (not free on Amazon Prime), which was released only a month later and that proximity depleted their box office returns.

Nevertheless, Tai Chi Zero was an Official Selection at several notable international film festivals because it was so stylish and funny. Both films end on cliffhangers in anticipation of the next chapter, but Tai Chi Hero loses the momentum of its predecessor, except for the final cliffhanging tease. There’s been no further development on the final chapter Tai Chi Summit since Tai Chi Hero flopped. 

(US only)

JCVD (2012)

Jean-Claude Van Damme opens this French film with a remarkable long take fight, showing he still had it on the brink of turning 50, but it’s not really a martial arts film. He plays a self-deprecating caricature of himself, although not as comedic as his lampooning self-portrayal in the Amazon Original Series Jean-Claude Van Johnson.

There’s some top-notch cinematography including more complex long takes, remarkable displays of technical skill, and directorial timing. But it’s all about Van Damme’s confession scene when he breaks the fourth wall and discusses his filmmaking process in that weird recursive, artsy French film way. It’s a long-take monologue, and Van Damme nails it emotionally with a heartfelt confession that’s not so much amazing acting as it is brutally honest. He lays it out, bares his soul, and surprisingly, it’s a sympathetic soul. It’s a truly captivating scene, a dramatic triumph that no one ever saw coming, completely redefining Van Damme as an actor. 

(US only)

The Man from Nowhere (2010)

This was Korea’s highest grossing film that year. It’s a gritty and brutally bloody tale of a pawnshop owner, played by Won Bin, who unwittingly receives a camera bag filled with stolen heroin, attracting the attention of the drug ring gangsters.

However, he’s a retired special agent with fierce combat skills, tossed into a ghetto tale with exotic dancers, organ harvesting, an innocent child who needs protection, and gang wars. Won Bin won many dramatic accolades with the five films he made, including Taegukgi and Mother. This was his final one to date and he sells the ultraviolence with remarkable panache. 

(Prime Video in the US, rent only in UK)

Kundo: Age of the Rampant (2014)

This is another outstanding Korean martial arts film, set in the Joseon period. It echoes Robin Hood, complete with a fighting monk like Friar Tuck, a Maid Marian type, only she’s a keen archer, and a Little John character wielding a shot-put ball on a rope for brutal ultra violence. Ha Jung-woo stars as the lead, a butcher who wields butcher knives, which just adds to the bloodiness. The fight choreography is fun and sanguineous, and the characters were well fleshed out, even the villain. Like a lot of Korean cinema, it takes some surprising turns in the details, little scenes that feel fresh in their presentation. And the panoramic shots are visually epic. 

(US only)

Redeemer (2015)

Marko Zaror brings an exotic Chilean actioner full of fight choreography that’s merciless, witty, and precise. Zaror is cut and yoked like a beast. He can catch great flying kicks air, roll well for nods to MMA, and handle complex continuous fights. Redeemer includes several long take scenes with the camera aggressively circling around battle, showcasing a masterful command of action and cinematography.

Set in Chile’s cool seascapes and weather worn graffiti-covered ghettos, Redeemer has a strong Catholic theme, lots of crucifixes and pondering about divine justice, which totally works as atmosphere for this fascinating fight flick. 

The Octagon (1980)

Before Chuck Norris became an invincible meme, he churned out a handful of Hollywood martial arts feature films. His third effort, The Octagon, co-starring Lee Van Cleef, is one of his best. It’s a ninja tale, pitting Chuck against noted masters like Richard Norton, Tadashi Yamashita, and his brother Aaron Norris, fighting his way into a ninja terrorist camp where the central ring is “the Octagon.” It was this film that inspired Jason Cusson to design the trademarked Octagon used in the Ultimate Fighting Championships. 

Ninja III: The Domination (1984)

In the ‘80s, there was a proliferation of cheesy Ninja films and Sho Kosugi dominated the trend. This is one of those movies that is so horrible, it’s awesome. And it’s Sho’s masterpiece. Lucinda Dickey was a Solid Gold Dancer, who starred in the breakdancing films Breakin’ and Breakin’ 2: Electric Boogaloo, which bookended Ninja III. While she wasn’t a martial artist in real life, she has the moves, adding to the huge stable of martial actors who started as dancers (even Bruce Lee was a cha cha champion).

It’s incredibly dated with references to video games, aerobics, and the most gawdawful soundtrack ever. The choreography is horrible; Sho overacts whenever it comes to selling a punch; it’s all about Lucinda who tries–really tries–to act her way through a ridiculously dumb story about being possessed by a ninja. But the final sword fight has a ninja zombie and it’s the funniest example of what we had to endure during the ‘80s ninja craze. 

(US only)

Shaolin Dolemite (1999)

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

There was Oscar buzz about Eddie Murphy’s depiction of Rudy Ray Moore in the biopic Dolemite Is My Name, but if you haven’t seen a Dolemite film, you really don’t know. Moore played Dolemite half a dozen times, but ironically in this film, he plays Monk Ru-Dee instead, and this is the only one with any real martial arts in it.

Moore took the cuttings from a 1986 Taiwanese film titled Ninja: The Final Duel, and spliced himself in to create his own story, and it’s just so cray. Beyond Moore, there are bizarre characters like the drunken Sam the Spliff, the topless Ninja Ho, and the coonskin cap wearing Davy Crockett. The story barely makes a lick of sense, but who cares? It’s mother-effin Dolemite.

The post Best Martial Arts Movies on Amazon Prime Right Now appeared first on Den of Geek.

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[ducktracy]

bob clampett’s daffy

i hated daffy as a kid. i thought he was annoying, unnecessarily rude, bitter, and mean. and he was. and now i’m going to preach to you about why he’s my favorite character in the franchise, and how bob clampett totally changed my view of him.

although tex avery was the father of daffy, bob clampett was the first director other than tex to use daffy in a cartoon. clampett’s 1938 “what price porky” pins daffy as the dictator and leader of a group of ducks who are currently in a war with a group of chickens, with porky in the crossfire.

daffy’s head is a perfect circle with no feathers, and he’s considerably taller than other appearances. he’s a bit more rotund too, making him seem more malleable and easier to manipulate with gags. notice how his eyes seem like they could continue to wrap around his head. we start to see what will stay in his design for years to come and what will go, such as lacking the trademark white ring around his neck. what he DOES have, however, and for the first time, is his trademark lisp.

his next appearance in a clampett cartoon is “porky and daffy” (1938). this is truly where his daffiness is allowed to shine. porky enters daffy in a boxing match against a burly, undefeated chicken. the match includes (but is not limited to) daffy acting like a lion tamer, riding an invisible bicycle, and hiding in the beak of a pelican. the short is really just daffy being daffy, but we get to see how he interacts with porky.

his eyes are much taller and skinnier than they were in “what price porky”, and his head and body have been slimmed down. the ring around his neck is jagged, something that would make a few appearances in his design for the next 2 years.

in around 1939-1940 daffy was drawn with a light colored “mask” around his eyes and the ring around his neck a zig zag. there’s a definite difference between these two pictures (left: wise quacks, 1939, right: porky’s last stand, 1940). on the left daffy’s eyes are rather skinny and tall like the rest of him, the mask around his face taking up half of his face, whereas on the right daffy’s eyes are shorter and wider (again, like the rest of him) with the mask taking up less room. interestingly to note, porky’s last stand would be the last short to feature daffy looking like that, aside from a few advertisements in the early 40s.

both continue to prominently feature daffy as unhinged, off the handle, giddy, and, well, daffy. he was truly the epitome of ignorance was bliss. he was oblivious and didn’t have a clue, but he didn’t care. he had such an energy to him that’s so addicting to watch. of course, nothing but screaming HOO HOO! CAN get old over time, but the way clampett just makes him so enthusiastic and such a firm believer in whatever he’s currently preoccupied with is contagious. it’s hard to be in a bad mood when daffy’s jumping around all corners of the screen screaming in your ears.

clampett’s “the henpecked duck” (1941) is really the first short that would dictate how daffy would look in the rest of clampett’s cartoons. his eye mask is gone and the ring around his neck isn’t jagged, and he’s considerably taller and skinnier. his head is still rather short and round, but he’s really starting to take shape.

daffy’s personality also changes in this short. previously he was just a prop, truly a daffy duck. but now “the henpecked duck” opens with daffy and his wife (yes, he has a wife in this short) in the courthouse in front of a judge porky, with his wife angrily demanding to get a divorce. daffy is depressed and devoid of energy, not for a quick, breathless joke, but for suspense. in his previous shorts he’d shown bouts of anxiety or anger, but typically they blew through for a punchline. now something serious is going on, he’s actually depressed, he’s something other than wacky.

the majority of the short is a flashback. daffy is supposed to be laying on an egg as his angry wife is out for the day. because he IS daffy, boredom strikes and he eventually does magic tricks with said egg, making it disappear, reappear, disappear, reappear, disappear..... disappear. the egg is gone and he freaks out, and suddenly we’re back in the courtroom. all eyes are on daffy as he does one last cautious “alakazam....” and the egg is back in his hand and his marriage is saved.

it’s a strange and goofy premise, sure, but it’s surprisingly riveting, primarily because this is when we really get to see daffy express some real emotion. he’s a very versatile character. clampett prioritizes his daffiness, but that’s not to say he’s purely daffy. he can be angry, anxious, upset... he expresses such a wide range of emotions which is what i love about clampett’s characterization. he’s so versatile and UNPREDICTABLE. you don’t know what you’re going to get. it’s an element of surprise. it’s formulaic, but at the same time it isn’t at all.

two years later in 1943 we have “the wise quacking duck” with daffy taking on a role he hadn’t assumed for quite awhile: prey. in it, we have “mr. meek”, a dopey, meek, balding man who tries to appease his “sweetiepuss”’s hunger by serving her duck for dinner. daffy, of course, is said duck.

the short is just daffy teasing mr meek (quite literally, there’s an infamous scene where he does an actual strip tease) by throwing eggs at him, pretending his head was cut off, hitting him in the face with pies and coffee creamer, etc. it’s another “daffy daffy” short, but it’s so energetic and fun. there’s a method to daffy’s madness, and at the same time there isn’t one at all. you know he’s going to do some crazy stuff, but you don’t know what exactly he’s going to do.

daffy’s appearance is pretty solid from here on out. skinny, oval shaped head, long, slender bill, pear shaped body. i really like this design to him, he still looks like a duck. chuck jones draws a great daffy, but i just like clampett’s daffy more. it might be the bill. clampett’s cartoons make a point of daffy’s lisp, making him spew spit everywhere and his tongue has a life of its own. it’s great. they really took his physical qualities and had as much fun with it as they could.

in 1945 we have “draftee daffy”, about daffy getting drafted into the war and frantically trying to evade it. this is a personal favorite of mine, the energy is boundless. in a matter of seconds daffy is happily marching around, singing about how he was drafted, and all of the sudden he screams and breaks down into sobs. what an unpredictable mess! that’s why i love clampett’s daffy. he’s messy. a matter of seconds and facial expressions later he can act like a totally different person (or duck). again, he’s a firm believer in whatever scheme he’s riding the high on currently, whether that’s one-upping bugs, seducing his way out of becoming a roast duck dinner, or trying to dodge the draft. not much to note on his design here.

you knew this was coming! 1946 gives us “book revue” in a slew of continuous great shorts just before clampett left WB. i love how ridiculous daffy is in this. he’s not even in half of the cartoon, maybe topping out at about 3 minutes max, but he’s what makes it so memorable.

the short is another “books come to life” cartoon, a theme that had been popular in the late 30s and early 40s (another clampett cartoon starring daffy and porky was 1941’s “a coy decoy”, pertaining to this theme). as various book title pun related characters are playing a rousing rendition of frank sinatra’s “it had to be you”, daffy pops out of nowhere and throws on a zoot suit, wig, bad russian accent and danny kaye impression, and suddenly has disconcerting teeth. he screams at everyone to shut up, demonstrates his poor vocabulary by talking about sitting on balalaikas (a guitar like instrument), and sings “carolina in the morning” while rolling every “r” possible.

basically he encounters little red riding hood, warns her about the big bad wolf (by scatting), and the cartoon ends with the wolf chasing daffy around until the cops book him and the wolf, wooed by frank sinatra, passes out and literally goes to hell and tells everyone to stop celebrating his departure.

daffy’s just so good in this. he’s so in character and out of character. yes, i could see bugs putting on the same costume and same shtick, but it would be a bit predictable. funny? absolutely, but bugs is known for his costumes. what costumes has daffy ever worn? his wardrobe isn’t nearly as expansive as bugs’. it’s a nice surprise. just how out of character he is proves how in character he is.

“baby bottleneck” (1946) is next, one of my all time favorite cartoons. porky and daffy make such a great pair, they’re so different. daffy’s just completely off the handle in this one. i’ve rambled about this one a lot and repeated myself many times, so i won’t go too in depth here, but daffy’s unpredictability really carries the cartoon. he says he’ll sit on the egg. he doesn’t. he fights porky in a battle of strength and (lack of) wits. you just don’t know where the cartoon is going to head next, it’s packed with gags and so much action, i definitely recommend it. the jokes are nonstop.

and finally, saving the best for last... 1946’s “the great piggy bank robbery”, possibly my favorite clampett cartoon (just above baby bottleneck by a frog’s hair) and really one of my all time favorite cartoons in general.

the short starts off with daffy pacing around his mailbox impatiently (to the tune of raymond scott’s “powerhouse”—maybe that’s why i like this short and baby bottleneck so much, anything that uses powerhouse is automatically great to me) until exploding “WHY DON’T HE GET HERE!”

his attitude changes from pissed off to eager as the mailman arrives, slowly puts whatever daffy’s expecting in the mailbox, and walks away. we never see the mailman’s face or what it is that daffy is expecting, furthering the suspense. daffy tears through his mail and grabs what he was looking for and dashes over hill and dale before hugging his package, a comic book, and throwing himself upon it.

it’s a dick tracy comic, to which daffy declares “i LOOOOVE that man!”. what’s funny is that after this short i was watching frank tashlin’s “porky pig’s feat” (1943) and the antagonist gets his face pushed in by daffy, to which daffy looks at the camera and says “look, a dick tracy villain! pruneface!”. foreshadowing? 🤔🤔🤔

daffy reads to us the comic in excruciating detail (or lack thereof. he’s just manically sputtering out words. the change in emotion is what makes it so funny, from celebration to apprehension to despair, all in a matter of seconds). he celebrates the victory of dick tracy, saying how he’d love to punch those goony criminals, before punching HIMSELF in the face.

this is how we meet duck twacy, on the hunt for a case of stolen piggy banks (“it’s a piggy bank crime wave!”). daffy finds the case juvenile and a waste of his time... before he finds that his OWN piggy bank was stolen. he goes on a hunt for the culprit, kicking sherlock holmes off the streets, riding a trolley driven by porky for about 5 inches before arriving to the gangster’s hideout. he encounters a barrage of weirdly awesome villains, complete with a manic, breathless, and spitty narration of who is who. even though he thinks he’s about to be killed, you can tell that he’s totally eating up the fact that he’s in dick tracy’s shoes, that he recognizes all of these villains. after shooting all of the villains, he finds his own piggy bank and caresses it and kisses it. we’re now back in the real world where he’s kissing a barnyard pig who kisses him back and bashfully declares “i just love that duck!”, with daffy HOO HOO!ing off screen.

i should add, aside from the pig saying “i just love that duck!” and one of the villains grunting “guess who?”, no one in this short talks except daffy. and that’s why i love it so much. he carries the WHOLE thing. it’s all him and him alone. no one for him to upstage, no plans for him to ruin, we get to see his own motivations and his own personality.

i could ramble on forever about bob clampett and daffy, but i’ll try to summarize it the best i can here.

i love bob clampett’s daffy because he’s predictably unpredictable. his zaniness is prioritized above all else, but he’s able to feel emotions other than daffiness. he CAN be cynical, he CAN be depressed, he CAN be anxious, he CAN be happy... his emotions feel very believable, as zany as he is. you can go into each bob clampett daffy short knowing that he’s probably going to do something wild, but that’s it. you don’t know what he’s going to do. clampett keeps you on your toes with how he portrays daffy. daffy is TRULY unhinged in the best way possible.

thank you for reading! i’m sure i repeated myself and even contradicted myself dozens of times, but i love daffy and i love bob clampett. the best way to see for yourself how great he is is to watch some of these shorts. (i recommend the great piggy bank robbery, baby bottleneck, book revue, draftee daffy and the wise quacking duck, and the daffy doc and the henpecked duck are some really entertaining black and white shorts)

[sparda3g]

Kimetsu no Yaiba Chapter 179 Review

I don’t know the appropriate phrase to say. “It’s a great time to be a fan,” or, “It’s the worst time to be a fan.” Make no mistake however. The series is on all-time high in hype, exhilaration, and investment. Sadly, it comes with tragedy, and this chapter did not hold back. My biggest fear has become a reality.

The last chapter was pretty depressing with Kokushibo came to his senses before he vanishes completely. The question on his existence will never be answered, and that alone is tragic. Sanemi is filled with rage to the point Himejima has to stop him from fighting. The crazy part is, the battle is already over, yet he was hell-bent to kill. It’s because Genya was declared dead that blew his fuse. It’s even crazier to think he was fighting unconscious. He’s a true mad man, but I highly respect him to fight for the greater cause. The battle is over; now here comes the hardest part: the goodbyes.

It was an early call for Himejima to declare Genya dead, but thanks to the demon’s ability, ironically, he is barely alive. I was a bit hopeful, letting out a sigh of relief. God, was that a major mistake in hindsight. It’s tough to watch Genya barely speaking with half of his body gone. I have seen others in badly wounded speaking, but this hurts inside because of his foundation and sacrifice. It’s admirable of him to ask Himejima for others’ status; putting them over himself. It’s also kind to request him to tend to Tokito quickly for his time is here.

It’s morbid to see a 14 year old boy laying down with missing limbs. I am aware Shounen can get brutal and disturbing. Some fans believe what they see in Shounen is similar to Fairy Tail or majority of current lineup of the Weekly Shounen Jump. For them, this would come off as a big surprise. Himajima gives his last gratitude and respect to Tokito; vowing to defeat Muzan no matter what. Like many have predicted, Tokito has passed away. I just wished for a miracle…

The afterlife scene is heartbreaking. Tokito meets with his brother at last, but he doesn’t want him to come near. He thought he died too young; he wanted him to live long. He wanted him to live for something, not died for nothing. Truth be told, I thought the last arc certified Tokito’s safety to live through the series. It surprised me that he died here. It’s why I had a hard time to believe his life was in danger. It changed drastically when he started to lose limbs; no way can he survive. The recent event sounds like it contradict the previous development; however, it did not.

The most important factor is happiness. Did Tokito live through a happy life? He was born to be happy. His life had ups and downs; happiness with his family, sadness with his loneliness. He recovered when he made friends with Tanjiro, Nezuko, and others. Looking back at the last arc, it certainly has become more valuable than ever. He regrets nothing, especially sacrificing his life for his comrades. Although his life ended tragically short, this fits very well to Shounen theme of friendship. It’s how the writer convey the theme that creates the series’ value, and that’s why this series is astounding.

What makes this scene so emotional is how it’s presented with touching words. Tokito explained his lifetime to his dear brother with tears; emotions running high. On top of that, despite not regretting anything, he’s heartbroken not because anyone would say his life was pointless, but his own brother was the one to say it. It hits me really hard; words are truly powerful. Hearing dreadful words like “You’re dead to me,” from a family can hurt you devastatingly. The brothers finally hug it out, yet the brother still wished Tokito lived longer. We all wished for it, but what’s done is sadly done.

Going back to the past, he and Genya were the most likely candidates to lose their life. Although I hate to say Tokito was the most expected death considering the circumstance, it still pains me to see him go. Earlier, Genya left me calmed for he has a chance to recover. It turns out I let my guard down far too soon. Once Sanemi finally wakes up, he realizes his little brother is crumbling. As soon as he said that, my mind didn’t want to register. Was it denial? I believe so, but the truth is out; Genya’s time is up.

Much like the scene with Tokito, this one is heartbreaking. Unlike the former however, it’s a brother saying goodbye, rather reuniting in the afterlife, so the narration doesn’t leave any room for happiness. Well, there’s something similar by the end. What makes the scene even more heartbreaking is that I care for both of them. Genya had a character arc; essentially becoming well-liked. What’s stunned me is his character can be considered as the next generation rising star, yet he’s going to die before his older brother. Killing him off is like killing off a rookie in another Shounen series, say like a student from the protagonist’s class in My Hero Academia. It’s honestly shocking.

As for Sanemi, I have gained enough respect to his character recently. Learning more of his background, I grew to like him far more than my first impression. With that said, his agony really hits me harder than it should have. A sibling bond is one that cannot be described by a simple word. It’s hard and gut-wrenching to watch one slowly fading, let alone dying. To make things even sadder, he’s about to lose his one and only family member. Let’s hope he’s the “what if” of Tanjiro alas fails to save Nezuko. I know it sounds incredibly harsh, but this whole segment is already gloomy.

The tear-jerking begins with apologies to make from Genya to Sanemi before he disappears. It pains to me to realize they never got to recuperate their bond, even after they learned each other’s inner feelings. Too little, too late is the worst lesson to take. Sanemi begs not to take his brother away. That honestly hits home too hard. Genya’s final words are his blessings to him. He wants his brother to live; want him to be happy. This goes back to the theme of a brother in happiness. He thanked him one last time, because he is the nicest person in the world. Powerful.

Sanemi didn’t deserve this at all. He may started rough, but it’s no excuse to take away his livelihood. I felt absolutely sorry for him. What’s worse, he can’t bury his little brother with the body disappeared. It’s the worst outcome for the dead aside from forgotten. Himejima has been crying since the beginning, which is his trademark in a sense, but never did I feel the raw and powerful emotion he has here; hell-bent to kill Muzan. Whatever it takes.

As heartbreaking and depressing this chapter was, this is one of the best of the year. It’s not because characters have passed away. It’s the marvelous execution on the context of sibling love in tragedy. As the chapter’s title implied, it’s about the feelings from the elder and younger brother respectively. Tokito’s and Genya’s end were very emotional; both having their own distinctive narrative. This moment was what I feared the most, but it’s the one that was inevitable. Here’s the best of hopes to Genya and Tokito to be avenged by their beloved people…

Rest in Peace.

[popcultureoverdosed]

Big Order. Big Trainwreck

Being made from the creator of the utter monstrosity that is future diary, big order was bound to fail from the start. It's hard to find a writer who fails so hard at telling a story without any form of self-awareness. It's even more badly written than future diary but thankfully less annoying. The anime adaptation only expands on the flaws by adding new scenes that are even worse than what happened in the manga. This is what happens when you hire the creator of Boku no Pico( I'm dead serious) to write the script.

To be fair, the series did have the potential to be good. Eiji accidentally caused the apocalypse ( through a dumbly worded wish) and he has to cope with it as well as having to take care of his sister. Could've been a nice character-driven drama but nope The first episode/chapter was strong but things just go downhill from there.

The story lets the audience know early on that this is a post-apocalyptic setting but it barely plays a factor here. Characters still go to school and use their phones without any problem. Apparently, there's still enough resources to maintain government building and internet service. You'd only know that the city went through a disaster because of the generic scenery of destroyed buildings. Our protagonist is Eiji Hoshimiya, a sullen teen who's riddled with the guilt of causing the great disaster while having to look after his ill sister. How did he cause this great disaster? Some random mystical little girl called daisy appeared before him and granted his wish to save the world, which she somehow interpreted as destroying it.

He lives the normal high school life until he meets a transfer student named character named Rin. She invites herself to his apartment and kidnaps Sena as revenge for her dead parents. While her wanting to get revenge on Eiji after her parents died in the apocalypse is an interesting goal that's her all there is to her character. She acts angry and homicidal towards Eiji whenever she's not having forced as hell ship tease moments with him.  Their fight introduces the concept of orders, a blatant copy of the stand abilities form JoJo that represents the user's inner desires. Rin can use flames to heal from anything and Eiji can manipulate anything within a given radius. The aftermath of the battle results in Eiji accidentally ordering Rin to marry him and him getting drafted in a mysterious political organization called the group of ten.

What follows is a half baked story of political warfare as the group of ten use Eiji to gain dominance over Japan. Your manga is off to a great start when the main characters of nationalistic terrorists.

Nothing about the story or characters stood out. Things just happen and the audience is given no reason to care. How is it even possible to make a cast of superpowered individuals as boring as a brick wall? At least the cast of future diary could envoke emotion in me even if it was mostly annoyance. The only names here I remember are Eiji, Rin, and Sena and none of them are interesting at all. These people are just archetypes and tools used to move the garbage plot forward. There's a character called Daisy who's essentially a goddess but nobody questions her existence and her purpose is very poorly defined. Another character is Iyo who gets pregnant when Eiji touches her ears and tries to rape him in the anime cause she fell in love with his basic bland unseasoned chicken personality in a heartbeat. Said attempted rape never gets mentioned again after it happens. Not only is it offensively bad but if the genders were reversed, I'm sure male Iyo would be portrayed as a villain so seeing her get off scot-free is annoying. The creator's sexism resulted in writing females who only exist to pine after the basic male lead.

                                        Is this shit for real?

The anime also thought it was a good idea to add disgusting incest subtext that wasn't in the manga. Eiji and Sena have an implied sex scene and the show wants viewers to think they're in love. This was nothing more than the director and scriptwriter pleasuring themselves seeing as how said incest does absolutely nothing to develop the two and is never referenced again. Again, the lack of self-awareness and sexism is crazy.

Readers aren't given good explanations on character motivation at all. I read the manga and watched the anime but I still don't understand the reasoning behind most of these characters. A few people wanna take over the world and that's about it. Why has no one made a wish to undo the great destruction? Daisy grants wishes to random people and not one of them at least thought of restoring the world? When nobody has any solid motives or decent personalities, the plot will bomb. The story wouldn't have been this bad if the writer didn't try to make it complex. I would much rather have read a JoJo Esque battle shonen than this poor excuse of a story. At least then it would've been popcorn entertainment.

The most positive thing about the series was the stands er- I mean -orders. Many people complained that the powers were too op( they're not) and were confusing. One person even called Eiji one of the strongest characters in fiction which honestly made me laugh. Op powers are good when handled well but everything is shit here. There's also the music composed by Call Evan. It made wonderful use of jazz and "Dominate", Eiji's theme song is far too good for what this show deserves.

Eiji can control the environment and people around his perimeter with little restrictions yet he always gets his ass kicked. There are hundreds of ways he can win any given battle and he fails to use any of them. He can condense the air to make a shield but rarely uses that ability and never uses it to suffocate his enemies. He never commands enemies to attack themselves. To make it even worse, his power is a weakened form of his maximum potential and in the manga, he can fuse with other orders to get even stronger. Even then he still gets his ass handed to him😶😑🙄. The sheer lack of creativity from both the creator and character is just marvelous. How is it even possible to be this incompetent?

The other characters are no better. The leader guy of the has a rip-off order of kumagawa misogi's all fiction from medaka box. Fact from fiction ( even the names are similar) lets him negate events from reality. Unlike kumagawa who marvelously screws over the main cast from his manga with his ability, the leader guy doesn't advance the plot at all and does not have any noteworthy battles. You also have a guy who can atomize anything, a girl who shoots lasers, a man who can brainwash others and a terrorist who controls rocks. Besides the terrorist chick, none of these people use their abilities in innovative ways. The writer could've taken lessons from JoJo, one-piece and even law of Ueki( so underrated) when it comes to writing superpowers.

The endings of both anime and manga are around just as bad but the manga might be even worse. The anime has an inconclusive ending where the world no longer hates Eiji and he just goes to school. That's it. The climactic battle was him using the full power of his order to manipulate abstract concepts to create a world where Sena can be happy. I'm sure the writers didn't intend for Eiji's last order to be as op as I just described but it Is. He wishes for something abstract and it comes true which implies he would be able to manipulate other concepts. And yet, he doesn't do anything about the run-down world he lives in. For a post-apocalyptic setting, the apocalyptic event barely had any influence on the characters or plot.

The manga comes up with a dumbass plot twist that Sena was the one who caused the great destruction and Eiji was just covering up for her. She turns evil and tries to destroy the world cause she's evil. Eiji refuses to let anyone kill the potential mass murderer and constantly protects her. Did I mention Rin and Eiji and kinda low key dating at this point? Eiji faces sena in an anticlimactic battle followed by a 1-year time skip where their current fate is unknown. And people thought Naruto had a bad ending..... With how abrupt and lazily put together the ending was, I can't tell if the manga was canceled or the creator lost interest. Both options seem highly likely.

                             That’s his sister by the way. Cause incest was exactly what this show needed

With its bland characters, a nonsensical plot and poorly thought out powers, big order is a  clusterfuck of a show that continues to fade into obscurity. Even having a big name creator wasn't enough to keep it within the public eye. I was hoping for a so bad it's a good experience but this was just hot garbage. I give it a 4/10 for its bland character, muddy plot and terribly written romance. It only gets a four because the music and powers were pretty cool.