#the concept of each of them looking at the other while the other has no idea is peak if I say so myself

[sharoo]

Self-knowledge as a theme in STP messes me up so bad, bros.

This all starts with how little the Princess can tell you if you ask her about herself. How little you can say about yourself, more often than not. Most of the time Quiet doesn't even know what they look like!

The Narrator makes it a point to make the Princess' cluelessness, her lack of self-knowledge, into deception, but really, both the protagonists don't know themselves. How could they?

The concepts of bounds, of something that isn't you, the distinction of "self" and "other", "you" and "I", the concept of something being not like yourself... this is the first time this deity which is now two has ever experienced it.

The Shifting Mound and the Long Quiet did not exist until the Narrator tore a whole into parts.

Now, this deity in twain has to reorient. It has only begun existing, it's not yet known itself. A toddler has to develop a self-concept, and the concepts of others.

Now imagine, for the first time in your solitary existence, that there is something that you are not. Unknowable, foreign.

What are they like, you think? Are they a friend? Should I get to know them? Are they a foe? I do not know them, I cannot trust them... Or can I?

This brings to mind, of all things, Contrapoints' video on Twilight, where she speaks about the concepts of Union and Division in relation to love. And while she speaks of it in terms of eros, it can apply here just as easily, romantically and platonically.

Love is the union of two beings. We love because something outside of us allows us to be more than ourself. In others, many seek that which they lack. We seek out people so that we may develop through our similarities and contrasts with them, to change an be changed.

We seek out people because there can be no I without a You. To exist in a void is not a fulfilling experience.

We cannot discover ourself if he have nothing that allows us to compare ourself. The mirrors elude us throughout the game, always leading to the princess - she is the only way we may know ourselves, the mirrors tease as they disappear. And at the end of the route, only then, can you see yourself, now that you have a complete knowledge of yourself in a given scenario, with a given persona.

Was the princess someone you decided to trust? Or to betray? Was she a foe? A friend? A nightmare? A victim?

You both try to find out who you are through your relationship.

The princess assumes many faces and attitudes in response to you, you assume voices and attitudes in response to her. You're two batches of clay shaping each other at the same time. It's almost like knowing someone your entire life, seeing them go through different phases as they try to find out their identity in the world, their place. The 5 routes, whatever they be, are your "adolescence".

And growing means you will hurt each other, intentionally or not. There will be fights, disagreements, there will be heartache, and comfort and love.

And everything will pass.

Shifty, before she's complete, before she discovers her godhood, makes this point so clear.

How could she not be kind to you? You are the only thing in this place that is not her. What reason could she have to hate you? To make the only friend she could have into an enemy?

That's why, at the end of every route, all hurts are forgiven. All the heartache is acknowledged, understood, and then she moves on. So that you may continue being together, so that she may see what else you do.

Even godhood can become a phase. The Shifting Mound recognises what you both were, but it need not be you unless you accept it. Because self-knowledge is unending. You are always changing, and you can always change.

You can accept being a god, and that becomes you.

You can reject being a god, and that becomes you.

You are by that point an "adult". The figure trying to dictate who both of you are is gone, and you can decide for yourself.

I think this is partially why I love the Leave with Stranger ending the best of all the endings. You begin it by avoiding knowledge of yourself and of another. The self can only exist as far as it is not like the others.

And you meet the Stranger, this being who knows so little about herself, because she too has been deprived of another. The route is quick. It really cannot amount to much, because if you don't know yourself, it's so hard to build a relationship.

But at the end, they've matured. You gave each other time to become fuller beings. You met this person again and they seem so much happier with themself than they were in youth.

I love how they say "We're just a stranger.", and the voices point out how it needn't be sad that you don't know her, unless you make it out to be. You can get to know them, the real them, and they can do that with you.

The way the Stranger speaks if the position of a God only underlines how much the heart of the Shifting Mound can understand self-knowledge.

They speak of how they feel themself be pulled towards taking the position of godhood, of being everything, yet find it confining. Restricting.

"We want more. We want whatever might be on the other side of this door. Something new, that we'll experience together. With someone who exists outside of us. Someone who can see us in a way we can never see ourself."

Self-knowledge through relationships and reflection on how you impact other people.

[ph-cutie]

why is evrart's portrait so weird? a visual and written analysis.

Most of us on this website have warm sentiments towards him, but I feel confident in saying that his portrait art looks, or has looked, somewhat off-putting to a lot of people, and that this fact was intentional. So if you've always felt a little strange looking at him, but couldn't put your finger on why, I've got you! This is a remake of a 1k word, 12 paragraph post I've made on reddit this same day, but tweaked to be in a more tumblr cadence :3

FORENOTE: This post is solely about the portrait art. Not the man portrayed in the model and concept art, or his general features. Just making that clear.

BACK TO BUSINESS: I've made a little diagram circling out and numbering the most jarring parts of this image.

TLDR: this piece draws on mild anatomical distortions and body language discrepancies to catch the viewer offguard. if you want to know more you're a VERY lucky person, because i've got nearly 800 words explaining each point for you, under the readmore.

UNUSUALLY LONG&WIDE LOWER FACE: Probably the thing most people actually notice. Even compared to other images of him, his jaw is quite exaggerated. wouldn't stand out had the rest of him been unremarkable, however he is *very* remarkable.

STRAINED SMILE - MUSCLE TENSION: I'm not super into the "true and genuine good person smile" vs "deceitful scary smile" dichotomy, I myself am cursed with a jimmy donaldson smile. However, his smile does not look restful/easy-going. It's very horizontal. Corner 1 is pushing excessively into his cheek, corner 2 isn't even angled up. Lower lip is stuck out. CONCLUSION: looks forceful and a little painful on his end. Not the weirdest part of the image, but it creates problems later down the line with his other features.

FOGGY GLASSES: They say that eyes are the windows of the souls, and his design messes with that by fogging up his glasses. But even that has another layer to it, so let's peel it! His right eye (to the right of the image) is looking at the viewer, however, the glass obstructs it to such a degree that we do not get any functional information from it beyond the knowledge that it exists. His left eye is drawn much clearer, however, it's not looking at us. It can't tell us anything about what it's owner is feeling, it has nothing to do with us. For people who care about eye contact, this part of the drawing was made to be frustrating. The connection is juust out of reach :)

LACK OF VISIBLE EYEBROWS: Eyebrows are one of the most expressive parts of the face, and he's lacking them for whatever reason. Not much more to say on that for now.

NONSENSICAL PLACEMENT OF HEAD ON BODY: Compared to the concept art, where his shoulder is a little below his earlobe, the portrait's shoulder is portrayed as above THE ear. Basically, there is no neck/separation between his head and body. The rest of the drawing doesn't give a clear explanation on why this is (such as if he were clearly portrayed as sticking his head forward), so I deem this to be a genuine anatomic perversion. (AFTERNOTE: APPROXIMATELY 20 PEOPLE ON REDDIT HAVE TOLD ME "no that's actually the back of his chair you can tell from this slight hue shift" MAYBE IT IS. BUT I DO NOT BELIEVE THAT ANYONE REALLY NOTICED THAT LITTLE PIXEL LINE, AT THE SIZE OF THE PORTRAIT WHICH IS PORTRAYED INGAME. THE PAINTER KNEW WHAT IT LOOKED LIKE. SO DONT BOTHER ME ABOUT IT )

ARCHED CURVATURE OF THE SHOULDER- MUSCLE TENSION AGAIN: But I'm not done with his shoulders! His shoulder have an arched shape, which means he's hiking them up. Much like with his smile, it's a forceful posture, associated typically with some kind of discomfort. (SAME AFTERNOTE AS POINT 5)

LACK OF DETAIL IN THE CLOTHES: While we can choose what we look at, the human eye will always be drawn to the most striking or detailed parts of images. Artists know this. Often-times, we wish for the viewer to look at the face of a character- hence the popularity of anime girls with glossy, candy-colored eyes. Claire's zone of maximum detail density starts at his nose and ends at the bottom of his double chin. His clothes, meanwhile, are basically just flat shapes. His background is very simple too. SO basically, the remainder of the image is a graphical desert, and his jowls are the oasis your eyes will always wander back to :D.

THESIS: Claire's anatomy is mildly distorted in points 1 and 5, which immediately throws off the audience. His body language is strained, borderline convulsive in points 2 and 6, while his features at 3 and 4, which we look at for information (is he happy? angry? in pain?), are left blank. This discrepancy leaves us emotionally confused and unsatisfied. Thus, the vague sense of something being wrong with no further information. Point 7 is just a little garnish to maximize the above effects. Tada! that's it.

WHY DID I WRITE THIS?: People usually focus on beautiful art and what makes it as such- I've seen many brilliant analyses of Lieutenant Kitsuragi's portrait and why it comforts us. But I find it equally interesting to break apart pieces that just don't emotionally click with us, that feel off, and I also love Evrart Claire, and find him to be a good example of this that nobody seems to have previously discussed. So I took on the challenge! I find his portrait art actually really cute now so this is mostly drawn on from the feelings of Ghost of ph-cutie Past. I genuinely doubt anyone will read all of this so if u have, I thank u from the bottom of my heart <3.

[agalychnisspranneusroseus]

While Marcy miraculously staying in LA after the events of Amphibia """misses the point""" and """ruins the story""", my most self indulgent side NEEDS to see these three together in Highschool. I need Sasha being a bit of a mean girl especially to people who look at her girls weird. Yes she HAS spread people's secrets yes she HAS destroyed the self-esteem of countless boys yes she HAS gotten half the cheerleading squad kicked out while jumping through all the moral loopholes imaginable to be juuust on the side of chaotic good and not chaotic neutral. All because they said something mean about the time Marcy freaked out like a baby over a blackout, or because they mocked the food Anne brought from home. Need Anne being surprisingly popular, a big sports girly, seeing her two girls cheering for her during her games - one of them as an actual cheerleader, the other with big signs and maybe a trumpet or something. Need Marcy with her weak nerdy legs (and lingering nerve damage oops) asking Sasha for piggyback rides on the way home, discussing anime and FPS videogames with her while Anne carries her backpack, phone in her free hand, waiting for those two to be distracted so she can snap a picture.

I want them to be so uncommonly affectionate with each other in school, that everyone finds them kinda weird but their families have given very explicit Do Not Separate orders so the teachers let them be. They've been through a lot. Doesn't stop the cheerleading squad laughing at Sasha and questioning how come she'd rather hang out with her two kindergarden friends - one being cringe and nerdy and the other being dumber than a bag of rocks - instead of dating any of the cute boys that always ask her out, or how come she always cancels plans on them as soon as one of her girls calls. Sasha will make sure to teach them not to question her in the future.

The teachers quickly realize Marcy's potential but also notice she only hangs out with two girls who are pretty lazy and are barely passing their classes, and they wonder if they're using her to get good grades. Those two do seem to fit the stereotype of the jock and the mean girl taking a nerd under their wing to make them do their homework. Marcy does help them study, but she doesn't lose sleep over it - she knows they're smart and they'll figure it out, she's just there for a little encouragement. They just haven't seen the care and concern with which they hold her when her chest starts burning all of a sudden, how they race after her to the bathroom whenever she's feeling unwell, how protectively they cuddle her at sleepovers.

Anne has her own group of jock friends separate from Marcy and Sasha, and they get along fine, but they're beginning to think it's odd that she turns down every boy that asks her out, while lighting up like a flower in the sun whenever she gets a call from one of her girls. They ask her about it at one point, and all she says is "I don't really think I want a boyfriend. These two already take enough of my time", with a fond smile and a tender tone of voice that might make you think there's more to it if you had any idea of the concept of consensual non-monogamy, or lesbians. But you're a teenage boy so what you think is more along the lines of "wow they seem like very good friends".

[burningcheese-merchant]

Yes,more please!

More Yandere Beast stuff? At your service, three short headcanons for each one

SHADOW MILK

Has one specific Pure Vanilla puppet that he treasures and never brings any harm to. It's the most well-crafted and detailed one of all. He calls it his Mini Silly-Vanilly and he makes it and the puppet he also made of himself kiss and do NSFW things

Tries to be A Bro™️ and help his fellow yanderes win over their respective loves. He eggs them on when they feel like ranting and raving about their love lives (or maybe he just likes gossip and drama idk), helps mastermind courting plans, gives romantic advice of dubious quality, solicited and not (mostly not). His help gets mixed reactions. Tough crowd :/

Already planned their wedding way in advance, but keeps making changes because he's always hit with new inspiration (making them playfully chase each other all the way up the stairs of the Spire of Truth and Deceit, and publicly executing their enemies in increasingly ridiculous ways are staying put, though)

ETERNAL SUGAR

Got Shadow Milk to make her a Hollyberry body pillow. It's nice, but she ended up tired of it really quickly. She wants the real Hollyberry to snuggle and squeeze and use as a pillow. (She still uses the body pillow though)

Would very much like to steal Holly's dresses and wear them herself, even if they might not fit. Would also like a lock or two of her hair to put in a necklace, or make into a bracelet, or weave into the strings of her harp (wtf lol)

Has mastered dozens of love songs on her harp, both written and composed by others and by she herself, all to be played and sung to Holly. A significant portion of them are very dark and unsettling, but she either doesn't notice or doesn't care

MYSTIC FLOUR

Once thought of the concept of playing "strip Go" (like strip poker, just with Go) with Dark Cacao. No one has ever seen her turn so red before. She immediately barricaded herself in her room and did not come out for almost a whole week

Keeps replaying that moment where he was beaten and on his knees and she was caressing his cheek, tempting him to look up and into her eyes, in her mind over and over and over and over and over and over again. It has practically tattooed itself to the insides of her eyelids. She can't make it stop nor does she want to

Ends up wandering along the exact same path through the mountains that Cacao took while he was lost and alone whenever she leaves the Ivory Pagoda. Some deranged part of her insists that she might find him again if she keeps looking, and the other, equally deranged parts of her seem to agree...

BURNING SPICE

Absolutely fucking loses his shit if and when any of the Wild Spices speak ill of Golden Cheese at all. He can roast her all he wants, but the second anyone else tries, he 180s to "KEEP MY WIFE'S NAME OUT YO FUCKIN MOUTH" mode

Is so out of his goddamn mind that he's already attuned himself to both Golden's aura and her scent, so he can literally track her and hunt her down like a ravenous animal no matter where she goes. He is a predator in the truest sense of the word

Also often fantasizes about marrying Golden, like how Milk wants to marry Vanilla. But what he thinks the most about is the wedding night... and the night after that, too. And the night after that. Every night is going to be their wedding night, once he gets his hands on her... Every single fucking night

SILENT SALT

Keeps trying to write White Lily letters and poems detailing his feelings. They keep coming out wrong (aka they are extremely long and rambling, not to mention fucking weird and creepy), so he keeps throwing them away and starting over repeatedly

Has considered learning magic to impress Lily, but can't get the hang of it. (Has also tried to brew a love potion for her, but can't get the hang of that, either)

He never takes that helmet off, but his stare is nevertheless so damn pointed and downright oppressive that Lily can sense whenever he's watching her, even if he's dozens of feet away and she can't even spot where he is. He comes out when she asks him to, at least...

[yanmuffins]

Hello I've been obsessed with your p&f au especially the singing aspect! Can you imagine when the yans actually become aware of everything reader, damian and Jon have been up to they actually start to dive into everything. They see videos of them all over like the gitchee gitchee goo song, the traveling the world songs, the love handle reunion songs! I can see them being surprised about damian singing as well lol! Also I was looking at the mom it's your birthday song can you imagine damian singing a version like that to bruce in private only for reader to make a concert for it! Sorry I'm rambling I just love your concept! This is how you gonna know it's me!🪷 gonna send another ask as well!

damian gets in trouble for participating in some of reader's adventures without alerting anyone (he tried. like 98% of times), which he thinks is both unfair and nonsensical, because he now has to deal with his other siblings making fun of him for partaking in all those musical numbers, and that's punishment enough.

it only adds to nail down how much they missed of their life. there's plenty of non-dangerous things they did during summer, like being a one-hit wonder with a cheesy romance song (by the way, aren't they too young to be making cheesy romance songs?) and all other pefomances you did for fun. they could have been there for that! and each instance they spot damian in the backgroud or beside reader rubs salt on the wound. at least he was keeping an eye on them, but they'll be bitter about that for a while.

damian has really gotten out of his shell since p&f! reader came to the manor, though. him? singing a song publicly for bruce with reader? this is a moment that needs to be captured in 4k professional cameras. hopefully that footage gets magically corrupted too.

i love this idea! i don't think p&f! reader would immediately brag about their adventures because they're pretty much grounded, forbidden from getting up to their usual antics (without supervision, at least, which damian no longer counts as), but eventually they'd pull out those memory books to illustrate how they've always done what they do with no problem, which has bruce sitting there in utter silence, surprised they're still, somehow, alive.

and the thought of reader spending a week or two in gravity falls with dipper and mabel before coming to the wayne manor is so funny. they're never going back there again after bruce sees a picture of them next to a monstrous-looking cryptid, but they're free to share their past experiences. if it makes them feel better. tim is lowkey jealous of their little sibling for having such an interesting life, and maybe could be tempted to cover for p&f! reader, damian and jon as long as they agree he can go have fun with them. but that's a big maybe.

[antianakin]

Oh I LOVE the idea of memorial tattoos! That's so sweet (obviously in an incredibly sad way, but still). There was a fic I read once where Cody gave himself tattoos for people he loved who were still ALIVE, with the intention that he'd cut through them and create a scar over the tattoo if the person died as a visual representation of that memorial while also being a reminder of the people who are still with him, and that's stuck with me to this day. I have no idea which fic it was anymore off the top of my head, but it's such an interesting way to utilize tattoos because it lives somewhere in-between using tattoos to just represent people you care about who are either still alive or who have already died. But getting a tattoo for people who ARE alive but who are incredibly likely to die soon due to their circumstances and so he has a plan to sort-of... visually mar the tattoo with a different type of body modification adds so much nuance to it in a way I've never seen anywhere else.

And that's what I find most interesting about it, how the clones choose to utilize this art form to define who they are, not JUST as individuals, but as a CULTURE amongst all of them. And how is this culture different from anyone else's, how is it impacted by the experiences the clones have had and are currently having? How does this impact their approach to art, which could certainly be tattoos, especially in their early days, but might also make its way into things like songs and poetry and storytelling that are oral art forms, or things like cooking maybe that could be impacted by both the approach to their diets by the Kaminoans as well as the amount of traveling they do later and the interactions they might have with other cultures.

I just love looking at what makes the clones UNIQUE and how different aspects of their culture might be different from others specifically as a result of their incredibly unique upbringing. That's why I loved the fic with Cody's memorial tattoo because it's such a unique concept, having to build a tattoo design for people who are still alive but with the knowledge that it will very likely need to BECOME a memorial later. How many other cultures would even need something like that? The clones have such a low life expectancy because they've been built to die and they're also so often separated from each other and they probably have very few ways of keeping around things that remind them of their loved ones. So they come up with tattoos that can be a remembrance for someone still alive but separated that can be turned into a memorial for someone who has died and it doesn't actually take away from the tattoo design. What other culture would have a similar need for that kind of thing?

And of course they can have happier or sillier options, too, like putting a loved one's face on their body in tattoo form, or maybe a lot of text options later like poems or songs or recipes that mean something to them and that they want to make sure can't get lost (we don't know if they have access to PERSONAL padds of any kind where they could write things down that aren't related to work and even if they do, the possibility that it could be lost or broken is pretty high).

I feel like there's WAY more attention paid to armor than tattoos in clone culture within fandom and I think tattoos deserve more attention than they get (and armor less). Because yes, we do obviously see different armor designs and the like, but we also see a LOT of clones wearing pretty much the exact same armor design as a lot of other clones (the Doylist explanation for this is obviously that the animators weren't going to come up with separate armor designs for every single background clone, but I'm taking a Watsonian approach here), whereas any time a clone has a tattoo somewhere, it's never the same thing twice.

Armor designs are fun, they're nice, but armor breaks and gets lost while the tattoos are on their bodies FOREVER. We've also seen a few clones who have armor designs that match their tattoos, and I'm headcanoning that the tattoos came FIRST. So even some of the clones who we DON'T see have matching tattoos to their armor designs probably actually do somewhere. So like Waxer and Boil didn't just put Numa on their helmets, helmets get broken and destroyed, they got her face tattooed on their bodies somewhere, too. Rex has the shriek hawk eyes tattooed somewhere. Cody has the sunburst tattooed. If the design means something to them, it's been tattooed on their bodies, too.

I want more shared tattoos between clones who care about each other, too. Probably not the same as the one they have on their armor, but something else that's special to just the two of them. Fives and Echo could have a little domino tattoo somewhere to represent not just their bond, but their bonds to the rest of the squad they lost. Sometimes it's a memorial for someone they've lost, like maybe Jesse and Kix have a tattoo for Hardcase after Umbara, or Fox has one for Thorn after Scipio.

Tattoos are also a lot easier to hide and keep private from certain people if necessary, while armor designs are always able to be seen no matter what. So tattoos can be a LOT more personal than an armor design, too. They can represent terrible traumas or the deepest dream, something they don't dare even discuss with anyone else but don't want to forget. Clones with tattoos of coordinates to a planet they might one day want to call home, clones with tattoos of quotes that inspire them or maybe the last words spoken to them by a loved one or a promise made to someone else that they hope they can keep. Many clones have plant tattoos of some kind, the first flower or tree they ever saw, to remind them of the beauty that exists in the galaxy and what they're fighting to protect. Names are incredibly common tattoos once they've chosen it, either written out in letters or represented in an image somehow.

Over time, maybe in a happy fix-it AU where they have the ability to really let this develop, certain designs and patterns start meaning certain things to the clones and so they become shared across MANY clones as almost a shared unspoken language. A specific design might mean loss, or specific achievements in life.

Just... more about the tattoos in clone culture, they're SO underexplored.

[quibbs126]

So I have some more vague ideas of the stupid Transformers AU thing from last night

I think originally it was going to just fade away, but last night I decided I might as well rewatch the original FNAF timeline videos since Part 3 made me realize I didn’t entirely remember what was going on, and so the mentality came back to my brain at 3 or 4 in the morning because I accidentally woke up too early

Anyways, on to random stupid ideas

So Orion is some strange entity, and quite honestly even Primus doesn’t really know what he is, even though he’s pretty sure he created it. Fortunately Orion’s full cosmic horror seems to be locked away due to currently having a mortal shell. Orion just sort of popped out of the ground in the middle of nowhere

Also for some reason my brain gave me this idea that Orion has this ability to basically become a corpse for a few hours while he just chills out in some weird spirit form. I think my brain borrowed it from a concept I had seen around for Aligned continuity’s Thirteen

Also Orion is under the impression that he has amnesia, and is unaware of his weird cosmic status. He wants to know who he is but there’s problems in finding that information, as will be detailed later

After popping out from the ground, he sort of wandered until finding himself at the mines D-16 worked in, and stumbling in there unaware of anything really happening around him

D-16 heard weird noises in his sector and went to check it out, only to find Orion in some equipment and they both sort of freaked out at the sight of each other, D might have punched him out of reflex and shock, and Orion accidentally went corpse mode

D-16 now thinks he just accidentally killed this bot, which is made worse when he gets a good look at him and is 99% sure he is a higher class bot, on account of him being much smaller than the miners and having bright colors (which here would be like a symbol of class, duller/monochrome colors means you’re likely on the bottom rungs), and then later when he hears he has an actual name instead of a number. And if someone discovers he killed a higher class bot, he is at the very least getting fired and sent to prison, which he doesn’t want, so he hides the body so no one finds it and plans to dump it after his shift is over where he won’t be traced back to him

But later when he’s doing so, Orion reactivates and gives D-16 another huge scare, but this time he doesn’t attack because he realizes he probably shouldn’t try to repeat history, thinking maybe he was just mistaken the first time (despite him definitely looking dead)

He tries to figure out who Orion is so he can try and get him sent home (while apologizing for the whole situation), but Orion doesn’t know since he doesn’t really have any memories. D thinks he must have amnesia so he tries to smuggle him back somewhere until they can figure out what to do

Meanwhile Orion thinks he’s just made a friend

D first just tries sending him on a train to Iacon, but Orion refuses to leave without D, not understanding that he’s not really allowed to leave, and sneaks off the train to stay with him. He then tries to get information on Orion since he knows his name, though getting access to a database as a lowly miner is incredibly difficult, but he has no luck there since apparently Orion Pax doesn’t exist. Though he figures it may just be an issue of them having a limited database. And by this point going up to the guards isn’t gonna work because now he’ll be arrested for “kidnapping” a higher class bot

Basically the setup here is Orion hanging out with D-16 in the mines, with Orion trying to make his new friend happy, as he seems constantly stressed and generally miserable with his lot in life, while D-16 is trying to figure out who Orion is and how to get him back home without getting arrested

D admittedly grows to like the company of Orion, as he seems unaware of any sort of class difference between them and just genuinely wants to be his friend and be nice, but he also can’t deny that Orion’s unawareness makes his life a living nightmare now and things would probably be easier for the both of them if he just got back home

Orion also has this instinctual hatred for the government that he doesn’t quite understand (still a very corrupt Cybertron here), but will act upon. D-16 agrees that the government sucks, but hopes Orion doesn’t get into too much trouble defying it. Because he’ll be the one suffering the consequences

D-16 and the other miners are probably cogless, but they’re much bigger than the miners in TF One, with this D being closer to Megatron’s size. I’m not sure if Orion can transform or not though, but I do have a mental image of D just folding him up into a cube or something, harmlessly as he can easily pop out of it

I also don’t know how Optimus and Megatron come out of this scenario. Best I can say is that Orion unintentionally starts driving D-16 crazy as he finds no leads on who Orion Pax is, and becomes more and more convinced he isn’t actually real, or that he actually did kill him that first day and everything since has just been hallucinations and delusions. But I don’t know about Optimus since becoming Optimus probably means he can no longer be this chaotic little eldritch gremlin thing

And I think that’s about it. Now I have to go study for a quiz and probably start on that short story I have due tonight

[cyren-myadd]

Do you think the Wind Traders will have any unique adaptations?

We've gotten all this exciting concept art and sneak peeks at the ash people, but we have yet to see a single wind trader. It's got me wondering what they'll look like. Since the Reef People have rudder-like tails and arms adapted for swimming, and Forest People have thin, flexible tails and arms that help keeping balance while climbing, do you think the Wind Traders will have any unique adaptations to help them survive at high altitudes?

One idea I had is that they might have darker skin, maybe a darker shade of blue or even purplish. They seem like they spend most of their time on their sky ships or flying mounts, so unlike the other Na'vi they don't have tree cover or water to protect their skin from the sun. Darker skin would help protect them from sunburns and other sun-related problems (can Na'vi get skin cancer? 🤔)

Another idea I had is that they might have sturdy chests like the Reef People instead of thin chests like the Forest People. Even though Pandora has a different atmospheric content than Earth, I'm assuming there will still be less oxygen available at higher altitudes, so the higher you go the tougher it is to breathe. The Wind Traders could have larger lungs to help them get enough oxygen at higher altitudes, and thus would have larger chests to accommodate their lungs. This would make them look similar to the reef people, who have bigger lungs to hold their breath longer while swimming.

Something else I've thought about is what their tails will look like, since each subgroup has a different tail so far. Reef People have a tadpole like tail for swimming, Forest People have a lion-like tail for balance, and Ash People appear to have hairless, lizard-like tails that could also be good for balance (not sure what the evolutionary reason for Forest people having hair and Ash people being hairless though). I have no idea what a Wind Trader tail might look like, but I imagine it will be similar to Forest and Ash tails. Since losing their balance could mean a long, deadly fall to the ground below, I'm sure having a tail adapted to help with balance would be very useful!!

What other adaptations do you think the Wind Traders could have?

[oexas]

'When I recall how beautiful you were'

prints available: duo, fool only, fitz only (patrons get an extra 10% off, including sale, early access and HD versions: https://www.patreon.com/oexas)

[fisheito]

emotional support wolf meets too-shy-to-live sneetah

[crownrots]

↳ SIDE HOTD (2 /∞ ) 📜🏹 DYANNA THORNWOOD ── glass is only brittle until it breaks, then it's sharp. (x) (x) (x)

[archduke-enver-gortash]

mmm essay about sally and kid gort in the tags (cw for child abuse, mentions of suicide, animal cruelty and a murder attempt. i always hope i don’t have to say this but just in case: i don’t excuse or condone any of her or gort’s behaviour at all.) this is literally not even touching upon everything i have to say because i hit the fucking tag limit lmao. NOBODY READ IT’S BAD BRAINSTORMING I JUST NEEDED TO GET IT OUT SOMEHOW

[jrueships]

Jabari, Alpey wants cuddles to celebrate their hard win.

HELDMSKNZ THIS IS NOT AN OPTION, IT IS A DEMAND

YEA, JABA!! YOU HEARD THE MAN!! IT'S CUDDLE TIME <3 !!!

[add1ctedt0you]

I am craving for a zcx' modern au, where, after years apart, jc, wwx and lwj encounter again. lwj and wwx are married and after some time, jc starts to hang out with lwj, but only with him (they are kind of exs... Or at least so lwj thinks!)

[emdotcom]

Tbh, can't believe I'm cutting ties with Fnaf before Batim.

[t-u-i-t-c]

Shinobi 4: It's Here! Paonmaru