#the amount of random nonsense and just straight up trash makes it so hard to find literally anything unless i use it very frequently

[astrangelittlefool]

GRAHHHH where the FUCK is my copy of Gideon the ninth

[tessatechaitea]

Kid Eternity #3

In this issue, Kid Eternity fucks a Rastafarian hippo.

This comic book, more than any other comic book, taught me that I don't have to keep buying every issue of a comic book just because it's under the Vertigo imprint. This comic book took me by the hand, led me out of the misty forest of Vertigo's obfuscating nonsense, pushed me out into the bright clarity of presumed reality and said, "Stop coming around here to get your butthole molested, you skanky little perv." After blinking the sunlight out of my eyes for a bit, I gasped and thought, "Sometimes art is art with tits and sometimes art is just tits distracting from nonsense. And it's up to me and G.I. Joe to tell the difference." This is where I'd post an image of tits to distract you from my nonsense but this isn't a porn site, you skanky little perv. This issue begins, like all Ann Nocenti issues, with me shaking my head and contemplating self-harm. Also tits and nonsense. So much nonsense. Like more nonsense than a shaking stick could shake another stick at. Usually I appreciate comic books with dense dialogue and a thick, rich story. But the first page has a dialogue between two of the Pope's demon children that's 160 words long. I'm not sure Ann Nocenti completely understands how comic books work. The second page's dialogue contains 199 words (and five tits). I have a new theory about Ann Nocenti's writing: she was paid by the word and the only way to keep the editor from cutting down her word count was to make the dialogue incomprehensible so the editor didn't know which words to cut. I'm not counting the amount of words on the third page but I'm pretty sure it's even more than page two. Page three sort of introduces two new characters (as if this comic book needs any more subplots). I think they're brothers but all we, as readers, are allowed to see are hands and books. One book is The Book of Sin in which the brothers invoke temptation against Kid Eternity. This sends the Pope's devil children to ruin his plans with their vaginas. The other book is The Book of Reflection in which Kid Eternity's own narcissism is used against him. I guess nobody wants the modern Buddha Christ Child to be born? But aren't they all wasting their time? Didn't we discover the magical child was fished out of a garbage can in the dirty alley where the homeless guys constantly discuss the value of women?

This newscast, awash in speculation and false premises, is still more informative than the talking head opinion pieces and non-expert debates that form the bulk of most 24 hour news stations. And look at all those words! This was just two-thirds of one page!

Meanwhile, the FBI agents are still lying around in bed. How they ended up in bed after being shot by Ares' hate arrows isn't information that was deemed necessary for the readers to understand the story. Which is fine because I think Nocenti just wrote them out of the comic book in a scene where the Fates are stitching a quilt and one is all, "What are we doing with these two?" and another one is all, "Forget them! They're lost to entropy! We have so many more stories to knit!" And she's write because I don't think I could even remember all of the character and story arcs from just the first two issues! Let's make a list! 1. The homeless guys philosophizing in the alley. 2. Kid Eternity and his search for the Christ Buddha. 3. Madame Blavatsky's search for snacks and causing time to rewind. 4. The FBI agents looking to help Kid Eternity but somehow winding up in bed not fucking. 5. Hemlock the feminist who could be the Christ Buddha's mother but has become the mother of a computer virus. 6. Dog the gross dude who wants to fuck Hemlock. 7. Keep, Kid Eternity's keeper, who probably isn't exactly into helping Kid Eternity. 8. Beelzebub deciding to go to Earth to be more like Lucifer. 9. Judas, just hanging out with Beelzebub. 10. Jesus getting drunk in a bar. 11. The Malocchio, or Pope's demon children, trying to stop the birth of the Christ Buddha. 12. The Christ Buddha who was found in a trash can but then taken away by some woman who might have been its mother. 13. Cupid, summoned by Kid Eternity to make the FBI agents do it but who arrived late because he was in a coma and shot them with hate arrows anyway so he just decided to get drunk with the homeless guys. 14. Zeus and the other Greek Gods who woke back up when Cupid was summoned. 15. The Catholic church who seem to be Kid Eternity's main atagonist. 16. Freud and Jung, brought in to show how much Ann Nocenti knows about the founders of psychology. That's all I can remember! I'm sure I've forgotten some story bits and characters. This issue wasted no time introducing even more! Now we have the brothers reading metaphysical books, the Fates, and a transgender sex worker.

Is the point that they won't date women because they're afraid to talk to them? I just thought women didn't want to date them because they're filthy itinerants with no ambition.

Oh! It turns out the "brothers" reading the books about all the other characters are Jesus and Beelzebub! Thank goodness I don't have to remember any new characters! Hopefully the transgender sex worker turns out to be Madame Blavatsky. Double oh! I just realized the transgender sex worker is one of the Malocchio! Whew! I think I'm shaking off the Ann Nocenti Dome of Confusion! I'm beginning to follow and understand her plot! I mean, really, it's not so hard. Kid Eternity wants to inspire mankind and thinks a new Buddha Christ child is the way to do it. Everybody else wants to stop him because mankind sucks ass. Now add a bunch more words and about thirty random Wikipedia entries to my summation and you'll get Nocenti's version of the plot.

This is a great example of Nocenti's profound nonsense. Sorry but the tits were in the previous panel on the previous page.

I'm worried that I'm going to completely burn out on reading old comics because after this excruciating three issue run of Kid Eternity, I've got about six issues of Grant Morrison's The Invisibles. Not that I'm comparing the quality of the two comic books! It's just that I don't understand this comic book but that in no way makes me feel stupid. But when I don't understand The Invisibles, I'm going to feel like a huge idiot. This issue, which is the final issue in my head canon, ends with Fetish, the Malocchio transgender sex worker, fucking Kid Eternity until he falls in love with her and then leaving him. His heart is broken and now he's ready to be fucked by the other Malocchio. Plus Jesus and Beelzebub are playing some kind of game with Kid Eternity and a mad girl named Christabel who can draw reality. So that's another character and piece of the plot that I never would have kept straight if I'd kept reading this comic book. Kid Eternity #3 Rating: C-. It's really fucking falling apart at this point. Yes, the basic premise is pretty easy to understand. But it's tiresome trying to keep it all straight when every single one of Nocenti's characters speaks in never ending analogies. So if love is like sailing, you don't just get, "Bright skies and still seas until the storm clouds gather and toss the ship." No, you get "Love is sailing in bright skies on a calm sea with freshly waxed decks and clean billowing sails, a pleasant breeze that stopped over in Manhattan to waft the fresh smell of baking garlic and Margherita pizza into your upraised nostrils as you watch two seagulls playfully dance in the sky until the next instant stormy seas, black skies, flailing ropes, ripped sails, riggings down, the decks awash, and death is licking the back of your neck." That whole last part where the stormy seas start is actually a direct quote. I embellished the first half!

[taaroko]

Post-IW MCU Rewatch: Captain America: The Winter Soldier

Here we go, Winter Soldier. I somehow never watch this one outside of marathons, even though I know it’s amazing. 

ON YOUR LEFT

Steve and Nat’s friendship is awesome. I love how invested she is in his love life and how confused he is by that.

“Well, all the guys from my barbershop quartet are dead, so no, not really.” I’m still trying to figure out how to define Steve’s sense of humor. It’s like quiet, deadpan understatement? I guess? I love it.

That shield looks pretty dingy, Cap. Could do with a wash.

There’s a really random sting in the score when Nat attacks a dude, and for a second you think it’s going to be a kinda retro spy score, but then it’s just over. Weird.

Steve has by now adjusted quite well to being a part of modern tactical missions, if less so to being a part of modern everyday life.

This French pirate dude really likes his unnecessary acrobatics.

Bonus points to Cap for doing trash talk in French.

One of the best parts about Steve and Nat’s friendship is how seamlessly they work together in battle. Whenever there’s something dangerous (especially explosions) on the way, she hunkers down or grabs onto him and lets him and his shield do the work, and they don’t even have to signal each other.

“Last time I trusted someone, I lost an eye.” Oooooh I wonder if that has anything to do with the Skrulls in Captain Marvel. Can’t wait to find out.

“I thought the punishment usually came after the crime.” “By holding a gun to everyone on earth and calling it protection.” “This isn’t freedom. This is fear.” Cap is not down with your surveillance state or pre-crime nonsense.

I love the awed little kid who spots him. So cute.

*pauses on Bucky’s memorial* “When Bucky Barnes first met Steve Rogers on the playgrounds of Brooklyn, little did he know that he was forging a bond that would take him to the battlefields of Europe and beyond. Born in 1916, Barnes grew up the oldest child of four. An excellent athlete who also excelled in the classroom, Barnes enlisted in the Army shortly after the attack on Pearl Harbor. After winter training at Camp McCoy, Wisconsin, Barnes and the rest of the 107th shipped out to the Italian front. Captured by Hydra troops later that fall, Barnes endured long periods of isolation, depravation, and torture. But his will was strong. In an ironic twist of fate, his prison camp was liberated by none other than his childhood friend, Steve Rogers, now Captain America. Reunited, Barnes and Rogers led Captain America’s newly formed unit, the Howling Commandos. Barnes’s marksmanship was invaluable as Rogers and his team destroyed Hydra bases and disrupted Nazi troop movements throughout the European Theater.

Wait a second. Up top, the thing says he was born in 1916, but at the bottom, it says he lived from 1917-1944. Wow. Nice continuity there, guy in charge of putting words and numbers on a single pane of glass.

Peggy! “He saved over a thousand men, including the man who would become my husband.” Yes and that man was Daniel Sousa. Oh hey, photos of Peggy with her kids! She had at least one son and one daughter. It’s hard to tell if the girl with her in the first picture is the same one as in the second picture.

The effect to make Hayley look old isn’t nearly as good as the effect to make Chris look skinny. It’s rather off-putting, actually. But oh man her dementia is so heartbreaking. “Well I couldn’t leave my best girl. Not when she owes me a dance.” *sobbing*

“What makes you happy?” “I don’t know.” *more sobbing* Everything that made Steve happy is seventy years gone. Steve is never not sad. No wonder he refuses to compromise for a second when it comes to Bucky.

The attack on Fury’s car is so nerve-wracking and he handles it so well. I wonder if Sam Jackson imagined he was going to get so much cool stuff to do in this role when he agreed to be in the end credits stinger of Iron Man.

The Winter Soldier’s introduction is masterful.

So...Fury pretty much got out of that by using his lightsaber. :D

Hi Sharon! This is some cute flirting.

“My wife kicked me out.” Was it because you insisted on taking your super-suit out for some daring do?

There it is. That Winter Soldier music. *shiver*

I totally bought Fury’s death when I saw this in theaters. Not sad that it turned out to be a ruse (I will never be sad about Marvel pulling character death-related punches), but I do think those bullet wounds were a little too convincing.

“To build a really better world sometimes means having to tear the old one down.” Heh. Except Cap is going to be tearing down your “better” world and standing up for the best parts of the old one.

Elevator fight! I love how observant Steve is. He’s always been that way. Just quietly taking in everything around him and putting it together. He’s brilliant. And then “It kinda feels personal.” Bahaha.

So if Steve falls a couple hundred feet and lands on his shield, it absorbs the impact ‘cause it’s vibranium?

Holy crap he took down a quinjet with just his shield.

I am not a fan of Nat’s straight hair in this one, especially with that center part. But it’s still better than how it looks in Infinity War. Especially the eyebrows.

Undercover engaged hipster couple Steve/Nat is so great. Steve is so bad at it and it’s adorable.

“Public displays of affection make people very uncomfortable.” “Yes, they do.”

I love Nat putting her feet on the dash.

There’s no way Nat didn’t know who Peggy Carter was. She asked Steve to gage his reaction.

They are pretty far underground, in a bunker. How did the missile even affect them? Did they make a special chute for the missile to go into in case they needed to blow up the base? Doesn’t look like it.

The design for Zola’s computer face is effectively creepy.

Hydra’s plan is so insidious and horrifying. Screw up the world on purpose until people want to trade their privacy and freedom for security.

That’s a really pathetic amount of milk Pierce poured himself. Like two inches in a really tall glass. Weird.

So...I guess Sam has a straightener. For some reason. Why couldn’t they have just let Nat’s hair stay wavy?

Steve is so sweet with Nat. She’s numbly horrified that she might’ve been working for the bad guys this whole time and he’s all nice and reassuring. Aww.

Senator Stern arranging for a young prostitute with Sitwell is gross.

Nat: *kicks a guy off the roof* *immediately transitions to asking Steve about girls he could be asking out*

Okay how does Sam have access to military equipment like his wing pack when he’s not on active duty?

STEPHEN STRANGE. How is he already on Hydra’s radar? There’s no way Zola’s algorithm accounts for magic, and even if it does, how can it possibly predict that he’d become a master of it several years down the line? It’s not like he was dabbling in it in his surgeon days. That came about as the result of a freak car accident! Pfft. They clearly only threw that reference in there to get people freaking out about a possible future Doctor Strange movie. 

Bye Sitwell.

Hehe, as soon as the Winter Soldier shows up, Nat crawls into Steve’s lap ‘cause she knows he’s gonna have to make an insane exit and she will be PREPARED.

Okay I never noticed that Bucky ripped the freaking steering wheel out.

Gah, Steve getting tossed off the bridge and into the bus looks so incredibly painful.

So Bucky has now shot Nat twice. (I still ship it.)

There are some excellent kicks and knife fighting moves in this showdown. And the way the music ramps up is hair-raising.

I hate Runlow so much.

Maria is awesome.

Um, hi, Joe Russo. He plays Fury’s doctor! Dang! No role for Anthony, though.

“I’m with you to the end of the line.”

Yesss. Vintage Cap. And the shield is clean now! Symbolism!

HI DANNY PUDI. (Apparently Alison Brie was going to be Sharon Carter, but she had scheduling conflicts.)

I love this brave curly-haired kid. This is courage. He has no power and he’s so scared he might wet himself, but he will not launch those helicarriers even with a gun to his head.

Shouldn’t have helped SHIELD with that repulsor tech, Tony.

Okay, I guess Steve can tuck and roll to land a fifty foot drop without using the shield.

These helicarriers store their data in a really strange way.

“We’re the only air support Captain Rogers has got!” *all immediately get shot down and blown up by the Winter Soldier* Whoops.

I wonder if we’re gonna find out more about Bogota in Captain Marvel.

STEVE IS A CRAZY PERSON. You do not jump before you know you have your ride!

It’s a good thing Bucky neither knew nor cared what that data blade was.

I’d love to read a fic that’s just Steve and Thor sitting around talking about all the times Bucky and Loki have shot and/or stabbed them.

Sam has the correct reaction to Runlow’s nonsense.

Why is Jeremy Irons on the list of targets? I wish they’d put more Easter eggs in here, like the names of the Netflix Marvel characters and the Agents of Shield characters. It would’ve been an extremely unobtrusive way for the movies to reference the shows, instead of it always being one-sided.

It’s a good thing they were planning on firing after the count of 3, not on the count of 3.

Steve, you really need to work on your attitude towards exit strategies.

HOW did Runlow survive that?!

Steve would rather Bucky kill him than live in a world where Bucky can’t be saved. And that’s what saves Bucky. *wibble*

“On your left.” Bahaha.

Hi Pietro and Wanda!

Winter Soldier is awesome. I love a well-earned, narratively consistent game changer. One thing I definitely did not expect the MCU to do back then was buck the status quo, but they did it in a huge way, and they did it extremely effectively. I was deeply impressed. And it still holds up even looking back now. The way they tackle the issue of surveillance is very effective. Probably the best thing about this movie is that they realized that Steve Rogers was not going to work as a character if he adapted too much to modern times. Instead, they derived much of their conflict from the disconnect between Steve and his surroundings, and they added a deeply emotional connection at the core of it. Steve ultimately succeeds against Hydra and in getting through to Bucky by shedding his modern trappings and affiliations and going back to what he always was, complete with the old outfit and the shiny clean shield. Steve Rogers reminds us of the ideals America is supposed to stand for. Freedom, justice, honor, and truth. He makes us want to be more like that. Take a note, DC; this is the kind of thing you should’ve been doing with Superman. This is how you make a paragon character we can still be deeply invested in even as we look up to him. (They did a pretty good job with Diana, but the real test will be how she adapts in a more modern stand-alone film.)

Another great thing about this is that they kind of dumped all the side characters from Avengers into Steve’s story. As the First Avenger and as a man out of time, this a brilliant way to give him a new supporting cast without it being jarring and forcing us to spend a ton of time getting to know everyone. We already know Fury, Nat, and Maria and like them, so we’re perfectly prepared to watch them being awesome without feeling like it takes something away from Steve. We know the World Security Council. We know SHIELD. And then there’s Peggy, the Smithsonian exhibit, and Bucky that are all from Steve’s time. It’s a very solid foundation onto which we can add Sam, Sharon, Pierce, and Runlow. It just works so well. And Hydra manages to be even more frightening as an evil organization than it was in the first movie, when it was honestly kind of silly. (So many bonus points for how that played out in Agents of SHIELD, too. As far as I’m concerned, that was when the show finally got good, and it has steadily gotten better since.)