#that mexican ot

[sobbdeep]

DONT SAY I NEVER PUT YOU ON.

[withbellzon]

[thatvirginot]

While she lickin on my booty hole she's jerking off this dang a lang

[album-a-day-project]

3/2/24

That Mexican OT

Texas Technician

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This is listed as a 'Mixtape' and just as I predicted in my earlier review that I was hoping that he wouldn't get torn up by the industry. This mixtape has DaBaby, Paul Wall, Moneybagg Yo and others which is exactly what I was worried about. I guess since this is a 'mixtape' that features are ok, but again I'm worried now that his originality will be sacrificed in future work. One thing that I appreciate is the artwork. This feels exactly like what a mixtape should be: sharpie on a CD.

That Mexican OT really really shines on this--he's clearly the best one on this piece and the features really just complement him well. He's on a very tight balancing act here.

7/10

[wordsfromblerds]

“That Orange Cassidy”

Orange Cassidy x That Mexican OT

🎧: Johnny Dang - That Mexican OT ft. Paul Wall & DRODi

Edited by: bruhmanbeyond (@addo_man)

[spaceshipsandpurpledrank]

That Mexican OT - War Wounds (feat. Maxo Kream & Lil Keke) (Official Music Video)

[sickbunnyz]

What if I then I ????

[djbadthaproblem]

Paul Wall "Covered In Ice" (Feat. That Mexican OT) (DJ BAD THA PROBLEM Mash Up)

[thatvirginot]

Kick a bitch boy in his pussy and I'll give him a camel toe

[unsurefuture]

i hope that mexican ot doesn't end up as that mexican od'd

[mymusictasteisweird]

Song I can't get enough of right now.

Johnny Dang, by That Mexican OT, (Featuring Paul Wall, and DRODi).

That Mexican OT has a very unique flow that must be heard.

[24nrg]

Louis Vuitton umbrella when I walk through the rain.

[thisaintascenereviews]

Denzel Curry - King Of The Mischievous South, Volume 2

One of the most underrated rappers is back again with a relatively short album, but this time it’s under the banner of a “mixtape,” despite being an album. The rapper is Denzel Curry with his new project, King Of The Mischievous South, Volume 2, and this comes a couple of years later after 2022’s Melt My Eyez See Your Future, which was a pretty damn good album that showcased his penchant for jazzier and more atmospheric production, as well as clever and introspective bars. There were some catchy bangers, but it was a relatively underrated album that, unless you were already a fan, the mainstream didn’t really pick up on.

Back again two years later, we got a project with a completely different vibe, and this one reminds me a lot of 2019’s ZUU, which is when I really became a fan of his work. That record was a 29-minute love letter and homage to South Florida, where he’s from, and every track was a celebration of where he came from. It was a short and sweet little record that was a ton of fun, despite not saying or doing anything new or revolutionary, but not everything needs to be. KOTSM is sort of similar, only instead featuring a collective of southern or southern-adjacent artists (whether they utilize southern sounds or they collaborate with a lot of artists in that sound), and it celebrates 90s and 00s southern hip-hop as a whole.

Not only does this album feature a lot of newer artists, it also features some legends of hip-hop. That Mexican OT, Kenny Mason, Key Nyata represent the younger generation, whereas 2 Chainz, Juicy J, and Project Pat are some of the older artists that appear here. This record is a 35-minute banger, front to back. This is just as high energy as ZUU was, and just as fun and colorful. There isn’t much to it, but if you love energetic, fun, and clever southern rap, you’ll dig this. Songs like “Black Flag Freestyle,” “Hot One,” “Cole Pimp,” “G’z Up,” and “Sked” are some of the catchiest and most fun songs I’ve heard all year.

This record won’t change your mind if you’re not into rap, and it’s a bit of a feature-heavy album, but that doesn’t bother me for two reasons: the features are good, and when Curry does show up, he sounds great and delivers some awesome stuff. He feels more or less like a curator here, but at the same time, it’s cool when he pops in and out. He does this thing, dips out for a minute and lets a guest do their thing, and then comes back again, so it’s good. I just really love this record, and if you want some catchy and fun southern rap that’s real short, you’ll have a blast with this one.