#that’s literally a line from a different fandom but it applies here way too much

[fae-of-prey]

peace was never an option in this fandom

not a moment of peace on this godforsaken app

[miraculouslbcnreactions]

Hello! What do you think about Natalie, her writing and fandom treatment? I find it fascinating that despite all the evil, she has so many fans, and even those who salt on ML and the Agrestes heavily often portray her as cool and/or sympathetic.

Prior to season five, I had mixed feelings about Nathalie. I like badass female villains, but I don't like women being idiots over men. Those were her two defining traits in season three and four, so my attitude was mostly, "can we please switch her motivation so that I can love her? I really want to love her because, if we remove the romance crap, then she reminds me of Shego and the world needs more Shegos!"

Then season five hit....

I utterly despise Nathalie's season five writing and think it makes her look weak, cruel, and ineffectual. I have no idea why so many people adore her and are excited that she's Adrien's new mom. She is not meaningfully better than Gabriel. In fact, season five Nathalie bothers me more than Gabriel. Why? Because Gabriel is the villain. He's allowed to be villainous. When Nathalie was a villain, the same rules applied. But the show claims that she's good now and yet she does nothing meaningful to stop Gabriel even though she could have.

Nathalie lives in the Agreste mansion, knows all of Gabriel's secrets, and has access to his secret lair. We also see her pin Gabriel to a table, undo his senti commands, and boss him around without any retaliation. He just rolls over and takes it. This is not the setup for a weak willed woman who sits idly by crying woe is me because she has no true power, yet that's basically what Nathalie is in season five. The first part of the final even outright confirms that Nathalie knows Gabriel's ultimate plan:

(A Tsurugi Industries pop-up appears on the screen.) Ad voice: After months of research, Tsurugi Labs have found the antidote– Nathalie: (Swipes the pop-up away.) He's going to finally do it...

So why didn't she find a way to contact the heroes and tell them what was going on? Why did she wait until she was dying to do something? Right after the above line, she grabs her crossbow and goes off to find Gabriel in a moment that made me roll my eyes. It's such blatant pathetic fan service. Only now when Nathalie is too weak to make a difference is she finally allowed to make a token effort to stop the man that she's been babying all season.

If Nathalie was allowed to be the kind of character they wrote her to be, then she would have acted much sooner and to greater effect. For example, imagine if her akumatization was just a ruse to get to the heroes. Once she loses and Gabriel can no longer see what's going on, she calls on the heroes to wait and then tells them everything, offering to help stop Gabriel. That's the kind of shit I'd expect from Nathalie's character.

Instead she just lays around in bed and occasionally pleads with Gabriel to change his mind like in this scene from Intuition:

Nathalie: Gabriel, you may only have a few weeks left like this... and I don't have much more than that. Maybe it's time to stop chasing after the Miraculous and start looking for a solution for Adrien. Make sure he's not alone once we're gone. (Hearing these words, Gabriel's eyes start to fill with sadness. Nathalie places her hands over Gabriel's.) Nathalie: Do it. For Emilie.

Nathalie, you have known this man for literal decades. Why do you expect this to work? Wake up and take charge, woman! Tell Adrien yourself! Help the heroes! Right your wrongs! You are literally dying! What do you have to lose? She honestly comes across pretty hypocritically here because, as she pointed out, they are both actively dying, which will leave Adrien alone, and yet Nathalie also does nothing to prepare Adrien for that. She just wrings her hands and hopes that Gabriel will do the right thing for both of them and I just... GAHHHHH!!!

The only semi-meaningful thing that Nathalie does in season five is undo Gabriel's commands, but that's literally just her maintaining the status quo. It's only there so that the writers don't have to deal with the senti stuff having any real consequences beyond delaying the Adrienette kiss a few episodes. Nathalie isn't trying to free Adrien or get his rings into safe hands before her death. She's just withering away and listening to Adrien talk about Marinette while knowing that he will soon lose everything. It's legitimately upsetting to me.

The anger some people feel about Marinette's actions at the end of the final is how I felt about Nathalie for all of season five and Nathalie is a freaking adult who has known everything for years. Matinette only knows the truth in a context where she can tell Adrien for about two on-screen minutes and that's assuming that Marinette figured out that Adrien is a sentimonster from context clues which she may not have! No one ever explicitly told her the truth and she had a lot of things thrown at her in rapid succession. I would not be stunned if season six reveals that she's still in the dark.

Nathalie is not sympathetic. She has had full agency and knowledge throughout the entire show. She has never been forced to do anything. She is the only peacock wielder to wield it knowing that she would die. She willingly supported Gabriel even when it put Adrien at risk. She outed Adrien's identity in Chat Blanc. She snapped away sentiBug! She's a great villain! She is a piss poor maternal figure.

The final annoying thing about her season five writing is that her "changing sides" makes no sense! She has no idea why the time travel plan failed and her own FIRST HAND EXPERIENCE is that Gabriel will put those he loves before defeating Ladybug (see: Ladybug where Gabriel chose Nathalie over winning). It is such a glaring example of bad writing that it infuriates me! This is the exchange I'm talking about:

Nathalie: (on-call) Gabriel, did it work? Gabriel: No, Ladybug tricked me! She stole the Time Miraculous from me! (Nathalie coughs from her sickness.) You have to help me! Come up with a new plan! Ladybug can’t get away with this! Nathalie: (on-call) You had the Time Miraculous. You could’ve chosen to save Emilie! You could’ve chosen to save me! (coughs) But instead, you chose your obsession with Ladybug and Cat Noir. You're insane, Gabriel!

Please remember that Nathalie has been helping him behind the scenes since the start and is fully aware that every plan he's ever made has failed even though she considered many of those dozens-if-not hundreds-of-plans brilliant.

Gabriel: If it were to fail Nathalie, I could never forgive myself. Nathalie: You made a promise to your wife. You've risked so much for the chance to bring her back. (Hands Gabriel her tablet) Lila has been harboring her rage against Ladybug for months, and today wherever she looks, she'll see the object of her hatred, and as predicted, her anger will reach devastating heights. Your plan is perfect, sir. Gabriel: And you're sure you want to do this? Nathalie: I will always be here for you. We will succeed.

Why is she suddenly so sure that this plan was different? What made her go from encouraging Gabriel to take risks to calling him insane? Why is she suddenly convinced that Gabriel can't possibly win and needs to focus on Adrien when she never said a word during the multiple akumas that directly threatened Adrien's life?

The meta reason is that the writers needed her to act as if she'd been watching the episode so that she wouldn't blindly support Gabriel anymore, allowing them to do the senti BS without it being meaningful to the story. The in show reason? I've got nothing. It is jarring to watch this while remembering that season four ended with Nathalie being given ownership of Adrien and willingly accepting that task, even going so far as to issue senti commands to "Adrien" to make him obey, which does not instill confidence in her parenting skills.

It's just so freaking infuriating. It would have been so much better if Nathalie was allowed to die and we got Emilie back. Nathalie did absolutely nothing to deserve a magical healing and I've been curious about Emilie since day one.

[basilone]

I want to hear your thoughts on fandom and the recent influx of the term content creation!

Well, anon, you are in luck! (Or not, depending on your definition of luck. 😉) I just so happen to have many Thoughts & Opinions™ about this. I will get wordy, this will get lengthy, and I will be social and put most of my thoughts under a readmore cut.

I personally try to avoid the terms ‘content’ and ‘content creation’ when talking about fandom works and a fandom’s creative pursuits nowadays. Occasionally, sure, it happens that it slips out anyway – it’s a term we’re all really used to using! – but I want to be as mindful about its use as possible. This is a personal decision on my account and I won’t get uppity about other people’s use of these terms, though.

But, Killy, you might say... why would you avoid using these terms? For me, here’s why:

Content is not synonymous with art;

Content creation indicates something different than art creation;

Fandom should not be subject to consumerism;

Fandom is about connection.

If all a fandom puts out is classified as content, that fandom is going to die.

Yeah. I know. Melodramatic much? I’m on my fainting couch here, folks. 😂 But let’s dig in, shall we?

You know, maybe it’s just the archivist in me that balks at the term ‘content’. Content is a data entry field in the archival system we use at my real-life job: literally speaking, this data entry field is where we put a brief summary of the document attached to that specific archival file. It contains information that tells you the key takeaways of what the document is about, but it will not contain the full text of the document itself. Content is one of the points of access for our archival search: I know what I’m looking for, so I put a few keywords into our search and it pulls up the relevant file. But what do I need, really need, in my line of work? It’s the document itself, not the data entry field. The document tells me the whole story that I need to be able to truly do my job well. The content-field is a cliffnotes edition of that story.

It’s the same way with the art we create in fandom. I’m gonna take myself as an example here, because I create a fair bit! (Shocking, I know. Local Tumblr cryptid sighting, more at 11. 😎) I spend hours writing fic. I spend hours sorting through screencaps before screeching at Photoshop for a lengthy amount of time. I spend days pouring over quotes, books, documents, photographs, tutorials, and other things that will help me create something cool. I apply color theory, art framing/perspective, narrative focus, and many other theories and techniques to my writing and my giffing. If I were to put my finished work or any of my WIPs in that same archive system, it would be the document within the archival file. The tags I use on my posts? Those are markers similar to the content-field. They tell you who my gifset depicts and from which show it is. They tell you which OC of mine my fic is about. My work contains these things I tagged.

But my creative work is not content itself.

Content is marketable, easy access, blurb-y stuff. Content is something you absorb within one minute flat. Content is the highlight reel. It’s what fills a page, something you’ll scroll past in a heartbeat, something that barely stands out in a long long long list of stuff. Content is what you consume on a lazy Sunday afternoon without ever being forced to read lengthy pieces, take in the details of what you see, pause mid-scroll to ponder the meaning of life, whatever else have you. Create content and you create a flash in the pan, a quick laugh maybe, before it fizzles back out again. Create content and it’s here today and gone tomorrow without anyone mourning its absence for too long.

Art should last longer than that, don’t you think? 😉

So when I see people put a fic request in an askbox and it’s phrased like “Speirs x spy!reader fluff” and that very same request makes its way into about ten more askboxes before the fandom starts comparing asks? I might be inclined to classify us all as slot machines. Put an ask in and out rolls a fic. Who cares which slot machine it came from? As long as you’ve got your painstakingly crafted fics that you consume the same way you do actual content, right? We, its writers, are just lucky if we get a pat of acknowledgement on our little slot machine head for our troubles, aren’t we?

When I see an overly detailed summary of what sounds like a full-fledged fic in an askbox and the demand is “write this for me”, I recoil from the screen and go “child, who the hell birthed you, were you raised in a barn?” out loud. If you can tell a story in the space of an askbox, consider asking for help to let that story – a story you own, a story that is more yours that it could ever be mine – grow into what it has the potential to be.

When I see fics and gifsets and other creations get likes but not reblogs, I mutter something about the state of fandom economy these days. We exist in a little fandom bubble. Our bubble can’t expand or blow from place to place without a little help from our friends. And you’re my friends, right? I know the follow-button says follow, guys, believe me, I’m not that far gone, but for me ‘follow’ means ‘friend’. 💚 You’re my buddy now. Suck it up. We’ll share a can of peaches. 🍑

When I see fics and other creations get reblogged without tags or comments attached, I die a little on the inside. I feel like a little Victorian orphan child going “please, reblogger, a little penny of thought for its creator, if it pleases?”. I feel like commentless and/or tagless reblogging is giving me nothing, nothing at all, about who you are.

And I want to get to know you! I want to know who’s in my notes. I want to know who’s scrambling through my MotA gifsets like a fat little raccoon inhaling its third helping of a box of jelly-filled donuts. I want to know who is adopting which character and why. I want to know that it’s your birthday, or that you had a bad day and needed a pick-me-up, or that you are locked in an Ikea at three in the morning reading my blog by the bright lights of countless Solhetta bulbs. I want to know that you love my OC Darlene but that you ain’t sure what the hell my OC Lottie’s got to do with anything. I want to know what tickles you – a turn of phrase I used, a color in a gifset, a little detail I captured that made me go !!!!!! on the inside while I was creating too – and I want to know what moves you.

What reaches into the soil of your being and nourishes you enough to blossom into whichever lovely self you can grow to be? What is precious to you? What comforts you in the dark nights of your soul, when all light feels like it’s faded out? What do you love, truly love? What feeling and thought and idea and love love LOVE do you consume – truly consume, head to tail, no takebacks – and what are you consumed by in turn?

Let me connect with you. Let me know the little internet scraps of you that tell me you’re a DeMarco girlie, or that you’re here for Hoosier only, or that you’re as feral and batty about Speirs as I am, or that you actually really can’t stand the one dude everyone else raves about. Let me know that you like angsty quotes on gifsets – feel free to yell at me for making you schedule an impromptu therapy session – or let me know you saw what I did in my fic there and you’ll be demanding compensation from me while you lie down and wail about it. Let me know you’re very into those lovely blues on a gifset (I know, SO good, right??) or that you are side-eyeing me because that close-up of your fave turned you into a little puddle.

Let me know what moves you, because I created these things with love. I created them because they moved me, too. I created them because I have a story to tell, somehow. I created them because the whole world is a string of stories and I want to pass the heart of them on to you. I created them not because I want to jump on a hypetrain that races past all the episodes and all the alternate universes and all the stories without stopping, but because I want to soak up the sun and point at something and tell you “look, isn’t this beautiful?”. I created them not because I am looking for a quick fix or a distraction or an escape, but because I want to give you something that nourishes you as it has nourished me.

That’s so much more than that quick flash in the pan, yeah? That’s so much more than what content could ever hope to be. That’s something that lasts beyond the clicks and gives you an ever-expanding horizon that leaves you wondering just what in the world is next.

Let me repeat point five: if all a fandom puts out is classified as content, that fandom is going to die. Because content doesn’t sustain you. Connection does. And connection? That happens with meaningful interaction. That happens when you stop getting followers and start getting friends. That happens when you treat all forms of art as something unique that can be precious to someone, rather than something to like today and forget about tomorrow.

Can I do a lil mic drop? Yeah. I think I’m gonna. Just this once. 🎤

[cookii-moon]

I think post DOTD Cole still deserves to be at least a tiny bit affected by his time as a ghost yk

Explanations!!

Ngl the fact that Cole literally defied life and death and we never talk about it makes me sad like cmon it’s so interesting we give Lloyd Oni dragon features and Nya water features but we NEVER talk about when Cole literally transcended the barrier of ACTUAL DEATH. He should get more than a scar that vanishes afterwards and some cool powers SO IM GIVING HIM IT because this fandom has a criminal lack of ghost Cole content

So yeah here’s my explanations for each thingy plus my headcanons slash fanon

You can find the exact lines and contents in the ID if you can’t read my messy handwriting or tell what my messy sketches are supposed to be dndfjhgfdhgi know I know it’s very bad anyways

first one is self explanatory, Kai’s worried about Cole because the guy was dead and came back to life, Cole denies it (no it’s not ship but idm if ur a lavashipper and want it to be ship you can tag it if you wanna) because he’s Cole ofc he’s gonna deny it he’s an idiot. Meanwhile we go on to list alll the ways it’s most definitely 100% affecting him.

first one. the Cole vision. BASICALLY I follow the theory ghosts have different eyes, and when designing those eye, I take inspiration from lizard eyes. A lot of lizards, particularly nocturnal ones, not only have good night vision but can also see many more colors than humans, so I applied that to ghost eyes as well, essentially sight is one of their few senses that aren’t muted. They have night vision and can also see a much broader spectrum of color than humans can.

Since Cole has his scar on the left side, he also gets a ghost eye on the left side, which still has all the advantages he did as a ghost. On the other hand, his right eye is back to usual, meaning it doesn’t get those advantages and he’s still red/green colorblind in it. That means his left and right vision is pretty different now, which takes quite a lot of getting used to. Obviously this would be easier to show with a colored thing but it was. Hard to color for obvious reasons (you can’t demonstrate someone being able to see more colors than humans because we will always interpret it as a color we can see due to how we filter it) the ghost eye stays his entire life and there’s not really anything he can do about it.

Onto the arm - the markings are essentially burn marks / scars from his lava arms, and his nails are claws. I see ghosts as getting less and less human as time goes on because they forget who they were and what they looked like, therefore being incapable of mimicking a human form. Because Cole was around the ninja he never got far, but he did end up with some intrinsic ghost traits that carried over, like the claws. He has tried cutting them but it basically requires a massive claw clipper and even then they grow back very quickly and you can still see that they’re claws, they’re just less obnoxiously sharp. He usually opts to hide them with gloves a lot of the time. The claws are also permanent, but he can regularly trim them to be less obvious and also less annoying and more manageable.

The one where he’s scared of water is. Self explanatory. Obviously he has a big fear of water after coming back from the dead. Even just a few drops can send him into a panic attack. It gets better eventually with exposure therapy, though it may still cause him to be anxious around it at times.

most people have already done the “Cole runs into doors and walls after coming back from being a ghost lol” but like. It makes sense. So.

Right. Onto the ANGSTTTT.

“Everything is too much” refers to his sensory issues. Now obviously Cole is autistic /lh so he’s always had some sensory issues, but oh boy. Getting the ability to feel literally everything instantly after so long of not having it whatsoever?? Yikes. Pretty much everything is obnoxiously and incredibly overwhelming to him. it goes back to the usual after a lot of help from his family, though! :)

“But also”. Aka the image of him looking out at the stars. Lot more vague. Interpret it as you wish. There’s a few intended meanings to it but go ahead and figure them out for yourself. I will say that going with the idea that it’s dissociation related, he has a tendency to dissociate a lot after coming back (which is strange since he used to be pretty grounded). It never really goes away.

”Too little” ok so this one DEFINITELY needs explanation. I talked about how he’s overwhelmed. Well. Sometimes he’ll have bouts where it’s the exact opposite. He’ll suddenly feel a cold chill followed by a spreading numbness. Sometimes it’s just his hand, or his arm, other times it’s his entire body. It’s basically a psychological thing, sort of like phantom limbs except instead of a feeling where there is an absence, it’s more of an absence where there should be a feeling. Of course it’s absolutely terrifying for him, but the others eventually learn how to help ground him when it happens. Over time It gets less frequent but it doesn’t go away.

Anyways yeah that’s all I just. Think there should not only be more ghost Cole content but also. More post ghost Cole. He’s gotta be impacted SOMEHOW. Right.

Anyways yeah this is that so like

[oonajaeadira]

Hi lovely! Hope you're doing swell!

I'm coming in hot with an unsolicited Pats question for you - because I literally cannot think about anything but how BAD he has it for Preciosa - so I hope you don't mind.

I've been wondering about his other clients. What is he like with them and how does it compare to what he's like with his #favoriteclient ? Do any of them notice anything different in the way he is with them since he's started letting himself get closer to Miss Thursday? And while I'm here... Do any of them ever communicate with Shell after she sends them to his door, or is that a hard line she doesn't cross?

Hello, bby. Thank you for coming in hot. It is so very cold outside right now that I live for any kind of heat. ANY.

I recognize that you sent this ask before the great "Let's Try This" thing they've started up, but it still applies. The short answer is, it doesn't change much in the way you'd think, but so much more in other ways. And the long answer is down below.

And while I have YOU *huggle*...Shell gets her fair share of gift baskets and special perks, some mysterious VIP treatments and really grand bouquets. But once she's sent a potential client his way and they've been accepted and treated, if they ever run into her again to thank her, well. She generally just gives them a sly little half smile and tells them, "That sure sound's wonderful, hon, but I'm sure I don't have any idea what you're talking about."

Speaking of other clients...

Kiss and Tell: It's Still About You (GTTT PATS)

FANDOM: Calls - Apple TV (PATS is a character from ep. 3. “Pedro Across the Street.” This is not RPF.)

As with all of my PATS installments, warnings abound for explicit content.

He can feel his eyebrows pulling together at the blue and purple blemish that’s interrupting the precious dimples in his client’s thigh. His fingers trace around it for a moment before he circles the table to her other side to the bruise he noticed on her knee a few minutes ago...and a couple near her elbow. These have more green in them, further along in healing.

Running his hands over her soft, bare belly, pushing gently to move and work the holding muscles there, he watches her face. Jaw relaxed. Eyelashes feathering over the apples of her cheeks. She’s got nice, ample breasts and he’s gentle as he works his oiled hands around them. She doesn’t flinch, just relaxes into his touch, total trust.

That’s a good sign. Still. Just to make sure he asks, “You feel safe at home?”

“Hmm?” Her mermaid blue eyes drift open in wakening confusion.

“You have some pretty heavy bruises today and I noticed a few on you last time. Just wanna check in.”

Smiling and letting her eyes drift closed, she melts herself back into the table. “Eh. I’m just a danger to myself. I bruise easily and have no idea where half of them come from half the time. I’m a walking billboard for the Klutz Lifestyle.”

“Okay…” his voice isn’t as confident as his hands, but he has to trust her.

“But thank you,” she laughs lightly, punctuating her self-condescending remarks, “Really. I promise you, Mitch questions them too. He keeps threatening to make me a suit out of bubble wrap and duct tape. I told him gray’s not my color.”

This makes him chuckle as he dips his fingers between her legs. “Looks like you’re good and ready for hour two. Wanna move on over to the bed?” Holding her hand as if she’s a princess descending a carriage, he guides her, taking note of her hazy, relaxed smile. “Sounds like you’ve got yourself a good husband.”

“Yeah. He’s playing online with his buddies tonight. Sends his love. And his thanks. He likes the things you teach me.”

“On your stomach, legs together. Gonna try something new. Show you a few ways to take care of those knees when they’re bruised.”

As she slides onto the sheets, he takes note of the bruise on her thigh so he won’t grab it accidentally when he’s in his throes, pushing gently at her skin and curves, sweeping her pink and green hair off her back, just making a final check to make sure he didn’t miss any other sore spots. He runs his hand lightly down to pat her soft ass, bringing forth the most satisfying jiggle from below and her pillow-muffled giggle from above.

Sliding a condom out of the bedside table-drawer, he prepares it and sheathes himself as he explains, “My girlfriend gets mystery bruises too. Happens when she’s in a hurry. Instead of slowing down, she just keeps moving and says ‘that’ll leave a bruise’ out loud. Says it helps stick the moment in her brain so when she finds the bruise later she’ll remember where it came from. If she slows down for a second then it’s in the forefront of her mind so she can grab something cold to ice it as soon as possible. Cuts down on the severity and the duration of the bruise. I recommend trying it.” Rolling the condom down to his base, he mounts the bed and straddles her legs, pulling her cheeks apart and exposing her more sensitive parts, blowing gently and smiling when she clenches. “After you recognize the pattern of how you’re getting hurt, you can start protecting and correcting your actions. I’m not a doctor, but I might also recommend talking to one about getting more sun and more vitamin K. Water’s your friend. I’ll mark your chart.”

She giggles low and pleasingly in her throat. “I didn’t know you had a girlfriend. Is that new?”

“Relatively.”

“Does she know you do this?”

He lines himself up, her breath hitching a beat as he slides his tip around her opening. This one’s a talker, loves chatter in bed, but he always likes to see what can throw her off her game. “She’s very aware.”

“Mmmmm. That’s nice. She must be pretty cool. Lucky you.”

Without answering, he slides in and she gives him a silken moan. When she turns her head to the side, he can just make out her smile through her splayed hair. The client is happy. Melting. She clearly feels better than when she came in. And she’ll go home to her husband and show him these techniques and they’ll enjoy them. She’s come so far since her first session months ago. He did that. Does that. Is doing it. It makes him rock hard. He’s so fucking good at this and he knows it.

And you know it. You know it and you don’t ask him not to.

He refrains from speaking further about you. There are private lines he doesn’t cross for the good of everyone. It’s fitting for some of his more trusted clients to know he has his own attachments and that everything is open and honest; that they themselves and their sessions aren’t a cause of any possible trouble. But they don’t need to know anything about him or about you beyond that. You are his treasure, his alone. He’s going to keep your understanding and your trust like a jewel tucked in close to the chest, handle you preciously, take joy in your generosity.

He does not answer the client. Not out loud. But as he takes in her satisfaction and triumphs in his own skills, he closes his eyes and angles his chin to the ceiling, sighing a silent prayer, “You have no fucking idea.” _____

Your phone rings as you’re putting a load of laundry into the dryer.

“Hey there, loverboy. I thought you had a client tonight.”

“I do. She’s sleeping. What are you up to?”

There’s a confidence in his voice as he speaks that sparks something in your core, an easy, non-apologetic tone, a man talking to his girl with nothing to hide. It’s not exactly easy yet, knowing he is intimate with so many others, but he doesn’t speak about them with regret or shame, only the professional respect and demeanor you’ve spent so many months admiring, and that helps immensely.

It’s the first time he’s called you immediately after a session though. And you find that you like it. A lot. Just because he was servicing someone doesn’t mean he’s not thinking of you.

“Laundry. Not as fulfilling as your evening. But hey, clean sheets are always very relaxing.”

“Sounds nice. Those the floral ones?”

“Uh..” How did he…oh. That time he took care of you when you were sick. He must have seen them then. “Yeah.”

“Hmm.” He’s silent for a moment, you can tell he’s gearing up to ask you something. You’ve learned to wait, although it’s still hard to anticipate the best case scenario. “I…don’t mean to invite myself over, but would you mind if I mess them up a little this weekend?”

And you laugh. Another win for the best case scenario. “I mean, you could mess them up a lot this weekend if you wanted.”

“Yeah? There a time that works best? Or should I just pull in the welcome mat and have my neighbor watch for packages?”

And you smile, remembering that it’s only been a couple of days since your first weekend together, wandering his house in nothing but togas made of rumpled sheets, spending much of it wound up in his arms, on your back, curled up napping on the couch with the tv on, sipping coffee sitting side by side on his kitchen counter….

“I’d tell you to pack a bag, but you’re not really going to need clothes. This time you’re mine, loverboy.”

______

NEXT

MASTERLIST

SERIES MASTERLIST

[chocolate-theft]

☆ 𝐆𝐫𝐞𝐞𝐧 𝐞𝐲𝐞𝐬 ☆

Fandom: Dead By Daylight. Rating: Teens And Up Audience, sfw. Characters: Pyramid Head, Danny "Jed Olsen" Johnson | The Ghost Face. Pairing: Pyramid Head x Danny "Jed Olsen" Johnson | The Ghost Face.

Tags: Pyramid Head's pov, fluff, adoration, established relationship, typical cute couple stuff, short and sweet, cheesy asf, Danny "Jed Olsen" Johnson | The Ghost Face has green eyes, maskless Danny "Jed Olsen" Johnson | The Ghost Face, soft Pyramid Head, smitten Pyramid Head, lowkey/borderline simping [Pyramid Head💀], short fic, too ALPHA to beta read, very self-indulgent.

WARNINGS: NONE.

Summary: The Executioner enjoys the beauty in his Beloved Ghost’s eyes.

– Word count:626.

Author's note:

Wrote this in the Tumblr’s draft (instead of focusing on writing my main wips), so why not post it because I'm bored and also because there's not enough PyraGhost in the world.

I will probably come back to edit and add things in this fic later since like there’s gonna be some incomprehensible pharsings and errors here and there, ofc because I literally wrote this in Tumblr’s draft, put it in Google Docs just to see the word count and copy paste in here– BAM!! Then finished!

The green line dividers aren't mine btw.

Embracing my Tumblr fanfic writer era rn.

────────────────────────────

Every inch that Danny possessed was something to be held deeply treasured to Pyramid Head.

Back then Pyramid Head used to be hesitant to reach out and touch Danny, quite wary that he would somehow break the man if he applied too much pressure. He knew Danny would be slightly annoyed by this; claiming that he wasn't that weak, but that didn’t stop Pyramid Head from being apprehensive when it came to him. Fortunately, as things progressed Pyramid Head became at ease as Danny reassured that he wasn't hurting him. 

Him having this affection towards Danny was so beyond that even the basic description of him just loving Danny was an injustice on how he truly felt. 

Even though Pyramid Head wasn't the type to care about other people's characteristics, he was utterly entranced by Danny, anything from head to toe, as well as his hands, his voice, and the way he carried himself. Everything.

And when Danny showed his face to him for the first time, enrapture swept over Pyramid Head. His immediate response was to stretch his hand to stroke Danny's ebony locks of hair in which the other man found it endearing as Pyramid Head ruffled his hair gently.

But what captivated Pyramid Head's heart the most, once he took a moment to observed Danny's face. Amused gloomy emerald were peering at him back. This caused Pyramid Head to stop doing what he was doing. The more he fixated on Danny’s eyes the more he felt lost in the glamours' greenery.

────────────

In the present, Danny was not currently wearing his usual Ghostface mask around Pyramid Head which wasn’t uncommon ever since he had grown to trust him as Danny was comfortable enough to be displaying his own actual face to his partner only. Right now they were just spending the day with one another, making up for the lost time they were busy with their trials. Danny shared a few horror tales that greatly interested him, prompting Pyramid Head to listen, producing soft grunts while the other proceed. But Pyramid Head was intensely concentrating on the different expression Danny’s eyes make.

While it went on Danny began to notice that the other wasn't really paying attention, judging by how Pyramid Head practically stopped making quiet noises to what he was talking about and wasn’t moving. Then Danny waved his hands side to side in front of Pyramid Head. “Hey! Are you even listening to me?” Causing Pyramid Head to snapped back to reality, following the realization on what was going on. 

Oh. Was he distracted again? 

As awkward as it may have been given that for the entire time he was just focused on Danny’s eyes. 

“You’re spacing out lately.” Danny said. “Is there something bothering you?” 

There wasn’t anything bothering him, it was just his fascination with the green irises that belonged to the man. Pyramid Head shook his head.

Danny made a questioning face. “Hm. I doubt that.” Then the man’s lips swiftly formed into a grin, “you were staring at my eyes aren’t you~!” Pyramid Head was slightly thrown back by how Danny was able to jump to the correct conclusion so quick. But he knew that no matter the circumstances are, Danny was destined to read him like a book effortlessly. 

Pyramid Head uttered a gurgle of affirmation, seemingly out of embarrassment.

Danny became aware of this, “it’s fine Pyra! I just find it humorous. Plus, I don’t mind, you can stare at it as long as you like,” he chuckled. Relief essentially spread over Pyramid Head as he let out a deep breath.

“Never thought someone would be so enthralled by my eyes, you know?” 

Well, if no one was enthralled by it, then Pyramid Head definitely was.

Author's note:

Thanks for reading till the end! Hope you enjoyed it.

I should probably go back to writing my main wips. But I deadass get distracted often.

Here's my AO3 acc, if you like this pairing lol. Don't check it out if it's Monday since AO3 is down for planned maintenance for 10 whole hours, sad I know, just download fics you love in the meantime, we will live blud.

And that’s it for today... See you later, toodles!

[reflections-in-a-critical-eye]

Hey I know you are one of the reasonable ones so I thought I would send it to you.

See this is why I find it hard to take shipping seriously. If you look at the second clip, JK literally grabs Vs ass. How is this any different to him grabbing JMs ass? Like it doesn't make sense at all. Sure it could be done in a jest so how does that make it any different to what Jikook have been doing? I am not doing it to come across anti Jikook or anything but these moments are the ones that keep me from being delusional.

https://twitter.com/army__tww/status/1729060237368520978

Who says shipping needs to be taken seriously? Is there a rule somewhere? As far as I know and how I apply it to my experience within fandom spaces, shipping is fun. It's a fan practice that au contraire, shouldn't be taken too seriously because often that's the attitude that leads to negative experiences and consequences.

If shipping means being delusional, then perhaps I am. Does that make me unreasonable now? I wonder if my opinion can still be taken seriously? Not that it would matter to me.

I think each person has their own way of engaging with shipping in ways that work for them, resulting in a spectrum of habits and perspectives. For example, I ship Taemin and Jimin. I am fully "delusional" about MinMin, especially when I always bring back the idea that they kissed once. It's my ultimate k-pop fantasy ship and talking about it is something that I enjoy in the moments that I'm online. I also ship Jimin and Jungkook. I do it because I like them separately as idols and I like how they behave when together. Bottom line, it is that simple. And to get to some of the things you mentioned, I do not look at Jungkook grabbing Jimin's ass and think "There it is! The proof!" And I don't do that with every single thing they do with/for each other. It doesn't concern me. And to stick to my point, I don't like taekook because I find them boring as a duo so nothing they do becomes an interest for me. Just as most of the duos in BTS. I can watch jinkook playfight for all they want, it does nothing to me.

If an ass grab is something that you consider a proof that Jungkook behaves the same way with Jimin and V or it leads to the conclusion that what he does with Jimin in general is nothing special, then ok. If this line of thoughts helps you not turning delusional, that's fine. I'm not really sure though what you want from me? To agree with you? (It's clear that I don't). To offer a reasonable answer to your perspective? (I think I did, I'm not sure it is to your liking). To convince of the opposite? (I doubt it). Should I come up with a list of all the important jikook moments that make them more special and how I believe they are a real couple? You can find that on any other jikook shipper blog, it's not my modus operandi.

I'm not going to question too much how genuine your questions are because I've already spent 15 minutes answering this ask. One that sounds so similar to so many that I have in my inbox, that I see on so many other blogs and I'm sure similar ones got blocked by some people. Your ask is neither bringing up some interesting points, nor stands out in particular. It is so generic and typical for this particular ship, which is why I decided to say something. You or someone else will send almost the same ask to other people and at other points in the future. It's repetitive and to be honest, you are on the "losing" side here because instead of enjoying whatever it is that gets posted on the day content is released, you are here doing this.

[nameless-brand]

Pinned Post:

Sato / 18 / she/her. I have moved on past an MS paint icon to a photo of myself.

Owner of an enterprise originating from New Jersey trying to get said company settled into where the Nameless City used to be, now called Gotham.

First thing that greeted me was some ugly Gothic tower from a big-shot company planted right where I died.

Rude.

Anyway, it's been an utter pain in the butt.

----

OOC:

Sato finally gets her own Tunglr blog. Only took the timeline to break to do so. This is the "A Lilium At the End of the World " timeline!

She's the only one that remembers the "Dream's Descent" timeline, given her identity as < Myriad Lights >.

The Dream doesn't exist here because in their first confrontation / the Dream's betrayal, Sato sacrifices her Spark of Godhood to banish it for good. She dies afterwards but not before she manages to set up contingences.

As a result, there's quite a few changes in the new timeline.

No gods, no masters.

-------

Law

No password.

Common decency applies. Don’t do something that you wouldn’t appreciate being done to yourself. We’re all here to have fun.

No sexual NSFW things here or any of my other blogs. Not really my thing.

Multi-fandom and crossover friendly. OC Friendly. 

I am Hika / Lilac. I am an adult!

If you need things tagged, please tell me so I can do so. I will try to preemptively tag for common triggers, but I can’t account for everything.

Given this is an in-character blog, most posts will be short. However, face-to-face will likely be multi-para length.

As I'm double-downing on the Gotham setting, Sato will not know Bruce Wayne is Batman and in fact will be highly resistant to the idea. To her, it's like hearing Elon Musk declaring he's Batman (not to mention other rich people claiming to know or assist the superhero). She doesn't particularly care about supervillainry and superheroism beyond it hurting her bottom line as she's a mostly normal person now.

------

Name: Sato

Moniker: koi, Myriad Lights

Age: 18

Pronouns: She/her

Personality: Determined, she's always been determined. Sure, she's a bit of a ditz and a blabbermouth - okay, more than a bit, but she's always been sincere. Her desires, her dealings with people, her affection.

She still thinks people can be better and be happy, so long as they have the environment to do so.

Problem is she's living in a world in late-stage capitalism, where companies, now giant insatiable organisms of their own, try and grow uncontrollably with no one to check and balance them out. It was like that in the prior world too, but it was so much worse here.

Of course, she already has a lot going on like trying to find her friend who is off god knows where, not to mention the others who are probably living very different lives in this new timeline. And now she has to tackle an enormous societal problem that encompasses the world?

Well, she'd know Levant would want her to do it. And the other factor is that she maaaaay have accidentally blown herself up in a fit of fury against the Dream, so she isn't really a Goddess anymore. But she could still accumulate Faith - and with it, she'll be able to do something to help save Levant when the opportunity reveals itself.

Furthermore, she needs to find the rest of the Nameless Church somehow. Find Lillian - or is it Chi again - especially - Lev would want that. She suspects Mirielle and Sasha escaped the timeline. Well, she knows. She had to literally push Mirielle out of the timeline before she strained it further trying to save her.

In any case, the best way to achieve her goals was to make a massive company on her own - money and resources to find the Nameless Church and Faith to gain the power to find Levant. She knows what major stocks will get big - she also knows all the market trends like Crypto and NFTs - and knows what to avoid too like Mt. Gox and Enron. And while she's at it, she'll be doing something about that rampant capitalism destroying people's lives thing.

If she can't kill it from the outside (without inciting mass deaths anyway), she could try to do it from the inside instead. No, she doesn't have a plan. She doesn't even know how to run a company, but she can learn.

What better way to gather Faith is to have a whole bunch of people grateful to you for providing a decent livelihood in this world?

Appearance:

[viktoriakomova]

the sensitivity and enforced politeness to athletes in the gym fandom is so fascinating to me. i used to think it's bcs it's a 'feminine' sport followed mostly by women (+mostly ones unfamiliar with any other sport) + the youth of the athletes + the real history of child abuse. But the thing is, 100% of this applies to skating too and skating fans, with few exceptions, don't act like this (they act unhinged in their own, special ways). Do you have any better take on why this happens in gym?

in a lot of ways the whole narrative of gymnastics and figure skating respectively has flip flopped in the last 20 years or so. like now FS (womens singles specifically here) is rife with stories of abuse and teenagers burning out before they hit 20, but it definitely wasnt like that 20 years ago, when the abusive tactics werent very publicized/normalized and when you could have a career well into your 20s and one injury wasnt career-ending. (little girls in pretty boxes was like 80% gym 20% fs). now thats kind of true of gymnastics (in the US) whereas only 10 years ago that was not the case at all. they've also kind of switched places in terms of Team USA's results and popularity among american fans. gee i wonder if theres a correlation there with athlete longevity

anyway all that's to say, i think if i had to name just one thing, it's that by default we as fans think of and engage with athletes (either directly or in the 3rd person lol) as if they're painfully sheltered teenage girls/children. and they just arent anymore. yes the culture of elite gymnastics keeps them kind of oblivious to "normality" as people on the outside would define it (homeschooling is a huge fucking thing here but thats a whole different post), but its not as bad as it used to be, for many reasons.

also the history of abuse, which fans in general (and media, lagging behind by a few years but following the same developmental path usually) have come to talk about in very different terms than even 10 years ago. that was gradual from 2010ish to 2016 and then there was a very big immediate shift when the nassar scandal detonated.

that whole paradox of elite gymnasts being temperamentally extremely precocious but emotionally very immature just isnt true anymore, at least from what ive seen. its a refreshing change. but i dont think the underlying current has changed all that much as far as the vibe (?) goes and people (both gymnasts and fans) still think technical and artistic critiques are personal attacks the way a sensitive teenager would.

and i honestly do think it has something to do with gender, a lot to do with gender tbh, but that it bleeds into other disciplines and sports so it's a less clear line to draw when looking at it superficially. like the mens gymnastics team and how everyone talked about them skipping press after they performed badly, to name just one example. and you're very right about gymnastics being the only sport a fan is familiar with correlating to how they think about all this stuff lol.

compassion is not a bad thing of course, but i have a huuuuuuuuuge issue with talking about and treating literal college students like 13 year olds....

[egg-emperor]

all people do online anymore is find people being “problematic” and make drama over it. that’s their only only hobby alongside twitter. they’re miserable. they’re doing nothing of any actual help to real people. they’re simply harming others. it’ll be okay julian. just focus on the people on your side!

Yeah they really do. It's depressing how much of fandom has come to this. Applying good morals to their tastes and interpretations in characters and creations, and every bad thing they can think of to anyone who's own differs from theirs too much. They also tend to seem to be extremely limited creatively because of the restrictions they place and harm others if they don't follow for how they put down anyone who falls out of line of what they want, which is why there's so little variety anymore besides the clean sanitized and wholesome.

It doesn't seem like an extremely miserable and performative way of existing in and experiencing fandom. Especially because I can confidently say that a lot of people are fake, two faced, repressed, and even extremely hypocritical as a result. And I didn't want to be like that so the moment I decided I didn't want to hide parts of myself and expresd myself freely, I was punished for it under the guise that they're in the moral right and doing everyone a favor to me, someone they paint as a threat with very extreme and serious but baseless accusations.

I really hoped I wasn't going to become a target of this behavior but I also saw it coming because I knew some people would use my fascination in the evil and dark against me at some point- despite it literally being on the subject of a villainous character. You can have all the logic and reasoning in the world and they'll still use it as a chance to demonize, to make themselves look like the better people and make people that think their beliefs and takes on something are the right ones to have in comparison.

Nothing about my interpretation and writings about Eggman unintentionally making people uncomfortable will ever be worse than them deliberately setting out to hurt me and taint this passionate project of mine. And that's why I'm not going to let them win, I'm going to keep being the type of writer/artist/creator in fandom I wish we could get more of without people like them attacking and seeking to erase it. And I hope that still expressing myself despite that will encourage others to do the same.

Thank you! Anxiety has a way of eating me up a lot over this but I'm trying to fight it with the thought that this won't last and I'm appreciating all of you that are still here with me. I'm thankful that I can be honest with you all here and even more for the kind support. 💜

[cherrytea-afterdark]

Hi. I'm not entirely sure how to word this, as words are not exactly my forte. I just wanted to say that your fic "parce: cupit periere" is very good and I'm too much of a coward to comment on it or even say this off of anon. You don't have to reply to this or anything, just know that one particular internet user is going insane over your writing

What I would have commented would be something along the lines of how very poetic it reads as, being more of a moment in time that says more about their dynamic than anything longer could have. Not that making it longer would negate the effect, it would just make it a different one. I went back to the fic to pull quotes, but more lines ended up highlighted than not. It's like the opposite of using innuendo in a fight scene, evocative in a way I wouldn't have guessed from reading only the tags. The latin should have tipped me off, I guess.

Beautiful work, though I'm finding that that particular verdict applies to nearly everything I'm reading as I scroll through your fics. Have a lovely day

this comes at a really funny time considering my friends were just making fun of how I skew the results of any "how often do you think about the roman empire" meme stuff. i've done it to the ghiralink fandom as well. you're going to start leaving romanes eunt domus graffiti in my inbox

that aside thank you!!! I read that poem on accident while looking for other Martial stuff in class and went. ghiralink. and then didn't do anything until I remembered while trying and failing to do whumptober again. it really deserves better tags and to not be tied to a prompt challenge (the general fandom consensus is people don't really seem to like those unfortunately and they get judged just by being associated with the challenge) but like what am I supposed to say. it's smut. not really. but yes it is

anyway not at all what you came here for but given the chance I will infodump unprompted!!

here's the statue historians generally think the poem is based on, the Apollo Sauroctonos. It's a widely copied statue in antiquity so the author would have been familiar with it. It's making fun of Apollo, who is generally seen as a masculine hero, diminishing his heroic defeat of Python (massive evil snake inhabiting the best cave for hearing the future) to him defeating a lizard, as well as placing him in a more feminine position that one would typically see of an Aphrodite. So obviously not a boy, like Apollo is a full man and immortal god/hero, but Martial uses boy to diminish him like the statue does much like Ghirahim calls Link boy and sky child! Because it's not! literal!!! I would have used the right translation because "boy" works well in the context of ghiralink but given the inability of the fandom to critically think about any kind of word choice. hero it is.

There's no fucking way Martial could have ever predicted his work would be used this way (although divine sword/heroic mortal sounds a bit greco-roman-y) but I think he would 100% be up for it considering some of his poetry is straight up PORN. enemies to (not)lovers at that. it's unlikely you'll find any good translations of it online because historically they're all censored and fucked over by old white men, but this man did not discriminate. yuri couple, yaoi couple, regular couple, he saw no difference

[kjmellow]

I posted 429 times in 2022

That's 428 more posts than 2021!

14 posts created (3%)

415 posts reblogged (97%)

Blogs I reblogged the most:

@dyonisia96

@nightscavalry

@johannesviii

@alyona11

@lelelego

I tagged 391 of my posts in 2022

Only 9% of my posts had no tags

#yes - 5 posts

#babies - 4 posts

#wow - 4 posts

#also op your board game q made me sad bc i've literally never played any of those and only heard of like two this girl had no childhood - 3 posts

#doctor who - 3 posts

#owo it's all of dem space-time blorbos!!!! - 2 posts

#the stars don't come out because they never left - 2 posts

#omg - 2 posts

#except i didn't play fnaf but have binged playthroughs from like five different people aaaa - 2 posts

#why am i in love with leela's outfit - 2 posts

Longest Tag: 139 characters

#if anything they barely interact with the tardis in what i've been reading and i've read like twenty-five books all about different doctors

My Top Posts in 2022:

#5

Seeing Sandman posts on my feed is so confusing because for such a long time the only Dream I saw shit about was that Minecraft guy and every time I see Dream my first though is The fuck that smp guy did this time and my brain takes a fucking minute to process that it's a wrong fandom

3 notes - Posted September 23, 2022

#4

WAIT DID THEY REALLY JUST

Did they just take THE SAME Bee and Puppycat and make it LONGER for Netflix??????

Does that mean I didn't have to rewatch it twice in a row to comprehend at least a lil bit what tf was going on???? I had to just wait for a normal show?????

Not like I mind, the cartoon is gorgeous either way (I'm on ep one btw and I think at least the first of Bee's weird dreams looked cooler in the og show) BUT MAN

I never thought I'd actually see the day

6 notes - Posted September 11, 2022

#3

Petition for Dana Terrace to leave our boi Hunter the fuck alone. Our blorbo has suffered enough.

7 notes - Posted October 16, 2022

#2

Hey hermits of tumblr here's a fun challenge for you:

Describe your character quirks i.e. list out habits and traits you have that would make you stand out if you were a character in a work of fiction. This is an exercise in finding something unique about each of us. And also a possible help for writers looking for something to add to their characters ;)

Here's my ✨ character quirks ✨

Hates wearing makeup but likes the process of someone applying makeup on her or doing her hair

Actually uses a set of like a hundred aquarelle pencils instead of eye liner/lipstick/masquerade makeup when she feels extra fancy (usually ends up making rainbow eye liner)

Sometimes acts like a cat around friends she's comfortable with (rubs head, lies with head on knees, purrs when receives pats)

Has a comedic amount of cats (four) and wants more

Has zero coherence in clothing style a bunch of fandom clothes being the only constant thing

Wears exclusively converse spring through autumn (as long as the weather is good enough)

Carries a book around most of the time; in fact spent her prom reading and tuning out the music (which she is extremely proud of and will tell everyone at the first opportune moment)

Swears a whole fucking lot

Quotes memes/films/TV shows a lot or at least really wants to with the only thing stopping her the fact that she knows a quote she has in mind is too niche to be understood

Absolutely cannot sleep with the lights on or during the day; will wake up at dawn if the curtains aren't drawn

Grandma friend: will try to feed you everything there is in the house if you come visit

Some people spend tons of money on clothes; others can't walk past a make-up shop; this bitch has no self-control when entering a bookstore (in fact she would refuse to spend too much on food but then she goes near a bookstore and wakes up an hour later with two bags of books)

Compliments friends in fairly smooth pick-up lines at any given opportunity

8 notes - Posted September 27, 2022

My #1 post of 2022

19 notes - Posted November 24, 2022

Get your Tumblr 2022 Year in Review →

[lethargical-lily]

I'm not really into Heavens Officials Blessing Fandom or well not yet, but.....

Can I get the First Years with Male!Hua Cheng!S/O?

TWST First Years x Hua Cheng!Yuu

I did my best with him, his main personality trait is just simping for Xie Lian unrelated but you are gonna love the show bro

♥️Ace Trappola♥️

why does his last name look like spaghetti

ANYWAYS I feel like at first he would jokingly try to show his dominance over you

You're an attractive guy with long hair, a mysterious eyepatch, muscles, and you're just taller than him

Every dude in school is all over you whether it's for romantic reasons, they want the clout of being your friend, or they want your exercise routine

Ace at first thinks his feelings towards you is envy since you get a lot of attention (and are crazy powerful like wtf) but after some thinking on it he realizes it's jealousy

Instead of confronting it he just pushes it way down and pretends it does not exist because he refuses to come to terms with the fact that he likes you

If say (god forbid) Xie Lian didn't exist in your original world then Hua Cheng would treat Ace like he would Xie Lian

Ace is not used to this in the slightest

You treat him like a piece of treasure, yet Ace is shoving as many pieces of gum as he can in his mouth because Deuce dared him

Both you and Ace actually have very similar attitudes, you don't do things for others unless it's for your benefit or it's for someone you know well and are fond of in some way

This makes your relationship to each other incredibly loyal and Ace appreciates that he's found someone who can see deeper than what he shows people and actively reciprocates it

You're always on Ace's side even if he's clearly in the wrong or just being stupid

You would help him fight Riddle no doubt

When (not if) Ace gets into a fight he always threatens people by saying something along the lines of "You wouldn't mind if I brought my buddy Hua Cheng right?"

Everyone scrambles

Those who don't are sent to the infirmary in 10 seconds or less

Magic and stuff works very differently in your separate worlds so I don't know how much help you would be to him when it comes to teaching but Ace likes to watch the stuff you make

His favorite is probably Blood Rain just because it seems so menacing but it does literally nothing

♠️Deuce Spade♠️

refer to Ace Trappola

JK but I can't deny I do feel like there are a couple similar traits here

The biggest one being loyalty, they're both very loyal boys but Deuce is more outwardly with it and is still willing to help others he doesn't know very well

You admire his efforts in his studies and just in everything he does overall

he may not be amazing at everything he does but he always gives it 100% and you love that about him

You're aware of his efforts to not pick fights with people so whenever you feel that may be happening you just gently put your hand on his shoulder, nudge him to the side a bit, and fight the person for him

You have no reason to keep a reputation in tact so may as well go nuts while ensuring your BF doesn't get in trouble

To Deuce this feels like the ultimate form of you showing your love

And it kind of is lol

Remember that scene where deuce thought that store bought eggs had baby chicks in them

Yeah that but you just smile at him and say nothing

Ace will have to be the one to correct him eventually

You would still somehow defend Deuce

It's still a recurring argument in the friend group

🐺Jack Howl🐺

He looks up to you like he looks up to Riddle

if you haven't read the vignette he basically respects Riddle since he puts in the hard work to get what he wants and doesn't take shortcuts

Don't know how much that personality trait applies to you but you're someone who came from a hard knock life and now you're one of the most powerful in your world (probably in their world too let's be honest)

If you thought ADeuce was loyal OH BOY you're in for a treat because this man will not leave your side unless he has to

Obviously if he thinks you may not be okay with him constantly by you're side he'll leave but if you like him as much as you like Xie Lian you'd be begging him not to

From an outsiders perspective looking in, your relationship is both somewhat hard to read but also tooth rotting sweet

Jack tries to put on a tough boy persona around everyone but is actually very sweet and loves affection, while one of the most intimidating people in school is all over him like he would die without him

This makes jacks face so red and leaves his tail constantly wagging

I feel like you'd just walk up behind him and grab his tail to spook him

This makes his ears perk up cutely

Jack is so used to being someone who's physically stronger than others so the moment you pick him up bridal style with no restraint leaves him floored

he tells you to put him down so he doesn't have to admit he likes it

You can tell by the tail though so you do it any chance you get when you're alone

He likes the butterflies that you create

They're so bright and beautiful and he has butterflies in his stomach when you make them fly around him and land on the tips of his ears or nose

🍎Epel Felmier🍎

you would bond over something very unlikely

like carving

he carves you apples, and you give him life sized statues of him in hyper realistic detail

Something about it creeps him out but in a good way

You would probably carve them in such a way that it gave him a bit more muscle

that's probably why he subconsciously likes them so much

Vil is jealous his first year managed to get such an attractive and dedicated peer before he did

he constantly asks you for tips on how to be more manly

you probably say some crap like "You're already the manliest man I know🥰"

He appreciates the self-esteem building but sometimes he would prefer if you took it a little more seriously

If he wanted to, you would probably help him get on an exercise regimen to build more muscle so he can get that ManlyTM aesthetic

Vil isn't against bettering oneself but if he finds out Epel is trying to build heavy bulk or something he would confront you

You would either tell Vil the truth but defend Epel or just lie to Vil about your plans

You defend Epel against a lot of things

Vil wants to unalive you at this point but then he'd ruin his clothes

You two are like the meme where Person A is trying to fight Person C but Person B is right behind them threatening Person C if they do

Epel thinks people are afraid of him and this gives him a confidence boost

Seeing him happy makes you happy

I don't know why but I feel like if you guys were play fighting and you just picked him up and threw him it would make him happy

He's always running up to you asking to be thrown like a kid in a pool

⚡Sebek Zigvolt⚡

This is giving me strong "I had to get a support dog for my support dog" vibes on Malleus' part

You like to bother him 24/7 and Sebek pretends like he doesn't like it and is always yelling at you while you just stand there like :)

It makes him flustered that someone is willing to not only put up with a part of him so many find annoying but embrace it too

You don't understand his obsession with Malleus but you can relate to having someone you care for so deeply you'd do anything for them

Sebek has a hard time seeing himself that way since his entire life has basically been for Malleus but he can't say he doesn't appreciate it

In the beginning of getting to know each other he thinks you're another lowly human

When you make the sky start bleeding he starts to wonder if he should've retracted that statement sooner

Knight training together?

Knight training together

He may have been training his whole life to be a knight but you have like 800+ years experience he has much to learn from you

Eventually I think he would view you as someone equivalent to Lilia which if you're not already aware is an incredibly high honor in his eyes

Which makes him all the more flustered when out of anyone you chose him to court

If he does that thing where he says something nice to you in a very loud and formal voice you would hold the exact same energy

"YOU ARE VERY SKILLED AT SWORDSMANSHIP DESPITE YOUR INCONVENIENT CLOTHING OPTIONS AND UNRULY HAIR!"

"THANKS I THINK YOU'RE HOT TOO"

This happens a lot

Everyone knows that when it starts they need to cover their ears for the next 5 minutes or so

I think Malleus truly does appreciate Sebek's loyalty to him but sometimes he needs a break so he's very happy that you provide that for him by keeping Sebek distracted

His eyes are so pretty please compliment them

[c-is-for-circinate]

Wait, isn't "anti" stuff more like "anti-pedophilia" and stuff? Like, you have a point about anti-porn attitudes, but from what I've heard just "anti" on its own means against stuff like kid porn and incest porn and legitimately f*cked up sh*t like that.

Okay!  So this, I think, is actually a great example of what I was talking about, and a really useful thing to understand.  (CW rape, child abuse, etc)

Smarter people than me have written much better essays about why policing thoughtcrimes is a bad road to go down, and I will probably reblog some of them next time they cross my dash for more context.  What I want to talk about is the trigger mechanism, the ‘oh, this looks like danger!!!’ immune response in how we look at different kinds of porn, and how that applies to anti culture.

Here’s the thing: I am anti-pedophilia.  I think that, for most people, that’s a stance that largely goes without saying!  Adults who prey on children are bad.  I’m also against incest; relatives who prey on their family members are bad.  Above all I oppose rape.  Sexual predation of any kind is bad.  In fact, I’d say that’s the most important item on the list.  There is plenty of room to argue about where the lines are between ‘adult’ and ‘child’ and how teenagers fit in the middle, and there’s plenty of room to get historical about the lines between ethically terrible incest, distasteful-but-bearable “aristocratic inbreeding” between distant cousins, and the kind of consanguinity that tends to develop in a small town where everyone’s vaguely related to everyone else by now anyway.  The core of the issue is consent, and it has always been consent.  Pedophilia and incest are horrific because they are rape scenarios where the abuser has far more power and their victim far fewer resources to cope, both practically and emotionally; because harm to children is, to us as a culture, worse than harm to adults, for a lot of very valid reasons; and because they constitute betrayal of trust the victim should have been able to put in their abuser as well as rape--but they are all rape scenarios, and that’s why they’re awful. 

These things are bad.  It is good for us to have a social immune response system that recognizes these things when they’re happening and insists we step in.  That is a good thing to develop!  It helps us, as a society.  It can help the people being victimized.  It’s the same reason educators and childcare workers in the US are all mandated reporters, why we do background checks on people working near kids.  These things happen, and they’re terrible, and it’s good that we try to be aware and prepared for them.  (Though obviously studies show we’re a lot less good at protecting the vulnerable than we’d like to pretend we are.)

The question is: why does that same social immune response trigger, and trigger so angrily, in response to fiction?

Anti culture is fundamentally an expression of that social immune response.  Specifically, it’s that social immune response when it is set off by a situation that, while it has some similarities to the very bad real-life crime of sexual predation including pedophilia and incest, is in and of itself harmless.

If you’re instinct is to flare up in anger or dismissiveness because I’m calling these things harmless, I want to ask you to just take a deep breath and bear with me for a bit longer.  What you’re feeling right now is an allergic reaction.

Humans tell and read and listen to stories about “legitimately fucked up shit” all the time.  It’s part of the human condition.  It’s part of how we process those things happening, not just to use, but to other people in the world around us.  It’s part of how we process completely unrelated fucked-up shit, playing with fears and furies and insecurities that we all have, through so may layers of fiction that we don’t even recognize them any more, playing with power dynamics in metaphor and making characters suffer for fun.  Aside from the fact that literally all stories do this to some extent or another; aside from the fact that drawing lines between ‘ok that’s good storytelling’ and ‘that’s too fucked-up to write about’ is arbitrary, subjective, and dangerous in its own right; aside from all of that, these stories are stories.  All of them. 

Even the ones about rape, about incest, about pedophilia.  They’re words on a page.  No real children were harmed, touched, or even glanced at in the making of this work of fiction.  This story, pornographic though it may be, is part of a conversation between consenting adults.  (And if a teenager lies about their age to consent, that is a different problem altogether.)

Stories in and of themselves, no matter what they’re about, are no more dangerous than a crate full of oranges.  Which is to say: utterly harmless, unless all you have to eat is oranges, all day every day, and you find yourself dying slowly of nutrient deficiency--which is why representation matters.  Or unless someone wields one deliberately, violently, as a tool to cause harm, and someone gets acid in their eye--which is the fault of the person holding the orange. And unless you happen to be allergic to citrus.

The key here is this twofold understanding:  First, the thing that hurts you can also have value to others.  Real, legitimate value.  Whether you’ve undergone trauma and certain story elements are straight-up PTSD triggers or you just don’t like orange juice, that story, those tropes, that crate of oranges may be somewhere between icky and fundamentally abhorrent--but we understand that that is still your reaction.  Even if you don’t understand how anybody could ever enjoy it; even if every single person you surround yourself with is as sensitive and disgusted and itchy about this thing that makes your eyes hurt and your throat stop working as you; that doesn’t make it true for everyone.  That doesn’t make oranges poisonous.  No real children were involved in the writing of this story.  It is words on a page.

But, secondly: the thing that has value to others can also hurt you.  Just because a story isn’t inherently poison doesn’t mean it can’t cause you, personally, pain.  That’s what a PTSD trigger is: an allergic reaction, psychological anaphylaxis, a brain that’s trying so hard to protect its own from a threat that isn’t actually present (but was once, and the brain is trained to respond) that it causes far more harm and misery than the trigger itself possibly could.  And no, it’s not just people with PTSD who sometimes get hurt by stories.  There are many, many ways a story can poke the part of your brain that says, this is Bad, I don’t like this, I don’t want to be here.  The story is still, always, every time, pixels on a screen and ink on paper.  The story causes no physical harm.  But it can poke your brain into misery, it can stir up your emotions, it can make you want to cringe and run away.  It can make you want to scream and fight and go after the author who brought this thing into existence.  It can make you hurt.

This is an allergic reaction.  This is your brain and body, your reflexes and instincts, trying to protect you from something that isn’t really happening.  And just like a literal allergic reaction, it can do actual harm to you if it gets set off.  This is real.  The fact that stories can upset you to the point of pain and mental/emotional injury is real, even though it’s coming from your own brain and not the story itself.  There are stories you shouldn’t read.  There are stories I shouldn’t read, regret reading, will never read, because they hurt me.  That doesn’t mean they’re the same stories that would hurt you.  That doesn’t mean they don’t have value.

And, finally:

If getting upset about stories is fundamentally an individual person’s allergic reaction, their brain freaking out and firing off painful survival instincts in the face of a thing that isn’t, in and of itself, a threat?  Then the anti movement is a cultural allergic reaction.

Fandom as a whole has a pretty active immune system, which doesn’t mean we have a good immune system.  We try very hard to be aware of all the viruses and -isms and abuse and manipulation and cruelty, both systematic and individual, that exists around and within our community.  We’re primed and ready to shout about things at all times.  The anti movement is that system, that culture, screaming and shouting and fighting at a harmless thing on a grand scale.  It wants to stop that thing, that scary awful thing that trips all of its well-primed danger sensors, at all costs.  It’ll swell up and block off our airways (our archives) if it has to.  It’ll turn on the body it came from.  It’s scared and protective and trying to fight, and it’s ready to fight and destroy itself.

Luckily, fans and fanfic and fandom and fan culture are a lot bigger and older than they often get credit for, and it’s not like these cultural allergies are anything new.  We could talk about shippers and slashers in the X-Files fandom in the 90s.  We could talk about the birth of fandom in the days of Star Trek.  We could talk about censorship and book burning going back centuries.  We survived that and we’ll survive this, too.

But god, does the anti movement my throat and eyes itch.  Man is it irritating, and sometimes a little suffocating, to realize how many stories just aren’t getting told out of fear of what the antis will say.  And that’s the real danger, I think.  What are we losing that would have so much value to someone?  What are we missing out?

[humanwheatleyslefttoenail]

why do you ship chell and glados if glados is basically her mom

Okay this is actually a pretty common misconception in the fandom that unfortunately a lot of people have taken as canon, but I’m feeling nice so I’ll answer your question.

Basically, anon is referencing a theory from around 2012 that Caroline is Chell’s mom. The evidence for the theory is as follows:

- The turret opera calls Chell “bambina”, which means “little girl” in Italian

- Chell’s name can be found on a Bring Your Daughter To Work Day science project

- GLaDOS references the possibility of Chell being adopted multiple times

- GLaDOS is significantly nicer to Chell after discovering she’s Caroline 

And, anon, you’re right, it does sound like a pretty good argument at first glance. The problem is that a lot of these points don’t actually hold up to scrutiny.

For example, although “bambina” literally translates to “little girl,” it’s often used in the same way “baby girl” is used in English - it can mean child, but contextually it’s usually a flirtatious term. (Source: Cambridge Dictionary)

For Chell’s science project, it doesn’t work as evidence for the theory because GLaDOS killed the scientists around 1998-ish, when Caroline had presumably been uploaded several years earlier and Cave was already dead. Also, Chell’s in her 20′s, and since we know from Lab Rat/Portal 2 that people don’t age in stasis, and that Doug put Chell at the top of the test subject list only weeks after the takeover, Chell was 28 at the time of the takeover. The science project is really only an Easter egg and doesn’t actually fit into the canon timeline let alone prove anything about Caroline and Cave. 

GLaDOS talking about Chell being adopted is a pretty strong point, I’ll admit, but also it’s important to remember that maybe half of what GLaDOS says is true. And even if we take what she says at face value, she also says there’s a man and a woman in stasis with Chell’s last name, which could not have been Cave and Caroline because they were already dead at that point. And the official book Final Hours Of Portal 2 confirms Cave and Caroline were not married and could not have shared the same name anyway. It was also the 50′s, an an unmarried couple of two likely famous people having a child would’ve been scandalous, and yet we see no hint of something like this affecting their company. 

Also, although GLaDOS is nicer to Chell after the Caroline reveal, that’s not necessarily indicative of a mother-daughter relationship, and neither is any of their interactions. It’s just. GLaDOS being friendlier. 

Finally, when this theory was made (and let’s be honest - it still is happening) Chell was constantly whitewashed to hell and back. 

Chell is Japanese-Brazilian, and Cave and Caroline are white, so it would be a near impossibility for her to be their biological child (and insisting otherwise is kinda. just. whitewashing). And although people will cry “adoption!”, based on what I’ve previously proven, that’s pretty much impossible. This theory that somehow she’s Cave and Caroline’s daughter erases an important part of her identity. [Disclaimer, I am white, but this is what I’ve heard from around the fandom]

With all that said, the idea that she’s the daughter of Cave and Caroline really doesn’t hold weight when you really analyze the canon. It’s surface level analysis that doesn’t hold up. And honestly? The idea kinda cheapens the story. It’s much more powerful that GLaDOS learns to care about Chell and becomes kinder than just. Oh, she remembered she’s related to Chell. 

But to actually answer your ask. 

Why do I ship them?

Well, they aren’t mother and daughter, I think that’s pretty obvious now. But if you actually look at a lot of subtext in Portal 2, without the lens of the mother theory, it’s actually pretty romantic! 

I know that sounds ridiculous, but bear with me!

Now - it’s totally okay if you don’t ship them. I get it. Their interactions in Portal 1 and the first half of Portal 2 are toxic if not outright well. Y’know. Murderous. I completely understand why that turns people off from shipping them, and ultimately, shipping is a personal thing. To each his own. 

But before you judge me, let me present my case.

Exhibit A: Portal 

Portal is kinda gay. No, really. Chell and GLaDOS are enemies in this game, but the entire focus is on their relationship (good or not) and the power struggle between them. They are opposites, two sides of the same coin, different representations of opposite ideologies. People have analyzed Portal as a relationship metaphor, or as a metaphor about women’s role in society - either way, the heart of Portal is the complicated dynamic between Chell and GLaDOS. 

That’s not necessarily enough to code a romance, but a lot of popular (and especially popular queer ones) ships begin with opposite ideologies, symbolic powers colliding. Portal cements their relationship as a toxic one, something on the verge of falling apart and hurting both parties in the end. The ending image, of Chell and GLaDOS side by side after the battle, reinforces the symbolic parallels between the two. 

The companion cube is also pretty symbolically important to this interpretation. It’s literally a representation of someone’s heart, and you are told to protect it and preserve it under GLaDOS’ orders, and then you have to destroy it regardless of how you actually feel about doing that. You are destroying GLaDOS’ heart, so to speak. 

There’s also the ending song, Still Alive. The lyrics speak for themselves.

They hint that GLaDOS’ feelings about Chell are more complicated than they may appear (if she’s not being sarcastic...) and she literally talks about Chell breaking her heart (also, think back to the companion cube. Yeah.). The entire song is structurally similar to many a breakup number, with the laments of “I’m glad it happened, but also leave.” 

At the end, we also see that the long promised cake GLaDOS was supposedly lying about was real the whole time. Before Portal 2 came out, it was mostly interpreted as a stinger ending (along with the nicer lyrics of Still Alive) to make you question GLaDOS’ true motives and intentions.

She actually did have a real cake waiting for you. (Side note - not really evidence, but in Argentina, “torta” means cake in Spanish. It’s also a slang term for lesbians. So. Do with that what you will). The cake is what GLaDOS offers you to lull you into the sense that she cares about you, so discovering that “the cake is a lie” wakes you up to the realization that she doesn’t. Except then the idea is subverted one last time, at the very end, showing that the cake is real and at least some of what she said she meant. 

You also see the companion cube. You know, GLaDOS’ symbolic heart?

Now, okay, you might be thinking I’m extrapolating a bit too much. And you might be right. But Portal is not the only game in the series, and if you’re asking me about Cave and Caroline you obviously know about Portal 2.

Exhibit B: Portal 2

If you thought Portal was gay, Portal 2 turns that up to 11.

Even before GLaDOS wakes up, you’re treated to some visual subtext. A few of Rattmann’s drawings representing the events of Portal 2 focus a lot on the relationship between GLaDOS and Chell, with more of the cake symbolism.

In this, you can see a face layered on top of GLaDOS. This could be foreshadowing about Caroline, and likely is, but also resembles his other drawing of Chell. It insists that Chell is a part of GLaDOS, or reinforces parallels between Chell and Caroline, hinting at something either way. 

In this picture, we also see Chell standing on top of GLaDOS, in the same position where the overlay of the feminine face was, again referencing the parallel. It also presents them as opposites, fundamental parts of the same thing and both connected to the same basis, but on opposing sides. 

When GLaDOS wakes up, she returns to her antagonistic role, but there are more hints to something deeper just like in Portal. 

Here, in her awakening lines, she references Chell not unlike an estranged ex. Also worth noting that GLaDOS is pretty much the personification of testing (in a sense, she is testing since she can control all of Aperture like an extension of her body), and insinuates that Chell loves to test. And that she reciprocates that feeling.

In test chamber 10, she says this:

It’s supposed to be threatening, but it does read as almost... sentimental. 

There’s also another chamber with companion cubes in Portal 2. I already talked about their symbolism in Portal, and the same pretty much applies to them here. However, GLaDOS says something interesting about them during this level:

Once again, meant to be intimidating, ends up coming off as “well, GLaDOS, why were you going to give Chell a heart shaped representation of yourself that says ‘I love you?’” And you might think I’m stretching the GLaDOS’ heart metaphor thing a little far here, and I might agree, if the companion cubes didn’t literally sing Cara Mia for you. 

Cara Mia is the turret opera from the end of the game, which is all about how much GLaDOS cares about Chell. More on that later. But the companion cubes play a song called Love as A Construct, and when you get close to them, they sing a specific part of the song that has the tune of Cara Mia. These things literally exist to sing about GLaDOS’ feelings. 

Which makes this line a lot more. For lack of a better term. Tsundere-ish.

Then, right before the escape, she starts talking about the confetti from her fake surprise. 

I really don’t have to explain this one. What else does GLaDOS consider an inconvenience but might miss anyway? Or, more aptly, who else?

Then, during the escape, she teases a (fake) final test chamber in front of you, and forms the panels in the shape of a heart. No, really. 

Up to this point, a lot of the points I’ve presented are interspersed with a fair amount of antagonization on GLaDOS’ behalf, more Foe Yay than anything actually hinting at something deeper than GLaDOS being conflicted about whether she loves or hates Chell. But things really ramp up after Wheatley’s betrayal, when the two of them are forced to team up. (I should also note here that “enemies to lovers” is a pretty classic queer romance trope.)

Here, GLaDOS is put on an equal level with Chell and they have to rely on each other if they want to survive. For the rest of the singleplayer campaign, GLaDOS becomes a lot nicer and even friendly to Chell. There comes a point where she starts referring to Chell as a teammate, calling them “we.” She begins to consider them one unit, two opposites unified. Here’s what she says after the lemon rant:

You can not only see her using we, but actively talking about how her and Chell are going to fight Wheatley together. There’s also that last line - “let’s explode with some dignity.” GLaDOS has fully accepted the very likely possibility that she and Chell might die together. That she might die on the same level, and the same team as Chell. And she seems... surprisingly okay with that, as long as she and Chell go together. 

It’s during the Old Aperture levels that Chell and GLaDOS also discover that they have a lot in common. This is the part of the game where GLaDOS figures out she’s Caroline, that she’s human. Or, that she’s like Chell. And Chell discovers (from what we can tell anyway) that Caroline is kind, that she’s funny and smart and so many of these things she never noticed about GLaDOS before. Now also with the knowledge she is fighting alongside another human being. 

You can also draw parallels between Chell and Caroline, both intelligent women ultimately betrayed by their seemingly innocuous male friends before being trapped in Aperture and forced to team up with one another in a way that will free both of them. We see that really, GLaDOS isn’t that different from Chell - she too has been imprisoned in this place against her will, but in a completely different way. Once again, the idea of two sides of the same coin applies here. 

I’ve written another meta about this before, but I also think the whole idea of repressing a part of your identity and hating it, before bonding with another woman and then realizing that it’s okay to be like her and to be on her side. It’s okay to be yourself and meeting her is what helps you discover this new part of yourself. Is kinda inherently gay. GLaDOS’ discovery of her own humanity just fits so well into a queer realization narrative, to me at least.

Then, Chell and GLaDOS escape Old Aperture and have to get through Wheatley’s tests. 

Here, GLaDOS isn’t just begrudgingly on Chell’s team. She’s actively helpful. She wants to help Chell solve tests, defends her from Wheatley’s insults, and makes jokes to lighten the mood. Things that can really only be explained by her caring about Chell, especially the part about the insults. See below.

After the two escape Wheatley’s testing track, right before the boss fight GLaDOS has a few other things to say.

GLaDOS is not going to betray Chell, because of some kind of conscience. But she could easily ignore that back in her body, and yet? Here she’s deciding not to, and for no good reason. She didn’t have to say that to Chell, but she did, because she cares and she wants Chell to live.

And then, moments before the fight:

The final lines imply that GLaDOS does not think of Chell as an enemy anymore, and that it doesn’t matter what Chell thinks because they are in this together and they are getting revenge together. It’s pretty heartwarming to be honest, to know that even in a fight that will almost certainly kill you, she is there rooting for you and caring about you, even if you don’t feel the same way about her. It no longer matters to GLaDOS whether you even reciprocate - you staying alive, you making it through is enough for her.

So Chell fights Wheatley and sends him into space, all well and good, and at this point, GLaDOS has the option to kill Chell. But not only does she not, she actively saves Chell, and holds her hand in the process. If you don’t believe me:

And not only that, but when Chell goes unconscious from her injuries, GLaDOS sits and waits for her to wake up. It’s also implied that GLaDOS carries her to the elevator, since it’s where she wakes up but not where she passed out. In the scene where Chell blacks out, you can also hear the part of Love As A Construct that sounds like Cara Mia. Yeah. Yeah.

If you think that this cannot possibly get any gayer, you are wrong again, because then GLaDOS makes her final speech. Which is really just a love confession, let’s be honest.

The “surge of emotion?” Do you mean love, GLaDOS? And the idea of GLaDOS considering Chell her best friend, despite everything these two have done to each other? The idea that GLaDOS, out of all people, forgives someone?

Except this isn’t even Chell’s final send-off. GLaDOS writes her an entire opera of turrets, that sing a literal love song. (Note what I said earlier about the use of the word “bambina”).

It really can’t get any more obvious than that. “My (affectionate romantic term here), my dear, I adore you.” How. Is. That. Heterosexual. In. Any. Way.

So Chell goes to the surface, set free by GLaDOS (think of the saying “if you love something, set it free), and you think that’s the end. Until GLaDOS gives you a companion cube so you aren’t alone on the journey, and from the burn marks, you know it’s your first companion cube. Her original heart, her first gift to you, a piece of her that she wants you to carry with you to remind you that she does care about you after everything. It also gives the lyrics to Still Alive a much more genuine meaning. 

Portal 2 ends, and then the ending song, another GLaDOS number plays. Just like Still Alive, Want You Gone is structurally a break up song and very obviously about GLaDOS missing Chell and “counting on” (read: caring about/loving) Chell’s tendencies and quirks. 

She’s accepted Chell completely, and yet also given Chell the one thing she wants most. Only wanting Chell gone can mean GLaDOS not wanting Chell in her life anymore, but can also mean she wants to give Chell the freedom she’s wanted for so, so long. It’s the best thing she can give.

In the co-op campaign, GLaDOS also references still caring about Chell.

And that’s the end of the Portal series. Except. Brace yourself. Despite the games being over, there is STILL more subtext somehow. It gets. Even gayer.

Exhibit C: Supplemental Evidence

Valve has made a lot of extra/cut content for the Portal series, and I’ll be looking at some of it below.

This official valentine from Valve shows GLaDOS offering a romantic partner cake, which as we’ve established before, is very symbolic of GLaDOS’ feelings about and/or relationship with Chell. 

There’s a lot of other concept art and official art that emphasizes their relationship too. See below.

There’s also some cut GLaDOS lines that are even gayer than the source material and again, sound like confessions or references to a breakup:

The idea of “discovering things about someone”... how much more obvious can it get?

The developers have even confirmed a lot of my commentary on Chell and GLaDOS’ relationship in The Final Hours Of Portal 2. See these quotes from the book/this post:

The devs literally describe it as a romance. They use terms like “cheating,” they wanted to write a romantic duet, JoCo purposefully wrote the endings like love songs. It is literally, blatantly said by the creators of the game that their relationship is interpreted romantically. By the creators of the game. 

And if Word of God confirmation isn’t enough for you, have a song written for a cut alternate ending by GLaDOS’ voice actress, Ellen McClain. The song is literally nothing but GLaDOS talking about caring about Chell, about not wanting her to die/leave GLaDOS alone, about wanting to bake a cake with Chell, about waiting for Chell to wake her up. It’s so genuinely sweet and sad, and really, really romantic in the most heartwrenching way possible. 

JoCo also came back for the Portal levels in Lego Dimensions, writing one final breakup song for GLaDOS to sing about Chell. It comes off as GLaDOS not wanting to admit she misses Chell even though she obviously does, trying to replace their relationship but failing, and even explicitly forgiving Chell/wanting her to come back.

Also, the “finally I understand,” as if only now GLaDOS understands just how deep her feelings for Chell are... What else can I say?

In Lego Dimensions, GLaDOS also outright rejects anyone who isn’t Chell.

In Conclusion:

Why do I ship Chell and GLaDOS? 

Well, ultimately, it doesn’t matter whether I ship them. 

Because I think it’s glaringly obvious Portal does.

[soleminisanction]

I don't have much experience with comics, but one thing that keeps popping up in fic and shocking me is how MEAN people write Stephanie. In a way where it's like they almost don't realize she's being mean, if that makes sense? For example I was reading this fic where Tim and Steph were having this emotional reunion after he thought she was dead, and she called him "boy blunder." And continued to call him that throughout the fic. Am I crazy or is that an awful thing to call someone? I guess they were going for an inside joke, but to me it just seems so cruel, like every time she talks to Tim she's implying he's made a mistake. Of all the plays on "boy wonder" I've seen, that sounds the meanest. Is this something she calls him when they're together in the comics, do you know?

Oh she's absolutely called him Boy Blunder in the comics, along with things like Boy Wonderbread and Boy Virgin once when she was poking fun at him freaking out over her pregnancy. It's true in fics and it's true in canon: a lot of what people try to pass off as Steph being "snarky" or "quirky" is just her being flat-out mean, but never getting called out on it.

It's everywhere. And you're right that people don't realize it -- in fandom or the comics. She turned up in Damian's Robin book recently for exactly one line of dialogue and that line was a judgemental insult -- "Your weird, gross pizza is over there, Damian." She only has a grand total of three lines in the action portion of "The Elephant in the Room" and two out of those are just her insulting Tim (while the third one might as well be "Ooooo, what does THIS button do?"). Hell. half of the so-called "jokes" in Batgirls are just Steph being a catty, judgemental brat while the narrator goes "lol isn't she funny?"

And it's not even a recent thing. I haven't been able to make a post about this because I'm on a freelancing deadline IRL but someday I'm going to go on a massive rant about Jordanna Spence, the poor civilian girl inserted into Steph's supporting cast as Batgirl whose only narrative purpose is to provide one of The Other Girls for Steph to insult and bully constantly for the crime of wearing pink and being in a sorority. (And sometimes she's accidentally racist about it, which is...""fun"")

Steph will spend storyarcs hanging out with like, Damian or Kara or Klarion, and they're all treated like these Big Meaningful Bonding Experiences, but all Steph does the entire time is insult them and make judgemental comments about everything they say or do. And yet every single one ends the story thinking she's the greatest person who ever lived and lining up to suck her dick with everyone else in the comic.

It's honestly messed up, but here's the thing: it's absolutely not a Steph-exclusive issue. You know who else I've heard these exact criticisms leveled at? Bella Swan. And Hermione Granger, to a lesser extent only because she's the author self-insert but not the point-of-view character. That's part of why She-Who-Must-Not-Be-Named's adult novels are so much worse, because they are told from the PoV of the self-insert character and thus we're constantly barraged with her judgemental opinions about men, trans women, poor people, people with heavy accents, any woman who doesn't perform femininity to the author's exacting standards and, of course, fat people.

It's a symptom of the self-insert character, is I guess what I'm saying. Which of course means that it also gets applied to literally everyone else in the Batfamily on occasion too -- the boys and Bruce especially but also like, I'm sorry, I don't think Cass suddenly learning to curse and be casually mean is funny, I think it's a sign of lazy writing.

The difference being of course that the guys get written by a lot of different people, many of whom are interested in them as characters instead of just as vehicles to project themselves onto. Several others (especially in fandom) do just use them as vehicles (Damian hasn't been given to a good writer in over a decade and god knows Jason got more than his fair share of Very Special Boy treatment during the New 52), but it's not the only part in their canon.

Steph, though? Since the end of War Games forward, she's been nothing but a self-insert character designed for straight white women to project themselves onto. Which is sexist and sucks and obviously can't be called "the character's fault" or anything, but knowing all of that doesn't make her mean-spirited bullying any easier to put up with if you're not one of the people getting off on the power fantasy of being the bully.