#that gifset from good place
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arcticclimes · 27 days ago
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Bonus:
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beaulesbian · 2 years ago
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I can see it in his eyes.
Trigun Stampede || episode 1.04
(something something, when they can read Wolfwood like an open book, except he does care. He cares so much.)
+ bonus, episode 9: when Wolfwood tries to distance himself from the “friend” part as Zazie mentioned.
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+ + bonus bonus, episode 10: when Wolfwood doesn’t see himself as a  human, talking about them as something else than him. And Vash still reaches between him and any conflict (like above in ep 4 between him and Roberto).
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+ + + bonus bonus bonus, episode 12: Wolfwood caring about some (human) lives, episode 12:
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Wolfwood to Vash in ep 4:
So you’d risk your life for theirs? Self-sacrifice on self-sacrifice… You’re a weird one. You only get one life. You have to fight for it, no matter who you hurt in the process.
Wolfwood to Vash in ep 10:
Do you think sacrificing yourself will make everyone happy?
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thatgoddamngingerundercut · 8 months ago
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daechwita daechwita, play it loud, daechwita
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braceletofteeth · 2 years ago
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Get out! Get out of here!
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moon-mirage · 8 months ago
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"That's fun."
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dbphantom · 10 months ago
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Listen if you're gonna send me an ask about why I shouldn't interact with a person, can you at least do it off anon so I can request actual proof privately? I'm not replying to these since the only way to respond to them is publicly and I don't want to contribute to an unsubstantiated rumor about someone. That's not fair.
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welcometogrouchland · 2 years ago
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KIKI'S DELIVERY SERVICE
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magistralucis · 10 months ago
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@absolut--kurant!
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Pyunggang Botanical Garden (평강식물원) // Hello Korea ♡
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belladonnaprice · 26 days ago
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The Mummy this, the Mummy that.
Where's my appreciation for the polybisexual power throuple awakening caused by this movie and I ask yuh 😭😭😭
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soulprompts · 6 months ago
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REASONS TO CARRY SOMEONE. ( A PROMPT LIST! )
listen, i'm back home now, i'm thinking about things, and i saw the maxton hall gifset floating around and i was like. yk what. carrying people is elite content, and gdi y'all deserve elite content! as always, DO NOT ADD OR EDIT THIS LIST! and there's a lil spicy addition under the readmore, but i left it there just in case people prefer to have a not-so-spicy version.
[ SLUMBER ]: sender picks up and carries the receiver because they're so sound asleep that they won't easily wake up.
[ INTERCEPT ]: sender picks up and carries the receiver out of the room because they're angry and on the brink of engaging in a fight with someone.
[ ASSIST ]: sender picks up and carries the receiver away for medical attention because they've been injured and can't walk easily.
[ HELP ]: sender picks up and carries the badly wounded receiver as fast as possible to the nearest hospital or the nearest place to administer urgent first-aid.
[ ELATION ]: sender scoops up the receiver and carries them away after a mutual victory, or having just received very good news (or maybe they're both just very happy for some reason!)
[ HOME ]: sender picks up the receiver to carry them over the threshold of their new home.
[ AID ]: sender finds the receiver too weak to move, and scoops them up to carry them to get some help.
[ UP ]: sender finds the receiver and picks them up to carry them a distance after learning they're unable to get up.
[ BAREFOOT ]: the sender picks up the receiver and carries them inside because they're not wearing any shoes.
[ WEARY ]: sender notices the receiver about to fall asleep during a task, and picks them up to carry them to bed so that they can actually sleep properly for once.
[ TWIRL ]: sender catches the receiver in their arms and spins them in a neat twirl just because they want to.
[ HERO ]: sender notices the receiver about to fall from a height, and manages to intervene just in time, catching them before they get hurt.
[ FLASH ]: the sender and receiver are part of a photoshoot, and in order to finish the last of the photos, the sender scoops up the receiver in their arms for the final pose.
[ TRAIN ]: during a training session (for a fight or a performance, dealer's choice!) the sender ends up holding the receiver in their arms during their session together.
[ URGENCY ]: sender carries the receiver away from danger after the receiver is revealed to be unable to move, either due to panic or injury.
[ OUT ]: sender grabs the receiver and lifts them into their arms after noticing them swaying and beginning to lose consciousness.
[ SCREAM ]: sender spots the receiver in a terrified or considerably panicked state, and picks them up to carry them to a less terrifying place to calm down.
[ LAZY ]: sender concedes to receiver's requests for a piggy-back ride home because they don't want to walk anymore, and carries them the rest of the distance home.
[ CAREFUL ]: sender gently lifts the receiver out of their seat and carries them carefully to bed after noticing they fell asleep and not wanting to waken them.
[ HASTE ]: in urgent need of getting to safety as fast as possible, the sender scoops up the receiver and starts running because it's quicker and easier to just carry them than expect them to keep pace.
[ FURTHER ]: sender, during an increasingly passionate make-out session with the receiver, suddenly takes them in their arms and carries them towards the bedroom to continue their evening in private.
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louisferrignojr · 16 days ago
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bucktommy web weaving;
first time - hozier // buck and tommy's first kiss in 911 s07e04 // quote by Friedrich Nietzsche // 911 s02e16; photo credit; 911 s02e16 // the alchemist - paulo coelho // tumblr ask answered by @loucifersbitch // photo edit from 911 s08e01 // The Good Place, Chapter 48: The Answer; there is no answer, but tommy is the answer gifset // uma thurman - fall out boy // screencap from 911 s07ep05 // HOLD ME TIGHT OR DON'T - fall out boy // tumblr post by @kinardbuckleys // the song of achilles - madeline miller // photo credit // cardigan - taylor swift
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galedekarios · 11 months ago
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gale's early access dialogue transcripts - part 3: dialogues regarding various decisions & quest progression
in early access, companions used to react much more to the decisions you made in dialogue as well as the overall quest progression pertaining to the main quest as well as side quests, and the events happening around them.
these conversations would be shorter in nature and were usually marked with an exclamation mark ( ! ) over their head.
some of these conversations survived the transition from early access to the full release, but they are very few and far between. the only ones that did survive are 1) gale's reaction to nettie poisoning the protag, 2) gale's reaction to saving mirkon, and 3) gale's reaction to saving arabella.
gale was much, much more responsive in early access and had conversations with the protag about a variety of topics.
following are all cut conversations / dialogues with gale (excluding the deer stew scene and loss scene, which i have covered here and here, but have decided to exclude because they are much longer conversations):
overview:
jergal's temple
reaching the druid's grove / emerald enclave
arabella the tiefling child dies / protag stood by and did nothing
protag killed lae'zel after lae'zel tried to prevent them from turning into a mind flayer
karlach vs anders, the paladin of tyr / agent of zariel
after edowin / the siblings brynna and andrick
killing the druids
arriving at the goblin camp
finding out that the absolute's brand is magic
about true souls
dror ragzlin & the dead mindflayer
ogre + bugbear couple in moonhaven
giving the necromancy of thay tome to gale (dialogue option in player-initiated dialogue / gale asks for tome)
on ethel
on ethel's deal
after finishing mayrina's quest
the zhentarim chest / rugan
the myconid colony in the underdark
defending astarion to gandrel the gur monster hunter
handing astarion over to gandrel the gur monster hunter
arka the tiefling (kanon's sister) kills sazza the goblin / protag stood by and watched it happen
letting sazza escape
finding out about priestess gut from sazza
below the read more, you'll find the transcripts of these 23 cut conversations.
where i can and still have them, i will include screenshots and, when i can find them online, i will include links to watch those conversation in video format.
jergal's temple [link to gifset]
Gale: Bad form, isn't it? Grave robbing? Judging by those undead guardians, the architects of this crypt certainly thought so. - Protag Option 1: I'm desperate, not proud. Best to take what I can get.  Gale: Then again, to be alive is to be curious.  - Protag Option 2: Dressing up the dead is pointless. They have no need for trinkets.  Gale: Never lost a loved one, have you? Then again, those who loved these loved ones are dust and bones themselves. - Protag Option 3: A good fight and fine treasure. What's not to like? Gale: I suppose that's one way to spin it. - Protag Option 4: Why care about decorum in a long-abandoned tomb? Gale: Because my mother raised a gentleman. Then again, to be alive is to be curious.  - Protag Option 5 [Cleric]: True. My god might not be particularly happy about it. Gale: You can pray for your sins later. I’m told that does the trick. Gale: Let's have a look at the loot. It isn't for your pockets only.
2. reaching the druid's grove / emerald enclave
Gale: So much for finding a safe haven. - Protag Option 1: This is a druid grove. With a bit of luck we'll find help here.  Gale: Druids master the ancient magic that is part of nature's fabric itself. They can make bloom, and they can make wither. Let's hope the latter applies to tadpoles.  - Protag Option 2: We won't linger long.  Gale: And we shouldn't – but we'd be remiss not to give the place a once-over. Druids master the ancient magic that is part of nature's fabric itself. They can make bloom, and they can make wither. Let's hope the latter applies to tadpoles. 
3. arabella the tiefling child dies / protag stood by and did nothing [link to gifset]
Gale: This place is a snake pit in more ways than one. That poor girl... Such sudden madness.... And what did we do? We stood by and watched. Her parents – we'll have to tell them that we failed.  - Protag Option 1: Our priority remains to find a healer. The most dangerous snake is in our heads, remember? Gale: Distinctly. But it hasn't poisoned my sense of right and wrong just yet. How about yours? - Protag Option 2: We're here on Zevlor's behalf. Let's not lose sight of that.  Gale: Yes, nothing like serving up a dead child as the appetiser to successful negotiations. - Protag Option 3: Her parents deserve to know what happened. And that we are not to blame.  Gale: So inaction equals innocence? There's a small corpse on the floor over there that might just beg to differ. - Protag Option 4: This is none of our concern. Where there's strife, there will be blood. Gale: And where there's blood, there will be vengeance. This troubled grove is about to become far more troubled still. - [Arabella died because protag failed the DC twice] Protag Option 5: The girl really should have left the druid's idol alone. Look where it got her.  Gale: If the errors of youth deserve an early grave, none of us would live to see a dozen summers. There is no justification for this tragedy.
4. protag killed lae'zel after lae'zel tried to prevent them from turning into a mind flayer
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Gale: Lae'zel... that was brutal. Are you all right? I'm here if you want to talk about it. - Protag Option 1: Is there anything left to say? Gale: She was alive. Now she is dead. Might be worth a few words. Then again, maybe not. What a night... - Protag Option 2: She was danger to us all. She didn't leave me with a choice.  Gale: I was not judging, merely offering my sympathy.  One moment we are travelling together, then the next... - Protag Option 3: Don't bother. It's over and done with.  Gale: Words as final as your acts. One moment we are travelling together, then the next...
5. karlach vs anders, the paladin of tyr / agent of zariel
Gale: I have to say I don't know if agreeing to this hunt was such a wise idea. Who's to say who's the real villain in this tale of devils and masquerades? - Protag Option 1: Cheer up! It'll be fun.  Gale: Yes, I used to sign up for a round of Kill-The-Stranger every tenday back home [sarcastic]. When we track Karlach down, let's chat before we chop. - Protag Option 2: You're saying I shouldn't trust a bunch of devil-sworn pretending to be paladins of Tyr? Gale: I'm saying I really shouldn't have to point that out. When we track Karlach down, let's chat before we chop. - Protag Option 3: It's easy: I say who the villain is. Gale: My, so it's you who is Tyr then, the mighty judge of justice?  Go ahead, tell them. I'm sure they'd love to fawn all over their erstwhile patron.
6. after edowin / the siblings brynna and andrick
Gale: I have to say, it's one thing to have a parasite in your head, quite another not to know it's there. What's more, these people weren't on the nautiloid with us. Just how many mind flayers are at work in these parts? - Protag Option 1: The real question is: how does this all link to their belief in this “Absolute”? Gale: Mind flayers excel -> See Option 3 - Protag Option 2: Do you really think there may be more mind flayers around? Gale: This True Soul and his acolytes are ample proof of that...  They 're ample proof of a dread suspicion as well.  - Protag Option 3: Let's move. I don't mean to lose daylight pondering idle questions.  Gale: You really do dismiss these events too casually. - Gale: Mind flayers excel at mind games. To enthral completely is their bread and butter. What if they perfected their craft by convincing their subjects they're not thralls at all, but that they have free will? That the commandments they experience are the will of a benevolent god. How terrifying a level of perfection that would be.
7. killing the druids
Gale: If Silvanus is the mighty oak, his druids were but the weakest of his leaves, tossed by the winds of fury. I can't shake the image of what happened to the grove: the winds have blown and the harvest has come. The oak stands lone and barren.  - Protag [Druid] Option 1: A grove destroyed... I dont think I can forgive myself. Gale: After winter, spring will come, but I'm not sure we left behind much fertile ground. - Protag [Druid] Option 2: The druids caused the harvest. It was only just we did the reaping. Gale: Yes, well, I prefer to pluck apples and pick strawberries. They don't tend to weigh on one's conscience. - Protag Option 3: They were in need of a lesson – and we taught it well. Gale: One usually needs to be alive to reap the benefits of education. If anything, we taught them too well.  - Protag Option 4: They felt threatened and lashed out. A tragedy I wish we could have avoided.  Gale: Their action are on them, that much is true, but the consequences are ours to carry - Protag Option 5: Come, let's move on. What's done is done. Gale: Look around you. What's done is done, but what's wrong is also wrong.
8. arriving at the goblin camp [link to gifset]
Gale: Amid all this grandeur sunk into squalor, I wonder what dismal corner we'll find Halsin in.  - Protag Option 1: Any suggestions? Gale: Prisoners are treated the same by everyone: they serve as serfs, or they waste away in a dungeon. Stands to reason we'll find Halsin in either one of these less-than-appealing conditions.  - Protag Option 2: What grandeur is that? Gale: This must have been a splendid complex once, a temple of impressive proportions. Worshippers lived here. Pilgrims visited. They required food, shelter, ceremony, entertainment. Now that it's nothing but a goblin-ridden death-trap? Plenty of places to hide away a druid, I imagine. - Protag Option 3: With our luck? Marinating in a cooking pot most likely. Gale: A hearty serving of druid stew wouldn't do us any good. No, let's hope the best and keep this in mind: Prisoners are treated the same by everyone: they serve as serfs, or they waste away in a dungeon. If he's still alive, it stands to reason we'll find Halsin in either one of these less-than-appealing conditions. Well -more-than-appealing conditions come to think of it, when one considers the stew alternative.
9. finding out that the absolute's brand is magic
Gut: Hold out your arm so I can mark your flesh. It's charged with magic. Ordinary slobs can't see it; only us that follow the Absolute.  Gale: Charged with magic? Perhaps that explains the ease with which these goblins submit to True Souls.
10. about true souls
Gale: I can hardly wrap my head around what we've just heard. Let's list up the facts, shall we? There are other people here with tadpoles in their heads. They can hear the tadpoles speak to them, and they think it's a new god. I don't know about you, but to me, none of this makes any logical sense.  - Protag Option 1: I concur. There doesn't seem to be a logical explanation. Gale: And yet I suspect something... intelligent behind it all. Some carefully nurtured scheme. - Protag Option 2: I'm seeing too many coincidences – which tend to add up to conspiracies.  Gale: Evil cults and grand designs, is it? Mind you, I'll not even dispute the possibility. - Protag Option 3: I don't care about logic, I care about solutions. Gale: I'm not sure those are mutually exclusive. If we seek to solve we must seek to comprehend.  - Gale: But let's not lose sight of what we've learned here – what joins us and what separates us from these True Souls: They heard a voice we do not hear, a voice that binds them in servitude. As long as we're possessed of our own free will, I venture to say there's hope for us yet.
11. dror ragzlin & the dead mindflayer
Gale: A grand necromantic spectacle staged at the behest of a newfangled god to track down... us. Can't quite say which of these two wins out: to be honoured or to be horrified. - Protag Option 1: The real question is: why are they looking for us? Gale: Several guesses spring to mind, all equally plausible and implausible at once. - Protag Option 2: Not to worry: we easily tricked that hobgoblin – and his god. Gale: We tricked the minion, yes, but its master? I doubt it. - Protag Option 3: Can't say I'm thrilled to be a god's pet project. Gale: Horrified it is then. - Gale: Fact is we're being hunted, but at least we have the hunters at a disadvantage: even here, in the lion's den, they don't recognise us as their prey.
12. ogre + bugbear couple in moonhaven
Gale: One moment they were embracing each other in intimacy, the next they're embracing only death. Can't say I'm proud of our actions here.  - Protag Option 1: Me either. We should have left well enough alone Gale: Don't get me wrong, I know they'd have gladly made us their post-coital picnic given half a chance. It just feels wrong to turn lovemaking into life-taking.  - Protag Option 2: Playing it a bit fast and loose with the word 'intimacy' there, Gale. Gale: I'm not contemplating definitions, I'm contemplating our deeds. Don't get me wrong, I know they'd have gladly made us their post-coital picnic given half a chance. It just feels wrong to turn lovemaking into life-taking.  - Protag Option 3: Don't dwell on it. Ogres and bugbears are nothing but vermin. Gale: And yet they speak and bond and revel. Don't get me wrong, I know they'd have gladly made us their post-coital picnic given half a chance. It just feels wrong to turn lovemaking into life-taking.
13. giving the necromancy of thay tome to gale (dialogue option in player-initiated dialogue / gale asks for tome)
Gale: Much obliged. Narrator: you watch Gale perusing the book with a true wizard's fascination. A few pages in, something startles him.  Gale: A rough read indeed... I'll give it my undivided attention at a more appropriate time.
14. on ethel
Gale: You know, I think there's a little something more to Ethel than meets the eye. 'Hag' is the word they used.  If that's what she really is, she's beyond dangerous.  - Protag Option 1: If that's what she is, that means we killed two innocent men. Gale: But theit sister still lives. And I doubt Auntie has her over for tea and conversation. - Protag Option 2: Hags are powerful creatures. She might actually be able to help us with the parasite.  Gale: See Option 3 - Protag Option 3: She hinted at a reward. That's all I really care about. Gale: Beware of a hag bearing gifts. They're never gifts to begin with.
15. on ethel's deal
Gale: Netherese. A portentous word. Combine it with mind flayers, and it's... unspeakable. - Protag Option 1: What do you make of it all? Gale: What we can do is combine what we know and make our deductions. At the heart of it all, the problem is clear: we've been infected by a mind flayer parasite. So far, however, we've been spared the dread fate that is ceremorphosis. How have we been spared? It would seem the answer is that the parasite is somehow infused with Netherese magic – more powerful, more sinister than it has any right to be. The question remains, however: why? Infected, but unchanging. Blind cogs in an all-seeing machine. - Protag Option 2: If even a hag can't help us, who can? Gale: I... I actually don't know. All we can do is combine what we know and make our deductions- See Option 1 - Protag Option 3: It's all gibberish as far as I'm concerned. Gale: No, there's meaning to it. There has to be.  All we can do is combine- See Option 1 - Protag Option 4: None of this actually solves our problems. Gale: I know, but let's consider this: at the heart of it all, not only is our problem clear, but so is the motive of our enemy: power. All power has a nexus. Find it, and we may just find both the answers and the remedy we seek. - Protag Option 5: Get to the point if you have one. Gale: I was merely thinking out loud, but if you desire a point, consider this: See Option 4 - Protag Option 6: Enough talk. Let's go. Gale: Fine, but while we walk, consider this: See Option 4
16. after finishing mayrina's quest [link to gifset]
Gale: Hags really do redefine depravity, don't they? A promise kept in the cruellest of ways: a loved one returned, undead.  - Protag Option 1: This entire affair sickens me. I wish we'd had no part in it. Gale: We don't always choose the roles we play. All we can do is perform them to the best of our ability.  [Connor killed] At least the curtain's fallen on this tragedy. The lovers' tale is quite over.  [Connor alive] Can't say I'm very enthusiastic though, about the extra you just cast. - Protag Option 1: Hags thrive on corruption. It is simply their nature Gale: A nature that, as far as I'm concerned, deserves to go extinct.  [Connor killed] As extinct as the happiness Ethel cut out of Mayrina. [Connor alive] So does that abhorrent thing-once-man. For god's sake let his eternal sleep be free of this undead nightmare. - Protag Option 3: You have to admit Auntie Ethel knows how to have some fun. Gale: [disapproves] You can't possibly mean that.  [Connor killed] In any case, the man's dead for good. The spectacle has come to a close. Fun's over.  [Connor alive] Although, judging by the newest company you've decided to keep, you may just be depraved enough yourself to mean that after all.
17. the zhentarim chest / rugan
Gale: So you threatened your way into ownership of that chest. Now that it's yours, what will you do with it? - Protag Option 1: I say we hold on to it until we find the rightful owner. Gale: So that means you're not curious as to what's inside? Very well, suit yourself... - Protag Option 2: Let's seell it. We're bound to make a tidy profit.  Gale: See Option 1 - Protag Option 3: I will do what is meant to be done with a sealed chest: open it. Gale: Music to my curious ears!
18. the myconid colony in the underdark [link to gifset]
Gale: Spores that can raise the dead... These myconids certainly are fascinating creatures.  Protag Option 1: They make for good allies.  Gale: Agreed. And there are precious few of those in the Underdark. - Protag Option 2: They're more dangerous than I thought. We should be on our guard.  Gale: They will remain welcome hosts unless we turn hostile. Should be easy enough to avoid. - Protag Option 3: Sorry, but I don't share your fascination for fungi.  Gale: Nobody's perfect. 
19. defending astarion to gandrel the gur monster hunter [link to youtube video]
[Protag defends Astarion] Gale: How thoroughly invigorating it is to stand by one's friend in the face of danger. Even if that friend is an egomaniacal vampire with moral longevity of a mayfly. - Protag Option 1: We did the right thing and that's all there is to it. Gale: It's charming that you think that. - Protag Option 2: Are you saying that you would have thrown Astarion to the wolves? Gale: Never. What harm did the wolves ever do? - Protag Option 3: I'll remember you skepticism if anyone ever comes looking for you. Gale: ?
20. handing astarion over to gandrel the gur monster hunter
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[Protag hands Astarion over to Gandrel the Gur Monster Hunter] Gale: I had a friend who had a dog once. Beautiful animal, but it got mean in its old days. Gale: It would growl and bark at everyone. Even bit him at the end. Gale: Yet still it was the saddest of occasions when he took the dog away for good. - Protag Option 1: It was for the best, I'm sure. Gale: I'm not sure the dog would agree. Gale: Astarion wouldn't. I'm absolutely sure of that. - Protag Option 2: Parting is never easy. Gale: ? - Protag Option 3: Put the mongrel down, did he? Gale: ?
21. arka the tiefling (kanon's sister) kills sazza the goblin / protag stood by and watched it happen [link to gifset]
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Gale: Arka's thirst for revenge has been sated... and the goblin welcomed death with open arms. All's well with the world one might argue. And yet there's something unsettling about witnessing an execution. - Protag Option 1: I take no pleasure in it, but justice has been done. Gale: No one will mourn this goblin I suppose. Let's leave it at that. - Protag Option 2: Somehow that sounds a condemnation. Gale: I condemn nothing - but a question can be a mirror: Gale: If it's guilt you see reflected, the condemnation is your own. - Protag Option 3: I have no patience for the squeamish. Gale: You imply a weakness. I say a critical mind is one of our greatest strengths.
22. letting sazza the goblin escape
Gale: I know I said it's not inconceivable a goblin priestess could help us. And yet... was it really wise to set another goblin free so she can arrange introductions? - Protag Option 1: Passing up the promise of a healer would be far more unwise. Gale: A perfectly reasonable train of thoughts. But what if she leads her entire tribe to the grove? - Protag Option 2: What's done is done. Doubt doesn't help us.  Gale: I'm not quite done yet. What if she leads her entire tribe to the grove? - Protag Option 3: Keep your misgivings to yourself. Gale: But consider the consequences. What if she leads her entire tribe to the grove? -> Protag Option 1: I'll make sure that doesn't happen Gale: I'm not sure you can. - Protag Option 2: Getting rid of the tadpole comes first. Otherwise we might be the monsters that destroy this place. Gale: Harsh. But fair. If not given too much further thought. - Protag Option 3: I don't care, I owe this grove no allegiance. Gale: No allegiance, no. Though we don't need to sign its death warrant.
23. finding out about priestess gut from sazza
Gale: Booyahg – the goblin word for magic. Primitive to a fault, but not entirely without merit. To seek some goblin priestess' help would be unconventional to say the least. Then again, I'm not one to advocate conventionality.  - Protag Option 2: A goblin healer sounds absurd to me. Gale: I wouldn't dismiss the idea out of hand. Goblins come from a warrior culture: to heal wounds is a highly prized skill. - Protag Option 1: I don't care if a cure comes from a goblin, an ogre, or an orc: as long as it works, I'm happy.  Gale: My sentiments exactly.  - Gale: If this priestess is indeed a master in the arts of booyahg, it's not inconceivable she could be of help to us. And if she isn't, we might find items of interest among her shamanic paraphernalia. If her tribe doesn't kill us on sight, that is.
thank you for reading! please consider liking and reblogging this post to support my work. thank you.
coming up next:
-part 1: the three tadpole dreams -> completed -part 2: major cut scenes: the deer stew scene & the loss scene -> completed -part 3: minor cut scenes: abandoned temple of jergal, failed to save arabella, talking to the paladins of tyr and agreeing to go after karlach, edowin and the tadpole reveal, mayrina giving ethel's wand to her or breaking it, handing astarion over to the gur or defending him, reaching the druid grove, killing lae'zel, reaching the goblin camp & looking for halsin, killing the druids, priestess gut & the brand & the cult of the absolute, dror ragzlin and talking to the dead mind flayer, ogre couple, necromancy of thay, ethel, zhentarim chest, myconid colony -> completed with this post -part 4: gale's condition & the way it was treated in early access
taglist: @chainsawmascara, @randomfanner, @tacogoats, @khajiit-necromancer, @gwinharper, @galesenchantedpanties, @swampfaerie, @ardently-queer, @nirraein, @gale-enjoyer, @xiv-wolfram, @kairoswouldnever, @a-psychopathic-dream, @toboldlydammitjim, @mishtress, @vcxahlia, @fitzmagus,
i thought i'd tag the people i'd seen taking an interest in my original post! if you want to be taken off the taglist, or added, please let me know!
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riverlarking · 7 months ago
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what i use: potplayer for capturing frames photoshop cs6 (can find it for free here or in other links on the tag) qbittorrent torrenting sites (this, this, eventually this) sharpening action arial rounded mt bold for subtitles
assuming you know how to torrent, if possible download what you want to gif in 1080p or the highest possible resolution etc etc
frames
open video in potplayer, go to the moment you want to gif and go back a couple frames (10-20) from when you want your gif to start (i usually just spam press D a bunch) (to see which key you have to press to go back on frames, right click > jump (to) > previous frame
now press CTRL+G or open frame capturing through right click > video > video capture > capture consecutive images...
my settings for capturing frames
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(important to turn off subtitles before doing this or they'll be captured on the image too)
the folders i save it to -> i created a bunch of frame folders that i fill up since the way frames load in my photoshop require me to load an entire folder into it. so i capture an entire gifset's frames into one folder and then load up the entire thing
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press 'start' on the consecutive image capturer, then start playing the video (best to mute it since the video might start playing slower), wait until the part you want to gif is over and stop the video, press CTRL+G again to stop the capturing
2. photoshop
depending on your photoshop you can either 'load files into stack...', which opens up a folder and you can manually choose which frames you want to load, or 'load multiple dicom files..." (what i have to do), where you select an entire folder to load its contents into photoshop
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once you do either of those things, you got this
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now click 'create frame animation' on the bottom
now we click on the three bars and 'make frames from layers'
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!! if you loaded up frames with 'load frames into stack...' at this point you also have to click 'reverse frames' since they load in reverse order with this method for some reason
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now we got our frames on a timeline and delete anything you dont want in your gif. if you have frames for multiple gifs on the timeline, go to image > duplicate and duplicate for however many gifs you got and delete the unnecessary frames from each one
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crop tool, type in dimensions up top (in accordance with tumblr's dimension graph, so if you want a wide gif like the one on the top of this post keep it 540px). i usually crop my gifs to between 540x400 and 540x500. once centered on how you want to crop, press enter or double click on the image to crop
press ALT+CTRL+I or go to image > image size... to resize
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open the actions tab if you don't have it already open, go to 'load actions...' and find where you saved the sharpening action you downloaded from the top of this post
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i only use "all in one (sharper)" and "convert to animation (frames)", but unchecked the "canvas size" option on the latter one since we resized the gif ourselves
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select 'select all layers current layer' on the action (the other steps we already did) and press play
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our gif frames will turn into a group so now go to "convert to animation (frames)" and press play again
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this will pop up at the end, leave it at 0.05 (maybe 0.06 if the gif is going too fast)
if we were to export the gif now it would look like this
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now comes the coloring, which is personal preference. the reason i chose hannibal for this gifset is to show the white balance tool that works great in tinted scenes
open a 'levels' layer and selected the bottom eyedropper. then click it on a place on the gif that should be white but isn't (i clicked on hannibal's shirt collar). the gif coloring will change accordingly
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then pick the top eyedropper and click on anything that should be black but isn't (you can click on multiple places and see how the color changes, keep trying until you find one that looks good)
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the coloring difference with just those two clicks
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and then the coloring is up to you, i usually just add more levels layers and color balance
here's all of the layers i applied to color this
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VERY IMPORTANT to get into the habit of selecting those two thingies on each layer you apply (on the subtitle text layer select all three) so that the coloring stays the same on all frames
difference
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+ subtitles settings using the text tool
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shadow and stroke to make your subtitles readable
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saving the gif. click ALT+SHIFT+CTRL+S or go to file > save for web... here are my settings
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that's it
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yeyinde · 10 months ago
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LEASH CALLED YOU
PUPPY (RUINER) x F!Reader | 18+ Good dogs get rewards, and Puppy thinks you are the best prize to be found in this hovel. So, he takes you.
WARNINGS: smut | P-in-V, rough sex; D/s undertones; VERY HEAVY DUBCON!!; slight breathplay. female gendered anatomy. implied/referenced human trafficking, sex work. canon typical violence. implied threat of violence. loss of agency. obsessive behaviour. this is basically playing house with a psychopath who decides you're his. and he pretty much killed half the city and the guy who was kinda a god. or a king. or something. so like, what are you gonna do? say no? Pff. WORD COUNT: 7,4k imagine writing like, 7k for Some Guy after seeing one (1) gifset of him.
He finds you in South Rengkok.
Nestled amongst a conglomerate of seedy, black market shops in the red light district, you gaze out at the sea of people from a vaulted window in a seamy bordello. A voyeuristic view into the coquettish bedroom they placed you in—red satin sheets and pink, heart-shaped pillows. All dolled up and pretty. 
The harsh light cuts shadows under your eyes and frames you in a heavy, oversaturated glow. You look like you're bathing in red. In blood.
The sight makes something curdle in his stomach. He isn't sure why. There's not much of a difference between you and the other workers—all locked up tight; enticing passersby to join in on the garish body auction set to take place soon—but where they see the dollar signs in this, dancing and swaying their hips, pressing their palms flat against the window plane and fluttering their lashes, all lovely and coy, at the men who press back, you sit. Motionless. A little doll.
You don't belong here, he thinks. You're something much too soft and fine, like silk in his hands, and much too delicate to be in this part of town that stinks like wet, oxidising metal and saltpetre.
The slip of your black, lacy kimono barely covers your skin. He tracks it. The shadows, the dips. The curves. His eyes fix on the protrusion of your collarbones beneath the moody fabric, pushed to the side, and hanging off your shoulder in what, he guesses, is meant to be enticing. Kittenish.
They dolled you up to skirt this line between sultry vixen and twee innocence. The sight of it does something to his guts. Has them rolling over each other in tandem with each heavy thud of his heart. It's the way you look that catches his attention, sure, but more than that, it's the look in your eyes.
They glow under the neon smear, hazy and drifting far away, turned inward. Lost.
And then you look up. Catch his gaze through the glass. 
There's a moment when everything inside of him dims, quiets. Thoughts, missions. Reason, purpose. It falls under a thick blanket of whisper-soft snow. It's just him—something, nothing—and you. This little cosm of his own making. 
You make a motion, then, as if to entice him inside but you hesitate, staring back at him instead. He knows the LED screen on his mask is doing something funny, voicing the thoughts he can't say, because your lips quirk slightly at the corners—bemusement, maybe; he's never been good at reading people—but then HER is husking out orders in his head, all biting witticism, and acerbic humour. 
Later, Puppy, comes the clandestine whisper—hot oil down his nape—and he catches the warbled curiosity as it trickles through. Good Puppy’s get rewards. But there's work to do. 
Work. Yes, work. 
His helmet flashes. He catches the red flicker on the smeared reflection of the window. Garish red. Kill, kill, kill. 
You see it, and you flinch. 
Good, is the sudden thought. Good. 
Puppy isn't sure about much—not anymore, and maybe not ever—but he knows this: he likes the way your eyes widen. Fear, undoubtedly. Round and doe-eyed as you take in the horrible words scribbled in neon. 
Fright, dread. It looks good on you. 
Pretty, pretty, pretty.
His hands shake. He thinks about how you'd feel under him. How he'd feel inside of you. And—
Purpose, he thinks. Purpose. 
There's an emptiness inside of his heart. A hole left over from the remains of LITTLE BROTHER. The dream, the reason, turned into a ghost. Shrapnel in his chest.
He doesn't blame HER for his absence. For the machinations, the schemes. It all led somewhere in the end, even if that place was here. Alone. Stuck, now, with a gaping wound in his chest. 
But—
Not for long, maybe. 
It'll be an awkward fit—BROTHER was this unknowable, untouchable shadow that lingered in his peripheral vision; a driving force keeping him moving. The space carved inside Puppy for him feels like a cavernous chasm. You're so slight, so small, in comparison to that gaping void, that he wonders if you'll be enough to quench the hunger that brims up from those depths. Rapacious. Wanting. 
It's different, of course. You are real. BROTHER was—
Not. 
He satiated himself on artificial dreams and empty memories. Those spectral, hallucinatory feelings of desperation to save his younger brother carried him to the very end. 
But BROTHER was always chimerical. 
You are something he can touch. Have. Keep.
He sees the flash of uncertainty etched into the painted lines of your face as you look around the cesspit you've fallen into, and he knows that you, too, could be that for him. Purpose. Purpose. Purpose. 
(His, his, HIS.)
The people wandering around, perusing the shops, stop and stare at you. At this little wisp, all shaken and terrified, and in need of saving. Needing him—
His hand clenches around the pipe. 
You're too good for their eyes. For this place. 
He'll kill them all, and come for you. 
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The room that houses his new target is in a penthouse on the better side of the city. Vaulted ceilings. Golden chandeliers. Crystalline glass in a mosaic of iridescent pastel. It looks blemishless, clean, in comparison to the hovel that is South Rengkok. It scrapes against the chalky insides of his skull as he slinks forward, and emerges from the shadows.
He makes his way through the levels, one by one, until all that remains behind him is a river of blood and a breadcrumb trail of dead bodies. Boss’ finest. It's all mostly just—
Cleanup. 
A necessary evil, HER calls it, and so, he sees it through. 
When he gets to the top, he hears noises. High-pitched, elongated. A sharp grunt. 
He finds his target sitting down on a sprawling chaise, knees notched apart. A woman sits in his lap, hands pressed against his chest. 
Both of them are naked. Their clothes are in a messy pile by the door. 
Puppy watches for a moment. Enthralled, almost, by the sharp juxtaposition their bodies make, and then—
Confusion. 
She looks just like you. 
His meaty hands are tight around her waist, jerking her down with each sloppy cant of his wide hips. Dwarfing her frame in his bearish paws. She mewls into the room, the reecho of her synthetic moans daggers into his temple. 
The pipe in his hand jerks with the rough spasm of his fingers. 
Puppy doesn't care much for killing. Doesn't care much for anything at all, really, except for HER, BROTHER. The mission. His objectives. 
Cold, they call him. Unfeeling. 
He thinks, suddenly, of Wizard. About something he'd said back when Puppy didn't have a name. 
You're—heh, you're a killing machine! It must feel so good, you know? To kill.
It doesn't. He feels nothing at all. Neither pity, nor guilt. Regret is an abstract concept in his mind; intangible. Unreachable. 
He's—
Ambivalent, HER once supplied. You feel nothing, Puppy, because you are nothing. 
Yes. Yes, he thinks. And yet—
There's a strange heat in his veins. A caustic feeling welling deep inside of his guts at the sight of them coupling. His hands on her body is an affront. An insult.
It makes him angry. Furious. 
He'll kill him, he'll—
(Go, Puppy!)
In the man's hands, she looks soft. Delicate. Breakable. 
Yes, so breakable. So—
She moans, then, and he jerks his chin up, catching her reflection in the marble pillar. 
Ah, he thinks. Ah. 
She isn't you. 
He gets to work. 
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The success of his mission has HER offering a bleak congratulations in the back of his head. Job well done. He takes it all in, feeling a distinct thrum in his bones that is usually absent following his massacres. Its place, in the hollow gaps of his ribs, is strange. Foreign. 
Excitement, he finds. How peculiar. 
It offsets the adrenaline rush, the lingering anger coursing through his veins. Killing the Target, his companion who was entirely too similar to you, leaves him feeling satiated and starved at the same time. A paradoxical sensation that shouldn't exist together, but somehow found a way, a home, within the slurry of his chest.
He wants to find you. Has this pulsing need in the back of his head to make sure that the woman he killed wasn't really you. But you are contralateral to his current mission. His objective.
Almost pityingly, the route HER generates takes him right past you: a tantalising tease.
Puppy isn't sure what to call this. Madness, perhaps. Don't be stupid, Puppy, comes the choppy, mechanical whir in the back of his head. You are—human, after all. 
The way it's said by HER has his hackles rising, but he doesn't have enough insight on the topic to pursue the strange cadence any further.
Indulge. You earned it.
Your face flashes before him—different, this time. Gone is the thick gold on the crease of your eyelids, the heavy red on your lips. You're barefaced. Gaunt. Your complexion reminds him of the bruised blue of the sky above. Midnight. Iridescent rainbows in an oil spill.
He wants to touch you. His hands shake. 
A series of numbers flicker at the bottom. The price, he surmises, for you. 
An auction. Right.
Tonight, HER supplies. He feels the clinical amusement in the back of his head. Oh, but Puppy—
To offset the generosity, HER pulls up the amount he carries on him. Cruel. Mocking. It's compared and contrasted. The difference is staggering. He can't afford you. Doesn't even come close to the asking price.
(Couldn't even afford the entrance fee.)
Sorry, Puppy—
The mechanised warble is pushed down before it can start.
That's fine, he reasons, dismissing it all. Dismissing HER.
He has no intention of paying for what's rightfully his, anyway. 
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The bordello—boasting some strange mix between classic geisha-sensualism and modern sex appeal (and somehow missing the mark for both)—appears closed for the night.
A fallacy, of course, as everyone is just inside. Squirrelled away with cheap vodka, cigars. Waiting their turn to cash in their victory tokens. 
He looks at your window, shutters closed with a looping scrawl on neon pink that says be back soon~!, and makes his approach. 
There's no plan for this. Not that he's ever really had any to begin with—most of what he does is driven by an endless need to fulfil someone else's objective through the brutal physicality he wields—but he makes an effort to go stealthier than usual. 
He doesn't want to risk triggering a failsafe that will keep him away from you any longer than he needs to be. 
Not that it matters—
These lowlives—some assemblage of Creeps, local gangsters, and general nobodies—are mere nuisances in the face of his ice-cold ire. His rage. Tearing through them is nothing. The fight they put up is flimsy. Tissue paper defences.  He supposes they never really anticipated him showing up to reap his dues at an event that has been advertised for several weeks now (how he missed your face on those gaudy billboards hanging above the taverns in the red light district, he'll never know). A high-class event, they snicker from behind the thin doorways.
Politicians gambling away public funds to buy pretty prizes. Gangsters, pimps, all looking to pocket more flesh for their own abattoirs. 
Killing them is insubstantial to this cleanup mission, he knows, but there's a thrum of vindictiveness that roars through his chest when they squeal, begging for forgiveness that they must know won't come. 
(He's barely merciful on a good day.)
HER is a cheerleader in his ear, egging him on. Go, Puppy! Get your prize, Puppy! and he lets it fuel himself forward until he's covered in viscera and gore—a jaw bone breaks off, tacks on to the lip of his boot; blood drenches the sleeves of his leather jacket, stains his collar—and surrounded by pulpy, broken bodies. Alone. 
It's quiet, now. The only sound is his heavy, ragged breath muffled by the mask covering his head. The harsh thud of his pulse cottons his ears, blotting out everything except the heady rush of blood raging in his veins. 
HER watches with an alien sense of amusement that prickles in the back of his head. Wrongness permeates from their mirth as they take in the carnage spread out amongst the halls. 
It all means nothing to him. A means to an end. 
Nothing to them, either. To HER. This is a game.
The wet end of the pipe drags against the herringbone floor in a metallic squeal done to announce his presence from anyone unlucky enough to survive the brutal apathy of his initial assault. He hears nothing. Just the grind of rusting metal on wood. Porous. Hollow. 
It all ends in a muted bloodbath. A bloodied trail of bodies leads right to your door. 
Untouched, despite the garish horror painting the walls in rotting red. Congealed blood blackened under the thin oxygen in the room. 
There's no movement from within, but he knows you're here. Can feel you through the wood. Catch the rabbiting of your heart. Your gasping breath. 
With the hand not clutching the pipe, he reaches for the handle, turns. Locked. He expected it. You must have propped something up against the knob during the first onslaught of his fury. Smart. 
But it's not enough to keep him out. 
He pries open the door to your room with one hand, shattering the flimsy back of the vanity stool you jimmied beneath the handle. Cute. Resourceful. His heart pounds in his chest. He can't wait to have you. 
Go, Puppy!
He takes a moment to shut the door behind him—no escape—before he slowly swivels his head toward you. Taking you in. 
(Finally.)
You stare at him with that same look on your face as before. Terror, he reasons, and tries to piece it together on the men who looked at him as he cracked skulls open with the blunt end of his pipe, tore jugulars out with his bare hand. Fear, he thinks. They look at him with fear. Loathing. 
But you're missing that one. There's no hatred on your face, no curses spat out even when he stalks forward with the same steady gait as always, the bloody end of his pipe leaving a macabre breadcrumb trail for anyone to follow. 
There's a sea of dead bodies behind him. Businessmen. Lowlives. Commonfolk. The other girls. It didn't matter. 
They were in the way. 
All of them. 
(The man, too, who came to collect you like a prize winner at a seedy casino. His head, in particular, is rendered into nothing but a pulpy mess of grey matter, tissue, blood, and bone.) 
He thinks you might cry, but you don't. You stare. Owlish. Wary. Between the thick, brick wall—your cage—and him, there's nowhere for you to run. He slows at that, coming to a stop several paces away. Watching you back. Assessing. Calculating.
You're nervous. Shaken. He's under no disillusionment that you hadn’t heard the screams just outside of your door. Heard the thuds. The cracking of skulls. The breaking of bones. A bloodbath only several paces away. A massacre. Scary enough to you that it made you try to save yourself, to lock whatever it was that stalked the halls from getting to you. 
How terrified you must have been. 
Puppy doesn't feel much for anyone. Maybe the odd moment of sympathy for the inhabitants of his city, the ones who beg and plead for his help with the things they can't control, can't fight back against. He extends small mercies where he sees fit. 
But for some odd, unfathomable reason, he has the sudden inkling to reach out. Pity. You're so pitiful to him. Poor thing. You poor, poor—
In a moment of pure absurdity, the words: are you good? flash across the curved plain of his mask, and you make a noise somewhere between a yelp and snort. Mangled in the back of your throat. 
“Does it matter?” 
And, oh—
Your voice does something to him. Turns his insides liquid. He's melting, he thinks. Burning up and turning to a heap of molten ore by your feet. 
He tries to reign himself back in, forcing himself to focus. Focus. Puppy ponders your question for a moment before ultimately deciding that it doesn't. 
(Or, rather, it does; but maybe not in the way you'd want it to.)
In the end, he gives you a shrug. Banal. Dismissive. It makes your brows furrow. A valley forms between them. Irritation bleeds through the flat apathy you forged. 
There's a scoff. He thinks you look prettier like this—a feral, hissing cat. He wants you beneath him, clawing at his chest. Spitting curses in his name. 
(Wants to try to tame you. Wants to fail.)
“Of course,” you hiss, hands fisting in the sheer fabric of your kimono. “You're no different from anyone else, are you?” 
Puppy shakes his head in response. He isn't a good man. He's made of spare parts stitched together to create an amalgamation of likeness to some king he barely even knows. A megalomaniac. A madman. 
In all honesty, there probably isn't much that separates him and the men who vied for your affection, paid for your attention. Threw coins toward an auction just for the possibility of taking you home. 
But there is a difference. 
Puppy will have you. This he is certain of. 
There's nowhere for you to go. This city doesn't want you. Doesn't deserve you. He'll take you with him, chained at the wrist if he has to. Shackled. Caged. 
You are so funny, Puppy, HER intones, amused. A puppy with a puppy. 
Yes, he decides. His puppy. All his. 
He found you first. 
Puppy lets the pipe—drenched in blood, bone; in viscera that makes you recoil sharply with a flinch—fall to the floor with a metallic clang. With his hands free, soaked, he lifts them up, offering his palms to you. 
It's not a peace offering, but he's seen what untamed cats can do when cornered. And while you're no match for his unfathomable physicality, he'd rather you didn't hurt yourself trying to maim him. 
Still—
Mine, mine, mine flashes, lightspeed, across his visor. He gives you a moment to let the words, the meaning sink in. 
—you’re his. With that ironclad notion comes the freedom to do whatever he wants. 
Whenever he wants. 
And then he moves. 
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The difference in your size is almost hideous. Grotesque. He towers above you—a looming mountain—and knows that it would take at least three of you side by side to even hope to match the width of him. 
His hands, too, dwarf you. 
It curls something noxious inside of his guts. A poison-soaked miasma that subsumes in his bloodstream, pulses in the base of his spine. A hunger. A heat. You're so small in comparison to him. So delicate. He could break you in two, shatter every bone in your body. 
And there's not much you could ever hope to do to stop it. 
He shudders at the thought, and knows he likes it more than he should. 
Later, though. Soon. He wants your hands on his skin. Wants to see you come to terms with the vastitude of him, and watch as the realisation that you are well and truly his sinks in. 
He reaches out, palms upward, and waits. 
It doesn't take long. 
(Well-trained, is the hiss. He ignores it, lest he claw his own skin off.)
You flick a scathing glare in his direction first, caustic and hateful, but you bend to his whims without a word. You touch him hesitantly, running the soft pads of your fingers over the metal of his hand, feeling the bumps. The groves in his circuitry. 
Everyone so far has tried to chisel in his head. Galvanise him down into a mindless toy (HER makes a noise, he ignores it), but you seem to avoid his head. Touching the places on his arms not smeared with blood or gun oil, running down the thick wires in his artificial arm. The veins on his real one. The hair dusting his knuckles. 
Then you spot the blood caked, dried and blackened, under his nails, and you recoil slightly. Pulling back. Dropping to his chest. 
His breath whirs out in a deep tremble when you shiver at the muscles—hard iron, brass—that hums under your palms. It's tentative. Soft, almost. Exploratory as you navigate the newness of his body and this strange situation you've found yourself in. 
There's a fractured look on your face that he can't quite place when you slide the cup of your hand over his beating heart. 
(Surprise, maybe. You must have thought him a machine.)
You stay there for a moment, quiet. Pensive. Gaze inward as you mull something over, something he can't fathom, can't ascertain. 
“You…” your voice comes out on a stilted breath after a brief silence. “You killed them all.”
It's not really a question. He grunts his affirmative, anyway, and reaches out to settle his hands on your hips. You jump when he touches you. Tense and angry in his arms, but you let him pull you in close. Are almost docile when he tucks his chin against your crown, lets his hands slide to the small of your back. 
You make no move to pull away. He lets that notion marinate in the back of his head, bending reality to suit his whims when he decides that you must not want to. He hugs you tighter, nuzzling the top of your head when you shudder. 
He's not sure where you're going with this particular line of thought. Doesn't, entirely, see why it matters much. Everyone is dead except him, you. The only two breathing in this disgusting bordello that reeks of thick, spicy incense and myrrh to hide the scent of sweat, stale cigarettes, and sex. Something plastic. Synthetic. Lubricant, he imagines. Latex. 
Knowing that you spent an insurmountable time in this cesspool has anger spiking inside of him once more, but it's quelled, immediately, when remembers what the other men who lurked in these dilapidated corners look like now. Viscera, tissue, and bones are now all painting the cheap panelled walls in a deep maroon splatter. 
(He'll burn it all down before he leaves tomorrow.)
He keeps you close, shackled. A parody of a lover's embrace. 
Your hand drifts up, a slow crawl to the base of his neck. Puppy lifts his chin. The bright red question mark shading the room in an ethereal neon glow. 
“You killed them,” you repeat, knuckles grazing the over-sensitive skin where his mask melds to flesh. “But you didn't kill me. Why?”
He feels the press against his jugular. A soft ache in his throat. It doesn't hurt, but he knows you want it to. 
Puppy's puppy has fangs. 
Puppy reaches up, snatching your wrist in his mechanical hand. Feels, instantly, the grind of delicate bone under harsh, unyielding metal. 
You don't flinch. 
“Why?” 
Under the harsh edges of your anger, your feigned indifference, he catches sight of the look that drew him to you in the first place. Absolute despondency. A vacancy in the hollow of your eyes. Misery, maybe. 
If he were someone else, he might have felt pity for you. Ripped from the arms of whatever birthed you into existence, thrown into this disgusting hovel, and now—
A pet for a pet. 
Kept. Chained. 
Puppy will keep you forever. He knows this just as sure as he knows his heart pulses in his chest. The sun rises. Falls. He'll take you with him, wherever he goes.
You're his. 
A fine consolation prize you've found for yourself, HER quips, and he's content to ignore it for now. Their amusement is clinical, a kittenish scratch in the back of his head. 
But he does agree. You're a fine prize, aren't you? His little treasure found in a trash heap. 
His, his, his
all his, all his, all his—
(You look at the promises, the answers, flickering across the surface of his visor, and shudder—)
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Puppy doesn't say anything when you lead him by the wrist to sit on your bed, simply opting to follow along with your demands for now. It's cute, he finds, the way you try to bully him around even when your hands shake, knees tremble. 
He rests his forearms on his thighs, letting his hands dangle in the space between his spread knees—the picture of ease; the manufactured torpor of predator—and he waits. Watching, rapturously, as you flit in front of him. All soft and pensive as you look him over. Taking stock of the blood on his leather jacket. The stains on his pants. The flat surface of his mask, broken only by the protrusion of his nose. 
Boss was a megalomaniac. A narcissist. Knowing that he's made in his image, his likeness (spare parts; a fractured failsafe), he can only assume you like what you see when you look at these scraps that make him whole. 
Whatever you find, it shades the appraising glance in a hue of calculative decision—suddenly firm, now: wily. 
“Okay,” you say, and bring your hands to the sash holding the sheer kimono in place. “I'll be yours—” his hands twitch; reaching for you already. You dance out of the way from his grasping knuckles with a scoff. “Only if you're mine, too.”
If he had a mouth, he might have grinned. 
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You seem content to take the lead after a noncommittal response to your demand of shared ownership (the idea alone of which has him thickening in his slacks), placing your hands on his shoulders to steady yourself before swinging your thigh over his lap, taking (what he hopes becomes) your rightful seat. 
It places your barely covered centre right against his prominent bulge, sending an electric buzz down the base of his spine. The look when you feel him throb against you is equally as scathing as it is feverish, and nearly comes undone at your glare alone, panting harshly against your collarbones. 
“Down boy,” you murmur silkily before dropping your cunt right over him. 
Whiteout. Static. He sees nothing but blurry slashes of red, red, red—
His hands are bruising on your waist, and he's not sure if he's pulling you closer to him or pushing him away. Maybe both. Tugging, tugging, until he can feel the red-hot heat of you burning through the fabric of his trousers.
You can't kiss him so you pepper sweet, soft kisses against the column of his throat, teeth nipping the seam where metal meets flesh. Marking the column of his pale throat up with the brand of your claim. Your ownership. 
A collar in red, black, yellow, and blue—
He doesn't have a mouth to claim you back, but his hands punch your flesh until it's pressed harshly against bone. Bursting blood vessels under your skin. It puddles there. He runs his fingers against the pool of blood that softens your skin, and understands, then, why the sting in his neck feels so fucking good. 
He feels consumed. In a tailspin. You grind against him, and he sees stars. 
Puppy can't think when you do that, and you seem to know this because you don't stop rolling your hips over his straining cock, pinched tight in his slacks. It's too much. 
He wants you. Wants you. Wants you. 
You pull back, and huff at the projection on his face. 
“You're impatient,” you say, but you're slipping your hand inside the waistband of his pants in spite of your exasperation, fingers dancing over the soft skin of his groin. 
It feels molten when you touch the base of his cock with your knuckle. Just a nudge. Just a press. He thinks he could come undone like this. Just like this. With your hands on him. Soft, dewy skin. 
But he wants you pinned under him, taking him. Has thought about nothing except your knees spread, thighs open. Pussy bare to him. Full of him. Nothing but him. Him, him. It made him ache. Burn. A low grade fever in his guts at the enticing image of you beneath him. Pretty lips open, moaning. Eyes wide, doeish. 
“You’re too—”
You start to say something, but he can't take this anymore. It's too soft. Too gentle. He wants you bent over. Wants to be inside of you already. 
And so, he follows through. 
You make a noise in the back of your throat when he gets his hands on the underside of your knees, and unceremoniously tips you back onto the velveteen sheets. The flimsy silk of your kimono spreads, unveiling the softness of your body. Your bare breasts, nipples pebbling under his stare. 
With it haloed around you in an inky black spill over your arms, leaking from beneath your body, he thinks you look ethereal. Unreal. Otherworldly. 
The slip covering your pussy is barely in the way. He can see dewy lips peeking out from the sliver of black nestled across your slit, wet and red. Red. Red—
“P–Puppy—!” You yelp when he tugs his trousers down with one hand, the other keeping your leg up, pinched tight on the underside of your knee. Spread open. Nearly bare. 
He presses the heel of your foot where his neck meets shoulder, keeping it in place with a soft pat to your calf, before dropping his hand down to join the other in ripping the thin scrap of fabric keeping you from him. He's graced with another yelp, but it isn't in pain or distress, and he ignores it outright. 
Mindless, it seems, in this pursuit to be inside of you as quickly as possible. 
Your panties—if they could even be considered such a thing—are pushed deep into his back pocket. Saved for later. 
And then he turns back to you. Spread open. Waiting and willing under him. The sight of you like this steals his breath from his lungs. Sparks embers in his guts that smoulder, billowing smoke through the hollow of his chest. 
He tastes ash in the back of his throat. Wishes, suddenly, that he could quench it on the slick, hot taste of you—
Gripping himself in one hand, he presses the blunt head of his cock against your slit, glistening from your wetness in the jaundiced glow of the moody light above your head. He's glad he didn't cut the power to this shithole because the way you quiver beneath him as he rubs between your folds is nothing short of mesmerising. 
You're wet. Soaked. All for him, even if you keep hissing out that this is just a bodily reaction to stimulus, don't be so full of yourself, you psychopath—
His hand drops. The flat side of his thumb pressed against your clit. You arch so prettily when he touches you like this, knees shaking, eyes fluttering. He presses harder, makes small circles against your sensitive flesh that have you whimpering. Whining. 
“No more, no more, no more—”
He can feel the molten centre of you flutter around his weeping tip. Silken, inviting. He wants more. Knows that you want it just as bad, too. 
Impatient now, he lifts his fingers from your clit, and wraps it tight around your thigh, gaining leverage before he slowly, agonizingly, begins to presses inside—just the tip, the first inch—but the way you wrap around him (all tight, wet silk) makes his mind grow fuzzy around the edges. Electricity rockets down his spine. 
He thinks he blacks out for a second, short-circuiting at the white-hot pleasure of being inside of you, because when his eyes focus, he's pushed all the way inside, trembling above you. 
You're whining his name with tears dripping down your temples, legs quivering around him, and he wonders if this is that version of heaven, the real one, he'd read about once. 
It's too much. Not enough. He rolls back on his hunches to see the way you swallow him down to the base. Pulled taut, and far too pretty for what he's doing to you. Poor, pitiful thing. He'll ruin you, he's sure. Mess you up so badly, no one else would ever be able to touch you without thinking of him. Only him.
It's a thought that sends a thrill down his spine, and he rolls his hips just to watch you squirm. Builds up a sickeningly sweet momentum as he forces your body to acclimate to his girth, to the unyielding stretch of his cock. You're too tight around him, and he worries that the taut stretch might be too much for you, but it's passing. Temporal. He knows he doesn't really care. You'll take it all. All of him. 
Nothing will tear him away from this pretty cunt of yours. 
It flicks against a long dormant part inside of his hindbrain, and he pants for it. Chasing this feeling, this high. 
The slow crawl within you isn't enough to satiate himself. His belly rumbles. His throat burns. 
Puppy gives you no warning before he snaps his hips into you as hard as he can. 
Your wet cries start the beginning notes of his new ascension, and he pounds into you harder. Faster. He fucks you like he's starved for it. Aching. Desperate. Belatedly, he thinks about your pleasure, about bringing you to the same highs the tight clutch of your pussy is bringing him, but he can't focus. Can't think. It's mindless, this lust. Turns him inside out and makes him greedy. Selfish. 
He wants, wants—
Never, in all of his insignificant life, has he ever wanted something as much as this. As you. Pressed beneath him, mewling out his name as he forces himself inside of you, as deep as he can reach—
(and then deeper still because Puppy wants to crawl inside of you; want to nestle against your heart, tucked under the bracket of your ribs and with the way he fucks into you like this, bed whining in protest with each furious, sloppy snap of his hips, he just might make that dream a reality—)
—and fuck. Fuck. 
Somewhere in the tangled web of his thoughts, all white-noise, static pleasure, he can hear HER utter things in secret under the heavy pants of his ragged breath (things like, you deserve this, Puppy; good boy, Puppy; treat your toy—kindly—Puppy), and it spurns him on. Makes him ache to drive those mechanised whispers out of his head, filling the space they leave behind with the sweet echo of your voice in ear. 
Scream. For. Me flashes across the visor in bloody red, and he sees when it registers in your glossy, wet-eyed stare. Cuts through the haze of sex, the lashings of fear that still curl in the shaded valleys when you look at him, and digs its talons into tissue, bisecting the chemical slurry turning your thoughts to mush. There's a moment of clarity. Brief, ephemeral, because he's pressing in as deep as he can once more, grinding against some spot inside of you that makes your eyes roll, and your head drop. 
My
Name
It flashes again, and finally—
Your pretty mouth drops open, spittle running down the corners as you struggle to keep up with his frantic, feverish pace, but nothing comes out—nothing he wants to hear, at least. Please, you beg, and he feels the plea like a punch to his gut. 
You're so pretty when you beg. 
But that's not what he wants. 
Bad girl
It comes as a warbling flicker. Distorted in his anger. 
You shudder under him, eyes widening when he drops his hands down to your throat, palm swallowing you whole from chin to sternum. For him, it's as gentle as he could be, but you gasp for breath, tears pebbling in the corner of your eyes. Hazy, murky, with fear and pleasure; the warring sensations separated only a hairline fracture, a thin sliver. 
He shifts forward and has you take on more of his weight, stifling more air from your lungs, and making you feel the power flex of his massive body cocooning you entirely. No escape. 
Your hands unfurl from the white-knuckled grip on the sheets, slamming against his shoulders as you try, futilely, to push him away. You're frenzied. Desperate. 
Puppy finds it endlessly charming.
His hand lifts, offering a slight respite that you seize eagerly, greedily, gulping down wet, feverish lungfuls of air. 
“Y–you bastard—”
He likes it when you cuss at him. A feral, hissing cat. He falls over you once more, shadowing you under his bulk, and pistons his hips into the apex of your thighs, feeling the slickness of your cunt drench his groin. 
Angry, spitting thing. And yet—
You're so fucking wet for him. 
You like this. The way he bends you mercilessly to his whims. Folds you in half. 
His hand stays around your throat, feeling each breath and moan that reverberates up his arm. The other drops from your knee, falling to the black, iron headboard that grinds into the wall with each thrust. Centering himself. Gaining more leverage. 
Puppy fucks you like this. Trapped beneath him—a tumulus over you—and unable to do much except take his cock however he decides to give it to you. And give it to you, he does—
(Mercilessly. Pounding you so hard, your breasts jerk, and your eyes flash vividly as you struggle to stay afloat in that equinox of pleasure-pain that rages over you.)
HER says he doesn't have a face, and maybe that's true. It might just be a flat mess of wires sutured to flesh. But
Puppy wants to devour you. Swallow you whole. Wants to taste the sweetness of your cunt on his tongue. Feel your lips on his. He wants to pry apart your chest and suckle from the marrow in your ribs. 
He wants you. 
Wants you. Wants you—
He's not entirely sure if he's human, but he breathes like you. Heaves. Gasps. Can feel the wet, molten clench of your pussy around the thickness of his cock as he spears you open. Pleasure blooms at the base of his spine. Punches through his groin. Bludgeons him. It makes his head feel heavy, fuzzy. Somnolent with the mindless drive ticking in the back that pushes him forward. Makes him want to imbue himself in whatever it was that made you. A pithy god of old. Stardust. 
He wants to remake himself in your image. Spare parts just for you—
How romantic, Puppy. 
“Fuck—!”
Your voice is saccharine in his ear. A velvet gust of smoke curls in the back of his head. 
With his hand around your throat, he feels the words before he hears them. It sends a thrill down his spine—dancing fingers pressing tight to each vertebra as it splits open the ventricles housing his spinal fluid, letting it all leak out into his bloodstream. 
It's ecstasy, maybe. Or the closest thing to it he could ever reach. 
“What are you doing to me?” You slur the words out against his metal cheek, hushed and fractured. Raw. “It feels so—good—oh, Puppy—!”
He shifts his pelvis into the bracket of your thighs. The head of his cock rubbing over that spot inside of you that makes your eyes roll back, and your cunt squeeze him tight. A pretty box wrapped, velveteen, around him. 
There's friction in the pit of his stomach. Tension in his groin. It pulls taut, feels heavy. 
He's close. So, so close—
You seem to realise this, too, your eyes growing wide once more as he twitches inside of you, pressed deep. Cockhead nudging into your seal. 
“No, no—”
Despite your protests, your body is tightening up, quivering under him. 
He takes it as an invitation.
Puppy's hips stutter to a slow grind as he hits the apex of his pleasure, cock throbbing, spitting his release, deep inside of you. 
Around him, beneath him, you tremble. Shake. He can feel the tremors of your own hastily reached climax when you squeeze his cock tight in a vice, undulating pulses that seem to rocket from the sensitive nerve endings around him all the way to his brainstem. 
It's good. Too good. 
He doesn't have any other ambition right now outside of burying himself inside of you over and over again. 
He wonders how deep his spare parts go for a belated second, how much of himself was forged in Boss’ likeness, but dismisses it immediately. It's unimportant to him. 
“You're awful,” you gasp sweetly in his ear. “Terrible. A terrible man—” And fuck. He wants to ruin you again.
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Puppy pulls you close, pawing at you until you're situated in his arms. Manoeuvred around like a little doll. He finds you precious, really. So malleable. So soft. He presses you flat to the lumpy mattress and folds himself over you. Thick thigh strewn over your hip, pinning you down. An arm tucked under your nape, bent at the elbow to curl over your shoulder, fingers brushing your collarbones. Shackled.
This is new. Foreign. He's never felt this before—all soft edges; sickeningly sweet. Unable to help himself, he bears his weight down, arching above you. Staring, openly and unabashedly. Drinking you in. 
He wants to crawl inside of you. Worm his way to the place where you burn. 
You're stiff in his arms. Silent. 
But that's fine. That's okay. He'll melt you eventually. Make you understand that Puppy is yours now, silly. All yours. And you're—
All his. 
Just like you wanted. 
He owns you. And in turn, is owned by you. 
It's fitting, he finds, considering all his miserable existence was spent handing his leash off to whoever grabbed it quick enough. Their hands were rough. Indelicate. He takes your hand in his, knuckles bleached white from the quivering fist you've rolled them into, and pries your fingers loose. Threads his between the gaps before you can swat him away. 
He can feel your pulse like this, pressed palm to palm. A precious little thing. So fleeting. A hummingbird in an ivory cage. 
Poor thing. 
“What—what are you going to do?” You rasp, voice hoarse from the grip he had on your neck. The sound of it—gritty sand, smoke—makes him shiver. He likes it, he finds. Wonders if you'll sound the same if he scraped your throat raw with the tips of his fingers. 
His cock. 
You huff when you feel him twitch against your hipbone—cock tacky from his cum, your wet cunt—but make no move to pull away. 
He purrs. 
Keep you, is projected and you suck in a sharp breath like you'd expected that. Then, he adds a heart. A red one. Mine. 
“I'm not yours. I'm not anyone's—” he doesn't bother correcting you. You'll learn soon enough. “And you don't even know me. Why do you even want this? I could be a liability. I could kill you in your sleep—”
Could, not should, he notes, fondly. 
Hahahaha passes by and you let out an aggrieved snarl at the sight. “You're so fucking horrible—!”
He nods in response, and presses the jut of his nose to your sweat-slicked hairline. Breathes you in. Amber. Humus. Loam. You smell like ozone. The streets after a heavy rainstorm. 
You smell good. Like home. 
“Do you even like me? Or am I just something to fuck?” is whispered so softly into the air that he might have missed it if he hadn't been trying to suffuse atoms. 
He hears the fragility in your voice. The paper-thin foundation holding you aloft. 
In all honesty, he doesn't know what he feels for you. It's all—
Abstract, perhaps. Grainy smears of feelings, sensation, all roiled around inside of him. Intangible. 
He just knows he wants you. Has wanted you since he first saw you, sitting all pretty in a glass cage. Untouchable to anyone except the highest bidder in your upcoming auction. 
(Spare parts. A pretty bird in a cage.)
What a pair you make. 
He likes that, though. The way you fill this barren hole in his chest. Pilliating the listlessness that rolls like a marble inside of him. In turn, he wants to do the same. To stuff you full of him. So full, there's room for nothing else. No one else. 
There are flickers of life buried deep within you that he longs to dredge up. He thinks you'd be beautiful with your hands wrapped around his pipe (disgusting, Puppy), and that, for him, is enough. 
He's sure one day you'll feel the same. 
Until then—
His fingers tighten around yours and you wince at the pressure before gasping when the metal gears in his joints begin locking in place. Stiffening. Shackled to him, now, until he decides to release you. 
Goodnight flashes. He sees the words reflected in the glossy canyons of your eyes. Smeared red bleeding into the dawning realisation that you are his. 
And no one else's. 
There's no escape. 
392 notes · View notes
peterman-spideyparker · 1 year ago
Text
Half-Wrong (College!Matt Murdock x college!fem!Reader)
Author’s Note: Howdy folks, ya girl somehow caught Covid during the worst week possible! I have a 102 fever and I don't really remember writing this cuz I've been taking a lot of naps, so if it doesn't make sense and has errors I'm sorry. I saw that Owen Sleater gifset (iykyk) and rolled with it. Enjoy :)
Summary: You have been attracted to Matt Murdock ever since the pair of you met at the coffee shop on campus on move-in day, but you knew he'd never feel the same way about you - this became especially true once you got insight on his romantic life. So when you find him waiting for you after you come back from a date, you take a chance.
Warnings: Sweet platonic fluff, close friendship vibes, kissing, smut (oral - f!receiving, sexy oral m!condom put on, protected sex, p in v sex), swearing
Other Characters: Foggy Nelson, ofc (Cassie)
Word Count: 2,844
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“C’mon, just a little more,” you huff as you move your run to a jog on the sidewalk. “A little bit more, and then we’ll be back at the dorms.”
“I don’t get why you think this is the best way to exercise,” Matt huffs as he puts his hands up in a T shape.
“You like boxing, I like a good run. Potato, potahto. The thing you should be thinking about is why you repeatedly agree and continue to go on runs with me,” you pant as you untie the tether that you use while you run—with Matt being unable to see and just how hard you imagine running with a cane would be, a tether to your waist to guide him and gently keep him out of the path of obstacles seemed like a good option.
“You know, I don’t think I’ve figured that part out yet, either. I mean, you do agree to box with me which is nice. But I think I just like spending time with you. Although, being tied with you does kind of make me feel like a dog.”
“Ah, but you’re such a kind, pretty dog with soft hair,” you smirk, ruffling his sweaty hair. “Such a good boy.”
“Alright, alright,” he chuckles, his cheeks flushing beyond the rosiness from the run. “Help me get to the cafe in the student union and I’ll buy us some waters.”
You press a kiss to his warm cheek and place his hand on your forearm. 
“Hey, are you still gonna join Foggy and I at Josie’s tonight?” he asks, his breathing sounding like it’s starting to return to normal as you both enter the nearby building.
“I thought that was tomorrow?” you return, navigating the pair of you through a small little self-serve concession area.
“No, tonight. You have plans?”
“Don’t sound too shocked.”
“I don’t mean it like that.”
“Okay. Then how did you mean it?”
“Well, just that you haven’t had plans in almost a year,” he exaggerates as he takes the waters you hand him.
“Excuse me, I have plans,” you say as you take the waters back and scan them, Matt rooting around in his shorts for his student ID.
“No, you have plans with your other friends semi-regularly. You never have date plans,” he clarifies as he swipes his ID to pay.
“I’m sorry all of us can’t be you with a new companion every few weeks.”
“I don’t have a ‘new companion’ every few weeks.”
“Oh, come on, Matt, don’t deny it,” you say as you drink your water. “Right now, it’s that girl from that IP law class, before that it was a dental student, then I think an international relations major? But let’s not forget about contract law girl, estate planning—.”
“Okay, fine, I’ve had a lot of short-term relationships.”
“Well, that’s great for you, but that’s not what I’m looking for,” you tell him. “I mean, I don’t expect anything right now to last forever, but, I don’t want it to be a four-week thing and then be done with it. If I’m gonna make plans with someone, it’s because I think I still might be making plans with them in five months.”
Matt nods and drinks some of his own water as you move back outside and in the direction of our dorms. “So, what’s this guy like? Where’d you meet?”
“Cassie actually set us up,” you say. “She said that he seemed like my type, like a really good guy.”
“Well, then, I’m happy you have plans tonight. I hope it goes well.”
“Thanks, Matt. I do, too. I mean, I have no reason to think they won’t. Just tell Foggy I’m sorry I’m gonna miss him tonight.”
“Of course.”
“Do I see a wild (Y/N) in one of her natural habitats?” you hear Foggy call from across the quad.
“Speak of the Nelson, and he shall appear!” you smile as he comes to wrap you in a hug. 
“I feel like I haven’t seen you in ages!”
“(Y/N) has a date tonight,” Matt says with a devilish grin.
“Matthew!” you say, giving him a swift whack. “This is exactly why I don’t tell you things.”
“I’m sorry, I’m sorry! I’m happy for you, really.”
“I am, too!” Foggy chimes in. “I’m bummed that it means you’ll miss drinks at Josie’s, but, it’s about time you get dicked down.”
“I need to hang out with more friends that are girls,” you sigh, taking a look at your watch. “I gotta go now if I want to take an everything shower.” Kissing each of their cheeks, you wave goodbye and run off to your dorm to get ready.
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“I just don’t see it going anywhere,” you sigh as you enter the main lobby of your dorm building.
“Really?” Cassie asks over the phone.
“We work on paper, but there wasn’t any spark.”
“Maybe the spark is gonna take some time.”
“A spark shouldn’t take time, Cass. It should be right there I didn’t feel anything.”
“You can’t pin every guy against Matt, you know.”
“I’m not comparing everyone against Matt,” you scoff incredulously. 
“Yes, you are. Ever since you met. I bet you felt a spark with him.”
“So what if I did? It’s clear he didn’t with me, but . . .” You sigh and shake the thought out of your head. “I’m not an option for him. He’s a good person, but more importantly, he’s my friend. I’m not gonna spend my time fantasizing about something that’s never gonna happen.”
“HA.”
“You are so mean.”
“I’m sorry, it’s just a funny concept—you, not fantasizing.”
“Rude.”
“I’m your oldest friend, it’s my job.”
“I appreciate it. Listen, I just got to my door, I’m gonna call it a night.”
“Okay, (Y/N). Sleep well.”
“You too.”
Hanging up, you sigh as you put your phone back into your bag, hiking the strap up over your shoulder, slipping out your keys and undoing the old locks. You toss your purse on the nearby table, but freeze in your tracks when you see someone sitting on your bed. Not any someone. Matt.
“You shouldn’t be in here this late,” you breathe.
“I shouldn’t be in here at all,” he says softly, folding his glasses and putting them on your nightstand. “But why do something half-wrong?”
You slowly start to close the gap between where he sits and where you stand. “Matt . . .”
“If you want me to go, I will. Just say the word.”
“. . . Why now?”
“I don’t know. I just . . . I realized tonight when I was at Josie’s with Foggy that if you’re going to be kissing anyone, I want it to be me.”
You don’t care what you just told Cassie. Honestly, you don’t care about anything or how this could complicate your friendship or any of the consequences. Instead, you move to your bed, climb into his lap, and kiss him. That spark you first felt with Matt when you met is a full-blown lightning bolt now, every last bit of you tingling with electricity; you know Matt feels it too from the way his hands slide up your back and how his fingers card through your hair. Matt leans back on the mattress, letting you take the lead as you make out. His kisses gradually grow more aggressive—the clashing of teeth, nipping, squeezing, and grinding. Matt rolls your bodies over on the bed, eagerly but carefully pulling off your shirt.
“Please tell me you were anticipating this and have condoms on you,” you pant as he peppers kisses all over your torso.
“Mmm,” he hums into my body. Oh my God, I think I just came. “Four.”
“We’re using all of them.” You feel how his lips curl into a smile against your body, making you writhe before you scream out when he starts to suck on the sweet spot on your neck.
“Ambitious,” he hums, licking and kissing at the stinging spot on my neck.
“Oh, well, you know me,” you grunt, your fingertips scratching his scalp. “I love to go above and beyond.”
“Let’s shoot for two,” he says into your collarbone.
“Don’t think I can handle using them all?”
He lifts his face up to be level with yours. “I’m saying that you won’t be walking straight after one. If we use more than two, I’ll be carrying you around campus for a week.”
“Sound like a challenge.”
“It’s a guarantee.”
You both smile brightly before you kiss, and you bunch up the cotton of his shirt exposing his soft skin and toned muscles something out of a romance novel.
“Like what you see?” he smirks.
“You’re too cocky for your own good,” you sigh as you run a hand down his exposed body. “But as a matter of fact, I really, really do.”
“Well, if you’re thinking of doing what I think you are, angel . . . Tonight is about you, and treating you right. How I should’ve treated you a long time ago.” He leans down and kisses your lips before moving the embraces along your cheek to just below your ear. “Sit back and relax, sweetheart. I’m gonna take good care of you.”
You sigh as he presses kisses down your chest, nipping at your cleavage and soothing the sting of any bite with his lips. You pant in excitement under his touch as his hands wrap around my back, unclasping your bra and sliding it painfully slow off of your body. You let out a sigh and toss your head to the side as his lips wrap around your nipple, one of his hands on your free breast while the other hand holds onto yours. Matt takes his time as if he’s trying to map out your body in his mind with his lips. Gazing down, you catch a glimpse of how happy Matt looks as he drags his lips further down your torso, pressing a long kiss on your belly button before unbuttoning your pants to shimmy them off your legs. Tossing them to the floor, he kisses all the way up your legs before spreading them apart to nestle his face against your covered core. You whine at his careful and deliberate movements, lifting your hips to help him slide the fabric off. Matt’s fingers gently spread you open, exposing yourself completely to him.
“Oh, fuck, you’re gonna be the death of me,” he breathes. “So perfect for me.”
Carefully, he lets out a soft breath on your pussy before leaning forward and wrapping his lips around your clit.
“Oh!” you cry out. “Fuck . . .”
Your toes curl as Matt works his magic, and your eyes flutter shut as you let your mind get caught up in all the things that Matt is making you feel. If you had known he could make you feel like this—if you knew he even felt an inkling of the same way toward your, you would’ve done something to let him know that you care about him more more than a friend.
“Matty,” you breathe, running your fingers through his hair. “Oh, Matt, just like that. So good.”
You watch as Matt tries to lift his gaze upward to meet yours, his beautiful hazel eyes sparkling with delight as he eats you out. You swallow hard, throwing your head back as you feel your orgasm quickly approach. You cry out when you feel him slide two fingers into you, curling them just right to throw you over the edge. Your body arches off of the mattress as you cry out, your thighs clenching around his head. Matt’s tongue cleans up every last drop of your arousal before kissing all the way back up your body.
“You taste so good, angel,” he murmurs into your lips. “You ready for me?”
“Please,” you breathe, kissing him deeply. “I need you.”
He grins, kissing you again before leaning back and undoing his pants, shimmying them down enough to free his cock from the fabric before he reaches in his pocket to grab a condom. He is absolutely huge—delightfully so, and I feel the space between my legs instantly flood at the sight of him. Now what he said about not walking straight makes total sense, and not Matt just being cocky.
“All the way off,” you demand with a smile.
“Your wish is my command, sweetheart.”
You bite your lip in excitement as he gets completely naked while you tear open the little foil package.
“C’mere,” you grin as you drink him in as he kneels on your bed, completely and utterly bare.
Matt licks his lips, doing as you ask, folding his arms behind his head. Fuck, he has to know what he’s doing when he rests like that. Carefully, you crawl over to him, putting the tip of the condom in your mouth before you wrap your hand around his base and bring your head down his length. Your jaw hurts as you go down his thick cock, but you manage to get it all the way down. When you get back up, you see how lust-blown Matt’s expression is, how flushed his cheeks and chest are.
“That was so fucking hot,” he hums. “Get over here, angel.”
With a smile, you move to meet him in a kiss, a new passion in the embrace that hand’t been there before.
“You ready for me?” he breathes.
“Yeah,” you nod eagerly as you dip down for a kiss.
With firm hands on your hips, he guides you down on his cock. You moan in harmony as he gets deeper and deeper in you, and it feels like you’re going to get split in two the further he goes. When you’re all the way down, he pulls you in for a deep kiss.
“Are you okay?” he breathes when your lips part.
“I’m okay,” you assure him. “You’re big."
“And you’re tight,” he smirks. “You good for me to move?”
“Oh, fuck, please.”
“Such good manners.”
With another kiss and a smile, Matt wraps his arms around you so your back is on the mattress and he’s hovering above you. You feel the sweet sting from the drag of his cock as he pulls out before pushing back in, testing and stretching you slowly as he starts to establish a rhythm. Your lips part as you feel more pleasure with each of Matt’s thrusts, one of your hands moving to his bicep and creating little crescent moons in his soft skin as he moves faster and faster.
“Right there,” you breathe. “Shit . . . Matt, yes, right there.”
“Good girl,” he hums. “So good taking my cock like that.”
“K-Kiss me,” you stutter, feeling your second orgasm approaching.
Looking at you tenderly, he leans down and kisses you long and slow, staying lower to keep little space between our bodies.
“You’re perfect,” he breathes, kissing your cheek. “So perfect.”
“Matt, ‘m close,” you whimper.
“Whenever you’re ready.” His hand cradles the side of your face, kissing you once more.
You bite your lip, stifling your moan as you come around Matt, your body clinging to his as he continues to move his hips, his skin flushing as he grunts, approaching his own release, spilling into the condom. He kisses you all over as your breathing steadies, pulling out and tossing the condom into the trash before wrapping you in his arms and kissing your wherever his lips can find skin.
“Matt,” you chuckle softly as he sucks marks into your collarbone.
“Shh,” he hums, kissing the marks to soothe them.
“Matt, it tickles!”
You feel his lips curl into a smile as he presses kisses up your neck. “I’ve always loved your laugh. This is just another way I can hear it.”
“And it’s another way I can see your smile.” You lean in, pressing a soft kiss to his lips. “You know, I bet if you give me enough time in between, we can use up all the condoms.”
“You think?”
“Nothing saying we can’t try.”
“Ambitious girl,” he smiles.
“It’s part of my charm. Why you like me. Why we work well together.”
“One of the reasons, yeah. There’s plenty of others, though.”
“Oh?”
“Mm.” He kisses your forehead. “I’ve got a whole list.”
“Yeah?”
“Yeah.” 
You giggle at the silence and look at him. “Are you gonna tell me any?”
Matt’s fingers trace aimless patterns on your skin. “I think you already know them, angel. But I’ll tell you one every day. Today, it’s your ambition. Tomorrow . . .” He lets out a breath. “It’ll be whatever feels right for me to point out.”
“Well, I’ve got a list, too. And right at the top is how safe you make me feel. How special you make me feel. How loved." You kiss his chest. "Tomorrow’s something might have to do with your nose.”
Matt’s expression is filled with tenderness, closing the gap between you once more, holding onto you and letting you rest right above his heart.
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weewookinard · 8 days ago
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This awesome gifset by @vanmarkus gave me a new idea for a fic 🥹
Ok but imagine, Sal and Tommy have always been the best of friends and often when Sal and his wife gave an argument he ends up on Tommy's couch. With time they joke about him having his own drawer and letting clothes at Tommy's. His favorite jacket is one of those clothes. He ends up moving away from LA with his family and forgets the jacket, so he tells Tommy to keep it as a souvenir.
Of course Tommy wears it. A lot. It smells like his best friend whom he might miss a little too much. He wears it so much the smell disappears as well as his feelings. It becomes his jacket, the "new Tommy" jacket. A jacket Buck finds really hot on him. Tommy thinks it's also hot when his boyfriend wears it so he lets it happen. And it makes Buck feel loved and important, like Tommy cares enough about him to let him wear a part of himself.
The jacket is at Buck's place after the breakup and Buck can't imagine letting go of it at first. 'til one day anger takes possession of him and he throws Tommy's stuff in a box and calls Eddie, telling him to give it back to Tommy. But when Tommy sees the box and the jacket he starts to cry, and refuses to take anything back. Eddie doesn't know what to do but he knows the two men love each other and might regret losing it all. So he keeps the box at his place. After a few days he takes the jacket and wears it because he can't find his own.
The jacket is cool and big enough for him and it smells good and it's warm enough for him. So he wears it, telling Buck his loss is another man's gain. Until one day Sal is in town and he sees the jacket on Eddie's shoulders. He recognizes it and goes to Eddie, asking him who the fuck he is and why the hell is he wearing it. And Eddie can't speak because what the fuck is happening??
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