#that arent highlighted or possible in canon as a way to better my understanding of these characters and their world

[whumpacabra]

Dogs of War

WIP | ??? Words

Another AU set in my Freelancers Universe, diverging just before the canonical end of the Swansong Arc. (It's a good point in the canon for divergent plots, alright?)

Wolf's patient, dogged determination has paid off - his handler is off-base, his medical escort will have three guards, and there are three American volunteers who should be eager to play a part in this escape attempt. He hopes they are - because none of them are getting out of this alive if they get caught.

Military setting, captivity, escape, on the run, medical treatment, assumed dead, fear of recapture, betrayal, angst (with a happy ending?), referenced torture and noncon

Trojan

Sheep's Clothing

Judas Goat

Shellshock

Forged

Carsick

In-Between

Gas Station Snacks

Good as New

Rinse and Repeat

Reckoning

Bite the Hand

Dreams and Doubts

Kettled

Interrogation

Manifest

Bad Karma

Watchmen

The Jester

Tied Down

Cooperation

Fumble

Fiddlesticks

Go Fetch

Instigator

Peace and Quiet

The Devil

Soured

Agent

Good Acting

Hellsent

Whispers

Catastrophizing

Regrets

Delve

Hush

[ouyangzizhensdad]

i meant white/western audiences are slow to understanding the subtext rather than asian fandoms, when i was a kid i remember most asian countries didnt even have "kiss scenes" in movies or dramas, for us the "subtext" was normal for straight couples too (I've seen a few white folks think cql is a story abt 2 straight friends). the issues with the poor production and it has shit production coz of the budget but the drama wasnt supposed to be a big hit. also like how u just made it the "idol drama"  as if most kdramas and cdramas arent full of idols. I mostly agree with ur cql fandom hate too but to me it seems like u sometimes just want to prove that cql is worse than it is just coz the fans it brought in. I dont blame u either, I've seen some shit metas and the cql fans who hate the novel and call the writer homophobic are also funny. What makes me irritated is that the amount of hate cql gets on here is equal to the amount of hate novel gets, when the drama made alot of things possible for asian LGBTQ audiences. This is the first drama that my gay asian friend (who isnt out) watched with his parents and got them to fall for all the ppl and support the couple. Novels have our imagination in them but dramas need to make a lot of ppl happy and also keep censorship at bay. for me personally cql seems like it made it possible for alot of closeted kids be comfortable talking abt a gay couple with their parents, as novels are limited to a fandom. (Like I've not read a single harry potter book but I've watched 4 of the movies 😚)

I'm not trying to attack u but I'm trying to tell u that just coz the drama brought in a shit ton of weirdos in the fandom it still helped alot more ppl than u can imagine...

Hi anon, 

One thing where we seem to be of a different opinion is that criticising cql as a work of fiction, or highlighting the political economic context surrounding it, in no way negates what it can mean for people. I personally consider that these are completely different matters. These things often have nothing to do with the inherent quality of a thing, or even how good “queer rep” it is--they are relative to people’s specific and personal experiences, or a particular moment in the media landscape. All the things she said holds special meaning to me because it was the first time I got to see two women kiss on tv and it felt revelatory. I vividly remember sitting cross-legged right in front of the tv and refusing to come eat until the end of the music videos--at a time when I could not articulate why I was so fascinated by it. I know that this song is still meaningful for a lot of queer people my age, even if many people hate it for being a straight gaze fantasy. Regardless of what it personally means to me, I’m not going to argue that the music video is a masterpiece, or be blind to the reason why the kiss was included in that music video. CQL is very meaningful to your gay closeted friend, and allowed him to discuss wangxian as a gay couple with his parents, and that’s absolutely great. But I personally think it’s a little bit far-fetched to suppose that the same couldn’t have been said of any other live adaptations of a danmei novel who didn’t shoehorn in a het romance: if the timing had been different, perhaps the first drama with romantic subtext between two male characters he would have seen with his parents would have been Guardians, or the incoming adaptation of TGCF. Hell, H2O was so popular that they might have just watched that one together as well, even if the subtext “romance” is between two side characters. 

Let me be clear as well that I am not trying to argue that MDZS is this groundbreaking piece of fiction wrt “gay rights” or queer representation in China that changes minds and sways public opinion. It’s one of many danmei novels--it just is one that has a lot of literary merit. I simply think it’s disingenuous when people in the western fandom claim that a subtext romance is better “representation” than a canon gay couple who get their happily ever after. CQL is more impactful because it is mainstream, but it does not mean the representation it offers is inherently better. It is also ridiculous sometimes because the hurdles faced by a danmei authors vs the government-backed media giants who benefit financially from putting out censored version of their stories is just..... not something that should be ignored in my opinion.

Asian audiences being more used to romance depicted through subtext does not, at least in my opinion, negate the power of heteronormativity or compulsory heteronormativity to influence readings of that subtext by a portion of the audience. Chinese people are absolutely creative and innovative in the ways in which they manage to circumvent censorship, but a webseries financed by a media giant is not going to be a transgressive attempt to pull the wool over the censors��� eyes--at the end of the day it needs to be a safe investment. 

You seem to suggest that I am hard on CQL for being an idol drama but do not bring the same criticisms to other idol dramas. I find this weird because it’s not like I’ve ever praised an idol drama, and I know I haven’t because I simply don’t think they are competent works of fiction (although sometimes the camera work and editing is at least competent, compared to cql where the production quality is kind of poor). The closest I’ve come to doing that is praising My Mister, which is not in any way an idol drama, but which I suppose features an idol (IU) in the cast. When I said the first jdrama I watched was Hana Yori Dango, that was not an endorsement of how good it was--because honestly it’s one hot mess barely held together by the chemistry between the two leads--it was just a statement of fact. 

I am very critical and judgemental, I’ll give you that, but I don’t think that equates to “hate”. Yes, most of my discussions of CQL sprout from existing discussions within the fandom. But most of my posts indirectly reference or respond to something I saw. What’s the difference between me addressing a common novel fanon and me addressing a common opinion on cql’s virtues? 

TLDR; a work of fiction being significant to people is something to recognise but it should not preclude being able to discuss that work critically, especially wrt how it executes its story since the inherent quality of the work as art has no direct correlation with its impact, be it on individuals or on a specific media landscape. Moreover, the impact of a work on queer people or on the social perception of queer people is not inherently proportional to how “good queer rep” it is: it has usually more to do with the context (ie people don’t remember Brokeback Mountain because it was the best movie with a gay love story ever made until then--there was more at play).