#the answer is absolutely not and who are we kidding

[journalofimprobablethings]

I think the thing about your first response that is provoking knee-jerk reactions (at least, it did for me) is that it implies that character death's only purpose in fiction is to "maximize pain" for the readers, and that any other purpose it might serve can be found through other means. And I don't think that's true at all.

To a certain extent I agree with the OP commenter that it's not necessary to kill a character simply for 'emotional impact' or 'realism'. If an author's main goal with a character death is just to "inflict maximum pain" on the reader, then that's probably not very good writing, and not "necessary". The death needs to do more than just hurt the reader; it should affect the story in some way, either in how other characters react to the death, or how events change because of it.

But I also agree with friskdaferret's argument that some character deaths are necessary for the story that the author is trying to tell. That's the key. Could they choose to write it a different way? Sure. They're the author, it's their story, it's all made up. But then it would be a different story.

I know that you consider the Holes argument to be a bit of a tangent, but for the sake of using an example that's already been brought up, Sam's death in Holes serves a particular purpose in the story. It reflects real-world racism in a very direct way: black men being lynched for having a relationship with a white woman (or after being accused of assaulting/touching a white woman, whether they did or not) is a real fact of American history. It's an ugly fact, and it's something that Louis Sacher decided was important to include in the story. For some kids reading that book, it may even have been their first exposure to that sort of racism. Having Sam leave Kate for other reasons, as you suggest, would change the story, and would make a different point. It's not the story Louis Sacher was trying to tell.

Your argument, if I understand correctly, is that sometimes, the potential pain inflicted on a reader who is very attached to the character might outweigh an author wanting to make a particular point or tell a particular story. How then, do we handle telling stories that are inherently about painful topics? What is the "utilitarian calculus" as it relates to a story like Orpheus and Eurydice which is about grief; or tragedies like Hamlet?

I also think that if you're going to make that argument, you have to consider the other side - that is, what benefit do those deaths, as written, bring to readers? Why has the author included it in the story? What do people get out of it? That answer is going to be different for different readers and stories, but there is a reason that death has been such a prominent trope in human storytelling since forever. Death and grief are inherent, immutable facts of life, and so storytellers are going to find ways to engage with and examine it.

Two examples that came to mind while I was thinking about this post were The Fault in Our Stars by John Green and Babel by R.F. Kuang. Both of those books contain absolutely devastating moments of loss in connection with characters we have become very close to as readers. I don't think I've ever cried as hard at a story as I cried at those two books in particular.

Both of those stories would not be what they are, or say what they wanted to say, if those deaths didn't happen. They are a book about cancer and a book about imperialism and the violence it engenders, respectively. Both those topics are impossible to handle without at least talking about death.

Now, would I give people a warning before I recommend those books to them? Absolutely, because it's the sort of thing you probably want to be in the right headspace for. But do I think that those books should have been written differently, just because the stories were painful? Absolutely not.

I don't know that I agree with any sort of utilitarian argument about the potential effect of a character death on readers vs its function in the story, in part because that sort of thing is impossible to quantify. How would you ever possibly judge what was "too much"? It's entirely subjective, and in the end, authors do not have control over what a reader's reactions to their story will be.

I also think that to a certain extent, readers are responsible for their own reading experience. If a person does not want to encounter painful moments in their reading, that is their responsibility to tailor their reading accordingly. If they as a reader know they are prone to making deep connections with characters such that it might genuinely hurt them if that character then dies, they can take steps to avoid those sorts of stories, or to use sites like doesthedogdie.com to check whether a story has something that they don't want to/can't engage with. But it's not an author's responsibility to tailor their story so that it doesn't make anyone sad. That's not the point of fiction.

Fiction is a reflection of life, and a way for us as humans to examine and process all aspects of it, including the aspects that hurt, that are awful, the parts that don't make sense. It's perfectly valid for someone to not want to engage with challenging fiction, but to say that authors shouldn't be writing it at all because it might somewhere cause someone grief? I can't agree with that.

im starting to think you guys dont like it when stories make you feel things

[lovelyshu]

han jisung and yn being absolutely in love with each other for 5 minutes — [1.3m views]

description. Cute moments caught on camera between han and yn

tags. f!reader, gidle!reader, maknae!reader, use of yn, gidle has a video with skz of competition, reader calls him oppa like once

comments. I have nothing to say, these are just some random scenarios I thought about and wrote. Please enjoy! <3

✰ first clip

During an award event, yn was yet again lost in the crowd. And the other members were trying to find her, even if discreetly.

But then, one of the cameras caught yn bumping into someone. Well, that someone being han jisung.

It was clear even from a distant that both of them got embarrassed by it, quickly bowing and apologizing.

Both of them stayed there awkwardly smiling, until han grabbed his phone to show yn something. To which she excitedly typed something in, before seeing Shuhua running in her direction.

Saying a quick goodbye, she ran off to shuhua's arms, having to listen to a scold and a teasing about always being lost.

What the camera did not caught was their conversation.

“You got his number?!”

“Yess!! I'm literally dying right now!”

“If he says anything bad to you I'm hunting him down all over Korea!”

✰ second clip

As the chk chk boom challenge went viral, a lot of idols were quick to do them. That meant that yn was also doing it.

In the clip, yn is seen trying to hold back her laughter, standing right next to han who was with the same expression waiting for the chorus to begin.

Yn did the challenge with han smoothly, until she messed up at the very end, making both of them burst out in laugh.

Laughing, yn lost the strength to keep standing on her legs, now almost falling to the floor.

Well, until han almost ran (even if they were already pretty close) to her and caught yn on his arms, still laughing.

It's very hard to see due to the camera, but if you squint your eyes hard enough you'll notice a tint of blush on jisung's face, and yn slowly getting more flustered if not for the video ending.

✰ third clip

During han's one kid's room, one of the topics were about people he really cared about.

As the conversation went on with mentioning all of the members and his family as well, until jeongin remembered of someone.

“Isn't there yn too? He's always talking about her.”

“Oh yeah you're right, han never shut ups about her.” - Hyunjin continued, all of them now laughing at some inside joke.

When it was jisung's turn to talk, he said almost the same thing, until he looked down for a moment smiling, suddenly feeling shy.

“There's also yn. We talk a lot and she's probably the closest person I have outside the group and my family. She's very special.”

✰ fourth clip

Gidle was in an interview, answering fans questions about their songs, life, future comebacks and the usual.

Some of the questions were directed to specific members. And one of them being "Does yn have someone she really loves apart from her group?"

Thinking for a moment, yn smiled without even noticing, excited to answer the question.

“Yeah! I really love han from stray kids. His very friendly and kind, I enjoy his company a lot.”

The other members looked at her with widen eyes, a surprised smiled on all of their faces, making yn confused. Until she understood what it might have sounded like.

“I-I mean that in a friend way! I love him as my friend!”

And that was all it took for them to start laughing at her, soyeon even holding on her shoulder lightly.

✰ fifth clip

Felix was recording a vlog, filming the backstage before one of their shows. Everything was chaotic as usual, as he talked about the show.

Suddenly, han came out of a room, not noticing the camera. Felix went silent as he pointed the camera to the man, now hearing what he was talking about.

“Have yn called to any of you? My phone is almost dead so turned it off. She said she would call me before the show begun.”

He continued to talk about the idol, until noticing the camera, making him freeze for a moment before slowly waving at it, an awkward and shy smile on his face.

Jisung was already walking away, regretting his life decisions, and wanting to disappear even more as Minho shouted to him.

“No, she haven't called yet!”

✰ sixth clip

Miyeon was filming a vlog of how their day was going. Yuqi and shuhua were talking on the couch, while soyeon and yn were no where to be seen.

Searching for them, miyeon caught the sight of yn sitting on the corner of the room, hugging a little quokka plushie, a photocard and cellphone in hands.

Giggling to herself, she approached the girl, who quickly noticed the camera and was desperately trying to hide the objects.

“Hi miyeon unnie! Do you need anything?”

“I'm just filming our daily life. What are you doing?”

Yn stared at her with a dumbfounded smile, pressing a few times on the screen before showing it to her unnie.

“I'm listening to our songs.”

Miyeon knew she wasn't, but not wanting to make the poor maknae die on camera, she just nods, walking away to continue the filming.

✰ seventh clip

The first time gidle had managed to record something with stray kids, it was a competition between the members.

They formed seven teams with two people, han and yn being paired up together.

After some games and a lot of chaos, the next game they had to play was one in which, two teams will compete, trying to pull the tail from one of the members.

The one who manages to pull the tail out of their clothes first wins. And the final teams to play were han + yn and shuhua + jeongin.

It was the final round, and yn was the one with the tail, while han was mostly trying to protect her and avoid the other two to get too close.

After around thirty seconds in running around, yn managed to pull the tail from jeongin, making both of them cheer in excitement.

Without thinking twice, jisung and yn ran to each other for a hug, staying there for a long moment before pulling away, a slightly timid expression on both of their faces.

✰ eighth clip

At the music bank program, yn had the opportunity to be one of the mcs for a short period of time.

During this time, stray kids went to the program. Yn was doing an amazing job at being the mc, to which jisung complimented.

Feeling shy from his compliment, yn thanked him, clapping her hands together to avoid looking too timid as she smiled.

“Thank you jisung oppa!”

He mirrored her smile, as the other members laughed a bit.

After a few seconds of talking, seungmin bumped into han's shoulder, not saying anything, but a smirk forming on his face.

Han only looked away, embarrassed by the tease, without saying anything as well to not get the attention of anyone else.

[asrielinfected]

New Victim

Paring: Wednesday Addams x Reader

Summary: Enid tells you about a new student that arrived to nevermore. You can’t help, but tease Wednesday, to get a reaction out of her.

Warning: Profanity

Authors note: Reader kinda likes to tease people, and I haven’t watched this show since 2022🤕

Enid(your bestfriend), and you were currently eating lunch together. You listened to Enid as she spoke about her new, odd, roommate called, Wednesday Addams.

“So, Y/N! I have this new roomie, and well, she’s quite interesting if I do say so myself,” Enid chuckled as she took another bite out of her lunch.

“What do you mean by “interesting” Enid?” You said as you made quotation marks in the air.

Enid sallowed the bite she was chewing on, and looked at you. “I mean, she’s not ordinary. And there absolutely nothing wrong with that! We all aren’t ordinary, but she’s just different in some type of way.”

You listened intently, “I somewhat understand. No need to explain any further. Also speaking of Wednesday, where is she? It’s lunch time”

“She’s probably in her dorm! She always eats in there.”

You smirked deviously

“You know what would be funny?

Enid smirked along with you

“Y/N, whatever you’re planning I’m all in for it.”

Enid was like your partner in crime.

“I should totally go and annoy, Addams!”

Enid’s smile slightly faded. “You sure that’s a good idea? Wends, is kinda intimidating,”

You rolled your eyes at your friend’s statement, “How bad can it be? Your roommate might need some company, don’t you think?”

Enid sighed “Yeah, Y/N, I’m not so sure about this.”

“Finee. I guess I’ll just do it by myself. Have fun talking to Yoko, or Ajax, or something,” You said as you got off of her seat and threw away your trash as you headed to, Ophelia Hall.

You already knew where Enid’s dorm was since you been there before, but you never had met this “Wednesday Addams” before.

You finally arrived in front of the door room. You took a deep breath in, and opened the door.

You were met with a room clearly decorated differently since the last time you been here.

You saw a short girl with braided pigtails, sitting at the black side of the room. You can’t really tell what she’s doing, but she didn’t even care to look of who just walked in.

“What is it exactly that you want.”

Wow. Enid wasn’t kidding. She was intimidating. Her voice sent shivers down your spine, but you talked to people like this. You can handle it!

“Ah, you must be the ‘Wednesday Addams’ everybody’s talking about. I’m-”

Wednesday cut you off, “I didn’t ask for a whole speech. You are yet to respond to my question.” She said with a cold voice

This bitch. How rude.

“Okay, asshole. To answer your question that you so much wanted, I was only here to be nice, and welcome you. At least I’m not the one isolating myself.”

Wednesday finally turned to look at you.

“Was your use of profanity really necessary. I also wouldn’t call it “isolating.” I prefer to be alone.”

You laughed, “Yeah, yeah whatever makes you sleep at night.”

“Actually having thoughts of people suffering makes me sleep at night. I find it quite calming,” Wednesday said without any hesitation.

Okay now you fully understand what Enid meant by, “not ordinary roommate.”

“Thanks for oversharing that even though I didn’t ask for it.”

Wednesday turned back around to her desk, and there was silence for a few minutes.

The smirk you had before when talking to Enid came back.

“You’re quite interesting, Addams. Also quite the cute one too.”

Wednesday looked back at you with an confused expression

“Was that your attempt to try, and flirt?”

You giggled as your eyes never left hers, “Perhaps. Is it working?”

She groaned out of annoyance, and got up from her chair as she stood closer to you.

“You think too low of me. Why is it your mission to go bother me.”

You took a step closer to Wednesday Addams.

“I just find teasing someone like you, entertaining.”

Wednesday would be lying if she said that the proximity of yours faces didn’t make her whole entire body turn hot.

She was usually cold

Lunch time ended some time ago so Enid walked into the room. Seeing you and Wednesday standing close to each other.

You with your signature grin and Wednesday having always that icy expression on her face.

“Guys? Is everything alright?” Enid said tilting her head.

You both went ahead and turned your heads to Enid.

You decided to speak first, “Yeah I was just heading out. I’ll catch you later, Enid and Wednesday”

You looked at Wednesday, and had a grin on your face as you left their dorm to head back to yours.

Wednesday couldn’t help but walk back over to the desk and finish whatever she was doing before she got interrupted by you.

But unfortunately, you didn’t leave her mind. Why would you even want to tease her like that. Did you not find her scary like other students do?

Feelings are Wednesday’s worst enemy.

[talentforlying]

@asteritm: ❛  deal with that . . . or i will.  ❜ — WYNONNA EARP STARTERS

' i've got it. oi, look at me. '

it's not how they talk to each other, ( at least not casually, ) fucking orders and ultimatums, but he knows better than to take it personal: she's crackling at the edges, the heat of her biceps against his palms just shy of unpleasant as he keeps her — not still, but dormant, at least for the moment. yeah, words fucking hurt, and the smug, wannabe-big-shot haruspexes still chortling away behind him had meta-scried their way into landing a couple unintentionally heavy hits — with some nasty terminology, besides — but it's not worth killing people over. not worth lilly losing herself. not worth risking unwanted attention.

' look at me, lilly. ' he waits until her eyes slide back to his, spirals of energy that always make him want to catch his breath or kiss her, then squeezes her arms, fixing up a crooked smile that's equal parts reassuring and cocky. it says, as she's seen it say a hundred times, you should trust me, because i'm pretty. ' i've got it. '

when he's sure she's backing down, when he's positive she won't come back swinging, he turns on his heel, and he settles. not like a house, creaky and tired and finding rest in the give of floor and foundation; not like easing back into an armchair. this settling is that of patience, of lying in wait — the cold, dead eyes of an alligator lingering above the still surface of murky water. a plastic mask laid over the empty sockets of a real skull. a hellblazer.

not that they notice it, the fucking idiots. they see six foot of gangly with hair slipping its gel casing and a punchable face, in an old blue suit that was nice, once, and is now thinning at the seams. hands in his coat pockets like he's on a sunday stroll and a friendly smile; the kind of aging fop you expect having a word with to be either timid requests for peace or toothless blustering.

because that's what he wants them to see.

and when he steps out at an angle to the streetlight they're all loitering under and his eyes shine solid white like glinting coins, they see that too. when he wants them to see his shadow warp and stretch and claw itself across the pavement to swallow theirs, they see that too. when the wind picks up and whips the hats off their heads, flings litter down the street, rattles car windows and makes fire escapes groan and creak, howls like the damned are ascending from the sewer grates, but everything about him is as still and unmoving as a painting? yeah. they see that, too.

because that's what he wants them to see.

' 'ello boys. ' there's nothing crooked about this smile, there's something downright fucking broken, and he can see the millisecond that they recoil and feel the shards underfoot. nowhere to run. nowhere to hide. smoke billowing out from beneath the swish of his coat like a furnace, oily and writhing and alive. there are faces in that smoke, too, familiar to them in stomach-dropping ways that slip the greasy fingers of dread up around their hearts and squeeze: loved ones, dead ones, people they've harmed. people they regret. accusing, knowing faces. they swarm around his, leave him glowing like a flashlight held under the chin on a dark and stormy night: like the reaper at the end of days. ' let's have us a chinwag about how to treat a lady, shall we? '

the nearest member of the pack has a head and a half on him, minimum, and pinprick yellow eyes you only get from deals with things you don't ever give your name to. doesn't matter. when he sees himself in john's eyes, he's a speck, less than a molecule in the wankstain of the universe, and he's falling. there won't even be a stain when he lands. he knows that in the depths of his soul, and so does john. only difference is, john finds it funny.

' have a seat. it's story time. '

they sit. of course they do. they have to.

a couple incisive insults aren't worth killing people over, that's true. but he's a man of simple pleasures — he's always been content to make them piss themselves, instead. and the nightmares? well.

that just helps them remember the lesson.

[puppetmaster13u]

Prompt 216

“So we all know that Damian is trying to sneak in a new animal, right?” 

 “I mean, yeah, he only starts sneaking around like that when he’s sneaking something he shouldn’t be, and the box was pretty obvious…” 

“Are we going to ask about it or…” 

“Nah, plausible deniability when Alfred or Bruce inevitably finds it.” 

Later, Duke will regret listening to Dick and Steph, because there is now a massive fucking dragon glowering down at all of them from the back yard with nine heads. Each of which do not seem pleased. It might be time to question what Damian might have brought home this time…

[monty-glasses-roxy]

It could be kind of funny if it takes like a week and a half or something before Roxy realises Cassie is, in fact, her new technician's daughter.

Like, he has to work and Cassie hangs out in the Pizzaplex and they always meet at the entrance when they go home so it just so happens that Roxy hasn't seen them in the same room together before. And also, didn't notice they had the same last name. Cassie's dad had mentioned her to Roxy and asked her to keep an eye out for her, and she's been convinced she just hasn't found the kid yet but nah they've been hanging out since before Roxy even met her dad lmao

Thought it could be extra funny if Roxy found her on her birthday, crying about no one showing up while her dad was off working (he was gonna join them later on) and immediately took her to have fun in every attraction ever, including the closed ones. This is just what Roxy does, so she thinks nothing of it and hey! She's hung out with Cassie before! She considers her a good friend already so this'll be fun for both of them!

The problem is now Cassie's dad can't fucking find her and according to every other animatronic, she's with Roxy but Roxy isn't answering his god damn messages so where the fuck did they go?!

[not-poignant]

thoughts on penny from stardew valley?

sorry if thats random

I don't mind her, but I don't really have any strong positive or negative feelings towards her either. I kind of nothing her sdkalfjas

She very much comes across as a victim of emotional abuse who just wants lots of babies and children, and as someone who personally is absolutely incredibly childfree, I could not be less interested in her character motivations if I tried. She's basically power-banging the storyline of 'how to fix my own mother issues with raising other people's children well and then having a ton of my own children' and it's like - more power to her, and she's extremely sweet as a character, but like...zero relatability. Probably one of the most two-dimensional characters that you can date.

OH, and I also HATE how much she's an ableist asshole to George and the game supports that. So yeah, wants tons of babies and is ableist. Like every character is flawed, Alex is an asshat, Sebastian is rude, Shane is actively cunty towards you for AGES, etc. but given I'm disabled, I take the ableist one personally. I guess my feelings do swing a bit negative now that I think about it. I have to skip that cut-scene every time we come to it.

I skip all of her cut scenes x.x

Like I doubt I could ever put her in a story of mine, unless I was writing characters concertedly interested in having children / raising children etc. and I'm just not interested in that.

So my perspective towards Penny is like 'you're good for the people who love you and I don't really have anything to do with you as a character.' I think the only reason she'd ever really be seen in Stain for example is maybe if Alex walks past Maru and Penny in town, or if Maru brings her up.

[transingthoseformers]

Now that I think of it, Ratchet as the eldest medic might know the most about sparklings from the fact that he's damn old. Shockwave... might also, considering his own age and how he was acting as some sort of medical figure at some point (remember, he met Megatronus as a surgeon) but that's also because Shockwave's knowledge is rather eclectic.

[chiisana-lion]

hm

[giraffeter]

I often see posts about curating your own online experience that make the point, “content creators aren’t your parents.” And, yes, that is absolutely true! And I try not to be like “as a parent,“ but as a parent…

EVEN PARENTS ARE SUPPOSED TO ENCOURAGE RESPONSIBLE READING/VIEWING BEHAVIOR. NOT filter everything ahead of time for their kid.

When my kiddo was 5, his pediatrician was asking him the usual Well Child Visit questions (“What are your favorite foods? What do you do to get your body moving? Do you know what to do if you get lost in a public place?” Etc.) and she asked, “What do you do if you see something on TV that scares or upsets you?”

I piped up like, “Oh, he doesn’t watch TV without one of us in the room,” which was true at the time and is still largely true now. She said, “Yes, but that won’t always be the case, so make sure you’re talking to him about what to do if he sees something that upsets him.”

So we started talking to him about that, and the answer is simple: “Turn it off or leave the room, and talk to someone you trust about what you saw and what you’re feeling.”

The answer is NOT “Ask your parents to make sure you never see anything upsetting again,” because that’s just not possible — and ultimately that would be doing the kid a disservice, since sooner or later he’s going to be out in the world where we can’t control what he watches or reads. That doesn’t mean we don’t try to make sure he’s watching/reading age-appropriate stuff, it just means that’s not the only safeguard he has — and that’s a good thing.

So yes, content creators aren’t your parents and aren’t responsible for making sure you never see anything you don’t like — but also, your own parents should have taught you what to do when that happens. So if they didn’t, take it from me, your internet mom:

Turn it off.

Walk away.

Talk to someone you trust about how you’re feeling.

And leave the person who created the thing that upset you alone.

[autumnrory]

not enough people write stucky being married/having kids tbh

[inkoutsidethelines]

Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.

The first thing I’d do is make the characters actually be adults.  Still young, but adults, in the mid to late 20s range.  Mystery Inc. is a private detective type business that they run together.  In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost.  The stakes can be higher; sometimes a bad guy is legitimately trying to kill them.  Sometimes the mystery they’re trying to solve is a murder.  Sometimes they actually get hurt on their cases.

Fred: the core of Fred’s character should be that he’s incredibly kind.  Like, give a stranger the shirt off his back kind.  The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind.  He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too.  While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.

Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money.  Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing.  She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her.  Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.

Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe.  Dating, engaged, married, I don’t care.  They are stupidly in love, ride or die for each other.  There’s no will they, won’t they, no worries about cheating.  They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.

Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma!  His wife is standing right there!” “Oh.  Sorry.”).  She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes.  She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws.  Is breaking and entering really so bad?  Not if it gets them answers.

Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense.  He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option.  He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).

Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him.  Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices.  The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it.  Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.

[fingertipsmp3]

Last night I had a dream that me and my best friend were living together and it was super not going well lol

[biggest-gaudiest-patronuses]

#the homeowner thing though. that i am bitter about

crazy how at my age my parents already had children (that they were in no way equipped to raise)

[tender-rosiey]

“GOOD! NOW PUNCH HIS FACE!”

— when your baby and gojo, geto, nanami, toji, and sukuna get protective over you (f!reader)

a/n: I am alive!! as an apology here is a multi-character post 🙏 btw in toji's part, you're megumi's mom

GOJO SATORU:

two peas in a pod, twins, copies: these are all things people have called your husband and son.

honestly, they’re not wrong. your son has his father’s looks—satoru swears he has your nose and ears but anyway—and he carries the same protectiveness and love he holds for you, if not amplified.

you can’t count on one hand the amount of times the house has been turned upside down because of their fights for a cuddle session with you.

of course, you have always tried suggesting them simply sharing you, but these problem children would rather eat raw zucchini than ever share the cuddle time.

so while your son is barely six, you can still count on him to team up with satoru against anyone who wrongs you in anyway like what’s happening right now for example.

you’re out with your lovely family to buy some groceries, and since they both were whining about getting some sweets, you allowed them to go and snatch a couple from the next aisle.

on the other hand, you stayed to look for another type of detergent to clean the floor—especially since satoru got this new type of paint for s/n and it’s quite an endeavor to remove it with a regular detergent.

however, being in the cleaning supplies section never guaranteed the lack of filthy men who can’t take no for an answer. this one man approaches you, smug grin on his face as he leans on the wall, “what’s a pretty lady like you doing alone?”

“buying groceries like a normal person; now please leave me alone.”

he quickly frowns, “don’t be so stingy doll,” his hand extends towards your arm, “I can show you a good time; I promise—“

the man is swiftly smacked with an egg on his face, and he is left with the egg dripping down his face, “what’s your wrong with your kid, man?!” he yells at the person behind you.

he then grumbles, “ruined a potential good night.”

“my kid was absolutely right in what he did,” you hear satoru’s voice. you then feel a hand on your shoulder, and you’re pulled into a chest you’re all too familiar with, “’toru—“

your husband shoots a small smile your way, pressing a quick kiss to your lips, before looking at his son, “that last throw was very good, s/n! throw another one but just below his stomach."

a cheshire cat-like grin is plastered on your husband’s face as s/n prepares to launch another egg at the man.

there is a very evident scowl on your son’s face as he yells, “don’t you ever bother mama again, you stinky bum crumb!”

the man gasps and tries to make a run for it, but your son wouldn’t be the son of gojo satoru if he doesn’t manage to land the hit exactly where he wants.

the man quickly crumbles to the ground screaming and alerting literally everyone in the store.

so satoru picks both you and s/n and makes a run for it.

you hold tightly onto him, “wait, ‘toru, the groceries!”

“we can always order! saving my princess and son is more important!”

your son grumbles, “but I want to hit the rude man!”

“me too, champ, but—“ satoru sweat-drops and glances behind him, “I doubt the angry security guards would like that!”

GETO SUGURU:

your twin girls are one of the sassiest to exist.

in a way, they take after their father who is also pretty sassy but very low-key.

the sass of all three combined is terrible to be the victim of. luckily for you, they don’t dare direct their triple ray towards you, especially—in any argument—at least one will try to win you over.

if it’s suguru trying to stay on your good side, then he is hugging you from behind, pressing feather-like kisses on your shoulder and whispering about how sweet you are. if it’s the girls, then they cling to your legs and keep yelling about how much they love you.

so it is safe to say that you have a small squad to protect you from any potential “danger”.

“oh my, dear shouldn’t you focus on refining yourself a bit more?” you hear a woman say beside you.

you turn towards her, offended, “excuse me?”

“I mean,” her eyes scan you, disapprovingly, “you look average at best, and with that you won’t be able to find yourself a husband, let alone have children.”

you’re still processing her audacity as she continues, “but then again, it’s probably for the better that you don’t have children; you can barely take care of yourself.”

“can I help you?” your husband says as he approaches the woman.

she smiles condescendingly before chuckling, “I was simply telling this lady to take care of herself more; she hardly looks presentable.”

geto’s smiles tenses up as he is about to give the woman a calm peace of his mind, but his daughters beat him to it.

your older twin stands in front of the woman, scanning her with pure disgust in her eyes.

she grimaces and voices out her thoughts, “you are like a crunchy lizard.”

the woman gasps, “how dare you—!”

you cut off the woman, curious about your daughter’s conclusion, “why a crunchy lizard, sweetheart?”

your daughter looks at you with a small frown, shaking her head, “a crunchy lizard is an ugly sad lizard.”

a snort escapes your husband, and you’re barely able to contain your smile.

your other daughter follows up, looking at her twin sister, “the lady looks like that one green thingy we saw yesterday,” she taps her little foot, trying to remember and beams at the woman, “shrek! you look like shrek!”

then they both glare at her, frowning, “you’re a monkey!”

your husband doesn’t let it go as he deals the final—subtle—blow, “come on now girls; we shouldn’t bully the lady with the mcdonald’s like hairline anymore.”

it seems like the woman can’t take it anymore as she starts sobbing and running to the hills.

a moment of silence is shared across the four of you, before you carry both of your girls in your arms and start tickling them, “I don’t know whether to be proud of you or scold you, little evil girls!”

they squeal, trying to escape your hold and calling for their father.

geto chuckles and wraps his arms around the three of you, “let them have it for tonight, y/n,” he ruffles their hair, “they were brave and defended their mom, after all.”

“yeah, papa is right!”

“yes mama, please!”

you pout then smirk at geto, “well I don’t mind, and since papa is also very proud of you girls, he will buy any toy that you guys want today!”

the color drains from your husband’s face, and he watches motionlessly as his girls latch onto him, screaming about the toys they want.

you giggle at his expression and blow him a kiss. he reluctantly blows you one back, while the girls excitedly pull him towards the toy store.

NANAMI KENTO:

you and your husband were blessed with the sweetest girl as your daughter, and she was just recently joined by another sweet girl.

you can never forget the happiness on your daughter’s face when she saw her baby sister.

it also seems that no matter how many times you give birth, your husband can’t help but get emotional when he holds your baby. his hands are forever delicate as he cradles her to his chest.

you remember what he said during the birth of your first daughter.

“I feel like a piece of heaven has been plucked and placed in my arms.”

the way he always goes soft for the three of you is honestly adorable.

today, you were going on an outing with your—now 6 months old—baby and your older daughter who is almost six.

your husband never brags about his muscular form, but he never misses a chance to carry the baby or the baby supplies.

you have offered to at least carry the bag, but he always refuses, stating that ‘you already carried the baby for nine entire months in your belly; this is the least I can do.’

so yeah, sometimes you wish to smooch your husband till forever, but that’s not the point.

you’re walking hand in hand with your daughter as she sings her favorite song. you hear someone click their tongue, so you look to the side and lock eyes with an old lady. she takes the opportunity and approaches you.

“you should be ashamed of yourself!” she yells pointing at you, “your husband shouldn’t be carrying the baby supplies nor the baby itself for the matter,” she scowls, “that’s your job!”

“with all due respect ma’am, but that isn’t her job, and taking care of the baby should be something we are both responsible for.”

“yeah!” your daughter huffs, “and don’t take out your sad life on my mama!”

your eyes widen as you stare at your daughter.

on the other side, your husband is just as speechless. your daughter pays no one any mind as she continues, “mama works hard every day! you wouldn’t know that! you immature nugget!”

nanami frowns lightly, “d/n, that’s not nice—“

and for the cherry on top, your baby daughter throws the bottle cap she was playing with at the old lady, and frowns at her.

she starts babbling some nonsense that you're pretty sure are curse words in baby language.

having had enough, the old lady huffs, “the utter disrespect,” and starts walking away.

the rest of the spectators’ eyes follow her till she is out of sight. finally then, people start minding their own business, and you and your little family are left to the aftermath.

you giggle, “that was funny.”

“really?!” your daughter beams.

nanami cuts her off, “no,” he then looks at you with a small frown, a sigh escaping his lips, “y/n don’t encourage them—“

your baby daughter screams happily when she sees her sister smile. she starts kicking her feet with the biggest smile on her own face.

your older daughter starts laughing with her and tries to make her little sister laugh more—she was successful.

meanwhile, you chuckle, leaning on your husband’s shoulder, “admit it, kento; it was kind of funny.”

his resolve softens at the sound of laughter from all three of his girls, “okay, maybe a little, but—“

“yay!!”

ladies: 1

kento: 0

FUSHIGURO TOJI:

your husband and son are so alike, save for the part that your husband is a bit more shameless, and your son is more on the shy side.

however, they both have the same bluntness and the tendency to give anyone who they don’t like attitude.

for example, today, you were walking in the park with the both of them to unwind a bit.

not to mention that megumi wanted to walk his dogs which was a plus, since you would be able to watch your dear son play around with them.

it was all going great until you saw an old ‘friend’ who came running at the sight of you. he was someone who has always been way too touchy and in your personal bubble.

you have tried talking to him about it, but you’re confident that he does it to somehow force you into reciprocating the intimacy.

even if you’re a married woman with a freaking kid.

he giddily clasps your hand, “y/n, ‘been a long time!”

“h-hey,” you smile awkwardly.

he laughs, “I was passing by when I saw your figure, and I couldn’t help but come and say hi.”

you nod, “that’s great, but I am busy, so maybe later?—“

“you’ve gotten even prettier!” he exclaims, “I wish you would finally take me out on a—“

“can’t you see that she is uncomfortable?” your son retorts, “also, you should step back; you shouldn’t touch someone like this without asking them.”

megumi squeezes himself between the both you and glares at the man.

the guy was about to reply to your son, but toji pushes him back with ease, pulling you beside him and hand resting on your waist almost by instinct, “kid is right,” he tilts his head a bit, “ever been taught manners or do I have to do the teaching for you?”

the guy is taken back; offended, he snaps “you can’t speak to me like that!”

“and you can’t hold my mom’s hands like that, but here we are,” your son cleverly sasses him.

on the other hand, your—shameless—husband pulls you into one scandalous kiss and smirks at the guy when he pulls back, “and you can’t hit on a married woman, by the way.”

you hear your son gag in disgust at his dad’s actions, but you’re too busy burying your face in your husband’s chest, hoping that the guy disappears before toji makes even more of a bigger scene.

you also hope that the ground would swallow you, but that’s the alternative option.

the guy clutches his fist, before walking away, spewing insults at the sky—since he is too scared to cuss out your buff husband. once the man is out of sight, toji ruffles megumi’s hair, chuckling, “good job, kid.”

your shy bean’s cheeks redden slightly as he looks away, “…thanks.”

you’re still thinking about what just happened when you slap your husband’s chest, “toji, literally why?” you grumble, patting megumi who started holding onto your leg the moment you hugged toji.

“why not,” your husband shrugs with a small smile, taking pride in your flustered form.

“dad, I want ice cream.”

“no, you just want me to let go your mom, so you can hog her for yourself,” toji grumbles, staring down at megumi.

unfaltering, megumi looks up at him ,“dad, I want ice cream.”

“god damn it, listen here you—“

“divine dogs.”

RYOMEN SUKUNA:

there is no denying that both your son and your husband care for you very much, and they both—very aggressively—compete for your attention.

I am talking he literally throws the kid across the room kind of aggressive, and your son, in turn, throws whatever he has at him.

it’s eventful, but you would be lying if you said that it wasn’t one of the reasons why you will get grey hair earlier than everyone else.

so their very aggressive nature is also shown in their protectiveness over you.

a person doesn’t need to insult or even dare flirt with you for your devil duo to make their life a living hell; your husband and son don’t tolerate someone speaking to you if it causes you to ignore both of them.

for example, this one new servant was clueless to where the broom is, and unluckily for him, he saw you sitting with your husband and son in the gardens. he humbly approached you, “excuse me, m’lady.”

you turn to look at him with a smile, “yes?”

he clears throat, a bit flustered by the attention, “I—I wanted to ask where the—“

“up your ass, you disgusting fiend,” your son sneers followed by his father’s ever-permanent scowl.

“who gave you the permission to come and speak to her so casually?” sukuna presses, and the servant quickly falls to his knees.

“m-my apologies, my lord! I did not mean to disturb you!”

sukuna crosses his arms, “well, you did, and you also disturbed your queen and prince,” his eyes narrow at the servant, “what do you have to say for yourself?”

meanwhile, you’re watching all of that, mouth agape and trying to articulate anything to save the poor guy. you finally find your voice, “sukuna, it’s okay; he didn’t mean—“

your son hugs you tightly and glares at the servant, “to think he would so brazenly speak to you like you’re old friends is terrible, mother.”

you can almost see your son’s cursed energy flaring, and you can spot the small smirk on your husband’s face as he watches his son.

before it escalates any further and you find yet another dead corpse in your palace, you pick up your son, kissing his cheek which makes him flustered and causing him to bury his face in your neck.

you look at the servant, “you’re dismissed, and you can ask the head maid about anything you need, okay?”

“y-yes, m’lady!” he, however, stays glued to the ground, “may I have the permission to lift my head?”

sukuna grunts, “sure.”

“thank you, m’lord,” the servant says, before scurrying towards the gate, having secured his freedom after his little mistake.

or at least, that’s what he thought.

your husband slices his legs off with a flick of a finger, and your son, who has inherited his father’s technique, slices the head off.

and so the body falls to the ground, and the other servants hurriedly start cleaning up the mess.

you frown at your husband, “sukuna! he apologized!”

he rolls his eyes, and pulls you by the waist, “do I look like I care? he shouldn’t have interrupted our time together.”

“aww, you’re jealous!”

“no, I am not—“

“hands off, old man!”

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[kisses4reid]

criminally hot | ·˚ ༘ spencer reid ,,

summary - you get wrongfully accused by a sheriff, and it isn’t you who’s angriest. it’s your boyfriend who has to expose your relationship in order to clear you.

genre - spencer x bau!fem!reader, fluff, slight angst if u squint, angry reid x calm reader

wc - 1.2k

warnings - reader uses she/her pronouns, handcuffs, violence, a weird white man i know id be fucking scared as well, oh swearing as well.

a/n - i love u you’re so awkward i am doing so well bc of ur request, keep requesting things your brain is crazy. ummm anyways this is my first time writing this kinda thing omg how exciting okay start reading it wtf you still doing here?

request - ( from @babyoureahauntedhouse ) omg hii!!! :3 this is my first time requesting, so please excuse the awkwardness 😭😭😭😭 first of all, how are you????? i hope you’re doing amazing!!! absolutely no pressure, but can you do one where reader gets falsely arrested (not a huge thing, maybe in a police station at a small town or something) and spencer absolutely **loses** his shit at how she’s being treated????? like, she’s freezing and the sheriff or somethjng keeps pushing her and then he just bursts into the interrogation room and uncuffs her and it’s just very fluffy???? thank you!

Emily handed you your coffee with a smile, receiving a small thank you in return. It was warm in your hands and created a comforting contrast to the cool chill of the police precinct you were set up in.

Things were going well given that you’d only been in the small town for half a day. The team debriefed on the plane, but Aaron had been on the phone with the leading detective for at least an hour now asking him where he was.

Emily headed off to the restrooms when a slender hand made its way to your waist. You turned and felt your cheeks heat, knowing exactly who is was.

“Hi Spencer.”

“Hi Y/n.” His eyes held sweetness in the chocolate swirls, and you felt like a kid who had been given candy. Spencer and you had been dating for a few months, but somehow in a team of profilers you both kept things under wraps, even with Spencer’s clumsy touches and your lingering stares. “I wish we were home,” he whispered.

You glanced around for anyone who could witness your interaction and get suspicious, but you were mostly alone other than Hotch and some officers who were weirdly taking a lot of attention to you.

“Yeah me too. I’m feeling oddly popular and not in the good way.”

Before you could talk more or offer him a sip of your coffee (even if you know he doesn’t like it), Aaron calls his name and the slim tall boy scurries away with a straight face.

You turn to find something to do. To reread a case, to help someone fill out papers, to talk to Morgan or Garcia. You would’ve opted to huddling in your cardigan if a tall man didn’t interrupt.

“Y/n L/n?” He asked in monotone. His arms were at his sides, one hovering above a pair of cuffs that hung from his police belt. Furrowing your eyebrows you answered,

“Yes? What’s wrong?”

“You’re under arrest for the robberies of…”

His voice pounded into the background of your head, thoughts attacking your eyes through a sudden headache as the words registered before you could help it. The room was silent except for the man’s voice, yet all you could hear was the furrow of eyebrows and quick approach of your boss, Aaron Hotchner.

“What’s going on here?”

“Your agent has been seen…”

You stood still as another officer came behind you and forced handcuffs onto your arms, gripping your wrists with unnecessary force that would surely leave bruises. You winced and looked between your boss and the officer, and then at Spencer, who was being pulled back by Morgan. He yelled your name in worry, witnessing the hardened grips on your body and rough pushing you were being subject to. Your coffee splattered on the ground, staining your white shoes.

There was only mumbles and white noise, as your eyes met with Spencer’s. The large officer behind you kicked your leg to get you moving, the shock glueing your shoes to the rubbery floor. And you almost didn’t even notice the hand on the back of your neck pushing you towards a dark room with a desk and two chairs.

You were so familiar with these rooms and yet it felt so different.

Of course, you didn’t actually do anything. And of course you attempt to clear that up to the officers who are slamming their hands on the table and screaming as much as they could, in a poor attempt to intimidate you.

Aaron was in the corner with a scolding face and hard hand to his chin, observing the situation with an intensity you barely ever see.

“Last month, you were seen at one of the houses that got robbed over night. You left a few days later, after also being seen at two of the other houses-“

“So she was seen at three of the ten houses robbed and you arrest her?” Aaron spoke up, bringing the men’s attention to your boss instead of you. You took the opportunity to look outside of the window.

Though it wasn’t clear, you could make out the outline of a tall boy you wished would just break into the room and save you.

And he did.

“Your evidence is illogical and childish. She’s an FBI agent for gods sake-“

“Anybody can be a suspect Agent Hotchner, even federal agents.” The tall one replied with a stubborn mumbled.

Suddenly, the door was slammed open and you were met with a disheveled Spencer panting with a red and severe face. He didn’t even bother looking at you before he starting schooling the men in blue, who at that point were glaring at him and attempting to look more intimidating than they actually were.

“I’ve read your files on this case and nothing links to Y/n L/n, not one-“

“There’s no way you read our-“

“I can read more in a minute than you can in a day, dickhead. Y/n was meeting old school friends when she was in town, we went to the Diner Inn afterwards and we met with her parents who have receipts for the meals because they’re-“ he turned his glance at you,” “sorry Y/n- they’re hoarders. You have nothing against her other than some positively reported visits and some photos of her hugging the house owners.” Spencer had slowly pinned the officers to the opposite wall unconsciously. It was hot. “I was there, I’m her receipt. And like her parents, she loves keeping those. So if you want to insist she’s your culprit, go for it. But your going against a man with eidetic memory and a lot of evidence.”

And while he was logical and correct, he was also a little too truthful.

The officers blinked in fear. Spencer definitely didn’t seem the type to yell or swear, so this clear, concise and undermining approach to the situation was somehow even scarier.

“Spencer,” you began, “thank you.”

He looked at you, his expression softening into empathy and care, “Of course.” His hands found a key in his back pocket as he approached you, starting to promptly uncuff you.

As Aaron continued to speak with the officers of their major mistake, Spencer took you outside of the room and into a private office. Your heart was racing, but it seemed Spencer was more stressed than you. He paced as you leaned onto the front of a wooden desk, hands over your chest as your eyes trailed Spencer.

“I’m sorry, Y/n. I should’ve reacted faster, then you wouldn’t have been..” He stopped closely in front of you, his breath hot on yours as his gaze scoured over your body for injuries or bruises. “Are you okay?”

You smile calmly, “I’m fine. My leg hurts, and I think my wrists will be bruised, but I’m fine.”

He took your hands and rubbed his thumbs on your wrists carefully, causing butterflies to explode in your stomach.

“Thank you Spencer.” Your eyes dance with each others. “You were really hot. Maybe I need to get arrested more often.” You joke with a lift to your voice and a smirk, causing him to look down with a smile and shake his head.

“If being angry makes me hot maybe you should reevaluate what you-“

Your lips found his, you hand going to his bicep and his going to the back of your neck, before a clearing of the throat took you both out of your trances. It was Hotch.

“I’ve got some paperwork you both need to sign. About the arrest and,” his hand waved between you two, “this.”

Morgan stood behind Aaron with a smirk, leaving quickly to go tell Garcia that she had lost their bet.

taglist: @jeffswh0re @reap3erslov3 @candyd1es