#the big hammer one is the best imo but not good for every situation

[just-a-new-gi-writer]

"Creator Reforged" is (chef's kiss) concise and yet Exactly What It Says On The Tin lmao, big brain! Poor Sucrose in Ch7 tho: she must be traumatised too, for lack of better description.

Oh oh! May I send an ask for the Follower Special? How would the acolytes react to a creator who crochets/knits/sews them various clothes and accessories? I feel like Childe would appreciate (and definitely smugly show off) any scarves or coats you make him lmao??? Liyue has nobles and society stuff, so maybe when Ningguang or the other Qixing wear trinkets/shawls that the Creator made, there'd be similar clothes in fashion? Inazuma and Sumeru seem pretty big on textiles (Silk, Cotton, maybe Wool/Fur?) so would they be smug at their textiles being featured in some of the creator's works??

Also, just a last thing: your writing style ABSOLUTELY gives off shounen light novel vibes. It's honestly perfect for Genshin, imo.

Yeah, no one in that situation is really in their best mind at that point. Albedo, Sucrose, and the reader are all likely not thinking straight. (Hopefully going to get back to work on it soon...)

And thank you for the compliment! I'm honestly not all that familiar with shounen light novels, but I hope that the eldritch/weird moments that undergird party of my writing don't distract too hard.

A/N: Getting back on the wagon. ...And I let myself stray to an adjacent yet (in my opinion) equally interesting version of the Creator. Hope you all enjoy!

Word Count: 2.7k

CW: None?

Masterpost

taglist @iyohme

The night in Liyue was young. Though the furthest edge of the sky still wore the faintest remnant of the day’s glory, the rest of the sky glammered with pearlescent stars, crowned with a nearly full moon, and bounded in the north where an azure comet tugged at the sky as it fell.

Far below these celestial sights, the opulent city of Liyue slumbered, nestled between its towering mountains and perched beside the tranquil sea. Uncountable lanterns burned quiet and low, illuminating the streets just enough so the guards could patrol yet low enough to allow the citizens to rest.

Though the thousand hands of the industrious city lay low, not all of the city was asleep. In the city’s main hall, where the highest matters of state and commerce were conducted by words and contracts, through coins and goods, by bribes and threats, different kinds of activity were taking place. Heads of states, merchants, nobles, and the like from nearby Sumeru, Inazuma, Fontaine, and a few from even further afield, met and socialized with each other. They forged and renewed acquaintanceships, sought new avenues of commerce and trade, discussed and reviewed new discoveries and theories.

The event there was in full swing. Chandeliers with ornate carvings in Cor Lapis diffused amber light across the whole room. People clustered around the room, conversations flowing as freely as the drinks. The front of the hall was dominated by a stained glass relief of the Creator, The Forge of Days. Though no light filtered in through the myriad colors, the veiled image of Her figure seemed to glow with its own glorious light.

Gathered at the front of the room were piles of gifts and offerings. In years past, they would have been iron and copper, silver and gold, crystals with shimmering hues and gems with an unfathomably deep color.

But recently, their Creator had undergone a change of hobbies. The hands of The Forge rarely sat idle, but the items She created would change with her interests. For months, Her hammer and tongs sat idle, Her billows quiet, and Her fires cold. She’d found a new craft to occupy Her hands for a while, and the people followed Her whims.

A different bounty had been gathered tonight at her feet: bolts of cloth in all kinds of dyes and textures, spools of thread in every color imaginable, skeins of yarn that seemed to glimmer with gold spun into their material. These, the people hoped, would gather Her attention and affection enough to be worthy of receiving a gift from Her in turn. Though She chafed at formalities and ceremonies, these She would bear to see Her creations given.

Tonight, there was no shortage of people gathered to show off the artifacts that She had personally forged, crafted, or spun and then given so generously. It was hard to miss the heads of state and important nobles- Ningguang was garbed with plenty of jewelry of gold and amber and topaz. Keqing kept at her side, displayed prominently, a sword forged of impossibly sharp steel and inlaid with awe-inspiring arrangements of Inazuman amethyst.

Few were arrayed so brilliantly as them, but one person stood taller and prouder than both. In the middle of a group of weary and exasperated onlookers, a peculiar Snezhnyy man bragged about and paraded off his new gift. Tartaglia was not much loved by the people of Liyue- connections to the Fatui tended to do that- but showing off the new turquoise scarf generously pooled around his shoulders, studded with constellations of pearl stars, strained the patience of most.

“Oh, what’s the matter, Afong?” Tartaglia chided a merchant who finally had enough of him and tried to leave, “Can’t stand the sight of someone who has one of Her new styles? What do you have, just a tarnished, old bracelet? I think She’d be embarrassed to see that old thing in public! It’s probably for the best that She tosses that dull thing back into the furnace and starts over from scratch.”

A small, timid voice came up behind him, “Tartaglia, isn’t that enough?” He spun on his heel to see who spoke up, the half-adeptus Ganyu. She was carrying a tray of food in her arms which clearly had a wide selection. “You’re going too far with what you’re saying.”

“Listen, Цилинь,” Childe plucked one of the morsels from her tray, something skewered on a wooden pick, “talk to me when Her Grace decides to visit you with something noteworthy. I can tell,” he gestured down to the arm he could see, “that She gave you some pity. I remember hearing about that meager ring She made, Her last product before turning her sights to Her new craft.” He eyed the ring set with an aquamarine gem, then slid his gaze to what sat on her wrist. “But I didn’t hear about that.”

A dainty, delicate work of lace lay barely hidden under her sleeve, like a fine layer of ice had been worked around her wrist. While many would merely overlook it, it contained many curious details the likes of which would only be seen with Her handiwork- notably, the centerpiece of it was a recreation of Ganyu’s vision- frame, cryo symbol, even the subtle cracks and chips were represented through Her handiwork.

“The Forge of Days generously gifted it to me.”

“An early work of hers, probably. Most likely, she made it to familiarize herself with the craft, getting the early failures out of her system.”

“Did Her Diligence make a single weapon for you?”

There was a momentary flash of anger on his face- the first anyone had seen that night. It was quickly gone, but Ganyu had turned and left before she could notice. She heard another conversation haltingly spin up as she walked away, before fading into the noises of the party.

Ganyu left the party, following a familiar path of hallways as the sounds behind her began to become muddled and indistinct under the weight of their echoes. She turned a few corners, passing various shrines placed to honor and venerate the Adepti, mostly, but also the other benevolent beings who shared the region with the city and who helped guide its people in the past. Designed to impress and show off Liyue’s splendor like the main hall, there was little expense spared for these collections as well.

She slowed, then came to a stop. She was nearly on the other side of the building from the main hall, and her surroundings looked like it. This space was dominated by a large door formed of wood and metal, something that looked more at home in the industrial sections of the city, not here among the shrines. The walls and floor here were dirty- darkened soot seemed to almost grow on any available surface and the air was thick with the smell of earth and fire.

To a place built to celebrate the divine and the supernatural beasts that crowned this corner of the earth, this seemed wildly out of place. But Ganyu, among other important people in Liyue’s governing bodies, knew the truth of this location.

Ganyu balanced her tray on one hand and reached out to one of the enormous door handles. It took a bit of force, but the doors began gliding open, ethereally and unearthly quiet. She passed through the doors and began descending the stairs below, each one decorated with a different pattern of golden crystals that glowed in a circle around anyone walking down them. To Ganyu, it looked like the steps were being cast from the darkness just steps ahead of her as she descended. As she reached the bottom of the staircase, she heard the doors behind her gently close by themselves, a soft but unmistakable noise through the space she just entered.

And what a space it was.

Lit by larger clusters embedded in the walls, not too dissimilar to those on the stairs, the room was a crafter’s dream. Uncountable machines of industry filled the space, of every type and make, most repaired by hand after their user damaged them from overuse or overapplication of force. They were distributed about the room by trade- over there sat the forge, its bellows quiet and the stockpiles of coal, iron, silver, gold, and countless other metals full and ready; there rested every tool one needed to hew art and purpose from any stock of lumber one chose; there rested 

And through the middle of it all, and under the low dais in the center, ran a stream, to quench and cool the products of the forge, to supply the (currently disengaged) mechanisms with power.

And sitting there on that dais, bathed in light from a ring of crystals suspended over Her head, surrounded by an impressive array of tools and stock of materials all at Her fingertips, the Creator moved with impressive speed. Her hands flew from one movement to the next, a blindingly fast dance between Her fingers, the tools, and the dress that She was weaving on the mannequin in front of Her.

Ganyu set the tray down on a nearby table that wasn’t totally overrun with supplies and materials, pushing a few bolts of cloth out of the way. She carefully stepped through a field of bobbins, careful not to upset or step on any. As she approached the Creator, she wondered if She had actually noticed her. “Pardon?” She tried to get Her attention, stretching a hand out to Her shoulder. “Burning Forge–?”

The Forge of Days suddenly snapped out of the way, Her head whirling around to glare at Ganyu, Her eyes burning a brilliant yellow-white from the focus on Her activity. Her glare was uncomforting on the best of days, but when She wielded it like this, Ganyu could almost feel the heat of the forge pouring on, through, and around her. She could feel some of her hair begin to singe.

Ganyu took a step back, covering her face. “M-My apologies! Ningguang only wanted me to check on You!” The heat began to bleed away from her, quickly dropping to a simmering heat. When Ganyu risked a glance, she found Her back at Her craft, continuing to weave like She hadn’t been interrupted. “I wanted to check in on you as well. I know it’s quiet down here, and I know you don’t like crowds–”

Her Industriousness made a noise of frustration as she pulled the last of the yarn taut. She spun in place, planting the hook in the dress, then grabbed a plain knife and walking (at a speed that should have been called running) over to a spinning wheel. She began gathering up Her hair in large handfuls, then cutting them off with quick, clean cuts of the knife.

As quickly as She had turned away from Ganyu, the heat had faded away; only the memory of the warmth remained. Ganyu winced to see Her shear so much of Her hair off so carelessly, but she knew there was a method behind Her actions. As She stopped in front of the spinning wheel, She set the knife aside and began turning the spinning wheel, arcs of magical light started being cast from it as it spun faster and faster. When the arcs began to connect into circles, She fed Her hairs into it one at a time, and began winding the resulting golden thread around an empty bobbin.

Ganyu took the moment to look the dress over now that the Weaver of Fates was away from it. The beautiful garment looked like it was painstakingly constructed- the various materials made it look like it was spun from the condensed light that shimmered over Liyue harbor every morning, the angles and sections of construction chosen to mesh with each other so seamlessly. With how She had woven it all together, it felt like the dress was creating itself, like it was destined to simply be.

Thinking back to the excruciating minutiae of measurements that She had made of her body (after she found the demand from her Creator carved on a slab of iron which was unceremoniously deposited on her working desk…), part of her hoped that it would turn out this beautiful.

As she looked back at the spinning wheel, she caught The Forge feeding the last of her liberated hairs into the wheel and loading the last of the thread onto an overloaded bobbin. She snapped it up in one hand and turned back to the mannequin to continue her work.

It was now or never. Her Industriousness hated being interrupted.

“Your Grace?” Ganyu started speaking before She could set down the bobbin. “I was just thinking about you. I know you don’t like social events, and they’d prepared so much for the party- I thought you’d appreciate me bringing you a sample of what they had.” Ganyu began talking faster as she started threading the needle. “I-I made sure to grab some of your favorites as well, and I wanted to…”

She eventually stopped herself. If Her Unending Warmth wasn’t interested in something, it was basically guaranteed to be a futile struggle to get Her to cooperate. None in all Teyvat could match Her strength and endurance, let alone Her abject stubbornness.

Ganyu turned to leave. “I… I should go. I should see if they need me upstairs again. I’ll–” She barely took a few steps before suddenly being stopped. Turning around, she saw that the Creator had lunged towards her to grab on to her, Her incredibly strong and calloused grip, able to crush stone and deform iron, gently but firmly wrapped around her arm.

She looked up and saw The Forge’s face, one that was so used to its grim and steadfast glare that its current one, creased with worry, almost looked unfamiliar. The light in Her eyes was still bright, but had cooled to an orange glow.

“…Stay.”

The single word croaked from Her throat, gravely and unclear from disuse. It was incredibly rare for Her to speak- it was said that lifetimes could come and go without her making so much as a single utterance.

“–! …Alright, I’ll stay here with you.”

Her Grace let go of her breath and the room seemed to warm. She released Her grip on Ganyu, who slipped off to find two chairs that could easily be decluttered and dragged over to the table.

“…For all the work Your Industriousness does, I’m surprised You don’t do more to keep things tidy down here.” She moved an armful of cloth up onto a table, where it likely would be a hazard later on. “But I’m sure no one complains because they just like it when You make things on time.” She struggled to maneuver herself and the chairs around all the other clutter, but Her Grace managed to move through it with surprising, well, grace.

“There.” Ganyu set the two chairs down and it wasn’t long after She sat that She popped the lid off the tray and grabbed two different treats, offering the smaller one to her. She gave Her a light punch on the shoulder (that likely only hurt herself) then accepted it. After She started biting into the delicacy, Ganyu saw the light in Her eyes had dimmed further into a reddish glow, the natural steel gray beginning to show through near Her pupils.

The Forge labored many long hours to hone Her craft and produce all kinds of goods. Ganyu figured it was best to let Her rest for a while.

[pondslime]

Jack and David for the Headcanons PLEASSEEEE

oh u have UNLOCKED the evil demented pandora's box of my brain. I'm about to be FULLY annoying. TYSM

below are 3 pros and cons of dating my Favorite Boys Ever™

sidenote: if we're talking canon CANON, the fact that both of them are VERY dead is the MAIN and only VALID con. IMO. but I digress!!! for the sake of this list, they are very alive and very smoochable

(under the cut bc DAMN can a bitch talk. and I do not want u all to have to scroll thru a WALL of text of me bein humina humina awooooooga abt my current hyperfixation 💀 ur welcome)

anyways!! this was incredibly fun and I have tmrrw off!! so feel free to send me a character of ur choice for headcanons and I'll give u 3 pros and 3 cons of dating them. if ur so inclined!!!!

jack

3 PROS

man is goofy. GOOFY. he is so intensely unserious. the banter (both flirty or otherise) will be IMMACULATE.

SOLID movie buddy energy. since he's the first one to bring up lon chaney jr./the pentangle on the wall, I like to think he's a hammer horror movie enthusiast. and since we know that the two of them have been friends at least since the 8th grade, I find the idea of these two little dorks staying up late and catching reruns of the movies...........SO cute. so v v cute. jack's little 12-year-old ass insisting that they CAN'T MISS frankenstein meets the wolfman. no, david!! u can't go tf to sleep!! we need the LORE!!!! so anyway. he'd show u a bunch of old horror movies and point out all the weird lil details to u. get ready 2 be mst3k-ing every film. man has cable tv and chill written ALL over him.

knows his way around nyc and WILL take u to a funky lil hole-in-the-wall restaurant that serves the best sandwich u have ever had. he might forget his wallet @ his apartment and end up paying for it w/loose change he has stuffed in his jacket pockets, but goddamn was that hot pastrami incredible.

3 CONS

he's 5'7'' (this is also a pro)

a little bit of a whiny bitch. will make a mountain out of a molehill. thrives on melodrama and hyperbole. but he's right 90% of the time, so as annoying as it might be. u can't fault him too much for that

used to being the comic relief friend. chronically friendzoned. probably going 2 be a bit annoying about that. it's kinda difficult to get him to snap out of sarcastic showboat-mode. sometimes that can make him seem a bit ingenuine and detached. mild to severe performance anxiety vibes. once u crest over that. he'll trade any nervousness for comical overconfidence and it'll be off to the races. but in the interim................................lmao

david

3 PROS

SWEET himbo boy. v affectionate and complimentary dude. clear w/his intentions and fairly emotionally open. v much so gives the vibes of a guy who claims to want to have 74873848 flings before settling down........but will immediately fall head-over-heels and want to introduce u to his family. golden retriever boy

canonically!! gives good head. need I say more

has a sense of adventure. likes challenging himself and breaking up the routine. outdoorsy. he probably likes hiking. did track or soccer or smthn in high school. his sheer enthusiasm for GOING OUTSIDE will force u to get ur ass off the damn couch. u love to see it.

3 CONS

v much BIG "first person to die in a traditional horror movie"-vibes. not the best at reading situations. will bamboozle himself into a bad scenario purely bc his street-smarts are sometimes lacking. kinda clueless. it's v hot but also v dumb of him. u would think that growing up in nyc would've tempered some of that. occasionally it does. occasionally. not enough tho.

possible mama's boy/golden child. even if this is NOT true, he still lives at home. which means there WILL be tomfoolery afoot if u stay over @ that house. and VERY little privacy!! get ready for his younger siblings to find the most inconvenient ways to interrupt ur time together. ur patience and mental fortitude will be tested. u will be living in a crash course parent trap/home alone-simulator. have fun!!

u know when u were a kid and ur mom would see someone she knew @ the grocery store and talk w/them for an eternity. and u would just be standing there and waiting for her to END her conversation so that u could LEAVE. yeah. david gives me big "endless conversations in grocery store"-energy. u run into a bodega @ 9 PM to grab some chips and soda w/him. but this is his stomping ground and he somehow manages to run into 3797432989 different ppl who know AND adore him. and they've all got to ask him about how school is going. what's he majoring in again? how's the family? do u still know blah blah blah from blah blah blah? and ur just standin there sipping ur coke. which is rapidly becoming more and more room temperature w/every sip. when will it end. he's been talking about his sixth grade biology class for the last ten minutes

BONUS AND MOST OBVIOUS PROS FOR BOTH OF 'EM:

fluffy hair (x2)

there's two of them. u can and SHOULD date both of them simultaneously. IDEAL throuple situation.

[jq37]

The Report Card -- Fantasy High Sophomore Year Ep 1

Sophomores and Spring Break 

Note: Hey guys! I decided to try something a little bit different and slightly more structured than my usual recaps for FH: Sophomore Year. I’m hoping this will be a little easier for me and a more useful tool for keeping up to date since there will be a lot more eps to keep track of and they’ll be easier to miss. Lemme know what you think and if you want raw, unfiltered opinions on anything specific, feel free to send me an ask. I’m always down to go off about literally whatever. 

We’re back, baby! It is Sophomore Year at Aguefort and the gang is on Spring Break. A lot is going down so lemme break it down. The Bad Kids, having defeated Kalvaxus last year, are all entitled to a share of his hoard and all the red tape is finally cleared so they all get 20k gold each (which is an insane amount of money converted to USD if you use the WOTC conversion rate of a gold coin being around $145 (circa 2006 when they answered the question)--which would be close to $330 with inflation). Jawbone and Sandra-Lynn are moving in after less than a year into a profoundly haunted house and it’s kind of a Full House situation because Adaine, Fig, Kristen, and Tracker all officially live there (plus it seems that Zayn has also anchored himself to Adaine’s tower--btw, Adaine took the tower that the haunted house obviously has) and you know all the other Bad Kids are gonna be there on the regular. 

More importantly, Aguefort gives the gang their big project for the year--finding the crown of the Nightmare King which was stolen at the end of last season--which is worth 60% of their grade (Adaine does a full Hermione at this information). Each of the gang has info about the NK but the trail has mostly gone cold. Luckily, Fabian just got a hot tip about where Falinel is keeping Aelwyn and she seems like a pretty good lead to start with since she was super tied up in the bad side of all the messiness of last year. Adaine is displeased to say the least. 

Going off to find the crown is super exciting story-wise for two reasons. First of all, it means the gang gets to hire, well, hirelings to help them and temporarily join the party! They ping basically every cool NPC they can think of (except for Tracker for some reason which is BONKERS because (1) she probably would have done it for free and cutting her in would still be keeping the money in the family, (2) she’s dope as hell, (3) she’s a cleric and the party can always use more healers, (4) she’s a werewolf so presumably she has skills that would help in the woods, and (5) they’re t r a c k i n g down a crown and the girl’s name is literally T R A C K E R, but I will not backseat D&D) and eventually end up with Ragh (who has been without an adventuring party all year, poor guy), Sandra-Lynn (swayed by a nat 20 rolled by Fig), Cathilda (!?) ,and, for some reason, Gilear (which Fabian is happy about, mainly for the opportunity to maybe bump him off on the way). Second of all, if you recall, Elmville is a pretty modern town but the rest of the continent is less fantasy high, more high fantasy. Horses and lanterns and all that pseudo-medieval goodness. They are gonna stick out like a sore thumb. I am very here for it. 

Everyone goes home to rest up but, after some ominous dreams, only four of them wake up. Riz and Fig are left asleep and then Brennan mic drops and ends the episode which is a power move and I am extremely upset about it but also, respect. Right for the jugular immediately. I heard Murph and Emily are on tour in the UK next week which probably has something to do with this but, in the moment, I did not know that and I really felt the hammer drop in my heart. It was wild. Cannot wait to see where we go from here. Plus, who doesn’t love watching characters freak out because their friends are in danger?

Random Thoughts

I have no idea what the title of this episode is or if it’ll even have one and not a number but I gave it a placeholder one for now. I also don’t have access to the stream yet so I didn’t get to include some info I wanted to (like a record of nat 20s, and nat 1s so I can track their stats for the school year) and I probably missed some stuff because my brain can only hold so much info guys. I’m not Brennan. 

I mentioned this yesterday during the stream, but there will never be anything better than the pure D&D joy of everyone, in character, talking over each other to clown on each other. They get the friend-group banter that’s a hair breadth’s away from bullying so true to life and it’s so fun to watch. On the flip side, the opening scene with everyone introducing themselves and affirmatively claiming each other as their best friends was also peak D&D. Found family= best trope. 

Fig and Adaine burn spell-slots at basically the same time to try and beat each other to the best room in the (Scooby-Doo ass) house--which is exactly the kind of thing that would happen in this world. It’s such an intuitive setting. I love it so much. (BTW, Fig ends up staying in the false space under the revolving grand piano because, of course).

Fabian and Gorgug went to recruit Ragh, who assumed they were propositioning him for a three-way. In his defense, they did do it in a super proposition-y way and they were in the middle of the LGBTQ student union.

Also, Gorgug gives Ragh an inspiring speech about thinking you’re your own dad which makes him burst into tears. 

Speaking of, Jawbone offhandedly says he’s poly but, like, based on some of the stuff he’s said, I feel like that’s not really a reveal. He also gets along well with Gorthalax and would be down w/ a three-way if Sandra-Lynn wanted to which, again, totally checks out. 

Arthur Aguefort uses Chronomancy to rewind time and catch a snide comment Adaine made under her breath, which is exactly the kind of frivolous use of God-like power I’d expect from him.  

I really love Adaine’s energy coming into this season. She’s in therapy. She’s in a good home environment. She’s comfortable enough with her friend group to do stuff like prank Fig (love that they’re gonna be living together now). And she’s good friends with Zayn now which I want to see more of based on their one interaction in this ep which was very cute. I am already on record as saying I would be down with her getting a ghost boyfriend--I mean, for the aesthetic alone--but I’d be happy with just more friendship. 

Fabian is also hilarious this season because you can tell he’s gone a bit soft from having friends and leaning into that (the friendship necklace with Riz) but also he’s fully aware that it’s happening so he’s, like, ping-ponging back and forth like, “These are my friends,” and, “What am I saying? I used to be cool,” and it’s very funny. Very happy the Aelwyn storyline is happening right out of the gate, both because I think Aelwyn is a very interesting character with a lot of potential for nuance but also because Fabian reacting to her and Adaine reacting to Fabian reacting to her is always gold. 

Prompted by an offhand conversation from Fig about rock and roll, Brennan--earning another feather for his Cap of God Tier DMing--goes on an impromptu five minute long improved diatribe about a bard who played such a good concert that it instantly impregnated everyone in attendance (dudes too) who gave birth to kids with sick rocker hair and denim jackets and ascended to Rock Heaven on their 18th Birthday. You truly have to watch it to believe it. At a certain point I thought he was gonna drop it but that was the moment he doubled down and kept going. Amazing. 

Watching Murph, in real time, make up a girl/boy/whateverfriend in Fantasy Canada was a gift. 

I don’t have access to the stream yet but best quote of the night that I can remember is Kristen choosing her room: This is triggering and I’ll take it. (Her line about her lesbian starter kit and the one about wanting a horse were also bangers). 

The group talks about what they’re going to do for transportation outside of Elmsville since they don’t really use cars out there and they somehow get from “disguise Fig’s tour bus” to “commission Aguefort to create a brand new animal that can hold six people plus hirelings, one of which is Fabian who is also riding his motorbike”.

I love that Sandra-Lynn’s Mom Powers work on Tracker. 

Basrar doesn’t accept the invitation to come with on the quest, but he does give Kristen a bag of infinite ice cream sandwiches, which is basically just as good, IMO. 

Oh Gilear. The man is sleeping in the Seacaster garage, being bullied by skater kids, and now he’s stuck on this quest with his ex and Fabian who actively wants him dead.  

Speaking of, I’m psyched to see more of Sandra-Lynn. She was kind of a sleeper badass at the end of last season. 

Ragh is keeping secrets which I hope the cast doesn’t forget because it could be nothing serious (like the high school drama happening with Skrank and the 7 maidens--maybe he’s just crushing on Gorgug who did full kiss him during Promocalypse) or it could be Serious Business that will blow up if the don’t stay on top of it. We’ll see. 

Oh, almost forgot. Adaine wants an emotional support frog. Every time I think I can’t love her more.   

Detention

Fig for Not Respecting Personal Boundaries

Fig goes full Emily right out the gate and, after finding out that Skrank (nerdy bird dude who apparently can get it) was not only dating Ostentasia (rich, popular dwarf) but also dumped her in pursuit of Danielle Barkstock (one of Ostentasia’s party members, the scandal), disguises herself as him with Danielle to figure out what’s going on. And, wouldn't you know it, when she gives herself away, Danielle immediately is shocked and appalled, as you would be, obviously. We also learn that she’s still catfishing Dr. Asha which is, how you say, for sure a crime. Fig, please, I’m begging you. Cease. 

Honor Roll

Fig, Riz, and Adaine for Researching the Nightmare King

Fig made both lists, look at that. Wasn’t my plan for this to be a three-way tie (also didn’t expect to use the word “three-way” this many times in this writeup) but I think their contributions were pretty much equally valuable. Rainsolo on the Discord wrote up this summary of the lore dump Brennan gave them.

[per-ineptia-ad-astra]

@trek-tracks

I'd read your rant! Also, you should see Beyond. I haven't seen ID, but I'm confident Beyond is WAY better than ST:2009 and, from what I've heard about ID (that it is a garbage fire), Beyond is not the one of the three to not see.

Yeah, I have heard that about Beyond, and I keep meaning to watch it. I’m not like actively avoiding it, it just sort of...hasn’t happened. I have a To Watch list about five miles long at this point that I just keep foregoing in favor of watching gaming videos on YouTube. It’s a sad life.

But here’s the rant (feel free to skip if you didn’t follow this blog to hear me complain about AOS):

My strong impression from the first two movies was that the writers misunderstood--or just, for whatever reason, chose to discard-- the dynamic that Kirk, Spock and Bones actually had in TOS.

In TOS there’s a very deliberate balance wherein Spock and Bones are on opposite ends of a spectrum of logic vs emotion/ lawful vs chaotic, and Kirk sits in the middle of that spectrum, getting the input from both ends and then turning that into balanced decision-making. (I know it’s deliberate because of that whole “I took one man and wrote him as three people” quote from Roddenberry.) It’s a great setup when it’s being used correctly because it gives you a built-in method of examining any situation that comes up in the show from multiple angles without sacrificing the drive of any of the characters.

Trying to write one single character covering the same total perspective as Spock, McCoy and Kirk can create combined would necessarily result in either a character who appears to be wildly indecisive at best and lacking in any consistent characterization at worst, or in paring down the range of that perspective to avoid the first thing happening. This is all especially important in a show with the set-up of Star Trek, where not only do you not have much time to deliberate because everything has to be solved in under 60 minutes and no we will NOT be revisiting any of it later, but your lead character is in a position of formal command, meaning you have very little room to allow him to be hesitant or indecisive in his decisions before he starts to look like he shouldn’t be in that job. Indeed, it’s made explicitly clear multiple times that any sign of hesitation on Kirk’s part will be taken by not just him but most of the crew and Starfleet as a sign that he’s losing ability to command. Because Spock and McCoy have different roles not just as characters but as crewmembers, they can give full attention to their respective angles in a way that Kirk alone could not without it looking like he was dithering, with the bonus that you can write it all as a natural (and entertaining) conversation rather than it coming off as forced exposition. You don’t need to have those kinds of discussions all the time--there are plenty of times when one or more of the trio is absent and things tick along just fine--but there are also times, IMO, when someone being missing or just poorly written makes things falter quite obviously, Where No Man Has Gone Before being the biggest example that comes to mind.

But instead of having Kirk be in the middle of this spectrum I may have just sort of made up, the AOS movies seem to take the tack of having Spock be at one end and Kirk at the other end. They’re portrayed as being complete opposites to such an extent that they’re at odds practically the minute they meet, and spend the entire first movie at each other’s throats because AOS!Kirk’s brash, reckless, emotion-driven, rules-ignoring personality clashes incompatibly with Spock being deliberate, logical, and law-abiding to the letter. There’s absolutely no indication in TOS that Kirk and Spock ever had that kind of relationship or that they had to get over any sense of rivalry before they became friends. Granted, TOS had such a lackadaisical approach to backstory that we don’t really know anything about how they did become friends, but we are told on more than one occasion (which, for TOS, is practically hammering the point in) that Kirk was himself was so serious and focused as a student (”positively grim”) that he attracted bullying for it. In other words, for as little solid backstory as we get, one thing TOS is clear on is that Kirk did not have an arc of being reckless and wild and having to learn some patience and sense--if anything he seems to have had an arc in the complete opposite direction, although not so much that he isn’t still a total workaholic.

So that of course very much impacts Kirk and Spock’s characterizations and dynamic, but it also impacts McCoy, because by sticking Kirk in McCoy’s usual role, McCoy himself is now left with very little to do but make snarky comments and stick hyposprays in people from time to time (which he does very well, but, still). Which is sort of both cause and effect, because the fact that the writers put Kirk in that position to begin with indicates to me that they didn’t understand and/or didn’t value the importance of McCoy, specifically, being in that spot in the first place. But it is important that McCoy is in that spot because I love him and he deserves it because McCoy as a character is in a much more natural position to serve that role than Kirk is.

This may seem like a tangent, but stick with me here: McCoy inherently has a different perspective towards Starfleet than Kirk. Than everyone in the main cast, really, but especially Kirk. Kirk’s character, his perspective, his role in life, his arc, his backstory, all are closely tied to his being in Starfleet. Kirk’s position in relation to Starfleet is so important that it’s part of if not the entirety of practically every bit of story or backstory he has. When we hear about Kirk’s history, we mostly hear about it in terms of where he was in Starfleet at the time: at the Academy, serving his first assignment as an ensign, being a lieutenant on the Farragut, etc. Kirk’s career is very much on his mind all the time and threats to it are the subject of conflict multiple times, not because he cares about climbing in rank for rank’s sake but because he needs that career, and that good relationship with Starfleet, to do the thing he is most meant to do in life: be a starship captain. It’s not a position he could have outside of Starfleet--maybe he could go command an independent ship of some kind, but it wouldn’t be the same thing, not really. Kirk’s not meant to be doing supply runs or carrying passengers or what have you; he wants to explore, he wants to be out there checking out the weirdest shit the universe has to offer, he wants to be doing something important. This is why it’s such a big deal that Kirk is willing to sacrifice his career to save Spock in the movies, because that career is his life.

Yes, Kirk doesn’t always agree with Starfleet, and he’s willing to break their rules if he really has to. But Kirk could never exist in the position he is in TOS, and he certainly couldn’t maintain that position, if he couldn’t agree with Starfleet on most things, and conduct himself in a way that they in turn found agreeable. You don’t get to be the captain of one of the most important ships in the fleet by fucking around. And he didn’t. He worked his ass off to get there! TOS Kirk might be a bit young to be a captain but not so much so that he didn’t have to climb up the ranks the old-fashioned way to get there. Meanwhile AOS had to have Kirk sneak onto a ship he wasn’t supposed to be on and then get rid of practically everyone else on said ship, right up to provoking the acting captain into a fistfight, to get Kirk into a position where it would be remotely plausible for him to be in command of the Enterprise. In AOS Kirk is characterized as being so at odds with Starfleet and the Starfleet way of doing things that it takes some very extreme circumstances to get him in a position to command the ship because there’s no way Starfleet would have actually chosen for him to do that.

The reason I’m putting all this emphasis on Starfleet is that in TOS, when it comes to questions of Following The Rules vs Doing What’s Right, Starfleet is the rules. If it’s a matter of Lawful vs Chaotic, Starfleet is going to be the law. Any time the characters are in a situation where they have to ask “Is it the right thing to do what the rules say we should be doing here? Could the rules be wrong?” the rules they’re debating are almost always going to be Starfleet rules. (When it comes to following non-Starfleet rules it’s usually not so much a moral matter as “okay following the rules might be the only way we’ll get this done but we’re not going to act like we like or agree with those rules.”)

So when it comes to putting a character in the position of being the one who’s emotional rather than logical, who’s the voice of Hang The Rules, I’m Doing The Right Thing, who’s there to say things that need to be said but aren’t really appropriate to just say in the societal rules we’re working under here--Kirk can do that to some degree, but it really doesn’t make sense for him to be the one on the far end of that spectrum. To have been in the Starfleet environment as long as he has, and to have been as successful in that environment as he has, he has to be someone who can thrive in that environment, who finds it more acceptable to work with than not, or at least can do a good job faking it.

But McCoy? McCoy’s coming at it from a completely different angle. McCoy didn’t join Starfleet out of any kind of lifelong pursuit, he basically did it on impulse because fuck it, he had nothing better to do with his life at the time. Being in Starfleet informs McCoy’s characterization far less than everyone else’s in the show; mostly it just informs his current physical location. His identity isn’t really wrapped up in being Starfleet personnel. His identity is wrapped up in being a doctor. He was a doctor long before he was Starfleet, and when being in Starfleet stops being a viable option he goes to be a doctor somewhere else (and to make regrettable fashion choices but that’s another topic entirely).

There’s a lot of little ways that McCoy shows that he doesn’t care a whole lot about the Starfleet way of doing things. He’s casually insubordinate to people who seriously outrank him. He inserts himself into situations and discussions that aren’t what his actual job calls for--there’s no real reason why the CMO would need to hang out on the bridge all the time but there he is. He complains about the dress uniforms. He usually forgoes referring to other crewmembers by their ranks if he can get away with using their first name instead. He doesn’t even sit right.

[ID: 1. McCoy sitting on the edge of Spock’s console on the bridge, 2. McCoy sitting on the edge of the briefing table with a cup of coffee, 3. McCoy sitting sideways in a shuttle chair while talking to Spock.]

And he has very little interest in his own rank, or in commanding anyone, or in generally behaving as if he’s a member of a military organization, something reflected in the fact that he in turn hardly ever gets referred to by his actual rank. McCoy is okay with ordering people around as a doctor--he’ll pull rank to get someone in for a physical, or make them sit down and rest when they’re injured, Jim, and since he has to he’ll run the rest of the medical department, whatever there is of it. But I think he sees that first and foremost as being a doctor, who just happens to have a few extra tools at his disposal to make his patients behave so hey, might as well use ‘em. But on the one occasion* when he’s called upon to actually act as a ranking officer in a completely non-doctoring-related matter, he gets so flustered about the whole thing that he has to ask the person he’s supposed to be ordering if he did it right. He’s not really interested in being in charge of anyone in any formal sense.

*The one occasion in the main show, at least, which doesn’t take into account Diane Duane’s extremely excellent novel Doctor’s Orders, in which McCoy winds up in charge of the Enterprise because Shenanigans, and spends the rest of the book having a massive extended anxiety attack about it. It’s so great.

So McCoy doesn’t look at things tactically in the same way that Kirk does. He doesn’t have to. It’s not his job. Not to say that McCoy never has to make any hard decisions, but as a character he functions much better than Kirk as the one who’s looking at the emotional aspect of things because most of the time, McCoy’s not the one who has to turn The Right Thing To Do into standing orders for 430 people that can actually be practically acted upon. He tends to have a more immediate, short-range focus, contrasting the way Spock tends to look at the biggest picture and Kirk, again, lands somewhere in the middle. McCoy thinks about individual people first and foremost. If the Enterprise is about to get into a skirmish with a Klingon ship, Kirk has to be thinking about what the outcome of that battle will mean for Federation-Klingon relations, about what he can do now that might save more lives down the road even if it puts some in danger right now, but McCoy will be thinking about the people who are about to be hurt, maybe killed, right now. Which is a great perspective for a doctor to have, and an important perspective for a captain to keep in mind, but it could never be the only perspective for a captain.

McCoy’s viewpoint is a very important one in the Watsonian sense that it’s useful for Kirk and in the Doylist sense that it contributes to the specific tone that TOS wanted to achieve. But it’s a viewpoint that has to be balanced for it to be effective both practically speaking and in story-telling terms. AOS missed that balance; by putting all their emphasis on Kirk and Spock being opposites they made McCoy more or less redundant. Which is a crying shame, because it’s an unforgivable waste of Karl Urban’s goddamn amazing performance. The thought of what he could have done if he’d had something more to work with is heartbreaking to me.

But McCoy goes unappreciated far too often in general. You know I once went looking for a TOS McCoy Funko Pop and they didn’t have one? They had a generic Andorian but they didn’t have McCoy. It’s an outrage! I had to make my own out of a Munny.

[botslayer]

Top Ten games of the 2010′s

This trend seems to be doing the rounds at the moment and seeing as I’ve been gaming for about as long as I can remember, It just feels right. So, let’s get into it. But first, worth saying: These aren't really in any specific order, it's just the games I've personally had the most fun with overall, but it's pretty hard to decide what the hard numbers on things you enjoy for different reasons are if that makes any sense. 10. The 2010's weren't exactly the best time for anyone, I think. For me they were a slog of finding myself and learning things I wish I didn't. Amid all those things I wanted some levity. The world needs something and stupid. We got a lot of it ion 2013 but I feel like we could have used it scattered around a bit more. In that spirit, allow me to show you one hell of a pick me up:

Saints Row 4

Saints Row 4 does not give a fuck. It is aggressively demonstrating that the entire time you play. It doesn't care in the slightest what you think or why, It just wants to show you cool, if juvenile, and interesting, if weird shit. It's the finer points of Ratchet and Clank's arsenal, SR3's humor, And superpowers that genuinely put Prototype and Infamous in a blender and tell you to go ape shit with them. The soundtrack isn't top shelf, it's the roof of the building the shelf is in. Saints Row Two had a better story overall but SR Four's was just plain fun and a solid enough story to still be invested.

The DLC was just as irreverent and madcap, Featuring everything from an evil Santa Clause to evil Gimps on Game of thrones chairs made of dildos Or Tropey-ass costumes and weapon reskins that I'd be genuinely surprised the game dev didn't get sued over. It has earned its place in my top 10 and I will die by that decision.

9.

2016 saw the advent of a new genre. They blended TF2 and MOBAs, and we got hero shooters in their first AAA forms, Overwatch and Battleborn. But neither of these games is on this list, much as I liked them. Partly because the whole time, I kept thinking of one simple question: "Why do I keep thinking of...?"

Anarchy Reigns

Anarchy Reigns is my favorite Platinum game. Full Stop. The Story mode is interesting and has genuinely good character moments, the characters themselves are completely mental, ranging from a mercenary with a bionic cat leg that secretly has a gun built into it to a giant cyborg bull-man with a jet-powered hammer. The soundtrack is mostly angry hip-hop, making every song a banger and fittingly speedy for things like random bombing runs from jet fighters that come from absolutely nowhere.

There are giant monsters, cars with mounted flame throwers, giant robots, and the online is still pretty sweet because even when abandoned, loading it up with bots still rules. I regularly have more fun with this than I ever did with Overwatch, and I don't care how insane that sounds.

8.

Some games want to make you feel something and fail. Some games make you feel some things accidentally, for example, a desperate need to laugh. This game made me feel like a human blender. Like a Chthonic god of mangled flesh and raw destructive power. Nyarlathotep ain't got nothing on me. I speak, of course, of...

[Prototype] 2

There's no end to the absolute destruction you feel like you're causing in this game. It feels more fluid than the first, the main character is a pinch more relatable, and all the body horror, superpowers, zombie hordes, and big old monsters make for some of the most memorable and fun moments and fights in gaming. The DLC is also pretty solid, adding new fun side challenges, and new powers and weapons that elevate you from "Flesh god" to "Screw physics, I made them" Omnipotent. Best god/monster simulation of all time.

7.

Sometimes some games are at an honest tie in your mind. Be it that you like them for essentially the same reasons, or for completely different reasons, but the overall total joy or entertainment they bring is roughly equivalent. Here, we have a case of the former:

Furi/Cuphead

Both games have a tight focus on giving players a unique, boss-centric challenge, both have interesting, somewhat minimal narratives, and both are absolute eye candy.

Furi has a more "Samurai Jack" Quality to me. A complete badass on a relatively simple quest with a somewhat minimalistic art style learning some things as he goes.

Cuphead on the other hand, nails that rubber hose animation style, and the fun levity of such animations while still making the player's ability to interact with the world damn impactful and fun.

They share a spot in my soul, games I love everything about but will never be able to finish. Hats off to both dev teams.

6.

Now here we have another tie. Mostly because the games are so close together, they need to be evaluated more or less as one product IMO, not enough changed for me to consider them separate games, fortunately, that is the furthest thing from an insult it can be in this situation. I present to you, my next pick(s).

Costume Quest 1/2

Now, This might seem pretty random considering my other picks, but honestly, I love Halloween, I love creative madness, I love subversion, I love good characters, and I love cool action, these games have all these things by the bucketload.

The first game is a wild ride through Halloween in multiple very lively locations and the second, slightly confusing as it is, is pretty awesome for the things it introduces, including time travel. Other elements, like the battle stamps, the truly epic forms of everything in the fights, The ability to customize your costumes, etc. they blur together in a pretty big way, but again, there's not a thing wrong with that when both games rock like crystal candy. 

5.

Now, if you hadn't noticed, all of the games on this list have had some hard action at their core, and while I don't HATE calmer games, a lot of the time, so many are kinda dull to me in that with the exception of easter eggs of some sort, most farming sims, for example, just have you doing normal farm stuff with very few twists, may as well start a real farm in that case. My most chill entry is a game that tosses that to one side, asks you to grab a suck cannon, and start harvesting gelatinous monster poop.

Slime Rancher

While you don't spend a lot of time actually interacting with other characters, they just talk at you, the story of the game is pretty effective, the player character of Beatrix has left Earth for a simpler life of Slime Ranching, which entails the raising of alien crops, delightfully derpy and colorful chickens, and going all around in an attempt to farm new breeds of slime for their genetic material to sell off or trade-in for the creation of gadgets while being surrounded by a cast of interesting characters. It's all very wholesome family fun.

The game looks great, has great ideas, and is genuinely the best farming game I have ever played. @ me all you want.

4.

The 80's are almost fetishized nowadays. Given all the property reboots, games that go for the vibe and aesthetic of the time, etc. It almost seems as though the eighties vibe train ain't gonna stop rolling any time soon. But we owe it to ourselves to remember the first big swipe of madcap neon-colored actiony B-movie bullshit and how mind-meltingly epic it was. Ladies, Gents, and whatever else, I present:

Far Cry 3: Blood Dragon

Blood Dragon's story is relatively simple, you play Sargent Rex "Power" Colt (A name said in full so many times I thought his last name was "Powercolt" for the longest time), a former "Omega force" cyborg. Rex and his friend "Spider" were sent into a secret island base to investigate the supposed defection and treachery of their old commander, Ike Sloan. It turns out he has gone rogue and taken an army of "Mark 5" Omegaforce cyber-soldiers with him. What follows is a long story of betrayal, science fiction of the highest nonsensical level, comedy, and brilliantly cathartic action.

The collectibles range from data on animals, to research notes from a scientist, to literal VHS cassette tapes that have full descriptions of movies that I would legitimately watch if I could. "You may now kill the brides" is not a real film and I am angry for every day that that is true. Anyway, play Far Cry 3: Blood Dragon, I dunno if it's on PS4 but it's one game I'd buy a new/old console for.

3.

A lot of superhero games NEED to railroad you. Your goals MUST be to save the lives of the people and help the weak and all that. But one dev asked the simple question: "What if it didn't?" "What if the player chose how to use their power? What if the player could be as evil or as good as they damn well pleased?" One game gave you the powers of thunder and lightning and asked what you'd do with it. It's sequel asked you the same, but against more... interesting forces.

InFamous 2

InFamous 2 is a game about making choices, just like the first one, also just like the first one, it can have an effect on gameplay. That effect went from "What does this particular power do in this allignment?" To "Which new set of NEW powers would you like?" The forces of the last game went from “Three flavors of gun-toting whackos” To “Possibly an allegory for the Klan, Swamp monsters, and Ice-powered super soldiers.”

This was, and still is, the best game in the whole series, The powers felt distinct from anything else and still do, the story is solid as a rock, and the enemy types were still varied enough to be interesting, I miss the Reapers from the first game, but that's about it. Everything else was a massive step up. If you have something that can run it, play it.

2.

Action is something I think we can all appreciate on some level. We can understand when it does or does not work, we can understand when we do or do not like how it feels when we are the ones partaking in it. EX: Any schlep can tell you when the weapons in your game lack impact, or when your character moves too slow for the game to be fun. The following game is something I can't say anything of the sort about. And it's kind of like Wolfenstein, when you have enemies this bad, who the hell cares how many you kill?

Doom 2016

Y'all are lying if you say you didn't expect this one. It's DOOM 2016. This game is made of hate and fuck. AND I LOVE IT. You move so fast, you may as well be half cheetah and half sports car. You slaughter the dregs of hell by the dozens and even the biggest, baddest things this game throws at you can be beaten with the starting pistol if you have the stones for it. It looks amazing graphically, the demons all look appropriately threatening, and even the Multiplayer is a great deal of fun in my book.

Something worth noting: The story presented by default is pretty barebones, but that's where supplementary material fills in the gaps, the difference between supplementary material in most games and supplementary material here is the material is till IN THE GAME. You're free to ignore most of the plot as it happens around you, and even interesting tidbits of the lore like how certain demons function. Not only are these things missable collectibles, prompting continued play to find them, they are also pretty interesting reads. So yeah, just about everything you could want in a sequel/remake, builds the on lore and gameplay very organically. 

1.

And here we are, the last game I'd put in this category. An entire decade, and here, we end on the last game that left such an impact I'd put it in my top ten. But first, let's talk about expectations and delivery: When you say a game is coming out, there are certain expectations you have for gameplay, EX: I say "Ratchet and Clank" and you expect a TPS with platforming elements and crazy guns. I say "Gears of War" and people expect something to do with lumbering about in big armor, dismembering things with a chainsaw gun and otherwise shooting them to paste. We might also expect changes to things, better graphics, innovations in grenade variety, something as that franchise goes on.

After the last game in this series was released, there were tons of people who felt let down and disappointed by it. Then they released the still somewhat disappointing special edition of it. They were both still fun, but neither really felt like the full next step in the series. After a failed reboot, they returned to the original story and the lot of us rejoiced. And when it finally came out? It was a step up in most, if not, all regards, to its predecessors. You know what this last one is. Please, give a warm round of applause to:

Devil May Cry 5

A game that was not only a return to form, but a major escalation in gameplay for one character, and a new style of gameplay all together by way of yet another new character. It didn’t exactly hurt that the story kicked ten kinds of ass and that the game looked spectacular in both the design of everything and the actual graphical fidelity.DMC 5 is, like DOOM, Like InFamous 2, Like [PROTOTYPE] 2, everything you want in a good sequel. It built very well on already solid foundations and it was generally just a fun, slightly goofy, massively stylish, and ultra badass ride. I recommend this, and all these games, to anyone.Good night everyone, have a great 2020. And the rest of the decade, for that matter. 

[ettadunham]

A Buffy rewatch 6x10 Wrecked

aka going way too hard on your metaphors

Welcome to this dailyish (weekly? bi-weekly?) text post series where I will rewatch an episode of Buffy and go on an impromptu rant about it for an hour. Is it about one hyperspecific thing or twenty observations? 10 or 3k words? You don’t know! I don’t know!!! In this house we don’t know things.

And with today’s episode I wanna talk about... *checks non-existent notes* Buffy and Willow? That can’t be right. Didn’t we just have that talk?

*flips page on the notepad I’d be using if I actually put some effort into these posts* Oh. I’m gonna be talking about Buffy and Willow for every episode this season. Okay then.

When it comes to Wrecked, I think the first and foremost thing we need to address is the out of control drug metaphor of Willow’s magic problems, that’s being hammered into the audience seemingly out of nowhere.

Now, this is a bit of a toughie. Because I can see where the metaphor is coming from, and how it’s actually pretty in character for Willow to fall down this rabbit hole. See, what the magical drug represents here for Willow is an escape from her reality and emotions – and Willow’s affinity to do just that has been well-documented throughout the show.

I pointed this out most with Something Blue. In that case, Willow’s grief over Oz’s departure caused her to eventually turn to a magical solution, that would heal her heartbreak overnight. She didn’t want to go through the pain, she wanted to not feel it altogether. There’s even a weird Bronze scene where we see Willow drinking a light beer (A light beer! Gasp!) that is trying to impart the same impression about escaping her current state.

Lovers Walk has a similar moment, where she’s trying to de-lust herself and Xander with a spell (without his consent at that…). And then we’ve got episodes like Wild at Heart and Tough Love, where big bad emotions lead to her turning to magic to take revenge.

Xander is easily the most emotional character, in the sense that he tends to act upon his emotions rather than questioning them. Willow is pretty much the complete opposite of that, in that she can’t help but over-examine her emotions. But when she feels things – especially something negative – she feels that big. And possibly due to that same over-examination, that might even magnify those emotions, she can barely stand it.

Here, those emotions appear to be mostly about her break-up with Tara. Break-ups seem to hit Willow especially hard, since being loved and seen as special is a bit of a cornerstone of her character motivations. (Of which a lot can be traced back to her mommy issues if we go by Gingerbread.) So yeah, it’s really no wonder that she tried to take a magical shortcut to cut through the pain.

And yet, the moment you start looking at this episode in the context of what came before, and the actual events that led to Tara leaving, things are starting to get less and less straightforward.

See, Willow’s use of magic prior to Wrecked in season 6 was less about escape, and more about power and control. Tara’s concerns were about Willow using her powers to help herself, alter reality to her liking without any consideration for anyone’s choice or consent, and taking magical shortcuts for all of her problems.

You can make the argument that it’s still connected, that power has an addictive nature, that that fear of abandonment and anxiety is what’s behind a lot of Willow’s issues with control, which has a similar effect of her avoiding certain problems and emotions… And certainly, as these actions and inclinations are all in character for Willow, you can lead them back to the same motivations.

Still, when we’re talking about the substance abuse metaphor specifically, applying that to Willow pre-Wrecked is much less straightforward. Which wouldn’t necessarily be that big of a problem, your metaphors don’t always need to be a perfect fit imo, and you can have something mean multiple things at once… except in this case, we are going way too hard on it.

Rack’s entire setup, that whole scene of Amy breaking into the house, trying to steal some herbs(?), Willow’s withdrawal symptoms by the end of the episode… There’s just no space for any wider interpretation, and because of that, I feel like we’re missing a lot of nuance, as many of Willow’s actual issues don’t fit quite as neatly into this metaphor.

It feels like the show is saying that it’s the fault of this ~drug magic~ that Willow altered Tara’s memories, taking away her informed consent. And that would be in itself certainly a complicated discussion, because judging the actions of people struggling with addiction is complicated; but it’s just not really the right discussion in this case. Again, while we can fold this into a greater context of the addictive nature of power and whatnot, it’s still mostly just about Willow’s abuse of that power here.

For Buffy though, at this point in time it’s definitely that sense of escape and addictive self-destructive mechanism where she connects with Willow.

The show is once again drawing a clear parallel between these two characters, but more importantly, Buffy is doing a lot of that work herself. As I mentioned before, this is sort of becoming a problem this season. Like, not to beat the dead horse, but the three main Scoobies have trouble holding each other responsible for their actions all season. And in Buffy’s case, that mostly comes from her being too wrapped up in her own mess, and over-identifying with her friends’ issues instead of looking at them critically.

BUFFY:  “She’s just helping Amy through a transition.” XANDER:  “And making herself a playmate to do magic with. Someone who won’t monitor her like Tara.” BUFFY:  “No, Willow’s a grownup. You know, maybe she doesn’t need to be monitored. You know, she’s going through something, but we’re not her. I mean… maybe she has reasons for acting this way. And, so what if she crossed a line? You know, we all do stuff. Stupid stuff. But, then we learn. And we learn, and we don’t do it again. Okay, so, you know, who are we to get all judgey?”

First of all, let’s address the Xander of it. His culpability here for me is about the fact that he seems more or less aware of the problem, and voices it a couple of times, but we never actually see him do anything about it. He made some passive aggressive comments when Willow used magic to hack something, but that’s it.

On the other hand, I guess that isn’t that far from Xander’s modus operandi. He sees himself as a bit of an outsider in their group. He observes, and as a result, when a character goes to him for advice or support post s4, he can actually be pretty helpful. So maybe it’s really not his style to just show up at Buffy’s house on an afternoon, and try to get through to Willow… but I still think that he should’ve. That’s his best friend since kindergarten, and he clearly sees that there’s a problem.

Then again, Xander has his own set of issues this season that might occupy most of his thoughts, even if they’ll only become more apparent later down the line.

Buffy’s defensiveness regarding Willow however is just a beautiful mess of overtly obvious over-identification.

Now that Buffy actually slept with Spike, he is feeling empowered. Even if he’s only an outlet for Buffy, that in itself can have its own addictive nature.

Buffy hit a low point. Her depression is taking over every aspect of her life, and the only time she feels like she can break out of that numbness is when she’s with Spike. Even if a lot of that is centered around her feelings of self-loathing and shame.

If Spike had a soul, he could probably see that that’s not good, and certainly not the kind of relationship you want to have with someone you’re supposedly in love with… but Spike doesn’t have a soul. So all he sees is the co-dependency aspect of it all. He’s obsessed with Buffy, but Buffy needs him too. That’s a win for him as far as his current limited understanding of love goes.

So he’s being smug, and pays less and less attention to Buffy’s ‘no’s. And yeah… That’s troubling, but it’s also troubling in a way that seems self-aware on the show’s part, especially when you think about where we’re headed.

Circling back to Buffy’s response to Willow, with the outright stated connection, you can see Buffy’s own struggles with her current situation through that. When she slowly hugs Willow after the latter begged for her forgiveness and support as she hit her low point, that feels almost like an act of self-love on Buffy’s part. Or at the very least an admittance of her own predicament.

My question however still remains. Could Buffy really help Willow if all she sees are her own issues reflected back through her, which she’s struggling to deal with in the first place?

(I mean, the answer is no, but that’ll get slightly less obvious before the end of the season.)

Oh yeah, and I can’t believe that Tara is the only one who cares about the teenager in the house enough to try and make her breakfast. At this point, Dawn should just move into Tara’s new place, like, full offense @ Buffy and Willow, but you guys are a mess.

But that’s how I love them.

[the-mjolnir-owner]

Some thoughts about Infinity War

Now that I slept over it and had some garlic tea to help with my cold, I think it’s time to talk about it. 

Long post ahead. Contains spoilers. Don’t read in case you didn’t watch the movie.

After almost 10 years of MCU, I was surprised they kept their death score so low. I was wrong. It was a risky decision to make things like that and they are brave, let's see how it rolls from now on.

I wasn't surprised about any of this, really, because I was sure all of them would die. The fact that some of them happened to survive was a plus. I wasn't surprised about all the asgardians + some of the sakaarians + Heimdall + Loki (+ probably Valkyrie) dying right in front of Thor right in the beginning. The whole shock value was necessary to make Thanos stand up like a big unforgiving villain and they made it, he killed an entire population of space refugees that consisted of children, elderly people and non combatant, unarmed men and women. You can feel the whole cinema feels as powerless and impotent as Thor, hands tied both literally and figuratively.  Thumbs up for the Russos, thumbs up for emotional trauma and heartbreak and tense moments.

Cons

Loki 

All along I thought he had a plan, maybe because that's what the fandom made me believe, less because of what we actually see on screen. Loki has always been a shitty planner and all his schemes blow up in his face. I believed he had a trick up his sleeve that Thor and the audience didn't know when he took the tesseract, which was a stupid ass decision. But he didn't, in the end there was nothing. I don't know, maybe he thought they'd have more time, but when Thanos asked him for the tesseract, and Thor told him they didn't have it, I could taste the regret that emanated out of Loki. He regrets it, he really does. And he died saving the most important person in his life, and I was angry and sad about how it all ended so soon.

They didn't give us what kind of deal Thanos had with Loki, how did they meet, how did it go, if Loki knew the Dark Order, nothing. It was bad writing, really, because Loki normally has double intentions. It was bad, predictable and it hurt to watch. I thought he was going to use the tesseract himself and manage to save the day but they all died anyway. I wanted Loki to help to kill Thanos, I thought he'd have a secret weapon in the end, or a secret way to destroy him that he learned from the time he spent with Thanos. Nada. I'm sad and disappointed, he didn't deserve it. He was doing everything right this time :(

 Romance

I'm not very fond of romance in hero movies, except in rare occasions where it's well done (Wonder Woman yay) and there was a lot of heteronormativity romantic scenes. I wanted to skip forward all of Wanda/Vision interactions and Gamora/Peter was too clingy imo. We could have saved some time without them.

 Thanos

Ok, I get it he's big and evil and purple. But he had a lot of time of just wondering and doing titan things. Wherever he showed up on screen I showed him the finger like the adult I am.

 The Dark Order

I don't know their names, I don't know their ambitions, they are just random people following orders. They aren't strong or extraordinary and they were easily subdued by our heroes.

 Bruce Banner/Hulk

He's still lost and confused, I get it, but he was exaggerated and borderline boring. Whenever he was on screen I'd roll my eyes. Where is the Hulk when we need him the most? Sounds to me he's only valiant against smaller thunder lords, uh.

 Captain America

Too little screen time, I only remember like 3 things he said, but it was good to have him back and some people cheered in the cinema when he first appeared to save Vision. I wish we had seen more of him, especially more of his interactions with Thor.

 Natasha

Same as Cap. Too little screen time. I love her I always like to see her.

 Red Skull

?? ???? ??????? That's all I'm saying.

 Thor's suicidal attempts

First when Loki died and Thor crawled to him to cradle him closer. I don't think Thor had the energy to leave and if he did, he wouldn't. This time he wasn't going to leave Loki behind and I think he decided the best thing to do was to die with his people and the last member of his family, all of them in a space coffin and none would know of what happened to the asgardians. Of course, he didn't die with the explosion like he intended and he had yet another chance when he tried to reignite the star. It was also sad to watch, how extreme he'd go and how little regard he has for himself and his well being. We have Thor telling Eitrit that he should have hope in a moment, the other moment he tries to get himself killed. Rocket and Eitrit were worried about it too and I don't think there's a solution to it. Thor will go is ready to kill or die or both and he won't stop.

 Pros

 Doctor Strange

He has his priorities sorted and he doesn't change them. He does what he must to save shit and I trust him because he knows what's up.

 Guardians of the Galaxy

It's amazing how they all sound like a big family, I really like them and I loved how they interacted with Thor. I'd like to see a version where they managed to get in time and help the asgardians. Drax telling that Thor is what happens when an angel and a pirate have a baby had me in tears. Peter jealous of Gamora, priceless.

 Thor

And here I go. It's no secret that Thor is my favorite. I always love Thor in every situation and in every movie he's in. In Infinity War he's hurt, he's broken, he's lost and hopeless but he still moves on and that's the kind of hope I need. All of his arc in Ragnarok was pointless. If Marvel was going to kill all the asgardians anyway, why make Thor save them?

Chris Hemsworth's acting is on point, he made the most of every scene as usual. All the emotion on his eyes when he saw Loki/Heimdall dying was enough to have me crying with him, like I was on his place. He has gone through so much and his suicidal attempts just prove that he finally had enough. Marvel finally gave him an opportunity to talk about his family and he talked with Rocket of all the people (creature). It was a gift to have Thor so wounded yet so woke. He knows what he has to do and how to do it and he'll do it even if it kills him because he has nothing left to lose. It hurts, but that's that kind of energy that have things going.

Thor takes the Guardian's supplies and he's ready to steal their ship and they decide to go along, because, come on, what else can they do? Call the police against the asgardian? But Thor knows how to use his words and he convinces them to go with him and help him. More than his good looks, it's good intentions and sincerity.

When he learned about Gamora's family he instantly regarded her as a friend, he knows she's not the one to blame about the mistakes of her Father, and he knows about it all too well.

 Stormbreaker

Thor's whole self-discover journey in Ragnarok taught him that he didn't need a hammer to be powerful, the power was in him all along. Infinity War took it and threw it in the trash. The moment Thor thinks of a plan he thinks of forging a new weapon. Thor in Ragnarok knew he didn't need a weapon. Thor in Infinity War almost died to get a new shiny bigger hammer. I think the idea of it was to make an axe to fight the Gauntlet, and I will only accept it this way. And Thor looks good with an axe.

 Gamora

OMG Why? I wasn't expecting for this at all, neither was she it seems. I didn't like it how they made it sound like that what Thanos felt for her was love, when I doubt that he can love anything. He tries to convince her to come along, he uses Nebula to convince her (and ouch, poor Nebula) but Gamora is strong in her views and beliefs. She's rather die than help him. Little did she know that her death would always help him, whether she liked it or not.

 Wakanda

Poor wakandans didn't deserve any of this, to have this battle on their yard. When Thor did THAT, when he showed up with his new weapon to help them, lightening on his eyes and everything, people in cinema cheered. They cheered again when he wounded Thanos and I know he'll try again and again until he get it. Or die, more likely.

It was pretty obvious to the audience that Thor is by far the most powerful avenger, sided with Wanda, and he'll only grow stronger and more powerful out of spite and hate, those are great fuels. I still wanted Thor to greet T'Challa and to have them recognizing each other like the Kings they are.

 Girl power

When Wanda was fighting Proxima and we all thought the was about to die, Natasha and Okoye came to the rescue and I was so proud and so happy to see them together, like sisters, helping Wanda who is a still so young but so powerful and so full of pain. It was also one of the best interactions.

 After this long essay, I'll say the movie had it's good parts and it's bad parts, like everything in life. I didn't like the ending but I wasn't exactly shocked. I think there's still so much to happen, I think there are so many people to return and all we can do is wait and create new content to fix what we didn't like and improve what we liked. That's what I'll do. If I learned something with this movie, is that I should always be positive. Like Thor. The sun will shine upon us again.

[markoftheasphodel]

Shadows of Valentia Top 10 -- #3 Alm: Chosen One

But when I think of the next thousand years, I don’t want this. I want to leave behind a world where we shape our lives by our own hands. Where we make our own mistakes and fix them—as many times as necessary. That’s a world worthy of a future.

I will never again have to discuss canonicity of FE13's DLC!Alm and thank goodness for that.

I also have no intention of touching the "but if Alm is who he is that ruins the message!" line of argument other than to say "Is that what you REALLY took away from the game?" Let's take Alm as he is. Sweet, brave, clever enough to think on his feet and offer a nimble argument but far from emotionally mature. Thanks to FE15's mode of exploring a setting we get to feel out Alm as a character even before the plot kicks off, and by the time Alm answers his call to arms not merely by offering to go in his Grandpapa's place but bringing his friends along as evidence that Mycen is "a warrior who trains warriors" I had a big smile on my face. The kid's good.

I'd always really liked Alm (DLC aside) but the writing here made him a top-tier Lord IMO. I'd compare it to the leap in characterization we got from Marth/Sigurd/Seliph to Leif, who got lines like "Is there something on my face?" to hammer home that our hero is really just a doubtful, dorky kid thrust into an absurd situation. In Alm's case we have his chatty commentary on everything from cats to the sun to whatever's left lying around... not to mention the moment where he entertains the thought of sitting on Zofia's throne for a lark and rejects it.

As for his development from above-average farmboy to conquering hero, FE15 does a damn good job of it. Offering Berkut as a foil of Alm's own age group helps offset the "but he's only seventeen" objection to kiddie commanders. I guess the main thing I regret is that the Fernand's resistance to Alm becoming the leader of the Deliverance is so OTT and grounded in Fernand being a douchebag. I'm glad somebody protested and that Clive had his doubts but their reasons for resistance taste rather of straw. And as far as the "power of friendship" in an FE game goes, I will take Alm and his posse in Act V over certain strains of bullshit involving self-inserts. He's managed to weld Gray&Tobin and Lukas/Clive/Clair into a unified functional team that's willing to scrabble in the dirt for their food it that's the price of not serving a mad god, and we got to see every step of the process that turned two farm boys, two golden children of the aristocracy, and one backwater noble with no strong place in either world into the very core of the knights who'll serve King Alm after the war. Go Team Alm. Marth's starting party is iconic, yeah, but Alm's five-person band of cutscene supporters is really one of the Best Things Ever. And Alm juggles all five of their competing voices and interests well enough that I can believe in him.

Despite this team at his back, Alm's essential isolation among his own party-- telegraphed from Gray's early comment through the last scene with Berkut-- comes across poignantly. Alm has no Merric, no Asvel, no Hector, no Soren, no Robin at his side to be his genuine BFF. His five core retainers (as they are by the end) are bonded in a chain to one another but for all Clair tries, none of them bond to Alm with that intensity. What Alm has is Celica-- in memories, in aspirations, separated from him in the flesh except in a handful of scenes. I didn't come up with the idea that this entire game is their support conversation (got the idea from Reddit) but that's basically true. They're the children of fate and everyone else is not, the end. And I accept it. Alm also of course has "Grandpapa" Mycen and seeing that relationship acted out instead of telegraphed, in lovable moments and angsty ones, was one of the delights of this game overall.

FE2's Alm was great in his vintage minimalism. FE15's Alm is great, period. The only thing that could be more satisfying IMO would be a reboot!Leif written to FE15's standard.

[thesportssoundoff]

“A Typical Fight Night From Europe”

Joey

July 10th, 2017

After a hectic, eventful and landscape changing International Fight Week you have approximately one week to get it all out of your system before everyone's favorite traveling circus heads overseas! Scotland has had one UFC event and now they better get ready for the UFC wackybus to roll back into town! The first event had a killer main and co-main and then some decent enough stuff under it. This card seems a bit deeper but not without some fluff as well. It's top three fights are fantastic stuff as the main event could be a potential title eliminator, it's co-main event is a really intriguing fight at strawweight and it's third fight is a slick lightweight clash between two guys who are more than capable of going on a run but dangerously close to falling behind in a crowded 155 lb picture. I think I've hammered on the "elite" stuff enough for one weekend. The rest of the card is essentially a very typical European card for what that's worth.

Fights: 12

Debuts:  6 (James Mulheron, Justin Willis, Galore Bofando, Danny Henry, Daniel Teymur, Amanda Lemos)

Fight Changes/Injury Cancellations: 3 (Mark Godbeer OUT, James Mulheron IN vs Justin Willis/Lina Lansberg OUT, Amanda Lemos IN vs Leslie Smith, Mitch Gagnon OUT, Albert Morales IN vs Brett Johns)

Headliners (fighters who have either main evented or co-main evented shows in the UFC): 3 (Gunnar Nelson, Santiago Ponzinibbio, Steven Ray)

Fighters On Losing Streaks in the UFC:  0

Fighters On Winning Streaks in the UFC: 4 (Steven Ray, Cynthia Cavillo, Santiago Ponzinibbio, Gunnar Nelson)

Stat Monitor for 2017:

Debuting Fighters (Current number: 16-18)- James Mulheron, Justin Willis, Galore Bofando, Danny Henry, Daniel Teymur, Amanda Lemos

Short Notice Fighters (Current number: 12-17)- Amanda Lemos, Albert Morales and James Mulheron

Second Fight (Current number: 20-19)-  Charlie Ward, Brett Johns, Bobby Nash

Cage Corrosion (3-2)- Neil Seery

12 Precarious Ponderings:

1- There are going to be plenty of people disappointed in this main event on paper but let's be totally fair; this is a very acceptable Saturday afternoon main event in the middle of a rough Summer stretch of six events in a row. It's a respectable headliner featuring two WWs on winning streaks who could easily slip and slide their way towards a title shot. With Lawler/Cerrone happening and Masvidal/Wonderboy happening, that's four guys looking to fight through winning streaks. Maia vs Woodley is in two three weeks and then GSP "awaits" in November but I think we're all a hint smarter than that, am I right? So if there's a very impressive win, we might be looking at a new potential contender.

2- It's interesting to look at who each guy has beaten and realize that they've both kind of failed in their attempts to step up to the next level. Ponzinibbio was TKO'd by Lorenz Larkin in a really good fight whereas Nelson has lost to the likes of Rick Story and Demian Maia when asked to take a step up. Both are well rounded guys who have beaten fair competition (Ponzinibbio over guys like Sean Strickland, Nordine Taleb and Zack Cummings; Nelson over Alan Jouban, the aforementioned Cummings and Albert Tumenov). It's a very good stylistic matchup as well as Ponzinibbio's striking matches up well with Nelson's and while he lacks Nelson's grappling game, Santiago has great takedown defense. This is a good exciting fight that should be fun over five rounds.

3- Joanne Calderwood vs Cynthia Calvillo is one of those weird fights where a lot of bad outcomes could happen for the UFC. Calderwood seems destined to jump up to 125 lbs after this fight and so right off the bat, the big concern has to be that Calvillo loses to Calderwood who then goes up to 125 lbs and one of your more promising fresh prospects is left at 115 lbs with nowhere to go. On the other hand, it would probably kill the crowd entirely if Calderwood gets dominated by Calvillo.

4- Khalil Rountree vs Paul Craig is pretty interesting if you still think Rountree has potential. He's had 3 UFC fights and outside of getting smothered to death by a great wrestler, he's had a fight where he gave Tyson Pedro problems before his ground game fell apart and a fight where he almost removed Daniel Jolly from the realm of the living with a knee. Paul Craig likes to live in the clinch where there's plenty of danger from Rountree's knees. At the same time, if Craig takes the fight to the ground then tchances ar Rountree is going to have a very bad time.

5- Worth noting that Rountree and Craig are BOTH under 30 years old so we should want them to do well. Also holy shit let's do less of these under 30 fights at LHW and HW please?

6- Steven Ray going into this fight on the last fight of his deal. That's normally a sign of a guy having a breakout performance and then losing the NEXT fight right after it.

7- Paul Felder vs Steven Ray at range is going to be a lot of fun given how both guys tend to be hittable but can crack. Felder is more unorthodox but Ray's boxing can be really crisp plus both guys tend to be so-so takedown artists so expect a lot of power clinch work as well.

8- I don't want to say that it's shameless (because it's probably the kind of guy he should be fighting) but McGregor's buddy getting a dude with a 4-2 record who hasn't fought since 2015 is PEAK MMA. The very height of this stupid fun sport.

9- Danny Roberts gets a very serious gut check after losing vs Mike Perry. I don't know if he would've won a decision vs Perry but he had moments of brilliance in between getting rocked and eventually finished. Roberts is a fun welterweight to watch; an all offense all the time kind of guy who is susceptible and vulnerable in just about every passing second of a fight. Roberts is a work in progress for sure and Bobby Nash is the sort of wacky as fuck brawler with pop who can give him troubles. This could be a bonus earning fight.

10- Neil Seery's wacky amazing MMA journey comes to an end vs Alejandre Pantoja and I just wonder if maybe the UFC should've found an easier opponent for Seery.

11- In a crowded messy and talented 135 lb division, Brett Johns is one of those guys on the lower half just trying to find himself. Johns made a name for himself in good ways and bad on the regional circuit; a dude who vacated the CW title in a messy situation, missed weight in Titan FC and ultimately got to the UFC with questions about his commitment and focus.  His debut was a great fight but not without some questions, primarily his cardio and his striking defense. Johns came into the UFC as a wrestle first desperation takedown guy but he showed even more in his debut. Albert Morales is the most athletic guy that Johns has faced but he has been prone to getting taken down in the past.

12- Really excited to see how the Teymur brother does. His brother has been a fantastic revelation for the UFC and might be Sweden's best chance for a champion going forward.

Must Win

Joanne Calderwood

The UFC clearly has had no problem letting people go recently. From releases to just not matching deals, they're skimming out people they deem excessive, expensive or headaches. At this point, Joanne Calderwood might fall more or less into the category of one of those three. She's getting Dana White's big pet project in Cynthia Calvillo who is 2-0 but hasn't fought anybody major of note. This is a decent enough stylistic matchup for Joanne Calderwood plus she's at home.

Steven Ray

Free agency looms for Mr. Ray and fighters are getting "paid" by somebody. Ray has a tough out in the versatile Paul Felder and he's proven to be a very durable 155er.

Khalil Rountree

You gotta imagine that at some point, Rountree has to make good on his promise and athletic upside. He's still very, very young in this division where age and staleness has taken over. Is his takedown defense improved? Has he rounded out the holes in his game? These are all key questions requiring serious answers. He's got a tough match up in Paul Craig who is a total stylistic crunch for him.

Five Fights You Can't Miss

1- Santiago Ponzinibbio vs Gunnar Nelson

It isn't often the case but the main event on this show is far and away the best fight on this card. Both are streaking WWs with a wealth of ability and in the case of Ponzinibbio, an interesting challenge for a very good Gunnar Nelson.  Smarter people than I have discussed almost to an ungodly extent how the WW division is slowly aging and getting stagnant and these are two guys in their primes who are improving with each fight and fit a perfect spot for the WW division in need.

2- Brett Johns vs Albert Morales

I could just be really high up on Morales and overrating this newfound more aggressive Johns but I'm betting this fight is going to steal the show.

3- Joanne Calderwood vs Cynthia Calvillo

I'm pretty jacked for this one since there's so much at play. Cynthia Calvillo has real star potential and while the chance for Calderwood to be a "star" has come and gone, she's still a good strawweight who has flashes of greatness from time to time. Curious to see if Calvillo can get her down and even more curious of Calderwood's size will play a factor. There's a decent chance IMO that both women could fit for titles next year.

4- Khalil Rountree vs Paul Craig

Under 30 LHWs. Y'all need to be in on this.

5- Neil Seery vs Alexandre Pantoja

This should be a pretty interesting fight although I think it's going to be a bit of a bummer for Neil Seery fans. Seery's weaknesses have been against dominant grapplers and better athletes than he is. Pantoja touches both markets pretty easily and he's gone from being a very talented grappler to a solid striker as well. It's a damn good fight for those of us who love flyweights and would be a great send off for Seery if he can pull this off.