#the 100 1x02

[forbescaroline]

TOP 5/10 CHARACTERS PER SHOW (as voted by my followers) ↳ the 100 edition #2. Bellamy Blake portrayed by Bob Morley

[blodreina-noumou]

"your life can be more than just impossible decisions and a tragic end. you can choose to live."

I know it takes them five more seasons to figure this out - and that's if we even accept that they DO figure it out, which I find questionable tbh - but I do love that Wells gets one of the first big quotes, a sentiment that will be echoed by a major league players later, like Lexa and Monty.

It's just a nice little anchor to season one that persists throughout the show, arguably the show's biggest theme, and having it come from Wells' mouth first roots the story in that youthfulness of the original Hundred that got sent down and set this whole story off in the first place.

[scarringstars]

bellamy blake in every episode: earth skills

[gifpercabeth]

100 DAYS OF PERCABETH ↳ Day 17

[craqueluring]

i'll write a proper long post about this thats more detailed eventually, but another deliberate way hannibal manipulated will in s1 is by blurring the lines between their therapy sessions conversations about will's emotions and killers' emotions/motivations.

for example:

will is frantic and traumatized by his hallucination of killing the girl that georgia madchen killed in 1x10. hannibal responds to that, then relates will's experience to the killers experience. uses the word delusion as a bridge. this prompts will to dig further into the killer's head. while he's responding, will is closing his eyes and staring off into the distance, as if he is seeing what the killer is seeing. then, using the word lonely as a bridge, he brings the subject back to will.

hannibal does this constantly.

even in episode two, the second time they had ever been alone in hannibal's office together, hannibal does this.

will is frantic and traumatized from his hallucination of hobbs in the grave of one of the mushroom garden people. hannibal just barely talks him down from it, then instantly changes the subject to the killer. forcing will back into the killer's head. then changes the topic to will again. blurring the lines between them, again, and again, and again.

[rhcenyra]

― Thomas Merton, Love and Living

[okmcintyre]

Clarke's been out of solitary for two days & she's already fed up™

[bisexualseraphim]

Enough of the TERF bullshit. Time for Episode 2!!!

[winnie-the-monster]

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[forbescaroline]

TOP 5/10 CHARACTERS PER SHOW (as voted by my followers) ↳ the 100 edition #3. Raven Reyes portrayed by Lindsey Morgan

[blodreina-noumou]

ah fuck, I forgot how close Octavia and Lincoln get to reuniting and how far they still have to go :(

[scarringstars]

every clarke griffin scene: 25/???

[gifpercabeth]

100 DAYS OF PERCABETH ↳ Day 8

[ofthebrownajah]

Show only tweet I just saw:

I'm a show only and I'm half way through s1 and they should've already explained what the point of the Dragon is.

Maybe I'm misremembering s1 but was it not addressed in literally every episode in s1? Including the first half?

1x01: Moiraine explains that the previous Dragon and his 100 Companions broke the world in the previous Age. She tells the EF5 that one of them is the Dragon

1x02: Rand talks about how it's said the Dragon will either save or destroy the world

1x03: Dana tells Rand and Mat how the Dragon has the ability to help end all the suffering in the world and break the Wheel (granted she is a Darkfriend and is an unreliable source but she's telling the truth about Ishy's endgame though the audience doesn't know that yet)

1x04: Logain says the Dragon is meant to save the world or destroy it and how the last Dragon broke the world but he means to bind it. Again, maybe some people don't see Logain as a reliable source but when he talks to Moiraine she doesn't contest it just tells him he's not the Dragon

Oh and Alanna talks to Moiraine about how what would happen if they Gentled the Dragon Reborn before he led them against the Dark One in the Last Battle.

There's plenty here in just the first 4 episodes so I'm confused as to what more this person wants? (And I'm probably missing some things too)

Are people just not paying attention, want everything spoonfed to them, or want all the lore explained right now immediately?

[flyinghome-againstthewind]

Wednesday 100: Easily Mended (1x02 au)

Jamie had avoided his wife’s gaze when he volunteered to take the girl’s punishment in the hall — knew well enough what Claire would think of that choice. Yet when it is done, Dougal and Rupert are on the receiving end of her withering look while she and Murtagh escort him out. He’s grateful that she tends to his injuries with diligence, if not gentleness.

“I’m sore,” he explains, “but I’m not hurt.”

It’s only then that Claire softens. “You’re an idiot, James Fraser.” She kisses his forehead, the only part of his face that isn’t aching. “But you’re also kind.”