#the doctor lost someone-who-will-be for him and Donna lived A WHOLE LIFE
Explore tagged Tumblr posts
Text
I am dead. The forest of the Dead killed. RIP me.
#doctor who#forest of the dead#river song#tenth doctor#donna noble#i feel like... oh my god#i feel SAD#why did they have to#the doctor lost someone-who-will-be for him and Donna lived A WHOLE LIFE#AND SHE NEVER FOUND HIM#NEVER EVER#PLS TELL ME SHE DOES PLEASSEEE#ILL DIE#THIS EPISODE BROKE MY HEART INTO 4022 PIECES AND I AM NEVER RECOVERING#OH MY GOD#HOW DO I GO ON WITH MY LIFE
12 notes
·
View notes
Text
Grief and Doctor Who
alright yeah i’m sure someone has made this connection before
this is all in line with nuwho timeline starting with 9th to current 15th
9th doctor: denial
the entire introduction to a whole new generation of doctor who fans. we are on a fresh start, but there’s little bits of history sprinkled here. 9th spends his time frivolously, not entirely seriously, he doesn’t address anything like it’s permanent or real.
denial is a hard scale to describe or understand as it changes quite easily and it’s more subjective to the person. 9th was dealing with all his people, his life, everything he knew. it’s not that he denies these facts, he avoids them, what he denies is that he has to deal with it. that it had a significant impact on him, that the consequences will come back and hurt him. he might know logically that he will be faced with this that it’s all buried deep down. but he refuses to acknowledge it.
rose is a good distraction, she’s fresh and she in a way scales the doctor. at first fights back, then leans to him, then repeat. rose is suppose to be our view, we are seeing nuwho through her eyes- not meaning to but she is the denial of everything before. not on purpose though, but it is perfect foil of where the characters stand, where we stand and what is going on. in a way, the “fresh start” of nuwho pushes a plot of denial and avoiding the past.
the best part about doctor who is everytime he regenerates we hit the high and low points of the transition into the next stage. 9th was forced to face his story, that he will have to keep facing it, that he’s the only one left.
10th doctor: anger
yeah 10ths is the most obvious and easiest to point out. where 9th was never one to kill outright, 10th has no mercy in distributing the pain he feels. he’s furious that this is what he has to live with, he wants revenge. he wants to rid himself of his pain by bringing it to those who wrong him. yes the doctor still has a saviour complex and still has the hero look on him. but he’s slipping, martha doesn’t help either (could be they poorly wrote her but i digress) martha is trying to latch on to what rose left behind. the doctor knows this and he lets it happen and it’s cruel.
he has to deal with his own story of his past and the current where everyone dies, no one wins, at least not him, not in the way it matters. we get three companions here in the end but all are gone in the end and he’s alone again. donna was one that could have helped him, but it wasn’t her time, they were unbalanced, the scales would go up and down.
as we go to transition into the 11th doctor, yes i’m gonna talk about the specials- but particularly the waters of mars. i think this shows a significant example of from anger to bargaining. at the end of the episode he decided no one is going to die, that he will get to change time itself. he decides to become god in this moment, he’s angry at everyone he’s lost that he keeps loosing. he forsakes everything he’s known that he followed to find some relief that he can save someone. the results, balance out in the end. and he knows what he did.
#i meant to post this after i finished dw#doctor who#anyway#i never finished it and i’m too eepy to finish it#10th doctor#9th doctor
9 notes
·
View notes
Text
Hello! It's me again, giving my minute by minute review of The Giggle. I have not seen any spoilers or watched any trailers, so I know nothing. Well... I know that Neil Patrick Harris is someone lol. As a summary, I enjoyed Chibnall's era, loved the thirteenth Doctor with all of my heart, and know little about the classic series but am obsessed with nuwho. I am also weary of RTD's writing but I loved the first special and enjoyed the second. LET'S GO!
Again, last time I'll complain, I MISS LIVE REBLOGGING WITH FANS. 1. Oh my horror movie vibes again. Okay.
2. Uh. What's up with the accent for Neil Patrick Harris (NPH to make my life easier). That feels a bit... Not good. Especially with the "messed up" words to accentuate it. It just doesn't sound right. I know it's supposed to be a STUPID amount of fake, but it's boarding on offensive.
3. "I'll need a moving image" right to the jump scare lol. I don't MIND horror movies, but I don't necessarily want it for every single Doctor Who episode. A bit disappointed.
4. NPH dancing with David Tennant for those point two seconds did something to me. Also, LOVE NPH's makeup there.
5. I'm already so tired of UNIT having all this money. I don't know, it doesn't feel right. They were supposed to stay hidden so that people didn't know about them. Are we officially saying that humans know about aliens? That's the only acceptable answer I'll take as to why we got helicopters and military vehicles just out and about.
6. Awesome, AWESOME music. Always. Just, again, a thousand kudos to everyone doing this beautiful arrangement.
7. I LOVE Shirley. I love her. Representation done right, in my opinion. It's ironic that RTD can do something EXACTLY as it's supposed to be and the fumble the ball on something else in the very same episode i.e. the first special with Shirley right to "male presenting" Time Lord (see my first live blogging to hear the speech I did already lol).
8. KATE - KATE - KATE. My h e r o. My LOVE! We JUST saw her with 13 and I loved every single part she was in. Her finally seeing the inside of the TARDIS made me so happy.
9. KATE HUGGING THE DOCTOR. Awww! That is so gosh darn cute. I don't know how long it's been exactly since Kate saw 13 after the whole Master thing in Power of the Doctor, but it's so nice to see her hugging him. I was scared for a moment it was going to be a slap lol.
10. "How do we fight the human race." Uh... That's quite a plot, isn't it? I... The Doctor, thirteen especially, always made a point of saying how good "you humans" can be. Saying that humans are inherently bad just doesn't sit right with me. There's a speech roaring up with me about how RTD sees people in general and how that effects the optimistic and hopeful attitude of Doctor Who in gneral, but that'll have to come later.
11. OH HEY Melanie! I know that companion! Kind of! I've never see any of her episodes but that's awesome. SIDE NOTE... Just like with Power of the Doctor, I feel a little disoriented when I know I'm supposed to know something / really appreciate the moment and I can't. I'm so happy that Chibnall AND RTD are so very willing to let classic who people come back, I'm just always a little lost with things like this. (I wonder if other people my age feel that way? Any else 25?)
12. "Is park rude?" "Borderline". I... What? Why would you even turn to Shirley with a question like that? See what I mean about dropping the ball.
13. "Why should I care?" Prime Minister. "No change there then." Donna. hehe I love those little moments where DW shows current political distain.
14. We're... We're not gonna ask a million questions about what Vlinx is? What they're doing there? How they got there? The Doctor's not doing the usual excited dance and asking how hot their cortex runs, the amount of brain power they have, etc. Idk, seemed like a wasted moment. (Unless I'm missing some classic who stuff again?)
15. Listen, I'm a very simple lesbian... I see an "evil" Kate and I get a little excited, okay? Woman power and all that, am I right? 16. "As for you [Shirley], with that chair - I've seen you walk!" What the actual fuck. Listen, I know, I KNOW people are idiots about wheelchairs. I know some people don't know that some people who use a wheelchair aren't completely paralyzed, but to point it out in this way just feels... It feels like a misstep...? I have no right to comment, I'm not a wheelchair user, but the way RTD handles things like this always makes me nervous.
17. "The old archangel network" ahhh hello there preteen headcannons! Ahhhh the Master, how lovely a reminder of those days! God, what a plotline that was back in the day. I am not surprised at all that RTD fit that line in, let me tell you. The man seems to like to brag about his old stories (inconspicuously points to David Tennant and Catherine Tate.)
18. Why would Donna ever, ever guess that those brain waves were music? Where in god's name would ANYONE come up with that without ANY sort of hint? What kind of mary sue writing is that? I'm just supposed to take that? Talk about a convenient plot device. I don't like lazy writing.
19. "The very first image has been hiding in every screen ever since." See, THAT'S cool! I like that kind of story, where another god-like entity has that sort of power. Someone PLANNED that. As always, things like this are why I love when the Master comes back. His convoluted plots creates such great writing and stories.
20. "What, because you're so clever [at Shirley asking why they never found the Stooky Bill laugh before]." Hey 14, your 10 is showing - the parts of 10 that adult me has problems with.
21. "[The human race] is also savage, venal, and relentless." Alright, maybe I'm thinking too much about 12 and 13, mostly 13, but the distain that 14 (cough ten cough) displays for humans has ALWAYS been icky to me. The Doctor TRAVELS with humans, has worked with them, has LOVED them. You can't call an entire species monsters and then claim to love them. People CAN be monsters, but ten - sorry, 14 - has a habit of not taking the time to make that distinction between species vs person. 13, meanwhile, has never insulted a single human. She has encouraged people, genuinely wants them to be better, and only alienates herself not by pointing humans down, but by feeling so different than everyone around her.
22. "Using your intelligence to be stupid... And hating each other. You never needed any help with that". Well, congrats, this may be my least favorite episode of Doctor Who ever. I don't like getting insulted, I don't like the Doctor being mean, I don't like the tone of this episode... Doctor Who is a hopeful, lighthearted show that brings a smile to my face. Yes, it has moments that make me sob, but it's not some police drama. DW is a sci-fi show about traveling a beautiful universe. THIS is not what the show should be.
23. "Can we take out that satellite?" So Kate's waiting for permission... But, question... THE TARDIS IS RIGHT THERE. You're telling me the Doctor can't go up there, sonic the thing off to make it look like it's a technical error, and then eff of? I know writers OFTEN give the good old "the TARDIS is unavailable" to avoid thoughts like this, but RTD left the TARDIS RIGHT THERE. We have a time and space machine!
24. Side note, very side note, but are we ever gonna fix the gravity to "mavity" thing? Is that gonna come back?
25. The Doctor: "you have my permission" [to blow up the satellite]. But... But that's... What can UNIT say to that? "Oh yeah hey, our alien from outer space that we trust that you don't know gave us the go-ahead to blow your satellite up. Please don't fire missiles at us, we got the "OK." What? Just... What?
25. Oh hey, was Melanie at the therapy session for past companions in the Power of the Doctor? That would honest to god fit so well and I would love that. I'll have to look later.
26. Again, I almost have to laugh at the budget. All this money and we're using it to fire off a gun... In Doctor Who... Where the Doctor hates guns. Figures.
27. 120[k] plus five weeks' holiday." OH FUCK YEAH DONNA. Girl boss right there! You deserve that money! Freaking LOVE IT. And I'd love Donna working at UNIT. Maybe Martha and her could be best friends? Oh hey, where the hell is Martha and Mickey, btw?
28. Ha, Crowley, COUGH, I mean the Doctor on SoHo's streets once again. Hehe.
29. "Donna, I'm a billion years old". WOAH, WHAT? He can't be serious, right? No way 13 lived that long after 12's 2,000 ish years, right? Is 14 counting the confession dial? He has to be, right? I almost wish 13 mentioned her age now.
30. "But you are busy every second of every day" uh, yes. That was 13's coping mechanism. If she never stopped, she never had to think. Granted, that was every single Doctor's coping mechanism, but 13 had a lot of crap to get through and the fact that she got sent to prison with all that MUST have destroyed them.
31. Donna trying to give the Doctor mental health advice will forever be a favorite moment between the two of them for me. I'm so glad to see how much Donna cares about him.
32. NPH is just fabulous. He really just takes over the scene, even against actors like David Tennant and Catherine Tate. I was mesmerized by the ball scene. Granted, the accent makes me squint my eyes, but still... Him playing the villain will always be exciting.
33. Oh the Doctor knows him! An old enemy, that can't be good. OH and with the first Doctor as well, talk about a VERY old enemy. It's only been a billion years, eh? Hm, and the Doctor seems terrified of him. I'm getting the Master vibes. Is the Toymaker a Time Lord?
34. I sincerely wish that the Doctor mentioned being the Timeless Child to Donna when the Doctor said "what am I without my toys". I just... Donna can't understand why this speech even exists without knowing that the Doctor's entire history was erased - was taken from him. People may hate the Timeless Child plotline, but it's THERE. If RTD is going to build the emotional trauma off of that, it should be mentioned by name. I'm glad we mentioned the Flux, but the Timeless Child is what drove the Doctor nearly insane. It's what drove the Master even more insane. It should be mentioned properly.
35. Why the fuck, after that emotion speech, would these two idiots even separate AN INCH? Donna just saw how terrified the Doctor was, the Doctor IS terrified, why would they not hold hands? Why would they not stick to each other like glue. Again, lazy writing.
36. I can not explain how much this doesn't feel like Doctor Who. I can not even being to rant about how much this doesn't feel like my goofy little sci-fi show that makes me smile. I feel cheated. RTD, you got your Midnight / stupid scary episode last time and I complimented it. I cannot believe I have to sit through another one of your horror episodes. Again, the spirit of Doctor Who is the relationship and connections to how amazing humans can be. It's about hope, and optimism, and learning. Of course there's scary episodes, of course there's a step to the left in terms of how the usual episodes go, but what the heck is this?
Is it good writing? Perhaps. The dialogue, tone, and plot is convincing, I'll give RTD that. But is this MY show, my Doctor Who? No. I've said before that RTD relies on nostalgia and this episode only ferments that. If it wasn't David Tennant and characters that weren't already introduced literal years ago, how'd we even know this wasn't the same show?
37. Why the FUCK is Donna so violent? We know she's a badass, we know she's sassy, we know she's fearless... But banging that doll into the wall, a furious look on her face? Where the fuck did she learn that one?
38. How fucking dare RTD mention the Flux but bypass the fam, Yaz, and Dan. How fucking dare he. How dare he pick and chose what he liked from Chibnall's era. And you know what, let's have a laugh, shall we? Maybe he can't mention them because all of them had a GOOD ending. All of them left of their own accord. They left feeling stronger, feeling good about themselves, feeling like they've see the universe and want to make their home, earth, better. What has RTD done but killed the Doctor's happiness? And don't come at me with my own words - the Doctor could have mentioned Yaz and the fam as a defense against himself. "But I've learned - I've learned that humans are strong, that my friends are stronger than I ever could be! Yasmin Khan, Ryan Sinclair, Graham O'Brian, Dan Lewis - all them are safe. All of them are loved. They have always been the best parts of me. Now, Toymaker... I challenge you to a game." TADA. I even think I got David Tennant's correct cadence, and I never even wrote him!
If you are a showrunner for DW, you have a responsibility to the past writers to show some respect. The way RTD is handling the Flux is fine, but you can't erase the Timeless Child because it doesn't fit with your own version of Doctor Who. It has been done, get over it. USE it.
39. *Splutters* "I made a jigsaw out of your history". You will NOT be taking responsibility for the Timeless Child like this. You will not have a villain create the Timeless Child just to erase it. AND YOU TOOK THE MASTER FROM ME? MY FAVORITE MASTER? YOU TOOK SPYDOC FROM ME? Holy shit I need a drink. My rage is unfathomable.
40. To be fair, seriously, it's good writing if it WASN'T Doctor Who. I am being fair. It's heart pounding, it's exciting, but it's not the same show or the reason I love the show.
41. ... Okay, NPH... Yeah. That scene. I'm not even going to hint about what scene I'm talking about. Everyone knows. It was a 10/10 performance. It was fantastic. There's no criticism, I'll be watching that ten million times. (Damn shame they didn't let him sing it though).
42. The speech the Doctor is making to the Toymaker sounds AWFULLY familiar, doesn't it? Perhaps, the Master, once again? The Doctor just picks these god-like entities and goes "I will love you" and clings on for dear life. I assure you, somewhere in that tooth the Master is screaming "YOU ASKED ME FIRST".
44. "We can be celestial." Someone tell me if DT played Crowley season 2 before or after this. I could HEAR Crowley on that last word, come on now.
45. what the fuck. what the fuck. what the f u c k. WE'RE FUCKING KEEPING DAVID TENNANT. WHY THE FUCK ARE WE KEEPING HIM. HE'S HAD HIS TIME TWICE OVER. WHY. WHY. WHY. HE WAS A GOOD DOCTOR BUT IT'S NOT FAIR THAT HE'S STILL HERE.
RTD changed regeneration. I'VE HAD TO DEAL WITH THE HATERS TORMENTING ME ABOUT CHANGING THE DOCTOR'S PAST IN A WAY THAT DOESN'T EFFECT DW CANON, AND YET RTD CAN DO THIS?
ALL BECAUSE HE WANTS TO KEEP DT. Someone sedate me, I'm going to be the one being on walls and screaming soon. Fuck me. Let the Doctor go! That's the whole bloody point. I can't with this. If you haters out there accept this one I don't want anyone ever coming at me about the Timeless Child again. I'll just throw pictures of up this regeneration scene with a bunch of arrows. And not to mention, I hate this idea? I hate it. I hate it. Regeneration was about change and rebirth, now it's about adding a little hint of something new. It was about letting go, getting ready for a new future, handing someone else the torch of this beautiful show. Oh my god, I hate it here. I'm STAYING for Nucti. I'm honoring his first performance, but I am pissed. I might not even be able to write more.
46. "Do you come in a range of colors." What. What kind of line is that? What... Why did we even have to mention that? He also comes with a different gender, Donna, I don't think his "color" matters. That was the point of the first special, if you could remember that.
I'm taking an effing walk... Off a bridge at this point.
47. Why didn't we give the 15th Doctor trousers? We didn't give 14 13's clothes now did we? But we can have the 15 Doctor running around half naked... On a family show? Come on now.
48. We... We really... We really wasted the Toymaker with a game of catch. Really. I was just complimenting the writing and then we did that?
49. I'm loving 15's care and love. His openness. Is this the Doctor forgiving himself?
50. Oh hey, what lovely person took the Master from that gold tooth, eh? Maybe... Missy, perhaps?
51. MENTION THE TIMELESS CHILD YOU FUCKING COWARD OH MY GOD. Not you, 15, you're great sweetie. RTD MENTION THE PROPER PAST YOU ASS. You can mention all the past adventures but not the latest one? Seriously?
52. Something, something, so glad 14 got a happy ending, something something, wish 13 had that, something something, too bad Chibnall followed the rules of regeneration just as all the writers did beforehand SOMETHING SOMETHING.
53. I'm getting the mildest hint of karma because I never understood why people said the couldn't understand Jodie... I'm actually having a bit of a hard time with Nucti lmao. I always use subtitles so it doesn't matter to me, but just thought I'd mention that.
54. Nucti better kiss a man full of the mouth. He is... Quite something. Jack Harkness would faint.
55. I have a question. How is 15 older? Isn't it like 2.2 seconds only, if anything?
56. I really am glad that 14 got a family. It is beautiful.
I usually do like a summary or whatever but I'm just so bitter and pissed. Here, 3/10, two of those points are for 15 and one is for the Toymaker... Even if the Toymaker character was wasted.
#the giggle#the giggle spoilers#doctor who spoilers#thirteenth doctor#fourteenth doctor#fifteenth doctor#doctor who#doctor who 60th anniversary#14th doctor#dw spoilers#dw#13th doctor#dw fandom#anti rtd#power of the doctor spoilers#power of the doctor
25 notes
·
View notes
Text
The fact that I went through most of my life experiencing, processing and healing from my trauma alongside The Doctor only for RTD to go “lol the last 15 years of character growth didn’t happen actually” is a slap in the face actually
Thirteen’s era was bad in a lot of ways but one of the first things I noticed was that her brightness and her optimism were such a natural progression of the healing Twelve did throughout his regeneration. And as someone who had also gone through the same growth and was learning to accept and love and Just Be despite everything that was huge to me, it was such a hopeful message just as Doctor Who has always been for me.
I’ve been thinking about it and I realised we’ve already seen what happened in The Giggle. In Moffat’s era, but it was over time and it was earned.
Twelve was carrying So Much trauma. He was tired and bitter and angry, carrying the expectations he’d learned in the previous incarnation (that people see him as far higher than he sees himself, that he’s a god and a warrior and a healer and he doesn’t want that, he just wants his friends and his box). He’s fighting between who he is and who he’s expected to be and he can’t run away from it any more.
This all comes to a head with Heaven Sent/Hell Bent where he loses his best friend. The woman who had guided him and supported him through this trauma, the one who was there to help him learn that the preconceived pressures of “good” and “bad” he put upon himself were bullshit and he’s just Some Guy Doing His Best and that’s okay, he doesn’t have to be more than he is even if the universe tells him so. He thinks he’s responsible for her actions (which arguably goes all the way back to Davros accusing him of turning his companions into weapons) and he relapses into trying to control everything, brings her back, does all of this shit for her that she never asked for.
And that’s when he learns his inability to let go and actually face the pain rather than running from it is hurting people and himself. He’s faced with what he did to Donna at long last and given the chance to not repeat that mistake. Clara teaches him one last lesson.
Then he settles. He takes care of Missy and spends some time as a professor, meets a new companion and by the end of his regeneration he learns to let go.
This is the point where I realised RTD had somehow rehashed something that had already been done.
He lets go. He passes the torch into a brighter, more optimistic Doctor less burdened by the previous incarnations’ trauma and ripe for a whole heap of NEW trauma, still remembering all she’s lost but able to put it behind her and focus on the happy memories and the love. She has a family.
The Doctor had healed in a meaningful way, and more importantly a way those watching could see and realise that yes, it’s possible. Yes, it’ll still hurt sometimes, but it’s possible to heal from the terrible things that have been done to you. It’s possible to live a full, happy, bright existence even if the past doesn’t truly go away.
Obviously it all goes downhill again and yeah, the unfortunate writing means that Thirteen had some really unhealthy coping mechanisms that were never addressed. Yeah, the Flux happens. Yeah, Gallifrey dies again.
But.
Imagine this for a second: Rose and Donna’s “let go” statement, ignoring the gender essentialism. It turns out they’re actually harkening back to “Doctor, I let you go.”. Thirteen bigenerates and Fourteen (Ncuti) gives the “therapy in the wrong order” speech, but this time it’s because they’ve already been through the same trauma.
They’ve already seen their planet die, they’ve already lost so much and felt responsible for so much death, but because they’ve already been through that trauma from 9-12 and been through that healing combined with the Toymaker’s wibbly wobbly laws of physics, the bigeneration came from a subconscious recognition that they’re relapsing into those bad habits (compartmentalise, put it away, keep running) and that they need to slow down and stop to process this again.
It would be an excellent way of doing what Rusty wanted and soft rebooting while also showing the audience “hey, sometimes when you think everything is okay it’ll fall apart again, you’ll relapse, things will seem shitty, but because you’ve done all this healing and have all these tools and learned to trust people it’ll be easier to bounce back from, just have patience with yourself” rather than coming across as just completely retconning 15 years of character growth in favour of cheap fanservice
Idk I just have so many issues with The Giggle and I thought they’d get smaller over time as I get over the initial what the fuck but I’m only getting angrier lmao. Like acknowledge the previous writers or don’t, you can’t acknowledge them and then try to gaslight an entire audience into thinking it didn’t happen
#dw spoilers#Doctor who#dw#doctor who spoilers#the giggle#RTD critical#I wasn’t supported through the hardest years of my life by 11 and 12#just for RTD to make like the fandom and spit in their faces
23 notes
·
View notes
Text
Rating Every Nu Who Episode: Season 4
Voyage of the Damned: 5/10 didn't care much for it, though there were a couple of funny moments.
Partners in Crime: 10/10 DONNA!!!!! Also the adipose are cute and funny and horrifying and although the implication is MEANT to be that they took advantage of there being so many fat people in existence, I choose to read it as taking advantage of the predatory weight loss industry. Also Ten and Donna are the perfect Doctor and companion pair. They are chaos twins.
The Fires of Pompeii: 8/10 it was interesting and funny and I love the ending with "save someone, just someone" bit.
Planet of the Ood: 9/10 despite the weird hair loss poisoning which I'm not sure can cause one to change species. But every other part was so perfect and heart-wrenching I'm not even taking points off.
The Sontaran Strategem/The Poison Sky: 7/10 the sontarans are a lot of fun and I liked the cars turning against people, but the young genius guy and his private school felt sort of random and out of place.
The Doctor's Daughter: 8/10 while not the most exciting episode ever, the Doctor's complex family feelings were great and the idea of war spreading so fast that whole lifetimes pass in days was beautiful.
The Unicorn and the Wasp: 9/10 yes it's one of the silliest premises since the revival and yes it feels just like an Agatha Christie book and yes it's sweet and charming and tragic and I love it.
Silence in the Library/Forest of the Dead: 10/10 RIVER!!! This was a GREAT introduction for a fellow time traveler married to him. And also a very creepy premise. And also a very sweet solution when you expect greed to be the cause, or some villain, but it was just a little girl who wanted to save everyone. Note, however: people do so say however many were saved, the show tried too hard to be clever here.
Midnight: 3/10 nothing wrong with it and I know it's a very popular episode, but I don't care as much for plots that take place in a closed space (that felt very spaceshipy) with a mystery threat, and it wasn't fun to me how quickly everyone turned on each other even though I'm not saying it's unrealistic.
Turn Left: 10/10 genuinely one of my favorite episodes. (1) I love in-show AUs, (2) Donna is the most ordinary and most extraordinary person in the universe, and (3) I actually liked Rose a lot more here.
The Stolen Earth/Journey's End: 10/10 I love everything about it, but especially the coming together of all the Doctor's friends. It was fantastic. Also the tragedy of Donna's leaving was beautiful.
The Next Doctor: 8/10 it was charming and funny and I loved the confusion of "well he COULD be me, this happens every few years."
The End of Time: 6/10 thought the Time Lord plot was clever and enjoyed Wilf as a proper companion. The Master's plot to make everyone him was unusually nonsensical, though, and I hate everything about his over-the-top vibes.
Waters of Mars: 0/10 because scary water zombies. I literally only watched it once. It lost its last point because I like the rest of the plot but can't watch it again.
Bonus Character Rating:
Ten: 10/10 he's great and sad and silly but trying so hard to live life.
Donna: 10/10 she's just such a Person. She's normal and abrasive and unapologetic and utterly perfectly complimentary for him.
Wilf: 10/10 perfect grandpa
3 notes
·
View notes
Text
"The Waters of Mars" thoughts
hey y'all it's been a minute. i'm going to knuckle through the last few eps of the davies era before i leave the country. anyway this one was good
this feels like the clearest throughline so far from s4. the doctor is experiencing the same emotions as many a greek protagonist– he has been touched by fate and destiny so profoundly, so inarguably, that he lashes out powerlessly. some of this is a reaction to being alone, deeply alone, having lost all the friends he has made since the time war ended, but some of it is about HOW he lost them. he was destined to meet donna, travel with her, he was actually a pawn in HER destiny, her journey. "journey's end" that was HER journey, he was HER companion in a sense. for someone so accustomed to having the upper hand, especially someone like ten, i can imagine how bad that shook him
cause like, this is ten, you know? i remember nine's last story, i remember "a coward, any day." i remember how he chose suicide, not because it would destroy the daleks but bc it meant he didn't have to live to see them kill everyone. coward, absolutely. the time lord victorious is the polar opposite. time lord victorious is glorious, violent arrogance. what was the change? what happened in the meantime? a lot, but primarily, rose tyler. rose-badwolf forced the regeneration, ten absorbed some of her into him, and time lord victorious is PURE rose tyler. her audacity, her confidence, her arrogance, all wrapped up with a fragile doctor who has lost all and has suddenly realized there are no rules, no rulemakers
the doctor has always been the "teenage rebel" but that implies youth, obedience, an authority figure to defy. it implies a kind of harmless messiness. but that authority figure is gone, before the war he was a father and a grandfather and now he is neither, he is an orphan, he is a widower, he is the very last of the time lords and he is completely lost as a rebel in a universe that suddenly has given him nothing to rebel against
i'm not going to recap the episode. go watch it if you don't remember it, it's really good. a few points: "name, rank, and intention" "the doctor, doctor, and... fun" that's a good one. adelaide was born in 1999 which makes sense for this being 2059 but hello??? adelaide brooke is gen z?? it's 2024 is she on tik tok rn?? girl. so the doctor notes that they have the first flower to bloom on mars in 10,000 years, not sure if that's referencing anything. we get several ice warriors mentions tho, respect
this whole episode has kind of a "the thing" vibe, i like it. viral life form in the glacier, can't tell who's infected. wish this episode had a fucked up dog. uniquely this episode has ten trying to leave, repeatedly. it was pretty common in classic who for the doctor to land somewhere randomly and then go "hm. i don't care much for this. goodbye" and be thwarted, cause he was messy back then. nowadays tho he's not like that, this is unique, this is notable. he finally admits it's a fixed point, a thing i think means nothing except whatever any particular episode writer wants it to mean. which is fine, this is doctor who after all. he takes it back at the end, decides he's above the law bc there are no lawmakers anymore, but forgets that other people have agency. adelaide killing herself got a gasp from my bf
a bit of the "bad wolf" theme plays during the time lord victorious speech which proves my point imo. this is rose, this is rose's influence. she did this, she made him this way, and i don't think that's even a bad thing! in so many ways she made him better. but she also took this fragile war-torn survivor of genocide and made him angry, hard, fanatically right about everything. we also got a bit of "vale decem" at the end around adelaide's suicide cause like yeah this is very distinctly leading to his death
i know this has been extremely rambly but i truly think this episode (which is mostly "the impossible planet" meets "the thing" until the last 15 minutes) is deeply rich thematically and ties into threads i've been picking up on since "the parting of the ways" like ten's era has SO MUCH going on in it!! it's a commentary on nine, on rose, on the time war, on destiny, on classic who, on new who's forward direction. and it'll lead so elegantly into eleven's era, who lives in extreme opposition to having once been ten (as is pointed out directly in "day of the doctor") i think we lose the plot a bit after that. but that's quite a ways away in my recapping. anyway this story is really good and this era is so rich
also this episode was in memory of barry letts. pour one out
5 notes
·
View notes
Text
ok i forgot some of what i was gonna say but i think it’s like: the 10 donna 2 jamie storylines share a lot of elements at around the same place in their arcs such as
first meeting the doctor at a critical time in the doctors life where he or his identity is unstable (after losing rose/after his first ever regeneration). this shows up a lot in both storylines & in both cases the doctor looks to jamie/donna for moral guidance somewhat
there’s a critical moment in both storylines about a third through where donna and jamie make a firm and definitive statement that they are leaving the doctor and going home in the middle of an episode. it’s a really tense and negative and emotional moment in both episodes for jamie and donna. and then by the end of the episodes they’re both happy to travel with the doctor again like they never said anything
also something idk about the doctor having a huge amount of respect for those characters and really looking up to them more than he does to the average companion but still being manipulative to them maybe more than he is to the average companion. but because they’re more important to him than the average companion . it’s like a toxic little cringe desperate cycle
then there’s the aspect to consider of like. these two characters click with the doctor like no other characters i mean you get to their eras and there’s this sense that you’re seeing the doctor have more fun than you’ve ever seen him have before & it’s so reliant on the person he’s with. it’s the constant jokes. it’s the best friendism. it’s the rush towards each other after being split up. like the invincible sense of being in a private reality with your favourite person forever where threats are fun and nothings real enough to hurt you
so that ^ spirals pretty interestingly in both cases where you’ve got a lot of dark and dreadful things happening . horrific things. & as long as the doctor’s with donna/ jamie, they have fun. like delusional manic bouncing off each other’s energy totally disordered response to their situation fun. while all being pretty moral and mostly grounded characters but also characters whose happiness is so dependent on each other like awfully codependent relationships
so that culminates at the end of both arcs & 4 both of them these two characters who were forgetting someone who was half of who they were both these characters who would rather die than forget the doctor not getting to die or live. like they forget and donna goes back to being stuck as if in her teens trapped and crippled by a helicopter mother who tears her down constantly and jamie goes back to a war he has lost and a country and culture that is being torn up by genocidal laws & occupation right in front of him and that’s so miserable. i forgot my point with this whole thing but it’s shitty and sad. they will feel like they are missing something important for the rest of their life and they’ll never be able to remember what it is.
#i literallt don’t know#ok#doctor who#donna noble#jamie mccrimmon#maybe i just like them because i like them and i made that up#my stuff
19 notes
·
View notes
Text
* Eleven would attempt to awkwardly flirt with Rose as she slowly lost interest in him, romantically. They'd end their run together as buddies and she probably finds someone else she's into. Maybe a flirty scottish redhead. That'd be nice.
* Eleven would reciprocate Jack's flirting and it would get *saucy*. But it would end with Jack getting too attached to our aromantic king and leaving because it hurts too much.
* Eleven would go all in on the Mickey-the-idiot thing, but like ten it would turn into more of a friendly teasing thing. Considering what a dweeb he turned into, Mickey would have plenty of material to return the favor and their relationship would be much more equal and fun. And of course he ends up an auton again. But on his own terms at least.
* Martha would immediately lose romantic interest, and would adopt Eleven as her new little brother, telling off anyone who has anything to say about his ADHD. I imagine she'd be the best pick for the 50th anniversary special, getting to lay into ten at long last, warning Elizabeth off of marrying him, and redeeming the War Doctor for good measure.
* Eleven is also Donna's younger brother, only in an antagonistic way. She chases him around, trying to get him to dress like a normal person *for once* and they bicker like siblings in grade school. But when The Great Intelligence shows up and meddles with his history *oh she will have words* and kicks his ass up and down the Doctor's timeline in a hundred killer outfits.
- Donna doesn't come back from being "scattered like confetti". She doesn't exist anymore. Eleven broods about it until he meets Clara Oswald who somehow has his phone number. Their adventures together lead him to Trenzalore. He sends her away, but only 300 years into his war there, he meets an incarnation of Donna who changes his fate and convinces him to slow down.
* He and Clara continue to see eachother, but as far as he's aware, he's out of regenerations and youth, so he retires. They both become teachers at a university. A few decades later, an old and tenured Professor Oswald introduces a stagnating Doctor to a new student named Bill Potts, and of course he can't resist taking on a new surrogate granddaughter across the universe. A fateful encounter with The Master ends their time together, and his very long life. But where there's tears, there's hope, and he wakes up with his youth restored and one last chance to be The Doctor.
* Eleven crashlands in Sheffield and meets The Fam (he calls them that) and they ride off into the universe. He kinda pushes Yaz and Ryan together when he senses something between them, but they end up departing together as friends, wanting to go out and save the world. He actually gets along best with Graham, who he relates to very much as someone who recently cheated death and has a new lease on life. Graham wants to leave with Ryan and it breaks Eleven's hearts most of all. But he loves them all and wishes them luck.
* of course, during this whole process, a new incarnation of The Master reveals the Timeless Child stuff to him. Both Time Lords on their last lives, they have to work together through the Flux to get to Techteun. The Doctor to stop the Flux. The Master to survive it and steal The Doctor's infinite regenerations, which she has stored away. Of course it ends with The Doctor getting his birthright back, and the very extended Eleven era comes to an end with him becoming Ncuti Gatwa, the Twelfth Doctor
51 notes
·
View notes
Text
Doctor Who, but Chronologically 21
WELL SWEET CHRIST ON WHEELS THIS ONE HAD A LOT OF PLOT
Okay, so, it’s 1892, and the episode is Angry Snow The Snowmen, and FUCK ME SIDEWAYS.
First off, it’s a Christmas episode. I usually find Christmas episodes of everything to be nauseating and tedious, but I’ll be honest, I did actually enjoy this one. But all the more so because it’s an origin story - for Clara!
Now, we all recall Clara - so far, she has been tied for first place with Donna in the Best Companion Rankings, with Rose a worthy third, because of her ability to make Peter Capaldi actually do something for once in his miserable life and help someone other than himself. Also, while it’s true that her personality is mostly in the performance rather than the writing, Jenna Coleman is indeed a charismatic actor, so Clara is a heady mix of fun, hyper-competent, no-nonsense, and also sizzlingly hot (be still my stupid bisexual heart). She is excellent, and also specifically the companion of Peter Capaldi. That’s it. No other versions of the Doctor.
So IMAGINE the surprise of seeing her here, as a Victorian governess-cum-barmaid (although the double life is never actually explained or even hinted at), meeting the Doctor for the first time - PLAYED BY MATT SMITH. Zomg! A different Doctor! And I never would have guessed she was a Victorian, what a fun twist.
Except she’s not.
So, this is an episode about furious snow that wants to be an army of ice warriors (not Ice Warriors) because Richard E Grant told it to, or something. This will kill all humans. The Doctor meanwhile lives on a cloud now, accessed via a spiral staircase, which... is also never explained at any point. He is bitter about the world and in hiding and doesn’t want to help anyone. Perhaps this is all Clara ever does. Convinces a tedious misanthrope to stop being a lil bitch. God, she deserved to have Tennant as her Doctor. Just a little. Just a little fun travel, as a treat.
Anyway the Doctor is grumping about proclaiming that he needs no one and has no friends, while nonetheless chilling in the Victorian era with not one or two but three friends. They are a fun bunch - one is a lizard woman, one is her wife played by Catrin Stewart putting on a very good Cockney accent that means she’ll probably get to survive the episode, in spite of this show’s track record of killing off Welsh people, and one is, of all things, a comedy Sontaran called Strax. In actual fact I should point out that Strax is Welsh, as are all Sontarans in New Who, which is exciting, because it’s the only way we *do* get to survive. Strax has been repurposed as a medical professional and/or butler - he gets to have lines like “Try not to worry (derogatory)”.
But weirdly there’s a whole BLOCK of plot we haven’t seen yet with him. The Doctor tells Clara that Strax died because a friend killed him, but another friend brought him back. The lizard woman tells Clara that the Doctor is alone because he lost some people who were close to him, which is not the first time we’ve heard something like that. The furious snow turns out to be the Great Intelligence, except I know that one, shout out to the Web of Fear! Luv me some Troughton. I chose to believe that Matt Smith doesn’t remember it properly because the episodes were still missing at that point.
The other thing that happens a lot in this story is people suddenly springing “tests” on Clara when she’s busy trying to save the world. She does very well in all of them, but really, it’s a wonder she doesn’t lamp someone in the face with a furious snowman. Also, there’s a moment where the Doctor smirks at a mirror and says “Bow ties are cool,” and we know that one too - he said it in the last episode we just watched to Bill Nighy while talking about Vincent van Gogh.
ANYWAY, then the Doctor realises she’s great (correct) and tries to give her a TARDIS key, which you would think is her jumping on point BUT NO because she promptly dies. So, uh. That’s weird.
Her last words to him, though, are “Run. Run, you clever boy, and remember.”
And the Doctor suddenly goes WHAT THE FUCK WHOMST????!!!?
Then we see her funeral. “I never knew her full name!” the Doctor cries. “It’s Clara Oswin Oswald!” which, uh... wow, yeah, I see why she kept that one quiet, like.
And then we suddenly get a bunch of flashbacks to shit we haven’t seen featuring Clara, saying the same words, and the Doctor says he never saw her face with the Daleks, and that she was Souffle Girl, and that she died last time, too, and then he runs off into the TARDIS to try and find her.
So this is NOT her jumping on point, but it also isn’t even the first time he’s met her, and obviously it’s not the first time we’ve met her either except we’d seen her with Peter Capaldi because of this very sensible and normal watch order, so... we still haven’t seen either Clara’s origin story OR her jumping on point.
What the fuck.
Final shout out to Him From Silent Witness who plays Clara’s employer, who at no point has anything actually explained to him but nonetheless manages not to punch anyone in the face with a butter sock.
LET’S UPDATE THE PLOT THREADS! Hoo boy.
“She” (an unknown person) is returning (perhaps River returned as Missy. Maybe Me? NEW INFO: maybe Clara???!)
There is something on Donna’s back
An entire planet, Pyrovilia, just… disappeared, somehow. (Maybe because the TARDIS is exploding??? Saturnine was also lost, and that WAS because of the TARDIS exploding. The lion man’s planet was also lost but he was a bit of a knob about it if I’m honest.)
Amy is maybe dead (she’s not)
The Doctor has been cubed (he’s out, but how?)
River is possibly blown up (unless she’s Missy)
The TARDIS has blown up (It’s fine now. Except it’s sort of melting now because it’s corrupted, but it’s fine again)
The universe appears to have ended (the universe is back again)
The Doctor has employed(?) Nardole (And Nardole was “reassembled???”)
There’s a vault in the TARDIS and it contains Missy but we don’t know why (sometimes she knocks for the bants)
What has happened to all these companions and where are the new ones coming from?
There’s an immortal Viking girl now. Her name is Me and she’s now looking after the people the Doctor abandons
Who/what is the Half-Faced Man that the Doctor talked about?
Why, when the Doctor saw the ship’s computer set to the Promised Land, did he say “Oh not again”?
What’s With The Silence?
Why was Rory entirely unconcerned by the entire world suddenly going silent when that is Not Normal and should have been, at the very least, extremely disconcerting?
What did the Doctor do to Queen Lizzie One?
Who is Captain Jack Harkness? (Is he the one who gave the companions a warning about the lone cyberman?)
Why is Amy seeing a one-eyed woman in a vanishing window?
What’s with the Doctor’s future involving getting shot by an astronaut?
Is Amy pregnant and why is it inconclusive?
Who is Sarah-Jane Smith?
How is the Doctor Bill’s teacher and why/where does he have an office?
What is going on with the Cyber War and the Cyberium???
Who did the Doctor lose to Cyber Conversion?
What happened with the Other Cyber War?
What happened with the Third War that deleted the void?
Why does Rose seem particularly important?
What’s with the statues you mustn’t blink at?
What order do these Doctors go in? (Eccleston, Tennant, uncertain.)
Which companion just... forgot the Doctor, and how?
What is the Flux and what did it do?
Who is the mysterious Victorian man who met Yaz?
Yaz and Vinder are about to die as Mori/Mwri/Muuri
There is a Lupari shield around Earth.
What’s a Time War?
What’s the Rift?
What’s Bad Wolf?
What happened with Amy’s pregnancy?
In which war did the Doctor become a war criminal, and how?
Who is the Master?
Why has Amy forgotten Rory?
Is Rory plastic or not?
Why is the Doctor sulking on a cloud?
How exactly does the Doctor have a cloud?
What exactly happened with Strax to, uh, tame him?
Which friend killed Strax?
Which friend brought Strax back?
Where did this lesbian lizard and human couple come from?
What happened with Clara as Souffle Girl and the Daleks?
How does Clara actually join?
Why so many Claras?
THIS LIST IS GETTING RIDICULOUS WHY ARE WE WATCHING THIS SHOW LIKE THIS
83 notes
·
View notes
Text
Doctor Who: Perfect 10? How Fandom Forgets the Dark Side of David Tennant’s Doctor
https://ift.tt/2URb21b
As recently as September 2020 David Tennant topped a Radio Times poll of favourite Doctors. He beat Tom Baker in a 2006 Doctor Who Magazine poll, and was voted the best TV character of the 21st Century by the readers of Digital Spy. He was the Doctor during one of Doctor Who‘s critical and commercial peaks, bringing in consistently high ratings and a Christmas day audience of 13.31 million for ‘Voyage of the Damned’, and 12.27 million for his final episode, ‘The End of Time – Part Two’. He is the only other Doctor who challenges Tom Baker in terms of associated iconography, even being part of the Christmas idents on BBC One as his final episodes were broadcast. Put simply, the Tenth Doctor is ‘My Doctor’ for a huge swathe of people and David Tennant in a brown coat will be the image they think of when Doctor Who is mentioned.
In articles to accompany these fan polls, Tennant’s Doctor is described as ‘amiable’ in contrast to his predecessor Christopher Eccleston’s dark take on the character. Ten is ‘down-to-earth’, ‘romantic’, ‘sweeter’, ‘more light-hearted’ and the Doctor you’d most want to invite you on board the TARDIS. That’s interesting in some respects, because the Tenth Doctor is very much a Jekyll and Hyde character. He’s handsome, he’s charismatic, and travelling with him can be addictively fun, but he is also casually cruel, harshly dismissive, and lacking in self-awareness. His ego wants feeding, and once fed, can have destructive results.
That tension in the character isn’t due to bad writing or acting. Quite the contrary. Most Doctors have an element of unpleasantness to their behaviour. Ever since the First Doctor kidnapped Ian and Barbara, the character has been moving away from the entitled snob we met him as, but can never escape it completely.
Six and Twelve were both written to be especially abrasive, then soften as time went on (with Colin Baker having to do this through Big Finish audio plays rather than on telly). A significant difference between Twelve and Ten, though, is that Twelve questions himself more. Ten, to the very end, seems to believe his own hype.
The Tenth Doctor’s duality is apparent from his first full appearance in 2005’s ‘The Christmas Invasion’. Having quoted The Lion King and fearlessly ambled through the Sycorax ship in a dressing gown, he seems the picture of bonhomie, that lighter and amiable character shining through. Then he kills their leader. True, it was in self-defence, but it was lethal force that may not have been necessary. Then he immediately topples the British Prime Minister for a not dissimilar act of aggression. Immediately we see the Tenth Doctor’s potential for violence and moral grey areas. He’s still the same man who considered braining someone with a rock in ‘An Unearthly Child’.
Teamed with Rose Tyler, a companion of similar status to Tennant’s Doctor, they blazed their way through time and space with a level of confidence that bordered on entitlement, and a love that manifested itself negatively on the people surrounding them. The most obvious example in Series 2 is ‘Tooth and Claw’, where Russell T. Davies has them react to horror and carnage in the manner of excited tourists who’ve just seen a celebrity. This aloof detachment results in Queen Victoria establishing the Torchwood institute that will eventually split them apart. We see their blinkers on again in ‘Rise of the Cybermen’, when they take Mickey for granted. Rose and the Doctor skip along the dividing line between romance and hubris.
Then, in a Christmassy romp where the Doctor is grieving the loss of Rose, he commits genocide and Donna Noble sucker punches him with ‘I think you need somebody to stop you’. Well-meaning as this statement is, the Doctor treats it as a reason to reduce his next companion to a function rather than a person. Martha Jones is there to stop the Doctor, as far as he’s concerned. She’s a rebound companion. Martha is in love with him, and though he respects her, she’s also something of a prop.
This is the series in which the Doctor becomes human in order to escape the Family of Blood (adapted from a book in which he becomes human in order to understand his companion’s grief, not realising anyone is after him), and is culpable for all the death that follows in his wake. Martha puts up with a position as a servant and with regular racist abuse on her travels with this man, before finally realising at the end of the series that she needs to get out of the relationship. For a rebound companion, Martha withstands a hell of a lot, mostly caused by the Doctor’s failings.
Read more
TV
Why David Tennant Lost Hannibal Role According to Bryan Fuller
By Kirsten Howard
TV
Staged: BBC Comedy Confirms Sheen & Tennant’s Double-Act Greatness
By Louisa Mellor
Series 4 develops the Doctor further, putting the Tenth’s Doctor’s flaws in the foreground more clearly. Donna is now travelling with him, and simply calls him out on his behaviour more than Rose or Martha did. Nonetheless the Doctor ploughs on, and in ‘Midnight’ we see him reduced to desperate and ugly pleas about how clever he is when he’s put in a situation he can’t talk himself out of.
Rose has also become more Doctor-like while trapped in another reality, and brutally tells Donna that she’s going to have to die in order to return to the original timeline (just as the Doctor tells Donna she’s going to have to lose her memories of travelling with him in order to live her previous life, even as she clearly asks him not to – and how long did the Doctor know he would have to do this for? It’s not like he’s surprised when Donna starts glitching). Tied into this is the Doctor’s belief in his own legend. In ‘The Doctor’s Daughter’ he holds a gun to Cobb’s head, then withdraws it and asks that they start a society based on the morals of his actions. You know, like a well-adjusted person does.
What’s interesting here is that despite presenting himself as ‘a man who never would’, the Doctor is a man who absolutely would. We’ve seen him do it. Even the Tenth Doctor, so keen to live up to the absolute moral ideals he espouses, killed the Sycorax leader and the Krillitanes, drove the Cybermen to die of despair, brought the Family of Blood to a quiet village and then disposed of them personally. But Tennant doesn’t play this as a useful lie, he plays it as something the Doctor absolutely believes in that moment, that he is a man who would not kill even as his daughter lies dead. It’s why his picking up a gun in ‘The End of Time’ has such impact. And it makes some sense that the Tenth Doctor would reject violence following a predecessor who regenerated after refusing to commit another double-genocide.
In the series finale ‘Journey’s End‘, Davros accuses the Doctor of turning his friends into weapons. This is because the Doctor’s friends have used weapons against the Daleks who – and I can’t stress this enough – are about to kill everyone in the entire universe. Fighting back against them seems pretty rational. Also – and again I can’t stress this enough – the Daleks are bad. Like, really bad. You won’t believe just how mindbogglingly bad they are. The Doctor has tried to destroy them several times by this point. Here, there isn’t the complication of double-genocide, and instead the very real threat of absolutely everyone in the universe dying. This accusation, that the Doctor turns people into weapons, should absolutely not land.
And yet, with the Tenth Doctor, it does. This is a huge distinction between him and the First Doctor, who had to persuade pacifists to fight for him in ‘The Daleks’.
In ‘The Sontaran Strategem’ Martha compares the Doctor to fire. It’s so blunt it almost seems not worth saying, but it’s the perfect analogy (especially for a show where fire is a huge part of the very first story). Yes, fire shines in dark places, yes it can be a beacon, but despite it being very much fire’s entire deal, people can forget that it burns. And fire has that mythical connection of being stolen from the gods and brought to humanity. The Time Lord Victorious concept fits the Tenth Doctor so well. Of all the Doctors, he’s the most ready to believe in himself as a semi-mythic figure.
Even when regenerating there’s a balance between hero and legend: the Tenth Doctor does ultimately save Wilfred Mott, but only after pointing out passionately how big a sacrifice he’s making. And then he goes to get his reward by meeting all his friends, only to glare at them from a distance. His last words are ‘I don’t want to go’, which works well as clearly being a poignant moment for the actor as well, but in the context of Doctor Who as a whole it renders Ten anomalous: no one else went this unwillingly. And yet, in interviews Russell T. Davies said it was important to end the story with ‘the Doctor as people have loved him: funny, the bright spark, the hero, the enthusiast’.
It’s fascinating then, that this is the Doctor who has been taken to heart by so many viewers because there’s such an extreme contrast between his good-natured front, his stated beliefs, and his actions. He clearly loves Rose and Donna, but leaves them with a compromised version of happiness. They go on extraordinary journeys only to end up somewhere that leaves them less than who they want to be, with Russell T. Davies being more brutally honest than Steven Moffat, who nearly always goes the romance route. Davies once said to Mark Lawson that he liked writing happy endings ‘because in the real world they don’t exist’, but his endings tend towards the bittersweet: Mickey and Martha end up together but this feels like they’re leftovers from the Doctor and Rose’s relationship. The Tenth Doctor doesn’t, as Nine does, go with a smile, but holding back tears.
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
It’s a testament to how well written the Tenth Doctor is that the character has this light and shade, and with David Tennant’s immense likeability he can appeal to a wider audience as a result. It’s not surprise he wins all these polls, but I can’t help but feel that if the Doctor arrived and invited me on board the TARDIS, I’d want it to be anyone but Ten.
The post Doctor Who: Perfect 10? How Fandom Forgets the Dark Side of David Tennant’s Doctor appeared first on Den of Geek.
from Den of Geek https://ift.tt/3iaqbDk
65 notes
·
View notes
Text
An Essay About Resident Evil: Village That No One Asked For But I’m Posting It Anyways
So, the Beneviento House is my favorite part of Village for two reasons. One: it’s the scariest part of the game, don’t @ me. Two: On a second play through, it actually reveals a lot about the issues in Ethan and Mia’s marriage. There’s a lot to unpack here with that, but the tl;dr of it is this: I believe what Ethan experiences in House Beneviento is trip into Ethan’s psyche rather than an actual, physical event, and this trip confirms that his arguments with Mia were made worse by a) him worrying about Rose more than he worries about himself, and b) him assuming that Mia is worried about the same things he is; thus, his hallucinations of her are more a reflection of himself than they are of reality.
All of my logic and evidence is under the cut. Fair warning, it’s very long, I am so sorry, I really am. Aso, please note this is NOT a Mia-bashing post. We do not engage in Mia-bashing on this blog. Please go to someone else’s blog if you want to engage in Mia-bashing. Thank you.
There’s two important things to establish here. First: I think that 99% of what Ethan experiences in House Beneviento isn’t real, and is at least partially a manifestation of Ethan’s inner psyche. The evidence is as follows:
It makes no sense that Ethan would lose his entire inventory within the space of 0.5 seconds after the lights shut off. It makes much more sense that mind control made him think he no longer had a gun.
Several of the items and information used in the puzzles are things that Donna, logically, shouldn’t have access to. The music box was still in their home when Chris arrived (which wasn’t that long ago, keep in mind), I doubt Miranda cared enough to find out Rose’s preferred toys and the identity of who gifted them the music box, and there’s no way Donna would be able to get that picture of “Mia’s” dead body. Mia’s wedding ring is tentatively on this list, too; Donna would have access to it, since Mia was being held captive at the time, but I can’t remember if Mia is still wearing it when Chris saves her, so put that one down as a “maybe.”
You stab Angie (or, more properly, stab Donna) for the final time in the back room by the elevator. However, right after stabbing and killing her, you are suddenly by the front door again, the main part of the house is in shambles in a way that suggests a struggle, and you’re not holding the scissors anymore. If you try to backtrack to check the elevator, the door leading to that part of the house is locked (presumably From The Other Side, as they often are in RE).
Additionally, your entire inventory is spontaneously back in your pockets. In Biohazard, if you had inventory taken off of you, it had to be retrieved from a box later. Not this time (though, granted, this game doesn’t HAVE inventory boxes, but it’s an interesting detail when combined with everything else).
All of this, to me, points to Ethan having probably never left the main foyer throughout the majority of that mind trip. As for the hallucinations being fueled mostly by his psyche, a diary entry from the gardener mentions that the plants made him hallucinate his deceased wife, and as mentioned above, a lot of the puzzle relates to things specific and personal to Ethan. While I don’t doubt that Donna could and probably did influence the hallucination a bit (she is a puppet master after all), the building blocks were all there in Ethan’s head.
Second Important Thing to Establish: Ethan was completely missing the point during his arguments with Mia in the lead up to Village.
I’m of the opinion that the fights Ethan mentions in his diary were not a constant thing. I think they only started, at the earliest, while Mia was pregnant, but for sure after Rose was born. This is because pretty much all the canon evidence we see about their fights circles back to Rose. The diary entry where Ethan describes the fight they had is dated four days before Ethan’s death; meanwhile, the flashback fight (which is most likely of that very fight) is triggered by a conversation about Rose’s doctor’s visit and uses language that implies a lot of their talks (and presumably arguments) about “staying positive” have to do specifically with Rose and the move.
It’s also worth keeping in mind how much of Ethan’s thoughts about Dulvey and moving past it are related to Rose. Like, yeah, I’m sure he wants Mia to heal for her own good and he’d like to heal for his own good. That’s to be expected. But whenever he talks about moving to Europe and healing from Dulvey, it’s also about doing it for Rose and for her benefit (“so we can live our lives with Rose without it hanging over our heads” in the diary, “We moved here so that she wouldn’t have to deal with any of that” in the argument with “Mia” at the start). Additionally, in the flashback he says, “[Rose]’s going to be fine, I just know it. What else matters?” Rose is Ethan’s #1 priority and much of his concern is focused on her.
But—and this is the important thing here—not all of Mia’s is. The end of the game reveals that Mia knew, most likely as a result of her pregnancy with Rose, that Ethan was a megamycete hybrid. In the flashback fight, she says, “I keep telling you, it’s not Rose that I’m worried about”, and the one moment when she truly explodes on him is after he implies that the only thing that matters is Rose’s safety. “We matter, Ethan! YOU matter! You just won’t-” Her exact words. We never find out what the won’t is, but I have a feeling what she’s getting at is that Ethan is unwilling to look past his worries about Rose and always circles the argument back to her. Now, we don’t see this directly, as we’re only privy to one real argument of theirs (Miranda being bitchy doesn’t count), but there’s past evidence to suggest this was probably the case.
The thing about Ethan is that he can be single-minded in his protective instinct, and we’ve known this since the last game. There’s a little throwaway moment in Biohazard where Mia thanks Ethan for choosing to save her over Zoe. He responds “Who the hell else was I going to choose?” with like, zero hesitation, and she seems taken aback by the response. Now, of course, Mia being his choice makes sense, she’s the whole reason he came here, But Zoe did still help him out, and she is still a victim in all of this. She deserved to get out of there as much as Mia did. But Ethan chose Mia without any hesitation, would have chosen her every time, and while he did promise (and keep said promise) to help Zoe, Mia was his top priority. He lost a limb (or two, depending) and dragged himself through hell for Mia—and keep in mind, this is despite him being on some level aware of the fact that she was involved in all that mess (he POINT BLANK ASKS, “You had something to do with all of this, didn’t you?”) and after she’d behaved aggressively towards him (granted, that was while she was under mind control, but that would definitely give some people pause).
Ethan cares about other people in his life first and foremost. Ethan barely cares about himself. He focuses on saving Mia at the expense of his own safety and someone else’s, and when things start getting bad again after Dulvey, his sole focus is on how it could affect Rose. I have a feeling a big part of the reasons the disagreements happened, in addition to Mia keeping information from him, was Ethan focusing on Rose’s safety, as if it’s the only thing that they could have to be worried about, and how frustrating that must have been for the woman who has seen first hand what Ethan is like and how much trouble his intense protectiveness can get him in. (Note: this does not excuse Mia from not just like. Telling him the truth, but I have my own theories about that, so we’ll leave it at “they were both talking past each other in a big way and that wasn’t helping the marriage any” because my analysis of Mia as a character is WAY beyond the scope of this post.)
Now, you’d think, you’d think with Mia having repeatedly telegraphed that Rose isn’t the problem here, that Ethan would on some level be aware of the fact that something else is going on. But he isn’t, or at least, he isn’t aware of the right things, and Beneviento House proves it.
So, Ethan is having a hell of a bad trip based off of his own insecurities and fears: his unresolved issues with Mia and his daughter’s safety. We have established above that Ethan has completely been misreading his arguments, and with that in mind, everything that Hallucination!Mia says from the second you see her gets really interesting. Starting with:
“Rose feels different. Ethan, you have to fix her” and “That’s a kick. […] She’s so energetic, it’s crazy.” Mia most likely caught on during the pregnancy that something was different about Rose. They were already ordering medical reports, including fungal pathogen testing by the BSAA, and her health was a definite source of anxiety for Ethan (his response to reading her medical file being a relieved sigh). Mia notices something is different about Rose, probably works it out, and realizes what the wider implications are for the family. Ethan is just plain worried about his daughter’s health, assumes Mia’s worries match his own, and that assumption is reflected in both the memories that come to the surface and the words his psyche put in Mia’s mouth.
“I can’t tell Ethan anything about this”, “Everyone leaves me, even Rose. I don’t want to be alone” and “I didn’t want to keep it from you. I didn’t want to lose you again. I didn’t want to destroy this family. I love you both so much. I had to. I had to do it.” Now, I don’t think the last two are anything Mia has directly said, but they all could be Ethan’s interpretation of her recent behavior. As mentioned above, he’s already aware that she’s kept at least one secret from him, and seems to know something is going on with Rose. If Mia’s not telling me, it’s because she’s worried about both of us, and doesn’t want to break up the family.
This one is a bit of conjecture and my own personal interpretation of Mia, but you’ve come this far, so hear me out: through these hallucinations, Ethan reads the aggressive secret-keeping as an attempt to keep the family together so that Mia won’t be abandoned again. I think he’s probably at least partially correct in that assumption. However, I think it’s also partially a projection of his own desires and motivations (keeping his family together at any costs). On top of that, he’s definitely missing the fact that Mia knows something is up with him as well. Telling Ethan doesn’t just potentially mean wrecking the family; it could wreck him on a personal level, and put him in a lot of danger. So while Ethan assumes it’s just about the family, there’s a lot more on Mia’s mind. That a lot more just isn’t reflected because Ethan doesn’t know.
The final bits of audio you hear are Mia crying for Rose, then repeating to herself that everything is going to be fine. Again, we know that Mia was worried about more than Rose. Ethan doesn’t. Ethan is worried about Rose first and foremost, has misread Mia due to his singular focus and lack of vital information, and in misreading Mia has created this version of events where Rose is the one who’s really in danger. Despite Mia indicating there’s more to it, he still reads what’s going on as being Rose-centered, and the fact that Rose is now genuinely in serious danger doesn’t help with that.
At the end, when Ethan says “Mia. I’ll make things right”, he’s talking about the wrong thing. He’s saying he’ll protect Rose, he’ll save her, he’ll keep her safe in a way he hadn’t been able to with Mia.
What he’s missing is the fact that, while he might’ve been just worried about Rose, Mia never was. That’s one part he can’t make right. Mia would’ve had to; she just never got the chance.
(Sidebar no one asked for, but I personally think she would have, either of her own accord or because the BSAA fungal reports (which seem to be the test results the doctor wanted to talk to them about if I’m understanding the timeline right) would’ve blown the whole thing wide open for her. It was basically inevitable. Doesn’t excuse all the secret keeping up until that point, but I like to think she would’ve come clean. Freaking MIRANDA JUST HAD TO GO AND RUIN IT THOUGH - )
#resident evil#resident evil village#ethan winters#mia winters#if you read all of this you're an MVP for real#fandom meta
69 notes
·
View notes
Text
I went down this rabbit hole thanks to @and-this-of-all-my-hopes
I have some slightly different choices regarding the callback episodes. Also, I feel like each word represents a general theme to their past as a double layer.
Westerly – Agreed, Turn Left seems a likely candidate. It reflects that her choice impacted their entire timeline, including saving his life, Martha’s season, etc.
Pelican – The pelican has motherhood & sacrifice symbology. So many episodes have those themes – the hostess sacrificing herself in Midnight for those under her care. The Unicorn & the Wasp with the wasp being the hostess’s lost child. Doctor’s Daughter with his daughter sacrificing herself for them. Forest of the Dead revolving Donna losing her ‘children’ and/or River Song sacrificing herself, Partners in Crime literally about the Adipose children & their Nanny, and Donna sacrificing herself in Turn Left. Stolen Earth/Journey’s End with the symbology of the Doctor’s ‘childen’ being all his companions who are quite willing to burn everything down to save what they can. Both his actions regarding his other halves in Journey’s End - giving up Rose & Tentoo and letting them have a future without him, as well as sacrificing his own future with Donna to save her from her Timelord side. Parenthood, Protection, and sacrifices made to protect those under your care is practically the over-arching theme of the entire season.
Dreams – Another one that fits in multiple slots. Fires of Pompeii with the seers. Ood’s dreams of freedom. The library episodes with the symbology of the uploaded characters living forever in a dream state. As a theme, Donna & the Doctor’s dreams of a future running together.
Tornado – Poison Sky seems the obvious episode to refer to. But as a thematic element, it can represent how fate circles Donna and continues to draw everything into her as the center.
Clifftops – Fires of Pompeii ended with them standing on a clifftop watching the explosion. As a theme, it reflects the Doctor standing on the edge, one step over and he falls into the worst of himself. It’s a symbol of how Donna taught him to step back and become a better person.
Andante – Not just a reference to Silence/Forest and River Song (music), but also Planet of the Ood (their song). Andante is also an Italian word for a slow meter in music. Donna taught him to slow down and start paying attention to details. She’s the one who cracked most of the mysteries, by slowing down, looking in the corners, & seeing the overall picture that he ran right past.
Grief – Oh .. Pompeii, Ood, Doctor’s Daughter, Silence/Forest, Turn Left, Stolen Earth/Journey’s End are all strong contenders. This entire season is nothing but GRIEF!
Fingerprint - Doctor’s Daughter is a likely culprit. Also, the symbology of his hand, his DNA, transforming her into his literal sister/half as part Time-Lord.
Susurration – Silence is a good one, but also Midnight with the focus on voices. Even Partners in Crime revolving around Donna’s search for the Doctor, following whispers & clues of what he’s up to do. Turn Left, with how Donna could sometimes hear the Timebeetle on her back. Even whispers of Rose’s return throughout the entire season.
Sparrow – The Italian connection (Pompeii), but sparrows also seem to be tied to a whole bunch of symbology including messages, family, afterlife, ecosystem/weather, and adaptability. I can see ties to Pompeii, Turn Left, Sontaron/Sky, Silence/Forest, Turn Left, Stolen Earth/Journey’s End. It’s also a good symbol for Donna herself – constantly seeing herself as someone so common, unworthy, or unmentionable, and yet brimming with life and adaptability.
Dance – Partner’s in Crime is a good one, but I also wonder if Runaway Bride, though outside of the 13 episodes in question, fits. Also, Stolen Earth/Journey’s End with the 27 planets aligned, it’s very dance-like. Their entire relationship is a dance, a partnership.
Mexico - Could be Midnight. The episode was supposed to be reflective of the Doctor & Donna taking a recovery holiday after the emotional losses they both experienced in the Library. A resort in a faraway place. From the get-go, Donna was ready for far-off destinations, bringing an entire wardrobe, etc.
Binary – Journey’s End, agreed. It’s a description of their entire relationship. It’s how in each episode, everyone immediately recognizes they are two halves of the same equation. Siblings, Married, etc. It’s their relationship and the way they fit together.
Donna & the Doctor have always been my favorite Tardis pair. There's just something so special about them running together, so tragic and yet so joyful.
Westerly. Pelican. Dreams. Tornado. Clifftops. Andante. Grief. Fingerprint. Susurration. Sparrow. Dance. Mexico. Binary.
I am almost certain that each of these words are referencing the 10th Doctor/Donna episodes. I don’t think it’s a coincidence that there are 13 words and 13 episodes. This is what I have so far:
Westerly - Turn Left, this seems super obvious to me and what’s got me theorizing
Pelican -
Dreams -
Tornado - The Poison Sky due to reference of dangerous climate
Clifftops -
Andante - Forest of the Dead, with Andante being a reference to River Song
Grief - Planet of the Ood would be my guess, while you could contend Andante since that’s a musical term and that leads to the Ood’s song, grief better encapsulates Donna’s emotions during this episode
Fingerprint - my gut says this is The Doctor’s Daughter
Susurration - it’s means whispering, so perhaps Silence in the Library
Sparrow - lots of possibilities, but sparrows are the national bird of Italy, so it could be The Fires of Pompeii
Dance - Partners in Crime, maybe. Dance Partner, how the whole episode shows how in step the Doctor and Donna are with each other.
Mexico -
Binary - Journey’s End, obviously
I could be completely wrong, but if anyone has suggestions and thoughts, please share!
#crack the code#doctor who 60th anniversary#doctor who#doctor who spoilers#the star beast#doctor donna#Wild blue yonder
19 notes
·
View notes
Text
Your Judgement | Loki x Female Reader
Loki (Marvel) x Doctor Who
Loki loses control in more ways than one and secrets are revealed, leaving you with a decision to make.
Part Two | Part Four | Chapter Index
Words: 6.6k
Warnings: angst, threats, blood and injury (this makes it sound a lot worse than it actually is)
Read on AO3
Loki despised feeling out of control. Everyone had always told him how to behave, what to say, what to do, who to be and he thought he had finally escaped all that, he had found the power that he had always sought after, he finally felt a sense of ownership over himself and it was so quickly snatched from him right under his nose in the worst possible way.
Sure it was suffocating on Asgard and yes he was being influenced by the mind stone on Midgard but he had never lost control quite like this before. Every movement he made wasn’t his own, his limbs moved with an invisible force, even the words coming out of his mouth weren’t his. He had been turned into a living and breathing puppet, to be used as a vessel to preserve the life of a deranged mortal who refused to die.
He was humiliated, how could he let a weak, insignificant Midgardian possess his body? He was a God and a supreme sorcerer, she should be no match for him but he struggled to force her out, she stubbornly clung on tight.
The pressure in his head was intense, due to the fact his brain was being compressed to make room for Cassandra’s consciousness. For someone like Loki, who always preferred fighting with his mind over his fist, shaking someone out of his head should’ve been child’s play but the compression on his own mind was making it weaker which made him more vulnerable to her control.
“I’m getting jealous ex vibes. I swear to God, Doctor, if my niece got possessed because you’ve got a jealous ex.” Donna warned the Doctor who looked like he was about to choke on his own saliva.
“Her?” The Doctor screeched.
“You should be so lucky.” Cassandra made Loki glare at the Doctor.
“Let him go, Cassandra.” The Doctor ordered the consciousness possessing Loki.
Cassandra made Loki pout. “And why would I do that? I finally found the secret to immortality.”
“The psychograft you used is banned on every civilised planet, including this one, what you’re doing is illegal. All I need to do is take you into the city and hand you over to the authorities.” The Doctor warned.
The force inside Loki’s mind made him laugh wickedly. “Oh Doctor, I wouldn’t do that if I were you.”
“Why not?”
“You can’t hand me over without handing Loki over too.” Cassandra explained before she suddenly gasped as if finding out a secret. “Oh, he really doesn’t want that.”
Suddenly Loki’s body jerked, as one would when you hit the emergency breaks and he quickly slapped his palm against the wall to steady himself as his breath came out in heavy pants.
“Get out of my head!” Loki growled, he held his eyes shut tightly which caused his eyelids to crinkle as he clenched his teeth and brought the tips of his fingers up to his temple. He strained as he tried to maintain in control of his own mind, while Cassandra fought to regain dominance.
“Loki? Listen to my voice. You can fight her. Hold on.” The Doctor encouraged Loki who let out a frustrated cry as he attempted to force Cassandra out of his head.
You could see the pale golden mist slowly surround him like a halo as he continued to strain, you could see how much it was exhausting him, his already compressed mind was being pushed to its limits.
“That’s it, Loki, you’ve almost got her out.” The Doctor continued to encourage him, as he was really starting to struggle.
Before he could completely expel Cassandra, Loki’s mind succumbed to the fatigue of using powers while being compressed and failed him as the gold essence sunk back into his skin and he collapsed to the floor. His chest rose and fell rapidly as he panted from the exhaustion.
“That was a very foolish thing of you to do, Loki.” Cassandra addressed the God using his own voice which sounded tired from the strain of trying to force her out. “Don’t forget, I’m inside your head. I can see everything. There are things in here that I am sure you wouldn’t want your new friends learning about, so I’d advise you to behave.”
The Doctor, Donna and you, glanced at each other wordlessly, as the atmosphere instantly changed. Cassandra knew she had caught everyone’s attention as she flicked Loki’s hair out of his face and watched you all through his eyes as she forced the corners of his lips to lift into a wicked smirk.
“What do you mean?” The Doctor took the bait, and Cassandra made Loki’s smile widen in twisted delight.
Your chest tightened with anxiety as you worried about what Loki was hiding. You weren’t daft, you were fully aware that within the two days you had spent within the company of the God, it wasn’t enough time to properly know him and it definitely wasn’t enough time to trust him. However you couldn’t deny the fact that you had developed an attachment to him and the prospect of that potentially being cut short left a feeling of despair that was difficult to ignore.
“Let’s just say, the God of Mischief has been up to a lot of mischief.” Cassandra made Loki chuckle at her own joke as she forced him to climb back up onto both his feet.
Without warning the laughter abruptly cut short and with an unexpected jerk, Loki regained control. This time he moved without hesitation or delay as both his palms filled with glowing balls of green smoke and with a loud growl that caused you to startle, the light from his palms turned into an aurora which flowed halfway across your bedroom. The golden mist evaporated from his skin more rapidly this time, as it chased after the green light. You watched on, completely captivated as the gold and green swirled together and began to intertwine. Your focus was torn away when you heard Loki collapse to the floor, completely drained after focusing all his energy on removing Cassandra from his mind while using his magic at the same time.
“Doctor.” You heard Donna whisper and you looked up at the pair to find your auntie rapidly tapping the Time Lord on his upper arm to get his attention, while she stared across your room, the Doctor’s eyes widened when he saw what she was looking at and you looked over to see what had grabbed their attention.
“How clever!” A figure identical to Loki, spoke with wonder as it patted itself down to check it was a solid form. “I suppose this solves all our problems.”
“Oh this isn’t a solution,” original Loki spoke with a heavy sigh as he was still trying to catch his breath and you turned your attention back to him. “You think I would let you remain in my form forever?”
“Well, there are worse people to spend eternity with.” Cassandra, who you realised was in control of the Loki clone, shrugged.
“I’d throw you into the nearest burning sun before I let you stay by my side for the rest of eternity.” Loki threatened his possessed clone, his tone harsh and abrupt. “You’re an insignificant and wretched mortal who has deluded herself with the notion that she is worthy of immortality but you are nothing but a worthless creature. You don’t even have your own form to sustain you and so you live off others, like a pathetic parasite, and if you think I will allow your revolting existence seek life support through my Godly form for a whole day, much less an eternity, you’re sorely mistaken.”
Loki had stalked towards his carbon copy, as he spoke his monologue with such a threatening force that it had even sent shivers down your spine, despite the fact that it wasn’t even directed towards you.
“You best pray that the Doctor doesn’t send the both of us away, because as soon as you’re alone with me no one will be there to protect you, and since you have been inside my mind, I am sure you are fully aware of the things I am capable of doing to you.” Loki finished, once he was stood mere inches in front of his double, who was now visibly cowering away from him.
The light of your bedroom reflected off the moisture which had built on the waterline of the duplicates eyes, as they stared into the Gods face with pure terror.
The cruel things Loki had said and the intimidating manner of which he had delivered them in, struck fear through your chest. His voice had dripped with pure threat and menace, even the tone he had used when you first met him and he had trapped you against that secluded wall, paled in comparison to the one he had just used towards Cassandra.
Loki had unleashed a side of himself that you had yet to see, or even knew existed, and you would be lying if the things he had called Cassandra didn’t sting, of course he could’ve been speaking to her as an individual but what if he held these views towards all mortals, were you merely viewed as ‘worthless creatures’ by the immortal God?
“Loki, that’s enough.” The Doctor had sternly told him and you weren’t sure if you imagined it but could have sworn that you saw regret flash in Loki’s eyes as soon as he turned and saw you, the Doctor and Donna all staring at him. It seemed your presence had slipped his mind while he had succumbed to his more sinister side and now he was realising you had all just witnessed it first hand, on top of Cassandra revealing that he was hiding secrets which he didn’t want any of you to discover.
Loki opened his mouth to try and say something but nothing came out, eventually he gave up and let his lips form a thin line as his head tilted downwards to avoid all your eyes.
Silence laid heavily over the room as no one wanted to be the first one to break it, what could anyone possibly say after that? After a short period of time you heard footsteps softly tap against the floor and you looked up and saw Loki lower himself into your armchair. He rested his elbow upon the armrest and cradled his chin in his hand, covering his face from the nose down with his fingers as they anxiously rubbed over his lips. It appeared as though he had a million thoughts racing through his mind, you couldn’t help but wonder what they were.
“I think, I would like to leave now.” Cassandra eventually announced.
The Doctor had explained to her that he could take her into the city where they would provide her with a skintank for her consciousness to live in and she was more than happy to go anywhere the Doctor took her as long as it was away from Loki.
“I thought you of all people, Doctor, would be careful with the kind of people you let travel with you.” You heard her quietly comment, as she made her way out of your bedroom, the Doctor paused under the doorway and looked at Loki, while he considered what Cassandra had said before he silently turned and followed her to the control room.
“Are you coming?” Donna looked at you, ready to follow behind the Doctor.
You had noticed the way the Doctor looked at Loki and you realised he was considering whether or not he should allow him to stay on the TARDIS, before you turned your attention back to Loki, observing the way he seemed lost in his own world.
The way he had lost his temper had startled you, however you didn’t believe his reaction towards Cassandra was unwarranted. You knew exactly what it felt like to have her inside your mind, controlling your body like a puppet. It felt violating. You weren’t sure whether or not his threats toward her were empty, you were sure that was something you didn’t want to find out, but either way Loki hadn’t actually laid a single finger on her, so it seemed as though his tactic was just to frighten her. It may have not been the most conventional approach but it had worked and as a result the Doctor was now taking her to the city.
“I think I’ll stay here.” You decided.
Donna didn’t say anything but she glanced over to Loki, who was still slumped in your armchair, his gaze unmoving from the floor, and you understood that she was nervous to leave you alone with him.
“I’ll be fine.” You assured her, despite the fact that you couldn’t say for certain that you would be, but you wanted to try and talk with Loki. You knew that there was a lot that the Doctor would want to discuss with him after he returned from the city and if you could talk with Loki beforehand, one to one, maybe you could help him.
“If you’re sure...” Donna sighed, clearly not happy about leaving you alone with Loki but she knew that you were an adult and responsible for your own choices and she respected that. After leaving a kiss on your temple, she reluctantly made her way out your room. Pausing under your doorway she looked between you and Loki with a sigh and you could see the worry all over her face but you gave her a reassuring smile, which she returned, before she finally disappeared down the corridor to join the Doctor.
You weren’t even sure if Loki was aware of his surroundings anymore as he had hardly moved an inch since he collapsed into that seat. He didn’t even seem to notice that it was only you and him left in your room as you cautiously made your way towards him. Once you were stood around a meter in front of him you stopped and he still hadn’t registered your presence, if he had, he wasn’t acknowledging it.
“Loki?” You softly spoke.
The God slightly jumped as his gaze caught yours, he looked startled before his eyes bounced around the room and then finally rested back on you.
“Where is everyone?” He asked, his voice small, it was the softest you had ever heard him speak, you almost couldn’t hear him.
“The Doctor and Donna have left to take Cassandra into the city.” You gently explained.
“They left you alone with me?” Loki looked at you with disbelief and you looked down for a moment, realising Loki was more scared of himself right now than you were of him.
“Loki, we need to talk.” You stated, your tone was still gentle but you tried to sound stern to make him realise you weren’t offering him a choice.
“What is there to discuss? As soon as the Doctor returns he will hand me over to the TVA and I will be erased from existence.” Loki dismissed your proposal to talk.
“You don’t know that.” You tried to reason, this time you crouched down, so you were balanced on the balls of your feet and you could talk to Loki from a more equal level. “I don’t know what the Doctor will decide to do when he returns but if you talk to me and explain everything, I might be able to persuade the Doctor to trust my judgment.”
Loki seemed to consider it this time as he glanced at you, a frown formed over his face and his dark brows shadowed his eyes, which appeared to be filled with sorrow. He finally broke his eye contact with you to look down at his hands as he fidgeted with them between his spread legs.
“Okay.” Loki agreed.
You drew your lips together and looked around as you considered what you could address first and it was hard to ignore the one thought that was dominating your mind.
“The things you called Cassandra... is that how you view all mortals... is that your view of me?” You asked Loki, now you were the one avoiding his gaze as you rubbed your eyebrows with embarrassment and kept your eyes on the floor.
Due to the fact you weren’t looking at him, you missed the way Loki had instantly looked at you with eyes full of remorse, he hadn’t even realised that you might have connected his words towards Cassandra to yourself after he had addressed her as a mortal. His jaw was slack as he didn’t even know where to begin telling you how wrong you were and how you had singlehandedly gave him the power he needed to feel in control for the first time in his life.
“Gods no!” Loki rushed to answer, mindful of the fact that if he allowed the silence to settle too long after you finished your question, it might have seemed like a confirmation that that was truly what he believed you were.
When you continued to avoid looking at him, Loki sighed as he pulled his palm down his face. He slid himself off of the armchair to make your heights more equal as he sank to the floor and sat with crossed legs, before he continued, determined to rectify your belief of how he perceived you.
“Listen to me, you hold so much power. You have done more for me in two days than anyone else has in my thousand years of existence and you don’t even realise it. I think what... daunts me the most about you all learning the things which Cassandra had mentioned I wouldn’t want you finding out, isn’t that the Doctor might end up taking me back to the TVA. It’s the fact that you will see me as everyone else does, validating that they were right about me all along, and when you inevitably do, it will strip me of the control I have felt over myself these last few days, because you were the one who bestowed it upon me. Someone who holds that much power could never be a worthless creature.” Loki confessed and you furrowed your brows as you lifted your head to look up at him, processing what he was telling you because it was a lot to take in, you weren’t even sure you understood what he meant. How could you have been the one who gave him his sense of control over himself, what had you even done?
“How... how did I do that?” You asked in disbelief.
“Everyone I have ever known in my life has always decided who I was before even getting to know me, but you had no preconceived notions about me when we met. For the first time I had control over who I could be and who someone could see me as, you gave me that control.” He explained to you.
“Loki, that sounds like manipulation.” You realised with alarm. “You can’t just control which parts of yourself you decide to let someone see and expect their perception of you to be an accurate one.”
The God paused, seemingly taken aback as if he was realising this for the first time and once it sunk in he looked genuinely ashamed.
“You can control who you are, but you can’t control how people see you and how people see you, doesn’t control who you are. Does that make sense?” You tried to explain to Loki, who was staring at nothing in particular as he attempted to grasp what you were telling him.
“But if everyone shares a certain view of me, how could that not possibly be who I truly am?” Loki argued.
You paused for a moment, as you pondered over his question.
“Do you believe this view people have of you to be true?” You asked Loki.
He shrugged after he allowed himself to think about it for a moment.
“Do you want it to be?” You asked instead.
This time Loki didn’t need any time to think about his answer as he immediately shook his head.
“Then, that must not be who you truly are, if it is not who you want to be.” You concluded.
Loki looked at you with hopeful eyes before they fell to his lap as he thought about what you said.
“I think you should tell me what it is that Cassandra said you didn’t want us learning about you.” You decided. You didn’t promise Loki that it wouldn’t change how you viewed him, that would be unwise since you had no idea what he was about to tell you, but whatever it was, you would allow him the opportunity to explain himself so that maybe you could understand.
Loki swallowed nervously as his eyes fell to his hands and he focused on picking at some loose skin near the side of his nail. You observed him closely and you were astounded by how a powerful God could appear so vulnerable and so... human. When you saw his brows pull together with frustration as he was unable to figure out where to begin, you gently put your hand on his knee and gave him a small smile of encouragement.
“I killed my father.” Loki finally confessed, just straight to the point as if he were ripping off a band-aid, “my biological father.” He added, to clarify.
Loki hadn’t delivered his confession with much emotion, however his chest and shoulders did fall ever so slightly, as if a weight was being lifted off of him.
As soon as the words fell from his lips, you retracted your hand from his knee and Loki lifted his eyes to watch your reaction, apart from breaking physical contact you tried to not react, keeping your expression as neutral as possible.
“Why?” You eventually asked, sticking with your decision to let him explain.
“To prove my loyalty to Odin – my adoptive father, and to Asgard.” Loki explained, before elaborating. “Laufey, my biological father, was the King of Jotunheim and an enemy of Asgard. The realms were on the brink of war after my brother, Thor, lead an attack on Jotunheim, as a result, Odin banished him to Midgard as punishment. During the attack, I had discovered my true heritage as a frost giant while fighting by my brothers side. When I confronted Odin about it, he told me he had found me abandoned in a temple on Jotunheim, during one of his attacks and he took me with the plan to use me to unite the two kingdoms and form an alliance. Suddenly everything made sense, why he had always favoured Thor, how could a frost giant ever be worthy? Much less the King of Jotunheim’s unwanted, bastard son.” Loki’s voice dripped with disgust and you saw moisture gather in his eyes but he quickly blinked it away before continuing. “After I confronted him, Odin collapsed and fell into Odinsleep. With Thor banished and the King in a deep sleep, Asgard was vulnerable. I knew it was my chance to show Odin that, despite my Jotun heritage, I could be just as worthy as my brother. So I tricked Laufey into believing I had betrayed my adoptive father by luring him to Asgard with the belief he could assassinate the King as he slept, but I killed him as he was about to plunge his spear into Odin’s chest.”
Loki hadn’t planned to share so much, especially to someone he had only known for two days, but he found that with each word that poured out of his mouth, he felt lighter and before he knew it he couldn’t stop.
Except for sometimes his mother, he had never really known the privilege of being listened to. He didn’t know how you were going to react to what he told you but you had listened and he hadn’t realised how much he truly needed that until now.
You were stunned to silence by everything you had just heard Loki tell you. What flooded your heart with so much sorrow that it weighed heavy in your chest, was the way Loki had spoken about himself being unworthy and unwanted, you had decided in that moment that you couldn’t let him be kicked off the TARDIS and abandoned again. After learning about the kind of example Odin set his two sons, you thought Loki’s actions were hardly surprising and despite what Loki had said about Odin favouring Thor, you couldn’t help but think about the fact that Odin had punished Thor for leading an attack on Jotunheim, when he himself had done the same. Instead of holding himself accountable and teaching his sons to not make the same mistakes he had, he let them follow in his footsteps and then punished them for doing so. He raised Loki to see his own father as an enemy and he kept the truth from him, and you imagined that he probably never would’ve told Loki about his true heritage had he not discovered it for himself.
You struggled to gather together the words which felt right to say in the moment, wondering what words of wisdom, which you had collected over your 20-something years, would be worth something to the centuries old God. Despite not knowing what Loki might have needed to hear, you knew of something that he needed, and that was a place to belong.
“I’m going to talk to the Doctor as soon as he comes back and I’ll make sure you get to stay.” You promised him, as you once again returned your hand to his knee and offered him a reassuring smile.
Loki’s brows pulled together and his lips fell slightly apart, as he stared at your hand before his eyes travelled up your arm and connected with yours. He studied your expression carefully, trying to find any hints of fear, disgust or doubt. Being the God of lies, he could sense when people were lying or trying to deceive him, but you looked at him with nothing but sincerity.
Loki’s eyes dropped to your hand again and he was conflicted. He was in a state of disbelief over the fact that you still wanted to support him after everything he confessed, however you failed to realise that there was still one secret remaining to be divulged. You had assumed he revealed everything, he could have easily gone along with it and increased his chances of maintaining his place on the TARDIS. He would be lying if he said that wasn’t tempting, deceiving people was second nature to him, however when he looked back into your eyes and saw how much compassion they held towards him, compassion he was certain he didn’t deserve, he couldn’t find it in his heart to deceive you.
Unlike almost everyone else in his life, you had shown him an unlimited amount of kindness and understanding. Most times when he tricked, double crossed or misled people, he believed they deserved it but to do that to you would just be cruel and it was not a level of cruelty which Loki possessed.
So, reluctantly Loki took a gentle hold of your wrist and removed your hand from his knee and returned it to your side.
“I can’t let you promise me that.” Loki rejected you.
“You’re right, I shouldn’t promise something which is beyond my control but–“ You misinterpreted what he meant.
“No,” Loki quickly cut you off, “I can’t let you because there’s still one more thing I haven’t told you and I think once I do, you will change your mind.” Loki explained.
You remained silent, though you felt anxious about what he might confess, you were also struck by the fact he chose honesty. If he wanted to, he could have easily played along, let you believe he had confessed everything and secure his place on the TARDIS, yet he put it in jeopardy just to ensure that you weren’t misguided and you couldn’t help but admire that. You believed it was a testament to his character which you decided you wouldn’t let go unnoticed, while you nervously waited for him to reveal his final secret.
“After everything that happened, Odin rejected me and I fell into the hands of a mad titan. I was without purpose, he used that to his advantage and I didn’t need much convincing to join his cause. He desired to posses more power than even the mightiest of Gods, with the use of all six infinity stones. He provided me with an army and instructions to deliver him the tesseract and in return he granted me access to the mind stone. It influenced my feelings and increased my desire for power and need to prove my worthiness, and so I used the army to attack New York city, in an attempt to take over Midgard and rule it as my own.” Loki confessed.
You should’ve been horrified, part of you definitely was, but it was heavily diluted by your confusion.
“I... I don’t remember any of this ever happening.” You admitted, you were very certain that you would recall a God invading one of the most famous cities in the world with an army.
“It hasn’t happened for you yet.” Loki explained.
“Time is confusing.” You nervously laughed before you fell silent as you let what Loki told you really sink in.
He had attacked earth and attempted to rule over the human race. The way he spoke about it, implied that he didn’t succeed and surely if he was the King of Midgard he wouldn’t be sat on the floor opposite you right now.
“What stopped you?”
“My brother and the avengers. They captured me but I got hold of the tesseract and used it to escape, I didn’t get very far before the TVA found me.”
You had no idea who the avengers were but you assumed they were some sort of military organisation who were able to defeat Loki and his army, you imagined having the help of Loki’s brother on their side would’ve been a massive help. You considered the fact that when Loki spoke about being captured by them, he didn’t sound upset or angry about it, almost as if he didn’t really care that much about his plans for world domination. You recalled what he had said about the mind stone and how it had influenced his feelings and desires and you wondered how much it was responsible for his actions on Earth.
“Do you think you would’ve still done it without the mind stone?” You asked him, because you considered this to be very important in judging whether or not you would advocate for his place on the TARDIS. If he believed he wouldn’t have done it without the influence of the mind stone, then his actions weren’t completely his own and therefore you wouldn’t expect him to take total blame for them.
“No,” Loki furrowed his brows. “but I am a God, I should have not been so easily influenced.”
“Loki, you might be a God, but you’re still a complicated and complex living being. You’re allowed to be vulnerable at times, you’re allowed to have flaws and make mistakes, you’re allowed to feel emotions and they will get the better of you and control you sometimes, it happens to all of us. Being a God doesn’t make you immune to it.” You told him, realising that Loki had a lot of work to do when it came to accepting his vulnerability.
Loki remained silent, but it did at least seem like he was considering what you told him as he had a contemplative look on his face. Deciding to leave him in peace to think about it, you pushed yourself off the floor and began to make your way towards your door, but the broken glass, which Donna had dropped earlier, caught your attention.
You crouched down to start cleaning it up, the bottom of the glass was still some what in tact which allowed you to gather all the broken shards inside it. As you were dropping one of the last pieces into the base of the glass, the broken side of the base pierced the palm of your hand.
“Shit!” You cried under your breath as you quickly retracted your hand and cradled it close to your chest with your other. Blood was pooling in your palm and began running in singular drips down the side of your arm.
Loki gasped your name and rushed over to you as soon as he noticed you were injured. Once he reached you, he lowered himself to his knees and held out his hands beside yours, but he didn’t touch you yet.
“May I?” Loki politely asked for permission to look upon the damage caused to your hand.
Reluctantly, you granted him access as you placed the balled up fist of your injured hand into his waiting palm. You hissed as he gently prised your fingers open and he mumbled a quick apology as he finally examined your wound.
“Come on.” Loki encouraged you to your feet, with one of his hands under your elbow and his other still gently cradling your hand.
You silently allowed him to move you, your eyes focused on him with wonder as he guided you into the en suite of your bedroom.
Once he sat you down on the closed lid of the toilet, he left your side to run a fresh flannel under the faucet. Your eyes didn’t leave him once, as you watched every move he made. After wringing out the excess water of the flannel, he returned to your side and started tenderly cleaning up your cut. With all the blood cleaned away, Loki could properly inspect your wound.
“It’s not too deep, I used to inflict much harsher wounds on my brother when we were children, a bandage should do.” Loki casually commented as if it were nothing, when he noticed your alarmed face he simply laughed.
“Don’t worry, it wasn’t anything he couldn’t handle and he gave me his fair share in return. We’re much more resilient than mortals, it was the equivalent of human children pushing or kicking one another.” He assured you, as he opened the cupboard below the sink and searched for a first aid box.
Your alarmed expression relaxed into a some what fond smile upon learning young Loki wasn’t actually inflicting grievous injuries upon his brother, as you imagined the siblings play fighting as children.
“Are you close to your brother?” You asked Loki, as he returned to your side with a bandage and started wrapping your hand. For a few moments, silence fell between you and you began to think he wasn’t going to answer.
“We used to be,” Loki finally answered, avoiding your eyes as he focused on bandaging your hand. “I admired him a lot, I still do, but I fear I have irreparably ruined our relationship.”
“I’m sure that’s not true.” You carefully argued.
“I tried to kill his father.” Loki reminded you and your lips fell shut defeatedly.
“If he is immortal, he will have plenty time to get over it.” You lightheartedly added, trying to avoid the tone of the conversation becoming too serious.
“Maybe in 5,000 years or so.” Loki estimated as he tied off your bandage, you inspected his work while he tidied away the first aid supplies back into the cupboard.
“I haven’t changed my mind.” You admitted to him while his back was turned to you.
Loki immediately paused his actions after hearing you, you caught his reflection in the mirror above the sink and watched as his expression filled with disbelief before he glanced at you from over his shoulder.
“About... me?” He hesitantly checked, certain he had misinterpreted what you meant.
You simply nodded and Loki looked downwards as a shy ever so slight smile curved on the corner of his lips.
***
“So technically it’s New New New New New New New New New new New New York.” You heard the laughter of your auntie and the Doctor as the entered the TARDIS, and you made your way around the console.
The Doctor stopped when you caught his eye and said your name, surprised to find you waiting in the control room, while Donna smiled at you from beside him.
“I have to talk to you about Loki.” You told the Doctor.
Donna’s smile instantly and was replaced with worry as her eyes dropped to your bandaged hand.
“Did he hurt you?” She fretted, as she stepped towards you.
“No,” You immediately assured her, glancing at your injured hand. “No, I cut myself on the glass you dropped.”
Donna looked down with guilt as she realised your injury was caused by her accident.
“I think we should let him stay.” You immediately returned to your original point, deciding there was no need to dance around it.
The Doctor sighed your name, as it seemed like he was about to disagree while Donna looked at you as if you had grown a second head.
“Please, you can trust my judgment.” You gave your auntie your best puppy dog eyes and she tilted her head in contemplation before looking towards the Doctor, who seemed to be considering it as well.
“What do you think?” The Doctor turned to Donna, “if you’re not comfortable with it...”
Your auntie sighed in defeat after giving it some consideration.
“Your judgement better be good.” She pointed her finger at you, and you smiled.
“It is, I promise!” At least, you hoped it was.
***
Just like the night before, there came a knock on your door just as you were about to climb into bed and just like the night before, you were greeted by the sight of Loki when you opened the door.
“Is this going to become a nightly occurrence?” You joked.
“If you would like it to.” Loki played along.
“So, to what do I owe the pleasure?”
Loki’s features dropped into a more serious expression and he took in a deep breath.
“I realised that earlier I never got the chance to apologise.” Loki began, his hands were held behind his back, hidden from your view, so you couldn’t see the way he nervously played with them.
“Apologise?” You questioned with a slight tilt of your head, wondering what he felt the need to be sorry for.
“I know how violating it felt to have Cassandra inside your mind–“
“That wasn’t your fault.” You cut him off before he could finish.
“No, I know, but I kissed you,” Loki’s eyes were trained on the floor as he spoke and your mouth fell in the shape of an ‘o’ as you realised that is what he came here to apologise for. “And you weren’t in control–“
“You weren’t to know,” you quickly reassured him, as heat rose to your own face as you both acknowledged what happened between you. “She kissed you first, you don’t have to apologise.”
“Even so, I would like to,” Loki finally lifted his gaze to look at you, “I’m sorry, if you felt uncomfortable or...”
You couldn’t admit it, but uncomfortable is not a word you would use to describe how kissing Loki had made you feel. Once the pressure had began to slip from your mind and your lips were still attached to his, you felt a wave of pleasure flush through your stomach while goosebumps rose on your skin leaving a tingling sensation in their wake.
You pulled yourself back from the memory as you nodded and offered Loki a smile and accepted the apology which he felt he owed you, while you tried hard to push your desire for the kiss you shared to be repeated, to the back of your mind where you hoped it would soon be forgotten.
#loki#loki (marvel)#doctor who#loki x reader#loki x female reader#loki x you#loki imagine#10th doctor#tenth doctor#donna noble#tom hiddleston
64 notes
·
View notes
Text
A Hello, A Thank You, And A Brain Dump.
Dear PwPP team,
I am a recent fan, and I am quite an odd one. I am a lover of everything Doctor Who, so much so I have memorized everything about the Doctor and his interactions during the 2005 revival. Yet since I have watched basically all the doctor who media I had access to (Excluding the most recent season because it does not interest me in the slightest, no offence to 13’s actor) I was without any Doctor Who content that actually interested me.
Well until I made a discovery. You see, when I was moving to a new house, I found a figure I did not remember owning. It looked like a My Little Pony version of Doctor number 10. It fascinated me because It was officially licensed! So, I went down a rabbit hole, and found a whole new Doctor Who community, lost to YouTube, or even, Internet time entirely.
That’s a little bit of a dramatization, but the point still stands that I discovered something that a lot of people forgot. The thing is, I know nothing about the My Little Pony area of fandoms, but I found this new world of Doctor Who so fascinating. Not only that, but it was a whole community!
It was intoxicating! Doctors that I’d never dream of! And actually seeing the doctor see something he truly did not know! But most of all… people who understood what made Doctor Who, Doctor Who.
I’m not a My Little Pony fan, not in the slightest, but as a Doctor who fan, your series is beyond stellar! I know when people understand Doctor Who or not, and you all did know on a level I don’t even thing some real Doctor Who show writers do! Also, your adaptation of the doctor feels so real, it is just stellar!
So, now I have to thank you, all of you. You gave me hope about the future of Doctor who will be bright and full of life! You let me see a new world of story telling. I never saw audio plays used like a legitimate series to such effectiveness and its truly brilliant and has inspired me to try to work on something similar, in due time.
Yet, lastly, thank you so much for the pure, utter joy your work emanates. Yet again, I’m only a Doctor Who fan, but this series has genuinely gave me more enjoyment that some Doctor Who episodes. It is just, raw, stupid, enjoyable, and oh so timey-wimy fun! Even with some real Doctor Who-esc dark/sad moments that makes it feel like I’m listening to a real BBC and Hasbro collaboration!
In fact, the work of your team gave me a Idea for a episode I just couldn’t keep in my head. I know you most likely have plans for all the future audio plays, but I am a story teller through and through, so consider the last part of this letter like a pitch. Yet again, I’m not trying to be entitled and be like “Here’s my idea, Now make it!”, no I literally have no other living soul to share this idea with and its killing me.
Now if I had to title it, it would be a two part play called “Turn Timer” and “Pestering Past”. “Turn Timer” would start with the Tardis crew just bumbling around in time and space. Maybe heading from or to an adventure. Yet when the Tardis enters modern times, it gets thrown off course due to a temporal blackhole (Or something?) making the Tardis materialize in front of a mansion that should not exist, that stands right dead center in the Evergreen Forest (if I got it wrong don’t kill me). The master of the house would be a unicorn named Turn Timer, and would be letting any travelers stay.
Yet when the Doctor reluctantly stays in a room, they discover that some of the travelers have been seeing a hairless ape-like creature attacking residence, even Turn Timer who would have been attacked, saying that they just popped up a few months ago and he’s been trying to cover it up for business.
Soon, after the Doctor and Tick Tock (Sorry but I have to say this here, that name did NOT age well) go off without Derpy who does not quite trust Turn Timer because…. well I made the name reverse Time Turner for a reason. Yet both the Doctor and Tick Tock does not notice the clearly weird name, so that means duel plot! Yay!
Eventually the smart duo would figure out that these creatures are just human like Autons. Yet, since humans, or even humanoids, don’t exist in this universe, this is extremely odd (at least I think, I still know jack about My Little Pony). Also Imagine this would lead into some funny jokes about how the Doctor needs to explain what the hell a human is, and I just imagine Tick Tock confused Autons being exactly like humans and not just modeled by them.
Meanwhile, Derpy would be grilling Turn Timer (Also again, only a Doctor Who fan but I can just imagine the Donna theme here and it makes me smile) and I Imagine that 70% of this second plot would be jokes. Until before the Auton realization, where Turn Timer makes the mistake of saying Doctor instead of Time Turner (Which I assume he would sign in as) and would be forced to knock out Derpy. Now, after they figure out the Autons are Autons, and the jokes are done, I’m guessing that Turn Timer would project some sort of communication hologram or magic thingy to the Doctor so they can have an exchange that goes along like this.
TuTi “Hello Doctor! Sorry but i did not expect for your assistant to be able to see past my perception field.”
Doc “ What did you do to Derpy Turn Timer?”
TiTo “and what perception field?”
TuTi “ Oh don’t be daft, Doctor! I swear ever since you regenerated you have become so thick! you can’t even see what is so clearly obvious! You only know one person who would know the correct configuration for a humanoid Auton, and be smart enough to do it! ”
Doc, in his serious voice, “ Who are you?”
TuTi, Outraged “Don’t act like you don’t know! We are best friends! The bestest of friends that have ever existed. Long before you started taking your pets onto your Tardis. You know deep down, and you are running away from it! Like you ran away from your universe! Our Universe! I am tired of seeing your adventures in this world like you did not live in another.”
TiTo “Who are you then?”
Doc, still serious “Don’t humor him”
TuTi “ Oh Doctor….Can’t even ask your own questions anymore can you? How far you have fallen from what you once were. You once could snap your fingers and make army’s turn and run away. Now you can’t even keep your pets (Companions) on a tight enough leash anymore.”
Doc “ Wait, fingers? how did you-”
TuTi “Oh now you are getting it. Finally, we are getting back the Doctor that counts. My Doctor, The Oncoming Storm! The Great Exterminator! The Destroyer of Skaro! And lastly, The Timelord Victorious!”
Doc panicked and angered yelling (Probably) “Who are you?”
TuTi “ Finally…. Well… I am the master of the house.. the Master! Of the house.”
That is where “Turn Timer” would end and go into “Pestering Past”, which would pick up with the Master finishing his evil monolog and him and Derpy being in some sort of cave with the Masters Tardis being rigged as a paradox machine. Derpy would probably be in some sort of status field but still being able to interact with the Master.
I am sure they would discuss why the Master was so obsessed with getting the Doctor to recognize him. The fact that in the Doctor Who universe, The Master was so utterly empty without his “Best Friend” he could not stand to exist in a world without him, So he tracked the Doctor down, even through different universes just so he could have fun with his “Best Friend”.
Also probably telling Derpy more about the Doctor than he has. And most likely telling stories about when the Doctor was very angry, and why he is the last of the timelords. I thought this would be a very interesting thing to pop up later on, a Derpy is wondering if the Doctor is worth being around if they could do such a thing then turn around and say its horrid.
On the topside, I’m imagining the Doctor more scared and upset than seen in your audio plays. The fact that he came to a whole new universe, a place to make a new start and have less weight to carry, has been shattered by probably the only person that could have followed him. And to make it worse, it was someone who knows almost as much as the Doctor without his self control, and knowledge of his past life.
When the Doctor and the New Master meet face to face, I imagine it would be a battle of chaotic personalities on each side. Also, In my characterization of the Master, I think he would be sarcastically energetic to counteract the Doctors normal energetic craziness. Also, for the hell of it, let’s make the Master obsessed with pegasi instead of unicorns because narrative symbolism.
Lastly, we would learn that creatures that don’t belong in the world of My Little Pony (Cybermen and Terror are my best examples) where caused by the Masters Paradox machine. This gives a reason why they appeared and connects things in a neat little bow. Also gives a reason for Tick Tock to be mad too, due to the fact that the Master indirectly fueled the war he lost his family and time period for.
And that’s all I have. I don’t know how it would end except I think the Master would snatch Derpys Tardis key to use it to make something to keep tabs on the Tardis crew.
I’m sorry that half of this thank you and appreciation letter was more about my ideas than how I adore yours. Everyone on the PwPP crew to me is absolutely stellar! You all have made something truly amazing from a Doctor Who story telling standpoint. Lastly, please have fun making your audio plays or whatever you go on to do. It breaks my heart watching people create and have no fun in it.
With love and appreciation,
Raven.
We’re happy this show has brought you plenty of Doctor Who entertainment, even if you’re not an MLP fan. It’s always fun to learn about people who are generally a fan of one but not the other, who are still big fans of our series.
We aren’t really taking any ideas since we have a solid outline of what the rest of the episodes will be, and we can’t really reveal what characters might be appearing later. Your idea was a fun take on the Master though, perhaps consider writing a fanfic, as I’m sure people would enjoy it and we’ll be willing to post fanfics here.
35 notes
·
View notes
Photo
Yesterday I introduced you guys to the Hyde family, and now it’s time to introduce you to the new generation of the Forman family!
Again, click on the thingy if you want to know more about them!
On the top row, we see Eric and Donna, and on the bottom row, we see their two children, Lucas and Hannah (there’s no hearing aid option on picrew so just imagine Hannah’s wearing one, okay?).
Eric and Donna have overall a nice marriage. I tend not to focus much on them in my stories mostly because I’m indifferent to their relationship. After s5 I completely lost interest in them, and there was a point where I didn’t even want them to end up together anymore on s7. But I do believe that they love each other and that they can end up together if given a nice storyline, which is what I tried to do.
TSG is mostly focused on Jackie and Hyde, so we don’t get a lot of details about Donna and Eric other than they’re together, married, and have children, so I’m going to give you guys a brief summary of what happened between them after the season finale.
Eric and Donna talked about everything when he came back for the New Year’s, and they decided to try again. Eric went back to Africa to finish the program, and Donna went to college. When Eric came back, he went to the same college as she did and they started living together. Donna became a journalist, Eric became a teacher, and they moved back to Point Place when they graduated.
As soon as they moved back, Donna got pregnant with Lucas. They lived in a small apartment for a while, until Lucas started running around everywhere and they bought a house across the street from Jackie and Hyde.
They did not plan on having other children until Lucas was older, but well... Accidents happen and Donna had Hannah in 1987, when Lucas was 3 years old.
About their children... they are something else, I love them so much.
Lucas, just like Dylan, has a lot of pent-up energy, but he’s also an introvert and not a prankster at all, so he uses most of his energy in sports (for Red’s delight lol). He’s really into hockey, like, really into it, and he starts taking hockey lessons from a young age.
When he’s older, Lucas joins the school’s track and field team, mostly because there’s no hockey team in Point Place High and he absolutely hates football and wrestling.
Lucas is a bulky guy, but he’s also geeky and he and his father are addicted to video games. They spend countless hours every week playing Mario Kart and Super Smash Bros on his Nintendo 64 (Eric loses every single time lol).
He’s smart, not only is he great with numbers, but he’s also great at chess. Seriously, he won countless chess matches against his uncle Hyde (who’s half-proud and half-bitter about it), and he was like, 10.
His dream job is to be a video game developer, and considering how he’s a math whiz and how he’s a great athlete, he gets a scholarship to study computer science at college.
He never gets into trouble, mostly because people are smart enough not to fuck with him. He’s quiet and not prone to violence at all, but he’s also huge and he could probably kill someone if he wanted to.
When Lucas graduates from high school and goes to college, some bullies start to mess with his little sister Hannah, but Dylan quickly puts an end to that.
Hannah is a sweetheart, she’s an animal lover and she’s probably the sweetest person from the series.
Oh, and Hannah is also hearing impaired.
One of the things that bother me a lot in the fanfiction world (actually in the whole entertainment industry), is the lack of representativity of people with disabilities. I live with people who have disabilities, it’s something I literally see every day, and sometimes I am genuinely shocked by the lack of information (and empathy) people have when it comes to that subject.
So I decided I wanted to include a person with a disability in my story, and I am going to make you guys love her.
Hannah was born healthy, she learned how to talk and she listened to things normally up until she was 5. But as she grew older, she started developing some behaviors that concerned Eric and Donna, like watching the TV too loud and not replying to them when they called her. They took her to the doctor, they found out she had severe hearing loss and would need to use a hearing aid probably for the rest of her life.
Eric and Donna were crushed (it even causes some problems in their marriage in the future), but Hannah never cared much about it, because she was too young and she could hear just fine whenever she had her hearing aids on. She’s overall a happy kid who loves playing outside and is completely in love with everything related to nature.
The Forman family has three cats, all of them were cats that Hannah rescued from the streets and begged them to adopt. Hannah’s also responsible for bringing Zeppelin into the Hyde’s lives.
She was playing outside with Dylan and Jordan when they found a cute little black puppy all alone, searching for food in the garbage. Hannah took the puppy and begged for her parents to keep him, but they already had three cats and they couldn’t keep him. Jackie and Hyde were in the same room when she arrived with the cute little puppy, and they decided to adopt him (for Hannah’s delight). The puppy was named Zeppelin (Hyde was the one who named him, by the way), and Hannah visits the Hyde’s almost every day just to play with their dog.
Hannah loves picnics and walks at the park, she loves watching the trees changing according to the seasons, she loves to stargaze with her aunt Jackie, she loves hearing Layla’s romantic stories, she loves babysitting the younger kids, and she loves spending time with her grandma Kitty, learning how to bake and how to sew.
When she grows older, Hannah becomes a vet and opens her own animal shelter.
Hannah never let her disability stop her, she’s incredible.
And again, I got way too excited, sorry.
If you have any questions about this universe please don’t hesitate on sending them to me.
Posting the Kelso’s picrews soon :)
14 notes
·
View notes
Text
i still pick up at the sound of your call [fic]
"Is that a dalek on tv?" [or: Martha has some choice questions for the Doctor regarding the new Prime Minister's addess]
Inspired by this post
Word Count: 1,799 | Also on Ao3
"Oi, what the fuck is going on?"
The Doctor blinks. Pulls the phone away from her ear, to check the number again, check she isn't hallucinating. She'd hardly believed it when she saw it, hasn't seen those numbers strung together in years, though they're still burned into her mind.
Another life, another time.
Another friend burned to ashes.
She hesitates, for just a moment. Takes a deep breath. "Hey, Martha," she cringes instantly at the hollow lightness of her tone, only drawing attention to the lifetimes between their last words. "What's up?"
A heavy pause on the other end. The Doctor tries to imagine her old companion, for just a moment. She'd promised herself she would check up on her friends from time to time, make sure they were okay, if she could help them from the shadows in any way - but that promise has fallen between the cracks, lost along the way with everything she ever thought was true.
The last time she saw Martha, she saved her life. Moments before her own - his own, back then - had slipped between her fingers.
She'd looked happy. The Doctor could never have predicted Martha and Mickey of all people, but she was glad for them. She had ruined their lives in so many ways by crashing through them, by falling in love with Rose - this was the least they deserved.
So she imagines Martha like that. Curled up on the sofa, cornrowed hair and sparkling eyes. Legs tangled up with Mickey as they watch tv in the burnt orange glow of a dying London afternoon.
Oh, fuck. The tv.
"Uh, hi," Martha answers finally, wrong-footed and uncertain. "I wanted to speak to the Doctor, could you put him on, please? Sorry, I- uh, I'm Martha. Jones. I used to travel with him. I'm guessing you're the new companion? What happened to Donna?"
An unexpected lump rises in the Doctor's throat. Thousands of years - thousands - have passed since she last bothered to check in on Martha Jones. How many companions have been and gone in that time? How many have crumbled to ash beneath her fingers?
She swallows it down, files it under Compartmentalise, and Never Think of Again.
Sunshine. Enthusiasm. Energy. The tenets she's founded herself on this go around. She plasters a bright smile on her face, as if contorting her muscles will trick her tone into believing she means it.
"Just me, I'm afraid," she grins, skipping around the TARDIS to fiddle with the controls to keep her hands busy. "Had a bit of a change of face since you last saw me."
Furious whispers on the other side of the phone, far enough away from the receiver that even she can't hear them. She imagines Martha and Mickey, confusion and surprise warring with each other.
This reveal never gets old.
"Sooo, how've you been? How's Mickey? It's been, what, nearly ten years since you last saw me?"
"Uh, yeah," Martha returns to the phone, hesitant. She's never had to deal with regeneration, really. "I didn't know you could- I mean, when you said you change, I didn't realise that-"
"I can be anything I like! It's great, innit? I could have two heads or green skin if I felt like it. First time I've been a woman, though. Well, first time I remember, I guess. Still haven't been ginger, though. Maybe one day."
"Different face, same amount of energy," Martha laughs, and the sound lifts a weight from the Doctor's chest she didn't even know was there. "Mickey says hi."
"Yeah- hi!" A more distant voice echoes through the phone, startled at being addressed.
"Hi! It's great to hear from you!" She twirls the phone cord around a finger. If there's one thing she always regrets in her lives, it's the way her previous selves treated their companions. Each one with a different idea of relationships, of how things should be done.
This version of her thinks Mickey would be a great companion, if not for her Rose-tinted blinders.
"So, to what do I owe this call? Hope you kids have been keeping out of trouble, though somehow, I doubt it."
"Right!" Martha yelps. The whole regeneration thing definitely threw her for a loop. "Yeah, Doctor, what the fuck is going on? Is that a dalek we just saw on tv?"
"Ah, yeah... it is, yeah."
"And?"
"And I'm sorting it out?" The Doctor glances over her shoulder, towards the corridor the fam disappeared down a few minutes ago to get ready. They'll be back any second.
It's not that the Doctor doesn't want the fam to know about her old companions. They've met Jack, know she hasn't been on her own all this time, but- still.
Her companions don't have the best survival rate. It's selfish, probably, to keep having them, and yet she somehow never goes without them for long.
(She's lonely, she knows it. She's not a good person on her own. She clings to these fragments of knowledge and calls it reason.)
"But why is there a dalek on tv, Doctor? New security drones, that's what they're saying. Do they not remember the whole Earth-moving, twenty-seven planets, dalek invasion thing?"
"Or the Battle of Canary Wharf?" Mickey adds, words heavy with an underlying anger. Rose was lost to save the world from daleks, after all.
The least she deserves is to have her sacrifice remembered.
"I'm not sure, to be honest," the Doctor admits, flinging herself onto one of the crystalline seats near the console. "It's incredibly weird, actually. As far as I can tell, the entire human race has forgotten that aliens exist at all. No stolen Earth, no Titanic flying over London or Racnoss star at Christmas. No Battle of Canary Wharf."
"That's- I mean, how does that even happen?"
"I have no idea. Something to do with collective consciousness, I'd guess. Some manipulation from another race wanting to remove Earth's knowledge and wariness of aliens. The Arkangel network is still flying strong in your orbit, after all. It wouldn't be so hard to harness the technology. Maybe even your own governments, or some rogue branch of Torchwood. I never did find Torchwood 2 or 4."
"Then how the hell do we still remember?"
"Probably my fault. You're still keyed into the TARDIS's neural network, so she's protecting you from the effects. Sorry about that."
"No, it's- it's good," Martha splutters. "Are you going to try and fix it?"
"Maybe," the Doctor leans back in her chair, pulling the phone cord as far as it will go. "Once all of this is over, I might look into it. Just to check if it's malevolent or not. It's not a bad thing, necessarily. To forget. Some of things they must have seen..."
She shakes her head to clear it. Can't let herself stop and think for too long, or she might never escape the whirlpool's tide.
"Anyway," Martha says - she always was good at noticing her spirals, circumventing them. "How's Donna?"
Nevermind. She speaks the words lightly, but in a tone that says she noticed the Doctor's avoidance earlier and is bracing for bad news.
"She's great!" the Doctor manages a smile, glad to have something, anything to latch onto that isn't her own thoughts. "Happily married, actually. Won the lottery a few years ago, doing very well for herself."
"That's- that's really good to hear."
"She doesn't remember me." She lets the words fall, as much as she wishes she could hold them close and buried and gone. But Donna needs to be kept safe, and Martha reaching out to her would be- not good. "She doesn't remember anything that happened. I- I had to wipe her memory, after the daleks. It was killing her."
The silence stretches longer this time, and for a moment the Doctor is sure she's broken everything.
"Well, I'm glad she's happy," Martha says eventually. "There are worse fates, right?"
So many of your companions have had worse fates, she doesn't say, but the Doctor reads between the lines anyway.
"Yeah," she breathes.
"And how are you doing, Doctor? You're not alone, are you?"
"No! I'm great, actually. Got my fam. Yaz is really cool, you'd love her. Ryan and Graham are great. Jack's back in town right now, helped me out of prison-"
"Helped you out of where?"
"-and we're just sorting out this whole dalek thing! Should be all over pretty soon. Just, stay where you are."
"You know we can't do that, Doctor." If anything, Martha sounds amused. Determined. Ready to pick up her sword once again, defend the Earth from whatever might be coming.
In this second, everything is right with the world, and she misses Martha Jones in a way that hurts both her hearts at once.
"Well, stay safe at least. I'll call you back when this is done, to let you know."
"Thank you, Doctor. Maybe we could, I don't know- grab a drink, or something. Catch up."
"I'd like that," she replies, and they both know she has very little intent on following through.
Yaz appears at the end of the corridor, eyes bright, smile warm. She's chattering to someone, probably Ryan, completely oblivious, no weight on her shoulders.
The Doctor wishes she could keep Yaz like that, happy, delighted, laughing. Wishes that smile was just for her.
But she might have ruined it forever.
She's learnt to trust the TARDIS over the years, learnt that the TARDIS arrives when she thinks the Doctor should be rather than where the Doctor wants to be. She wants to trust that this, too, was for a good reason. The TARDIS has never led her wrong, in the end.
She has to believe.
"Well, I'll let you crazy kids go be heroes. Beat up some daleks for me, will you?"
"Of course, Doctor," Martha says. The Doctor imagines her smiling, linking fingers with Mickey. "Stay safe out there."
"Always," the Doctor grins. As Yaz and Ryan approach, she jumps up, throws the phone back on its hook and grabs hold of the TARDIS's controls.
"Who was that?" Yaz asks, wary, unsure of how to act around her. They need to sit down and talk, hash out the last ten months - and nineteen years - but now isn't the time.
Unfortunately, the time rarely seems to appear.
"Just an old friend checking in," the Doctor shrugs, avoiding her new companions' eyes. "There's daleks on the tv, haven't you heard? Let's fix that."
She throws the TARDIS into flight with a delighted whoop - after all these years, the thrill of flight never quite fades.
She's lost companions before, but as Martha’s call has reminded her, not all of them have met bad ends.
She refuses to let the fam down on that one, too.
#doctor who#dw spoilers#revolution of the daleks#martha jones#thirteenth doctor#mickey smith#yasmin khan#thasmin#fanfiction#own work#morgan writes
53 notes
·
View notes