#that something is Very Wrong with his world

[soupy-the-only-one]

This post already tackle many thing, but i would also like to add that many people do not know there are actually different types of Omegaverse, and they developed thanks (for fault) of how different is the health insurance situation or the societal situation is by country to country.

If you have red omegaverse, you probably have seen three main branches, that we will name by the country developed them: USAmerican Omegaverse, Japanese Omegaverse, Chinese Omegaverse. Every country tend to have their differences, but these three, by merit of being the countries with more population or more tumblr famous media coming out of them, are the ones you will probably encounter in your fandom life.

USAmerican is the one everyone born before the 2000s started with. Alpha and Omegas must get together, and every other secondary gender couple may be seen as wrong. Heath can make you lose your mind. An Omega to be safe must be mated. Suppressants may often be illegal, or very expensive, and omegas will be ready to go in lenghty journeys just to get them. The parallels with private health insurance in the USA and the woman figure in that country are pretty evident. The country you live in have decided the medicine you need to regulate your cycle is now illegal because it may ruin your fertility. Is it true? Is it not? Depend by writer, but the everyday omega generally would care fuckoff about it and just want their pill. Is abortion possible? Well, the pup in the alpha propriety, so of course not. The normal (women having to suffer from very painful periods the doctor tell is absolutely normal, women having to merry to have some rights (like opening a bank account), women having to merry young if they want to actually have a life) got exagerated till they can no more think without their meds. And of course, for kink reason, for vengeance reason, for wanting to be outside the narrative reason, now there is a man instead of a woman in the story. Get your pariod pain you bastard.

In the past it was often time dystopian. Omegas were put in institution and sold to a rich alpha. Omegas got castrated. In the last years stories tended to become more slice of life, and heath more menagable. Still now, omegas have not their supressants covered by health insurance. It must be told that the change was more internal in the fandom, deciding the extreme kink of the first years was now too much and objectifind gay man. That must be told is an idea does not consider why they were written like that, but it would be a whole another post.

Japanese Omegaverse, instead, tend to have a complete different basis: No more Alpha/Omega like for the USA, the only good cristian WASP couple. In this country the anglicanism did not embed society like in the USA, and the system function more as a caste: Alphas stay with Alphas, Omegas with Omegas. Going outside of the status quo may shut you out, and it is not unheard of couples faking their secondary gender to stay in a relationship.

It is intersting in here how the health care mix with how the society is seen. While in the USA the anglicanism make the go get couple the most heteronormative possible to think of, but does leave space for societal movement, in japan the family and the group may be more important. Of course, it does not change the ending couple. Romance is the same in all the world. But in a world where suppressants are more easily available and everyone can hide their secondary gender (being a normal neutral office worker instead of the boasting american alpha use his secondary gender to escalate the company hierarchy), the secondary gender become something to be embarassed of whatever you are, to be hidden, and to be best shown only to other people are the same to you.

Of course we cannot forget how also japanese omegaverse had the warewolf trope, you probably saw sold in your comic book shop. And while this is their fully kink, with alpha warewolf getting their beautiful omega, we must remember how these also function: Omegas are not sold as wives. Omegas do not get the bite mark. While in the USAmerican omegaverse the bite mark is a necessity, because it make you an actual couple, in japanese warewolf omegaverse the wife, or more often the woman hired to give heirs to the house, will have a collar. It is unsightful to have a mark. It is not even necessary to calm down an omega, since they can get medicines, or to have a relationship, contracts are in there for that.

Chinese Omegaverse have a main difference by the other two, and it is its connection with the Xianxia genre. While both USAmerican and japanese are connected to the warewolf genre, in chinese it is all based on cultivation. I must preface by the fact also in China of course they have what we would call classical Omegaverse, near the USAmerican or the japanese slice of life type, but they have also this genre unheard of, by virtue of the genre it is based of being a classic Chinese genre, in all the other countries. This is by far the one i red less about, so please come and tell more in case you have more historical knowledge about it.

First of all, for everyone does not know, xianxia is a media genre based on the taoist concept a man can "cultivate" their qi (a type of life force existing in everything) to obtain immortality and particular powers. The Mo Dao Zu Shi novel, from whom The Untamed live action serie was adapted, is probably the most well know exemple.

Cultivation as a concept, existing since ages of old, already gave multiple notions could be used for fics, like the use of caulderons, people of lower cultivation from which someone can steal the qi to get more power, and the numerous theories about semen retention to keep your qi inside. If some hollywood star or musicians in the late 90's first 2000's talked about Tantric sex, it is the same source, with less knowledge about the real actual phylosophy than the worse teenager omegaverse fanfictioner.

The names of the secondary gender are changed:

Omega: 坤泽 Kunze Beta: 中庸 Zhongyong Alpha: 乾元 Ganyuan

In Cultivation there is the notion you can cultivate with someone else, your cultivation partner, to better cultivate each other energy by transferring it to one another. With Omegaverse, with the existence of heath and ruth, a cultivation partner become not only someone you could have to better cultivate, but a necessity to dissipate there problems and make them energy. Becoming this now a purely cultivation method, the romantic or sexual theme can disappear. Often a kunze and a ganyan will become cultivation partner, even arriving at a mating, but this will never be a marriage. In some versions even, if you fall in love with yout partner and want to marry, you will have to break the mating. This type of omegaverse give more fluidity, changing the fundamental of the USAmerican omegaverse, the bite you can never take back, and mix with the social, phylosophical and fantasy elements typical of the genre. It is now more rare to have a type of relationship frowned upon by the secondary gender element, but by how it is used. This also open new ways to change secondary gender. Being it connected to your qi, a corruption of your energy by external or internal forces can now change your secondary gender. Being used as a caulderon, deciding to use an unhortodox cultivation way, or living in a very bad energy polluted place, can all change your gender. The mating can be broken. And the clan is always extremely important.

As you can see, while all three clearly omegaverse, the themathic talked about can differ very much, and everyone can interact with them in multiple ways go beyond the knot fucking. And even the knot fucking change feeling depending on why it is happening. Are you an omega because you are tired of your sexual feelings and you want a way to act on them, without it being your choice and your fault, so making you innocent? Or are you considering fucking a know just a biological thing you have to do for your health, but consider it the same as eating a protein bar on an hike, and the real relationship is outside of it? How are you two connected? Are childrens possible or not and how does that influence your body?

Even if not liking the kink or the genre, it is not possible to deny the way it is often used to explore real situations the writers live in.

Do you think in the omegaverse there’s a new, awful layer to “the talk” that teens get

[emacrow]

Siren song of Space by emacrow/the og prompt creator

The assignment has gone all type of wrong for the justice league.

They were investigating a mass sudden disappears of a town called Amity Park after finding out a neglectful person(*cough cough* flash*cough*) thought they were prank calling about ghosts and some group called GIW until John Constantine heard one of the voicemails.

The area where Amity Park was now a Mass ocean that looked like galaxy was dipped into it even if it was daytime and fog covered the greenish tint sky inside the Barrier.

This was deep world ending shit, but unfortunately, none of the adults could even enter at all nor high tech ships not even John constantine could pass through, but old wooden ships with food supples can easily slipped through, along with the except J'onn.

Who tried float a foot deeper in without gripping his head from the pure mass empathetic overload and pushed back out by an unknown force, going through an internal shock until one curious Robin tried stepping a foot in and successfully went through, stepping on the ship easily.

Seeing that only kids and teenagers could go leads to mass arguments between the Justice league until John cut in that the abnormal sea space dome is expanding, sucking in more ground until the very earth itself is swallowed whole.

Grumbly, internally, Batman called in the young justice league, teen titans, and a few robins to find what had happened and come back in 1 hour.

Now, the entire young justice league, main teen titans, and robins were on a wooden ship sail into the space like sea.

Cyborg and blue beetle had to stay behind due to being mostly technology along with miss Martian who might also had the dame reaction as J'onn earlier as Red Robins pulled the sail with a compass, Starfire, Raven, Super girl, Super boy and Tranformed eagle Beastboy flies around as the scout.

Aqualad couldn't get in the water the moment he tried to stick his head only to immediately pull away gasping for air. This water was too dense yet suffocating like space itself submerged in it.

Kid flash helps around with arrangements, tying up knots and untying when the wind blown hard with the help of bat girl, robin, and Artemis

The only sound they could hear was the sea roaring, the ship creaking with each wave they sail over, and an odd electric sound buzzing around, as the ominous greenish fog seemed to roll in.

Starfire, Super Boy, Super girl, Raven, and Beastboy flies back onto the ship the moment their vision was blurring by the Fogs. Super boy and girl couldn't detect any other elses' heartbeats others than their group, and that alone sent chills of what could have happened to the Amity Park residents.

The sense of danger was shivering up everyone's backs as they could hear a voice, low and quiet, that began to grow louder.

Beautiful like yet haunting young male voice that nearly pulled their attention towards as Raven yelled at them to cover their ears with ears plugs from one of the wooden boxes now.

Something massive white was swimming in the star filled sea near their ship.

There couldn't be anything alive in this sea, but their eyes couldn't betray what they have saw.

It was humanoid, with multiple arms with webbed fingers with white massive hair longer then foot ball station, a large slender body that had thousands upon thousands of green spots and hundreds scars too neat and professional align to be normal cut and a very long tail with shredded fins.

Super boy and Girl eyes widen seeing that the green spot weren't for show as they were bubbles with people sleeping, encased, young and old, most of them were green colored or off color humaniod while the rest were living human people asleep.

They all kept their ears shut with the ear plugs, But super boy and Girl could still hear the most beautiful yet haunting voice that sound like a Siren enchanting his neck victim.

Red Robin could see Super boy swaying in a dazed like state while Super girl looking enchanted nearly floating, motion the others to help tied the two to the pole with lightly laced Kyptonite rope to stop them from going over board toward the Entity.

Raven could see that this was likely the Entity that trapped the Residents of Amity parks, but the questions remains as how it got here and why this space dome was here.

Bat girl was signing that this creature seemed desperate, hurt, confused, traumatized, hopelessly scared, yet dazed in some typed of trance like over protective like state.

[dokidokitsuna]

GameSwap!AU #2

Thank @earthykinous for this idea; I saw it in the tags of the first GameSwap and immediately knew I had to give it a try ^^

-Taranza seems like a very ‘devoted’ character, the kind who very easily latches on to personal influences…so as part of the HWC, I think he would be just as involved with the Mother Computer as Haltmann, maybe even more so, just to be able to share something with him. Just in general, he’d be agonized about his father not recognizing him anymore, and desperate to prove his worth despite it, trying to replace familial love with company loyalty in a VERY toxic-positive way. ^^ And besides, if he uses that control helmet often enough, maybe he’ll lose all his painful memories too… And in this scenario…maybe the reason Haltmann dies is because he sacrifices himself to Star Dream to save Taranza somehow, finally recognizing his son when he realizes he’s about to lose him again. OR, maybe he just feels like Taranza is too important to lose without knowing why, leaving only Taranza to bear the true emotional weight of that sacrifice.

-I think Susie is a more mature character than Taranza– despite her sad backstory, she seems to handle her situation well during the game, and doesn’t even seem that affected by Haltmann’s death post-game. If it’s not maturity, at the very least it’s a much lower level of emotional attachment.

So how would she go about dealing with her crush mutating into a tyrannical insect queen? I think she would actually just lose respect for her, and end up turning on her.

Despite staying by her side and aiding in her conquest, she would secretly be plotting her downfall: praising and obeying Sectonia to her face, while trying to undermine her in the background…keep your friends close and your enemies closer, as they say. Rather than mistakenly capturing the wrong ‘Hero of the Lower World’, Susie would’ve picked Dedede on purpose, knowing that Kirby was the ‘real’ hero who would come to save him AND defeat Sectonia. She’d then pretend to oppose him throughout the game, throwing challenging bosses his way to prepare him to face the Queen…and finally, she’d reveal her true motivations once Dedede has been freed.

But maybe, just to bring back the stakes and drama…maybe Sectonia overhears this reveal, and enters the scene. Through the ensuing argument, we could learn a bit about how Sectonia became evil in the actual game, and have Susie basically call her out, admitting to her treachery and daring her Queen to do something about it. To throw away the last shred of their former friendship, once and for all.

Which Sectonia does, of course, and from there the rest of the game could proceed like normal. Only, I think Susie’s characterization as a tough-yet-caring friend and a twist-hero would make her return with the Miracle Fruit a lot more satisfying. Rather than failing to see how evil Sectonia had become until it personally affected her, she knew exactly how far-gone she was, and put her life on the line to try and wake Sectonia up.  And despite losing that gamble, despite witnessing her friend choose to become a monster in more ways than one, she survived and came back to help us end the battle. ^^ I think that would be really heartwarming~

[meglosthegreat]

So... everyone pretty much hated Veilguard's "secret ending", right? Beyond speculation about the Executors themselves, I haven't exactly seen anyone excited about its presence, and for that matter, haven't seen many people talking about it at all.

The closest way I can describe my initial reaction to it was an immediate, visceral disgust. I think I remember uttering at my screen something along the lines of "Fuck off! What the fuck?! Are you fucking kidding me???" and ever since then I've wanted to put into words exactly why it made me feel that way.

For the 88% of you (according to Steam achievement statistics) who didn't see this ending due to not picking up three very specific codex entries by complete chance, you can watch it here. In short, the clip depicts a mysterious voice who sounds suspiciously like Matt Mercer talking about how a group of shadowy figures has "balanced, guided, and whispered" over scenes of villains from the previous DA games, implying that these shadowy figures have been at least partially responsible for all of the bad things happening in Thedas, towards some unknown nefarious purpose.

Now obviously, this sucks. This is hamfisted, unimaginative writing that simultaneously retcons and re-contextualizes elements from DA's past that absolutely no one thought needed further explanation, as well as being exactly the kind of irritating sequel-bait tactics that people have largely grown tired of these days. But why does it suck so much? Why did I feel such palpable distaste for this scene?

For starters, it simply reeks of entitlement, and a lack of respect towards Bioware's own past games. Remember those villains you loved and thought were compelling? Well, their own personal, very complex and thought-out motivations were really just the Executors whispering in their ears the whole time! Loghain making a difficult and calculated decision at great personal cost for a greater good he truly believed in? Executors. Bartrand succumbing to his own greed to the point that he betrays his only family and devolves into a tragic husk of himself? Executors. Corypheus and the Magisters breaching the Golden fucking City??? Executors.

Ignore the infuriating lore ramifications for a second and consider: what do all of these things have in common? They're all instances of complex character motivation; of people in this world doing things for their own reasons that ended up having massive ramifications. In short, they're not events that can be explained easily in terms of black and white morality. And from what we've seen in Veilguard, the current dev team has a serious inability to work with any story elements that do not have absolute moral clarity: the Venatori and the Antaam are Evil. The Shadow Dragons and the Crows are Good. Any nuance; any potential questioning of this duality is quickly explained away or snuffed out.

And that's exactly what they're trying to do, retroactively, with the rest of the series. Having a hard time deciding whether Loghain was right or wrong? Well, worry not, the Executors are Evil and if they were guiding him the whole time, then what he did must have been Evil too! Grappling with how the plot of DA2 was about the inevitable tragedy of a series of oppressive systems reaching their natural breaking point? Well, wrestle no further, for if the Executors were involved then Meredith and Bartrand must've been Evil, no question! What the Magisters did was definitely Not Great, and what do you know, there were consequences for it that they and the whole world very much did pay for. But if the Executors were behind it all, then it was someone else's fault, some Evil power reaching in and making them do what they did, rather than their actions being the result of a horrific series of power abuses done by actual people.

Which leads me to where my initial disgust comes in. Because in a world which has always had core themes of power and its many abuses, actions that have consequences, and the idea that there are no true higher beings; every horrible thing that has ever been done was done by people, the simple act of putting shadowy figures behind key moments in history completely debases and neuters all of those themes. The whole point of Dragon Age as a series up until this point has been to illustrate the complex relationships people and societies have with power, choice, and morality. To remove that link - to place an external force between those characters and their choices - is to rob the series of any meaning whatsoever.

There is a staggering difference between the messaging of a game that tells you ordinary people are to blame for society's wrongs and a game that tells you a secret shadowy faction of evil forces are to blame for them. The former invites thought about one's own society; it has the potential to be uncomfortable and difficult to reconcile with. The latter assures its audience of the fantasy it is couched in. It gives the audience a boogeyman to be angry at, and in so doing deflects any potential for introspection. And that, I think, is the real point of the scene in question.

In a time where our media has become inundated with bland, unchallenging liberal politics, the idea of "cozy" stories have become a growing trend. These types of stories often sport a broad rejection of complicated themes, painful emotions, and nuance, preferring instead to provide a "safe" place to escape to. And with that "safe" space comes a directive not to engage in critical thinking about a work, and not to draw any message from that work and apply it to the real world. Yet this is exactly where Bioware seems to be heading nowadays.

Veilguard has already been faced with heavy criticism about playing things overly safe; removing anything that might be potentially uncomfortable for the player. And the end credits scene is no different. Don't think about things too hard, it whispers to you seductively, in Matt Mercer's soothingly Evil voice. See? The Bad Guys were behind everything, all along.

[midnighvtm4ss]

Oh you sweet, poisonous thing

summary: just Arthur yearning and being jealous of reader and Javier. Enjoy😽

pairing: arthur morgan x fem!reader

content: fluff, jealousy, a hint of angst maybe ?? idk

wc: 1,8k

a/n: *taps into the mic* heyy,,, how y’all doing *voice echoes, crickets can be heard in the distance* so i kinda disappeared from tumblr ik. I went through a rough period and I thought a lot about what to do with this account. I lost all motivation to write for a while ngl, but after some thinking i decided that no matter what I’ll keep writing and posting here. After all this was and still is my little safe space where i can just forget about my life and post silly things about cowboys sooo yeah have some Arthur yearning because we should bring back yearning in 2025. ok i yapped enough bah byee

The cracking sound of the campfire travels softly in the center of camp, casting long, flickering shadows that stretch and shift over the familiar faces of the gang, dancing on their features to the sound of the soft music leaving Javier’s guitar.

It had been a rare, uneventful day—the kind where, surprisingly, nothing went wrong, and the world seemed to hold its breath afraid to burst the serene and quiet bubble that engulfed all round the camp. The stillness settled over the gang’s members like a balm, soothing old wounds and lifting everyone’s spirits. By evening, an easy carefree air had taken root, boosted by a few shared drinks and Javier’s guitar.

You sit near the fire, sandwiched between Karen and John, the blonde slouched lazily at your side, her cheeks flushed from the too many whiskey glasses she downed. Javier is in a contagious good mood, sitting on the ground near John strumming another lively tune as he leans toward you, his bronze skin glowing in the campfire’s light and he’s grinning like at you like the charmer he is.

“Why don’t you sing with me, cariño,” he says, his voice playfully teasing. A chorus of groans and exaggerated complaints come from around the campfire, the gang all too eager to tease you about the first and fortunately the last time you sang around the campfire in Horseshoe Overlook after you had too many to drink. You remember waking up the morning after with a terrible headache and the sweet memory of laughter shared around the warmth of the campfire.

You laugh at their reaction, shaking your head. “I think I’ll save everyone’s ears this time, thank you.”

Javier chuckles and with that resumes playing, his voice low and smooth. His energy is infectious, pulling easy smiles and a few soft laughs from everyone. But in the back of your mind, you can feel that there’s a subtle shift in the air—a pull, a presence that tugs at your attention like a ping you can’t ignore. It’s faint at first, almost imperceptible, but it grows stronger, undeniable, familiar. You glance toward the edge of camp, and as suspected there he is.

He’s leaning against one of the wooden posts near the horses, half swallowed by the shadows, the dim firelight barely reaching the brim of his worn hat. His broad shoulders are hunched, arms crossed tightly over his chest like he’s trying to protect himself, to keep something away though you’re not sure he even knows what it is. His aqua eyes are sharp even in the shadows, and they’re fixed directly on you.

As the weight of his gaze settles over you like a heavy fog, thick and tangible, despite the distance between you, a shiver runs down your spine. Your chest tightens, as if the very air around him has thickened with unspoken things.

You’ve known him long enough to feel a quiet storm building in the depths of his quiet, unshakable composure. It’s not indifference nor anger. It’s something else—something raw and unspoken but you can’t, and maybe won’t, put a name on it.

When Javier nudges you playfully, you force yourself to focus back on him, offering him a smile that you hope conceals the tension swirling inside of you. Still, the weight of Arthur’s gaze doesn’t leave you, not even as the evening stretches on.

As the night deepens, the fire crackles low. One by one, people begin to drift off, leaving just you, Tilly, Lenny, Javier, and Karen around the fire. Tilly, who had joined your little circle a few hours earlier, is lively chatting with Lenny about some gossip she’d overheard in town, her voice bright with excitement seemingly unphased by the late hour. Meanwhile, Karen has fallen asleep with her head resting on your shoulder, undoubtedly drooling a bit on your blouse. This leaves you and Javier alone, the conversation between you two flowing easily, until he eventually sets his guitar aside with a stretch, breaking the comfortable atmosphere.

“Already going to bed ?” you tease, nudging him gently on the side. “Won’t you play me another song before you go to sleep ?”

He smirks, shaking his head with a wink.

“Tomorrow.” He promises winking at you. He stands up and disappears into the shadows of the night. After a few minutes Karen stirs awake, mumbling something about needing another drink before bed, lazily getting up on her feet, shuffling toward the camp’s supply.

After that it’s just you, Tilly and Lenny sitting near the dying fire. From your peripheral vision you can see the dark silhouette of Arthur sitting at the worn wooden round table under the tall tree in camp. You don’t look at him, not directly, but you feel his presence like a thread pulling between you. You sit there, looking at the fire contemplating if approaching him or calling it a night.

When you finally stand, your feet move before your mind can catch up with your actions. You carefully walk towards him, finding him hunched slightly over the table, his broad shoulders tense as he stares down into the nearly empty glass in his hand.

“Mind if I join you ?” you say pausing a few feet away. The sound of your voice softly filling the cold air around you both.

Arthur doesn’t immediately look up, his focus still fixed on the amber liquid swirling in his glass. You nearly contemplate leaving when after a long moment, he tips his head in a slow, deliberate nod. “Suit yourself.”

You take a seat across from him, your hands folding in your lap playing with a few loose threads as you settle into the quiet. For a long moment, neither of you speak. The noise of the evening has faded away, leaving the camp wrapped in the soft rustle of trees and the distant sound of crickets.

“Tired ?” you finally ask, your voice hesitant, breaking the silence.

Arthur huffs a low breath, his eyes never leaving the glass. “Long day,” he mutters, a simple response that tells you nothing.

You nod, though his answer feels like a wall, a quick, easy way to avoid revealing something deeper. There’s something bothering him, and maybe it’s the alcohol in your system or maybe you simply care too much for him but you’re determined to find out what.

“Javier kept everyone entertained tonight,” you say lightly, your words casual, trying to spark a conversation, though you’re watching him closely.

Arthur’s grip on his glass tightens just enough for his knuckles to go pale against the clear glass. “Yeah,” he replies, his tone flat. “He’s good at that.”

The space between you feels heavier now, filled with something unspoken, a tension that neither of you acknowledges directly. You lean back in your chair, letting the silence settle between you, but you can’t ignore the flicker of his eyes as they meet yours, then quickly shift away like he’s afraid of what might show if he stares at yours too long.

“What’re you drinking ?” you ask after a moment, breaking the quiet.

“Whiskey.”

“‘S that the good whiskey Pearson’s been hiding, or the usual watered down crap ?”

Arthur’s lips twitch, almost imperceptibly, clearly fighting a smile. “Usual crap,” he murmurs. “Pearson ain’t that generous.”

You laugh softly, the sound easing some of the tension that’s built between you. But still, it lingers, just beneath the surface, like something you both know but can’t put into words.

“You seemed quiet tonight,” you say after a pause, studying him closely.

Arthur shrugs, lifting his glass to his lips, the movement slow, as if every motion is carefully measured.

“Didn’t feel like talkin’.”

You watch him, your gaze tracing the line of his jaw, his wet lips and the way his fingers absently trace the rim of his glass. He’s not being completely honest—that much you know, but you’ve learned to read between the spaces of his words.

“Or maybe you just didn’t like the company,” you offer, your tone playful but with an edge to it.

Arthur’s eyes snap to yours, sharp and unmoving. “I didn’t say that,” he replies, his voice low, almost a growl.

He holds your gaze a beat longer than necessary, and you feel the weight of it settle deep in your chest, making your breath hitch. There’s something in his eyes, something raw, vulnerable that makes your heart stutter. You’re not sure if he sees how your composure falters, but he’s the first to look away, tipping his hat lower over his brow to shield his expression.

You’ve always hated when he does that—you’ve always hated the way he uses it to put a distance between you, but now more than ever you hate it because it feels like the wall between you is growing thicker and you’re not sure if you can get through anymore.

“You’re a hard man to figure out Arthur Morgan,” you say softly, the teasing edge gone from your voice. He doesn’t answer right away, and when he does, it’s in a voice barely above a whisper.

“Maybe that’s for the best.”

You bite your lower lip in frustration but then you force yourself to swallow down your disappointment. The conversation shifts then, moving toward more trivial things like the weather, the horses, Pearson’s latest disaster with the stew. But even as you talk, you know that there’s another conversation happening in the spaces between words, in the glances you exchange, in both your body language, in the way the silence sometimes wraps itself around you both.

You don’t speak of it. You don’t name it. Neither of you can, but you know it’s there.

“Good night Arthur,” you say, your voice quieter than you intended. You give him a sweet smile, one that doesn’t quite reach your eyes, before you stand, the weight of your own tiredness forcing you to seek the sweet embrace of your bed.

He doesn’t reply right away, just gives a slow tip of his hat. “Night.”

As you start to take a few steps away from the table, you feel his gaze on your back—steady, unwavering. It feels like it’s burning into your skin.

You glance over your shoulder, just once, and meet his eyes. For a moment, they’re distant, almost lost, like he’s somewhere far away in thought. But as your gaze lingers, you catch something else, something in the way his eyes soften, the barely perceptible softening of his eyebrows. It’s not a look of anger or frustration that he gives you, no, he’s looking at you with something deeper, something raw.

It’s the kind of look that makes your chest tighten, a sweet warmth settling between your ribs. He doesn’t need to say anything, you can feel it in the glance between you—the weight of all the things neither of you will dare to speak aloud.

In that brief moment, you understand. And it’s enough to leave you walking away with butterflies storming in your stomach and the strange sense that you’ve just shared something deep, something fragile with him without ever needing to say a word.

[endursent]

WHAT IF astral express sunday would be too nervous to hold readers hand or hugging them bc his brain goes 💥 until he gets used to it and softens up to reader waa 🎉🎉

HES SO SILLY i want him to explode

【 content; sunday x reader , astral express sunday , fluff , character exploration, mild suggestiveness in one section , gn!reader 】

【 note; see sunday mention. NEURON ACTIVATED. i have neglected sunday writing for too long, it's time to sunday post more. 】

【 word count; 1.818 | read on ao3 | masterlist 】

Even after properly defining your relationship as “definitely happening”, Sunday still struggles to adjust to it—not because he doesn’t know what to do specifically, but because he fails to follow through with a lot of it. 

  As soon as he meets your eyes and feels the warmth of your skin at the same time, his brain halts in place like a deer caught in headlights—something about the affection and love in your gaze causes him to freeze, to hesitate and draw back. 

  He wants to enjoy that warmth, he wants to touch your cheek and gaze into your eyes for hours on end, examining every detail of your iris until he has it mapped better than the back of his own hand… but his heart tightens and his arms tingle when he tries. 

  He’s afraid, scared to overstep thresholds whose doors have long since opened wide for his presence. Afraid to take a wrong turn in the endless hallways of his thoughts and what-ifs.

  You don’t push him, you give him time to consider his movement and actions and proceed in the ways he feels comfortable—but you don’t let him pull back too far either. You grasp his hand as it pulls too close to his chest and he swallows when you bring it to yours, you press his palm against your chest and allow him to feel your heartbeat—quickened, excited, yet nervous as well. Sometimes, you’re also nervous. It’s okay to hesitate. 

  Mere moments like brushing his fingers against yours on accident are enough for his head-wings to shoot up into the air. You had simply been reaching for a pistachio in a bowl on a table where you sat with Sunday next to you, and he had coincidentally reached out as well. “A-ah, my apologies,” he pulls his hand back, wings lowering again as one moves halfway up his cheek in a meagre attempt to disguise the dusty red of his cheeks. 

  A small smile tugs on your lips and you take an additional nut to give to him. “It’s okay, here.” He holds his palm open for you to place the pistachio in, but instead of doing so, you peel the shell away with a click and hold it towards his lips. “Open up.”

  Five or so muscles in his face twitch as he leans back, surprised by your sudden approach and the very intimate gesture of trying to feed him—his eyes flicker to the left where Himeko is positively destroying March 7th in a card game, they’re not paying any attention to the two of you at all. 

  Sunday’s lips press together and for a moment you wonder if you might have pushed him a little too far, the red hue of his cheeks deepening as he avoids your eyes… and opens his mouth, just a little—barely enough to fit the small pistachio there.

  Your fingers touch his lips as you manage to set the pistachio on the tip of his tongue hiding only a little behind the bottom row of his teeth, and Sunday thinks he might explode. The way his upper lip lifted a little and a small drop of drool slid under his tongue—thankfully out of sight but definitely not out of mind—when your finger pushed under it to set the nut in his mouth…

  He swallows the pistachio quickly and nervously without chewing it and it almost stops in his throat before he could even realise what he was doing. Sunday might have just perished from embarrassment before the lack of oxygen would kill him were the pistachio to stop in his throat.

  Sunday hasn’t stepped off the Express in a while, he does so rather often, all things considered—usually choosing to at least peek out at the worlds you explore. After all, how can he find himself if he doesn’t look? 

  But he has never experienced a planet like this… you could convince him this is some intergalactically funded horror exhibition if you tried. Long stretches of trees and branches reach into the skies, casting dark shadows on the dull grass that covers the ground as far as one can see. The skies are dark when you hop off the train and practically drag Sunday along.

  He walks close to you, unsure if to reassure himself of your presence among the shadows, or to be ready to give his assistance were you to catch your foot on a root and crash on the ground—you’re walking so fast he can't help but think it’s just a matter of time.

  You feel something touch your thumb and look down, only to see Sunday’s gloved hand retreat. He’s looking ahead and pretending there is nothing strange happening. “Are you scared?” you wonder, tilting your head to get a better look at his face.

  A small frown tugs at his lips, so faint you could barely see it. “Of course not, but I am concerned about us getting lost—do you know where we’re going?” 

  “Kind of,” you sway your hand a little, seeing if you can fish at where he has retracted his to. “Pom-Pom mentioned there a huge city not far from where we dropped down, this world has some real good puddings if I read right.”

  Sunday merely hums in response, following you along. You did finally find the city—high buildings made of darkened wood, but with bright lanterns and strings of lights hanging between buildings to illuminate the streets in a comfortable orange. All the ambiance needs is rain (and for you two be inside a nice café) and it’s perfect.

  The streets, however, are a labyrinth. 

  You get lost only seven minutes after reaching the city, and no matter how you squinted at your phone, you couldn’t wrap your head around the map—and it doesn’t help that despite the darkness, it’s midday, and thus the streets and crowded near shoulder-to-shoulder. This place must be popular despite the gloomy atmosphere. 

  Having almost lost sight of you wandering around trying to get your bearings in the crowd, Sunday gathers his courage and stomps down his thoughts—and takes your hand. 

  You stop where you’re going and turn to look at him. “Hm? Is something wrong?”

  He still avoids your eyes, but his grip is firm. “You’re… still going in the wrong direction.”

  “I am?” you look back down to your phone and tilt it sideways. “Ah! Like this, I get it now… I think.”

  Sunday sighs, stepping closer to you as a person shoulder past your positions—and suddenly the two of you are standing far closer than planned, nearly pressed against the wall of a building that leads to the corner of the street. He can’t stop thinking about your hand against his gloved one, and he also can’t help but notice that your fingers feel cold.

  As you try to figure out the best path towards the mythical pudding, holding your phone out for Sunday to see as well, his fingers and palm engulf yours and try to move some of his heat to you. His thumb rubs over your palm as you speak and the lack of proper reaction from you, yet still laying your hand out to him, helps him find the gesture more natural and comfortable… something he wouldn’t mind indulging in more often. 

  Sunday is a very passive person when it comes to affections, he’s rarely the one to reach out first and needs a bit of a push to even come up with romantic gestures. He considers the time you spend together and the understanding between you to be much more precious and indicative of his affections.

  However, he gets an idea one time from something he saw when scrolling his phone… to leave notes around. Sunday wasn’t sure of it at first—and a little embarrassed that someone else might find them before you do—but gradually began to find it as an easy way to show his attention. 

  Sometimes, the notes have a small message on them (mostly reminding you to sleep more) but other times, there’s no message at all. He came to use it as a ‘I thought of you’ message, where he leaves a blank, small post-it on something. 

  One time you forgot to buy new toothpaste on the Express’ most recent stop and dreaded having to borrow from someone again—until you opened the drawer to fetch your toothbrush and saw a full tube with a small blue post-it on it… now you need to go over to his room and rub his cheeks and thank him for remembering your complaints about always forgetting to buy a new one. 

  Sunday is a surprisingly good caretaker, you caught some sort of cold or flu on a recent trip off the express and have been miserable in bed for days. Up and down, hot and cold, snot-filled and gross on all ends. But he sits down by your bedside and takes your temperature, lays the back of his hand against your heated skin and does all he can to help. 

  One aspect he struggled with was when you got whiny one evening and reached out for a hug…

  While you might mistake his hesitation for disgust, as you are snot-nosed, puffy eyed and half crying from misery—it’s far from what was on his mind. But Sunday feels his chest tighten at the sight of you so miserable, temporary as it is, and he doesn’t have the heart to refuse your embrace. 

  He leans down and lets you wrap your arms around his shoulders, your clammy forehead rubbing into his shirt as he stiffly pats your head and tries to soothe you. “It’s alright… your fever is going down, you’ll be okay soon, just remember to drink the water on the nightstand, okay?” he mumbles by your ear, and the more you nod and thank him for taking care of you, the more his muscles ease and he shifts a bit to lay down with you, allowing you to burrow into the crook of his neck and find comfort in his presence. 

  Sunday rests his chin over your head and rubs your back. “Would you like me to sing for you?”

  You nod into his shoulder and he closes his mouth to hum familiar tunes, the beginning of a familiar song as the vibrations in his chest rumble against you. His voice is soothing, and his singing is surprisingly soft and gentle. 

  As you drift to well-needed sleep, Sunday stays with you until he’s certain you’ve fallen asleep… and then for a while more, just long enough that he can’t imagine tearing himself away from you—or risking waking you up by rising from the bed. Perhaps it’s alright if he stays the night here, after all, he needs to make sure you hydrate through the night.

[kirain]

@timethehobo I hope you don't mind and I hope you're feeling better!

The storm was relentless, large raindrops pounding against the windows of the inn where Xren and the others had taken shelter. Swathed in a heavy blanket, he'd been preparing for bed, but a fateful glance up gave him pause.

Through the saturated glass, he spotted Emmrich in the distance, his gaunt figure barely illuminated by the faint glow of a nearby lantern. His head was bowed, his arms hanging limp by his sides. Something about his posture—so still, so alone—sent a pang of worry through the elf's spine, and without a second thought, he slipped into his boots and threw a cloak over his shoulders.

The cold night air and freezing rain hit him the moment he stepped outside, but it didn't deter him. If anything, made his stomach churn as he wondered why Emmrich hadn't fled indoors.

"Emmrich!" he shouted as he made his way across the cobblestone courtyard, but the man didn’t react—not even a flinch at the sound of his voice. Perhaps the thunder had drowned him out, or perhaps Emmrich was overwhelmed by what ailed him.

As he approached, Xren's cloak soaked through, his hands instinctively rubbing his arms in a futile attempt to stay warm. When he moved close enough to see part of Emmrich's face, his breath hitched. The man's cheeks glistened with tears, though it was impossible to tell where the rain ended and the crying began. His lips quivered, his normally sharp, confident features crumpled into something raw and unguarded.

"Emmrich?" Xren said again, his tone laden with concern.

Startled, Emmrich spun around to see who had caught him in such a pitiful state. When he realised who it was, his hand rushed to his face, desperate to wipe away the evidence of his grief.

"Xren..." His voice cracked, but he forced a smile that didn't reach his eyes. "You shouldn't be out here."

"Neither should you," he challenged. "What are you doing?"

"Oh, I was just... out for a walk. Got caught in the rain, you see."

"That's not true," he said gently.

Without waiting for a response, he closed the distance and wrapped his arms around the taller man. Emmrich stiffened with a gasp, but he didn't pull away.

"I don't..." His words faltered. "I can't... Xren, I didn't mean for you to—"

"It's all right," he whispered, nuzzling against his chest. "I don't know what's wrong, but I'm here. I'm not going anywhere."

Emmrich gritted his teeth, his jaw clenching as he tried to compose himself. His hands hovered at Xren's back, trembling, but he didn't touch him.

"You must think me so weak," he whimpered.

"Never," Xren replied firmly, pulling away just enough to look up at him. "It's all right to cry, ma sa'lath. It doesn't make you weak. It just means you're alive."

Emmrich shivered as a fresh wave of tears rolled down his cheeks, blending seamlessly with the rain. "I... I'm sorry, darling. I won't be very good company tonight," he choked.

"Then don't be," Xren teased, squeezing tighter. "You don't have to be anything for me. You don't have to please anyone tonight. Just... feel what you need to feel."

For a while, Emmrich said nothing, his heart racing as he wept. Then, finally, he caved. His arms swiftly wrapped around Xren, holding him as though he were his only tether to the earth.

"I don't... feel better," he admitted, his voice muffled by the elf's hickory hair.

"I know," he hushed. "But you will. In the meantime, I'll be here."

The two of them stood steady, melting in each other's embrace as the rain cascaded around them. The world was cruel and unforgiving, its sorrows unavoidable—but like the storm that raged overhead, it would pass, ebbing away by the grace of the sunny morning light.

Nothing’s sad until it’s over, and then everything is.

[olderthannetfic]

Hi OTNF and everyone,

I am finding that it's harder and harder and harder to get into anything - book, show, movie... most things seem, you know, to just not be doing it for me, be it fanfic or original stuff.

In part, I think, it's a general restlessness and that it's become harder to give anything enough time to get into the stories, the characters, the settings, the narrative voices... I guess you can call it attention deficit on my part, just a need for stories to deliver those sweet, sweet hits quickly, but they're not.

I'm not currently ficcing but I did for years (might again in the future, who knows), and it's made reading, specifically, harder. It's like I've become more aware of what goes on behind the scene, I guess? I feel like I can see the writer giving up on a sentence, skipping a scene because fuck this, trying hard to not repeat a word although it's the only one that fits, etc.

Or maybe it's just the *everything* around us in the world that is weighing on me too much? I could say it's adult life, but then again I have more free time than most (and boy do I need hours of doing nothing to survive the other hours), and no family/partner (all that would put even more pressure on me): what is wrong, to make everything so UGHHH?

I feel like I'm stuck in a rut with a brain moaning feed me, feeeed me, and whatever I try to give it, it spits everything out. (Yes, I've tried hobbies, and nothing sticks there either. I've never really found rewards or satisfaction there, so...)

Decades ago as a kid, I was a voracious reader, although studying literature took the pleasure of it away from me. It took time and discovering fanfic that brought me back to reading, but at the time the internet was starting to be a thing, too, and it can't have helped the attention thing. AFAIK I'm not ADHD but then again, I couldn't get a proper diagnosis (the therapists I saw were either dismissive or just about The Talking, which was pointless for me).

I just wonder how it all disappeared, you know? Sometimes I find something that catches my attention for a while - a book (but I read quite quickly when motivated), a fandom... but it's been a while now, and it's just so frustrating! When is it going to come back? Will it ever? *gulp*

I know that books were escapism when I was a child, and then fandom was escapism, but at the moment I find myself grabbing at air and my empty hands are mocking me. Give me my escapism baaaaack!

So, uh. Anyone here with me?

--

Yes.

I felt like that during part of lockdown. Anhedonia is common in those kinds of circumstances.

Getting your mojo back is certainly possible, but you may need to go see a professional about depression and have some chemical assistance (yes, even if you don't feel sad per se), or you may need to change your lifestyle to one that doesn't have the thing causing you to need eleventy billion hours of downtime.

Aside from serious interventions like that, you can consider a social media detox. Remove every source of doomscrolling and time wasting of that type. When the attention span is zero and nothing brings joy, the tiny and useless hits from finishing a game of solitaire or seeing one more instagram post become very attractive. This is a trap. It will suck what little energy and joy you have and make your muscles flabby for the work of getting into an in-depth book/hobby/experience.

I know the feeling of being able to see how the sausage is made, but... well... first, being in a better mental state will make that matter less, and second, reading prose that is more competent will make that less of an issue. A lot of mainstream tradpub genre fiction is not, in my opinion, very well written these days. Obviously, people are still enjoying it, and that's fine, but if you're noticing writers fumbling around, it might be time to check out some literary fiction or some other category known more for prose quality than anything else.

It's also important to have some structure and some things to look forward to. Even if you feel tired, overwhelmed, and busy, sometimes, the answer is to do more... But it must be things that are distinct and significant and that get you off of the couch, like going to one museum every weekend.

I saw some advice once about this kind of thing that phrased it as "One big adventure; one small adventure."

Every week, you should have those two things to look forward to that matter. Check out a new coffee shop. That could be the small one. Go to an event: a gallery opening, a concert, whatever.

Physical exercise and doing some things that aren't as verbal and conscious thought-involving is important too. Painting is a better hobby for zoning out than writing is. Taking long walks in nature is good for most people.

--

The kind of intense, obsessive love I had for reading as a child and that I sometimes have for fandom requires a lot of attention and some time. It's escapist, but that masks how much work it actually was. It didn't feel like work only because we were in training.

If you've filled your brain and your day up with a thousand petty annoyances or minor and useless attempts to feel something, you won't have the capacity for those deeper things.

Because you are already at a point that's equivalent to a bad sprained ankle, trying to get back to running right now won't work. You have to stay off of the ankle for a bit, then build your strength and stamina back up.

[mareastrorum]

Been chewing more on how C3 wound up here. What’s throwing me is the strange shift from the cast’s unflinching “yes, and” game in C2 to a misplaced feeling that they need to choose correctly in C3.

I want to be clear here that this isn’t a criticism post because I genuinely don’t know what’s happening here. It’s just odd behaviors that seem to signal a problem, and I don’t know what solution would resolve it. I’m not going to be so presumptuous as to hypothesize about any cast member’s thoughts.

In the Cooldown for C3E118 (and offhandedly previously), Laura and Ashley expressed some nervousness about making big decisions because they’re worried about making the “wrong” choice. Without more, that attitude alone would explain much of the party’s indecisiveness about key campaign questions. After all, their characters are the two Ruidusborn of most interest to the campaign villains, and other characters (especially Orym, Laudna, and Ashton) have insisted that Imogen and Fearne take the lead on Predathos.

But this isn’t a story in a vacuum. C2 got completely derailed multiple times. The Mighty Nein decided to steal a pirate ship and leave the continent the campaign was set on; shortly after they returned, they decided to reopen a collapsed tunnel to go the opposite side of the continent; then Caleb returned the Luxon Beacon and made themselves heroes of an enemy nation instantly. That’s not even getting into the fact that Molly died before the Nein got to Shadycreek Run (which absolutely would have been all about his backstory) or that Twiggy left an incredible magical artifact that wasn’t supposed to be given to the Nein. Each time, Matt adjusted and made it work. Granted, C2 was more of a sandbox campaign, but Matt demonstrated his flexibility as a DM time and again.

Like, as a general rule of thumb, DMs shouldn’t offer options that would torpedo the campaign. It’s rational to avoid situations that have a genuine possibility of undercutting the game. Matt has been DMing for a long time; he’s done a very good job of finding ways to make the campaign work regardless of the decisions the players make. Even when players do something directly against the signals he threw out (like Ashton trying to absorb a second shard despite consistent, dire warnings that it would kill him), he works with the players to come to a reasonable solution (Ashton survived but the shard wouldn’t take, and he got some character moments out of the failure). We, the audience, know Matt is good at pivoting when he needs to.

In addition to taking the players’ curveballs like a champ, Matt also takes big swings for the sake of the story. In C1, Matt broke his biggest city with a dragon invasion, then made a new god leading an undead titan to go stomp out the world’s oldest civilization. In C2, he let the players go off the map whenever and still made the digression relevant to their character arcs every time. Not to be parasocial, but if we can figure out that that Matt can handle this sort of thing, the players certainly have a better feel for it than us.

So what is going on in C3? We know Matt isn’t scared of breaking Exandria or destroying the pantheon: he set that possibility in motion as the default ending if the players did nothing. CR literally did a mini series about the start of the end of the world with EXU Calamity. Laura and Ashley were also in Downfall and making big choices between the gods and mortals. Breaking stuff is what they do!

Where did this idea that there’s a “wrong” choice come from? That type of thinking kills a lot of great improv, and the whole point of the “yes, and” exercise is to shake it off. While it’s incredibly obvious to say not to think that way, the real issue is sorting out why that mentality has taken hold at all. That’s a problem no amount of fan discussion is going to resolve.

[tsukii0002]

I'd like to request a situation where the brothers react to MC doing that trend about girls calling their boyfriend "husband" in front of people. For example

*MC and a bother (any) are at a restaurant and a waiter has come to take their order*

MC: so I'd like this and this, and my *husband* (pointing at the brother) would like-

The brother: *melting inside and panicking*

Then they'll bug MC for the entire day, maybe even week

<3

Hi! , thanks for the suggestion, I loved thinking about these situations. I hope you like it.

Warning: I wasn't sure how to write these situations so the formatting may be a bit messy, and in this case Mc is the same person as the reader.

Lucifer

You had invited Lucifer to the human world, to one of your favorite coffee shops where you were already known, to give the eldest of the brothers a break. When the waitress approached you, she recognized you immediately.

Waitress: Hello Mc! Good to see you, who is with you today?

Mc: Hi, this is my husband.

The only thing that changed in his expression was a slight blush on his cheeks, but from under the table he reached for your hand to squeeze it tightly. The waitress smiled mischievously and after leaving the menu she left. Then Lucifer's face colored more and he caught you in his arms. You could see the adoration and embarrassment on his face.

Lucifer: Should we stay here for a few days my spouse?

Mammon

You had gone to the cinema with Mammon, he was a bit discouraged because he had just lost money at the casino, so although he had accepted he was rather quiet. You went ahead to order the drinks.

Employee: What are you going to order?

Mc: Oh, I'll have the demon combo and for my husband the spicy combo.

You saw how the demon's skin bristled, as if an electric shock had hit him. He looked at you wide-eyed, his face very red, repeatedly opening and closing his mouth without saying anything. You paid and went to the screening room, he kept covering his face the whole time.

Mc: *smiling* Is something wrong?

Mammon: You... *still blushing* say it again…

Mc: What do you want me to say again husband?

Mammon: *shyly* Don't forget it ok? *hugging you tightly* I'm your husband and you're my spouse.

Levi

A package had arrived for Levi, he asked you to take it even though he was following you very closely. The delivery man didn't seem sure it was yours.

Delivery man: Is it for you?

Mc: No, no, it's for my husband.

You could feel a high-pitched squeal. Levi felt his body stop working, and soon he was a mess, opening and closing his mouth trying to say something with no success. He had to have misheard, there was no way you could have called him that, was there?

Levi: A- Aaa… *stammering* Are you serious???

Mc: Of course.

Levi: For real ???? Are you sure??!!

Mc: *laughing* Yes xrubbing his nose* now could my husband help me with this????

Levi: New achievement unlocked!!!! You have been promoted to husband!!! *looking at you with crystalline eyes* I promise not to disappoint you… spouse…

Satan

Satan had asked you to accompany him to an event, the place was full of the demon's acquaintances and he was so busy greeting them all, that you ended up talking to one or twi.

Random Demon: Where do you know Satan from?

Mc: Oh, he's my husband.

Satan, a few steps away from you, kept talking for a moment and then stopped, turned very slowly to look at you with an expression of being very afraid that he had imagined those words. But when you smiled, his face instantly flushed. Trying to remain calm, with trembling hands, he ended the conversation quickly and approached you, taking your hands.

Satan: You…

Mc: Is something wrong *grinning*, my husband?

Satan took a breath while looking at the ground ashamed, all the demons nearby were watching. He let the air out and slowly pulled himself together while hugging you.

Satan: Nothing is wrong *smiling* spouse, let's enjoy this evening.

Asmo

You were out partying with Asmo, and, as usual, your demon was already surrounded by fans and admirers. Everyone was clamoring for his attention and it was clear that Asmo enjoyed the attention he was getting, so you simply smiled when a demon approached you.

Demon: Asmo is your friend right?

Mc: Asmo? *raising your voice* he's my husband.

Asmo's cheeks lit up and his whole body seemed to glow even brighter. He brought his hands to his face, everyone was impressed, the confident Asmo was beautiful but the embarrassed Asmo was an equally pleasing sight. You walked over and held out your hand.

Mc: We should go home *smiling* husband?

Asmo rushed into your arms and started kissing you, while the color in his cheeks became more and more accentuated.

Asmo: What have I done to deserve you? I love you so much Mc.

Mc: Just that?

Asmo: *shaking his head* I love you with all my being… spouse.

Beel

Beel had offered to accompany you on some errands related to the sorcerers' society. While you were talking to some of them he was watching you carefully. But some of those eyes were fixed on him.

Sorcerer: Is he…? You know…

Mc: Oh? Beel? He's my husband.

The eyes of the sorcerers opened wide while Beel, took a few seconds to assimilate your words and immediately became very red, He looked at the ground did not know where to look. His hands were moving without finding a position and he had started to sweat.

Mc: Isn't it true?

Beel slowly looked into your eyes before looking back down at the ground, with that embarrassed puppy face, as he nodded silently, but with a big smile. You moved closer and he put his arm around you protectively as he leaned down to caress your cheek with his own.

Beel: So if I'm your husband… that makes you my spouse, right? *radiant smile*

Belphie

You and Belphie were lying in the attic, Belphie was half asleep while you were on a video call with your friends in the human world.

Friend: Oh Mc, is someone there?

Mc: Yes, this is Belphie *showing him with the camera* My husband.

Belphie's sleep faded instantly, and he looked at you with wide eyes, you smiled at him while your friends screamed in excitement, then he pouted a little while his cheeks lit up.

Friends: Why didn't you tell us any-

Without thinking he snatched the phone from you and cut the call, hiding in the crook of your neck. He squeezed your hand and looked at you, looking angry but unable to hide his embarrassment or excitement.

Belphie: So I had a spouse and I didn't know about it?

Mc: I don't know...*pushes his bangs aside* maybe I was wrong?

Belphie: No *hugging you tightly* only I am your husband, and you are going to have this husband forever… remember that.

.

.

Hi, I realized that I had a few finished requests that I had left in drafts *internal scream* 🙃 how can I be so forgetful!!?? I will upload them during the next few days, so I'm really sorry to those who asked for them. Another thing is that I was extending the situations as the brothers are passing, well Lucifer is the most popular (?) so it's fine 🙄.

If you've read this far thank you very much 🩷.

.

.

[klunkcat]

50 VAGUE ANGSTY + HURT/COMFORT DIALOGUE PROMPTS

42. "Tell me what I did wrong! What's wrong with me?!" + rise A Team 🥺

You keep requesting things that I know will hurt ur feelings!!!

TW: panic attack, derealization/dissociation

Waking up in the med bay had been less painful than this. He’d broken fourteen bones and fractured three more, been coughing up blood and some thick substance he was very sure was never supposed to be on the outside but he’d thought, ‘hey, we won’. 

This didn’t feel like winning. This felt like standing on the other side of a very long tunnel and seeing the world from a sideways tilt. 

He’d been allowed out of the med bay for a glorious two days– mostly to lay up on the couch instead of the stiff medical room— and missed somewhere that the world had actually ended. Because when Raph leaned over him to grab his glass of water on the table beside him, Leo flinched. 

It wasn’t him, he decided. Because Leo had never once in his life feared anything from his big brother, not even when Raph had gone through his snapping phase. Because Raph was Raph and that meant the biggest warmest hugs you could imagine, and big wet watering eyes and crying over commercials with kittens that sneezed too hard. It couldn’t be him that saw Raph moving forward and thought of pink, slimy tendrils, and felt his airways closing with a sharp thrum of oh god and I’m going to die, because that didn’t make sense. 

Raph froze, eyes wide. Leo fell further outside himself. 

The other him made his hand move, he didn’t feel it move. The other him spoke. 

“Oh, ha. Sorry, static must have shocked me.” From the blankets, yeah. That made sense. This other him that jumped at things at least had his wits, that was reassuring. 

“Leo,” Raph said very slowly. Some hindbrain red alert crawled all the way up from his heart and right out his mouth, and into that other version of him that was staying very still. 

“I didn’t— I didn’t mean to.” 

Raph put his arm down just as slowly, leaned back like he could telegraph every moment. His eyes stayed wide and locked on to him. “Okay, that’s okay.” 

“It wasn’t you,” the other him said, and Leo couldn’t feel his lips moving but he desperately wanted to be able to shut him up. “It wasn’t um— just. Jumpy. Pulled something funny, you know with the. The bandages.” 

Shit, Leo thought. Stick to the script, pal. 

“Right,” Raph said, without blinking. Like he was thinking something else. 

“Don’t do that,” other him said. “Okay, the big brother voice thing. I don’t need it, let’s just. Watch the movie, right?” 

He was suddenly aware of Donnie by his kneecaps, Mikey staring at him from the mound of pillows he’d made at Don’s legs. He needed this other him to shape up, acting classes were a must. He was flubbing big time, Leo did not flub. 

Raph shifted again, molasses slow, and gave Donnie a look. His twins face twitched with a nod, and he summarily picked up Mikey, blanket and all and shuffled into his lab. Traitor, Leo thought vaguely. Pincer attack, coordinated front. He hated that. That was his and Don’s thing.

Stepping on my turf, he meant to say. Other Leo’s mouth didn’t move, so he was useless. 

“Actually, Raph’s a little worried.” 

Oh, Leo thought, oh no. Fear lanced through him again, in some distant way. He could see his fingers twitching and couldn’t make them stop. “Worried? About what. Can I help, big guy?” 

Raph hummed. “Think you could, yeah. We haven’t talked about everything that happened, have we?” 

Well, Mikey had made him talk a little, about why he thought it would be okay to choose himself without telling anyone else first. Hugged him as tightly as he could with Leo’s broken ribs for three solid hours until Leo’d given in and promised he’d be kinder to himself. Donnie had been furious at him for three straight days somewhere after he’d blearily woken up from his coma, but they hadn’t talked directly about why yet. Suddenly, the look he’d caught clicks.

He was still too outside himself to react the right way. Other Leo looked away and twisted the blanket in his hands. 

Ever so slowly, he felt Raph’s warm hand land on his knee. He could see it, his big brother’s hand, green and normal. No spikes, no pink. He could breathe out— there was a rope somewhere there that guides him closer enough that he can flip his own hand around and squeeze. 

“Nothing to talk about, bro bro,” Leo managed, but it was croaky and lacking all the usual fizz. Fizzless, him. The horror was nearly too much to think about. 

The look Raph gave him was half a wince of apology, half tangled up exasperation. He didn’t like that there was guilt there. That didn’t fit. Raph hadn’t done a single thing wrong. 

“Leo.” 

He made himself swallow. “Raphala.” 

Raph sighed. Flipped Leo’s hand over so he could stare down at the bandages crossing his palm. He’d burnt the inside of his fingers somehow, he couldn’t even say when it happened. Silly, really. He’d laughed when Don had told him. Come to think of it, Dee hadn’t really looked like he’d agreed with the joke then either. 

He watched the way Raph traced his thumb across the white gauze, the way his face twisted and crashed down with mounting horror. 

“I’m so sorry, Leo. You know I love you, right?”

Other Leo made a second appearance, making his hands go numb. “I— of course? I love you too, what does that—?”

Raph’s non bandaged eye blazed when he looked up at him, swimming in the dim movie light. “I hurt you, Leo. I took your trust and I hurt you with it. Raphie’s so sorry.” 

That didn’t— Leo blinked rapidly. The world fell out of focus, clicked free of its puzzle piece board. Out into the ether. “Stop apologizing.” 

“Leo—”

“No!” Other him said it sharp, loud. Too electric behind the words, he winced at himself and didn’t feel his face move. “You don’t— you don’t get to apologize to me. That doesn’t— what are you talking about Raph?” 

Somehow his brother’s face only fell further, it made the panic in Leo’s chest sticky. “I said that wrong, I don’t—” It was so hard to think, why couldn’t he make himself think? “I’m not afraid of you! I’m not.” He wasn’t. Because it was Raph. 

“It’s okay if you are, buddy. Raph understands—” 

“I’m not!” Leo bit out, and blinked rapidly again as the world falls further out to sea. “I put you in danger, I jumped in and— I did something stupid, and you got brainwashed. Because I fucked up. Why aren’t you mad at me? Tell me what I did wrong!”

What’s wrong with me, he thought, vibrant and liquid like toxic sludge seeping down to his core. 

He couldn’t even see right anymore, everything had gone shapes and colors. It wasn’t even Raph in front of him, it was something. It was nothing and— 

“--breathe with me, okay? In. Out, that’s it. That’s perfect, Bug, keep doing that.” 

The Bug snapped him together, pulls all of his strings forward. Raph hadn’t called him that since they were toddlers, when he and Donnie had started insisting being twins and Raph tried to play along. Bug and Boo, he’d said all proud. Donnie had hated it instantly and rebuked any attempt at being called something so sweet by biting. Leo’d tried to make it fit a little better, since Raph seemed to like it so much.

‘S it b’cause I bug you?’ Leo’d said, sad and puddling up but hiding it with a teasing smile he knew would make the hurting less loud. 

Raph had smoothed his hand across his head and grinned. ‘It’s cause you’re my favorite bug.’ But it sounded like a good thing when Raph said it. 

Leo forced in a breath, feels his hands become his hands and his toes firmly plant as his toes. “Sorry,” he managed. “Sorry, went. Um. Somewhere. Back.” 

Raph’s big worried eye peered down at him, he let go of Leo’s hand with a firm squeeze. Leo shook his head, clearing out all the fuzz as much as he could. 

“I need you to hear me, just for a second. You didn’t do anything wrong,” Raph tried, worry making his voice small. “Can you believe me on that one thing? You were brave, and you got us through it, and most importantly you got Leo through it. I’m not mad.”

Leo scoffed, staring down at the blanket instead. Raph carefully scrubs a hand across the top of Leo’s head, warm and calloused the way he knows. 

“Raph wanted you safe. That’s all. And I hurt you, so it’s okay if you— if you need time.” 

Leo snapped his eyes up, grabbing at Raph’s hand again even before he pulled away. “I don’t! I don’t need you to go anywhere, or leave or. Please don’t leave.” 

Raph’s face gentled. 

“Can we just,” Leo couldn’t look at him, he couldn’t. “Can we just stay here for a minute? Maybe talking can be later.” When it wasn’t him and other him preferably, so he could say things the right way.

“Okay.” 

Raph settled back on the couch, slowly lifting his arm free and telegraphing the space underneath for Leo to decide. As if he needed to decide, the best place in the world was in Raph’s hugs. He’d always fit perfect there. 

Raph smoothed his hand across Leo’s head with his thumb, back and forth.The warmth pulled him all the way back into himself, almost with a shudder. Leo squeezed his eyes shut and buried his snout further into Raph’s side. It made him brave. “I’m not scared of you. I’ve never been scared of you, big guy.”

Raph’s thumb paused. Smoothed back again. “It’s okay if you are. That was… pretty scary.” 

Leo shook his head stubbornly. “Wasn’t you. I know my big brother anywhere. That wasn’t him.” 

He pretended kindly not to hear the hitch in Raph’s breathing. The warm chuckle after is like lottery gold. 

“Thanks, bug. I know you, too.” 

[sky-scribbles]

Something that, imo, Veilguard does incredibly well is building a sense of intimacy.

Inquisition felt big. You had a keep full of servants and soldiers. The maps were huge. As the Inquisitor, you had genuine political authority, to the point of regularly being entrusted with making binding judgements about people's fates.

And all of that was fun to explore! But there's something about this game's force against the Evanuris being... eight people (and a griffon and two spirits) on a broken little Fade island. No armies. No servants. You are the embodiments of 'unchosen ones', and you're all you've got.

Lucanis and Bellara cook for you. There's a book club. The companions are always in each other's rooms, talking, bonding, occasionally quarrelling. You cna decorate your room with little trinkets. Group strategy sessions don't take place around a war table, but happen when everyone pulls chairs together in the library. You have no advisors, very few political strings to pull or clout to wield. Just you.

The companions have multiple missions in which to get to know them. You have coffee with Lucanis; you place flowers on the graves of Emmrich's parents. You go to dinner with Taash's mother (however tense and disastrous those dinners are). In amongst all the world-saving, you stop to help Emmrich face his former best friend, Lucanis to confront his trauma and face his cousin.

Your forces in Inquisition were a group of nameless NPCs (plus Cullen and Harding, I guess); each of the allied factions in Veilguard has one or two 'faces' whom you work with repeatedly. You watch Antoine and Evka flirt gently among flowers. You see Viago hold Teia after Caterina's 'death'. If Minrathous is blighted, you can read Tarquin's pained letters to the Wardens asking if there's any way to save Ashur. Even the factions that didn't get fleshed out as much (and don't get me wrong, I'm sad about that) at least have emotional ties to one or more of your companions. You might not spend time with Strife or Irelin so much, but that's Emmrich's potential boyfriend, Bellara's ex-girlfriend.

It's just you and seven friends against the world, along with the tiny pockets of support you've found along the way. You've no authority to make others do what the world needs; you can barely make them listen to you. It's not much. You're not much.

But Harding and Emmrich go camping together. You stand by Taash's side as they figure out who they are. Davrin takes you out to touch grass and makes you terrible tea. Bellara gushes about crime serials to Neve. Lucanis remembers your favourite drink.

It's just you. Isn't that terrible? Isn't that wonderful?

[baphometsss]

the 'memories of a duet' codex is so interesting and not just because you can read it in so many ways. given that mythal is on the codex card i think you can safely assume it's about her, but it reveals so much about their relationship if you pay attention. this is a memory of solas learning a song/composing it for her, to remind her of who they are (were) when everything sang the same (in the fade, when they were spirits). she's doing her own thing at court but he does it all just to get a single happy glance from her, to see her remember the familiarity that is so integral to solas's understanding of who he is. 'seeing wholly, being wholly seen'. remember that spirits reflect: solas reflected mythal's benevolence, and mythal reflected his wisdom. they need to reflect to maintain their sense of who they are: it is not just about his love for mythal, but his way of retaining his sense of who he is, by prolonging the memory of that reflection even as she grew away from him.

the 'away from mindless worship and well-meant misunderstanding' is really fucking interesting too. it's a memory of a moment where mythal could forget her role of the charismatic all-mother, who was loved and adored by her children, and where solas could ignore the no doubt frequent insinuations from others that his devotion was romantic. it was a way for them to connect in a way where they could just be true to who they were and how they felt about each other: like branches of the same tree, like family. of course, this was before he rebelled, before mythal betrayed him by joining the evanuris--although how long before is questionable since they're only sharing glances at this point. it's kind of sad, too; it reads like he's already having to do so much to get barely anything in return from this person who is meant to be his family.

it also puts a lot of things into perspective about solas's feelings on the modern elves in dai. that feeling of kinship, the twinning he felt with mythal and felassan and no doubt other elvhen and spirits, is so precious to him. he doesn't want to share it with anyone in this terrible, broken world he created, as if to share it with them would somehow taint it. it's only by the end of dai and into datv that he sees he was wrong, that the elves may have forgotten their history, but they are of the same family: different branches on the same tree.

when he says to a romanced lavellan, you are unique, i have never found a spirit such as yours, you have a rare and marvellous spirit, etc. he's also saying that he hasn't felt this sense of kinship for a long time, that he didn't expect to bond with someone from this broken world in the way he did. it's a different bond to the one he had with mythal, too, because he says he never thought he would find someone who would draw his attention from the fade and by extension, his longing to be a spirit once again--something he constantly tried to get mythal to agree with him on and failed. with lavellan, for the first time, he actually wants someone in this overwhelmingly physical and romantic way--something spirits don't feel, apparently. cole doesn't get with maryden unless you make him more human, and he also says he doesn't feel any attraction as a spirit. solas is actually glad to be a person and not just a spirit, because it means he's actually able to experience romantic love and desire for the very first time (as the romance description in datv heavily suggests). what's more, despite his misgivings, he likes it.

as others have pointed out, lavellan's speech in datv is in hallelujah cadence like the dialogue with the other elvhen. the duet is being sung once again--in a different context, but no less meaningful. there's a song by bjork called stonemilker, where she sings: 'a juxtaposition in fate/find our mutual coordinates'. it really reminds me of this; the need emotional synchronicity, of being completely on someone's wavelength, understood totally, seeing wholly and being wholly seen.

[zeroducks-2]

tags by @nicky-olives

I strongly agree with this point, however I think it's important to note that what's being discussed here is the fact that there is an effort from DC's part to erase every form of found family dynamic and non-heteronormative relationships from their stories, which is a different topic from the ship and let ship conversation.

What I mean with this is that of course everyone can ship Bruce and Dick, regardless of the circumstances. If Dick was Bruce's biological son there would be nothing wrong with shipping them, because it's not real and it's just people having fun playing with dolls. However queer people from all over the world have been identifying with Bruce and Dick's relationship, especially during a time where gayness and gay relationships were way more taboo and dangerous to actually perform than they are now. Queer men especially identified with how the trauma of the loss of their families makes Dick and Bruce similar (and having an estranged family was very frequent among queer people, back then even more than today), but they choose to find another family in each other. Bruce and Dick share a secret that is one of the most important parts of their life, and they can freely be themselves with each other, no need to lie or pretend. And despite the respective escapades to keep an appearance of normalcy when it comes to their "public life", they are each other's most important person, the one they could never part from,

Again, this is not something DC did *on purpose*. But queer people read into it and then DC caught on, and and for this and other reasons they started pushing the narrative of "they are father and son, and you're gross and weird if you ever think for a second that they could have THAT kind of relationship! You freak of nature! Degenerate!" And lots and lots and lots of baby queers keep nodding to this, and they shame fellow queers by repeating this same rhetoric because it works.

It's not just about ship and let ship because it's fictional, it's about a very important part of queer history which is getting flushed down the drain to protect the sanctity of a "family" which is not real and is not even a family, and about how DC itself has been complicit with this for years, same as it is complicit with pushing narratives such as how nuclear family is the only possible kind of family, biological family is more important than adoptive family, and how two people who have even just some sort of vague relationship of cooperation are "brothers" and cannot therefore have a romantic relationship.

More on that point, think of Tim Drake is now out as bisexual and has a canonical boyfriend. It would be legitimate to wonder if his first crush was Dick Grayson, or even Bruce Wayne, while growing up and seeing all these very handsome boys in skintight suits. And so DC avoids this conversation by doubling and tripling down on how Dick and Tim are BROTHERS, and how (implicitly, pushed by their own fans who are queer themselves) thinking that Tim might have a crush on him is something only a freak of nature would do. Same goes for Tim and Bruce, because they are FATHER and SON.

Of course we can ship whatever we want regardless of the dynamic. But DC has been doing this for years and a huge, HUGE chunk of their fans are lapping this narrative up, and using it to hurt other fans. It's at this point a vicious cycle.

What's up with batman and the erasing of queer history? Sry I try to interact with fanon as little as possible

There is no simple or short answer to this but to try and not make it a wall of text - Batman/Robin has always been a staple of the queer community, so much so that to this day there are "brudick" graffiti in big cities and lots of older gay couples have been using them as a reference for solid partnership which endures in spite of adversity.

Originally there was no indication anywhere that Bruce and Dick were in the roles of father and son, rather they were partners against crime, one the shadow of the other, and they would share everything both when it came to crime fighting and in their everyday lives. They're shown sleeping together, going on lake trips together, finishing each other's sentences and Dick being viciously jealous every time Bruce would "replace" him with any of the women he used to have flings with such as Talia or Selina.

Did DC mean for them to be read as a queer couple? No, of course not. Bob Kane and others wrote a partnership, an unbreakable bond which would allow these two men to overcome any obstacle together, and queer people read into it as queer people always do.

Someone else read into it though: Frederick Wertham, who called Batman a pederast and used Batman and Robin as an example of how the evil comics would corrupt young minds to send them on the way of perdition and sin. He wrote all of this and many more infuriating shit in his book Seduction of the Innocents, which was then the major influence in creating the Hayes Code, which is the reason why we never had queer characters in comicbooks and movies and anything really for decades (and we're still struggling today).

Wertham and the Hayes Code did not stop the queer community from loving Batman and Robin though, therefore what started happening was the more subtle shift towards Bruce and Dick having a father and son relationship rather than a partnership. You can see this clearly with Jason Todd for the first time: Bruce takes Jason in and treats him as his own son, the narrative calls them father and son, and there is no doubt in the mind of who's reading that Bruce perceives Jason as his child. It all went steadily downhill from there.

Nowadays, writers have Dick say character assassinating things like "I love you dad" to Bruce, Tim saying "we will save our dad" to Damian, and everyone in the fandom acting like this has always been the case and actually you're weird and you should be sent death threats for shipping Brudick, because "UMMM that is literally his son?!??!?!?". DC has been pushing the idea that these folks are a nuclear family for a while now, but whoever has actually read the comics knows it's not the case, and it used to be very different before.

Brudick, among queer people, used to be entirely uncontroversial. While Wertham raged about how it corrupted the minds of young men and the Hayes Code prevented queerness to be anything but vaguely hinted and coded in the text, queer folks didn't care and kept having matching Batman and Robin shirts.

Today queer people will call you a pedophile and a groomer and try to doxx you for posting Brudick art because apparently they're doing the fascists' job for them, either because they are genuinely misguided or because they think that if they're enough morally pure they will have a spot among the chosen ones, hell if I know. What I know is that they'd suck Wertham's cock and balls if he wrote Seduction of the Innocents today, and it's DC's fault too with their erasure of every found family dynamic among the batclan, and the way they've been pushing the idea of a "batfamily" instead, in which everyone has a strict role of son or brother or father, and shipping them makes you the antichrist.

[inexplicifics]

I just read Maiden Knight:

1) Beyond being just as amazing as all your writing is, I absolutely love the similarities Knight!Milena has with all the others - an open, generous heart, lots of courage, and a softly wicked sense of humor.

2) I'm now ferally spiraling over the idea of our favorite Cat (Aiden) rescuing a surprisingly-tall and deep-voiced noble lady from some tragedy, only to discover the Lady is physically a man - Aleksandra (Sasha) of Velen, who was legally raised as a girl Because Reasons (I'm imagining something about him and his twin sister getting put in the wrong robes for their ceremonial Naming, so he was Named as a girl, and his twin sister was Named the boy and heir - in a world where magic is real I imagine those Namings have some relation to, like, divine right of inheritance and the health of the land. As the sister died of a childhood illness and he has two younger brothers the succession is secure anyway, and it turns out he prefers more stereotypically feminine activities anyway, so it worked out - or it would have if his bastard of a grandfather wasn't an asshole about it), and who finds his rescuer very appealing. Fast forward to Lambert and Aiden's annual rendezvous/story swap on the Path (best weirdest story wins a bottle of Gull) and, well. Roggeven and Velen may be on opposite ends of the country *and* the political spectrum, but an alliance would still benefit both. And if Roggeven becomes a stop-over for *two* Witchers, at least they'll never have a monster problem again.

Okay this would be hilarious and delightful, actually. Sasha and Milena would probably have a great deal of fun messing with everyone's heads! And as a duke's "granddaughter" Sasha would have learned a great deal about managing a duchy, so it would be a good match both politically and logically.

[spacemonkeysalsa]

Little rant, take the trigger warnings seriously.

For the most part I think it's really good to have some perspective, and allow others people to be wrong about video games on the internet without letting it affect me. But sometimes there's just a needling little thing that repeatedly bothers me, and it's usually because there's a real world analogue that I can't forget about. Something that is more important than video games.

As an example, I get more upset than is rational about the "Astarion is actually so evil" takes, because they generally come down to a handful of arguments I have heard before, but in real life, about real people. And when I say I have heard them in real life, I mean in the context of legal arguments about whether or not to prosecute people who have been trafficked for their participation in human trafficking. Additional context is that I am an atty and have a broad exposure to different areas of law.

What a lot of people don't appreciate about human trafficking is that it is incredibly common for people who have been trafficked to be put into a position where they must participate in illegal, and abusive, acts against others. One reason why this is done is because it makes it that much riskier for them to go to the authorities, creating a heavy incentive to not do that. To never ask for help.

You can be a plaintiff in one case and a defendant in another. Duress and coercion could be considered, but it's just not always what happens. Jurisdiction matters, culture matters. But regardless of all that, it doesn't often get to a legal phase in the first place because it's very easy to convince victims of human trafficking that they are just as culpable, because they have helped to traffic others, and that the duress they are under will not be considered. And like. They are often right about that, unfortunately.

Idk for sure how much research was done when they were writing Astarion's character, but this aspect of his story stood out to me because it's so rarely depicted (and then isn't depicted well) in media. I can name you several bad examples, but few good ones. Even being translated into high fantasy, and with magical compulsion and effing vampires, this element of Astarion's story, and how acclimation to cruelty has shaped his personality is not remotely subtle.

Maybe even especially with the supernatural elements, it helps, because it takes away some of the ambiguity that people argue about in a court of law irl. And I think it takes a side in that ongoing legal debate, by emphasizing his total lack of autonomy.