#thanks criterion channel

[forthegothicheroine]

New-to-me movies seen in 2024: The Mysterians (1957)

"Also, we want to marry human women!"

[lifeafterartsch00l]

✨ Sns rec’s ✨

I read a fabulous post from @longlivefeedback about supporting authors so I thought I’d try and give it a go since I’m constantly looking through the Naruto/Sasuke tag 🙊 I’m going to try and make a new habit and post once a week with my sasunaru/narusasu/sns (and maybe other pairings/fandoms) recs!

Some awesome fics I’ve been enjoying on a03 lately include:

Finger on the detonator by foreverbaby

Twelve Steps by foreverbaby

An anchor in the storm by cecific

don’t act like it’s a bad thing (to fall in love with me) by heartsugu

What counts for anything by kayeeyooblue

Solis occasum by wouldyoukiindly

Konohamaru wanted to rest by anaria_k

Thank you talented authors 😊 I don’t think I’m following any of these authors on tumblr 🤔 but I’ll look for them! 🤗 please tag them in the comments if you know who they are!

Read below for details on fic recommendations ⬇️

Finger on the detonator by foreverbaby

Im so happy i finally found this author! I started with Finger on the detonator but Twelve Steps really spoke to me and my own feelings/experiences with a difficult childhood. And making art! I love how sexy and meta and healing and radical they are. I’m excited to read more from this author ❤️ Multiple chapters.

“Chapters: 2/?

Rating: Explicit

Relationships: Uchiha Sasuke/Uzumaki Naruto

Characters: Shimura Danzou, Hyuuga Neji, Sai (Naruto), Juugo (Naruto)

Additional Tags: Alternate Universe - Modern Setting, Activism, High School, Military Backstory, Politics, Teenage Rebellion, Partners in Crime, Gay Uchiha Sasuke, Crack Treated Seriously, Anarchy, Making Out, lazy US-specific setting...sorry, Wet Dream, Breaking and Entering, Minor Injuries, Closet Sex, Frottage

Summary:

uzumakiswag: this might b kinda weird but like i just got back from my deployment and stuff and i saw u on the kwp direct action discord when i joined that? and i was gonna go to a meetup but idk anybody else there yet sooo do u go to those? wld u want to go together next week? hahaha

taka99: That's a joke right

uzumakiswag: no y is that funnyp

taka99: You’re literally in the US military

It's totally normal to engage in a little gay domestic terrorism just to impress your crush...right?”

Twelve Steps by foreverbaby

“Chapters: 3/3

Rating: Explicit

Relationships: Uchiha Sasuke/Uzumaki Naruto, minor past naruto/sakura and sasuke/suigetsu

Characters: Uzumaki Naruto, Uchiha Sasuke, Hoozuki Suigetsu, Haruno Sakura

Additional Tags: Alternate Universe - Modern Setting, POV Alternating, Alcoholics Anonymous, Childhood Friends, Childhood Trauma, Addiction, Homophobia, Light Angst, sasuke vapes, criterion channel and chill, Blow Jobs, Shower Sex, Friends to Lovers, naruto's bi awakening, sasuke's issues

Summary: One day at a time, they always said. But for Sasuke every single day was exactly the same: serving the same gruff truckers the same greasy pancakes and eggs, heading to the same gym to do the same workout, going home to stare at the same half-formed Final Draft document, then waking up the next morning to do the same thing all over again. Was that really one day at a time, or was it more like one single hellish stretched-out day that dragged on endlessly and forever? And what exactly was the point of staying clean when that was your reward?

Everybody told Naruto after Sakura called off their engagement that what he needed was a “fresh start.” Naruto’s fresh start had so far consisted of a new city where he knew nobody, a park ranger job that paid him sub-minimum-wage, an empty studio apartment in a part of town not yet gentrified enough to be out of that price range, a lot of lonely Skyping with his friends, and, now, apparently, an A.A. meeting at a Quality Inn.

When Naruto moves away from his hometown after a breakup, he's surprised to see someone he recognizes at his first A.A. meeting in a new city: his childhood best friend, Sasuke Uchiha”

An anchor in the storm by cecific

One shot, contemporary au, poem. POV from Sasuke. I haven’t read any poems before for sns! Lovely, great ending 🥹💗 the author says their English is bad but I truly think no apology is needed because i think their English is great and hell I only speak English and can’t write poetry!

“Chapters: 1/1

Rating: General Audiences

Relationships: Uchiha Sasuke/Uzumaki Naruto

Characters: Uchiha Sasuke, Uzumaki Naruto

Additional Tags: Alternate Universe - Modern Setting, Idiots in Love, Uchiha Sasuke Needs a Hug, Ambiguous/Open Ending, Falling In Love, slow burn but it never actually lights on fire, Sasuke's mother is dead, Sick Character, Soulmates

Summary: Sasuke's on a blind date set up by his father, his date is late so a young bright man keeps him company.. It feels like a fated encounter between the two.

Essentially a poem that tells a story. Also sorry, English is my first language and yet I'm horrid!”

don’t act like it’s a bad thing (to fall in love with me) by heartsugu

One shot. Sweet n spicy, my fave combination! 🍭🔥 I really loved how Naruto was written here & that it’s Sakura positive 😊 I really hope this author writes more sns 🤞😍🤞

“Chapters: 1/1

Rating: Mature

Relationships: Uchiha Sasuke/Uzumaki Naruto, Haruno Sakura & Uchiha Sasuke

Characters: Uzumaki Naruto, Uchiha Sasuke, Haruno Sakura, Dai-nana-han | Team 7 Ensemble (Naruto), Yamanaka Ino, Hatake Kakashi

Additional Tags: POV Uchiha Sasuke, Uchiha Sasuke Returns to Konoha, Blank Period (Naruto), Haruno Sakura is So Done, Background Relationships, Mild Hurt/Comfort, mostly fluff tbh, Bad Humor, Emotional Constipation, Dai-nana-han | Team 7 Shenanigans (Naruto), Mutual Pining, Alternate Universe - Canon Divergence, Haruno Sakura & Uchiha Sasuke are Best Friends, Domestic, Making Out, Love Bites, Resolved Sexual Tension, No beta we die like Neji, Everyone Is Gay, Self-Indulgent, Minor Haruno Sakura/Yamanaka Ino

Summary: He hadn’t meant for it to get this bad, but being back in Konoha had shown him how dull his world was without Naruto.

Being dragged around on dumb errands, or training together, or even just sitting around and watching the sunset had given Sasuke peace of mind he hadn’t ever known. He felt like himself again, and Naruto was the cause.

Naruto was his home.

5,000 words of sns word vomit because this is what makes me happy these days idk”

What counts for anything by kayeeyooblue

I love how in this fic Sasuke gets to try normalcy and be an awkward teen! 😭 ❤️ great dynamic between Sasuke & Naruto (I really enjoyed reading about their developing relationship) & also spicy 🔥

“Chapters: 12/?

Rating: Not Rated

Relationships: Uchiha Sasuke/Uzumaki Naruto

Characters: Uzumaki Naruto, Uchiha Sasuke, Hatake Kakashi, Tsunade (Naruto), Haruno Sakura, Nara Shikamaru, Uchiha Itachi

Additional Tags: Hurt/Comfort, Getting Together, Slow Burn, Coming of Age, Soft Uchiha Sasuke, Sexual exploration, First Kiss, First Time

Summary: months after the 4th war, sasuke and naruto meet again. except now they have time”

Solis occasum by wouldyoukiindly

Reading this was like a fresh breath of air! I loved how the characterisation felt very true. I hope they do more chapters! 💗🙏🏽Canon divergent Boruto-era.

“Chapters: 1/?

Rating: Mature

Relationships: Uchiha Sasuke/Uzumaki Naruto, Haruno Sakura/Hyuuga Hinata

Characters: Uzumaki Naruto, Uchiha Sasuke, Haruno Sakura, Hyuuga Hinata

Additional Tags: Old men naruto and sasuke find out they're gay in their 30s, Hokage Uzumaki Naruto, Co-Parenting, Divorce, more tags when i write more!, Hinata is Naruto's best friend, Sakura is Sasuke's best friend, Domestic Fluff, Naruto has ADHD, sasuke has autism

Summary: After becoming Hokage, Naruto notices that despite it all, he's had no time to hang out with his best friend. He never realized how much he missed Sasuke's attitude, demeanour, and all around being; he hasn't felt this way about anyone before.

It's always been Sasuke, hasn't it?

And maybe that realization will be the very end of him.

(Naruto and sasuke realize they're gay in their 30s and divorce their wives, who in turn, realize they are also gay and everyone is friends and co-parents. yessir.)”

Konohamaru wanted to rest by anaria_k

Cheeky, sexy, & Konohamaru POV! One shot. I love looking at sasunaru fanart and I love it when clever authors make fanfic inspired by it (author links the art which helped inspire the fic). 😋🫶🏽 one shot

“Chapters: 1/1

Rating: Mature

Relationships: Uchiha Sasuke/Uzumaki Naruto

Characters: Sarutobi Konohamaru, Uzumaki Naruto, Uchiha Sasuke

Additional Tags: Comedy, Post-Canon, Post-War, Blank Period (Naruto), Post-Fourth Shinobi War (Naruto), Drabble, Pre-Slash, Semi-Public Sex, Third Wheels, Konohamaru sees something he wasn't intending to see, Hot, Dirty Thoughts, Pre-Relationship, Canon Compliant, Not a Date, Idiots in Love, Boys In Love, everyone can see it, Konohamaru does for sure, Sexual Tension, also Konohamaru might be accidentaly bi

Summary: Konohamaru returns from a mission to the village and, finding himself in a bar, accidentally witnesses a very non-accidental scene. He doesn't like it. Although?…”

🍥+🍅=❤️

[sonictoaster]

Film: 2024

140 first time watches for 2024! Thanks to several movie projects this year: Hot 70s Summer, Screwball Fall, and Noirvember. ("Watch more Japanese movies because I'm going to Japan" doesn't have a catchy title. Nor does "I have the Criterion Channel for three months!")

(also on Letterboxd. I don't write a ton of reviews there but you can see my ratings if you like.)

[jennifersbod]

tagged by @tolerateit 🫶🏻💖

last song i listened to: too sweet by hozier (i just saw him last week 🥲)

currently reading: we used to live here by marcus kliewer (based on the nosleep story, hopefully they’re making the adaptation that was announced 2 years ago soon)

current obsession: 1940s-1970s era film

sweet/salty/savory: salty (i have pots which means i need more salt than most people and you’d all find the amount of it i eat disgusting)

favorite color: gold

last thing i googled: eyes of laura mars (my last watched thank u criterion channel)

anyone who wants to be tagged: do it and say i tagged u ily all and can’t make decisions to save my life

[aliveandfullofjoy]

Yet again, it's time to indulge in one of my favorite new year traditions: my ten favorite new-to-me films of 2023!

This is a wild, wild group of movies, but all of them got under my skin in one way or another and made this year that much brighter. If you like, consider this a strong endorsement for each of them.

Same rules as always: no movies from this past year (2023) or the year prior (2022). Every other year is fair game.

01. Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (dir. Chantal Akerman, 1975; Belgium/France; 202 mins.)

"I often cry when I think of you, Jeanne."

Sight & Sound's newly crowned Greatest Fim of All-Time was one of my first viewing experiences of 2023, and it loomed like a cloud over the rest of my moviegoing year. It was a bit of an ideal viewing experience - my favorite local independent theater had a showing, and the sizable audience was utterly enthralled by it. The massive Jeanne Dielman is a masterpiece in observation and behavior, and its power reveals itself through the way Akerman creates and unravels Jeanne's routine. She turns the lights off in every room she leaves. She replaces the lid of the money jar every single time. She watches her neighbor's baby for a little while in the afternoon. She looks presentable and pristine at all times, including after her sex work. When parts of these routines start shifting - the lid being left off the jar, the lights being left on for a bit too long, tousled hair - it plays like a jump scare. 

I was shocked at how quickly this flew by. By the time the first day ended, I glanced at the time out of curiosity and was surprised to see it had already been an hour. Jeanne Dielman is a film that is frequently called "boring," which is both fair and entirely the point. It's still utterly mesmerizing within that boredom. This is thanks in large part to Delphine Seyrig's performance. With her hypernaturalistic stillness, Seyrig reaches rare levels of unaffected authenticity. Jeanne doesn't really feel like a character at all -- even with as little as we truly know about her, she feels like a human being.

Essential viewing. Long live the queen.

Currently streaming on the Criterion Channel and Max.

02. The Ascent (dir. Larisa Shepitko, 1977; Soviet Union; 111 mins.)

"Thanks for not leaving me. With company, it's... Okay, let's move on."

My final film in my 52 Films by Women challenge from a few years ago (shut up), Larisa Shepitko's The Ascent must be one of the greatest war movies ever made. Admittedly, it's not a genre I'm often drawn to, but Shepitko instills this film with an emotional power that becomes almost too much to bear.

Every act of cruelty, every gun fired, every open wound, is accompanied by a visceral pain. The way Shepitko uses the natural world as a stage for this story is astonishing - the vast snowy expanse of an unforgiving Russian winter, the rows of trees. Each of her actors manages to convey so much with their faces, too, especially the devastatingly good Lyudmila Polyakova, but the heart of the film is in the work of the two leads. Boris Plotnikov and Vladimir Gostyukhin work beautifully as a pair and as individuals. Shepitko masterfully traces the arc of their relationship against the backdrop of the war, and the end result is absolutely shattering.

The Ascent was, tragically, Shepitko's final film before she died in a car accident. It was my introduction to her as a filmmaker. I hope I can catch up with some of her earlier work, but The Ascent on its own is proof that she was a generational talent.

Currently streaming on the Criterion Channel.

03. The Big Snit (dir. Richard Condie, 1985; Canada; 10 mins.)

"And stop sawing the table!!!"

Oh my God, I loved this so much? Other than being vaguely aware of the title and its good reputation, I had no expectations going into The Big Snit, but everything about it worked for me. The utterly bizarre sense of humor, the voice acting (especially the CAT?!), and Condie's deft combination of a marriage gone stale against the backdrop of nuclear anxiety make for a surprisingly moving ending. I think it might be a masterpiece of the form. And like Jeanne Dielman, it feels profoundly influential - it's easy to see the aftershocks of The Big Snit in a decade's worth of shows on Nickelodeon and Cartoon Network.

Currently streaming on the National Film Board of Canada's website.

04. Vagabond (dir. Agnès Varda, 1985; France; 105 mins.)

"I know little about her myself, but it seems to me she came from the sea."

There really was nobody like Agnès Varda. Vagabond, or Sans toit ni loi, if you prefer its evocative original title, is pretty handily the most emotionally devastating film of hers that I've seen. As Varda shows us Mona's journey through the French countryside, it's hard not to see shades of Wendy and Lucy or even Nomadland. Like the protagonists of those films, Mona struggles to keep her head above water while living on the margins of society, and, like Reichardt and Zhao, Varda manages to find the joyful, the beautiful, and the life-affirming underneath the hardship. She also coaxes stunning work out of Sandrine Bonnaire, who turns in an extraordinarily unaffected and naturalistic performance.

Vagabond's secret weapon might be in its structure. Marrying traditional narrative scenes with a documentary-like direct address, Varda creates an achingly realistic atmosphere. Her work as a documentarian is well-known, and as a bridge between narrative and documentary filmmaking, Vagabond may just be the crown jewel in Varda's expansive body of work.

Currently streaming on the Criterion Channel.

05. A.I. Artificial Intelligence (dir. Steven Spielberg, 2001; USA; 146 mins.)

"And for the first time in his life, he went to that place where dreams are born."

Weepy existential sci-fi remains undefeated!

A.I. Artificial Intelligence is undeniably a huge swing. Genuinely feeling like that impossible mix between Spielberg's and Kubrick's sensibilities, A.I. achieves something of a hat trick - a fairytale steeped in existentialism. The Pinocchio comparisons are immediate and on-the-nose, but that doesn't make it any less fertile grounds for a compelling story. There's so much in this film that physically hurts the heart and the head to think about for too long - so much grief, so much cruelty - that framing it around David's immediately accessible journey toward becoming a real boy is pretty ingenious.

Of course, this film, maybe more than any of Spielberg's others, is deeply reliant on its lead performance. Haley Joel Osment is astonishing in this film, a blank slate for an entire world's love and anguish to project itself. Without him, the film would probably still be a fascinating sci-fi epic, but Osment lends the film the bulk of its emotional power. If we don't believe that David's entire reason for being comes from his need for love from his adopted mother (which, admittedly, is a pretty thin clothesline for the film's heavy plot to hang on), then we don't care. Osment makes us care. From anybody, this performance would be a triumph, but from a 12-year-old? It might be one of the miracles of acting.

Available to rent on demand.

06. Humanity and Paper Balloons (dir. Sadao Yamanaka, 1937; Japan; 86 mins.)

"How could he kill himself on such a nice day? How utterly selfish of him."

Up until watching this film, I don't think I ever paid any special attention to Sadao Yamanaka's name. Within a year of the release of Humanity and Paper Balloons, the 28-year-old Yamanaka would be dead.

His untimely death only hints at the kinds of films he could have made with more time. This, though, is surely one of the finest (and most depressing) final films I can think of. One of the great strengths of Humanity and Paper Balloons is how startlingly modern it all feels: it's a 1930s drama, yes, but Yamanaka's thoughtful, assured direction really brings the poetic and tragic script (written beautifully by Shintaro Mimura) and performances (especially Kanemon Nakamura as Shinza the hairdresser) to life. Like the best tragedies, the events of Humanity and Paper Balloons feel senselessly cruel and brutally inevitable, but unlike other tragedies, Yamanaka is careful to keep just a bit of disarming humor to prevent the film from feeling too heavy. 

It's an incredibly sad story beautifully told by a filmmaker struck down in his prime. Extremely worth a watch.

Currently streaming on the Criterion Channel.

07. Mississippi Masala (dir. Mira Nair, 1991; USA; 118 mins.)

"Home is where the heart is. And my heart is with you."

There is so much in Mississippi Masala that's wonderful. There's the beautiful young couple at the center, Sarita Choudhury (in a lovely debut performance) and Denzel Washington (a few years after his first Oscar win), who are so hot together that it feels like the TV might catch on fire. There's the supporting cast, too, including the legendary Sharmila Tagore, the great Charles S. Dutton, and the soulful Roshan Seth, whose sad, exhausted face is the heart of the film. There's the sensitive script by Sooni Taraporevala, that somehow finds an intimate romantic drama in a sprawling story that includes the Indian exodus from Uganda, an immigrant family's assimilation into the American South, and two clearly defined family dramas in vastly marginalized communities.

Perhaps most wonderful is Nair's gorgeous direction. The film has an expressive, vibrant visual palette, with so many different shades of red accompanying Mina and Demetrius' blooming romance. This is a rich, sensual film, and one of the great romantic dramas of the 90s.

Currently streaming on the Criterion Channel.

08. Lingua Franca (dir. Isabel Sandoval, 2019; Philippines/USA; 95 mins.)

"It doesn't matter where I go. They will hunt me down, and take me away."

Speaking of sensual! Sandoval, a true multi-hyphenate, is the director, writer, and lead performer in the stunning Lingua Franca.

The story, following an undocumented trans Filipina caregiver, is urgent, unabashedly political, and deeply moving. Sandoval and Eamon Farren both turn in deeply affecting performances, evocatively painting portraits of bruised souls trying desperately to find a way forward. The beauty in Sandoval's direction shows us that a way forward is within their grasp. It's the choices they need to make in striving for a better life that drive them further apart. The much-discussed sex scene is one of the most sensual and breathtaking in recent memory, but so much of the central romance is painted with such empathy and grace and beautiful visuals that it makes the unraveling feel all the more gutting. Also gutting is Lynn Cohen's quietly perfect performance. 

Lingua Franca is not Sandoval's directorial debut, but it does feel like the arrival of a major artist. She's clearly one of the most exciting filmmakers working today.

Currently streaming on the Criterion Channel.

09. The Blue Angel (dir. Josef von Sternberg, 1930; Weimar Republic; 108 mins.)

"Men swarm around me like moths 'round a flame, And if their wings are singed, surely I can't be blamed."

It's easy to see The Blue Angel as a collision between the expressionism and full-body physicality of silent cinema (embodied in Emil Jannings' performance) and the daring, tempting new-age sound cinema (embodied, of course, by the iconic Marlene Dietrich), but that almost devalues the skill of the actual storytelling and filmmaking going on here. Jannings' relationship with Dietrich - as naive and one-sided as it may sometimes be - is inevitable and pitiful. It's ridiculous and tragic to watch as he throws his entire life away for the most fleeting, meaningless romance imaginable. 

Both lead performers are superb, of course. Dietrich, iconic across all of her Sternberg collaborations, is exquisite both in her onstage burlesque performances and her more intimate scenes with Jannings. Their chemistry is really lovely, even as we know it can never last. Jannings is tremendous, a layered and honest performance that culminates in an emotional breakdown that feels almost ripped from a Universal monster movie. The animalistic noises of his anguish are utterly haunting. Brutal stuff, and pretty handily my favorite Sternberg film.

Available to rent on demand.

10. Time Piece (dir. Jim Henson, 1965; USA; 9 mins.)

"Help!"

Why yes, that is the head of a young Jim Henson on that plate!

It's so weird seeing a Henson film without puppets, but if Time Piece is anything, it's weird. It's also brilliant - the product of Henson's singular creative voice. At just nine minutes, the short is a striking, funny, strange meditation on what it means to be beholden to the relentless march of time. It also boasts impeccable sound design and music, courtesy of the late, great Don Sebesky.

Currently available on Vimeo.

Special mention: Vittorio De Seta's 1955 documentaries.

In 1955, De Seta released six(!) documentary shorts: Islands of Fire, Surfarara, Easter in Sicily, The Age of Swordfish, Sea Countrymen, and Golden Parable. Stunning as individual films, but taken as a group, they become a meditation on the violence of living off the land and the endless cycle of life and death. Acting as director, editor, and cinematographer, De Seta marries ethnography and anthropology with artistry, creating bite-sized, miraculous films that immortalize life and labor in rural Sicily. The cinematography alone is jaw-dropping. Whether the films chronicle the Stromboli volcano, ancient religious rituals, a day of work in sulfur mines, harvesting grain, or the life of a fisherman, they are immersive and fleeting. The longest of these films is 12 minutes, and they all feel like dreams. Stunning stuff.

All six of these films, and more of De Seta's work, are streaming on the Criterion Channel.

Honorable mentions (in alphabetical order): After Yang (dir. Kogonada, 2021); Akira (dir. Katsuhiro Otomo, 1988); Asako I & II (dir. Ryusuke Hamaguchi, 2018); Beverly Hills Cop (dir. Martin Brest, 1984); The Boy Friend (dir. Ken Russell, 1971); Carnal Knowledge (dir. Mike Nichols, 1971); Dogfight (dir. Nancy Savoca, 1991); Game Night (dir. John Francis Daley and Jonathan Goldstein, 2018); Girlhood (dir. Céline Sciamma, 2014); The Great Piggy Bank Robbery (dir. Robert Clampett, 1946); Heat (dir. Michael Mann, 1995); Italianamerican (dir. Martin Scorsese, 1974); Kajillionaire (dir. Miranda July, 2020); Linda Linda Linda (dir. Nobuhiro Yamashita, 2005); Mean Streets (dir. Martin Scorsese, 1973); Night of the Living Dead (dir. George A. Romero, 1968); Pink Flamingos (dir. John Waters, 1972) Saving Face (dir. Alice Wu, 2004); Shake! Otis at Monterey (dir. D. A. Pennebaker, Chris Hegedus, and David Dawkins, 1987); Shiva Baby (dir. Emma Seligman, 2020); Three Thousand (dir. asinnajaq, 2017); Videodrome (dir. David Cronenberg, 1983); When the Day Breaks (Amanda Forbis and Wendy Tilby, 1999); While You Were Sleeping (dir. Jon Turteltaub, 1995); Windy Day (dir. John Hubley and Faith Hubley, 1968); Wings of Desire (dir. Wim Wenders, 1987); Your Face (dir. Bill Plympton, 1987)

And finally, some miscellaneous viewing stats:

First movie watched in 2023: Akira (dir. Katsuhiro Otomo, 1988)

Final movie watched in 2023: The Devil Wears Prada (dir. David Frankel, 2006)

Least favorite movie: Blonde (dir. Andrew Dominik, 2022)

Oldest movie: The Impossible Voyage (dir. Georges Méliès, 1904)

Longest movie: The Ten Commandments (dir. Cecil B. DeMille, 1956 - 220 mins.)

Shortest movie: Premonitions Following an Evil Deed (dir. David Lynch, 1995 - 1 min.)

Month with the most viewings: January (35)

Month with the fewest viewings: May (5)

First movie from 2023 seen: Rye Lane (dir. Raine Allen-Miller, 2023)

Total movies: 231

Movies! They're good. Sometimes. Happy new year, friends!

[woundthatswallows]

finally watching pecker (thank you criterion channel) and hello lili taylor in a john waters!!! and christina ricci!! a treat..

[filmnoirfoundation]

NOIR CITY 21

Celebrating its 21st year, NOIR CITY, the largest annual film noir festival in the world, returns to Oakland's Grand Lake Theatre, January 19-28, 2024. FNF president Eddie Muller will present a dozen double bills pairing an English language noir with a similarly themed foreign language film—24 films over 10 days. Whatever the country of origin, there are heists, prison breaks, missing persons, cultural alienation, love triangles, and lots of plain old-fashioned murder.

Muller says this edition "has been tailored to satisfy those folks who love noir filled with the colorful vernacular slang so essential to American and British noir—as well as adventurous viewers intrigued by seeing a familiar story—typically a crime committed for passion or profit—play out in cultures with different values, mores, and styles." Through his programming of NOIR CITY festivals around the nation and his hosting of the popular Noir Alley franchise on Turner Classic Movies, Muller aims to move audiences past the idea that film noir is a strictly American genre.

Joining him this year, as co-programmer and co-host, is acclaimed film scholar Imogen Sara Smith, a familiar commentator on The Criterion Channel streaming service. "Attending NOIR CITY in the Bay Area has been a highlight of my year for over a decade," says Smith, "and I'm thrilled to be joining Eddie as co-host this year. I'm especially excited that the program we've put together will introduce audiences to some rare international titles, alongside Hollywood classics. It's going to be a stellar festival."

Kicking off the collection of rarities is the FNF's most recent restoration — 1952's Argentine film Never Open That Door (No abras nunca esa puerta) — based on two short stories by American master of suspense fiction, Cornell Woolrich. The picture was preserved by the Film Noir Foundation in 2013 and has now been completely restored by the FNF through UCLA Film & Television Archive, thanks in part to a grant from the Golden Globe Foundation (formerly HFPA). Fernando Martín Peña, Argentina's pre-eminent cinephile, will be on hand to introduce the film with Eddie Muller.

Included on the 2024 schedule are English-language rarities such as Black Tuesday (1954), Plunder Road (1957), Across the Bridge (1957), and Strongroom (1962). Little-seen international titles include The Human Beast (France, 1938), Aimless Bullet (South Korea, 1960), Bitter Rice (Italy, 1949), Four Against the World (Mexico, 1950), Zero Focus (Japan, 1961), and Smog (1962), a forgotten surrealist masterpiece by Italian director Franco Rossi freshly restored by UCLA Film & Television Archive. Explore the full line up, buy tickets for individual double features and Passports (All-Access Passes) at the festival website.

GO TO NOIR CITY

[janiemcpants]

About Me Meme

Tagged by @sleepytimegrrl -- THANK YOU! 🧡💛

Last song: Railway by Stray Kids (I fell down a hole)

Favourite colour: Yellow

Last book: Currently reading Eifelheim by Michael Flynn

Last movie: Currently watching The Spell, a 1977 made-for-TV Carrie ripoff (I love you, Criterion Channel)

Last tv show: Crime Scene Kitchen, which I'm not allowed to watch with anyone else because the urge to backseat drive is too great

Sweet/savoury/spicy: Savory

Relationship: Nope

Last thing I googled: "how long cooked shrimp in fridge"

Current obsession: Bouncing wildly between BG3 and kpop...we're having a good time in my house

Looking forward to: The thing I'm REALLY looking forward to isn't 100% confirmed, and I don't want to jinx it, so instead I will say hanging out with friends later! We haven't gotten to talk as much this week because everyone was busy with holiday stuff, so I can't wait to catch up

Actually going to tag people for once, because I have missed memes:

@jadesabre301, @msviolacea, @futsin, @tarysande, @theroseandthebeast, @annakie

[alpineshepherdlass]

thanks to Criterion Collection for the reminder to watch Kathleen Byron on her birthday in BLACK NARCISSUS (1947), a transcendent masterpiece that defies description. the Criterion Channel includes commentary by Michael Powell and Martin Scorsese that I have yet to listen to (!!)

[angelmush]

hiii, here r some of my recs

book: the door by magda szabo (and all her books, abigail, the fawn also amazing)

films: girlfriends directed by claudia weil, also criterion channel has so many great samurai films which are so cool and also rly comforting to me, lady snowblood has lots of gorgeous snow scenes and one of the coolest female protags possibly ever

for winter food i honestly love the pioneer woman lol all her comfort food is great i love her bacon potato soup….and the book flour water salt yeast has a great simple “saturday bread” (not a sourdough) that is basically foolproof

INCREDIBLE recs thank u sooooo much this was so thoughtful!!! added all to my lists :-)

[nicollekidman]

criterion channel my besties…. going to watch all of these in order thank you

[sonictoaster]

tagged by: @door thank u!

last song: The last song on The New Pope soundtrack record

favorite color: Blues

currently reading: The Djinn Waits a Hundred Years by Shubnum Khan. @door there's a House in this one but I don't know if it fits your standards.

currently watching: Movies! Hot 70s Summer is over and I'm looking forward to Screwball Fall. I also started rewatching Harlots.

last movie: Norma Rae (1979). Happy Labor Day!

sweet, spicy, savory?: I hate to say it but probably sweet. I don't even like things that are that sweet!

relationship status: n/a

current obsession: My sister got me a Criterion Channel coupon and I'm going to make use of it!

tea or coffee: Tea. I'm usually singing the praises of Smith Tea, but this weekend I've been drinking Chinatown pearl jasmine 

last thing i googled: Well, it was “the djinn waits a hundred years” so I could find the author's name

[romanticizingmurder]

Tagged by @fofoqueirah & @shittyravencarcosa !!! Thank you both ❤️

Last song: Kiss the Go-Goat, Ghost

Favourite colour: green! Muted & earthy colors, generally.

Currently watching: No TV series, but I watch movies most days now, today was Southern Comfort (1981).

Sweet/Spicy/Savoury: all 🥺

Relationship status: in a relationship with my soulmate

Current obsession: tvc, diamond painting, rogue trader, cooking (but that's always)

Last Google Search: I was checking if the criterion channel app was available on the streaming box that came with my internet service (it isn't 😔)

Anyone who wants to can do it!!

[lesbiancolumbo]

hey i am getting into try to watch classic movies (as in i just saw the shinning for the first time or godfather) and what are some good resources to check out for good recommendations, cause honestly I am finding it hard to know where I should start- thank in advance for posting about old movies they have all been added to my ever growing list!

omg hello!!!! hello! this is the ask i needed tonight.

in terms of resources... if you don't have a subscription to criterion channel already, do yourself a favor and get one. they are almost always highlighting an old hollywood actor or actress (this month is joan bennett and they're showing a really hard to find pre-code she's in called me and my gal. just an example.) and they have a wide variety of well-curated stuff to check out. same with kanopy if you have a library that partners with it. but honestly, if you are in the US or canada and have cable or know someone you can bum cable information off of, turner classic movies has been (at least for me) the greatest resource.

and i could easily point you to a list of the best classic movie recs (AFI has a list of 100 films, sight & sound just did their big poll - for example), but here's the thing. like on the level..... i spent so many years in college watching movies because i was told i was supposed to like them, or that they were IMPORTANT and THE CANON and i got almost nothing out of this experience. when i left college, i spent a week moping in unemployment on my parents' couch dogsitting and watching literally anything that came up on tcm. i watched the bride of frankenstein, i watched an irene dunne romance, i watched spencer tracy and katharine hepburn fall in love. fred and ginger dancing. john wayne walking into the wasteland of a desert that doesn't want him. etc. i watched as many different kinds of things as i could, and i went, so these films worked for me. these actors mean something to me and these don't. and i kept going my own way.

i know that feels like a non-answer, but i think it's very easy to get caught up in the like ~canon of it all~ and it's more fun to just start watching shit and discover things you may have never discovered. i told myself this year that i wanted to watch more silent cinema and i proceeded to just.... type "best silent actresses" into ye olde google and add a bunch of movies to a watchlist lmao. so i'm gonna give you a few lists now lmao but with the caveat that instead you should just ask yourself what sorts of things you like, what films interest you, what films you like, and kinda go from there. who influenced your favorite filmmaker? what old films do they like? etc.

some lists:

i made a post two years ago giving recs on 30s films that i still stand by lmao

last year i made my official "personal canon" list which details my 200 favorite films from the birth of cinema to now

a critic i love, willow maclay, made her personal canon list last year and she's one of my favorites on cinema period, old and new

every year a critic i also love, justine smith, does a twitter thread of her updated canon. this is from 2022. i love watching her list change every year.

my amazing friend marya gates essentially answered your question in way fewer words that i did with her list here

i hope this was helpful, sorry for the length of this, and happy watching! i am happy to help nudge you in any further directions if you want more tailored recs based on what you've seen/want to see/are interested in. feel free to send an ask or dm me any time.

[spiggott]

People I’d like to get to know better, tagged by @introvertia

Last song: Party Girl by Michelle Gurevich

Favorite color: Dark blue

Last movie/show: The Artful Dodger – it’s like Dickens crossed with The Knick, and I’m really enjoying it (plus David Thewlis is in it!)

Sweet, spicy, or savory: Savory

Relationship status: 😬

Last thing I looked up online: If the Criterion Channel has a student discount (sadly, no)

Current obsession: Trying to drink more water

I always feel awkward tagging people because I don’t want to be a nuisance, but thank you for tagging me! 💕

[neilmobile]

Tumblr won't let me post my dumb long list of all the movies I watched this year (and I forgot to do it last year, don't worry I still watch a horrific number of movies, almost broke 400 this year thanks to all the mystery science theatre I watch while cross stitching)

Just want to say that everyone should see Bottoms, it's got so much surreal marginalia, all the classic Hong Kong Michelle Yeoh flicks they can, and every Greg Araki movie possible, most of which are on Criterion channel ok by everyone!