#the bots get the capitalism treatment
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spiralling-spires · 1 year ago
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Hello, if you are a spambot please queue up on this post. I will report and block all of you at my earliest convenience which is not right now *why are there like 20 of you*
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the2lees · 4 months ago
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time for a quick rant about the murder drones fandom
y’all be throwing every goddamn female character into the Pit of Mischaracterization for the sake of Lack of Media Literacy and Misogyny (these are capitalized because I wanted to)
but not only that, y’all make N out to be the golden child dumbass Can Do No Wrong character when like… bro’s not stupid??? or infinitely sweet???? he literally DECAPITATED Cyn-Tessa like ????
I like to paint these guys as simplified versions purely for comedic purposes but the more I hang out around here it’s like y’all actually believe that shit????
I never got the vibe of V being jealous of Uzi. that shit is like… kinda not true at all??? and N is clearly the kinda guy to look on the bright side, but that shit is a COPING MECHANISM. Uzi is pessimistic for the same reason
NONE of these characters are mentally well and they all have different ways of dealing with it. Uzi (and V a bit) remind me of myself. they’re both hostile to those they care about because it’s easier to drive them away than let them in.
also, everyone bitching about Uzi killing her classmates needs to grow up. yeah, sure they didn't deserve it (ig) but they were literally background characters solely made to antagonize and ostracize Uzi. and she clearly feels bad about doing it too so I don't know why y'all throwing such a fit over it the show is literally called MURDER Drones the drones are gonna kill ppl
y’all don’t harp on any of the literal genocide bots so why does Uzi get this treatment? hell, y’all don’t harp on DOLL either! it’s a weird double standard and y’all outta grow up
V isn’t some fan service pantless ex, Uzi isn’t a monster evil demon annoying alt girl, and N isn’t a well of infinite goodness to be trampled on. stfu
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egg-emperor · 11 months ago
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Eggman is pretty much fascism and unchecked capitalism in human form. He is a repersantion of it they way Sonic is the representation of freedom.
In the games we get to see glimpses of the world under Eggy's rule and it is not pretty. Even in the first game, Eggman's scrap brain zone is a polluted dystopian hellhole, smog and poison everywhere. Meanwhile green hill zone is a lush paradise full of greenery.
In Sonic CD, we can see even his own robots suffer in the bad futures. They looks broken , neglected and musty. He doesn't even care about his bots. So much for a robot kingdom 🤖👑
Don't get me started on Forces where he fully takes over the earth and turns it into a bleak, broken hellhole and spews propaganda everywhere. Everyone is miserable. He even made a propaganda vid where he encourages people to accept his robotomy treatment and become his robot slaves to make life bearable.(Robots don't need food , water or clean air to breathe. They don't even think)
Benevolent dictatorship it is not. I don't know where people get that from.
Exactly, for it being such a prominent theme in the series, I wish more people would get the message and not dismiss it/miss the point and try to say "Eggman is good, actually". It's much more interesting to look at it for what it is, it's what makes Sonic vs Eggman and Eggman's goals compelling to me to analyze. Eggman is a great representation of the terrible and harmful things humanity can be capable of but without completely blaming the entire human race.
He portrays the dangers of fascism, damage of the environment, and the dangerous destructive lengths one can go to in greed for power and control. There's been many examples of him attempting to captilize on harmful things, carelessly tearing the planet/other planets apart in selfish endeavors, and how dystopian the world would be if he succeeded in enforcing his order. They've explored propaganda, manipulation, war, and invasion with him.
Ignoring the message of Eggman's character also downplays, softens the impact of, and dismisses the meaning of Sonic's character. He's all about freedom and the only thing he hates is oppression, Eggman is the oppressor of the story and Sonic wants to stop him, that way people can live in peace and freedom without Eggman stripping that away from them and forcing them to be and do exactly and only what he wants in the world he wants it to be alone.
It's cool because Eggman is also like an example of if you take your own personal freedom and desires too far with greed and a lust for power and control. To the point that you value it and yourself so much above all else, you want to force everyone else to comply by your rules and fulfill your desires, no matter how much they don't want it and it damages them and the world around you. Meanwhile, Sonic's just happens to benefit the world and people around him.
And in a world where Sonic wins, it stays beautiful, bright, lively and free with nature, wildlife, man, and technology coexisting in harmony and peace. In a world where Eggman wins you get the opposite where it's ugly, dark, dead, and controlled with nature and wildlife suffocated until it's dead- replaced by technology and reshaped in Eggman's selfish image and twisted idea of what a "perfect" world is, one where only he decides what it's like.
It shows through their characteristics, actions and outlook, and their impact on the world and people around them and that's so fucking neat. I don't know why people act like that stopped being a theme when, as long as it's Sonic vs Eggman, it's definitely always present. But I feel that a part of it is absolutely the way that people try to make it seem like Eggman isn't so bad and suggest the idea that maybe he's actually really progressive and wants to do good.
It's very clear that he doesn't lol. Such is obvious by the lengths he's willing to go to get what he wants, knowingly and carelessly hurting many people and even finding sadistic enjoyment in it at other times, all the while acknowledging that he's evil and saying it himself and owning it. He knows he has to create propaganda, lie, and manipulate others into getting what he wants and further his plans which also proves full awareness that what he's doing isn't innocent.
And of course the most obvious is how the world under his control is most often depicted as a dark industrial dead and polluted dystopian hellhole where all suffer, even his own creations, and he doesn't care because he's in control and gets to rule over it and turn it into everything he wants. And their suffering is just part of the idea, which he makes clear with his own words with Eggmanland in Unleashed and the Interstellar Park in Colors, in that he wants people to suffer.
There are times this isn't shown visually in a places of his creation and under his control, such as the Interstellar Park and Ego City. But guess what? There's still tons of danger and death due to attractions in the Interstellar park that he acknowledged and intended as features, and the PAs in Ego City with the propaganda and lies about the intention and "benefits" of animals in robots and the hint that he doesn't actually take criticism- all prove his real sinister intent in it.
It shows that Eggman can also pretty things up and sugarcoat them with visually beautiful creations, sweet words and promises of great things through lies and propaganda. That's scary because it can lure people in, only for them to be subjected to great horrors once they arrive, even if nobody and maybe not even themselves can see and realize it's all a lie and the cost that is their suffering at first, until it's too late and they face it in the most terrible and painful of ways.
And the truth would show visually eventually anyway, evident in Eggmanland's darker polluted setting. Even to the point of further destruction and decay, like CD bad future where even his own creations are broken down and abandoned. He'll destroy the world to build his new one yet even that will rot due to his carelessness as long as it doesn't get in the way of his own enjoyment, he'll use things up and abandon them when they no longer serve him.
In Forces he wants to burn the world so it will be "nothing but ashes, from which a glorious Eggman Empire will rise," willing to cause great damage to get it. That's why he happily blew up Sunset Heights, let Green Hill be dehydrated and die, had forests carpet bombed, and was willing to drop the sun on people. Hell, in the Join the Eggman Empire propaganda video, he promotes further ruination and pollution of the world after he's taken over as a good appealing thing.
And the real reason why is because it will push anyone that's still unwilling after all his attempted lies and propaganda to give in and accept the robotomy treatment, so they don't have to suffer in it anymore because they won't have a choice because it'll be that or die. But with it they'll also have to give up all their freedom and never be able to eat, sleep, or think ever again and Eggman will tell them "that's what we call "living the good life!"
And again, him saying that loving it is mandatory in the video proves he doesn't care how much it hurts people and how much they'll really hate it. He knows full well but doesn't care because it's not about what they want, it's all about him and what he wants and they have no choice or say, they literally have to comply or die. And fuuuck it's so good and messed up. That perfectly represents how terrible and dangerous and harmful his dictatorship is.
Besides the whole "what if he actually cared and genuinely wanted to help people and the world though" which this all clearly disproves, I also see people say they'd like to become robots so they don't think it's so bad. And it's like well fascist dictatorship doesn't suddenly become a good thing just because some of it personally aligns with your desires lol. Authoritarianism doesn't suddenly become good just because it's enforcing your personal morals and values.
I highly doubt anyone would still be saying this if they it really happened and they realized how much they'd sacrifice in it and what they'd have to go through as Eggman clearly doesn't treat his creations well, whether it's through abusing them or just leaving them to decay like those seen in CD bad future. And let's say even if was good for you personally in some way, it wouldn't be for everyone and most people would still suffer because they don't want it.
And let's say your biggest dream came true through it. It's still being enforced through Eggman's fascism and oppression and many will suffer from it and have to abide by it against their will. It's like how Eggman tried to bribe Sonic in the great Super Sonic and Super Eggman Sonic Channel story by saying he could give him a world of chili dogs, no paradise is one that is forced, no matter how pretty and appealing one tries to make it seem.
And in Eggman's case it's not just that but the fact his "paradise" is everyone else's hell, his enjoyment is everyone else's pain, his desires are the antithesis of freedom. Because he's deeply selfish and intends and revels in much of the damage and suffering he causes. It's inherently sinister, harmful, and only his twisted definition of a perfect paradise that serves only himself with his selfishness and self-centeredness that he can't and doesn't care to see past.
He's one fucked up bastard and that makes him so interesting and threatening, he's the main villain of the series for a reason. 💜 It's really interesting to think about the themes he represents and the many different ways they've been portrayed and explored throughout the series and the message it sends just as much as Sonic's, I wish to see more acknowledgement and discussion of it so I try my best to bring light to it with my own contributions like this!
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ofauroradreams · 9 months ago
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anyway, onto the real reason I came back, bc I realized I had nowhere else to post this where it would mean something; but here, it's important:
Big Town!
when Liana first comes across Big Town, it's just a shambles of a pre-war town. two or three of the houses have been opened up to provide shelter for the few inhabitants; they've salvaged some of the wasteland to craft a wall around as a semblance of safety; and there's a junkyard.
it's really just the place where the kids get shunted out to after they get to big (read: adult) for Little Lamplight. btw sixteen feels like they're shooting under, not over. you're still a minor until eighteen. even Liana was nineteen when she was kicked out of the vault.
Liana rescues the captured settlers. she helps kick the super mutant butt back to Vault 87. she clears out Paradise Falls and shuts it down for good (hc: a large part of why there's no slaving operation in Fallout 4). then she decides to help turn Big Town into a place worth living.
she repairs a sentry bot and a protectron to patrol the settlement and protect the people. it's much easier to face down an ugly mug of the local muties when you have a steel-armoured minigun-and-rocket-launcher-armed robot with aim assist.
she trades often with the caravans, so they know her and when she asks them to set up a trade route to Big Town, it doesn't take much convincing. she suggests that the settlers trade skills for caps until they have more stuff to sell (medical treatment, weapon and armour maintenance, a place to rest for the night etc).
I'm not sure if this takes place pre-Vault 112 or post, but I also like the idea of Fawkes helping to build up the defenses by reinforcing the walls. Liana gets a hold of materials and builds a little garden for them to start growing food to eat. she teaches them how to shoot guns so they can defend themselves easier.
they clear out the houses to set up proper beds and a better clinic for Red. Liana opens up one of the abandoned houses and turns it into a waystation/inn for travelers, as another way to earn a few caps to trade with caravans.
maybe she gets ahold of a couple Brahmin for milk? maybe they find a way to tap into a consistent water source? after Project Purity, the water gets cleaner so maybe they get plans to build a pump or collect rainfall or smth.
anyway, the point is, when Liana leaves the Capital Wasteland, Big Town is a thriving settlement and the people are safer/happier/better. it expands out to claim some of the other abandoned houses so there's more space for people to exist in.
and then ten years later, she turns up in the Commonwealth and helps the Sole Survivor do it again. and again. and a dozen times over, building up the community and the world in the wake of a nuclear apocalypse.
if there's one thing consistent about Liana, it's that she always leaves the world a better place than she came
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rae-napier64 · 11 months ago
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Hello! I need medication for life to prevent my lungs from collapsing, this implies permanent treatment with steroids, oxygen therapy, control of oxygen in the blood and antibiotics to prevent the development of bacteria in the lungs.
I'm afraid I have to insist on this because it may be the only way to get my treatment.
I need medication for life to keep my lungs from collapsing, this costs around $700 per month.
Things are really tough on me,I can’t afford. Please donate🖤
This is like the third time I’ve had an ask like this, so instead of ignoring or deleting it I’ll turn it into a teaching moment.
Before I do that: don’t harrass the person behind this ask! They’re simply reaching out asking for help, that’s a good thing!!!
Anyway, ladies, gents. Those as yet unknown, don’t send asks E-begging, especially not to Strangers. I understand that your struggling and I wish more than anything that this didn’t need to happen, unfortunately we live in a hellscape and people are struggling to make ends meet as is, and all of a sudden tumblr has become the E-begging capital of the internet.
If I had the resources and time to donate to all of the posts and asks and continuous reblog chains then I truly would, however I’m living paycheck to paycheck, I have no money, I’m barely making rent and feeding myself, i don’t want or need twenty thousand asks a month making me feel like shit just because I’m unable to help those in need trust me I feel bad enough.
It’s unfair, and downright rude to expect others to answer kindly or give money to a complete and total stranger who has popped up out of nowhere to beg for money, attention or whatever else is being asked for.
And all that is providing it’s real people and not bots or scam artists targeting those that are vulnerable tumblr is full of teenagers who want to make life better and who have strong opinions and believe that doing good recklessly is the best way to live. These teens aren’t wrong, but the people taking advantage are and this whole situation reeks of scammers asking for “a couple quid til payday” or “oh I’ll pay you back when I get the money” it’s bullshit!
Tldr: it’s not your job as a tumblr user to give to any cause that you’re not a part of, you don’t know these people or what they’re using the funds for. Survive, offer what you can, don’t let them guilt trip you into a scam.
Oh yeah, and stop E-begging in randoms asks/Dm’s its disgusting
Edit: apparently I’m a shitty person for being poor??? https://www.tumblr.com/rae-napier64/744524954363740160/oh-wow-just-actually-went-to-your-blog-home-and
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inazuma-fulgur · 2 years ago
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Saw great pro artist takes on twitter today regarding ai art
Obv ai people hate them, but sadly basically all artists I see talk about this issue are opposed to anti capitalism so none of these get any traction or support
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Like the idea is there is already a problem in how art gets approached that needs to be fixed, which can only be done with systemic change
AI art ist just one of the many results of that systemic change bot having taken place. Still broader discussions focus only on getting rid of ai art, or sometimes ai as a whole (which is more sensible in my opinion but I digress), instead of looking at any trends we see within our legal system and the general treatment of artists. It's mainly big artists making anti ai statements because they've found a stable platform to monetize their work under capitalism that then pull support from lots of smaller artists who either are uninformed and manipulatable or dream of achieving the same success which is a) unsustainable long term and b) unrealistic for most.
Edit: ah I forgot the video that was linked in the tweets. Just for hammering home that intellectual property and copyright weren't invented for writers, painters, or other artists, here it is
https://youtu.be/TWYHmkmctb8
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the-war-is-over · 1 year ago
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The City of Staricon
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[ Image from The Transformers: More than Meets the Eye #28, "World, Shut Your Mouth Part 1: Towards Peace" ]
The city of Staricon, as one might have surmised, was built over the ruins of the former capital, Iacon. Well, actually, it is built upon Metroplex, who laid down to rest atop the ruins of Iacon after being severely weakened and damaged in the conflict of the war's final battle.
Starscream rechristened it in his own honor as a part of the changes implemented when he took rein, and thus Staricon was born. Thing is, some people didn't really get (or especially, didn't really care about) the name change, so it's called anything from Staricon to Stariacon to Iacon, or simply "the city" (since no other major settlements currently exist on the planet) depending on who you ask.
The city is broken down (unofficially) into four quadrants: the Upper District, the Middle District, the Lower District, and... the Trypticon District.
While the Upper and Middle Districts sit squarely within Metroplex's legs "borders" -- and house most of the major structures and places of import for Cybertronians -- the other two are a bit different.
Metroplex was not the only Titan around, and also not the only one to provide structure for the people of Cybertron to start over. Reawakened from their slumber by the planet's revitalization -- specifically, the appearance of new sparks -- Trypticon rejoined Cybertronian civilization as an addition to the "city proper" formed by Metroplex.
Trypticon's agreement to do so relied primarily upon the treatment of the new generation of bots. From these negotiations (and through the representation of their new Cityspeaker, Slug), the Forge Pyramid came to be: a facility where sparks are taken to be tended to until maturation, educated in a safe environment, and then released to join the rest of society.
In addition to the Forge Pyramid, Trypticon has become the premier hub for Cybertronian immigrants. Most of the colony worlds were primarily populated by bots, but some planets such as Nebulon and (of course) Earth are home to organic life. Particularly given the involvement of Earth with the Cybertronian race in the last few decades, there is a sizeable population of humans on Cybertron and vice versa. The Cybertronian-Earth Embassy resides there, as does "The Mall".
"The Mall" within Trypticon was dubbed such by a group of BotBots, who had originated within what they called "The Mall" on Earth. Once they came out of hiding, many of The Mall's inhabitants moved to Cybertron and named their settlement after their first home. The name apparently caught on, as the other residents of Trypticon rolled with it. There is a shopping mall within The Mall called The Mall, but the larger area is also known as The Mall. So is the one back on Earth. Simple, right?
(The Trypticon District is also home to another subset of small bots, but we'll get to that another time.)
Because of the strong presence of humans, Nebulans, and other non-mechanical species, the district is sometimes called the "Organic District", sometimes derisively by those who still hold anti-organic sentiment. Similarly, the Lower District is often referred to by another name: the "Decepticon Ghetto", or simply "the ghetto".
After the war, the Autobots were the de facto winners, mostly because they managed to rally before the Decepticons. (Later, the official disbandment of the Decepticons by Megatron more or less secured that win, but that's for another time.) Throughout the restructuring of Cybertron's leadership, the Decepticons never really had the upper hand. Even those who chose to doff their badges at Starscream's decree were treated more poorly than than the Autobots that did the same. Many found themselves having to settle on the outskirts of Metroplex, amid ruins and junkyards -- and thus the ghetto was born.
Part of Trypticon's reasoning for settling on the other side of the Lower District instead of closer to the rest of the city was to provide the ghetto with easier access to resources, as well as force travel through the area (and thereby force the other bots to face it, and perhaps do something about it).
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hesitationss · 2 years ago
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thinking about how near the end of ergo proxy (spoilers!!!) pino is walking through the area with all of the auto rieves on their knees praying and she’s like ‘i don’t get it, if they all have kokito virus, shouldn’t they have a soul just like me?’ and raul’s autoreive appears and explains that pino had developed freewill. her ‘proof’ of existence beyond being a companion bot. she can imagine, dream, and make original drawings, she learned about grief and all the other things that autoreives would not get the chance to do because they are either destroyed or turned into killing machines,… i know that a lot of philosophers who discuss freewill describe a detachment from god and freedom causing humans to act out in destructive ways, but i am also thinking about when caregivers are abusive and control every ounce of your freedom. like of course sudden freedom results in unpredictable, it’s impossible to cope with. but pino was never an autoreive for serving people, she was a companion bot designed to be raul’s kid. sure, her mom was unkind, but raul saw pino as his daughter and taught her to do things like play the piano. so pino is an example of developing freewill without the deep trauma or confusion that other autoreives have, raison d'être viz, like iggy who received poor treatment from re-l. idk just thinking about the repercussions of creating a secondary class of life form resembling humans w algorithm designed to also replicate human social norms while their only reason for existence is to serve these also incomplete humans who were also ‘manufactured’ by lonely gods and grown in test tubes… certainly interesting to think about things like existence and free will, but I think these core concepts stand even if your aren't christian or don't believe in capital G god -> it requires a christian/catholic framework to also reject god or a ‘creator’ or to implicate it’s death w all the nietzschian exploration.
however i really like the ending despite not prescribing to a ‘god’ myself (i can have a suspension of disbelief for consuming media lol). ergo proxy/vincent does not wish to follow the path to transcend to death, he wishes to stay on earth and help rebuild. he chooses to live and experience things like pain and suffering, chooses to understand life beyond theoreticals about purpose and existence, etc etc. idk it’s like apocalypse pt 2, but throughout the series it is mentioned that the world is ready to heal again and it’s a lively sentiment that proxy, autorieve, and artificial human alike want to bear witness and survive together.
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mllevictorinelouise · 4 years ago
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scifigeneration · 5 years ago
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Personal data isn't the 'new oil,' it’s a way to manipulate capitalism
by Kean Birch
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Manipulating our own personal data can allow us to manipulate capitalism. (Shutterstock)
My recent research increasingly focuses on how individuals can and do manipulate, or “game,” contemporary capitalism. It involves what social scientists call reflexivity and physicists call the observer effect.
Reflexivity can be summed up as the way our knowledge claims end up changing the world and the behaviours we seek to describe and explain.
Sometimes this is self-fulfilling. A knowledge claim — like “everyone is selfish,” for example — can change social institutions and social behaviours so that we actually end up acting more selfish, thereby enacting the original claim.
Sometimes it has the opposite effect. A knowledge claim can change social institutions and behaviours altogether so that the original claim is no longer correct — for example, on hearing the claim that people are selfish, we might strive to be more altruistic.
Of particular interest to me is the political-economic understanding and treatment of our personal data in this reflexive context. We’re constantly changing as individuals as the result of learning about the world, so any data produced about us always changes us in some way or another, rendering that data inaccurate. So how can we trust personal data that, by definition, changes after it’s produced?
This ambiguity and fluidity of personal data is a central concern for data-driven tech firms and their business models. David Kitkpatrick’s 2010 book The Facebook Effect dedicates a whole chapter to exploring Mark Zuckerberg’s design philosophy that “you have one identity” — from now unto eternity — and anything else is evidence of a lack of personal integrity.
Facebook’s terms of service stipulate that users must do things like: “Use the same name that you use in everyday life” and “provide accurate information about yourself.” Why this emphasis? Well, it’s all about the monetization of our personal data. You cannot change or alter yourself in Facebook’s world view, largely because it would disrupt the data on which their algorithms are based.
Drilling for data
Treating personal data this way seems to underscore the oft-used metaphor that it is the “new oil.” Examples include a 2014 Wired article likening data to “an immensely, untapped valuable asset” and a 2017 cover of The Economist showing various tech companies drilling in a sea of data. Even though people have criticized this metaphor, it has come to define public debate about the future of personal data and the expectation that it’s the resource of our increasingly data-driven economies.
Personal data are valued primarily because data can be turned into a private asset. This assetization process, however, has significant implications for the political and societal choices and the future we get to make or even imagine.
We don’t own our data
Personal data reflect our web searches, emails, tweets, where we walk, videos we watch, etc. We don’t own our personal data though; whoever processes it ends up owning it, which means giant monopolies like Google, Facebook and Amazon.
But owning data is not enough because the value of data derives from its use and its flow. And this is how personal data are turned into assets. Your personal data are owned as property, and the revenues from its use and flow are captured and capitalized by that owner.
As noted above, the use of personal data is reflexive — its owners recognize how their own actions and claims affect the world, and have the capacity and desire then to act upon this knowledge to change the world. With personal data, its owners — Google, Facebook, Amazon, for example — can claim that they will use it in specific ways leading to self-reinforcing expectations, prioritizing future revenues.
They know that investors — and others — will act on those expectations (for example, by investing in them), and they know that they can produce self-reinforcing effects, like returns, if they can lock those investors, as well as governments and society, into pursuing those expectations.
In essence, they can try to game capitalism and lock us into the expectations that benefit them at the expense of everyone else.
The scourge of click farms
What are known as click farms are a good example of this gaming of capitalism.
A click farm is a room with shelves containing thousands of cellphones where workers are paid to imitate real internet users by clicking on promoted links, or viewing videos, or following social media accounts — basically, by producing “personal” data.
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A video on how click farms work by France24.
And while they might seem seedy, it’s worth remembering that blue-chip companies like Facebook have been sued by advertisers for inflating the video viewing figures on its platform.
More significantly, a 2018 article in New York Magazine pointed out that half of internet traffic is now made up of bots watching other bots clicking on adverts on bot-generated websites designed to convince yet more bots that all of this is creating some sort of value. And it does, weirdly, create value if you look at the capitalization of technology “unicorns.”
Are we the asset?
Here is the rub though: Is it the personal data that is the asset? Or is it actually us?
And this is where the really interesting consequences of treating personal data as a private asset arise for the future of capitalism.
If it’s us, the individuals, who are the assets, then our reflexive understanding of this and its implications — in other words, the awareness that everything we do can be mined to target us with adverts and exploit us through personalized pricing or micro-transactions — means that we can, do and will knowingly alter the way we behave in a deliberate attempt to game capitalism too.
Just think of all those people who fake their social media selves.
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We have the ability to alter the way we behave online to game capitalism ourselves. (Shutterstock)
On the one hand, we can see some of the consequences of our gaming of capitalism in the unfolding political scandals surrounding Facebook dubbed the “techlash.” We know data can be gamed, leaving us with no idea about what data to trust anymore.
On the other hand, we have no idea what ultimate consequences will flow from all the small lies we tell and retell thousands of times across multiple platforms.
Personal data is nothing like oil — it’s far more interesting and far more likely to change our future in ways we cannot imagine at present. And whatever the future holds, we need to start thinking about ways to govern this reflexive quality of personal data as it’s increasingly turned into the private assets that are meant to drive our futures.
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About The Author:
Kean Birch is an Associate Professor of Science and Technology Studies at York University, Canada
This article is republished from our content partners over at The Conversation under a Creative Commons license. 
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albvterol · 5 years ago
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Everything you wanted to know about Crypto Genius
Let's know more about Crypto Genius
As specified earlier, Crypto Genius (http://cryptogenius.site) is really a software program function. It operates an exchanging formula, which helps one in trading Bitcoin or other type of equivalent crypto funds in many financial markets. The software application is actually type of a robot, which really possesses high-frequency trading methods programed in the exact very same to make sure that trading probabilities may be noted. As quickly as this is actually carried out, one can make excellent take advantage of the ups in addition to downs of the crypto markets.
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annalisemichaelalaurel · 5 years ago
Text
Everything you wanted to know about Crypto Genius
Let's know more about Crypto Genius?
As specified earlier, Crypto Genius is really a software program function. It operates an exchanging formula, which helps one in trading Bitcoin or other type of equivalent crypto funds in many financial markets. The software application is actually type of a robot, which really possesses high-frequency trading methods programed in the exact very same to make sure that trading probabilities may be noted. As quickly as this is actually carried out, one can make excellent take advantage of the ups in addition to downs of the crypto markets.
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Convenience As Well As Also Furthermore Ease Of Utilization You do not need a lot expertise in addition to performance to utilize the gizmo. It is actually excellent for both expert in addition to new investors. What's additional, you do not need to establish any kind of treatment to utilize the gizmo. It is actually an online gizmo that you can access from mobile phone or PC so long as you are linked to the internet.
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beardscanty · 5 years ago
Text
Everything you wanted to know about Crypto Genius
Let's know more about Crypto Genius?
As specified earlier, Crypto Genius is really a software program function. It operates an exchanging formula, which helps one in trading Bitcoin or other type of equivalent crypto funds in many financial markets. The software application is actually type of a robot, which really possesses high-frequency trading methods programed in the exact very same to make sure that trading probabilities may be noted. As quickly as this is actually carried out, one can make excellent take advantage of the ups in addition to downs of the crypto markets.
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Click Here to Learn more about Crypto Genius
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tipskishan · 5 years ago
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Forex Signal Telegram Review
Forex Signal Telegram Review
 Telegram channel 
Opinion on Telegram channels from the marketing point of view, and comparison
It is a fast services provided by Forex signal telegram through online messaging app telegram founded in year 2017. It can be use on mobile and desktop both. It has a lot of experts like bots, special expert guide, groups, channels, and more.
 Services and benefits
Easy to use, and comfortable with the knowledge that all messages are transmitted securely. A great solution for providing forex advice to clients on various telegram platforms and around the world.
Finally, we can say that this services is amazing in general, fast, reliable, simple and easy for use. I hope only that they can improve the appearance a little bit.
Customer experience with channels in numbers
I have a very humble experience with Forex signal Telegram channels as I’m using it only a month now, 
I have get more then 100 pips daily from it. For the services of forex signals it is the perfect platform runed by forex marketing experts.
Great signal service. I am trying last 2 week and made $6000+. Client support also good
Company Overview
Forex Signal Telegram Company founded in 2017 is the Investment consultancy company providing its best research services in Indices and Forex market. We are providing our advises based on the research we conduct in the market on the basis of technical and Fundamental factors results in the highest success ratio in our signals. For analyzing the market we work as a team and our total numbers of analysts are 120+ works together to provide delighted customer service. We are focused on our clients and work hard to give clients equity a right direction to boost their capital. Our team has work experience of more than 10 years for providing advises in Indices and Forex market. A company gets succeed only when their clients are satisfied and our mission helps us to walk on that path. Our mission is to become the best Forex signal provider while providing satisfactory assistance to the clients for long-term and to be known worldwide.
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mst3kproject · 5 years ago
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1009: Hamlet, Prinz von Dänemark
I spent a buck-fifty Canadian to download this movie. There’s not much you can get for a buck-fifty Canadian.  One sour soother, maybe, or a chipped coffee mug from a garage sale that has a photo of somebody else’s grandparents on it.  So now you know how much Hamlet is worth.
We all know the story of Hamlet, whether we wanted to or not. King Hamlet of Denmark was murdered by his brother Claudius, who then married Queen Gertrude and stole the throne.  We can’t be having that, so the king’s ghost appears to his son, Hamlet Jr, and tells him he must take revenge.  Junior then spends the whole rest of the play wandering around pondering the afterlife and battering his girlfriend Ophelia before finally running Claudius through during a climactic duel during which pretty much everybody else dies, too, except for the ones who were already dead.  Nobody has ever given me a convincing explanation of why these people have names like Horatio and Laertes instead of Svend and Rolf.
I’m definitely not going to try to review Hamlet itself, Shakespeare’s play, because I don’t know a damned thing about Hamlet.  I deliberately went out and murdered those brain cells with alcohol immediately after writing my final exam.  Instead I’m going to have to talk about this movie in itself, how it fares both as a film and as a retelling of this story.
That second point is a big one.  Hamlet has been done, a lot, and as the bots point out with their sketch about their all-percussion version, it’s really hard to do anything unique with it anymore.  If you’re an acting troupe who wants to give it a try, that’s cool because it means people will get to see live theatre, but if you’re making a movie you really need to bring something new to the table.  An interesting interpretation, an actor or director that people really want to see, an unusual setting or time period, something like that.  This Hamlet has none of that.
I am reasonably sure that what the movie is trying to do is to look like a stage play, much as The Magic Voyage of Sinbad was trying to look like an opera.  Sinbad pulled it off with extravagant sets and operatic bombast.  By contrast everything in Hamlet, from pillars to thrones to flights of stairs, looks like it’s made out of concrete.  There is very little music, which somehow makes the whole thing feel even more doom-and-gloom-y than Hamlet already does.  The costumes go for a semi-fantasy look somewhere between Elizabethan and medieval, which is very stagey, and the effect is heightened by the fact that most of the characters never seem to change their clothes. The actors don’t look comfortable in them, though, which means they look uncomfortable in their characters as well. Queen Gertrude in particular looks like she’s too worried about damaging her gown to move easily in it, and the giant chain around Claudius’ neck is absurd.
Adding to the impression that the movie was shot in somebody’s basement, it’s lit very pootly when it’s lit at all.  A lot of shots are quite dull, lit in a way that shows where things are but doesn’t create mood or drama.  The film is in black and white and the characters wear black, or at least colours so dark you can’t tell the difference, which leaves night shots (such as the one where Horatio and the guards are chasing after the king’s ghost) looking like a bunch of heads floating around.
It is, of course, very difficult to judge a dubbed performance. The actors we’re watching appear to be going for a sort of heightened melodrama, part of the idea that we’re meant to feel like we’re watching a stage play.  The dub actors, on the other hand, don’t seem to have gotten the memo.  A lot of them mumble, particularly Maximilian Schell as Hamlet, which is really weird because he’s dubbing himself.  Sometimes they manage to make the Shakespearean English sound very natural, but that often jars with the physical performances.  I have no idea what sort of accents some of them think they’re doing. There are a few who don’t seem to be trying to do an accent at all, while others sound like they’re aiming for British (because it’s Shakespeare?), German (because the movie’s German?) or Damn Worwelf.
Most of the actors are kind of bland-looking, and those who stand out do so because they look weirdly wrong for the parts they’re playing.  Polonius with his little mustache looks like a physics teacher who feels naked because he’s not wearing a necktie.  He’s also dubbed by John Banner, so if you keep hearing this is so klandinkto! every time he speaks… that’s why.  If Hamlet himself looks familiar, it may be because Maximilian Schell was Dr. Reinhardt in The Black Hole, or maybe it’s because he looks a lot like the guy in Atlantic Rim that I referred to as MacGuyver. He’s a very fine actor who won an academy award for Judgment at Nuremburg, but he’s way out of place as Hamlet.  His Hollywood good looks and crooked little smile make it feel like he’s trying to play Hamlet as a dashing heartthrob.
For all that, there are a couple of moments in this movie that I quite like.  The scene in which Hamlet is nodding and smiling to the wedding guests while the Too Too Solid Flesh soliloquy begins in voiceover is quite nicely done.  It gives you a very visceral sense of this man who is forced to bottle up his anger and grief.  I also like that during the Murder of Gonzago scene, the camera focuses not on the players but on the audience reaction.  Claudius and Gertrude smile at each other when the players talk about love, and then grow uncomfortable as the play condemns re-marriage.  Ophelia’s embroidery is an attempt at symbolism, the arum being a popular funeral flower.  Too bad it’s so in-your-face that it loses all subtlety.
On the whole, though, Hamlet is just dull.  The spartan, ugly sets and dark costumes offer us very little to look at, and in some of the darker scenes there’s almost nothing to see at all. The physical and dub performances don’t match, and neither hold the attention.  Watching it feels like a two-hour slog through a tarry morass of depression.
I kind of wonder what the purpose of this movie was supposed to be. It was made for TV in the sixties, and I guess it was an attempt to capitalize on the Germans’ love of Shakespeare – because Germans do definitely love Shakespeare, sometimes considering themselves to have a better claim on him than England because unlike the English, they respect him.  More Shakespeare plays are performed in Germany every year than in England, and in the leadup to World War II the Nazi regime tried to get rid of him, couldn’t, and had to settle for picking and choosing which translations were ‘German enough’ for them (this always reminds me of the joke about Hamlet being better in the original Klingon).
If this is the case, I would like to know what the Germans who saw this movie in its original broadcast thought of it.  Sixty-year-old reviews of made-for-tv movies in foreign languages are hard to find even online, so I honestly have no idea.  I know that people who have seen this English version hate it, and I have a hard time imagining it being much better in German even when you love Shakespeare unconditionally.  The fact that the Germans do love Shakespeare just makes it seem that much more likely that they’d consider this dreary pork-filled version an insult to him.
It’s also interesting to think about what made the Best Brains pick this one out as an MST3K project.  The movie is definitely bad, and in its own way it fits right in with a lot of the black-and-white crap from the Joel era that tries so hard to be important and just ends up being depressing.  Yet the source material remains as something a lot of people would consider untouchable (the Germans being high on that list… although Shakespeare himself, purveyor of fine penis jokes to Her Majesty the Queen since 1591, would probably be totally okay with the MST3K treatment.  He must have heard way more vicious audience commentary).  My guess it was something they considered a challenge to themselves, in the same way as RiffTrax tackled Casablanca just to see if they could do it.  The Amazing Colossal Transplanted Sci-Fi Channel Episode Guide entry on the episode is kind of interesting, as Kevin mentions the feeling that they had to be funnier than usual in order to live up to the play’s legend.
My high school English teachers (the same ones who inflicted The Most Dangerous Game on me) insisted that Hamlet is a play which should make you think.  I’m pretty sure this is not what they meant, but the thing I’ve always found myself thinking about while watching or reading it is the idea of marrying one’s brother’s widow.  The church of the time said that this was equivalent to marrying one’s own sister (Claudius indeed calls Gertrude our sometime sister) and frowned upon it most heavily, and this would have been common knowledge in Elizabethan England because it was Henry VIII’s excuse for divorcing Catherine of Aragon and marrying Anne Boleyn, Queen Elizabeth’s mother (never mind that he’d also fucked Anne’s sister Mary).  By portraying this as villainous behaviour, Shakespeare was sucking up to the Queen, emphasizing that her mom’s marriage was way more legit than Catherine’s.  Thank you for coming to my Ted Talk.
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cynicaljapanophile · 5 years ago
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HPHM Fallout AU Headcanons P. I
Note : I haven't played Fallout 3 and New Vegas in a while so this is going to take place in Fallout 4 areas(commonwealth, boston, etc.)
________________________________________________________________
Penny Haywood
Works as a doctor for a caravan
Originally from Little Lamplight in the Capital Wasteland
Her younger sister Beatrice currently lives in Rivet City
Came to the Commonwealth looking for work
Is usually in Bunker Hill
Works as an informant for the Railroad
Was a fan of Three Dog
Thinks the Commonwealth is "peaceful"(by her standards of living)
Is a fan of the Minutemen
Isn't the biggest fan of the Brotherhood but she has always liked Elder and Sarah Lyons
Has always been interested in Project Purity
Rowan Khanna
A member of the Railroad
Is from Diamond City
Currently lives in Sanctuary Hill
Is an advocate for the Minutemen
She is rather knowledgable about events that have occurred outside of the Commonwealth
Has always been interested in the Brotherhood of Steel but finds certain branches to be rather genocidal which has drawn her away
Is a fan of Doctor Madison Li
She greatly respects the fact that the Brotherhood dedicates their lives to preserving knowledge and technology but isn't a fan of their hoarding
Occasionally works as a teachers assistant
Is a conspiracy theorist
Constantly gets into fights with security/ guards for constantly talking about synths and implying that certain people are synths
Ben Copper
A member of The Commonwealth Minutemen
He is a senior officer
Originally from New Vegas
Joined the Minutemen after thinking about the NCR
Isn't the biggest fan of the Brotherhood, The Railroad, or The Institute
It isn't that he doesn't agree with anything that some of the things some of the factions do it's more that he thinks what they do are dangerous
Is a fan of Grognak The Barbarian
Tends to listen to Diamond City Radio a lot
Is friends with Travis Miles
Left New Vegas after the Legion started to become a big problem
He finds the Brotherhood of Steel(at least most people after Elder Lyons) to be rather genocidal
Because of this, he views the Brotherhood of Steel to be rather similar to the Legion, viewing them as a more peaceful(I mean compared to The Legion super mutants can be peaceful) advanced version of the Legion
Has traded with Vault 81 a few times
Bill Weasley
Senior officer of the Commonwealth Minutemen
His family owns a rather famous caravan
Used to live in Rivet City before he moved to the Commonwealth for work
Has been to the Dugout Inn more than once
He tends to be rather paranoid of people sometimes because of people in Arefu
Is friends with the Atom Cats
Dislikes the current state of the Brotherhood of Steel
Has traded with Vault 81 a few times
Joined up with the Minutemen after coming across a few of them in Diamond City
Hasn't been to the Capitol Wasteland in five years
Is read up and knows quite a bit about certain places in the Capital Wasteland
Has been to The Strip Before
Has been to Necropolis once or twice
Barnaby Lee
Originally from Vault 81
Currently lives in Goodneighbor
Is a fan of the Silver Shroud and Grognak
Is basically Kent
Doesn't really understand how pre-war people lived and finds their way of living as odd
Knows basic information about places outside of the Commonwealth
He was once recruited for the Brotherhood of Steel
Likes talking to Mister Handys
Likes reading the Publick Occurrence
Isn't the biggest fan of the Brotherhood because of their treatment of ghouls and synths
Member of the Railroad
Tulip Karasu
Originally from Vault 81
Left the vault when she turned 17
Works as a trader
Currently lives in Goodneighbor
Spends most of her time at the Hotel Rexford
Dislikes both the Institute and the Brotherhood
She finds their treatment of ghouls and synths to be disgusting
Works as an informant for the Railroad
Doesn't spend much time at Diamond City but when she is there she spends most of her time at the noodle stand
Isn't well liked by the guards because she tends to hack eye-bots and might've hacked Takahashi once or twice
Before moving to Goodneighbor and beginning her work as a trader she used to be a scavenger
Is friends with the Atom Cats
She finds them to be refreshing
Andre Egwu
Member of the Railroad
Has been a member for about five years
Is good friends with Horatio of vault 81
Currently lives in Diamond City
Has a strong disliking for the Brotherhood because of their views on synths
Is originally from New York
Moved to the commonwealth with a caravan when he was younger
Usually stays at Diamond City
Tends to insult people from the upper stands
Tends to overexaggerate his "adventures"
Has said that his life was in danger and he was almost killed when looking for some parts of an old Mister Handy when in reality all he came across was a few rad roaches
Charlie Weasley
A doctor that is a member of the Railroad
Originally from Rivet City
Moved to the Commonwealth with his brother
Came across the Railroad through his older brother
Spends most of his time in Bunker Hill and Goodneighbor
Doesn't really go on combat orientated missions
On the occasion that he does go on them he usually just hacks Mister Handys and Protectrons to do most of the work
Has always been interested in Deathclaws
Visits the Capitol Wasteland every once in a while
Has gotten arrested once in Diamond City for hacking an eye bot
He has been captured by super mutants more than once when trying to observe them
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