#the comic I was inspired by is really good

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[smallishzine]

very important official zine stuff for real this time guys please spread this around

we realized we haven’t asked you what you want this zine to be, so here is poll with some different options for things we could do, but this still won’t set things in stone cause we’re aware that we’re working with a relatively small albeit amazing awesome and extremely appreciated audience, but it’ll give us a good idea for what direction you want the zine to go in.

some examples of what we mean for added coherence, please read before voting unless you wanna be like that guy in the Simpsons movie:

an eras tour zine (yes this is a Taylor swift joke shut up if you’re judging us you’re wrong) would be like different pieces dedicated to each, for lack of a better word, “thing” that Joel has done. @/inthelittlezine is a great example of this concept, except the mod has far better organizational skills than we ever could hope to

tourism brochure would be like we pick a specific thing Joel, such as esmp 1 or 2, or x life, or one of his hardcore/survival worlds (I haven’t listed Hermitcraft season 10 cause that’s still in progress but if you guys really really wanna, that too), and make an in universe guide to it expanding upon the lore and characters and builds and stuff. @/scarland-artbook is an amazing example of this, though of course we would be a much smaller scale of a project.

do you wanna tell a story? Or ride our bikes around the halls? We can’t help with the second one, we’re not very sporty people, but this option is both the most difficult and dangerous to the success of the zine, and the one that intrigues me specifically the most. Like, guys, I know I’m polling this, but I’m secretly hoping that this one wins. Like all the hoping. Ever. But I’m not gonna just say yeah let’s do this because if like only three people also wanna this zine will never get made and I will be really, really sad. This option is basically do we wanna take something Joel has done and work together to create an original universe/story based off of it, each contributing a small part of the story in comic or writing form. Unless you’ve been living under a rock and/or this post broke containment sorry if it did I assure I’m usually mostly sane, you probably know where I’m shamelessly stealing taking inspiration from. We heart you @/hotguycomiczine. If we went with this we would obviously create our own universe and storyline, and we’d try to base it off of one of Joel’s characters if possible. Also, if we went with this, we’d start the mod and application process and stuff and once we knew everyone who was going to be in the zine then we’d all get together and start working on the story, and this is the part I’m worried about because if we’re all stumped then I guess the zine is out of luck and I’d be sad. Also even if we did do this, like preemptively temper your expectations I am no where near as good as the legends at hotguycomiczine at organization and promotion and story writing and all that good stuff. However, if you have an idea for a story and want to share, send us an ask cause we might just end up using it.

I think the last two are mostly self explanatory.

please reblog for reach.

[thecoolerliauditore]

more

Ryuko from Kill la Kill! On a quest to avenge her murdered father, Ryuko navigates a comically authoritarian high school where the student council holds power over the entire student body.

She partners up with Senketsu, a living school uniform, with the ability to transform into a powerful and hypersexual form.

The sexualisation of Ryuko's body (along with all the other characters) and her rape being directly linked to her subjugation and forced submission to heteronormativity are big parts of the show and meant a lot to me when I was watching this show as a teenager.

(also this is totally what inspired that joel in wedding dress thing i drew once, one of those scenes that really changed me forever on a core level)

Kuina from Alice in Borderland!

One of the rare examples of an explicit and literal depiction of a trans woman, Kuina spent much of her childhood trying to please her hyper-masculine, karate dojo owner father, but was never able to earn his affection or approval.

Much of her story revolves around the guilt she feels over leaving her mother behind, as well as her reclaiming her martial arts expertise to use on her own terms.

Juri from Utena!

While not directly acknowledged as gender-nonconforming the way Utena is, Juri has her own arc that includes a much more subtle relevance to her gender. There are some good posts on here about Juri's femininity, specifically how she only dresses very feminine when alone.

She is also called a "prince" in the movie. And she's a lesbian.

Joan of Arc from Drifters!

One of many anime adaptations of Joan of Arc, Drifters' take on the historical figure is a post-death Joan who has been driven to insanity from the memory of her death and the torture she faced at the hands of her captors.

One detail I thought was neat was that Drifters acknowledges transphobia as a factor in her execution, with Joan recalling onlookers making violating remarks about her body as she burned to death.

Sapphire from Princess Knight!

One of the Tezuka classics, Sapphire is a "girl who has both the hearts of a boy and a girl". This one's very old and hypersimplistic, but I still found it a charming and interesting look into gender roles.

Kaori from City Hunter!

A tomboy and hobbyist crossdresser who acts as a foil to protagonist Ryo's playboy tendencies. Many of the gags surrounding her involve her being mistaken for a guy or her failing at traditional femininity, which often evolves into she and Ryo playfully ribbing at eachother.

While she does spend much of the show fleeing fangirls and restating her womanhood and heterosexuality, I still found her really entertaining to watch.

Honourable mentions to Noa Izumi from Patlabor, Kanbaru from the Monogatari series and Tomo from Tomo-chan is a Girl, whose designs I really like but I haven't watched their series yet, so I don't feel right putting them on here.

And a shout-out to Dororo from Dororo and Rei from Kakegurui, who were cool for the entirety of their series but got hit with the feminization beam last minute without any real character arc to make it meaningful (or at least not any character arc done satisfyingly, imo).

what’s your thoughts on ouran? you mentioned you had a love / hate relationship with it and i think that would be interesting to hear

Oh god post that usually would be reserved for my sideblog incoming. Heads up this one might get uncomfortable, heed the tags. LONG POST.

TL;DR: it's a fun show that's neck deep in the misogyny sauce

I had the true ouran experience of watching it when I was 12 and thinking it was really funny but ultimately finished the show feeling mildly disappointed as well as being Very put off by one specific episode.

As a 12 year old I didn't really have the words to explain why but over the years I thought back to ouran again and again and the more I thought about it the more. Angry isn't really the right emotion I guess. Eyebrow raised emoji-y is more accurate.

Now that I am a bit older and wiser and have read more shoujo, I think the majority of the annoyance and confusion I felt towards ouran, especially nearing the end of the show, came from the fact that it pretty much bait-and-switches its own stance on gender roles, classism and judging by appearance. Please note that I have not rewatched ouran in many years so take all this with a grain of salt and forgive me for anything I'm straight up misremembering.

Haruhi, to me, embodies a very quintessential shoujo protagonist archetype. She's not necessarily radicalized against gender roles, but doesn't place the same importance in gendered performance as her peers. She's also viciously ambitious and doesn't downplay her own intelligence, qualities that her female peers around her have been conditioned to avoid in their cartoonishly extreme upper class upbringings.

However, the other girls' education being a direct result of their education is never really examined. All the other girls at ouran are presented as vapid and "boy-crazy" over the host club. Renge, the only major female character aside from Haruhi herself, is delegated to being comedic relief (and of course, the humour surrounding her almost always has to do with her obsession with Kyoya) with some not so subtle implications that Haruhi is above her girlish antics because Haruhi is... Better, to put it bluntly, in every way including her ability to appeal to men, which can be seen through Kyoya's neutral to distasteful opinion of Renge vs his somewhat unsubtle care and attraction towards Haruhi.

This very unflattering depiction of women other than Haruhi extends to the very queer-coded* Lobelia academy girls, who the host club spends an episode "rescuing" Haruhi from and, once again despite their group leader's more masculine look, reacts in shock and horror at their feminine interests. Eugh, makeup! Disgusting!

*pressing the "nuance" button on this one because we can't expect to apply our understanding of queer signalling on a Japanese highschooler, but the Lobelia girls are. Fairly blatant enough I feel that I almost don't even want to call it coding.

The girls in the show who aren't Haruhi are either boy-crazy and therefore stupid, side characters whose episodes are often tied to getting with a male love interest (who is always depicted as "plain" compared to the desirable men of the host club), rivals in love against Haruhi (like Eclair) or silly evil lesbians.

Speaking of the silly evil lesbians, I do think it's interesting how many times the show feels the need to restate Haruhi's heterosexuality through her endless amounts of blatant disinterest in her fangirls. I briefly wrote once on how patriarchal standards have an amount of gender-nonconformity that can be accepted with women, but violently withdraws that acceptance when it can be even slightly confused with signalling queerness. Every second boomer dad wants a tomboy daughter, yet none of them seem to want trans sons. Idk, food for thought.

It's also fascinating to me that Utena is so much older than Ouran, yet almost feels like a direct response to Ouran's pitfalls at times e.g. the "not like other girls" logic of Ouran's world that pits women against eachother. The only women deserving of sympathy are those who don't act as a "threat" to Haruhi's desireability, everyone else is stupid and beneath her or an evil bitch.

The one woman who is always shown as intelligent and worthy of respect outside of Haruhi herself is Haruhi's deceased mother. Interesting that she had to be dead and more of a concept and motivator for Haruhi instead of.. a character.

If the show was just a marina and the diamonds girls simulator that would be one thing but what I find even more insidious is that not only does it not respect its female cast, Haruhi herself is almost. Instructed? In the show to uphold patriarchal rhetoric, when she entered as a neutral force. With the fact that she acts as the audience stand-in, I find this just the smallest bit troubling.

ESPECIALLY. when talking about the specific episode that really gave me the "I don't like this alot but I can't describe why" feelings when I was 12. Everything else in the show I can look past but this episode genuinely pissed me the fuck off when I was 12 and pisses me off even more now.

I'm talking of course about the "better remember your place in society or men will rape you!!"

In episode 8, the host club visits the beach but instead of the fun beach episode I thought was coming up, 12 year old me was hit was Haruhi being scolded by Tamaki for trying to defend a group of girls from ruffians, simply because she is a girl. Haruhi obviously gets mad.

This in of itself is fine, Tamaki's been shown to be an idiot and very deep in the misogyny/classism sauce, and the way this show mocks that is why I really like him.

But Tamaki is supposed to be IN THE RIGHT this episode, as later Kyoya pretends that he's going to rape Haruhi to teach her a lesson about why women shouldn't confront men I guess. Which, of course, implies quite a lot of very strange things in a show made for young girls, including that if you just abide by gender expectations that are Good and Keep You Safe you... won't be raped? Haruhi even thanks Kyoya for PRETENDING HE WAS GOING TO RAPE HER ?

It's this. Very strange and hypocritical moment for this show and really, really soured Kyoya's character for me -- which is a shame cus I do think he's one of the most interesting club members. I'll never not fume about this episode man I literally got into fights with friends over this episode being garbage as a kid and it was one of the smartest opinions I had at that age.

It's also gross to me that this whole thing revolved around, in the first place, Haruhi trying to defend other girls. In a show that keeps isolating Haruhi from them. So to recap 1. DO NOT seek out relationships with other women, they are vapid and won't understand you, certainly not more than the men in your life and 2. If you defend other women (from men), you're being stupid. Get a man to handle it instead, because it's men's duty to defend women, not yours. and if you violate this natural order you deserve to get raped. Hashtag some gender roles are good, actually.

I also have more thoughts on the way it's presented as if being raped as a woman is the worst thing imagineable but Renge's stalker tendencies towards Kyoya are played up for laughs. Shrugs.

The episode even ends with Haruhi saying she wasn't afraid because she knew Kyoya wasn't going to do it, but then ending up in a curled up helpless ball anyway because of. some thunder. really awesome. While I don't have any problem with exploring Haruhi's vulnerability, we never see any of the boys in such a state, reinforcing that this isn't about dropping the facade of unemotional masculinity but Haruhi being... a girl. Barf.

Even completely disregarding that episode, the messaging is. Strange to say the least. I do think this one might be the thing that gets me shot because Tamaki Does come around to appreciating Haruhi as a person and not simply a "woman", but the fact remains that she still acts as a "love interest" from beginning to end. And the whole dynamic of. Haruhi going from completely disinterested to fond of Tamaki over time, and Tamaki learning to abandon his playboy ways and see Haruhi as a person is totally fine and okay. BUT it is a little bit. Oh so NOW you want to talk about seeing women as people.

I feel that I've been. very focused on the hate part of the love hate and I'll be real nowadays that is very much the dominant half. I still like the show just for nostalgia value, the humour, as well as the host club members themselves. Morii and Honey specifically have a really awesome dynamic and I wish we got to see Honey go berserker more but it is what it is. Kyoya, rapey moment aside, is also really fun and maybe one of those characters that made me realise what kind of tropes I like. I will not stand a word of Hikaru and Kaoru slander, those boys are awesome and their incestuous club personas are a great parody of how performative the club really is, and through that how performative society as a whole is when dealing with attraction as a concept. And I actually really like the side characters too, the emo catboy and Renge in particular.

But I'd be lying if I said it wasn't perhaps one of the most anti-feminist bait and switches I'd ever seen in my life.

Haruhi's not even gender-nonconforming!! She's just a normie with a normal amount of care put into gendered presentation but because she's in the psychopath rich people school she SEEMS gender-nonconforming!! Which is fine as I've said before I think a lot of shoujo protagonists are like Haruhi in that their gender is more "I just work here" at best and something used to oppress them at worst, but Haruhi goes out of her way to present more feminine the moment she leaves the school gates.

Big words for this show to come out swinging saying gender roles and expectations attached to them are dumb when its so terrified of actually tackling them. I don't require everything I watch to be queer queer gay gay homosexual transgender beam attack but like?? Why have Haruhi say she dgaf and then have her present feminine anyway? Especially when it's been highlighted to us that her family is dirt poor, yet she still has the money for hair extensions? You're telling me she decided to cut ALL OF HER HAIR OFF FOR A TINY PIECE OF GUM. for no reason at all when she could've easily just cut it into a bob??

FTR I do still like Haruhi which is what makes this all the more frustrating, especially since she's one of the few female anime characters who we're told is supposed to be masc-presenting and actually could pass as that. Mf questioned the system of gender and then proceeded to do fuckall with it. Gets forced into crossdressing but underlines it with "but im not a lesbian" the whole way through. What cowardice. What theory and no practice. What bark but no bite. What a non-theme. Haruhi is the opposite of punk. Centrist ass take of an anime.

Ahem. Biases aside. I just feel like it fails as a romance, fails saying anything substantial about gender or class and ultimately ends up being meaningless fluff at best and pro-rapist and anti-woman at worst.

[poorly-drawn-mdzs]

Thanks for listening to my sad backstory. Anyway, here's Wonderwall.

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[accirax]

a collection of DCAS memes so far

[gunstellations]

boop! 💙🤍

[tagerrkix]

[humming-fly]

the origin of meta-knight's self consciousness

[unproduciblesmackdown]

Lackadaisy Enrichment

[draw-the-squad-like-this]

Draw your otp like this

[greykolla-art]

I heard that our dear @beansprean was sick, so I thought it would be nice to dedicate to them a smutty little vampire comic!

(My dude-gender neutral- your stamina for creating so much awesome art and comics is inspiring as hell! I hope you take care of yourself!🖤)

[stickmenyaoi]

about absence; presence. Lover; Warrior

Inspired by.

[oracleofdiscord]

Journey To The West (Part VI) features a distinction between "normal fire," "heavenly fire," and the true fire of samadhi - the last of which is specifically noted to be so strong that it can't be put out by the rainstorm that monkey and the dragons summon.

Aurora's storm arc features a distinction between normal/elemental fire, starfire, and soulfire - with it being specifically noted that

in conclusion

[poorly-drawn-mdzs]

Bonus 7: Time moves sideways

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[spookygibberish]

Dogstock are typical of what are often deemed the ‘evil’ races in many other fantasy works. They were created by some higher force to be slaves, they are carnivorous by nature, they resemble animals other than human in dentition and build. They growl and bite and walk behind.

The Uhasr (a dogstock culture) are descendants of such slave-infantry that was abandoned when the empire that used them to capture the steppes decided the land wasn’t so profitable after all, and more pressing matters drew their attention elsewhere. Like tools left spent on the ground, the unneeded, excess dogstock were left to survive on their own in Hochkiskuph. The native peoples, of course, did not welcome them any more, or see them any less as oppressors when the hand released the lead. To the Hochkiskuph peoples, the Uhasr are a predatory ghost, an echo that consumes them even in absentia. To the Uhasr, one human is much like another, differing in number and equipment, but never in essence. Uhasr are a species of wild animal with a human face. Humans are prey on two legs. Humans smoke and poison uncovered dens on principle, Uhasr abduct and consume men and women and children all the same.

A common trend I have noticed in media which aims to humanize monsters, is that it often relies on passivity. Humanity is contingent upon kindness. The monster that is A Person only so long as they are a harmless thing at heart, something which can be understood and befriended. Their violence is reluctant, their hearts noble. Grace is a concession to the dominated. Only the toothless beast, declawed and pinioned and caged, is one which has earned its personhood. The ontological enemy supersedes the ontological man.

[byfulcrums]

i can't believe his name is fucking kyle