#the description I mean

[oculusxcaro]

Dark Earth Zodiac

The Bat

Creature of the halflight, you fly along the line of the brink, the almost-- the bat zodiac embodies the inbetween. They are often considered strange by their peers, but in the right setting their feeling of discomfort fades and they become a unique voice. Those under the sign of the bat tend towards anxiety, longing to live unwitnessed-- the bat is most comfortable in the dark, but not alone; this sign craves to exist without judgement. They tend to become lost in their thoughts, their own worlds, to the extent that they can forget to engage with the world around them. But those who love the bat know that they will always return. For all their shadows, the bat actively seeks to be compassionate. Having themselves felt both the harsh sear of the sun and the lonely chill of the moon, they find themselves able to sympathize with almost anyone.

Tagged byStolen from: @nightshrovd (♡) Tagging: @avisxe, @babydxhl, @demone-volpe, @goldenmedic, @halfghcst, @nervousleaderr, @qu-tipie, @smilingmxsk, @the-rorschach-mask and whoever hasn't done this yet?

[jeoseungsaja]

What's your role in a tragic play?

bold protagonist

you're the star of the show, baby! and boy does that come with a lot of emotional turmoil. you have a seemingly endless supply of determination. whether you have a lot of goals, or one big one, you're constantly working towards it. you're pretty restless, and struggle with imposter syndrome and generally feeling like you should be doing more. your insecurity might not be immediately obvious to others, however, as you come across as very strong and bold. vulnerability is not your strong suit, and that's likely to be your downfall. if only you had just let people in, and asked for help... well, maybe this was always gonna be a tragedy.

TAGGED BY: @rippleofwords TAGGING: @astremourante | @mythvoiced | @ofgentleresolve (How about K? 👀) | @eclavigne & whoever wishes to do this one!!

[prinnay]

~don't forget to drink water~

❤ or suffer the consequences ❤

[egophiliac]

So.... what are your thoughts on Ace's UM, if you haven't been asked this already?

sneaky magic for the sneakiest boy

no but really, I think it fits him really well! I had thought his UM would probably involve something kinda sleight-of-handy or pickpockety! and I looooved that it made such a nice loop-around back to episode 1. ❤️ I was. kind of half-expecting him to just run out and punch Riddle in the nose again. but instead this time 'twas he who offed the queen's head! it was great! and he did it while stone-cold terrified out of his mind! because Ace is the only remotely normal or well-adjusted person at NRC and therefore the only one who is like "we're going to literally die, this is super effed up". but he did it anyway!!!! I AM SO PROUD

[noodles-and-tea]

You’ve just got this real magic, capturing the sunshine summer of childhood in the tiny Pines twins. Like I am fully convinced I could show the overcast sky one of your pictures of Stanley and the sky would be like. Pack it up clouds, time to get back to the sun.

Ohh thank you :(((((

[veinsfullofstars]

🌅 MetaDede Week 2024 Day 5 & 6: AU & Secrets 🌅

(ID: Kirby series fanart comic of a moment in King Dedede and Meta Knight’s youth, when - during a trip to the beach with their friends - the teenaged penguin realizes that he might feel more than just friendship for his little winged buddy. Transcript in Alt Text. END ID.)

Oh.

Previous Day | Next Day | Prompt List (made by @/mtddweek)

Started 08/20/24, finished 08/24/24. | Childhood Friends AU Masterpost

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[nonranghaes]

heads up: reader implied to not use men's shampoo since they're completely baffled over the descriptions on the back of the bottle.

"joshua, what the absolute fuck is this."

joshua approaches you on the shampoo aisle, watching you look through the manly scents for something nice for him. he'd told you he didn't care what you picked out, but if you found something, he'd try it and see if he'd like it. and coming back to you with the most perplexed look on your face...

well, it's cute to say the least.

"what's what?" he slows to a stop next to you, peering down at the bottle you're examining thoroughly. "what?"

"what is this supposed to smell like?" you look up. "it just says pirate."

he shrugs, taking the bottle. "it means it smells like pirate." he holds it up, "it says you can't use it if you're not a pirate."

you give him a teasing glance. "are you?"

"i might be," he smiles. "but we'll find out if the pirate police come after us."

and it's silly, but it's enough to make you smile. "you have no idea what the description means, do you?"

"not a clue."

[inumbrapugnabimus-maybe]

Twould seem when in doubt I just draw Legend very messily

[lunacias]

(Silence. CARPENTER tries to rally HAYWARD's spirits. She's afraid she's going to lose him.)

"All three of us - we can all go on living, Hayward. Just like you said."

[cat-dragron-arts]

More of them............ rotating them in my brain like they're in a microwave........

[egophiliac]

still absolutely losing my mind over Lilia

[aroaceleovaldez]

Rick describing Thalia in Sea of Monsters as "somewhere between a punk and a goth" (plus every subsequent time he uses "emo" and "goth" interchangeably to describe Nico, and that one time Percy describes his ideal self as punk) tells me Rick has no idea what music/fashion subculture terminology is.

im like 90% sure he thinks "goth" and "emo" are the same thing. He's literally just describing emo/punk here. there is nothing here that screams "goth." this was 2006. sir.

[qcoded]

Man, 4 years already. Shoutout to The Owl House for being the only show to make me shed tears multiple times 😭😭😭 Lil redraw to celebrate !!

[Image description: a screenshot redraw of Luz from The Owl House in the first episode, holding a live snake and an Azura doll in the principal's office. She has pimples, and curly hair in she wears a headband. Her nails are also painted purple, and she's wearing a yellow, turquoise and white bead necklace. She's frowning slightly, looking down uncertainly. End description.]

[eowynstwin]

On a similar note to last reblog I hate hate hate it when readers/fmcs are described as especially pretty or physically attractive. Like I lose interest almost immediately. I don't care how bodacious the heroine's ass is, I cannot relate to that in the slightest. And what's more it's a huge turn off when the fmc's conventional beauty (size 2, button nose, long hair, perky tits) is literally the first thing the mmc mentions in his own exposition.

[vaguely-concerned]

my headcanon/vibe is that lucanis always has a little bit of a thing for rook in the beginning, until either treviso falls (for the dramatic 'interest dropped like a lead weight all at once' version) or a lack of reciprocal vibes makes it fade away quietly and undramatically into a background affection without any particular romantic charge, as indeed seems to have been what happened for him with viago. (see reyes vidal in me:a for a similar case, where I get the sense that he always has some sort of Thing for ryder (even when you're standoffish with him haha he wants ryder to like him SO BAD and not only for Scheming reasons) but never actually makes anything of it unless ryder responds in kind. without further comparison with lucanis intended here except that I love both characters immensely and with tevinter nights included they DO actually have a writer crossover lol.) rook was the first kind voice to break through to him in the ossuary, imprinting a little initially makes perfect sense to me no matter what it develops into later.

source: vibes but trust me I'm right (I'm right for me), look at the way he keeps glancing over at rook while drinking his coffee even without a single flirt under rook's belt and tell me I'm miles off. go on. and most of all "bitter and sweet, like a kiss goodbye. you should try it" is an absolutely insane thing to say to someone you're ostensibly connected to mainly in a professional capacity in the first place. but somehow both more and less insane if you're nursing a bit of a crush on them perhaps without quite recognizing it yourself yet. still nuts, to be clear, but a bit more explicable lol