playing Apollo Justice on release must’ve been fucking insane. A couple years pass since trials and tribulations, there’s a new game but it’s following some other guy huh that’s odd he must be a student of phoenix’s. Cool I guess. Hold on- is that?? Is that him?? It’s him!! He wHAt? What happened?! He’s not a lawyer?? It’s been sEVEN YEARS?!? And he plays poker?! Where is edgeworth?? Who are these people?? He has a daughter?! Who is this guy? What happened seven years ago?! .. like man what was that even like I can’t begin to imagine. How did people react to the phoenix disbarment news? It’s crazy for me playing right now when I already know all of this like what was it like playing ace attorney in 2007
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ive got to say, i think the biggest difference between TMA and TMAGP is subtlety. it makes sense -- no-one knew what was going to happen in TMA, so they were able to have more subtle details. but in TMAGP, most of the audience knows what happened in the world it is related to. they know about the fears and what to expect of avatars and how to recognise them, etc. most people know the basics. so its not much use being subtle about it.
and we can see this in things as simple as the intro music. TMA was violins that put you on edge without really telling you why, but TMAGP is much louder and sudden -- much less elegant and more abrasive and menacing.
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part of the reason the locked tomb characters are so memorable and complex is because they are very, very weird in the way only writers who understand that every human being is a little freak in their own way. harrow is the standout example of this—she is unnerringly pious to the rites of her religion in a way that to others comes across as zealotry but once we get into her point of view is revealed to be both, yes, because she is a zealot and also because the rituals and safety of painting her face, praying, etc calm her down. she eats penitently because she actually hates strong tastes. she is both schizophrenic and quite literally haunted, facts that recontextualize her behavior in gtn in an important way.
gideon is a butch and this universe’s version of a jock, and the first thing we see her do is try to escape harrow and the ninth and join the army (something that’s forgotten a little too often when people talk about her being “out of character” in ntn) because she wants to have a purpose, but we also come to learn that despite being raised in the literal dreariest place in the solar system she’s funny, sometimes even on purpose. she doesn’t know what a salad is. she reads sleazy porn magazines. she’s a talented swordswoman but is head over heels for every pretty woman she meets, to her own detriment at times.
every character is like this! they feel so real and complex because they have contradictions and weaknesses and opinions and incorrect beliefs and correct ones that are hard to tell the difference between.
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Thinking of how "left me like a book on a shelf" is from River's POV and therefore does not mean it is the entirety of the story much like how "the Doctor does not and has never loved me" was uttered from a River who was grieving.
Like the Doctor could have spent a long time putting the TARDIS in stationary orbit around the Library. The Doctor could have puttered about with the Library from years before it was shut down to ensure that everything would go smoothly while doing his best not to change a single thing. And on days when it is too hard, he just stares at the Library from his perch on the TARDIS door. Waiting, hoping, thinking. Trying to find a way out for her. For them.
And he does!
He finds a hundred ways to get her out of the data core. But...something always goes wrong. It's somehow never good enough. She's back, but she's not entirely there.
So he scratches it out, slaps himself, and tries again.
And again.
And again.
But his plans always fail.
But they don't. Not really. His plans could work. Could have worked. His beloved Sexy would help him. She'd always help him when it comes to her Water. But he was too scared. Too frightened of failure. Because one single mistake. One. Single. Mistake. And she's gone. He can never get her back. Forever.
So he runs. And runs. And runs. Until centuries has gone by and companion come and gone. Until he met a younger, more alive version of her. And then they had Darillium. And oh the joys of wonderful joys, what a night that was.
But things end. Even for him. They had to part ways again. Had to say goodbye. So he tries again. Picks up what his previous self had shelved. He tries. Oh how he tries.
But still. That fear exists. Is it worth it? Can he finally accomplish what he'd started a literal lifetime ago?
(He doesn't.)
Off on another lifetime with a new body. He's a...she now? Oh and shorter! Wow. That's new! I wonder what Ri–
On the rare moments she allows herself to succumb to sleep she goes to their his her study. She takes a moment to take everything in. It's unrecognizable now – the study that once was theirs filled with warmth and laughter and-
Every single space was taken. Covered by plans of plans of plans spanning...two...lifetimes now. Sexy still kept it just as it was the last time he she had been in there.
Their His Her favorite throw was still where it was – on their his her favorite corner of their his her favorite couch.
Nothing had changed but everything had changed.
She curled up and buried her face hoping it would still smell of her (It did. They never knew how it worked but somehow her smell still lingered anyway. They thought they were hallucinating at first but other people had been able to smell it too. Sometimes they forget but Sexy also lost her too).
She was a he again. The same face they had four lifetimes ago. The same face who was the first to keep the memory of their meeting.
But wh- what? Why? How? Is this it? Is this the body that finally brings her back home? A fitting act really. He put her in there and so he'll also put her out of there.
But... she wasn't there. Nothing was there. Nothing but chunks of debris and ashes and smelted...somethings.
When he blinked his eyes open (when had he closed them?), Donna's worried face greeted him. He blinked again and blinked. Nothing changed. Everything has changed. He had waited for far too long. He had made her wait for far. too. long. He feared of failing her but now he actually has failed her.
Everything was bland now. Was it just him or is everything a bit...on the side of grey? Donna looks at him like he might break. (He won't. He's a Time Lord. Time Lords don't break.) Even Sylvia had taken to treating him a bit more kindly.
He goes off alone with Sexy. His return to the Noble-Temple (Temple-Noble) household becomes fewer and further in between. One day he finds himself in Venice. Wonderful Venice. His Pond and her Roman (who wasn't yet a Roman) had gone here. There were vampires. And running and –
River?
No silly. River wasn't there.
He blinked. And blinked again. Made sure the sky was blue and the clouds still fluffy white. But was that his leather jacket that just whizzed by past him? Wait. Hold on. That was... Was that? Oh no. It wasn't. It couldn't be. Did they? No. They couldn't have.
But of course, apparently they did. Because that was actually his leather jacket wearing self that just passed by him again(?) tugging along his very-much-not-dead wife along running from... Hold on. Why are they running? What- Who's shooting at her?!
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