#terry barber makeup

[angelnumber27]

by Terry Barber

[woodlandkisses]

Makeup by Terry Barber

[requiem-on-water]

BREXIT BEAUTY (2020) by Terry Barber

[genderless-girl]

[laudrat]

This makeup is by Terry Barber

[sinistersoloist]

Makeup by Terry Barber

[wh0-is-lily]

Makeup by Terry Barber

[mirroredmoonlight]

makeup by terry barber

[uraandri]

terry barber makeup

[thatbitchsimone]

where do u find those pictures of like eye makeup & color matching ordinary objects i am so obsessed

found them in some random article. they are by a makeup artist (i think?) called terry barber (might have been barker im not sure) and he would mainly post them on his instagram if i remember correctly

[columbiafawn3]

A YouTuber channel I watch by Hannah Louise Poston recommended this makeup artist called Terry Barber, whose work it turns out I had already found on tumblr and thought was rlly cool.

Anyway so this guy made an eyeshadow palette with Mac and it’s inspired me to think of makeup in the same way. I do think there’s a bit of overlap in our approach, keeping to single eyeshadows and preferring diffused finishes. But maybe that’s also just the trend atm.

So I wanna come up with a palette like this one from my Nars single eyeshadows. His one is quite neutral with no real colourful pops. I think my one would have a few colourful pops, maybe of blue and green.

It’s more so the idea of curating a palette for myself that works for the type of makeup I do. And it’s also about taking my makeup seriously as an art form where I have tastes and I can take myself seriously. Because usually I just devalue my makeup and think it’s me putting silly colours on my face, but it actually does have meaning to me, and it does express things.

I love the understated nature of Terry’s palette. It’s asking you to appreciate the nuances of each colour separately, without blending them together to create highly constructed looks. And that’s how I see makeup as well — it’s about honing in on a colour and playing with texture.

So the question becomes if I had the opportunity to make a palette like that one, to curate a selection of single shadows that summarise my creative vision, what would it be?

I don’t want to be too focused on the idea of « neutrals » like Terry seems to be. I don’t really do a lot of neutrals now I think about it — I sort of don’t see the point. Go big or go home Lel

So, if I had my selection, what would it be?

Probably a lot of metallics, because they’re easy to work into more mattes or more metallic. I’d have a lot of contrasting tones, like rich colours with light colours (e.g. I’d pair a dark cranberry with smth like Mac Nylon to sheer it out plus the gold would add a rlly nice complexity).

I’d definitely put in the MUFE metallic white, Nars Biarritz, some kind of gloss product that you can mix with the eyeshadows, a rich berry (I rlly like that Mac cranberry shade), maybe two golds (a light, whiter one (depending on how Isla Bonita shows up, maybe that) and a richer one, similar to Palemetto from Summer Unrated but a bit less warm — maybe more of an antique greenish gold. So, maybe if you layered palmetto with a similarly textured midtone green, like Joie de Glitz. OFC there would have to be some blues thrown in there, like the MUFE metallic one and Mac Cobalt. Would I put in that Mac dark blue I found online? Potentially. I would probably use it to replace the MUFE one and just have that as the only blue (controversial). There’d defs be a lavender/ purple. Except maybe that purple could come from something like Chile, with its different reflects rather than a straight purple. Because sultan is definitely purple, but I find it’s just a bit too straight purple for me — it doesn’t have that complexity I seek. If I was going to have a perfect purple, it would be something like Chile but more consistently purple, without such a grey base.

There would also have to be something like Nars Zambezi in there (even though I can’t get my hands on Zambezi to save my life). I love the frost finish of it. Maybe Mecca Max Wannabe is closest? Honestly, this colourful section is sounding a lot like Cap Ferrat.

Would we have many coppers? To be honest, probably not. I’d want maybe one frost finish medium copper. Something like Guayaquil, but I’ve always felt Guayaquil to be too warm and too dark — too boldly copper. I’d want something a bit more muted, a bit closer in colour value to my skin tone. Maybe something like Lahore but given a bit more base with something warmer like Persia? Or maybe Lahore mixed with Ishta! That would be interesting, although it might pull it a bit too ruddy and scary zombie eye.

Im excited to see how Nars domination turns out. Because im sort of hoping its not as vibrant as I think it might be. Yes there’s a place for a bright fuchsia, but im sort of hoping its more of a wearable shade. Yes I can blend it out and work with it, but I don’t want to have to jump through hoops. I’m hoping it will be sort of a less intense version of Fatale.

If we look at the colour wheel, I want to cover most areas in some capacity, but with an interesting take on the colour tones. I don’t want to do a straight anything.

Maybe I’d take Nars’ advice and mix warm and cool tones. But personally I’ve been trying to mix complementary colours to get a sort of edgy clashing look. Although idk how well it actually works out.

So, what have we learnt from this exercise?

I really only need one blue eyeshadow plus a white to blend it out with. I don’t actually like purple as much as I thought I did, and much prefer a ruddy cranberry colour instead. I don’t like straight colour eyeshadows and prefer ones with a bit more colour complexity.

[ulkaralakbarova]

A teenage girl is raised underground by a robot “Mother”, designed to repopulate the earth following an extinction event. But their unique bond is threatened when an inexplicable stranger arrives with alarming news. Credits: TheMovieDb. Film Cast: Daughter: Clara Rugaard Mother (voice): Rose Byrne Woman: Hilary Swank Mother: Luke Hawker Child: Tahlia Sturzaker Infant: Maddie Lenton Toddler: Hazel Sandery Toddler: Summer Lenton Brother: Jacob Nolan Teacher (uncredited): Tracy Britton Film Crew: Story: Grant Sputore Art Direction: Todd Smythe Second Unit First Assistant Director: Kelvin Munro Executive Producer: Philip Wade Producer: Timothy White Production Design: Hugh Bateup Co-Producer: Anna Vincent Editor: Sean Lahiff Costume Design: Mariot Kerr Casting: Nikki Barrett Art Direction: Adam Wheatley Set Decoration: Lisa Brennan Line Producer: Julie Byrne Executive Producer: John Wade Executive Producer: Paris Kasidokostas Latsis Executive Producer: Jean-Luc De Fanti Executive Producer: Terry Dougas Story: Michael Lloyd Green Executive Producer: Bryce Menzies Prop Maker: Marco Wuest Unit Publicist: Mark McGowan Second Assistant Director: Sophie Calver Second Assistant Director: Shannon Crotty Driver: Isabelle Scott Location Manager: Jesse Goninon Costume Supervisor: Olivia Iacobelli Production Accountant: Elspeth Baird Driver: Nadia Samson Sound Recordist: Des Kenneally Stunts: Mike Duncan Digital Intermediate: Marty Pepper Animatronics Designer: Zoilo Abad Set Production Assistant: Michael Barba Production Coordinator: Carly Maple Stunt Coordinator: Steve McQuillan Script Supervisor: Mojgan Khadem First Assistant Editor: Regg Skwarko Boom Operator: Corrin Ellingford Boom Operator: Nick Steele Dialect Coach: Jenny Kent First Assistant Director: Travis Kalendra Director of Photography: Steve Annis Stunts: Jennifer Bichard Stunts: Daisy Fryer Stunt Double: Marlee Barber VFX Supervisor: Jonathan Dearing Original Music Composer: Antony Partos Original Music Composer: Dan Luscombe Casting Associate: Natalie Wall Casting Assistant: Claudia Allison Set Designer: Kate Rawlins Set Designer: Alice Wong Set Designer: Prue Parsons Hair Designer: Tracy Phillpot Makeup & Hair: Karen Gower Armorer: John Coory Still Photographer: Ian Routledge Still Photographer: Matt Nettheim Sound Designer: Tom Heuzenroeder Sound Designer: Duncan Campbell Sound Re-Recording Mixer: Pete Smith Foley Artist: Adrian Medhurst Foley Recordist: Ryan Squires Music Supervisor: Bernard Galbally Second Assistant “B” Camera: Joel Brown Steadicam Operator: Glenn Clayton First Assistant “B” Camera: Cameron Dunn Second Assistant “A” Camera: Samuel Fraser Drone Pilot: Ryan Haste Focus Puller: Russell Marrett Focus Puller: Sarah McDonald Second Unit Cinematographer: Ross Metcalf Grip: Leigh Nemeth Drone Operator: Sam Peacocke Steadicam Operator: Ulric Raymond Key Grip: Matt Richardson Gaffer: Andrew Robertson First Assistant “B” Camera: Geoff Skilbeck Second Assistant “A” Camera: Sam Steinle Grip: Matan Tatarko First Assistant “A” Camera: Samuel Vines Focus Puller: James Ward Miller First Assistant “A” Camera: Jules Wurm Movie Reviews: SWITCH.: As technology edges closer to our bodies, and the notion of genetic engineering and artificially intelligent drones begin to feel less outlandish, these age-old questions on the ethics and impact of science take on a more urgent dimension. ‘I Am Mother’ explores them with intelligence and style. Not only is it by far the best science fiction film to emerge from among the multitude of Netflix Originals, but cult gem status surely beckons. – Jake Watt Read Jake’s full article… https://www.maketheswitch.com.au/article/review-i-am-mother-finally-a-great-netflix-sci-fi-film Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews. Gimly: Bottle-episode sci-fi films have treated me pretty well in the past. _I Am Mother_ is not the greatest example of such a thing, but it is a fair one. Props in particular when it comes to the titular Mother, who absolute...

[woodlandkisses]

Makeup by Terry Barber

[goldbodyglitter]

Makeup by Terry Barber

[genderless-girl]

[haruna000]