#thank you haruko ichikawa

[randomnumbers751650]

THE FINAL CHAPTER IS TITLED LAND OF THE LUSTROUS!

ABSOLUTE CINEMA MANGA!

[cloudbends]

[ID: a digital drawing of phosphophylite from the manga series land of the lustrous, drawn in reference to a double spread panel from the manga's final chapter. phos is seen in a pale field staring at the night sky, in which a large comet is seen crossing the format. the comet, unlike the original manga panel, is modeled after the comet pons-brook-pons, a comet similar in color to the phosphophylite gem whose 70 year cycle coincided with the last chapter's release day. end ID.]

I hope they can brighten up someone's day.

[arventixx]

Thank you, Houseki no Kuni.

[abseden]

I want to cry .

[goshenite-fanboy]

[pemprika]

a lifetime of happiness

**hnk ch 108 spoilers**

Can't believe it's already been a month since Houseki no Kuni ended... It's been a ride leading up to the finale but I finished the series with tears welling up in my eyes, and a sense of peace. 😭

The ending was hopeful and meaningful— an unexpectedly lovely conclusion for Phos! 🤧 I love the visual metaphor of Phos and the gems being reborn into "The Pure Land", or known as, The Land of the Lustrous, a purified paradise free of materialism and earthly temptations. These delicate gem flowers holding tiny, unique universes, will be eternally brightened by Phos' radiant existence. With the possibility of other universes, I hope that Phos and the others will meet again and lead more fulfilling lives together!! 🛌💭

The way my jaw dropped realizing Ichikawa ended the last chapter on number 108, the Buddhist symbol of overcoming worldly desires and embracing new beginnings to attain nirvana. SO good...😦 The parallel between big brother and Phos, both on self-destructive, morally ambiguous paths for their loved ones/ideals, was a compelling twist. I love them both... 😢 As Aechmea and Adamant hoped, big brother passed on knowing he helped Phos find happiness. 😭 Wailing...

This series has profoundly impacted me more than I imagined, shaping my perspectives on my own values and the world. Despite it coming to an end, we will always stay connected across time and space, just like Phos!!! 🥺🤍

Thank you, Haruko Ichikawa, for creating such a memorable piece of work, and to everyone who has liked my hnk art and commentaries throughout the years! I'll continue loving and drawing the series for as long as I can. 🙇

[hermes-daf]

Still can't believe it ended-

Thank you Ichikawa

Houseki no Kuni | Phosphophyllite (c) Haruko Ichikawa

[deadinthename]

Houseki no Kuni ch. 108 pg. 15 - The End

cried a little bit reading this.

i hope phos is happy and content, wherever they are. thank you, haruko ichikawa, for all you've done. this has helped me through one of the worst times in my life and followed me into now. i feel like i grew and changed alongside phos and we both ended in a pretty good place. there's much to go for me, but at least for little phosphophyllite, hardness of 3, they'll remain enlightened and content.

[oleksissus111]

the end

hnk ending left me with a really bittersweet feeling, but the conclusion was perfect in every way. i'm bad with talking abt stuff like that, but i loved this manga from the beginning until the end, thank you haruko ichikawa for creating such masterpiece

[red-dia]

Twitter user @/inspirashamul dug up an old Ichikawa interview from 2015. I don't think there's anything earthshattering, but it's still pretty cool (and I think it's the only time she's directly acknowledged the 7 treasures ? unless i'm mistaken)

Transcription under the cut :

"Throughout history gems have decorated every aspect of our lives - and afterlives as well. Buddhist sutras describe the Land of Bliss as a realm of dazzling splendour covered in precious gems and metals.

Furthermore, in Shariputra, the world know as the Land of Bliss, there are lotus ponds, all made of seven precious substances, namely, gold. silver, emerald, rockcrystal, red pearl, sapphire, and mother of pearl as the seventh. [...] The bottom of each pond is covered with golden sand. [...] These stairways are colourful, elegant, and made of four precious substances, namely, gold, silver, emerald, and rock crystal. "

Japanese manga author Haruko Ichikawa was inspired by this description to transform the gems into characters in her series, Houseki no Kuni (The Kingdom of Gems). In the distant future, Gem Warriors battle with the Moon People who mount raids from above to kidnap the living gems to use as for decorations.

Gem warriors look human but shatter upon impact. Their broken surfaces reflect light with a brilliant lustre. The moment of destruction is shockingly beautiful, yet they never truly die and can regain human form if their shards are put back together.

In the course of the story, we learn that the rival Gem Warriors and Moon People share the same origin-they were both once human. Bone became gemstone and the soul became the Moon People. The setup makes The Kingdom of Gems a story of humanity told through gems. Current Obsession conducted an e-mail interview with Haruko Ichikawa to find out what's behind the story and what she wants to say with her gem-laden allegory,

Background and Aesthetic

Many Japanese manga artists did not start as manga artists. Haruko Ichikawa is no exception. She was an editorial designer before she broke into manga.

'I enjoyed drawing when I was a little girl and that's why choose a high school that had an art course. Then, my interest moved from art to design, and in university, I majored in visual image design. After graduation, I worked as an editorial designer at a design company. I think the experience taught me how to design panels, how to make panels flow and how to balance black and white-basically, effective layouts that smoothly lead the eye of the reader. I'm also able to design my own books thanks to the techniques that I developed as an editorial designer.'

Usually design studios handle book design, but Ichikawa does it herself. Her brightly coloured covers glitter with lamé to suggest the world of gems waiting inside, while her minimalist two-dimensional style makes each panel stand as a pleasing piece of graphic design. The brilliance of the Gems stands out among the strong contrast of black and white pages. They look most beautiful when they shatter. The human-like appearance of the Gems makes this moment shocking, but also bewitching.

'I'm most attracted to the beauty within the horrific. Imagine the thrill of peeking at the secret hidden under a veil - an unexpected shock, or a macabre scene you can't turn away from. That's what I hope to recreate on the page.'

Her aesthetic is evident in the unique design of the characters. If the Gems are beautiful, then the bizarre Moon People are simply otherworldly. How did Ichikawa create these characters?

Character Design

There are two main groups of characters. While the colour and brilliance of gems are expressed as a Gem fighter's hair, Moon People are covered with ornate Buddhist decorations, such as multiple layers of delicate, heavenly garments and jewellery.

'When I design Gem Warriors, I try to get a specimen of the stone and base the design on its physical properties such as colour, hardness, strength, crystal shape and scarcity. On the other hand, I try to show Moon People as soft eerie beings with a hint of grace in order to make them look bizarre.'

Nearly every real world property is reflected in a Gem warrior's personality. Phosphophyllite (Phos), the main character with the "beautiful colour of shallow water on a western beach', lacks hardness and breaks as easily as actual phosphophyllite. Twin crystal amethyst is literally transformed into captivating twins, while the red-haired Cinnabar is knowledgeable, though cast as a lone wolf because her body is filled with a toxin. Real life cinnabar is known as the philosopher's stone and contains mercury. Alexandrite is usually a green-haired Moon People researcher, but she turns into a violent redhead in front actual Moon People, Her personality is in line with real alexandrite that changes colour depending on the type of light it reflects.

These properties come out as comical conversations between gems. For example, Morganite references the Mohs hardness scale when Phos grabs her. 'Hey! That was close! If you touch us directly, you're the one who's gonna shatter, three-and-a-half! Phos responds 'I am well aware, my dear seven.'

When speaking with Ichikawa it becomes apparent that her rich knowledge of stones and scientific viewpoint comes from her passion as a collector.

'My biggest pleasure is the surprise of discovery. Recently I'm most interested in how good intentions can lead to misfortune. This phenomenon happens quite often in science, which is why I like the field. I have around 300 stones in my collection. I've beest interested in stones since I was a little girl, so I've forgotten how I started to collect them: I' attracted to their simple chemical formula, near infiniteness, uniqueness, as well as the wonderful colour, texture and shape. I think every stone has its own appeal, be it a pebble on the beach or the most beautiful gem.'

Her choice of gems in the manga backs up the statement.

The Gem Warriors include valuable precious stones, such as diamond, as well as semi precious stones that are usually acknowledged as inforiors to gems. In her story, Gems vary in terms of fighting ability but are essentially treated as equals.

Inspiration

In The Kingdom of Gems, gems walk, talk and feel emotions just like us. How did Ichikawa come up with a unique idea of turning a gem into a human-shaped character?

'I had the idea that maybe minerals lived on a different time axis as ours - we just didn't realize it.'

And how did a passage from a Buddhist sutra, "the land of the Perfect Bliss is made of gems', contribute to the story?

'In the sutra gems are an accessible way to describe the beauty and majesty of the Land of Bliss. They are native to the Land of Bliss, not stolen from elsewhere. When I first read the sutra it occurred to me that Buddhism didn't consider these ornamental gems as eligible for salvation. It's not that the sutra made me feel disappointed in Buddhism or want to liberate gems myself. The sutra provides a simple message for the masses by comparing objects of unparalleled beauty to gems. It made me realize that there's a limit to our shared imagination. There's a line somewhere. So where does that put inorganic compounds? They can't speak for themselves. It's pretty convenient to ignore this and assume them to be subservient. It's hard to put my feelings into words, but I felt a very human danger - and attraction - in the vivid examples that assigned gems value and the matter-of-fact manner that passes over these same objects for salvation.

People emphasize with objects that appear human. So I followed this lite of thought - how would we react to a being that was totally unlike a human except in its appearance? Would we want to help them, or feel guilt for persecuting them? What would cause us to feel compassion? This is my experiment find out. It boils down to having empathy for others, be they organic or otherwise.

I'm also interested in what part of our nature is human, and what is animal - both the good and bad. Just as we struggle with the unknowable animal nature within us, life forms in the future will struggle with the untamed nature leftover from humans. At least, that's my hypothesis for what I write.'

This kind of humanity is strongly depicted in the conversation between Phos and Ventricosus, the ruler of the sea.

Ventricosus understands that the Moon People mean to reclaim their flesh and bones to return to their human form, but since they divided from humans so long ago there is no way back. Knowing that the character is not human makes the following dialogue all the more impressive.

'The Moon People, despite lacking natural enemies, love war and are never satisfied. I get the feeling that this undirected anxiety is leftover from when they were human.'

Unique Use of Ornamentation

All sorts of decorations will catch your eye as you read through the pages. For instance, the Moon People are defined by their lavish outfits. From their opulent fabrics to elegans curved ornamentation it's hard to imagine they are capable of such aggression.

The highly decorative quality of the Moon People and the way they steal gems to decorate their homeland makes ornamentation an allegory for earthly desires. However, Ichikawa's statement from the previous wection reveals her unique attitude to wards ornamentation. She uses gems, a typical decoration, to show how the reader feels toward the materials we use for decotation. Yet she has a positive view of the subject. For example, the Gem Warriors fashion reveals clothing lined with flower patterns and special costumes worn during hibernation. Ichikawa obviously enjoys drawing these scenes. Her pages overflow with fun.

'I appreciate sophisticated adornment, Bizarre, extravagant adornment is also atractive. I'm rather interested in the reason behind such decoration. People must have reasons to (or not to) decorate For example, some people decorate them selves to feel confident or be popular, while others don't because they have different priorities.

It's interesting to see what people place importance on.

As for the Gem Warrior outfits, materials are scarce in their world so I try to make the most of simplicity. I also wanted to show how the Gems take pleasure from fashion.

People will decorate. Some for personal reasons, and some out of a desire to get close to something greater than themselves. It is a very human behaviour we should love and be proud of.

I like decorations, I like jewellery. Even more so I like people who decorate themselves and our nature that drives us to. I'm sure many readers understand this sentiment.

However, like all human practices, the act and desire to decorate hides our vulnerabilities.'

Haruko Ichikawa points this out through characters that are living decorations themselves. She does not view this negatively. For in her world, everything is beautiful, even our weaknesses.

[penebui]

Thank you for everything, Haruko Ichikawa!!

[wolumondes]

continue to shine brightly

ive been reading the manga for about four years at this point, i am so emotional over it ending. thank you so much haruko ichikawa, what you created is so special. my number one manga

[king-paimon]

Houseki no Kuni Chapter 105 Thoughts:

Hello everyone. I hope you have all been well, considering the hectic and honestly devastating month this has been for many people across the world. It's sad how awful real life can be. I'm so sorry to everyone who is affected directly and indirectly. Though words can only do so much, I sincerely hope things get better for you all.

Now then... regarding this chapter.

This was definitely a spectacle. So much happened and though we had an idea of where the chapter was going to go because of the last pages from the previous chapter, it still managed to catch me off guard. I don't think anyone saw a literal "deus ex machina" ship to appear, but at the same time... of course that would happen. Ms. Ichikawa loves pulling stunts like this. Whether it's good or not is up for debate. More on this later.

But the one thought that came to mind after reading this chapter was: "Finally." We are truly now in the final stretch of Phos's story, and I couldn't be more happier for them... BUT that feeling got muddied when I saw the bottom of the final page.

Another hiatus.

Sigh. I'll also touch on this in this post. But for now, I'll share my thoughts on this chapter with you. These posts always end up being longer than first intended so sorry in advance! As always, please feel free to share what you think on here too!

(Just so you know, I was extremely tired when I wrote this so it may be convoluted in some areas. I'll likely tidy it up later after I get some proper rest. Hope you enjoy it regardless!)

The Deus Ex Machina Ship: Why??

Was anyone else surprised that the object Brother Eyeball was carrying was a piece of Lunarian technology, that seems to only activate under the extreme heat of a sun that's about to consume the planet? I certainly didn't see it coming at all and I don't know how to feel about it at the moment.

Based on everything up until this point and Phos's comments here, it's evidently clear that Aechmea planted it there for this specific occasion. My question is why? Why did Aechmea bother in leaving this for Phos?

Perhaps Aechmea hoped Phos would take the new remnants of humanity and create a new society once again on a new planet, sort of like what Adamant did for the Lustrous. Maybe this was some twisted/backhanded way of thanking Phos and giving them another second chance of surviving? I don't know, but if it's the Lunarians' weird way of trying to save Phos, it's kind of pointless. Like Phos said, running to another planet would only be a temporary solution since everything was going to be consumed by the dying stars eventually. Even though the little rocks and Eyeball still take the ship in the end just to survive a little longer, I don't really see the point of it either.

(Edit: Made small change here and included the page that I forgot to add.)

The only reason I can come up with for this ship to being there is that Aechmea knew of another place in space that wouldn't be affected by the dying suns and he wanted Phos and their new remnants of humanity to go there. But I honestly I believe that theory fully, so I don't know.

What do you guys think? Is there a reason why the lotus flower ship was intentionally left behind, other than Ms. Haruko just wanting a reason for Phos to be along again? To me, the only thing that was clear was that this ship was left for Phos and whoever else was with them that would only activate when the planet was going to be destroyed.

But this leads me to my next questions and segment...

Burning the Bridge: Phos's Final Actions

Unlike the lotus ship, Phos's actions in this chapter did not come as a surprise to me. Phos had long accepted that they were ready to finally disappear. And before the ship, it looked like the other beings were fine with it as well.

It was only when the ship appeared that the others expressed their desire to exist just a little longer, which completely understandable and I don't fault them for feeling this way.

It's touching and sad how Phos made sure that all those beings, including the final pebble that was introduced in this chapter, made it onto the ship so they could escape while Phos choose to stay behind. More on that in the next segment.

But back to Phos and their final decision to stay behind. So, we know that the ship was intentionally left for Phos by Aechmea and the Lunarians. And though it was used in the end, Phos chose to stay. Now my question is... was Phos's final decision to stay on the planet still part of Aechmea's plan, or was it part of the Professor's plan?

I've hypothesized in an older post that I thought that while Aechmea was a frightfully powerful being who was able to predict Phos's actions and successfully manipulate them, he wasn't truly omnipresent nor omnipotent since he couldn't predict everything and there were individuals that were not totally under his control.

I want to believe that Phos's final actions fall into that category. Part of me really wants to believe that Phos not getting on the ship was a final middle finger from the Professor through Adamant to Aechmea and everything he stood for.

But then again... this could have been an outcome Aechmea expected, too. It's honestly hard to say how much of everything that had happened was still going according to Aechmea's grand plan since it wasn't made clear if Aechmea knew of this memory of the professor that Adamant held onto.

Sorry for the ramble. I'll just say that unless I'm told otherwise, I'll believe that Phos's final actions was their final act of defiance towards Aechmea, in the name of the Professor.

I can only hope that Phos will finally be at piece once that bridge is burnt to the ground.

So, now that it seems like Phos's story is going to end, albeit in several months... there are still some elements in this story that have not yet been resolved. But after re-reading this chapter, I have a theory for one of them.

The Identity of The Last Passenger of the Lotus Ship (my silly theory)

This is a silly theory I came up with to try to explain one of the last mysteries of this story. It's been proven untrue, but I still want to keep it here because I still like it and had fun coming up with it!

One plot point that many others have brought up before, that I've admittedly forgotten over and over again, are the Ice Floes. These mysterious creatures played a unique role in the beginning but had quickly lost their relevancy in the story.

Now that the planet is about to be destroyed, it seems the Ice Floes will forever lose their significance in this story, though they hadn't been relevant in a long while. Well... I have a theory and it relates to the last member of Phos's little pebble family.

In this chapter, Ms. Ichikawa made it a point to have Phos collect this one last pebble and put on the ship. Though all of the pebble beings are unique to one another, this one is the most different from all of them. For one, it's significantly smaller than the other pebbles, almost the size of a grain of rice. And unlike the others, it hasn't spoken once, though Phos could sense its very faint presence, so it is sentient to a degree.

With all of this in mind, I couldn't help but wonder why Ms. Ichikawa included this in the story now? Why did she make pages dedicated to Phos collecting this pebble right when the planet is about to die? She had to have done it for a reason, but why? Why is this teeny pebble important?

Well, here's my theory: This teeny tiny pebble is what's left of the Ice Floes.

I came up with this theory based on a few things.

My first clue is the location where it was found. Judging from the details in these pages, this tiny pebble was in the middle of a dried up ocean.

The second is the type of rock I think it is. Ms. Ichikawa incorporated a lot of rock and mineral information in this story for her characters. I'm not sure if that's the case in this instance, but please allow me to indulge in my rock nerd side for a bit. I strongly believe it is a sedimentary rock. Sedimentary rocks are formed when bits of pre-existing rocks, inorganic material, and/or bits of once organic life forms accumulate and gradually get compacted and cemented together. This type of rock is found everywhere, but especially in the ocean.

The third and most supportive piece of evidence was Phos's comments on page 16.

Phos recognizes that this pebble is similar to the other rock life forms AND it's consciousness had been there since the beginning of the earth, meaning it's much older than nearly everything on this planet, including Phos and Eyeball. To me, this cemented my theory.

Of course, this is just me guessing. And I'll admit, when I went to look up the Ice Floes again, the HnK wiki states that Eyeball and the Ice Floes are connected, so I could very much be wrong. It was still fun to theorize haha

Please tell me what you think!

Edit: Well, it looks like that theory was incorrect. Oh well! I still had fun coming up with it. Thank you @laloyoungblood for letting me know.

The End Is Near and Yet So Far...

I've said it many times before and I'll say it again: I can't wait to see how this story ends. And if the story is going to end at 108 chapters, I'd be so happy, and the ending of this chapter had me excited for the final climax of the story...

Until I saw the excerpt at the bottom of the page.

Houseki no Kuni won't be returning until the spring of 2024... And we just barely came back from the other hiatus...

Now don't get me wrong, waiting through hiatuses is nothing new for me and I'm glad more mangaka are trying to prioritize their health and happiness than trying to rush their stories because of a deadline.

But these hiatuses are a bit annoying, I'm not going to lie. If there's one thing I know I won't miss with this series, it's the many, many hiatuses Ms. Ichikawa had done.

I know it'll be okay in the end. There are more important things going on in my life now, so I know I won't dwell on it for much longer. But at the same time, I just want this story to finally cross the finish line. We're so close to the end, and yet the goal post is moved again.

I just want to see this story end soon. And I hope it'll be worth it.

Okay! That's all for now. Thank you to everyone who reads and responds to my posts. I love all your responses. I don't know how many of you will stick around when I stop doing these posts, but I'm honestly really grateful to you.

Hope the rest of the month goes well for you all! Stay safe out there.

[weebookey]

"I wish I could've said thank you." from Land of The Lustrous / Houseki no Kuni Chapter 104 by Haruko Ichikawa.

[Textless + Cleaned]

[aengelren]

phos’s head on the other planet..wow

thank you for the journey Haruko Ichikawa, it was an honor to read your work.

[sephariart]

Sparkle on little gem.

Beautiful manga has come to an end. I have loved every moment of it. Thank you Houseki no Kuni and Haruko Ichikawa.