#telling off the dead

[hinamie]

unconditionally

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[critterbitter]

The twins attempt reparations. Elesa is charmed by their wet emolga impressions and earnest earmuffs. She still can't understand their words very well but she can read between the lines of script.

A day after after this Unfortunate Sequence of Events!

For more submas content, feel free to hit up this masterpost.

[poorly-drawn-mdzs]

MDZS x Brazil (1985)

(Yes. Real movie dialogue)

[homoquartz]

this was gonna be something else but it got gay fast

[starcurtain]

Everyone on Twitter playfully dragging Aventurine for his crop top and track pants fit, and while I agree that this is hilarious and should be meme'd into oblivion, I also can't help but think that the Aventurine fandom as a whole should definitely embrace turning "He's kind of tacky, wouldn't know a subtle outfit unless it was picked by Jade, and wears bizarrely out-of-touch fits on his days off just because he personally thinks they look cool" into an endearing fanon character trait.

Because like, canonically? It makes perfect sense.

As a child, his family didn't have the luxury of giving him a wide variety of clothes in different styles or fabrics. He wore what he could get. Then, we're only ever shown adult Kakavasha wearing rags until joining the IPC.

We know from his character stories that he was kept extremely out of the loop on world news and mainstream media as a slave and literally wouldn't know anything about clothing other than seeing it on other people.

From the time he was a child, wearing whatever his family could pull together, to the time he became an adult prisoner wearing literal scraps, there was never a need or even reasonable opportunity for him to learn about fashion or the social pressures of "dressing to fit in."

The first thing he's told to do as a member of the Stonehearts is "Go pick out new clothes," and the next time we see him, he's wearing the most peacock-esque outfit possible. When Jade told him to pick out his clothes, he literally went in completely blind with no lessons on how to appropriately dress for any adult occasion at all.

While I do think that one of the first things Aventurine would have done as a new Stoneheart is research how to establish a certain "character" for himself and how to dress to give a specific impression, I also think that Aventurine would delight in finally, finally having the power to present himself exactly as he chooses--and that would likely be very strongly informed by an entire child- and young-adulthood growing up without a single social pressure to "dress normal."

Given that he never had someone to teach him how to dress in any modern intergalactic style in his formative years, I think that it makes perfect sense for his "fashion" sense to be extremely unique to him, with little outside influence except for being strongly based on what he knows best: the luxuries the Avgin people could gather from the deserts of Sigonia-IV.

Ratio accuses him of being "flashy," but Aventurine likely loads up all his personally-picked outfits with turquoise jewels, fur trim, and gold metal accents because that's what he grew up perceiving as status symbols and signs of prosperity. Of course he's flashy! Why would he not want to wear furs and jewels now that he has them?! What do you mean wearing six gold bangles is overkill with a t-shirt? No such thing as overkill, come on!

Topaz dropping the Star Rail equivalent of "You look like what would happen if Fashion Week was themed on the yakuza and the Roaring 20s at the exact same time" every other month.

"Well, I think it looks great!"

tl;dr: Aventurine can definitely do his research and blend his outfits into any scenario if needed, but when left to his own devices, he absolutely wears the most over-the-top and/or bizarrely unmodern and "I couldn't care less what is currently trending" fits because no one ever taught him fashion sense when he was growing up, he's finally got the autonomy to dress himself in whatever he thinks looks best, and he's still a little bit drunk on the opportunity to bath in the natural luxuries he longed for but could never have as a child.

Just sayin'.

[seafoamsol]

The best years of my life...

... what I wouldn't give to have them back.

I had the great pleasure of working with @spiderscribe on a DeadCeptor work for the @tf-bigbang, which you can (and should!) read [ HERE ]!

Details and artist commentary under the cut!

Okay, first off, I just wanna say, thank you so much to @spiderscribe for picking up my very loose scribble and taking the jump. She's an absolute champ, and I IMPLORE you to read her writing. She did a knockout job on the fic, and guaranteed, these two pieces wouldn't have been so elaborate without her. If you're a fan of deadceptor, parallels, lovers to enemies to apocalyptic teammates to ???s, I'm sure you'll find that and more in there.

[ HERE ] is the link to that, if you missed it the first time around.

The background for the supermarket was a MASSIVE undertaking. I ended up blurring it in the final to keep the dream-like quality, but there is a lot happening there! Most of the time I spent on the background was (jokingly) complaining though.

Anyone who works retail will know the agony of customer-misplaced stock. The little canisters of energon additives seem like prime candidates to be placed willy-nilly.

The little warning sign... My favorite soda, apple sidra, has a carcinogen warning, so I'm familiar with it. It was slightly surprising to me that those warnings are not countrywide, despite the fact that they very clearly say "California Proposition 65", and well. Not something else, like "Federal" or whatever.

The bags of nuts and bolts below, I asked several people what flavor they would be, and I suppose I failed in my job, because I wanted the purple to be the "regular" flavor, and the green to be the "sour". But grape and lemon-lime work as well!

The tub is full of rust-sticks. I have no idea if that came across. My friends kept calling the individually wrapped ones slim jims, which I mean, I guess!

The car batteries... My idea was that they were similar to shots, in a way? So that's how I ended up with a battery with enough terminals to rival an international airport. It's also sunset-coloured, because, I don't know, that's what Party Flavor is to me.

Okay. The second illustration. This one was a headache, mostly due to my own lack of planning, and the fact that I lost the file for... basically everything I did, including the above illustration. So it was a bit of a rush job.

The background bots started off as these very vague silhouettes, which I'm a little proud of. Look at how nice and somewhat readable they are! Okay, now what if I ruined it? What? You don't like that? That's rather unfortunate, because that's what I proceeded to do. In fact, if I take off all.. 10 or something adjustment layers, they look like this:

My process went: Shadow block> Fill rest of form> Color randomiser> Copy and skew (to populate background)> Hue adjustment> Gradient map> Fill Light> Chromatic aberration> Vignette> Levels> Curves.

The.... Magenta cube is there because due to the nature of the color randomiser, the foot had a high value, and stuck out like nobody's business in the end.

Here's what it would look like without the cube. Begone, distracting white blob! (I didn't have to worry about the lava arm because Percy happened to cover it up. What a save! But if he didn't then... there would have been a second cube.)

Basically, it was a mess. But... at least it came out fine in the end! I hope!

I'd love to have speedpaints on hand, but I was switching between CSP and PS for a good majority of the work.

I'd say that's it for these two pieces! I actually have more, but those demand more time. I'm much slower at doing inks than I am at painting, but I hope you'll get to see them soon.

[puppetmaster13u]

Prompt 245

Now Danny would openly admit, if only to himself, that he had a type when it came to relationships. If they were strong, if they were a threat to him, then chances were he would develop some sort of crush. It was how he had dated Sam and Valerie (And Johnny & Kitty) when he was a bit younger, and hell, Sam had technically succeeded in killing him, even if partly. 

Attraction towards smart people who could kill him was honestly par for the course for a Fenton or Nightingale anyway. 

And he’d also admit he enjoyed a bit of time travel, learning about times and culture long before his time, to the point that he could blend in in ancient times just as easily as the time he had been born in. That it was natural to mutter in a language lost to time. 

So color him surprise when another man perks up in the bar he had paused to get a drink in, vibrant green eyes gleaming in interest and responds in turn. And not just in the language, but able to keep up when he talks about things that once existed but haven’t been rediscovered yet. 

And one thing led to the other, and there might have been some assassins and some shenanigans that end with them both laughing together in an inn and then more and- Okay he has a type alright, and he’s ticking each box! How is that fair? 

[uncharted-constellations]

Back to our regularly scheduled program, minish cap!

Edit: Updated Zelda's Hair a bit

[artharakka]

Beautiful, But Broken

[redvelvetbunny]

hihi

what do you reckon Louis’ hair looked like when he was around clems age in s1?

here’s the little man, louis! (…and his friends. ^_^)

[rad-roche]

boy, did this one take a while!! whenever i got very stuck on a part, i made myself close the file and go do another study to get over the wall, so this was done on and off over a few weeks. the timelapse for this one is long, and inelegant, but if i just showed you the stuff that came together in a 'pretty' way i'd be doing the both of us a disservice

there's a part very near the end of the timelapse where it looks like nothing is happening. it is, it's just very zoomed in. i hand drew the marquis outlines on the shards

[nobleriver]

TWD: The Ones Who Live - Finale Opening Scene + Blurred/Faraway

Requested by Anonymous

[edwinisms]

i get such a sense of primal envy when looking at edwin’s clothes up close because god you can just tell his coat is real wool and made to last and not cheap flimsy mass produced garbage and auggagghhhh that was just STANDARD in his time. by no means am i saying i was #borninthewronggeneration because i like having vaccines and household appliances but. man. to have a personally-tailored coat like that that’d last for years and years……. and fabrics of fine thread-dense quality………. if only

[bertoyana]

something something when your best friend, your wife, and your daughter take the killing shot that was meant for you

X-Men: First Class | X-Men: Apocalypse

[sannie-hannie]

Jeonghan ✧ Maestro (240510)