#that last one I'm not sure about

[muffinlance]

Some spirit manages to get the gaang and zuko a link that connects their minds. They can share thoughts and their past with each other.

Tweaking this to “and they share dreams” because that’s how I started writing it.

---

“Okay,” Sokka says, wrapping his sleeping bag around himself, and grabbing a comfort Momo, too. “Whose dream was that?”

No one ‘fesses up. But it was kind of a rude question, and also a little rhetorical, anyway.

They all have nightmares with fire.

Having the Fire Lord himself looming over them, while they were on their knees? Not exactly a stretch.

---

“Okay,” Sokka says, “how does Prince Jerkface keep finding us?”

---

“Okay,” Sokka says, “how did he know that seal jerky seasoned just right with honey—not too much, just enough to add a sparkle of sweetness to the depths of savoriness, a perfect balance for the distinguished tongue to relish—was the perfect bait for his Sokka and Sokka-affliated-parties trap?”

“Maybe if you stop dreaming about it, Sokka,” Katara snaps.

...And they all stop.

---

“I’m going to think really really hard about being friends,” Aang says.

“I’m going to think really really hard about that time my boomerang hit him,” says Sokka.

---

Snatching the boomerang out of midair? Impressive.

Ignoring the Avatar to go hit Sokka with it? Repeatedly? Uncalled for.

---

“Sokka. The city is under attack. Right now.”

“Okay,” Sokka says. “But this is a strategic nap, Katara. We need to know what evil things our Evil Other is up to.”

It’s not like the evil fleet part was a surprise, at least. They’ve been dreaming of it for weeks.

---

“Okay,” Sokka says, looking down. “So the ship-blowing-up-thing. Not a nightmare?”

“No,” says Zuko, glaring up with his glare-face all glare-ful but his thoughts mostly full of bruises so deep they’re making Sokka’s ribs ache, and also his legs are going numb.

“Going to get out of the turtle-seal tunnel now?” Sokka asks, still standing over the opening. With his boomerang.

“...No,” the Prince of the Fire Nation says, as he clings onto the edge of the hole, his legs still very much in freezing water.

---

“Okay,” Sokka says, when they have a Fire Prince all tied up in Blankets of Imprisonment. “So. What actually was your plan here? Do not,” he interrupts, before the teenage-shaped bloodhound-leech can do more than open his mouth, “say ‘capture the Avatar.’”

The prince closes his mouth. Glares. And kind of fuzzes at the edges, in the way all of them do when they’re about to fall asleep.

BOOMERANG, Sokka thinks, and Prince Largely Ineffective As An Enemy jerks back upright. His Momo hat chitters a complaint.

“Since we both know your answer is ‘I had no plan, Sokka, ‘plan’ starts with ‘p’ and there’s no ‘p’ in ‘Avatar’’, we’re going to play a game instead. It’s called ‘sleepy prince free association interrogation time.’”

“...What?”

“Battle plans,” Sokka says. “Attack. Fire Navy fleet. Ship numbers.”

Alas, “Fire Nation intelligence” is not something with which the prince’s brain is overly burdened.

“...Are you insulting me?”

“Are you proving my point?”

Elsewhere, Yue laughs in all their heads. Zuko flinches. The prince has a very marked reaction to the laughter of princesses.

---

“Okay,” says Sokka. “So that just happened.”

Commander Mutton Chops is groaning. Kind of flopping. Much like the bag he tried to fireball. Yue picks it up, and gently wrangles a fish back into water. Sokka is still not clear on what the fish-napping was about.

“It’s the Moon,” Aang says. “Or maybe the Ocean?”

Aang’s thoughts are full of a FACE STEALING EVIL CENTIPEDE MONSTER THAT IS JUST ON THE OTHER SIDE OF THE THIN VEIL OF REALITY and that is NOT helping Sokka think.

“Okay,” he says again. “So. At least we can all agree on one thing.”

This is a very diplomatic way of saying they all wanted to dropkick Zhao. But some of them wanted to do it more than others.

The prince of the Fire Nation is even paler than normal, and staring across the clearing at his uncle.

“I can explain,” the prince says, while he’s thinking, oh shit treason oh crap uncle wouldn’t hurt me thought that about father too

Sokka wordlessly plucks Momo from the edge of the pond, where he’s been swiping at the spirit-fish, and drops him on the prince’s head.

Everyone needs a comfort Momo, now and again.

---

“A raft, Zuko?” Sokka says. Outloud. Because it makes things louder when you say it and think it. “A raft?”

Aang is bouncing on his toes. “We should go get him.”

The Avatar is grinning. And thinking, really hard and deliberately, as behind them the Water Tribe ship finishes packing, We should capture the Fire Prince.

“Okay,” Sokka says, with a grin of his own.

[floccinaucinihilipilificationa]

[hopeinthebox]

bts + reductress headlines pt.14

[poorly-drawn-mdzs]

Daddy, don't go.

[First] Prev <–-> Next

[egophiliac]

I have never been more concerned for a JP update from your art than I am seeing a Cheka knowing the context of Leona’s dream.

My bois ok right?????? My sweet nephews ok right??????

well

uhhhh

I'm sure the real one is fine :)

[zuzu-draws]

Trolling aside, i think there is some great importance as to why Gege chose this specific manner of panelling for the Yuji-Sukuna confrontation in JJK 264. We can't help but think that Gege's trying to show us some sort of a parallel between Gojo and Sukuna in this situation.

In JJK, there's this interesting notion of one's decision to go "North" or "South" as explained by Nanami during Gojo's death Flashback:

And we all know, that chapter of Gojo's death is titled as "Go South", which highly implies that Gojo chose to stay as who he was, as opposed to starting as something completely anew.

Now the interesting point in the Yuuji-Sukuna confrontation is that apparently...

....the destination for the supposed train within Yuuji's domain...is "North".

Which means that Yuuji's taking Sukuna towards the North.......

They're heading towards the North.....do you guys understand what that means?? For BOTH of them??? Q C Q

[mellxncollie]

Sophus Helle, Gilgamesh — tablet X, line 55 Dead Boy Detectives (2024) — season 01, episode 07

[itischeese]

I think part of why I love giving obito back to kid kakashi is like. In canon, just as he had the chance to begin healing and becoming his weirdo self, he lost obito, which was just the start of him losing his entire team/family and became a robotic shell of himself.

If he’d gotten obito back before all the rest of that? You better believe (it) he would’ve been living his best weirdo life, behaving (to obito) unexplainably and slightly dementedly. A little freak, sitting outside obito’s window at night like a scorned dog who got a lick of affection and has now imprinted on obito.

[coldbycrossfade]

MAN THAT REALLY COLORS THIS RESPONSE IN THIS CONVERSATION SO DIFFERENTLY FOR ME

[psink]

Whilst overall I prefer the manga to the anime, there's one aspect that I think the anime does better - the very ending.

Compared to the manga's very compactly shown thoughts of the cast, the anime gives each of them a short scene.

But although that change already is great, what matters to me the most, is this added scene of Saiko.

Despite it being so short, it feels so fitting and important to Saiko's character, making its absence in the original seem wrong. (They also added Rifuta, though comparatively, her scene isn't so significant.)

[sparta369]

I bought slay the princess but haven’t started it ‘cause it kinda intimidates me, can you convince me to play it?

Ok now I know you just asked me to convince you to play it but hear me out

Don't play it yet

There's a huge, Free Content expansion coming out on the 24th of this month, in just 8 days called The Pristine Cut, which is going to expand the game by about 35%. The Devs themselves have said to wait for the expansion release if you haven't played it already lol

That being said, I'd never pass up an opportunity to gush about one of my favorite games ever created

I realized far too late that I'd accidentally written far more than either of us probably wanted. So I'll try to sparknotes it, and leave the full thing below the cut.

The less you know going in, the better. However, it is still a horror game. You can find a list of content warnings here. It's just a list, so it doesn't really reveal very much.

A single playthrough lasts about 3-4 hours on average, though I can guarantee you'll want to do more than one. The game is positively dense with choices. It's impossible to see everything in one playthrough, and one would be hard-pressed to have the exact same playthrough twice.

Words cannot really capture how much I love this game. It's story masterfully crafted with a vast ocean of choices for the player to make, all of which make a true and profound impact on the narrative. If you enjoyed Disco Elysium or The Stanley Parable, You'll like Slay the Princess. The game was lovingly hand-drawn, pencil on paper, and the music was beautifully composed. The voice acting, featuring the talents of Nichole Goodnight and Jonathan Sims, are also, in my opinion, phenomenal.

I truly cannot express the emotional impact this game has left me with. It's a game I'll carry with me for the rest of my life.

Whether you intend to stop here or read on, I'll leave you with this one screenshot. It's only text, and it's literally the second thing you see upon booting up the game, so don't worry about spoilers lmao

"Whatever horrors you may find in these dark spaces, have heart and see them through."

"There are no premature endings. There are no wrong decisions."

"There are only fresh perspectives and new beginnings."

"This is a love story."

Oh boy you clicked the "keep reading" button :o) I wrote this over the course of most of my day today before I realized exactly how long it was. Besides a small change to the end, I'm going to leave most of it un-touched, just for the sake of preserving whatever the hell was going on in my head at the time :o)

Slay the Princess is one of those games where, the less you know going in, the better, So I'll do my best to convince you without revealing anything.

Still, though, It is a horror game. If you would like to look through it just in case, you can find a list of content warnings on their website here. It gives a list of many things you may encounter, but there is a 0% chance that you will encounter all, or likely even half, of the things described in there. In addition, they present these things in a way that reveals as little as possible. Still, I would personally recommend against reading through them, but there's no shame or judgement if you go dig through it. You know yourself better than anybody, if you think ya need it that's fine.

There's also some flickering image effects & a parallax effect that has caused motion sickness for some players, but both of these can be disabled in the settings.

With all that out of the way...

Words truly cannot explain how much I love this game.

It is an absolute masterwork of interactive narrative storytelling. No other game I've played or heard of in my life gives as much weight to every single choice you make, every little thing you do. There are so many choices and possibilities, and not once does the game ever make you feel like you've chosen "wrong." It's impossible to see everything in one playthrough, and you would be hard-pressed to get the exact same playthrough twice. Quite literally, every time I've watched somebody else play the game, they happened upon something I'd never seen before, despite me having 100% of the achievements.

One playthrough usually takes around 3-4 hours, but you will almost certainly want to do more than one.

There are also a number of places where you can safely and logically pause and come back later, should you need to.

The narrative itself is expertly woven. The storytelling is phenomenal, interweaving paralyzing fear with heart-aching beauty, while also carrying a healthy amount of comedy at carefully chosen places. The themes carry through beautifully. I've cried actual tears on more than one occasion, and it's not easy to get that out of me. Slay The Princess is a story that will be a part of my heart for as long as I live.

If you've played and enjoyed Disco Elysium, you'll enjoy Slay The Princess.

If you've played and enjoyed The Stanley parable, you'll enjoy Slay The Princess.

I know that I often struggle with games that require a lot of reading, and that includes a lot of visual novel type games.

Thankfully, the game is, for the most part, fully voice-acted :) The very few bits that aren't voiced are that way for narrative reasons hee hoo

The voice acting itself is, in my opinion, phenomenal. Both actors put their heart and souls into their roles, and their care shows in their performances. The Princess is voiced by Nichole Goodnight & the Narrator is voiced by Jonathan Sims (Who you may recognize from The Magnus Archives, if you were ever into that).

The art of the game is beautiful. It is all lovingly hand-drawn, pencil on paper. Thousands of images, and even a few animations, all coming together to form a wonderfully unique visual style that lends itself well to the game itself.

The soundtrack of this game, composed by Brandon Boone & with vocal performances by Amelia Jones, is absolutely breathtaking. It does a phenomenal job setting and supporting the tone of the game, whether it be tension, fear, hope, joy, or anything between and beyond. I can't put it's beauty into words.

Brandon Boone actually just recently won the "Game Music Award" at the World Soundtrack Awards for his work on Slay The Princess, and I deeply believe that it was 100% deserved.

This is... probably far more than you ever asked for. But I mean it when I say that Slay the Princess is one of my favorite games of all time. I mean it when I say that Slay The Princess is a story that will be a part of my heart for as long as I live. I'll take any opportunity to make more people play it, in hopes that it might impact them even a fraction as much as it has impacted me. I've bought a total of 11 copies of this game (1 for myself, 9 which were distributed to friends, and one that's coming with the Collector's Edition)

As my final word, I'll once again remind you:

"Whatever horrors you may find in these dark spaces, have heart and see them through."

"There are no premature endings. There are no wrong decisions."

"There are only fresh perspectives and new beginnings."

"This is a love story."

[camellcat]

do you guys think spike would want to take buffy's name if they ever got married? cause I do.

every single time I've read a fic where they share a last name, they take spike's name and I DO NOT believe it. I don't believe it for a SECOND. unless we're talking william here, no SHOT he wouldn't wanna be a summers!!

like... ough. he'd be connected to both buffy and dawnie 🥺🥺🥺

[erabu-san]

Drawing made while listening Underdog by Takayan !

+ comic of my slice of life

And this one is from 2023

+ random drawings

[demaparbat-hp]

Zuko looked up and locked eyes with his cousin, who was struck speechless. Then, ever so slowly, Lu Ten's lips twitched upwards. And then he smiled. And then he beamed. And then he nodded proudly once, just once, and vanished.

Lu Ten comes back in For the Spirits Chapter VII: Take Me South, only to leave Zuko with more questions than answers. Just how much is he truly aware of? When will he return? What is Zuko going to do now?

(What will the South bring?)

[latepivi]

this started with me trying to figure out how to draw some of these characters but then i wanted to draw lamb and narinder in old faith outfits and yeahhh

thought i'd share

[creativitysloyalservant]

i have decided to break my lack of original posting on this blog to bring you my Thoughts on Rot in Paradise. because i played it as soon as i got up this morning and i have scoured for some opinions after finishing it, and now i have my own!!

(and also i posted this on twitter but twitter has such a Shit wordcount that i'm also posting my things here with More Detail)

so! spoilers under the cut, please go and play the game if you haven't. it takes literally an hour (it only took nearly 2 hours for me because i like voice acting by myself and exploring every nook and cranny) and it's also free. so maybe come back into the tag once you're done.

okay, so i noticed quite a number of people being confused and disappointed on the lack of an explanation for the monster. it's brought up in the story as the central thing driving the plot, but it's never explained on what "she" is, why she's compelling people to eat a ton of fish-related food or hell, metal, and why this doesn't impact June at all.

but you know what I think?

i think that that's the point. the focus of rot in paradise isn't supposed to be on the monster.

yeah, it's the thing that pushes the plot along besides June and the gang going on vacation in this island. it's what's causing that uneasiness from the moment that guy grabs June's arm at the drinks, to the sheer unnerving feeling of witnessing people going to the ocean to get Raptured basically. i know i personally felt a chill when i saw that one dude literally eating chains and the other hauling an anchor, as if they're trying to make themselves heavier so they get taken by whatever She is.

but that's not the main point! the main conflict is about June and her friends.

as people have pointed out, this game is about toxic friendships and relationships! it's foreshadowed in the conversation that June has with the gang about her cousin (which i will also get into), and it carries it through the way her friends are horribly warped by this ocean Creature. June goes on a silly little vacation trip with her friends only for them to become so so different from themselves that they lash out at her and even hit her in McCoy's case.

but she still sticks it out with them. through the whole game, even despite their verbal abuse, despite being slapped, despite them being people that she can hardly recognise. she stays with them for the whole game, up until the point where you are given the two options at the very end. and she could still stay with them.

because they're still her friends. she cares about them even if they still hurt her. from the way June still tells Carmen to tell June if she needs anything after Carmen literally tells her to shut up and leave, the way June worries about Vonnie eating seafood even though she continues to stuff herself despite being implied to either hate or make an active choice to not eat seafood, to the way June still trudges out to sea screaming for McCoy to come back to the shore as he wades further in even after he slapped her until her nose bled.

it mirrors the conversation about her cousin, the reason for why June was looking forward to the vacation. that while she did comfort her cousin through all of it, June clearly says that "they were dickheads, and she should have ditched them a long time ago".

but it's funny, isn't it? that June, an outsider to her cousin's friend group, easily sees the pain that her cousin's friends are causing her, and immediately calls it as it is. that her cousin should have left the second they hurt her.

and yet now, when her friends hurt her, even though this was a quick and sudden change that happened in a span of three days, June still sticks around. her friends are dickheads right now, and we can see that in the way they interact with June, but she still stays.

because they're her friends. and how could she just leave them like this if it's something that's causing them to be this way?

so no, i don't think the monster is supposed to be the main picture. we don't need to know what it looks like, or why it needs to do this to the islanders, or how it's even doing it in the first place. it adds to the scariness of the game, as per the Spooktober Game Jam, sure, but that's not the point. might be a bit disappointing to some, but that's not the point.

the point is about June, and the choice that she needs to make at the end of the game.

it's a choice on whether she chooses to be pulled deeper into the tides and be with the friends who hurt her and will continue to hurt her in this way,

or to leave them to their fates, whether deserved or not, and resurface to a world where she's alone without her friends.

and even though the first choice hurts much more in the long run, doesn't the second hurt even more in the moment? knowing that you're alone at the end of all of this?

even if it is the right choice, i'm sure the pain must be unbearable in the moment.