#that's quite sad

[agathazinha2009]

A Crazy team

the fact the episode is called "Ton-Ton and Skrap-it" just give me the Ty and Revvit episode vibe.

but here is two buddies that are on opposite sides, that's quite sad tho.

[happyheidi]

𝖠𝗇 𝗂𝗆𝗉𝗋𝗈𝗆𝗉𝗍𝗎 𝗉𝗁𝗈𝗍𝗈𝗌𝗁𝗈𝗈𝗍 𝗐𝗂𝗍𝗁 𝗍𝗁𝖾 𝗇𝖾𝗂𝗀𝗁𝖻𝗈𝗋 𝖼𝖺𝗍

[slavhew]

hm

[theladyeowyn]

You shall live to see these days renewed. And no more despair.

requested by @the-mawp

[vakariaan]

ultimate ships challenge - [2/10] she cleans up nicely scenes

[spacerockband]

Legend tells of the carp that leapt over the Dragon Gate at the crest of a river and became a stand up comedian.

[otaku553]

Thoughts on being aroace

[gentlemanjuniper]

If I could inject just a little positivity to the news...

Season 2 has a lot of filler and stretches out a pretty simple mystery to six episodes. That's the appeal to some, I get it. But tightness and focus was not its strong suit. I remember feeling like it wasted a ton of time on side characters and it's possible shaving the story down to 90 minutes will skim things down to its most essential beats and be stronger for it. Basically, S2 got a lot of time given to it, and this is obviously my personal opinion but I don't think it used all of it well. I think S2 itself could have been half the length simply by employing more efficient storytelling and we'd not mourn too much.

A lot of S2's weaker plotlines feel built around people that Neil wanted to work with again, with so many recurring actors (I'm thinking of the zombies specifically, when that minisode could have easily been tighter without them). A lot of s2 to me feels like Neil just making work for the people he likes and wants to work with and a movie has to be more accountable to things like that.

Lots of entire fandoms exist around single movies. 90 minutes is not nothing. It's enough for many, many films to tell a complete story with cute character interactions and satisfying emotional arcs, especially when A&C are the only real significant connecting threads between both seasons thus far.

I don't think there are as many loose threads that absolutely need resolving as people may be thinking. Would I like to know why Aziraphale did the '40s apology dance? Would I like to see his bookshop gun? Sure. Are either of those necessarily essential to closing out the story? I don't think so. Really, what needs resolving is the second coming and, directly connected to that, Aziraphale and Crowley's rift. To me, not knowing the story obviously, that seems super reasonable to do in 90 minutes?

I don't think anyone involved in the final season can possibly be blind to the appeal of the show being Aziraphale and Crowley over anything else. That's certainly the reason why their roles were expanded to begin with from the book and why the second season was, nominally, all about them. They also now have to pay MS and DT for appearing in a movie rather than an ensemble show, there's no way they won't be front and center. Amazon wants a show that will make money and market itself; there's a reason why all the promo material for S2 was of Crowley and Aziraphale, because people engage with that stuff, reblog it, make art that promotes the show, etc. It makes no artistic or financial sense to make a movie that sidelines them.

GO is at its best when it has Terry's voice most strongly in it. That's why to me, S2 was a weaker, more meandering season overall (that, and I think the minisodes, while fun, just make the season feel comprised of different voices not always working in tandem towards a common goal). If I was a writer hired to condense a season into a film, and one of the authors had been rightfully disgraced, I would go out of my way to ensure the clearly Terry stuff is most significantly emphasized. It's telling to me that the Pratchett estate is producing and it's possible that the end result will result in more Terry, less Neil.

Think of it this way: everything we've gotten after S1 has always been extra. Imagine telling a fan of the book in the 90s that not only will you get a six episode adaptation, you also get a totally new second season, AND a movie?

Basically: I know this is disappointing but I think a lot of the pleasure of the Good Omens fandom was ALWAYS people picking up on and expanding on details, and y'all managed to do that just fine when A&C were only ensemble members in S1. You can and will do that with a movie too. And this solution both a) ensures first and foremost that Neil won't be involved or the allegations swept under the rug, and b) gives an opportunity for the heart of the story to be emphasized with greater focus, clarity and less filler.

Will we lose good stuff? Probably. But it's also possible we will get a tighter, more condensed, focused version of the best bits, the Terry Pratchett-est bits. I can easily see a 90 minute movie that, knowing they HAVE to focus on the important stuff now, is more Crowley and Aziraphale centric than ever.

[chiricat]

ryomina demons are winning

[divineandmajesticinone]

4 MINUTES (2024) I 1.03 "I didn't think you were like this. Like what? Like this..."

[plagalkey]

ENERGETIC ⚡️

you make me feel so high

[lefthandarm-man]

COUNTDOWN TO STEVE'S 106TH BIRTHDAY

posting my favorite steve things to celebrate!

day 4: his 🥺 face

[lokiswifeduh]

Long Night

Pairings - Roommate!tfatws!Bucky x Fem!Roommate!Reader

Summary - You've been stood up twice in a row now. Bucky is tired of seeing you disappointed. So he takes you on a date.

Warnings - angst, being stood up, angry/annoyed bucky

Notes - I'm horrible at summaries, I know!! This happened to me a couple days ago, wishing I had a Bucky to take me on a date in Brooklyn right about now! Not proofread so lmk if there are any mistakes! Thank you for reading loves!!

WC - 1,750

masterlist

"Whatcha gettin' ready for, doll?" Bucky leaned on your bedroom doorframe, watching you straighten your hair in the mirror on top of your dresser.

"I have a date." You smiled, not noticing the slight drop in Bucky's smile.

"Oh, with anyone I know?"

You shook your head. "His name's Nash. Someone Sam set me up with," You explained. "He's supposed to pick me up in twenty minutes."

Bucky internally rolled his eyes. The guys Sam hung around with were nice, yes. However, he never got the guts to take you out on the date you deserved. A date with him.

"Are you sure you want him picking you up?" Bucky asked, making you look back in confusion. "I mean you don't know him that well... You could meet him there or uh, I'll drop you off." You let out a small laugh, "Yeah Buck, I'll just have my male roommate drop me off at a date, that'll go over well."

Bucky shrugged. He walked away from your bedroom to grab a beer from the fridge before sitting on the couch. He turned on whatever channel didn't require him to use the remote too much before slouching into the cushions.

Twenty minutes passed by when you slipped out of your bedroom, shutting the door behind you.

"Wow, doll. You.." Bucky's eyes widened slightly, "You look great."

You grinned, looking down at your outfit. It was basic but it was the most comfortable yet fashionable outfit you had. Black flared leggings with a sage green sweater and some white sneakers. It was simple yet appropriate for a late-night-diner date.

And to top it all off your makeup had cooperated for once. Both eyebrows looked like twins and not sisters. Your highlight was perfect, shimmering, but not too much. And you had the perfect lipgloss that made your lips look sunkissed. Perfect.

"He should be here any minute!" You sprayed some perfume, your favorite vanilla scent, and went to sit in the armchair across from the couch.

Bucky hummed, keeping his eyes on the Tv, taking another sip of beer.

However, twenty more minutes went by and Nash hadn't texted you, hadn't called, and hadn't shown up. Bucky was starting to feel bad and you could tell by the pity looks he kept throwing your way.

"He uhm," Bucky cleared his throat, "Maybe he hit traffic. You know, with it being New York and everything." You nodded, trying to hold onto at least a small bit of hope. "Yeah, traffic." But then another forty minutes went by and he still hadn't even texted.

And then another hour.

And another hour.

By the time Bucky finally turned off the Tv it was three and a half hours since the time Nash was supposed to come pick you up.

You were still sitting in the armchair, having dozed off with a couple tears streaked down your face. Ruining your once-perfect makeup.

Bucky sighed, silently cursing Sam even though he knew it wasn't his fault.

"Alright, doll," Bucky whispered, placing his metal arm behind your back, and lifting your legs with his right. You groaned awake, holding your phone in your palm as you wiped your cheek. "What time is it?" Your eyes shoot open, "Did he show up?" Bucky placed you in your bed, handing you one of his t-shirts you had stolen a while ago. "No, doll. I'm sorry." You stripped your shirt off to change as Bucky went into your bathroom, grabbing a couple of makeup wipes.

"Here." He softly spoke, hating your distraught and disappointed expression.

You wiped your makeup off, shedding a couple more tears in the process. The tears dripped from your cheek to the grey henley Bucky had given you. "It's okay. Maybe he was just busy." Bucky wanted to roll his eyes. He wanted to tell you that any respectful man, any gentleman wouldn't have done what Nash did to you. But he kept his mouth shut, opting to hum in your favor, and threw the makeup wipes in the trash when your face was completely bare.

"Goodnight, Doll." He placed a kiss on the crown of your head as you hummed in response. "Goodnight, Buck."

---

A couple days later, you finally got a text back from Nash.

"Bucky I was right!!" You came sliding into the kitchen, your socks making it easy to ice-skate on the smooth wood floor.

Bucky chuckled at your ability to skid so gracefully without falling. He had tried it once but vowed to never do it again after he slid into the dining room table. You would never let him live it down.

"Right about what, doll?" Bucky flipped the pancake, adding some vanilla to the dough.

"About Nash! He actually was busy!" Bucky quirked an eyebrow. Wondering why he had waited this long to text you back. Six days to be exact. "Did he say with what?" Bucky turned back to making breakfast.

"He said he got busy with work, and that something at work pissed him off so he didn't wanna see me while he was upset." You explained what Nash had told you.

Bucky had never wanted to hit someone in the face so hard.

Well, actually that wasn't true. But he did want to sock Nash in the face for standing you up and giving you a half-ass excuse days later.

"I mean that explains things, yeah..." Your brows furrowed at Bucky's flat tone. "Do you not believe it?" Bucky sighed, pulling the milk and eggs from the fridge as you sat on the countertop. "It's not that I don't believe it, it's just that it kinda seems like he forgot and or didn't wanna see you so he made up an excuse a little less than a week later to not seem like a dick." You nodded, taking in the information. Bucky couldn't sense your reaction quite yet, seeing how you were just staring at the ground with your hands in your lap, swinging your legs in the air.

"I mean, I'm seeing him tonight. If everything goes well after then I'll know it really was true."

"You're seeing him again?" You nod, "But this time I'm meeting him at the fourth corner Bakery. And I'm meeting him earlier this time, around noon."

Bucky looked over at the clock, seeing it was already 10:45. "Well you better go get ready," He said almost reluctantly, "Breakfast will be done before you need to leave."

You smiled, hopping off the countertop as you gave Bucky a quick kiss on the cheek. "Thanks, Buck. You're the best!"

He smiled, but then remembered he's only making you breakfast before you go on a date with a guy who's already stood you up once. Rolling his eyes, he scrambled the eyes, listening to your music in the other room.

---

You had already left for your date three hours ago when Bucky decided to go over to see Sam. His excuse was wanting to discuss the next mission they were due to go on in a week. But he just didn't want to sit at home all day, thinking about how you were on a date with another guy.

However, before he could reach Sam's he had to pass by the bakery where you were meeting Nash.

Yet when he looked through the window, there you were, sitting all alone at a table for two, eating a piece of cheesecake. No Nash in sight.

An internal war started in Bucky's mind. Should he go in and see if you were okay? Or should he believe Nash was in the bathroom and you were just sitting by yourself for a minute or two?

But then he noticed the solemn look on your face. The way your fork poked at the half-eaten cake. And that was your favorite kind. Bucky mumbled a soft curse, opening the door to the bakery and making his way over to you.

Without words, he sat down, his gloved hand resting on the table in front of your plate. You kept your head down, not quite looking at Bucky but knowing he was there.

"He didn't show, again." You mumbled. If Bucky didn't have super soldier hearing he doubted he could've heard what you had said.

"I know, doll. I'm sorry." You finally looked up, tears in your eyes which made Bucky's heart clench. "Why me, Buck? Why am I the one who's alone?" Bucky stayed silent, knowing you needed to vent.

"Am I unlovable? Is that what it is? Why does every single one of my friends get to find the one? Get to fall in love, get married, and have kids and I'm the one without someone?!" Your outburst made some other customers look over in concern.

You groaned, resting your head on your hand and hiding your face from the rest of the bakery. "I- uh, I'm not sure, doll. But I know one thing.. you're not unlovable. You just haven't found the one who wants to take the effort to show you how effortless you are to love."

You looked up at Bucky, fresh tears gleaming in your eyes. You had never seen him look so vulnerable before. He usually grumped his way through emotions. But not with you, not anymore.

He gave you a sad smile, clearing his throat before he stood, "Y'know what, doll. Let's go." He held out his hand. You looked around, "Where are we going?" Bucky took your palm in his gloved hand, "It's a surprise." You laughed, before standing and throwing the rest of your soggy cheesecake away. "You know how I feel about surprises." "Okay, I'll give you a hint." Bucky opened the door for you, making sure to walk on the side of the road with the bustling cars and traffic. Bucky called a taxi, opening the door for you. "You're about to have the best date of your life." You stared at him in awe before laughing and climbing in the taxi. Bucky's knees barely fit as he scooted in next to you. The driver asked where to go as Bucky licked his lips, "Brooklyn, please." You smiled, "Brooklyn?"

Bucky nodded, throwing an arm around your shoulder. "I may be old but I still know some good spots to take my best girl on a date." A blush rose to your cheeks as you looked over to him. "Your best girl?" Bucky nodded, picking up your hand with his metal one before leaving a soft kiss on your knuckles. "Always and forever, doll."

---

masterlist

[cenvast]

"Toshiro Is Sexist," "Toshiro Owns Slaves": What's Really Going on With This Guy?

I've seen a lot of debate on whether or not Toshiro is problematic because he's a slave owner or because he's sexist in the context of his crush on Falin. While I do want to examine his relationship to Falin, I'd like to take a few steps back and unpack his upbringing first. We'll dive into the gender and class dynamics he was raised with and how it impacts his behavior in the main storyline.

Like all people, Toshiro is shaped by the environment he grew up in. Toshitsugu, Toshiro's father and the head of the Nakamoto clan, is the most impactful model of authority and manhood in his life. Toshiro does recognize some of his father's flaws and tries to avoid replicating them. But whether or not he emulates or subverts his father's behavior, Toshitsugu is often the starting point for Toshiro's treatment of others, particularly marginalized people.

The Nakamoto clan exists under a patriarchal hierarchy with Toshitsugu at the top. As noted by @fumifooms in their Nakamoto household post, his wife has more authority than Maizuru. She's able to ban Maizuru from parts of their residence, but despite disliking his infidelity, she can't divorce him or stop him from cheating on her. Their marriage is not an equal partnership.

On an interpersonal level, Toshitsugu and Maizuru also have a fraught relationship. While she does seem to care for him, she's often frustrated by his thoughtless behavior.

For example, he drunkenly buys Izutsumi for her — without considering how she'll have to raise this child — and invades her room in the middle of the night. When he cryptically says, "It's all my fault," she replies, "I can think of a lot of things that are your fault." She calls him an "idiot" and "believes that [Toshiro] will grow up to be a better clan leader than his father," implying that she takes issue with Toshitsugu's leadership.

Because Maizuru and Toshitsugu are described as being "in an intimate relationship" and "seem[ing] to be lovers," Maizuru appears to be a consensual participant. Still, this doesn't negate the large power imbalance between them as a male noble clan leader and his female retainer. This imbalance introduces an insidious undertone to Maizuru's frustration with Toshitsugu. Like Toshiro's mother, Maizuru doesn't have the agency to do as she pleases in their relationship; he has the ultimate authority. For instance, she doesn't seem to want to raise Izutsumi, but she has to anyway.

While Maizuru's role as Toshitsugu's mistress is significant, she's also the Nakamoto clan's teacher and Toshiro's primary maternal figure. She cares deeply for Toshiro: tailing him, feeding him, and taking responsibility even for his actions as an adult. While it might seem sweet that she cares for him like a son at first, Maizuru was notably fifteen years old at the time of his birth. In the extra comic below, he's six years old and has already been in her care for some time. Even if we're being generous and assuming that she didn't start raising him until he was six, she was still only twenty-one at the time she was parenting her boss/lover's child with another woman.

Maizuru's roles as mistress and maternal figure, in addition to her role as retainer, demonstrate the intersection between gendered and class oppression in the Nakamoto household. Despite her original role being a retainer trained in espionage, Toshitsugu presses her into performing gendered labor for him and eventually, Toshiro. She's expected to be Toshitsugu's lover, perform emotional labor for him as his confidant, care for his child, and carry out domestic tasks like cooking. She says, "Even during missions, I was often dragged into the kitchen." If she was a male servant, I doubt she would have been expected to perform these additional tasks. She can't avoid these tasks either, stating that her "own feelings don't factor into it."

Toshitsugu disregards his wife's and Maizuru's desires and emotions to serve his own interests. Because he has societal power over them as a nobleman and in Maizuru's case, her master, neither woman can escape their position in the household hierarchy.

As a result, Toshiro grew up within a structure where men and male nobility, in particular, wield the most societal power. The hierarchical nature of his household and society discourages everyone, including him as a clan leader's eldest son, from questioning and disrupting the existing hierarchy.

The other Nakamoto household members also internalize its sexist, classist power dynamics.

For example, Hien expects that she and Toshiro will replicate the uneven dynamics of the previous generation, regardless of her personal feelings. She sees her and Toshiro's relationship as paralleling Maizuru and Toshitsugu's relationship; she is the closest woman to Toshiro and his retainer, so she's shocked when Toshiro doesn't attempt to begin an intimate relationship with her. Notably, she doesn't have actual feelings for him. Her expectations are centered around the household's precedent of placing emotional, sexual, domestic, and child-rearing labor onto the female servants without any regard for their personal desires.

Hien also probably knows that her position in the household will improve if she is Toshiro's lover because she's seen it improve Maizuru's position. However, the fact that being the future clan leader's lover is the closest proximity she, as a female servant, has to power further reveals the gendered, class-based oppression she and the other women live under.

It's important to note that the Nakamoto clan bought Benichidori, Izutsumi, and Inutade as slaves, so they have less power and agency than Maizuru and Hien. The clan further dehumanizes Izutsumi and Inutade as demi-humans; their enslavement contains an additional layer of racialization.

Toshiro isn't oblivious to the gendered, class, and racial power dynamics of his household. He tries to distance himself from participating in its exploitative power structure. He walls himself off from Hien, who he's known since childhood, to avoid replicating his father's behavior and making his servant into his lover. He disapproves of his father's enslavement of Izutsumi and Inutade, and he lets Izutsumi go when she runs away in the Dungeon.

But does any of this absolve him of his complicity in his household's sexist, classist power dynamics and racialized slavery?

The short answer is absolutely not.

Despite his distaste for his father's exploitation of his servants and slaves, Toshiro still uses them. He refers to his party as "his retainers," and he has them fight and perform domestic tasks for him. You could argue that Toshiro doesn't like to and thus, doesn't regularly use his servants and slaves. In the context of him asking his retainers to help him rescue Falin, Maizuru says, "The only time he ever made any sort of personal request was for this task." But it shouldn't matter whether exploitation is a regular occurrence or not for it to be considered harmful. Toshiro asking Maizuru to cook him a meal still constitutes asking his female servant to perform gendered labor for him. He's also very accustomed to her grooming and dressing him.

Maizuru sees feeding, washing, and even advising Toshiro romantically as fulfilling Toshitsugu's orders to care for his son. They aren't fulfilling a "personal request." But just because her labor has been deemed expected and thereby devalued doesn't mean that it isn't labor or that she isn't performing it.

Maizuru's dynamic with Toshiro is also complicated by her role as his maternal figure. She loves him and wants to take care of him, and she doesn't have a choice in the matter. During Toshiro's childhood, the onus was on Toshitsugu to cease exploiting his lover and release her from servitude, but Toshiro is now an adult man. Seeing as how Maizuru defers to his wishes and calls him "Young Master," they still have a power imbalance that he's passively maintaining. Ideally, he would not ask anything of her until he has the authority to release her from servitude.

Throughout the story, Toshiro acts as if he has no agency and quietly disapproving of his father's actions absolves him of his participation in maintaining oppressive dynamics. While his father still ranks higher than him, he's essentially his father's heir. He has much more power than Maizuru, the highest-ranked servant. At the very least, he could leave his slave-owning household.

Unfortunately, his refusal to confront injustice is consistent with his character's major flaw: he does not express his opinions, desires, or needs. While this character trait obviously hurts his friendships, it also furthers his complicity in the injustices his household runs on.

Toshiro's relationship with eating food — the prevailing metaphor of the series — also parallels his relationship with confronting injustice. Maizuru mentions that he was a sickly child, so the act of eating may have been physically uncomfortable for him. As an adult, his refusal to eat crops up during his rescue attempt of Falin. Denying himself food might have been punishment for not accomplishing important tasks like rescuing Falin and/or a way to maintain control over something in his life when he felt like he'd lost control over the rest of it, again in the context of losing Falin. (Note: I suggest reading this post on Toshiro's disordered eating by @malaierba.)

But he cannot and does not avoid consuming food forever.

Similarly, Toshiro keeps his distance from his retainers and tries not to use them until the Falin situation occurs. His efforts to avoid exploiting his retainers amount to inaction — things he doesn't ask of them or do to them. But his inaction does nothing to dismantle the existing hierarchy that places his retainers under his authority, denies them agency, and often marginalizes them as not only servants or slaves but as women, and he ends up using them as servants and slaves anyways.

Returning to the narrative's themes of consumption, Toshiro cannot avoid eating just as he cannot avoid perpetuating the exploitative system of his household. The Nakamoto clan consumes the labor and personhood of those lower in the hierarchy. The retainers' labor as spies and domestic servants is the foundation of the clan's existence. Thus, the clan consumes their labor to sustain itself.

Within this hierarchy, the retainers' personhood is also consumed and erased. As Izutsumi describes, they are given different names and stripped of their agency to reject orders or leave. Maizuru and Hien also say their feelings are irrelevant in the context of Toshitsugu's and Toshiro's wants and needs. Both women are expected to comply with whatever is most beneficial and comfortable for the noblemen. Clearly, despite Toshiro's detachment from his household's functions, these social structures remain in place and harm the women under him.

Although we know the Nakamoto clan has male retainers, the choice to highlight the female retainers seems intentional. We're asked to interrogate how not only being a servant or a slave in a noble household impacts a person's life and agency, but how being a woman intersects with being a member of some of the lowest social classes.

Toshiro only distances himself from his father's behaviors of infidelity and exploitation so long as it doesn't take Toshiro out of his comfort zone. He doesn't free his slaves. He's far too comfortable with his female retainers performing domestic labor for him, and he barely acknowledges their efforts; they're shocked when he thanks them for helping him save Falin. He hasn't unpacked his sexist (or classist or racist) biases because he perpetuates his household's oppressive hierarchy throughout the narrative. Considering all of this, he inevitably brings this baggage to his interactions with Falin.

Falin is presumably one of the first women he's had extended contact with that isn't his relative or his family's servant. Because of his trauma surrounding his father and Maizuru sleeping together, he understandably falls for a woman as disconnected as possible from his father and his clan. He seems to genuinely like Falin, respects her boundaries, and graciously accepts her rejection. His behavior towards her is overall kind and unproblematic.

But if Falin had gone with him, she would've likely been devalued and sidelined like the other women of the Nakamoto household. No matter how much he loves Falin, simply loving her cannot replace the difficult work of unlearning his sexism. Love, of course, can and should be accompanied by that work, but by the close of the narrative, we gain little indication that Toshiro acknowledges or seeks to end his part in exploiting and devaluing women and other marginalized people.

A spark of hope does exist. Toshiro expressing his feelings to Laios and Falin suggests that his time away from home has encouraged him to speak up more. Breaking his habit of avoidance may be the first step towards acknowledging his complicity in systems of injustice and moving towards dismantling them.

Special thanks to my very smart friend @atialeague for bringing up Toshitsugu's relationship with Maizuru and the replication of dynamics of consumption and class! <3

[skunkes]

[musubiki]

daily musings of officer goldwood