#that was a fascinating potential

[marlenacantswim]

shassie as a dynamic works so well imo because shawn is dialectically a genius and an idiot while lassie is dialectically badass and pathetic. thus, in the most ideal scenario, they're a scarily effective power duo of whip-smart deduction and ruthless tactical intimidation, but when you flip them to the other sides of their spectrums they become Two Losers Making Asses Of Themselves, both of whom constantly try to hoist themselves back to the other end by using the other as a counterweight.

[httyd-art-requests]

Buddy is entirely unimpressed by the floating dorito

(Not canon to the Ad Astra AU)

[battlekidx2]

Alastor Episodes 7 and 8 Thoughts

These two episodes really gave us a lot in regards to Alastor and I cannot wait to see where they go with him in season 2. What I find most fascinating about what they established with him in these episodes is how I think this perfectly sets up Alastor to directly challenge the show’s main themes of redemption.

Alastor is the only character in the main cast that I think could effectively challenge Charlie’s idea of redemption by making her face the question of “where the line for who can be redeemed and who is too far gone is?” 

Even Vaggie and her past as an exorcist couldn’t challenge Charlie’s ideals in the same way because Vaggie so clearly wants to be better and is trying to be better. She could only challenge Charlie’s idea of who could be redeemed. She couldn’t truly challenge the line of when someone is too far gone unlike Alastor. 

And to explain this I'll just jump right in.

It’s clear these two episodes were meant to show a shift in Alastor and Charlie’s relationship in some capacity. It’s a bit more of a subtle shift than with the other characters, but I think it’s setting up this future conflict well for the limited time the show has. 

At the start Charlie doesn’t think Alastor cares and calls him out on this. She directly states that she believes he enjoys the suffering. He refutes her idea of him by stating she doesn’t know what he feels. He purposefully hides his feelings behind a smile as a sign of control. (The first shift. It tells her there’s more beneath the surface)

Then Alastor helps Charlie enlist cannibal town and says he wants to mentor her in the song. This is more than the initial indifference and humor he got out of Charlie at the beginning. There’s an interest in seeing Charlie grow and being a part of it that wasn't there before. And, with Alastor helping Charlie here, trust is being built (at least on Charlie's end).

Then Alastor talks to Niffty (who he is clearly fond of) and admits he finds the group enjoyable to be around. He says he could grow accustomed to them after Niffty says she really likes them almost in agreement with her. He's very candid with Niffty and doesn't seem to feel the need to hide his emotions around her. They appear to be on the same wavelength.

And finally, Charlie is upset when she thinks that Alastor died against Adam and hugs him happily when he returns. In Charlie’s eyes Alastor has been helpful and risked himself and his power to protect the hotel. This is a true shift in their relationship on Charlie's end.

This bond is necessary because if (at the very least) Charlie doesn't care about Alastor then he won't be able to truly challenge her idea of redemption and the show implies it doesn't just go one way. It's just obscured.

To explain what I mean I want to look at Alastor's role in the final battle and that moment when he is alone after he escapes.

At the beginning of the battle he felt like the trump card he should have been. He makes the exorcists, before Adam destroys his shield, look like a joke. And he gives Adam a run for his money before he becomes overconfident and lets his guard down. He didn’t expect Adam to bounce back and have that much power left to show. He was caught completely off guard and paid the price. 

And instead of staying to face the end with the rest of the people in the hotel Alastor opts to save himself. He places himself first. When he leaves he seems almost smug, spouting off a one liner and smiling as he sinks into the shadows. It seems calculated and calm, but alone is a completely different story. This moment shakes Alastor and that moment alone puts his fight against Adam and decision to flee in a different light.

In this moment when he's alone he starts to lose it, saying there has to be a way out. This isn’t where things end. He will come out on top. 

He can feel his control over the situation slipping. His power and notoriety has been challenged left and right this season. First Vox, then Lucifer, then the loan sharks, now Adam. It’s one right after the other. And Adam almost killed him.

He’s struggling to grasp onto what little control he has left by forcing himself to keep on his smile and it calls back to the beginning of episode 7 when he says to Charlie that just because she sees a smile doesn't mean she knows how he really feels. His smile is a sign of control. And even in this moment you can see that last bit of control slipping. And it’s left him even more desperate for his freedom than before.

The Radio Demon was introduced almost as if he was an all powerful entity and now he is being brought back down to earth and he’s raging against it, barely keeping it just below the surface. 

But there’s even more to his breakdown than just his pride. The lines “Great Alastor, altruist, died for his friends. Sorry to disappoint that is not where this ends. I’m hungry for freedom like never before. The constraints of my deal surely have a backdoor.” strongly imply that he really does care for the residents of the hotel more than he wants to admit even to himself.

He is freaking out because he got too close to dying trying to protect and help people that he never thought he would care at all about and he’s doubling down on his plans from before. 

His immediate desperation to be free implies he is at the hotel because he is forced to be there, but he’s desperate to get out of the contract because he doesn’t like how it’s changing him. Alastor has always put himself first and here he is almost dying trying to protect this hotel and it's rattled him even more deeply than the blow to his pride.

I feel like they know exactly what Alastor can mean thematically and they want you to know he’s a villain while seeding hints there could be change under the surface (ones that Alastor himself is afraid of and wants to double down against). There’s a balancing act going on with him and it seems they really do want to challenge the idea of redemption with him. Not just Charlie’s, but his own as well.

Alastor is still in my opinion the best written character in the series. There’s just so much to unravel with him and he’s the most fun to try and dissect to me. I can’t wait to see what they have planned for him in season 2.

[johnnyshrine]

★ 123 // “Take the next best step and pray.”

[samwinchesterstan]

sorry but what show are these people watching .

[glamfellens]

thinking about the struggle between grey wardens and the orlesian chantry and who supersedes who. the chantry feeling undermined when the grey wardens recruit mages out of their circles, giving mages unprecedented levels of freedom and a life outside of the circle. resentment building because of this. the grey wardens leaning a little too hard into their rite of conscription that can be used vindictively and spitefully because wardens are still human and fallible. its so juicy. i miss it so much. anders' recruitment in awakening was such an interesting microcosm of this tension i wish we saw more if it

[finelythreadedsky]

ancient greece had some weird notions of the female going on. like what do you mean the innermost nature of women is the concealment of their nature? what is pandora an imitation of? if women are by nature deceptive, do they in fact reveal the truth of what they are in using their bodies to deceive? can you cover covering itself?

[ladyofspoons]

of course you have a blue kanohi and pronouns

[oh-no-its-bird]

Playing w brushes, thinking ab the uwuification of Tobirama via Madara's office thoughts

[poorly-drawn-mdzs]

The girls are plottinggggg

[First] Prev <–-> Next

[gilmores-glorious-blog]

e.m. forster, on maurice: “a happy ending was imperative”

people on tiktok who only watched the movie because of hugh grant: omg this movie was so sad i hated that there wasn’t a happy ending!! 😭😩😩 clive and maurice should have ended up together ☹️

[mirellapryce]

I have one serious thought before I subject you all to my dumb thoughts. In a second season I would have liked for The Cat King to have taken on a Queer Elder role for Edwin. I would have liked for him to see Edwin PROPERLY as a newly out/realised gay kid, and for him to take it upon himself to show Edwin their community, and all the places and people who will love him for him.

[bookshelf-in-progress]

You could make a really cool cottagecore fantasy novel using the structure of Little House in the Big Woods. Where the main characters live in a stable environment and go about their daily lives dealing with the domestic details of the world, but they meet characters who have gone on adventures. So a huge chunk of the book is made up of the stories that these characters tell. The main characters would face very little peril, but you'd still have a book full of thrilling stories.

I'd try for a middle-grade fantasy. Center it on a group of siblings whose parents went on save-the-world adventures, but have settled down to raise a family. Maybe they run an inn that caters to people from a ton of the nations and races of this fantasy world. Or maybe they're just frequently visited by old adventuring companions who always have cool stories to share about the adventures they've been on or the events or history of their homeland.

[aroaceleovaldez]

one of the things that I found particularly interesting in Demigods of Olympus is that it finally gives the best direct comparison we've seen so far between Percy and another character's experiences in terms of academics and particularly ableist discrimination.

The way Zane describes his experiences and what we see in his POV is that, while he is similarly discriminated against for his "atypical" behavior and blame is placed on him, the only sorts of punishments he receives for this are relatively benign, such as an increase in counseling. (It is also notable that Zane is somewhat autistic-coded, such as having the "incorrect" scripts when speaking with adults and Sam explicitly reminding him to remember to make proper eye contact.) Percy, on the other hand, similarly experiences discrimination for "atypical" behavior, but whereas Zane is treated as "too smart for his own good" and given slaps on the wrist, Percy is automatically labeled as aggressive, destructive, and a trouble-maker based on preconceived assumptions about him and is more severely punished, such as being frequently expelled.

We rarely get this level of direct comparison between Percy's experiences and that of another character, particularly such similar experiences, so looking at the differences is really interesting to gauge what their different experiences with ableist discrimination is like - and how it could potentially tie into intersectionality and other forms of discrimination at play for them.

For instance, Zane's parents are generally heavily implied to be middle-class and/or generally financially secure, versus Percy who grew up poor, so it could be classism in combination with ableist discrimination. Alternatively, it could be intersectionality with racial discrimination, as neurodivergent behavior in people of color is significantly more likely to be punished more severely and labeled as aggressive or disruptive behavior due to racist preconceptions - particularly since we know Percy's experiences with ableist discrimination are also somewhat based on assumptions people make regarding his appearance. Both Zane and Percy are racially ambiguous - Zane's appearance essentially being completely unspecified, but Percy at least having some notable details such as having a deep tan complexion. If not racism, it could also be colorism, which in this context often has similar intersectionality. There's a lot of potential options.

It's just very interesting to me! I love having such a direct point of comparison to examine the experiences of two characters within.

[shelfperson]

this too is yuri

[bjs-dumb-hat]

Like fire

Hellfire

This fire in my skin

This burning desire

Is turning me to sin