#thank you for the question? anon!

[jesuistrestriste]

Missing the Mike Faist priest kink era 😭 still wait for the«  see you in the next Wednesday service » ahaha I’m wondering if the locals suspects their relation or not( do they see each other outside his service ?)( Is he jealous when he sees other guys flirting with her before his church service starts ? ) 👀

OH MY GOD

an ask about "kneel" ???? im gonna cry

no let's talk about it because i never did a pt. 2 or anything

i think that a majority of the locals don't really suspect that the reader is messing around with the priest (they idolize him + see him as a nonsexual figure), but they do look down on her b/c of her visible promiscuity (i.e. the hickies and etc.)

they might notice her wearing shorter skirts to services, and crossing her legs/squeezing her thighs together incessantly throughout his sermons. someone might even catch a glimpse of soft bruises and red handprints on her ass after she bends over to pick something up in front of them the day after mass. and they're like omg? what is this young lady getting herself into? and who in this town could stand to do such vile, obscene things to her body? (as if it's not their precious priest)

i dont think they see each other outside of services/the church b/c they dont want to risk drawing attention to their "special, secret relationship". but! he does give her his phone number and she calls him sometimes when she thinks too much about him and gets wet :( he has talked the reader through touching herself on multiple occasions. tons of verbally guided masturbation over the phone as she lays on her bed, her hand between her legs, with an opened bible next to her. yeah.

he had gifted her that bible after the second time they had sex. not necessarily to indoctrinate her into the religion, but to give her a representation of something that was important to him. it was his subtle way of trying to connect with her. but it kinda backfired b/c now she gets hot and flushed when she reads the words "God" and "peace" and "faith". he basically pavlov's dog'd her. classically conditioned.

because she lost her virginity to him, she's definitely very attached. she tells him that she isn't, but its a total lie and he knows it too. she gets jealous when women, young or old (doesn't matter), come up to him after services all smiley and ready to talk to him about their problems. reader usually gets red in the face and pouts in the back pew as she watches their interactions closely. she worries a lot that she isn't the only person in the town that the priest is intimate with, but she is. he's fairly attached to her too. and because she's a pretty young woman, divorced dads and older teen boys will often try to flirt with her before the priest's regularly scheduled homily, and he has to gather all the restraint in his body not to insert himself between you and them.

they are very cute + sacrilegious. ugh.

[livindeadgirlgrav]

Hi, i was wondering if you could do a Michael Myers, Otis driftwood, The sinclair twins and The grabber x Reader, but the Reader is kidnapped or is cornered by them, and with no options left, they Surprise attack with a smooch!!!

Of course!! Thank you for the request! Also I love your profile pic its so cute!

Warning: Violence, slashers, kidnapped, kinda NSFW, blood, gore, slasher things, overpowered, mature themes, Stockholm syndrome,

Michael Myers

Since Michael has kidnapped you, you have become use to him towering over you and corning you but he usually would turn around and leave after a few minutes but today he wasn't moving a muscle. In fact he kept getting closer to you. Forcing you to back up into the wall. Starring at him you watched him become inches away from you, lowering down to become inches from your face. Forcing you to stare into his dead eyes through the eye holes of his mask your eyes glanced down at the lips of the mask and before you knew it you threw your arms around his neck and smashed your lips onto his. You held onto him tightly as he sprung up faster then his typically movements. Michael quickly grabbed your arms forcing you to let go. As your feet hit the floor your furrowed your eyebrows at him, upset at the lose of contact. Michael quickly left the room, he was more confused than he had ever been.

Otis Driftwood

You had been stuck in Otis's bedroom since the first day he kidnapped you. Otis has tortured you for weeks now, but it wasn't as bad as what you seen him do to other victims within the house. Besides you were the only victim in his bed now...which is scary by itself. Today was like any other, you woke up chained to an empty bed. Sitting up you rubbed your sleepless eyes and pulled at the doll like dress he forced you to wear. You hated it, it was short and itchy but it was better then being naked all the time. Your head shot towards the door as you heard him barge in carrying a unconscious girl in his arms. You sat up on your knees looking to see who the girl was. "Who is she?" You asked a bit demanding. Otis shot his head up at you. "A new pet.." You widened your eyes and quickly stood up on the bed and shook your head. "No! Get her out of here!" You shouted. Otis chuckled a bit watching you before turning and placing the girl on a chair, tying her up. "Otis get her out of here." You demanded stepping down off the bed. Before you knew it Otis grabbed your throat and forced you back onto the bed. Falling down you caught yourself on your elbows. "Now listen mama, I don't rightly care for your attitude." He stated shaking you a bit. "Maybe I need to remind you about your place here hm?" He asked but seeing that his threats weren't phasing you made him more mad. Otis pulled his bloody knife out from its holster on his hip but before he could do or say anything you grabbed his hair by one of your hands using the other to balance yourself on the bed. Pulling him down quickly you smashing your lips onto his. Otis didn't pull away he chuckled into your kiss as he kissed you back roughly. Before you knew it your dress was being cut off with his bloody knife. Once your dress was off he pushed his knife onto your neck. "Come on mama, lets finish what you started." He stated as he ushered to his belt with his free hand. Quickly nodded you did exactly what he wanted, your fingers undid his belt with ease. Otis was a bit shocked by your eagerness but he wasn't about to stop you anytime soon. But he did know one thing your lips were much sweeter when you kissed him willingly.

Vincent Sinclair

Vincent favored you ever since you rode into town. He actually thought you would have wanted his twin brother more than him but when he saw you running into the wax museum trying to hide within his work he felt a sense of happiness he had been searching for. So when he came out of hiding, gently pushing you into a corner of the museum, smiling a bit to himself when you didn't shout out a blood curling scream. "Help me." You stated softly starring at his waxy face. Vincent tilted his head in confusion. Weren't you scared of him? Vincent grabbed your hand and pulled you into another room then through a door and down the wax steps. Pulling you into his workshop. Luckily there wasn't any projects down there at the time. "You make them?" You asked softly as you looked around. Vincent stared at you before walking closer towards you. "T-That man out there is trying to kill me.." You stated as you watched the man. Vincent pointed to himself. Shaking your head you stated. "No, not you. The mechanic, I think his name is.." You stopped trying to think before you knew it you were pushed against the wall. "Hey?" you stated looking at the man. "I'm sorry, thank you for helping me." You stated before kissing the man's waxy cheek. Vincent quickly backed up and stared at you. Starring back you watched him point towards a bed within the corner. Nodding you walked towards the bed and sat down as you watched the man nearly trip up the stairs and slamming the door.

Bo Sinclair

Bo chased you down and jumped on you like he's down countless times to several different victims. The more you squirmed the more he liked it. He flung your small figure over his shoulder and carried you into his shop and down to his little makeshift dungeon. Bo slammed you down into the chair in the center of the room and was surprised when you didn't fight back or tried to get up and run. Regardless Bo still tied you down with duck tape. You breathed deeply trying your best to calm yourself down. Bo quickly grabbed your jaw and forced you to stare at him causing you to whimper a bit. Bo smirked a bit as he stared down at your lips. "Look at the way those lips curve." he stated in his deep country accent. Without thought you leaned up and smashed your lips onto his, Bo didn't stop you and didn't push away he simply kissed you back a bit rougher then you were. As you pulled away Bo bit your bottom lip and tugged it a bit before letting go and pulling away. He watched you lay your back down against the chair, once again Bo smirked and chuckled. "Don't you worry darling we'll get there. Just gotta be patient girly." His words made your face heat up turning your glace away from him, he chuckled and stood straight. You eyes wondered you him, watching him grab his keys and head to the door. But before closing said door he glanced up at you with the most lust filled eyes you've ever seen. You knew exactly what was gonna happen once he got back but for once you were excited to see him come back.

The Grabber

Sitting on the mattress you stared at the door. Today was the day you knew it. You knew you had to get out of there. Feeling yourself slipping into what felt like madness. You were so strongly conflicted, you despised your captor but in another light you were weirdly attracted to him. You liked the way his hair framed his masked face, you enjoyed the way his fingers moved and how comforting his presence could be. You picked at the skin on your fingers thinking about how soft his lips were before being interrupted by the sound of the door unlocking and opening. You watched him walk in with a tray of food. The same as always eggs and a soda. "I made you some breakfast." He said like every other day. You nodded and walked over towards him. He looked down at you, watching how your eyes glanced at the stairs behind him. He tilted his head a bit. You could have swore he read your thoughts because as soon as you darted behind him he dropped the tray and grabbed you up. But to his surprise you didn't fight him or scream. He growled and walked towards the mattress but as he tried to throw you down he noticed how you hung onto him. He pried your hands off of him. "Stop! Don't!" You shouted as you fell to the bed but you quickly grabbed his shirt pulling him down a bit just to wrap your arms around his neck and smash your lips onto the masked lips. Kissing him you didn't care that it wasn't his actually lips. This was still him and you loved it. The grabber was taken back but he let you kiss the lips of his mask. Once you stopped and pulled away looking at his blueish brown eyes. "Don't leave me." You stated as you hugged him. Albert furrowed his brows but he let you hug him placing a hand on your back.

__________________________________________

Wellll thank you for reading! And I hope you guys enjoyed! I loved this request! Thank you again for it! 🖤🖤

[adyophene]

Huskie is part birdie, so maybe the 'no balls' thing means he got a cloaca like stolas from helluvaboss??

I got quite a few asks while I was on my little burnout hiatus but this one definitely takes the cake. I know that's you, Angeldust.

[tunemyart]

So I've just watched the finale and I'm feeling... Weird. I think part of it is because this show started with everything I like in a story (cool badass ladies, a queer romance, found family, redemption, etc etc) and ended up being... Not all that (most characters die, the romance is doomed, and I guess the redemption mostly happened but wasn't entirely satisfactory to me). Also, I'm someone who as Trauma (tm) with death so, I guess my brain's first reaction is "fuck that I just want them all happy and safe" and it takes me a while to accept when stories take these paths, however well written they might be.

Still, I thought it all went a bit fast in the last 2 eps, with parts of the show ringing just a little bit more hollow than I would have expected? I'm left feeling like the characters of Alice, Mrs Hart and Jen were treated a bit superficially (Lillia's story felt more complete). I also wished we had seen more of Agatha's past because spending centuries just conning witches then killing them is... a bit boring? (maybe we learn more about her in WandaVision, I haven't seen it). And obviously I wished we had seen more of Agatha and Rio. It's like the show couldn't decide if it was about Agatha or about Billy (partly because, I'm guessing it's setting up a 3rd show about him?), and with this short format we ended losing a bit on Agatha's part.

Anyway, curious of what you think of all that because your analysis are always super interesting, and like I said my own brain might be a bit biased towards resistance with this one. And obviously would love to read your fanfic(s) should you write any!

So, I've started and restarted a reply to this a few times, but I think what my answer boils down to is: we're meant to have multilayered responses to this finale. We're meant to sit with it. It's meant to change our experience of the show we've had to this point.

I think the best metaphor for this is the fact the revelation that Rio is Death. Bear with me, because I know this got spoiled for us way early on and we all knew it and were all just waiting for the revelation to drop - but imagine for a second that we didn't know that Rio, Agatha's ex-girlfriend and spooky fun vaguely-a-psychopath as played by the delightful Aubrey Plaza, is death. Your perception of Rio would have been turned on its head. Your perception of Agatha would have been turned on its head. Your perception of the Witches' Road and what we're even doing here with Death walking alongside us as a tourist would have been turned on its head.

Now, we all had an incredibly fun time even with the knowledge that Rio is death before we should have had it. But I think some of the power for what it meant for the story - and our perception of what was really happening - was muted.

Jen, at the beginning of 1.08, says, "She told us who she was from the very beginning."

Sit with that - because the same is true of this story.

---

It turns out that the Road is a metaphor for death. This isn't fully illustrated for us until Nicky, the author of the Ballad, walks down the road with Death's hand in his, and we go, oh. Oh.

Agatha tells us in the beginning that the Road doesn't exist, a rare instance of her giving anyone unbridled truth. And sure - the Road that our coven walked down doesn't exist. The Road that all the witches Agatha lured to the deaths believed in doesn't exist. It's a fiction. But it's significant that Agatha lured them all to the Road and killed them. They wanted to walk the Road. They died. Not "they died instead" - it's a two-fold statement. They wanted to walk the Road and they died. In a gruesome way, Agatha's been taking witches on the Witches' Road since the 1750s.

I don't think the significance of that is lost on Agatha, either, especially where we pick up at the beginning of 1.08. Lilia's dead, and everybody's reeling.

Perhaps Agatha more than anybody.

---

I also want to quickly take a look at Rio's accusation of Agatha regarding Billy.

"The bodies are really piling up." "Did you doubt me?" "Yeah, I did. I thought there'd be a trick in there somewhere. And there was! You were distracting me from him."

Because this is a revelation about Agatha's actions toward not just Rio, but any audience watching her - i.e., us the viewers. She's been distracting us! Not from who Billy is, we know that of course, but with regard to what the Road itself is. Agatha's known the Road isn't real the entire time. She's been protecting Billy from that knowledge. She's been protecting Billy from Rio. She's been protecting the coven itself from disintegrating. And, the biggest con woman move of them all, she's been distracting us - with less and less success as the show goes on - from the fact that she is not even the slightest bit in control.

---

So I definitely want to circle back to what you said about how the show started out with everything you like in a story, because oof, yeah, I felt that. I felt that hard in the finale. Coming off the impact of the incredible storytelling in 1.07, and the queer jokes and campy Wicked cosplay balancing out the sad, I think many of us spent the next week expecting some kind of emotional resolution that probably involved the remaining coven banding together in some more of that found family we've felt them becoming along the way.

Here's where things starts going wrong, right off the bat: they don't. Instead, they splinter. Not only are you aware of just how few of them are left (Jen, Billy, Agatha), but Jen and Agatha can't handle Lilia's death. Jen's distraught. The close up on Agatha running away out of the trial and back onto the Road, alone, shows her looking hunted and wild in her guilt. Everything that follows has its seeds in that moment of rending that began with Lilia's death.

From the beginning, the point has been that Agatha Harkness is a covenless witch. It's something we've seen her revel in - maybe simply because she has no choice but to own it. But the fact is that here, for the first time in centuries, she had a coven. She didn't intend to have one - she intended to kill them all in her basement and not think twice about them again. But events transpired the way they did. They became her coven. And one by one, they all died on the Road.

Rio, of course, has the words to cut right to the quick: "Your coven is shrinking," she teases Agatha cruelly. Agatha looks wild - because she's right. The worst thing is that she killed Alice - and she didn't mean to. She didn't want to. But she did, and in exactly the same way she'd intended to kill her at the beginning, the same way she's been killing witches for hundreds of years. "Your coven is shrinking," and it's Agatha's fault. It's Agatha's coven. It's Agatha's coven.

Hold on to that, too.

---

One of the things that I've been mulling over most is Agatha's character. She's so much fun in the beginning. We're all fucking charmed by her. We also don't have the full context of just how much of a serial killer she is.

So for me, at least, watching 1.08 and not only not getting found family, but getting an Agatha so far away from a "redemption" story that she only just barely is willing to not sacrifice Billy for herself, was kind of a rude awakening. Agatha's a lot more of a villain that I was prepared for. Surprise!

Agatha's so far away from "redemption", in fact, that she's only just barely starting to feel empathy for other witches. She's just starting to be affected by people who aren't #1. And that's a trauma response. And it's so, so, so deeply rooted in her that she's only just starting to be able to conceive of the idea of people who care for her. Of the possibility of being able to live in community. She's not ready for a redemption arc. There was no way that the kind of redemption arc she'd need could fit into nine episodes, because so much of it would for her be predicated on a mental shift that Agatha just hasn't arrived at yet. She's still so angry. She's still so traumatized. She's done almost none of the work. And even at the end, even with the final gesture of sacrificing herself for Billy, that's not a final act of redemption, oh Agatha's now a good person/forgiven/insert word frame of choice.

What this show did in terms of redemption for Agatha was set her up to be in a place where she might want it - where she might want to do and be better for Billy, and someday, for Nicky.

And it's significant that that point comes for Agatha in dying… and after death.

---

This show is about death. The Road is about death. Death is a character on the show.

Like, okay, you're saying. Fine. But what about my gay fun times? What about my queer romance, my found family?

And please know that I'm there with you.

I'm not hugely in touch with what the larger fandom is saying and how they're reacting because I have my little echo chamber here on tumblr and a few friends who have actual social media, but even here I get the sense that we're all kind of :/ for fairly similar reasons. What happened to the show I fell in love with?

And for me, the last few days, I think it's been important to realize that the fact that the show I fell in love with didn't suddenly become a different show. It didn't pull a bait and switch. No twists were in bad faith. Everything has been right here in the text of the show from the very beginning.

And I think it's important to see the story that Jac Schaeffer et al. were actually telling vs. our expectations of what they were telling, or worse, what we wanted them to tell. For just one example, I was convinced we were going to see Alice again - maybe Lorna Wu, too. I wasn't expecting it to be for the sole purpose of recognizing that not only is she dead, but to give Alice herself the space to say that it wasn't fair, that she wasn't ready, that she'd just broken her family's curse, that now she can really do something with her life! Because, ugh, yeah! It's not fair, for all those reasons! But that's also death. Likewise, Sharon's just dead, and worse, her death was pretty much meaningless. Lilia rediscovered herself again, and she chose her death to save everyone else - extremely meaningful. But at the end - she's just dead. We don't see her again. She's gone. She, like the others, walked the Road and away with Death.

I loved these covenless witches. I loved them finding themselves together. I loved them bonding around the campfire and discovering community. I miss them all, so so much. But they told us from the beginning how haunted by death all of them were: Alice and her mom, Lilia and her coven in Sicily, Billy and William Kaplan, Agatha and her son and her ex-lover. And of course, Death herself. Forget haunting these individuals - she came to actually join the temporary coven. Like, fuck. They told us what this show was about.

---

This show is about death, but it's more complicated than that: we'll take our cue from Rio again, who, in being Death, is also the original Green Witch. In short, this show is about Green Craft, "growth and decay in constant flow."

So yes - almost every single witch in the coven dies. Yes, it's permanent. No, the queer romance isn't resolved happily. No, Agatha doesn't have a redemption, satisfying or otherwise. And no, none of it follows what we've come to expect from found family story trajectories.

But the focus shouldn't be solely on the decay. There's a whole cycle of growth coming up after it, even now, and it's being made possible by the death and decay that we just witnessed. And most importantly, it's confirmed that this isn't the end of the story - just the end of "Agatha All Along."

---

I'll finish by actually answering your question - I've been sitting with the finale for a few days, because I also felt weird about it. And I think that's the right word: "Weird." Very spooky season-esque, first of all, but also not tipping all the way right into "bad".

The first thing to acknowledge is that no story is perfect - they were limited by nine episodes by what they had the space to show, and finales are really hard to get just right. The second is that you're allowed to not like any or all of it, especially when something happens that asks you to change your entire understanding of the story thus far, i.e. the Road isn't real, or when you have a particular trauma around death and it turns out that that's what the whole show is about in ways we hadn't fully realized. The third is that it's worth sitting with stories sometimes and seeing how they marinate and develop in your brain and your soul over time. All of these things can and should coexist.

This isn't my first go-round with a series finale that initially made me ???, so I was fortunate in that I felt like I had a cheat sheet. I've still got some marinating to do to see how this continues to change for me. But it's helped me to realize that my ??? reaction is what the story wanted me to have - that the characters are reeling right along with me. Not just Alice in shock about her death, but also Billy at the implications of his creation of the Road regarding his responsiblity for what happened on it. We're meant to feel this way… and then we're meant to reconsider the journey we've been on, the Road we've walked with all of them and the death we've died alongside them, and see it anew for what it really is.

[taintandviolent]

From smut prompts can you do a combo of 2 and 57 for Remy Lebeau x female!Reader?

Love your writing and can’t wait for part 2 of Taco tuesday!

warnings: smut (doggy-style), dirty talk, uhhhhhh i dunno what else. mirror sex? yeah.

His groans are more frequent, breathing ragged. Suddenly, he reaches around to your face, his strong hand gripping your jaw, straightening your head gently. Your eyes are still closed, painfully heavy with arousal. He’s fucked you senseless, and without his current support, you can barely hold your head up. 

“Look at your reflection, cher.” he murmurs. His voice is sultry, laden with arousal and you peel your lids back, swallowing hard. You’re suddenly faced with your own reflection; the mirror on the back of your door. It’s parallel to your bed, and until right then, you somehow forgot that. To Remy, it had been an intentional, calculated move. The position you two were currently in was one that felt impersonal to him sometimes, but because you had a mirror, he still got to enjoy all the subtle nuances of your arousal, and the way you responded to his body.

Doing it doggy-style, you’re on your knees and elbows, and Remy is tall behind you, all brawn. Your eyes flit to your own image somewhat apprehensive, for no man has ever made you look at yourself during sex and you’re not sure what you’re about to find. To your surprise, it’s not embarrassing, nor is it something that kills your high. 

The way the light filters in from your bedroom window casts you in a dreamy yellow haze, flushing your skin with a light glow. Your gaze is lust blown, your cheeks are flushed, your ample cleaveage is rocking back and forth with the force of his movements, and your hair mussed up from where he’d been holding onto it. He thrusts his hips into you once, hard, and your expression contorts into one of pleasure, body shuddering against the action. Seeing it in the mirror is a new experience, but the visual turns you on even more. If you were going to be honest with yourself, you were hot.  

You grip the sheets, making fists in the fabric as Remy hammers into you. Your jaw drops, and a low, erotic moan of pleasure tumbles out over your flushed lips. He, too, looks so good – the way his handsome features look almost tormented with pleasure, the way he’s moving against you, his muscles rippling with each exertion. 

“Look at how gorgeous you are.” He continues, his words choppy from the power of his thrusts. Despite that, his voice is deep and commanding, and he holds your hips, using them as leverage for his thrusts. “So gorgeous when I’m fuckin’ you like ‘dis. So pretty for me, and only for me, huh?”

You’re only able to moan in response as the sensations overwhelm you. He’s hitting all the right spots, taking you in a way that you’ve never experienced before. 

“Ain’t ‘dat right, cher?” He urges, watching you in the mirror. You nod, breathlessly. He cocks a languid, half-smile; pleased that you’re appreciating yourself, even a little bit. If you saw yourself through his eyes… 

He suddenly leans forward, pressing his toned stomach against your back, and urging himself farther inside of you. His voice, when he speaks, is husky and low, almost a growl. 

“I ain’t sharin’ you with anybody. You’re mine, and mine only, and Remy gonna’ make you remember ‘dat.”.

The way he fucks you then is ruthless, staying true to his previous claim. His hips hammer into yours, cock bullying your cunt with reckless abandon. Your arousal climbs higher, and higher until it reaches a peak; you can’t hold it back any longer Your eyes fly open again, brows pulled together in tortured lust, as the coil snaps and you collapse the front half of your body forward, soaking him and arching your back up until it aches.

Remy’s close behind you, but his stamina is better than yours. Another new experience; men usually come first (too quickly, at that), but not him. He’s got you in ten different positions, three orgasms deep before he paints your insides. 

“Ah, cher… c’mere.”

[strobbylemonade]

ok I’m literally in love (I’m.so normal I’m so normal I’m so n)with how u draw Dante/dante scars. how did u decide on the scars. what are the scars. where are the scars from. pleapslepelaplalslplpeewlpelepleplsplsplpeleplaplspleplepleplapplplplelapl

i MIGHT have gotten a little carried away with this but yeah! i'm not very good at anatomy but i tried my best. (edit: second page is meant to say guido not gubo T-T)

[yesornopolls]

A little bit heretic question: are all religions in fact fandoms?

[dovewingkinnie]

u know what its so lonely making ocs . and not being part of a fandom too bc nothing interests you but your own ocs . like who do u talk to about them- like someone who is just as invested as you are . WHO DO U TALK TO THERE IS NOBODY im tired of people complaining that their fandom has 5 people... AT LEAST U HAVE THOSE 5 PEOPLE!!! ur gonna have to get lucky somehow and create a fandom urself for your ocs!! cause if u dont then You Are The Fandom!! you are the one carrying it!!!!! yea sure theres no drama or discourse But its lonely as fuck bro!!

[basketobread]

How does Lunara feel about... Lolth

not good lol

[chrissy-kaos]

You're super pretty <3

No you :3

Thank you 🫶🏻

[simblr-question-of-the-day]

Introduction

Hi! I'm an anonymous asker who sometimes sends fellow simmers questions. "Simblr Question of the Day" is something I saw going on around September '23 and I wanted to revive this "trend"!

I'm going to continue preserving my anonymity, but I'd like to share some basics about me ! ~

You can call me squat or squatty! A name I chose based on the way I pronounce "SQOTD," You can also call me SQOTD Anon! My timezone is ( PST ) - I like the colors yellow and pink/red, I've been playing the sims since I was 5 and I like to read and write :)

And below the cut will include a little rundown of how I will run this blog and navigation hashtags ~

- Questions will probably be very Sims 4 Oriented, but questions can be stretched or translated for older Sims games! - There are going to be repeat questions, I cannot moderate this since it would make question queueing a lot longer and tedious for me :( Sorry!! - Also! You can absolutely answer: 1. older SQOTDs 2. a SQOTD multiple times or 3. a SQOTD that isn't prompted by an ask - This is a "daily" questions blog and a questions archive -I will queue a question once a day around 4am PST -Interact with these posts in anyway you prefer: reblog, reply or a separate post! (make sure to tag me ^^) -I FULLY encourage YOU to continue sending asks with SQOTDs (crediting/tagging me is optional). -If you have your own question for SQOTD, you can send me an ask with your question and I will post it prompting anyone of Simblr to answer it! -Since this isn't my main blog, I won't be following anyone back and due to inactivity, I won't be able to check this blog very often.

Navigation

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↳ I am very open to critique, suggestions and feedback, feel free to send me these messages via ask or DMs :)

[expelliarmus]

[livindeadgirlgrav]

Are they ass, tits or thigh’s for Vincent Sinclair and Charles lee ray (seperetly) with fem reader

It can be as filthy as you want

Ooooooooo okay! This is definitely going to be fun! Alsoooo this is my first time writing for Charles lee ray!! I'll try not to disappoint

Warning: NSFW! violence, bad language, kidnapped, Stockholm syndrome, just evil slasher men lol, mature themes/content. 18+, filthyyyyy👀👀 nastttyyyyyy

Vincent Sinclair

Vinny is an everything man. He loves you for you buuuuuut if he did have to pick a favorite its probably a tie between your thighs and breast.

Vincent enjoys holding your thigh when he sits beside you. He will consistently grip your thighs and rub his thumb across your smooth skin. Now when you two are alone Vincent loves to kiss up and down your thighs, occasionally nipping at your skin.

When it comes to your breast Vincent loves to grope them. He loves how soft and squishy they are under his rough hands.

He will definitely suck your breast hard, leaving hickeys all over your chest. He enjoys playing with your nipples and seeing how you gasp when he tugs on your nipples with his teeth.

Secretly this man is very kinky. He very much enjoys sitting on top of you, ripping your T-shirt off to reveal your soft chest. He'll pin your arms above you head but if you move he is quick to tie them down with a rag. Once your hands are out of the way he'll grab one of the many candles within his room and drip the hot wax onto your delicate breast, down your stomach, and on your inner thigh.

Vincent loves to fuck your breast, he enjoys the softness and loves to look down at you, watching you please him in such a way turns him on even more.

When you two are having sex, Vincent loves to have your legs on his shoulders. He loves gripping onto your thighs and having the options to bite and kiss them while he thrust into you.

Vincent also loves to use your thighs to push himself deeper into you. And trust he loves pushing your legs above your head thrusting deeper into you, watching your face scrunch up in pleasure.

Vincent tends to forget how tight he holds onto your thighs and breast so at the end of the night you are typically left with a couple finger prints and bruises.

Vincent loves it when you go bra less, its easier for him to run his hands up your shirt and tug at your breast but it's definitely hard to keep his attention for all of it goes to your freed breast.

His favorite position is cowgirl; He loves watching your breast bounce up and down while he rubs your thighs, occasionally gripping them hard enough to leave marks. He also loves to warm his cock within you as he sucks your breast but trust he wont leave the other one unattended, his hand will quickly tug at your nipples and grope at your breast. Then he will switch after a few minutes now sucking on the one he was tugging at and now rubbing the one he was sucking.

It drives him crazy when you wear shorts or skirts and v-neck shirts or shirts that just showoff your breast.

Vincent also gives the best massages, he has no problem rubbing your legs and thighs. And hey he'll massage your breast too

Charles Lee Ray

Charles Lee Ray has to be an ass guy!

I'm pretty sure this man would take anything you give him but in booty we trust.

He constantly slaps and gropes your ass daily

If you are wearing a skirt or a dress he has no problem hiking the skirt up to grab your bare ass or just see it in your black panties.

Very much prefer you wear thongs he loves having easy access.

This man loves back shots! He enjoys gripping onto your waist and slapping your ass as he slams himself inside you.

One of his many favorite positions is reverse cowgirl, he loves watching your beautiful ass bounce up and down on his cock.

Charles loves anal, he loves how tight your ass is and enjoys the sweet moans and groans to make as he takes his time sliding into you.

Will eat you out any day of the week and trust he loves leaving bite marks on your ass and enjoys feeling you tremble underneath him as his licks up your valley. (you know exactly what I'm talking about)

Charles loves to punish you, mainly spanking you. He loves watching how your ass jiggles with each slap. He also loves seeing how red your ass can get, he thinks its pretty seeing his hand prints left behind on your soft skin.

Thank you for reading!!! I hope you guys enjoyed and I hope I didn't disappoint with Charles Lee Ray I really did enjoy writing for him! Thank you tons for the request! <3

[agentperezbian]

Everyone talks about the Saw series in a queer context — but am I the only one who sees it in a neurodivergent context, especially in relation to capitalism?

I've said before (not on here, privately) that I think John represents capitalism and conformity in a way. His idea of "appreciating your life" often manifests in the form of societal views of productivity/usefulness. Drug addicts should be punished because they aren't making themselves useful. This man should be punished because he's faking an illness to avoid work while still getting paid. Mental illnesses like depression can be cured with punishment. Part of Lawrence's reason for being tested besides cheating on his wife was seeming to have low empathy/being too clinical with his patients which can be a sign of neurodivergence, autism in particular.

I may joke here sometimes but I do not think John is "right" in any way, or a "good guy," for this reason. His views of what is acceptable in society are narrow and encourage conformity. Amanda, the woman he took under his wing, was not healed by her experience in her trap - she merely went from being an open drug user to someone hiding self harm. She was "fixed" because her ailments were out of sight, so they wouldn't bother anyone. John admonishes Adam for spying on people while not acknowledging that he's in poverty, and has to do dirty work to pay his bills. If Adam made it out of his trap, even if he stopped taking pictures, he would still be poor, living in a rundown apartment, unable to afford groceries.

John goes after people who offend his idea of how a person should live. He thinks Jill's approach to helping addicts is bullshit because he believes in a "tough love" approach that we never see actually work. Just as we see the government incarcerating the homeless, people who do drugs, mentally ill people, John also seems to see them as a detriment to society, but does not consider the societal problems that put them where they are. Poverty and mental illness aren't things you can just pull yourself out of. This is why John's ideology and "moral code" is ultimately a failure.

[inkykeiji]

Names names would Alastor husk and Lucifer call you? Nicknames really

ooooh fun!!!

alastor sticks with the classics, especially due to his stubborn 1930s roots. he uses a lot of the pet names we hear him use in the show in addition to those in line with his time: sweetheart, dear, darling, sugar, precious, beloved. sometimes, when he’s feeling extra possessive, he’ll throw a my in front of it. i also, for some reason, see him using lamb chop as a term of endearment: you are sweet, docile, delicate like a lamb—so meek and soft and submissive; yet you are simultaneously the most delicious thing he’s ever tasted, the most intense craving he’s ever felt, the most ardent addiction he just can’t kick.

husk isn’t one to use pet names incredibly often, but he does have a few he favours, and he always gets so damn soft whenever he murmurs them out, eyes gone melty and lidded, endearment dripping from his lips like syrup—sunshine, honey, beautiful, lover.

lucifer loves anything overly cutesy and fluffy and sugary sweet. cupcake, honeybun, pumpkin, cutie pie, buttercup, cuddle bug; he has a whole arsenal of pet names that he rotates through regularly. you’re just so darn adorable that he can’t help but call you a collection of endearments, so delightfully darling that all he wants to do is gobble you up! and you are, by far, the sweetest thing he has ever been able to call his own, so equally sweet nicknames seem like a no-brainer—he just wants to refer to you in ways that are as cute and sweet as you are!

[iridescentmirrorsgenshin]

I have no other place to yap this to so I apologise in advance.

I find it interesting in Alhaitham and Kaveh’s voicelines they tend to talk about each other A LOT in a way of complaining. Such as in Alhaitham’s Good night voiceline where he says that he’d prefer that Kaveh wouldn’t be home at all because all the chaos and noise he makes in the dead of the night. Or in Kaveh’s Good Morning voiceline where he says that he hopes that you don't run into someone who ruins your day first thing in the morning.

I guess it’s what makes other people think that they despise each other’s company. Yet they’re always viewed as a pair and Alhaitham could’ve kicked Kaveh out of the house ages ago. But what’s your opinion on that?

Hiya! there's no need to apologise, this is a safe space for all haikaveh! When I tell you your ask is scratching my brain I mean ITCHING, I have so many thoughts about this part of their dynamic so thank you for enabling me <3 This turned out to be rather long, so I hope it’s helpful to you!

The contention in both Alhaitham and Kaveh’s character stories and voice lines seems to be to create intrigue about the two as individuals, and, in turn, their relationship.

Alhaitham’s ‘good night’ voice line instantly serves as a contradiction to his character. It’s interesting, and telling, that Alhaitham, who is essentially Kaveh’s landlord, and mentions this within his fourth character story, alludes to Kaveh by using ‘roommate’ rather than ‘tenant’. ‘Landlord’ evokes a position of authority over the tenant, whereas ‘roommate’ indicates an equality between two people sharing a house – since it’s Alhaitham who advocates for the term ‘roommate’, it’s telling that, as opposed to what Kaveh believes, Alhaitham wants to establish equality between them.

In terms of what Alhaitham says in this voice line, it explicitly raises a contradiction in the form of a question: if Alhaitham is truly bothered by his roommate’s antics, why doesn’t he simply evict Kaveh?

This is relevant as this question is also posed when we initially meet Kaveh within the Archon Quest, as Kaveh states he dislikes Alhaitham’s personality, to which Alhaitham responds by saying if he bothers Kaveh so much, Kaveh always has the option to move out of the house – to which Kaveh perceives as a threat, only to then dismiss this as Alhaitham ‘changing the subject’, which seems to mean that this ‘threat’ is taken as baseless. As this isn’t called back to, this seems to be the case.

There is no real threat of eviction, and regardless of their disputes, Alhaitham ultimately gives Kaveh no ultimatum to move out. In fact, as discussed here (page 27), as we are meeting Alhaitham and Kaveh for the first time, Alhaitham allowing Kaveh to live with him contradicts his established character of living a life free of inconvenience. This instantly creates intrigue around his and Kaveh’s dynamic – who is Kaveh to Alhaitham for this exception to be made to Alhaitham’s peaceful way of life?

(An additional note of interest is that Alhaitham’s solution to the noise problem seems to be more uncomfortable than calling on Kaveh and telling him to stop his work. Alhaitham says that he’d rather not wear his noise-cancelling earpieces to bed, implying that he does so when noise is a problem at night. However, there’s no mention of Kaveh being stubborn when confronting this issue, which is why he takes to wearing his ear pieces, or any mention of confrontation at all. From this voice-line, it seems that Alhaitham avoids interaction by opting for the least comfortable option, which can be a contradiction to his character. As this is a rather brief voice-line, it’s difficult to ascertain why, but I like the idea that Kaveh is productive at night, and Alhaitham prefers not to impose on Kaveh’s work process – but this is more a headcanon than evidenced interpretation.)

Returning back to the contradiction within this voice-line, at a surface glance, this does appear to be a general complaint about Kaveh, and this can be found in Alhaitham’s lines about Kaveh, and also when discussing Tighnari. Alhaitham refers to Kaveh as ‘overly sensitive’, and ‘constantly making a fuss’.

These can easily read solely as complaints, but when looking to the original CN translation, another interpretation can be found here. Alhaitham describes Kaveh as ‘caring’ or ‘tender’, which is exactly how Kaveh is described within the 3.6 special program (as per minimushiroom on twt), which can allude to how Kaveh is considerate to a fault, in that this serves as a detriment to himself.

This can be seen in Alhaitham’s other Kaveh-centred voice-line, in which he describes Kaveh buying keychains in order to provide meals for sick children, even though healthcare is free in Sumeru. Alhaitham clearly holds the view that this was a redundant action, as Kaveh, being in debt, most likely doesn’t have the money to spend on such investments that are, evidently, dubious.

As Alhaitham provides a rational view here, this contrasts with Kaveh’s act of generosity fuelled by emotion – which highlights the contention Alhaitham has with Kaveh, in that Kaveh places himself in dangerous situations for the sake of others. However, as this can be perceived as a solely derisive line, this essential context is lacking, and can be easily misconstrued. (I think the EN translation here also coincides with this narrative, as minimushiroom notes that the original CN has Alhaitham refer to Kaveh’s sensitivity in a positive way, rather than contemptuously, as the English can be interpreted as.)

Kaveh, similarly, can be seen to complain about Alhaitham in his own voice-lines. This can be seen in the 'Good Morning' voice-line you've mentioned, where Kaveh complains about having to see Alhaitham in the morning, which 'ruins' his day. Additionally, Kaveh's voice-lines discussing Alhaitham refer to Alhaitham as ‘infuriating’ and not wanting to give Alhaitham the satisfaction of thanking him, despite Alhaitham helping him out. However, there is more nuance in these voice-lines than Kaveh simply ‘disliking’ Alhaitham, as this dislike is never stated - rather that he and Alhaitham have a difficult relationship in comparison to the ‘close’ friendship of their past.

Kaveh describes their relationship being a ‘mixed bag’, of both negatives and positives, as well as establishing a thorough understanding of Alhaitham, where other people may misinterpret Alhaitham as they ‘don’t know him well enough’. Additionally, Kaveh notes that he knows that Alhaitham can present himself in a more ‘likeable’ manner, but that Alhaitham refuses to do so, which refers to Kaveh’s contention with Alhaitham discussed within his character stories. This, in turn, generates curiosity, as it appears that Kaveh holds an in-depth knowledge of Alhaitham that the player isn’t privy to.

Referring back to Alhaitham’s ‘Good Night’ voiceline, the question raised is, if Alhaitham has a problem with Kaveh, why doesn’t he just evict Kaveh? And the answer can be found by digging further into Alhaitham’s character stories. Looking to Alhaitham’s fourth character story, it states that he is aware of the dissatisfaction Kaveh may have with their living arrangement but  that ‘it matters not to him’.

This means that he is aware that Kaveh may be unhappy with having to rely on someone else for a stable livelihood, something which his pride doesn’t naturally allow, but that this is also exacerbated due to their previous falling out and the current contentions Kaveh has with him.

At first, this can seem rather abrasive, which does fall in line with Alhaitham’s egoism as this doesn’t directly impact ‘the self’ (discussed further here), however, what immediately follows is Alhaitham’s belief that he and Kaveh are mirrors, in that his own perspective of the world will be enhanced - in the og CN, ‘completed’ -by Kaveh’s own world view.

The implication generated here with the explicit term ‘mirror’, is that, just as Alhaitham benefits from Kaveh, Kaveh, in turn, can benefit from Alhaitham. (As a side note, it is interesting then that the voice-lines in question can be seen to mirror each other – Kaveh mentions Alhaitham in ‘Good Morning’ whereas Alhaitham mentions Kaveh in ‘Good Night’.)

Returning back to Alhaitham’s character story, rather than merely reflecting each other philosophically speaking, I’d say that this also points to their respective progression as people, not just scholars.

To me, this is reminiscent of what Alhaitham says to Kaveh in A Parade of Providence – being ‘correct’, ultimately, doesn’t matter, as there is no ‘correct’ path in life, meaning that there is no ‘correct’ philosophy to shape and guide a person. Rather, Alhaitham asserts that, ultimately, their opposing philosophies are not the issue that exists between them.

The issue that does exist, then, can be surmised from Alhaitham’s actions during the event (discussed further here), in which he researches into Sachin to gauge his influence over Kaveh’s father journeying into the desert, with implicit hopes of providing closure for Kaveh, and potentially assuaging Kaveh’s guilt. This is a personal act with a personal motive; the underlying motive being concern, as opposed to an assertion of ‘correctness’.

In my opinion, I think Alhaitham’s actions during A Parade of Providence are a direct reference, and fulfilment, of Kaveh’s fifth character story. I’ve discussed here that the main reason for the ending of their friendship was them asserting the correctness of a philosophy over the other, and proposing one philosophy as the ‘solution’ to the other’s perceived flaws.

Here Alhaitham can be seen to use Kaveh’s past as the reason for his excessive altruism, implicitly referring to Kaveh’s guilt over being the supposed catalyst for his father’s demise. This final comment of Alhaitham’s appears to be the first time this has been mentioned between them, and it’s enough to be perceived as weaponisation – leading to Kaveh severing their friendship.

In A Parade of Providence, Alhaitham is shown to only have taken the role of commentator to research into Sachin, whose research we are told (by Kaveh), he has no explicit interest in, and it is heavily implied that the only reason he looked further into Sachin, was to prove to link between Sachin and Kaveh’s father. Alhaitham seems to want to absolve Kaveh of this past guilt in hopes that Kaveh will stop placing himself in the cycle of self-sabotage.

For me, when viewing this as a parallel, it highlights that Alhaitham’s motivation in speaking out during their days as students was out of concern for Kaveh, although while holding egoism as ultimately beneficial, and therefore perceivably ‘correct’. The ‘issue’ they’re currently debating is not expressly stated, and although it is unclear if Kaveh understands the implication (as discussed here), as ‘correctness’ has been overturned, there seems to be little left than the personal.

Relating this back to Alhaitham’s fourth character story, for me, Alhaitham referring to Kaveh as a mirror isn’t just referring to Kaveh as a scholar, but a person as a whole. As Alhaitham seeks to improve himself, personally, through Kaveh, it seems that he hopes to be able to benefit Kaveh in turn.

As for Kaveh’s complaints regarding Alhaitham, these can be contextualised within his own character stories. As Kaveh ultimately severed the friendship between him and Alhaitham, Alhaitham offering Kaveh to live with him, despite Kaveh revoking his previous understanding of Alhaitham (as discussed here, page 67), causes Kaveh to be overtly suspicious.

In Kaveh’s Old Sketchbook, it is mentioned that Kaveh believes there to be an ulterior motive for Alhaitham inviting him to share a house, as he believes that Alhaitham wouldn’t do something for someone else without an exchange.

Kaveh, then, openly distrusts Alhaitham due to this unspoken motive, and although he takes on chores to ease his sense of guilt of being a perceived burden, a contention arises here. Due to their previously ended friendship, and with how Alhaitham hurt Kaveh, and how Kaveh may believe he hurt Alhaitham (discussed here), Kaveh sees no reason for Alhaitham to want him around – he treats their relationship as an exchange, asking what Alhaitham could possibly want for him.

Although Alhaitham views Kaveh as a mirror, and therefore, respects Kaveh’s perspectives, Kaveh can potentially view their opposing philosophies as a negative rather than a positive as he had done in the past (as discussed here), as it, perceivably, was what led to the end of their friendship. In this, Kaveh views Alhaitham as disparaging him and his views. As mentioned in his character story, he has no reservations in telling Alhaitham of his debt as Alhaitham has already seen through him in the past, and yet again, upon meeting at the tavern.

Although Alhaitham perceivably views him unfavourably, and his comments and complaints appear to propagate this interpretation, Alhaitham also seems to have no issue with keeping Kaveh around, and interacting with Kaveh, regardless of the problems Kaveh expressly has with him.

To Kaveh, it could be that as Alhaitham has already seen the worst of him, and appears to have no real issue with their stilted rapport, there is no point in donning a front and using niceties. He is open with his issues with Alhaitham, and, in turn, Alhaitham is open with him.

This appears to be a dual negative and positive for Kaveh, as he describes Alhaitham’s constancy as ‘the most unshakable part of one's past is a friend that will never change’. In this sense, his unsteady rapport with Alhaitham is reliable, and therefore, has no reason to change.

Clearly, there is a large disconnect between Alhaitham’s view of Kaveh and how Kaveh perceives Alhaitham’s view of him. As previously mentioned in the discussion of A Parade of Providence, there is an unspoken ‘issue’ between them, and this can be interpreted as dire misconceptions borne from miscommunication.

As discussed, Kaveh and Alhaitham reference each other a lot in their respective voice-lines and their character stories. This alone is enough to connect them, regardless of the cruciality of their mirror motif, as they are key figures of each other’s past, present, and seemingly, future. Despite this, it’s as you say, there’s a common perception to view them as mutually disliking each other, and, to me, this is based upon their first initial interaction, and the way they refer to each other in their own character stories and voice-lines.

It’s notable that Alhaitham refers to Kaveh in his voice-lines when Kaveh is not explicitly relevant, such as in his Good Night voice-line, and, most interestingly, when Alhaitham discusses Tighnari.

This could be because Alhaitham knows of Tighnari through Kaveh, but as this connection isn’t stated, it reads as Alhaitham mentioning Kaveh for no other reason than to complain about his perceived naivety regarding relations with others. But as this is a voice-line designated to discussing Tighnari, it’s interesting, and incredibly noticeable, that Alhaitham then discusses Kaveh instead. It’s similar to what Kaveh can be seen to do, and is observed to do by others, in relation to discussing Alhaitham.

When it comes to Kaveh, however, his complaining of Alhaitham can be seen to link with his process of dealing with troubles in his work. In his Hangout, he states that he takes his work to heart because he cares about it, which is expressed in the same quest in which Kaveh and the Traveller run into Alhaitham in the House of Daena (discussed further here, page 219).

Drawing a parallel here can further contextualise Kaveh’s complaining of Alhaitham – if Kaveh truly disliked Alhaitham, there seems to be no reason for Alhaitham to remain so relevant to him, both in conversation, and in private thought. Additionally, Kaveh is described as an empathetic person, and when dealing with others, he is thusly seen to look for another perspective rather than act on his own subjective perspective.

Looking at his voice-line on Dori, for example, expresses his distaste for Dori pressuring him for Mora due to his debt, however, he also empathises with her, and states that he senses there must be a reason why Dori acts in such a way.

In contrast, this empathy can be perceived as missing in his treatment of Alhaitham, and therefore Kaveh complaining about Alhaitham can be perceived as blatant dislike – which contradicts Kaveh’s benevolence and empathy, which A Parade of Providence particularly stresses.

Kaveh’s treatment of Alhaitham can be seen as deliberately contradictory, as it can cause the player to question why Kaveh reacts in such a singular way to Alhaitham, just as why Alhaitham reacts in a singular way to Kaveh.

In reference to Alhaitham, whilst Alhaitham tends to complain about Kaveh in turn, his actions reveal him. He invites Kaveh to live with him, gives no eviction date, pays for Kaveh’s tabs willingly, (supposedly) buys wine as an apology, and goes out of his way to ensure dialogue with Kaveh – which contradicts his own character stories, in which he appears to favour solitude, and only greets those he considers his friends ‘with a nod or two’.

Moreover, Alhaitham is established as considering Kaveh a necessity to his ‘peaceful life’ he seeks to maintain (as discussed here), and can be seen to implicitly consider Kaveh one of his priorities within his Story Quest.

The idea that Alhaitham dislikes Kaveh seems to stem from Alhaitham being taken literally when voicing an opinion, or an issue, or simply joking, in reference to Kaveh – despite his character stories highlighting that Alhaitham often uses sarcasm in order to subvert expectations.

Alhaitham expressly states that he prefers to be seen as inscrutable, and unknown, by the general public, and uses subversion as a means to do so. In these character stories, Alhaitham openly encourages speculation of his own words.

Without this context, it seems easy to simplify Alhaitham to purely speaking factually when first addressing Kaveh in the Archon Quest – stating that having to explain things to Kaveh is ‘a nuisance’, and yet, it is overlooked that Alhaitham stays in the House of Daena, regardless, knowing Kaveh would find him again.

On the whole, in my opinion, Kaveh’s feelings towards Alhaitham cannot be simplified to ‘dislike’ as this is dually an inherent misunderstanding of his character, and of his and Alhaitham’s relationship, just as Alhaitham’s feelings towards Kaveh cannot be simplified to ‘dislike’ for this same reason.

In the beginning, Alhaitham and Kaveh are not supposed to be perceived as friendly, as Kaveh denies the association of ‘friends’, and Paimon describes them to the Traveller as ‘problematic’.

The reason for this is due to their character arcs being intertwined – the core issue is posed in Kaveh’s fifth character story, in that the question is raised if a compromise can be reached, if both sides of the mirror, can be balanced. At the beginning, they are entirely at odds, but even footing must be found.

I’ve noticed a shift in online discourse after Cyno’s second story quest, as the progression in Alhaitham and Kaveh’s relationship is noticeable – deliberately, due to the flashback scene within their house (which I’ve discussed in detail here, page 122). To me, it’s more common to form the assumption that Alhaitham and Kaveh dislike each other in the Archon Quest, but with recent developments, and, hopefully, future ones, this perception is being overturned in online communities. Perhaps that’s just wishful thinking, but I’m still hopeful!