#tempted 1.02

[dailywoodohwan]

Please don't go. Please don't leave. TEMPTED (2018) 1.02

[icantdothistodaybruh]

Hello to anyone reading this, I'm opening a form to take online orders for various merch tomorrow and I need your opinion!!

At first I thought I'll just convert original prices from rubles to dollars, but the price difference is DRASTIC due to different market value, and now I'm not so sure what to do🥴

Raising prices would be unfair to foreigners, but leaving them as they are feels unfair to myself? because I see acrylic charms being sold for 8-9$ while mine of the same size would come out around 4.09$ after convertation, + the shipping itself would be pricier and more complicated, + there is 15% charge from boosty, so yeah....

feel free to say what you think I should do because I honestly don't know. For now I'm leaning towards raising, but I'm very interested in your opinion as a potential customer🛐🛐🛐

[mostlyfate]

PARK SOO YOUNG as EUN TAE HEE TEMPTED 위대한 유혹자 (2018)

[cdyssey]

Agatha All Along (1.02) Reactions:

A couple of sober/somber notes play when Agatha opens the brooch and looks at the hair. I’m thinking it probably came from her kiddo. ;-;

Something that REALLY stuck with me in the first episode was that Agatha’s imprisonment was talked about in terms of lucidity. (She was sick, and the residents of Westview felt for her, CARED for her!!) So, like, seeing her “car,” which, of course, really wasn’t a car but a set up to allow her to safely act out her internal reality spoke to just how locked away Agatha was for three years.

Seeing “evil witch” graffitied on Wanda and Vision’s dilapidated foundation of a house broke something inside of me. SHE JUST WANTED A FAMILY 😭😭

Agatha throwing the teen’s pen out of the window ALSKDNSKSM. Also, loved the casual confirmation of his queerness.

This really is the gayest show ever <333

PATTI LUPONEEEEEEE!!!!!!!!!!!

Agatha LOVES putting on a show, which we knew as early as WandaVision, but she seamlessly slides into the southern widow act.

“You’ve been under the influence of another. Someone you hurt. They took your agency for three years. It’s not the first time your witch-kin have betrayed you. But you survive. In a way few do.” HOT DAMN!!!!!!!!!!

Ooh, the betrayal is probably referring to her mother (and former coven) trying to execute her.

LILIA’S LEGGINGS SKSLDJSN.

HOLY FUCK, the way that Agatha’s eyes are glistening after that absolute read. The microacting choices that Kathryn Hahn is making are DELICIOUS.

Watching Agatha tempt Lilia with the Road is soooooo good. She’s a master manipulator even after all this time. You always have to watch out with her.

SASHEER ZAMATA!!!!!! FUCK YEAH.

The coven so far is just like a roll call of former teenage obsessions. (I was really into Yellow Diamond and SNL fnfnndnd).

“Hey, where do you keep your jade eggs? I’m fresh out of marbles, and my pelvic floor is all over the place.” AKWKDIWIEJKSSK

Teen is right. Jen DOES look amazing. Living for that nose ring and that fucking popped collar

“Historically, we as a group don’t do well in courtrooms.” JQOQJDORWOWD.

Teen’s taking a leaf out of Agatha’s book to get Jen to walk the Road. 👀

“I’m gonna take a jade egg to go. You’ll know where to find it.” JAKWJDKWJSJS.

Obsessed that Agatha can’t go five minutes without making a disturbing innuendo towards another woman. <3

EATING THE PAPER. FERAL

“She’s a tough nut to smash.” CAN’T GO THREE MINUTES WITHOUT MAKING AN INNU—

Ooooh, when the Teen talks about himself, Agatha can’t perceive what he’s saying.

AGATHA’S CUNTY WITCH OUTFIT.

WELCOME COVEN!!!! SKWKDJJD

Ooh, Lilia keeps randomly throwing out tarot card names. So Jen is High Priestess, and I forgot the other one gkdkfjdjf. Oh, well

A BLACK HEART ON THE LIST. ARE YOU KDDING ME. GAY GAY GAY GAY

IT’S BLACK AND IT BEATS FOR YOU.

“That’s because you used a black pen.” Lmfao

“I know you get confused sometimes, but my real name is Sharon.” I don’t know why, but the people of Westview treating “Agnes” so kindly has REALLY fucking touched me.

AW. Her husband passed away. :(((

Lilia blurting out her premonitions is going to be used for such a tragic effect, I just know it

this song slaps holy fuck

THIS DARK COVEN. TERRIFYING

mrs. hart/davis getting into the song 🥺

CALLING PATTI LUPONE PITCHY EKWKWOWKDJWKWKKA

THAT FUCKING JUMPSCARE FUCK OFFFFF. GODDAMN

“I’d die before letting you befoul it with your noxious mediocrity.” GOD SHE’S SUCH AN ASSHOLE SKSKSOIDJD

I love her dearly

“It’s not my fault only a true coven can open the door.” QOKQKWURIWIWKWKSKWKAKS

I LOVE WHEN WOMEN ARE EVIL. I LOVE WHEN THEY ARE MORAL CESSPITS

“OH, I DON’T HAVE TIME FOR THIS. JUST BLAST ME, YOU BITCHES!�� WIQOOQIWIWIWIQPLQOWUDICIWIWKQJD!!!!!!!!!!!!!’nnnn

KATHRYN HAHN I LOVE YOU

I would die for this entire coven

[ailtrahq]

As we delve into the month of September, three cryptocurrencies are gearing up to make significant waves in the financial sector: Everlodge (ELDG), Akash Network (AKT), and Dogecoin (DOGE). Among these, Everlodge is particularly noteworthy. Currently in its presale phase, this newcomer to the crypto space has already raised more than $300,000. Let's jump into the details of these three altcoin heavyweights. Join the Everlodge presale and win a luxury holiday to the Maldives Everlodge (ELDG): Embracing Fractional Real Estate Investment Everlodge is poised to redefine the landscape of real estate Investment by introducing an innovative platform that seamlessly integrates the power of Blockchain Technology with the Allure of vacation home ownership. No longer do individuals need to navigate the labyrinthine structures of property ownership or grapple with exorbitant costs; Everlodge offers a more accessible pathway to luxury real estate. Imagine having a stake in an idyllic beachfront villa or a picturesque mountain chalet without the full weight of sole ownership. Everlodge's fractional ownership model presents this reality, opening the doors to dream destinations without the associated financial or management strains. At the core of Everlodge's unique proposition is the strength and transparency of blockchain. Every transaction, every stake in a property, and all management details are indelibly etched onto this Decentralized Ledger. For those keen on boarding this pioneering journey early, the ELDG token currently sits at a tempting $0.012 during its initial presale phase. With its dynamic Pricing trajectory, early adoption offers the potential for maximum return on Investment. The industry buzz around Everlodge is palpable. Experts forecast a remarkable surge for the ELDG token, with projections indicating a potential 30x appreciation within the next twelve months. This fervent anticipation is a testament to Everlodge's groundbreaking fusion of tech-savvy solutions and community-centric offerings in the vast realm of real estate. Akash Network (AKT): The $1.00 Threshold and Future Projections Akash Network has introduced a groundbreaking, decentralized platform geared towards cloud computing, revolutionizing the field with its open-source nature. Akash Network is a one-of-a-kind solution that has the potential to revolutionize the way we understand cloud computing. Recently, Akash Network's Price has been skyrocketing. It has consistently been one of the standout cryptocurrencies on CoinMarketCap. From a modest $0.60 at the outset of August, Akash Network experienced a surge to $1.70 within a fortnight, though it has since corrected to $1.02. Much of this Price escalation for Akash Network can be attributed to the buzz around its Mainnet6 upgrade. The Akash Network Twitter feed is a hive of activity, brimming with Updates, articles, and the trending hashtag #AISupercloud, all stirring enthusiasm among crypto enthusiasts. The $1.00 level should provide solid support before the next leg of the Akash Network uptrend. As such, Akash Network is a smart pick for traders looking to capitalize on this surge in Interest. Weighing Dogecoin (DOGE)'s Speculative Future Against Everlodge(ELDG)'s Tangibility The rebranding of Twitter to "X" coupled with Elon Musk's decision to flaunt the Dogecoin emblem in his Twitter bio has set the rumor mills churning at full speed. Dogecoin is once again in the spotlight and the community is abuzz with theories. Some suggest Dogecoin could be primed to become the principal payment currency for X. This would involve the integration of a wallet and its attendant infrastructure, allowing users to make payments through Dogecoin. Should these theories find grounding in reality, it's conceivable that Dogecoin might rocket towards its all-time high of $0.73. Such a leap would represent a staggering uptick of over 1,000% from its current valuation of $0.063. Understandably, every tweet from Musk is monitored

closely by the investor community, and any indication of a forthcoming upgrade has the potential to send Dogecoin prices into orbit. However, it is worth mentioning that this is purely speculation, and the Everlodge offers the more predictable route to success. Find out more about the Everlodge (ELDG) Presale .

[thevioletcaptain]

Nothing To See Here (Post-SPN Winchesters Era Edition)

An incomplete series of Totally Unintentional Visual and Narrative Coincidences™

So I rewatched 10.05 Fan Fiction tonight, and even though I already rewatched it in the lead up to The Winchesters (for general Robbie Thompson appreciation reasons, as well as for the John-critical musical lyrics) I hadn't registered how many parallels and callbacks there are between that episode and the prequel until I looked at it again with the context of the first batch of episodes in the back of my mind.

This isn't going to be a true meta because I simply don't have the brain for it right now, and I likely won't include everything because I don't know how long I'm going to be able to focus, but here's a small selection of things that pinged my radar.

- Supernatural (10.05 Fan Fiction)

Below... Episode 2 of The Winchesters sure does have singing. And as it turns out, it's BOTH musical theater AND classic rock. Interesting...

Ms Chandler & Barry both get dragged into the trees by a monster with vine-like tentacles.

Purple flowers in both SPN 10.05 & TW 1.02 (once again I'm tempted to resurrect all my old Castiel flower meta and see if anything is still relevant.)

Next... Calliope's Scarecrow & Bori Baba bear a striking resemblance to one another:

Anyway, I'm not saying we've ended up in Marie's second act, but... I'm kinda saying we've ended up in Marie's second act. Yet to see any sign of robots (unless there's something obvious I'm blanking on) but the space connection is definitely there with the alien/extradimensional Akrida, and the abundant DeanCas parallels that we've all thoroughly discussed elsewhere are definitely ticking off the "exploring the nature of destiel" requirement.

There's also a clear line between Dean and Roxy "picking the music" that won't stop itching in my brain but refuses to fully take shape, so. Metaphorically he's a woman here? Idk.

Like I said, I don't have the brainpower for full meta right now, and though I'm sure there were other things that buzzed in my head while watching I've completely lost them now. But I hope this is all crunchy enough for everyone else to chew on for a minute.

(Side note before I go, this non-meta is titled as a callback to this other non-meta I made six years ago, because despite not being able to put coherent thoughts together apparently I can remember writing the words ""A series of Totally Unintentional Bacon Coincidences™" in 2016 accurately enough to want to reference them now.)

[userpoe]

OKAY TEGAN YES EVERYTHING YOU JUST SAID because like.. his reluctance to admit that he enjoys it is such a foil to like. Jake being so unapologetic about it I am having an ATTACK.

You know, I've been slowly going through my rewatch of the series (slowly because it takes me a long time to watch the episodes, because I'm constantly pausing to liveblog to my friends and making notes, and picking up on new things, and then after I just wind up wanting to take a couple of days to just...soak in the episode I just rewatched because they're so thought provoking, you know? Also I need time to recover from Oscar Looking Like That, but that's neither here nor there).

But one of the things I noticed on my rewatch of 1.02, and I kind of dug into this in my tags on that reblog, is the way Oscar delivers Marc's explanation to Steven about what they do for Khonshu. He emphasizes how they protect the vulnerable, but when it comes to the rest of the job description...his voice drops a little lower, he doesn't quite rush through the other side of the coin, but he's just a bit more hasty in it.

And it's just such an absolute fascinating aspect to Marc's character, another level of conflict that makes him so nuanced and interesting to watch and root for. Because he does! He does enjoy it! I made this gifset shortly after episode 2 aired, and I still get hung up on the...way that Oscar delivers that "gotcha!" the thrill in Marc's voice gets me every single time; he enjoys, to some degree, being Moon Knight.

And I love that fineline they walk; even in the final scene with Harrow in the Duat, when they're talking. In the "real" world, they've already severed their connection to Moon Knight (or so they think); but still there's that satisfying moment of them looking Harrow (who foils Khonshu in so many ways, my god) in the eye and going "while it is tempting to accept your diagnosis, doc...." "we'd rather go save the world"

like!!! *drags my hands down my face* oh my god this SHOW.

[incendiaris]

♡ @aftermathed​ asked: ‘ “It’s the first time I’ve been alone in, like, ever.” / anguish + lenka ’

     ⁚⁛☀  it’s annoyingly tempting to hit him with the whole defensive ‘you’re not alone, I’m here, what, my company not good enough for you?’ thing, but lenka knows this topic runs deeper than that. because anguish is really going in on some shit that, if she’s honest, she’s never going to understand. not in the way that she wishes she could, anyway. it’s gotta be hard, living your whole life one way and then everything suddenly being different.

     so she tries something else. she has to think about it a little first, and even then the words come out haltingly, like she isn’t quite sure what she’s trying to say until she’s already saying it. “ I know it’s not the same thing, like, at all, ” she starts as she finds anguish’s hand and intertwines their fingers with her own, “ but when I first came here, I did it totally alone. I didn’t know anyone, no friends, no family, and it fucking sucked. like, big time. but I found people. eventually. ” she brings his hand up to her lips and drops a kiss across the knuckles. “ and you’re doin’ that too. so... you know, it doesn’t last forever. ”

only murders in the building 1.01 & 1.02. [ always accepting. ] 

[diiavola-arch]

@outlawiism​ said : “You weren’t taking control. You were losing it.” SENTENCE MEME ⟶ THE WITCHER / 1.02  ( NO LONGER ACCEPTING )

⋆ ˚ . ✦   EYES  LOCK  WITH  HIS,   STARE  DARK  &   DEADLY,   a  snarl  curling  the  corner  of  her  mouth  but  remains  where  she  is.   her  ANGER  isn’t  because  if  him   &   she  refuses  to  let  her  RAGE  get  the  better  of  her  now        she’s  worked  so  hard  to  get  a  better  hold  on  her  emotions   &   powers,   this  will  not  be  the  day  she  LOSES  EVERYTHING.    ❝   you  have  no  idea  what  it  would  mean  if  i  LOST  CONTROL.    ❞

            shoulders  roll  back,   as  if  it  would  push  the  tension  that’s  settled  there  away   &   she  exhales  slowly  before  walking.    ❝   don’t  TEMPT  ME  to  give  you  a  preview.    ❞

[benchofindigo]

[ID: Gifset from Black Sails with the script overtop.

Action - A knock on the door. Gif of Eleanor looking over. Gates - Miss Guthrie

Max looks over at the door distressed. Action - On Max. Confused. Who the fuck is that? And Max's blood chills. A beat, as it dawns on her...

Max - ... you brought them here?

She looks at Eleanor betrayed

Action - On Eleanor. Can't bring herself to say it. Eleanor looks speechless.

Action - Max takes a beat. And just when we think she should rage, or cry, or run-- she drops to her knees at Eleanor's feet, and takes her hand. Gif of Max getting to her knees in front of Eleanor.

Max - Come with me. Right now. The boat is waiting.

Eleanor closes her eyes upset.

Max - We can be fee of this place. We can have a life together. And it can start this very minute. All you have to do is say yes. Set us both free.

Max looks up at Eleanor pleading.

Action - Eleanor stares at Max... more than just tempted. She's exposed. Laid bare before this woman who would do anything for her. She takes a deep breath and then-- (gif of Eleanor breathing deeply)

Eleanor - Come in. End ID]

[plain text: Black Sails | 1.02. end plain text]

BLACK SAILS | 1.02

[catty-words]

true happiness is so neeeeaaaar

a special thanks to @bethanyactually for reading this over and @notbang for talking some of this out with me. 💖

During my latest watch of Crazy Ex, I kept an eye out for the first time each character breaks into song without Rebecca present or directly involved. It’s well-covered ground that her arrival in West Covina sent ripples through our cast of characters. Inspired by Rebecca’s pursuit of happiness, they started asking themselves—consciously or subconsciously—what would make them happiest. So when does each of them adopt her musical lens, and how does the song they sing inform their journey toward happiness?

Greg – Not surprising considering he wears his unhappiness on his sleeve, Greg is the first one to break into song without Rebecca in episode 1.06 with “What’ll It Be?” The song isn’t really a revelation because there’ve been plenty of hints at just how dissatisfied he feels with his life. Greg hates West Covina (as evidenced by him telling Rebecca it’s not a compliment that she’s starting to fit in around town) and he hates the circumstances that he feels keep him from making any meaningful changes (at the party in the first episode he wastes no time complaining to Rebecca about missing out on Emory because of his sick dad).

Still, “What’ll It Be?” acts as Greg’s thesis statement for that unhappiness. Despite knowing exactly what it is that’s causing his unhappiness, he feels powerless to change it, instead blaming outside forces for keeping him in his current situation. “Hey, West Covina, look what you’re doing to me.”

The unfortunate part is that Greg himself is actually the largest obstacle standing between him and happiness: not his dad, not his job, and not the people of West Covina. His dad, while he seems to appreciate Greg’s presence and care, has clearly decided he’s going to pursue his vices instead of actually maintaining his health. Since he doesn’t actually need to be looked after—he’s made the conscious choice to be unwell—he gives up Greg pretty easily when the time comes in 2.02. Though Greg asserts that he’s going to be upset by his leaving, Marco’s behavior (i.e. chastising Greg for wasting his savings on him because he was supposed to use it for school) actually point to the fact that he’d be happy to see his son leave even back in 1.06.

As for his job, yes, all food service professions suck on a certain level, and Greg’s certainly not getting rich for the drudgery he has to endure. However, in 1.06, we see that Greg’s attitude is really what makes the job such a drag. Kevin, his boss, is in fact a pretty understanding and amiable guy. He takes feedback well and genuinely wants his employees to succeed. The fact that Greg feels so smothered there has as much to do with how he approaches the situation as it does the nature of the job itself.

Finally, the people of West Covina/the town itself only seem like they’re keeping Greg trapped because he actively dismisses and looks down on it all. In reality, the people he associates with most closely—White Josh, Hector, Rebecca, and again, even his father—actively encourage Greg to make changes with an eye toward pursuing business school, as well as call him out on his most destructive behaviors. It’s just that Greg can’t take their encouragement at face value because he’s dwelling on the negativity in his life and can’t seem to break that habit.

Of course, alcoholism plays its part in the unhappiness equation, and that’s no small thing. But, again, that’s something Greg has to deal with and overcome internally. It has little to do with his external circumstances, as the Greg who’s singing “What’ll It Be?” would have us believe.

It makes sense, then, that when he finally takes ownership of his hand in his own shitty situation, he’s able to break the pattern and actually pursue the career of his choosing. He removes himself from the environment that tempts him back into stasis and takes control of his life. No longer feeling powerless, Greg is at least on the path to knowing happiness.

Paula – Paula’s the next one to get caught up in the music with “His Status is Preferred” from 1.07. On the surface, this song seems like a trite expression of unhappiness, of simply wanting a more exciting life, but, as we know, the situation’s a lot more nuanced than we think.

During the course of season one, it becomes clearer and clearer that Paula’s over-involvement in Rebecca’s pursuit of Josh has more to do with her than it does Rebecca and Josh being genuinely good for each other. I believe 1.03 is the first time we see Paula and Scott interact and boy is it uncomfortable. Scott is distracted, Paula’s passive-aggressive, and the kids are a mess.

The further we move into the show, the more we understand Paula’s state of mind. She’s been raised to believe that starting a family is the most important thing she’ll ever do (“My dad was right, I’m a breeder not a leader”), but she feels very disconnected from both her kids and her husband. Part of the reason is that she thinks she missed out on her fairy tale romance, so how is anything she actually built supposed to compare to that? On some level, Paula’s always living in a fantasy realm where everything worked out with Jeff and she’s truly happy.

It should be pointed out, though, that while Jeff gives Paula’s yearning for something different a face, the problem itself is not specifically that man. Any fantasy would do in keeping Paula from fully accepting how her real-life relationship played out. In point of fact, Calvin fills that role here in 1.07. He’s just another expression of Paula chasing a fantasy to avoid dealing with her reality.

As such, Paula’s just as much a product of the damaging “patriarchal love narrative” as Rebecca. The notion that real and true love is all about the spark, that it’s a force of nature you can’t possibly fly in the face of, that it’s something easy and all-consuming keeps her from doing the hard work necessary to maintain a relationship with her husband and family. And, because she feels the spark with Calvin, she gets caught up in the fanciful notion that being with him will make her feel happy, important, and valued — “My whole life has been stuck in economy, I have waited and waited to someday be upgraded, to spread my wings and fly…”

Of course, we have Rebecca swoop in and point out that Paula’s pursuit of Calvin isn’t an authentic or healthy remedy to her true unhappiness before anything regretful happens. Because it’s Rebecca imposing her own revelation on Paula though, this is far from the last time the issue comes up. At this point, Paula hasn’t learned the lesson herself, and she needs to fumble a little more before she does.

We still haven’t seen the final resolution to this conflict, and I don’t think there will be one scene or moment that wraps it up with a nice bow. Deep-seated issues like Paula’s unhealthy relationship to what it means to be a mother and a wife don’t simply go away. 3.07 showed us that she’s mindful of what her patterns are, but we have yet to see evidence that the work is being done to avoid falling back into them. She’s finally let go of the fantasy, but that doesn’t mean she’s ready to feel content with reality.

Valencia – In 1.09, Valencia is the next character to break out into song by herself with “Women Gotta Stick Together.” When I first sat down to write this meta, the fact that Valencia was the third most affected by Rebecca’s pursuit of happiness seemed surprising. They have such a complicated, antagonistic relationship at this point, it’s kind of jarring to imagine Rebecca having a hand in connecting Valencia with her happiness.

Upon further reflection though, it makes perfect sense. Valencia has constructed a life that makes her so deeply unhappy, of course Rebecca swooping in and going after the foundation on which Valencia’s built her on-paper fantastic life would bring all her dissatisfaction to the surface. “Women Gotta Stick Together,” then, is Valencia’s acknowledgement of everything that keeps her feeling trapped, just buried under a few layers of satire and subtext.

You see, Valencia is a classic case of how female socialization teaches us to view all other women as threats because we’re competing for male attention, and this perceived competition has kept her from truly connecting with other women. However, as we know from her interactions with Rebecca in 1.02 and her eager initiation into the #GurlGroup4Evah, Valencia actually craves female friendship above all else. She regrets losing her high school friends because she was given male attention instead of them (read: sexually assaulted, yikes). She is willingly wooed by the potential relationship with Rebecca even though she was clearly skeptical about ulterior motives. And she throws herself into the group activities—embracing everything from going to the bathroom in pairs to awkward sex toy parties with vigor.

So, even though she’s using satire to mask it, Valencia definitely desires the picturesque, supportive relationships she describes in the beginning of the song: “Females helping females for the greater good. Sisters helping sisters, that’s called sisterhood.” Unfortunately, at this point, she’s also unable to get past her compulsion to attack and belittle every other woman with the end goal of proving she’s the most desireable.

It should also be noted that Valencia’s wholehearted acceptance of the competition narrative is born of her need to ignore her attraction to other women. Though I personally think Valencia’s coming out arc was a travesty because it was handled so poorly, it still confirms in canon that her relationship with Josh was a big, honking example of a woman struggling with compulsory heterosexuality. For evidence, look to V’s 2.05 speech about how she knew the relationship was dead a long time ago—she felt it necessary to keep pushing this relationship forward without love and affection from Josh because a) love and affection was not actually what she wanted from any man and b) she feared having to adapt to the change and examine her life if her and Josh broke up, forcing her closer to the truth that she’s a lesbian—and the scene between Valencia, Josh, and Beth in beginning of 3.12 where it’s revealed that Valencia had a problem with Josh touching her but has no such reservations when it comes to Beth.

That being said, her constant putting down of other women and their appearances functions as a way for Valencia to distance herself from her attraction. It’s easier to remain locked in competition and criticize other women’s bodies than it is to accept her attraction. (Valencia’s clear overcompensation is the reason it’s totally OOC for her coming-out process to be easy and easily glossed over.) But, of course, without acknowledging her true self, Valencia can never be truly happy with her relationships.

Finally, “Women Gotta Stick Together” hints at the unhappiness Valencia feels trying to live under the pressure to look physically appealing to men. There are clear mentions throughout the series of Valencia’s disordered eating (in 1.06 with the “I’ve been starving since 1998” line and plenty of dialogue in 2.05 and 2.07, to name just a few examples). Not only is she overcompensating for her attraction to women by dissecting their appearance, she’s overcompensating for her clear discomfort with her own body by building herself up in relation to how much skinnier she is than her “competition.” Not only is she starving her physical body of sustenance, she’s starving herself of the chance to be content.

Darryl - In 1.10—consequently, right after he spends time with Rebecca socially for the first time by crashing her bus trip to the beach—Darryl gets his solo number. “Having a Few People Over” is far from the deepest song the show’s ever done, but it is still a very clear statement of Darryl’s unhappiness.

The man is obviously lonely, and he tries way too hard to manufacture interpersonal relationships he feels will assuage his loneliness. He’s constantly pushing a friendship with Paula despite her implicit and explicit desire not to have one. He inserts himself into Rebecca and Paula’s private conversations because he wants so desperately to be involved. In 1.10, he hires a bunch of escorts so the guys won’t be bored enough to bail on the evening. He even goes so far as to bully Maya because he sees the same unflattering desperation in her.

And the fact that he tries so hard, that he uses flashy bells and whistles to attract people to him, shows a deep dissatisfaction with who he is at his core. Darryl doesn’t think that his personality, alone, is enough to earn the bond and acceptance of friendship. He feels he has to dress up his company in something fancy—like, say, an EDM song—to be good enough.

Because this is such a consistent character trait of his, I was disappointed with the framing of his season three storyline. At this point in his life, Darryl has forged more meaningful bonds than he had before with White Josh and the people at Whitefeather. I wish the writers had taken the opportunity to let Darryl explore why he still felt so unhappy with his interpersonal relationships, gone more of a “if I still feel lonely with WhiJo around, if i feel like I need to manufacture a more serious relationship with a baby, what would it actually take for me to find happiness?” route.

Heather - Heather is just about the last person to break into song without Rebecca present with “Don’t Settle for Me” in 1.13. As possibly the most self-examined character on the show, her expression of unhappiness has nothing to do with internal conflict. Instead, she expresses dissatisfaction with her situation. Heather knows her worth, and won’t allow Greg to keep them both in a relationship if he’s not being honest about his intentions.

Interestingly enough, though Heather has an identity crisis in season three because she likes being a student, the arc of her conflict centers on her not knowing what the world has to offer her besides the opportunity to learn. While the character feels unmoored from her identity, she still approaches the situation with a kind of self-assuredness everyone else lacks. Her unhappiness in season three, again, has more to do with external circumstances than deep-seated emotional trauma or hangups.

And it’s fitting, then, that the resolution to this specific storyline is that Heather creates her own place in the world. She sees an opportunity and takes the chance to become gainfully employed at a job that still allows for creative expression through the various hobbies and special interests she wants to pursue.

Josh - Pretty much for the opposite reason as Heather, Josh is the last main cast member to get his own musical number with 1.17’s “Angry Mad.” The reason he’s so late to join everyone else in their examination of unhappiness is because Josh is typically pretty satisfied. He’s not looking for any deeper meaning or purpose. All his conflict in season one is surface stuff, like feeling too adult to celebrate Christmas.

And even when he does start to feel unhappy about something—i.e. losing Rebecca’s affirming attention and affection when her focus shifts to Greg—he doesn’t have the self-awareness to really explore what’s at the root of that emotion. He’d rather not acknowledge or face the problem head-on. As a result, “Angry Mad” expresses that Josh is unhappy because he’s unhappy instead of taking a closer look at why seeing Rebecca with Greg makes Josh uncomfortable.

This inability to take stock of his life definitely bites Josh in the ass more than once. It’s what gets him in over his head with Rebecca in season two. It’s what leads him to leave Rebecca on their wedding day instead of calling off the wedding (or perhaps never proposing in the first place). It’s what stops Josh from taking action to halt his downward spiral in season three because the poor oaf doesn’t even realize he’s spiraling until it’s too late.

That being said, season three did a major disservice to what little interiority the character had. I hope season four regains some focus when it comes to Josh, and he’s at least set on the path toward understanding himself and his needs better.

Nathaniel - Finally, we have our late-comer Nathaniel. It takes him eight episodes to get a solo without Rebecca being there with the 3.03 number “I Go to The Zoo.” This puts him right between Paula and Valencia in terms of how long it took Rebecca to influence his worldview enough to get him breaking into song.

Not surprising considering he’s one of the most emotionally stunted characters, his big number is essentially about retreating into childhood comforts when he’s feeling upset. The thing is, while Nathaniel’s trying to find solace in the simplicity, his upbringing is also the source of his unhappiness. His withholding parents never gave him the tools he needed to process his feelings and deal with them healthily. The effects of this have reached well into his adult life as he seems incapable of forming lasting, meaningful bonds with any person—from his disinterest and mistrust of long-term relationships in season two to his series of dick moves with Mona in season three.*

Even his interactions with Rebecca, the person who he confesses makes him want to be better at feeling his feels, lack authenticity eighty percent of the time. His confession of love in 3.04 is an inarticulate mess that devolves into a tangle of misused cliches. He’s clearly working off the Patriarchal Love Narrative, trying to be the definite-article Love Interest, instead of allowing himself to have a genuine moment with Rebecca. In the season finale, their duet is, at least on one level*, a big long joke about how little progress Nathaniel has actually made in accessing his emotions and feeling more empathetic.

Though he’s made progress toward being more open—look to the final scene of 3.06 or even his confessions during the masquerade—he still can’t seem to consider how his actions or emotional needs might affect others. Once, he might have considered this machiavellian approach to interpersonal relationships a strength. Now that he’s found some people he really wants to form lasting emotional bonds with, though, it’s the weakness that’s standing between him and happiness.

*I’d like to clarify that I’m not trying to make the argument that Nathaniel’s upbringing in any way justifies his behavior, especially when it comes to the affair, but it does give us at least a better understanding of his motivations, a clearer lens through which to view the character. And I think that’s another important element of Nothing is Ever Anyone’s Fault. While taking empathy for people’s trauma to the extreme makes it almost valueless and a mockery of itself, the ability to understand why people behave the way that they do is fundamental to liking any of the characters on this show. The line that you have to walk, then, becomes messy and complicated, but it makes for a truly fascinating look at human nature.

[freakboi732-blog]

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[imaginetonyandbucky]

Good Intentions: Episode 1.02 (2 of 6)

Can’t keep a good Bucky down! Also on AO3  ~ Dracusfyre

“You know, I thought I told you to take the blue pill,” Tony commented a few nights later, appearing next to James in the relative isolation of the school library.  He had the satisfaction of making James jerk so hard in surprise that he dropped the book he’d been reading, hidden in his lap from prying eyes.  It hid the carpeted floor of the library with a muffled thud. Tony leaned over to look at the cover. “Daemonologie,” he read.  “Book report or just some light reading?”

James snatched it off the floor and went to put it in his backpack, but Tony had already grabbed the bag and was looking through the other books stuffed in there.  “The Mythical Creatures Bible,” he read, handing the book back to James who was starting to get red in the face. Tony hid his smile and kept going. “Malleus Malificarum and A Field Guide To Demons, Fairies, Fallen Angels, and Other Subversive Spirits. Hmm, you know, half of these are full of shit, but I’m not going to tell you which ones.”

“What are you doing here?” He hissed, grabbing all the books from Tony’s hand.

Tony raised his eyebrows and sat on the desk, kicking his heels idly.  “So no questions about how I got here? How I knew where you were?”

“No.  The fact that you’re here at all means that I’m not crazy and I didn’t hallucinate you the other night.”  James must have seen the librarian giving him an ugly look because he stood, gathering his notebook and pen and cramming everything into his backpack.  Tony followed him outside; the night was cool and pleasant, and far away was the sound of the university’s bell tower ringing out the time.  “So why are you here?”  James as he headed out across the bricked-over plaza in front of the library.

beware the read more!

“I had a feeling that you might be poking your nose into stuff that could get you killed, so I came to check on you.”  Tony followed him, hands in his pockets as he took a deep breath of the fresh air, tinged with the smell of fall.

“I’m just doing some research,” James said defensively.

“Yeah. No harm ever came from reading a book, right?” Tony walked fast so he could get ahead of James, turning to walk backwards so he could look James in the face.  “First comes the learning, then comes the looking, then is usually the dying.  There are people who do this for a living, you know.  Let them do their jobs, and you keep studying other stuff. Safe stuff.”

James stopped.  “Do what for a living?”

“Uh…” Tony cursed his big mouth. “Nothing.  Research. You know. Someone’s gotta write these books, right?”

When James narrowed his eyes at Tony, Tony realized he might be dealing with a human of higher than average intelligence.  “Right.  Two of which are not bullshit, which means whoever wrote them had to have firsthand knowledge.  In fact, one of these books had quite a bit of detail on how to kill these creatures…” Bucky dropped his backpack on the pavement and started digging through it.  He came up with the Mythical Creatures Bible, which out of all of them had the most cartoonish cover.  Tony cursed to himself as Bucky opened it up and flipped through the pages at the front of the book.  “Men of Letters Publishing, huh?”

“Never heard of them,” Tony said dismissively, rocking back and forth on his heels.

“Uh huh.” James put the book back in his bag and threw it over his shoulder as he started walking again.  “So what do I call you?”

“My name is Tony.”  He followed James as he walked.  The number of people around them was gradually increasing as they were headed towards a more populated part of campus.

“Tony? What kind of demon name is that? Is it short for something unpronounceable?”

Tony laughed. “Only if you consider ‘Anthony’ unpronounceable.  Only the Old Ones have those kind of names, the rest of us were just regular humans who…you know.” Tony shrugged.

“Sold your soul?”

“Not all of us.  I got into hell on a technicality.” At James’ look of curiosity Tony elaborated.  “I was a suicide.  Overdose.”

“Oh.  I’m sorry,” James said, stopping in the middle of the sidewalk, forehead creased. “I didn’t-“

Tony smiled wanly and waved off the sympathy. “It’s fine, I don’t really remember much.” They walked in silence for a while before Tony admitted, “I like to think it was an accident, but…” He shrugged again. “So what do I call you?”

“My friends call me Bucky.” He rolled his eyes when Tony made a face. “Yeah, I know. I didn’t pick it, but it’s better than Jimmy.”

“I guess,” Tony said doubtfully.  Just then Bucky’s phone rang and Tony had the privilege of watching his face light up in a smile as he answered.  “Hey, Stevie, what’s up?”

Tony could hear ‘Stevie’ answering on the other line, even though he turned his head away to give Bucky – ugh – a sense of privacy. “Where are you?”

“Walking from the library.  I’m on my way.”

“I’m in the back.”

“Ok. Hey wait-” Bucky said quickly when Stevie almost hung up. “Mind if I bring somebody?”

Tony turned his head in surprise to find Bucky looking at him questioningly.  After a moment he nodded.  “Who?” Stevie asked.

“I, um, met him around campus a couple of times and we ran into each other at the library.”

“Ok, sure. See you soon.”

“Stevie, huh?” Tony said when Bucky hung up the phone. “Boyfriend? Little brother? Presumably someone nicknamed by the same horrible people who called you Bucky.”

Bucky laughed. “We gave each other those nicknames.  He’s practically my brother, we were raised together.”  Tony made a thoughtful noise and now they were getting close to the ubiquitous street of bars and restaurants that lined most college campuses, like a moat between the university and the rest of the city.  “Wait,” Bucky said suddenly as they stopped at a light. “Is Steve going to be able to see you? Because that night Natasha couldn’t.”

“Oh, well that’s something I can control.  You’d have been getting a lot more funny looks if other people hadn’t been able to see me this whole time,” Tony pointed out, smiling at Bucky’s chagrin.  The light changed and they walked another block before Bucky gestured at a small set of stairs leading down to a barely lit door, easy to miss with all of the other brightly lit chain restaurants on the street.  A small woodcut sign said Goodfellas over the door with a picture of mug of frothy beer, and a bored looking man the size of Tony and Bucky together was checking IDs with palpable disinterest.

“A dive bar!” Tony said with delight when they went inside.  The inside was just as dim as the outside would suggest; the walls were black from decades of cigarette smoke and all of the wood tables were scarred with gouges and condensation rings. The seats were of red leather held together with duct tape and the floor was sticky.  Tony could smell all of the bad decisions that were going to be made here tonight.

Bucky led the way through the crowd to the back when someone against the back wall stood slightly and waved.   Bucky waved back and led Tony over. “Tony, Steve. Steve, Tony,” he said as he sat down.  ‘Stevie’ turned out to be a short, skinny blonde with hair that needed cutting, but his blue eyes were sharp and curious as he gave Tony a measuring look, gaze raking him from head to toe.  Tony grinned as Steve then turned to Bucky, the light of mischief already in his eyes. “Don’t even start,” Bucky warned as Steve opened his mouth.

“Oh no, you should start,” Tony said as he sat, elbowing Bucky so hard that he almost shoved him out of his seat.  “What were you going to say?”

“Don’t,” Bucky said again, his cheekbones growing red.

“Do,” Tony said over him, and Steve waved them both into silence.

“I was just going to say that I invited Sam and Natasha,” Steve said mildly, but his eyes promised that Bucky was going to hear it later.  “How convenient that we both have, hmm, friends here tonight.”

“Aww.” Tony elbowed Bucky.  “Are we friends, Bucky? JB? El Buckarino? Buckaroo, old buddy?” Tony’s grin was undimmed by Bucky’s glare.

“Here he is!” Steve stood up and waved again.  Bucky and Tony both turned to look at the new arrival.

“Shit,” Tony blurted, scrambling to his feet so fast that his chair slid backwards with a loud scrape on the tile floor.  When the two turned to stare at him, confused, Tony started babbling. “Um, I’m sorry, I gotta go. I’ll, uh, see you around, yeah?”  Tony was tempted just to disappear but there were way too many people staring so he started shoving his way towards the back exit, pretending he didn’t hear Bucky calling his name. Bucky threw an apologetic look at Steve and followed Tony through the back exit of the bar.

“Tony, stop!” Bucky jogged after him; Tony was surprisingly fast for someone so short.

“Nope!” Tony called out over his shoulder, scanning the street for someplace relatively private to get the hell out of dodge.  A strong hand on his shoulder spun him around.

“What the hell is going on?” Bucky demanded.

“Uh, that guy back there, Steve’s ‘friend,’ is an angel, Bucky. And I’m a demon.  Get it? The whole angels hating demons thing is not an exaggeration.  Given half a chance, he’s gonna smite me, so, yeah. I’m out.”

Bucky looked at him incredulously. “What? Sam isn’t an angel-”

Tony laughed at that, a little hysterical.  “That’s not something you mistake, buddy.   Humans can’t see it, but angels are like…” he gestured widely, “the size of skyscrapers. In order to walk around on earth they have to have a host, which they can use the same way you would use a sock puppet.  And me? No matter what plane you look at, I’m still just a human sized demon.  There’s no contest.  If he puts one finger on me? Poof!”  Tony made an exploding gesture with his hands. “No more Tony.”

Bucky blinked a couple of times, clearly trying to reorganize his world view to accommodate the existence of angels.  “But…they’ve had sex!”

“So?” Tony turned and kept walking, still clearly eager to put as much distance between him and Sam as possible. "Angels aren’t the fluffy, do-gooding types you see in movies.  They are warriors of God. Soldiers. Think they don’t come to earth and get curious? Get urges?”

“That is so…weird.”

Tony just shrugged. “More things, heaven and earth, blah blah blah.”

“Do demons?” Bucky blurted, and that made Tony stop in his tracks.  “Never mind. Forget it,” he said when Tony turned around with a grin, brown eyes glinting wickedly.

“Do demons what? Get urges?” He swayed closer as Bucky looked down at his feet, mortified.  “Why you askin’, Bucky? Have you been getting…urges?”

“Forget I said anything,” Bucky said again.  “You should go.”

“If you say so, hot stuff,” Tony drawled, curling his fingers through the belt loops on Bucky’s jeans, tugging him close enough that Bucky could feel Tony’s breath on his skin. “You let me know next time if you're getting any...urges,” he murmured, his mouth so close to Bucky’s that it made Bucky a little dizzy.  Bucky closed his eyes and felt the moment that Tony disappeared, the gust of displaced air and noiseless sound that meant he was gone. He walked slowly back to the bar, thoughts whirling, and sat back down to see that Natasha had arrived.

“Hey, Bucky,” Natasha said brightly.  The server came up to take their orders and when he went away, she held up one Bucky’s demonology books from his backpack and said, “New hobby?”

[mostlyfate]

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[krogerconews]

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[loverickandmorty]

Rate all rick and morty episodes ?? If you bored enough?

Hell yeah, I’ll procrastinate on studying for my midterm to do this instead. 

SEASON 1:

1.01: Pilot

Rating: 10/10. It’s the pilot yo, it’s fucking awesome 

1.02: Lawnmower Dog

Rating: 10/10. WHERE ARE MY TESTICLES, SUMMER?!

1.03: Anatomy Park

Rating: 10/10. This is literally just one of my favorites, I absolutely love John Oliver in it too. 

1.04: M. Night Shaym-Aliens!

Rating: 10/10. Okay, I know this is an unpopular opinion, but this is actually my least favorite episode in season 1. NOT BECAUSE IT’S BAD BECAUSE IT ISN’T AT ALL!! It’s fucking hilarious, still up there on Rick and Morty level-tier. It just isn’t my favorite, that’s all. I don’t know why tbh, b/c it’s a fantastic episode. I still love it, absolutely, and I’ve seen it 10,000 times. 

1.05: Meeseeks and Destroy

Rating: 10/10. Dude, just the fact that Rick has some deeper character development here with killing Mr. Jellybean to protect Morty is enough on its own to make the episode 10/10. 

1.06: Rick Potion #9

Rating: 10/10. Just fucking hilarious with a dark ending. AWESOME. Really gives you an existential crisis. 

1.07: Raising Gazorpazorp

Rating: 10/10. I love this episode a lot and I especially love that Summer gets to take the lead!! Go girl power 

1.08: Rixty Minutes 

Rating: 10/10. I just love the ideas that the (drunk) writers come up with and how the storyboard artists and animators bring them to life. Fucking hilarious. 

1.09: Something Ricked This Way Comes 

Rating: 10/10. “I may be the Devil but your grandfather is the Devil.” 

1.10: Close Rick-counters of the Rick Kind

Rating: 10/10. EVIL MORTY!!!! AWESOME EPISODE HOLY SHIT WHAT A PLOT TWIST!! Literally the first time I watched this episode I expected it to be Doofus Rick or something but NOPE, I literally gasped and got chills with that ending and the music. 

1.11: Ricksy Business

Rating: 10/10. It’s just a great season finale, and we get to see Bird Person!!

SEASON 2:

2.01: A Rickle in Time 

Rating: 10/10. This is literally like my second favorite episode out of season 2. I love that they have more character development for Rick and that he sacrifices himself!!! For his grandson!!! Fucking awesome!!! 

2.02: Mortynight Run

Rating: 10/10. This one has some great lines. I would totally play Roy. Also Fart. And K MICHAEL!!

2.03: Auto-Erotic Assimilation

Rating: 10/10. Oh boy, bring on the feels. The ending :(((( 

2.04: Total Rickall

Rating: 10/10. Another one of my favorites. This one is just hilarious all-around, and they never even leave the house. And Mr. PB!! “He said he’s...sorry you didn’t have any bad memories of him?”

2.05: Get Schwifty

Rating: 10/10. Shit on the floor, you gotta get schwifty in here 

2.06: The Ricks Must be Crazy

Rating: 10/10. Okay this episode has some of the best lines out of the whole series IMO. Especially the banter between Rick and Zeep. Another one of my favorites!! And I absolutely love Stephen Colbert holy shit

2.07: Big Trouble in Little Sanchez

Rating: 10/10. TINY RICK

2.08: Interdimensional Cable 2: Tempting Fate

Rating: 10/10. Just as good as the first one IMO

2.09: Look Who’s Purging Now

Rating: 10/10. LITERALLY, there’s AWESOME character development for Morty here!! We can see how Rick is rubbing off on him and how Rick can see it too!!! Love this episode.

2.10: The Wedding Squanchers

Rating: 10/10. Oh boy. Don’t even get me started on this one. It’s so great and fantastic and sad and...just makes you realize that Rick does care. :((( SEASON 3 PLS HURRY!!