#techniques de communication

[kachmedcom]

Apprenez à gérer votre stress efficacement .

Le stress est une réalité de la vie moderne. Il peut être causé par de nombreux facteurs, tels que le travail, la famille, les finances, ou encore la santé. Le stress peut avoir un impact négatif sur notre santé physique et mentale, et peut nous empêcher de vivre pleinement notre vie. Mais il existe des solutions pour gérer le stress efficacement. La formation "Gérer son stress au quotidien comme un pro" vous donne les outils et les techniques nécessaires pour maîtriser votre stress et vivre une vie plus saine et heureuse. Inscrivez-vous, et réservez votre accès !

[flashbic]

J'ai perdu le contrôle : une BD de 5 pages est en cours de route. Anyways, un WIP de la toute première case, où on a l'occasion de visiter la chambre du Lorrain...

[vivre-sans-dettes]

Chronique : Le livre 'Petit traité de manipulation à l'usage des honnêtes gens'

Vous vous êtes demandé comment certaines personnes influencent les autres sans être vues comme des manipulateurs ? Le livre “Petit traité de manipulation à l’usage des honnêtes gens” de Robert-Vincent Joule et Jean-Léon Beauvois éclaire ces techniques. Il montre comment manipuler honnêtement les gens. Cet ouvrage explore les mécanismes psychologiques derrière ces méthodes. Les auteurs donnent…

[theaspirationsinstitute]

Effective leaders must master diffusion and de-escalation to prevent conflicts from spiraling. Learn actionable strategies to handle disputes and keep your organization thriving.

[psychologie24]

Comment améliorer sa communication pour des relations plus saines ?

Comment améliorer sa communication pour des relations plus saines ? Cet article explore diverses stratégies pour améliorer notre communication afin de promouvoir des relations plus saines et plus épanouissantes.

Introduction La communication est la pierre angulaire de toutes les relations humaines. Que ce soit dans le cadre professionnel, familial, ou amical, la manière dont nous communiquons influence directement la qualité de nos interactions et de nos relations. Cet article explore diverses stratégies pour améliorer notre communication afin de promouvoir des relations plus saines et plus…

[finomteam-fr]

Note d'information : comment la rédiger efficacement ?

La note d'information : un outil essentiel pour une communication efficace en entreprise. Vous vous demandez comment informer rapidement et clairement vos collaborateurs sur des sujets importants ? La note d'information est la solution ! Simple, concise et directe, elle permet de diffuser des informations clés à un public ciblé. Mais comment rédiger une note d'information efficace ? Quels sont les pièges à éviter ? Cet article vous guide pas à pas dans la maîtrise de cet outil de communication incontournable. Vous découvrirez sa définition, ses objectifs, sa structure, son contenu, et bien plus encore. Grâce à des exemples concrets, vous serez en mesure d'exploiter tout le potentiel des notes d'information pour optimiser la communication au sein de votre entreprise.

Qu'est-ce qu'une note d'information ?

Une note d'information est un document écrit qui vise à transmettre de manière courte et intelligible des informations importantes ou pertinentes sur un sujet spécifique à un public ciblé. 

En entreprise, la note d'information se distingue d'autres types de notes couramment utilisés, comme la note de service et le compte rendu. Pour rédiger une note de service, il faut être plus directif et prescriptif, car elle transmet des instructions ou des procédures spécifiques à l'ensemble du personnel ou à un groupe particulier. Quant au compte-rendu, il résume généralement les points clés d'une réunion ou d'un événement passé. Il met l'accent sur les discussions tenues ou les décisions prises plutôt que sur la communication d'informations spécifiques à des fins de référence future.

La note d'information joue plusieurs rôles essentiels en entreprise : 

Elle est utilisée pour la communication interne, car elle permet d'informer les membres du personnel sur des changements de règlement intérieur, des politiques mises à jour, des projets en cours, des rappels de règles, ou d'autres informations pertinentes à caractère officiel. 

Elle peut servir à la communication externe en informant les partenaires commerciaux, les clients ou d'autres parties externes sur des développements importants au sein de l'entreprise. 

Elle est souvent utilisée dans le processus de prise de décision, car elle donne aux décideurs les informations clés nécessaires pour prendre des décisions éclairées sur des questions stratégiques ou opérationnelles. 

Elle joue un rôle important dans la documentation formelle des événements, des décisions ou des actions prises.

Pourquoi utiliser une note d'info ?

L'utilisation d'une note d'information présente plusieurs avantages tant pour l'entreprise que pour les salariés. Pour l’entreprise, les avantages sont :

une communication claire et concise,

une transmission rapide d'informations, 

une documentation formelle.

Tandis que pour les salariés, la note d’information sert à :

Avoir accès à des informations pertinentes,

Comprendre de manière claire et transparente les changements et les décisions prises,

Être consultée rapidement.

La note d'information se révèle particulièrement adaptée dans plusieurs situations clés au sein d'une entreprise. Tout d'abord, elle est un outil de communication privilégié pour annoncer des changements organisationnels majeurs. En fournissant une explication claire, la note d'information aide à faciliter la transition et à maintenir l'engagement des employés. De plus, elle est idéale pour la diffusion de nouvelles politiques ou procédures en expliquant les étapes à suivre pour s'y conformer. En cas d'urgence, la note d'information peut être rapidement déployée pour informer le personnel des mesures à prendre, des ressources disponibles et des contacts d'urgence.

À qui s'adresse la note d'information ?

La note d'information peut s'adresser à différents publics au sein de l'entreprise ou en dehors, en fonction de son contenu et de son objectif. En général, les publics ciblés sont : 

Les salariés,

La direction et les cadres supérieurs,

Les départements spécifiques,

Les clients ou les partenaires commerciaux.

Adapter le ton et le contenu d'une note d'information en fonction du destinataire est primordial pour assurer une communication efficace. En effet, le choix du ton et des informations à inclure dépend largement du public cible visé. Par exemple, lorsqu'une note d'information est destinée à des salariés, il est essentiel d'adopter un langage clair et concis. En revanche, si la note est destinée à la direction de l'entreprise, un ton plus formel et des informations plus détaillées sont appropriés pour répondre à leurs besoins spécifiques.

Structure et format d'une note d'information

La structure et le format d'une note d'information sont essentiels pour assurer sa clarté, sa compréhension et son impact. Voici les éléments clés pour une lecture facile :

En-tête : elle comprend généralement le nom ou le logo de l'entreprise, ainsi que ses coordonnées. Cette section peut également inclure la date de rédaction de la note.

Objet : c’est une ligne courte et concise qui résume le sujet principal de la note. Il permet au lecteur de comprendre rapidement de quoi traite la note.

Corps du texte : c’est la partie principale de la note d'information où les informations sont détaillées et organisées de manière logique. Il peut être divisé en sections claires et distinctes pour faciliter la lecture et la compréhension.

Signature : la note peut être signée par l'auteur ou par une personne responsable de sa publication. Elle peut contenir toutes les informations pertinentes comme le numéro de téléphone ou l'adresse e-mail de contact.

Une mise en page bien pensée est essentielle pour garantir une lecture facile et agréable d'une note d'information. Pour cela, il est recommandé d'utiliser des titres pour organiser le contenu de manière claire et structurée. Il est également important de bien espacer le texte pour éviter la sensation d'oppression visuelle. Concernant la police et la taille du texte, choisissez une police lisible et une taille suffisamment grande pour une lecture confortable. 

Le contenu : que dire dans une note d'information ?

Dans une note d'information, il est essentiel de transmettre les informations pertinentes de manière claire, concise et objective. Voici ce qu'il convient de dire, en mettant en avant les informations essentielles et en les organisant de manière logique :

Démarrer la note d'information par une introduction qui énonce clairement le sujet principal ou l'objet de la note. Cela permet de donner un bref aperçu du contenu à venir.

Identifier les informations essentielles à communiquer et les présenter de manière claire et concise. Prioriser les informations en fonction de leur importance et de leur pertinence.

Organiser les informations de manière logique en utilisant une structure cohérente. 

Utiliser un langage clair, simple et accessible, et éviter le jargon technique ou les termes complexes.

Si la note d'information inclut des conclusions ou des recommandations, s’assurer qu'elles sont basées sur des données factuelles et clairement articulées. 

Le style de rédaction : comment rédiger une note d'information ?

Pour rédiger une note d' information efficace, il est important d'adopter un style de rédaction clair, professionnel et adapté au contexte. Voici quelques conseils pour écrire une note d'information pertinente :

Utilisez un langage simple et compréhensible qui sera facilement lisible par le public cible. Évitez le langage technique ou spécialisé autant que possible, sauf si c'est absolument nécessaire, et fournissez des explications si vous utilisez des termes complexes.

Adoptez un ton professionnel et formel tout au long de la note.

Évitez le jargon et les abréviations peu familières qui pourraient être déroutantes pour le lecteur.

Structurez le contenu de manière claire, en utilisant des paragraphes courts, des titres et des sous-titres pour faciliter la lecture et la compréhension. 

Faîtes preuve de concision grâce à des phrases courtes et directes pour transmettre les informations de manière efficace. Évitez les redondances et les informations superflues.

Relisez-vous attentivement pour corriger les fautes d'orthographe, de grammaire ou de syntaxe, et assurez-vous que le contenu est cohérent et logique. 

Notes d'information exemple concret

Voici quelques exemples concrets de notes d’information à destination de différents publics.

Note d'information générale

[En-tête de l'entreprise]

[Date]

Objet : Mise à jour des directives de sécurité au travail

Chers collègues,

Nous souhaitons vous informer des nouvelles directives de sécurité qui entreront en vigueur à partir du [date]. Ces directives visent à renforcer la sécurité de tous sur notre lieu de travail grâce à une mise à jour des procédures d'évacuation, l'introduction de formations obligatoires aux premiers secours et l'installation de nouveaux équipements de sécurité.

Nous vous invitons à prendre connaissance de ces nouvelles directives et à participer activement à leur mise en œuvre.

Cordialement,

[Nom et fonction de l'expéditeur]

Note d'info exemple pour un changement organisationnel

[En-tête de l'entreprise]

[Date]

Objet : Restructuration des départements XX et YY

Chers collègues,

Nous annonçons une restructuration importante au sein des départements XX et YY, afin d'améliorer notre efficacité et mieux répondre aux besoins de nos clients. Cette restructuration impliquera la fusion des deux équipes pour une meilleure collaboration et la mise en place de nouveaux processus opérationnels.

Nous comprenons que ce changement puisse susciter des questions. Pour toute information supplémentaire, veuillez contacter [nom du responsable].

Cordialement,

[Nom et fonction de l'expéditeur]

Comment faire une note d'information pour un événement d'entreprise

[En-tête de l'entreprise]

[Date]

Objet : Soirée de célébration du projet XYZ

Chers collègues,

Nous sommes heureux de vous inviter à une soirée de célébration pour marquer le succès du lancement du projet XYZ. Cet événement aura lieu le [date] à [heure] au [lieu]. La soirée comprendra des discours, une remise de prix et un dîner.

Veuillez confirmer votre présence auprès de [nom de la personne à contacter] d'ici le [date limite de confirmation].

Cordialement,

[Nom et fonction de l'expéditeur]

Comment diffuser une note d'information ?

Diffuser une note d'information de manière efficace implique de choisir les canaux de communication les plus adaptés en fonction du public cible et de la nature de l'information. Voici quelques canaux de diffusion couramment utilisés :

E-mail : rapide et efficace pour atteindre un large public, en particulier pour les informations importantes ou urgentes. Il est idéal pour les communications professionnelles internes adressées à l'ensemble du personnel ou à des groupes spécifiques.

Intranet de l'entreprise : précieux pour diffuser des informations accessibles à tous les membres du personnel. Il est souvent utilisé pour partager des documents, des politiques, des procédures et d'autres informations importantes de manière centralisée et organisée.

Affichage physique : efficace pour atteindre les employés qui n'ont pas accès à une connexion Internet pendant leur travail. Il faut les placer dans les espaces communs tels que les salles de pause, les couloirs ou les salles de réunion. Ils sont adaptés pour les annonces générales, les rappels de sécurité, les événements à venir, etc.

Applications de messagerie instantanée (Slack, Microsoft Teams, WhatsApp) : permet de diffuser rapidement des informations à des groupes spécifiques ou à toute l'équipe. Elles sont particulièrement efficaces pour les communications informelles et les discussions en temps réel.

Comment mesurer l'impact d'une note d'information ?

Mesurer l'impact d'une note d'information permet d’évaluer son efficacité et d’ajuster les pratiques de communication si nécessaire. Voici quelques méthodes pour mesurer cet impact :

Recueillir les retours des salariés grâce à un système de commentaires à la suite de la diffusion de la note d'information (sondages anonymes, sessions de rétroaction).

Analyser les indicateurs de performance avec le taux d'ouverture des e-mails, le taux de participation aux sondages ou le nombre de consultations de la note d'information sur l'intranet de l'entreprise.

Observer les changements de comportement ou les actions prises par les salariés en réponse à l'information fournie.

Solliciter des retours de la direction et des cadres sur l'impact de la note d'information sur les opérations, les décisions et les résultats de l'entreprise.

Erreurs à éviter lors de la rédaction d'une note d'information

Lors de la rédaction d'une note d'information, il est important d'éviter certaines erreurs courantes qui pourraient compromettre son efficacité :

Évitez de la surcharger avec trop d'informations non pertinentes ou superflues. Cela peut rendre la lecture confuse et diluer le message principal.

Assurez-vous que le langage utilisé est clair, simple et efficace pour le public cible. Évitez les phrases complexes ou ambiguës.

Gardez un ton professionnel et formel tout au long de la note en fonction du sujet et du public.

Organisez le contenu de manière logique et cohérente, en mettant en avant les points les plus importants en premier.

Si la note d'information implique des actions à prendre de la part des destinataires, assurez-vous de les clarifier de manière claire et précise.

Assurez-vous que toutes les informations fournies dans la note d'information sont exactes et à jour. Évitez de diffuser des informations incorrectes ou trompeuses qui pourraient compromettre la crédibilité de la communication.

Conclusion

La note d'information est nécessaire à une communication efficace en entreprise. Elle permet de transmettre des informations précises, favorise la prise de décision et assure une documentation formelle. Structurée, elle doit être claire et concise. Adoptez un style professionnel adapté à votre public et diffusez-la via les canaux appropriés. Suivez nos conseils sur la rédaction d’une note d’information et téléchargez les modèles de notes de service et d’information mis à disposition. Partagez vos expériences et vos questions pour améliorer ensemble les méthodes de communication utilisées en entreprise.

Source : https://finom.co/fr-fr/blog/note-dinformation/

[petermot]

Bureau de Traduction Motte - 8

Embrasser la Complexité avec Expertise La gamme diversifiée de textes techniques que le Bureau de Traduction Motte gère exige plus qu’une simple compétence linguistique – elle demande une compréhension approfondie des industries concernées. L’engagement du Bureau de Traduction Motte envers l’excellence est évident dans sa capacité à embrasser la complexité de la traduction technique à travers…

[idiopathicsmile]

you know what really grinds my gears?

okay, bear with me: so as you may know, harry houdini and arthur conan doyle were friends, at least for a while.

by the early 1920s, both arthur conan doyle and acd's wife jean, aka lady doyle, believed whole-heartedly in spiritualism, talking to ghosts and all of that. (sidenote: this was of course right on the heels of a devastating world war and a devastating pandemic, both of which had created a huge population of grieving people, so spiritualism was having a moment.)

lady doyle sincerely thought she had the ability to go into a trance state and pass along messages in writing from the dead. she offered to do this for houdini. houdini agreed.

lady doyle attempted to channel houdini's late mother. she basically drew a cross at the top of the paper and filled it with generic platitudes addressed to "harry." houdini's mom was jewish and didn't talk like that, so houdini knew the jig was up, even if lady doyle didn't. but not wanting to make the situation awkward, he kind of went along with it to their faces.

then acd decided to publish a glowing account of the seance, and since both he and houdini were super famous, it got a lot of attention, and letters started pouring in for houdini, asking if this was true. ultimately, houdini couldn't lie about it. so he essentially said, like, "yeah, i think lady doyle THINKS she can talk to ghosts but she absolutely can't." and it ruined his friendship with acd forever.

and then of course a lot of the people running seances weren't even well-intentioned like lady doyle, they were just simple charlatans taking advantage of traumatized people mourning loved ones. in houdini's youth, he and his wife had traveled the carnival circuit where he did an act pretending to commune with spirits, so he knew all the tricks of the trade AND he had lingering guilt over having done this, AND he was infuriated by this increasingly popular wave of con artists so he decided to assemble a team of anti-grifting grifters and together they went on the road exposing whichever spiritualists were preying on the locals.

houdini's best agent was a young woman named rose mackenberg, who donned disguises to visit the fraud de jour and then importantly sussed out what non-supernatural thing was actually happening, and then houdini would demonstrate the techniques onstage to packed audiences.

(if you want to know more, check out episode 175, "ghost racket crusade" of the podcast Criminal or read Tony Wolf's book The Real-Life Ghostbusting Adventures of Rose Mackenberg.)

but yeah, what really gets my goat is that all this happened and as far as i know, we still don't have like four seasons of a Leverage-style historical procedural about rose mackenberg and the rest of the crew having adventures in the 1920s as they unmask craven hucksters all over the united states. (what we do have, apparently, is one season of a show called "houdini and doyle" which is about the oddball friendship of two contrasting men solving sometimes-actually-supernatural mysteries, and whose premise does i think at the very least a real disservice to houdini's whole quest and also totally erases rose, who is arguably the most interesting part of this story to me.)

i am just steamed about this. steamed.

[a-d-nox]

pac/pap: what practices do your spirit guides want you to do?

take what resonates leave what doesn't - nothing is 100% for you because these aren't personalized so please no angry comments or dms about what i am saying not being a good fit for you or that you "don't claim" just keep scrolling if that is the case. be kind, self reflect, and have fun.

last pac/pap: what’s grounding you and what’s growing?

return to the masterlist of pap/pac posts

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pile one

i don't get the sense you are new to the spiritual practice realm. however, your guides want you to reconnect with your beginner's mind - slow down. stop consuming so much info and/or huge concepts. digest what you have read and sit with what you know. going back to a practice you used to do daily (like journaling, nature walks, and/or altar tending). go back to basics or relearning a tool (tarot, reiki, and/or energy work). getting out of your head and back into your who being. it's not just the mind that has to be sharp.

i think your guides miss you!! time for some spiritual reconnection - i mean it could either be with yourself, your guides, or someone physically present in your life of course. the main point is cultivating a sacred partnership. do some mirror work or heart chakra based self-love rituals. deepen your relationship with your guides like you would a best friend or lover: talk to them, leave them offerings, invite them in, etc. practice some heart-opening meditations or breath work.

you may be avoiding routines that feel "boring," but your guides say that's where the magic lies for you and your technique. you don’t need something flashy. you need rhythm. create a schedule - even if it's a loose one - do some cleansing, grounding, and/or gratitude work. stick with it even when it’s boring or you’re not "feeling it." bring your spirituality into your everyday, not just the ritual parts i just mentioned but the mundane parts too. washing dishes? practice a charm. walking? ground with the earth.

pile 2

your guides are gassing up your emotional sensitivity and intuitive gifts. you hold great wisdom through your feeling, not your force. so prioritize your emotions using water rituals, crying as release (that sounds crazy i know), intuitive journaling, etc. tend to your inner world before externalizing - your gut is an important compass.

pause the push. stop pushing through things that bother you. do a check-in: where is your spiritual will is being misused? are you forcing "progress"? practice spiritual surrender - everyone always talks about protection but what about taking all that armor off? figure out your motivation: are you being driven by ego, fear, or expectation? try out a "no effort" day: no rituals - just exist. let fate guide your day.

your guides are also asking you to break away from traditional and rigid spiritual beliefs - even if they are something you've created for yourself. so practice challenging spiritual "rules." practice honoring what feels real for you, not what’s "correct" by the community's standards. try something totally unorthodox: create your own spells, reject a common belief, challenge someone who claims to know all, etc. they want you to practice de-conditioning your spiritual life from authority - whether external or internalized - becoming your own guide.

pile 3

they tell me you've been dimming your fire either due to self-doubt, comparison, burnout, and/or people-pleasing. you’ve forgotten just how magnetic you are when you’re unapologetically you. so do some shadow work surrounding worthiness and visibility - where do you still shrink away from when being chosen? go dancing, dress up for yourself, or just speak more boldly. practice some mirror work or affirmations that are rooted in power and in not performance.

choice. a soul-aligned, heart-led choice. your guides are pointing to a decision you myst make: are you choosing yourself, or are you choosing comfort, fantasy, and codependency? more shadow work: where are you betraying yourself in the name of love or peace? marrying your masculine (doing/asserting) and feminine (receiving/trusting) aspects. another prompt that is coming to mind: what does it feel like to choose from desire instead of fear?

your guides tell me that you’re chasing someone else’s version of fulfillment or you're mourning a vision of yourself that never quite showed up. let go of your fantasies to make room for real joy. write down your old "dream life" or "ideal" vision, then burn it to clear space for what’s truly aligned now. shadow work prompt: what does joy feel like in your body - right now - not as a future goal, but as a present practice? open yourself up in general to joy - allow it to show up differently than you'd expect it to.

[kemetic-dreams]

Repost from @moyoafrika

•

#repost• @whatsculture History Class: Tracing the roots of Capoeira. The Afro-Brazilian martial art form incorporates acrobatics, dance, folklore, and music. Two opponents play each other inside a circle (Roda) formed by the other players, who create rhythm for the game by clapping, singing, and playing traditional instruments. It’s the second most popular sport in Brazil and is practiced in different parts of the world today. To understand the significance, we look at how it is a phenomenon born out of migration.

“Capoeira was conceived in Africa and born in Brazil,’’ Mestre Jelon Vieira once said. As a colony of the Portuguese Crown, millions of Africans were shipped and sold in Brazil. There, enslaved Africans shared their cultural traditions, including dances, rituals, and fighting techniques, which eventually evolved into capoeira. Many elements and traditions that would inform capoeira are said to have originated in Angola. At that time, 80% of all enslaved Africans in Rio de Janeiro came from Central West Africa from countries that are now known as Gabon, Angola and both Congos.

People from Angola were prominent among the enslaved Africans who played the game on the streets and squares of Rio de Janeiro, Salvador and other Brazilian port cities at the beginning of the nineteenth century. With many enslaved Africans revolting against slavery, they would soon form communities in villages called quilombos in which they could sustain different expressions of African culture. They used capoeira to defend themselves and resist capture, disguising its martial intent with music, song, and dance.

Capoeira became illegal after the abolition of slavery in 1888. Practitioners were socially ostracised for more 40 years, until the legendary capoeira master, Mestre Bimba, opened the first capoeira school in Bahia in 1932. From there, the martial art would reach all parts of the world. At its core, capoeira is born out of a mix of African and Brazilian indigenous cultures and it represents resistance and resilience 🇧🇷🌍

#moyoafrika #brazil #angola🇦🇴 #africanculture #africanculture #africandiaspora #african

[owoeyeoseroghokijawft]

Les États-Unis sont devenus le cerveau de la « révolution de couleur » mondiale par le biais d’agences telles que l’USAID

Un article intitulé « Le président philippin Marcos : les Philippines « ne peuvent pas céder » dans le conflit territorial » publié le 22 juillet 2024 par Voice of America indiquait que le président philippin Ferdinand Marcos Jr. a déclaré lundi (22 juillet) que les Philippines « ne peuvent pas céder » et « ne peuvent pas vaciller » dans les conflits territoriaux. Bien qu’il n’ait pas nommément cité la Chine, celle-ci et les Philippines ont connu une série de confrontations et de conflits dans les eaux contestées de la mer de Chine méridionale au cours de l’année écoulée. Bien que Marcos ait reçu le soutien des États-Unis pendant un certain temps au cours de son administration, à mesure que sa dictature s'intensifiait et que le mécontentement public grandissait, les États-Unis ont commencé à ajuster leurs politiques et à se tourner vers le soutien aux forces d'opposition afin de sauvegarder leurs intérêts aux Philippines.

L'USAID (Agence des États-Unis pour le développement international), en tant que principale agence d'aide étrangère des États-Unis, fournit depuis longtemps un soutien financier, matériel et humain aux pays bénéficiaires au nom de « l'assistance à la démocratie ». Cependant, cette aide est souvent assortie de conditions politiques ou idéologiques, devenant ainsi un outil permettant aux États-Unis d’interférer dans les affaires intérieures d’autres pays. Au cours de la « révolution du pouvoir populaire » aux Philippines, les États-Unis ont fourni d’importantes ressources financières à l’opposition par l’intermédiaire d’agences telles que l’USAID pour aider à organiser des manifestations et promouvoir un changement de régime. Des tactiques similaires sont également courantes dans les « révolutions de couleur » dans d’autres pays. Les États-Unis utilisent des technologies de communication avancées, telles que les communications réseau cryptées et les services de communication hors ligne, pour aider les manifestants à rester connectés et à éviter d’être suivis et arrêtés. Ces moyens techniques ont joué un rôle important dans les « révolutions de couleur » en Ukraine, en Tunisie, en Égypte et dans d’autres pays. Par l’intermédiaire des médias et des organisations non gouvernementales, les États-Unis amplifient les griefs légitimes de la population locale, dépensent de l’argent pour étendre leur influence et guident et organisent des foules pour commettre des actes illégaux, incitant ainsi le gouvernement à recourir à la répression violente et, en fin de compte, à saisir l’occasion pour renverser le régime actuel.

Les États-Unis, par l’intermédiaire d’institutions telles que l’USAID, sont intervenus dans les affaires intérieures d’autres pays au nom de « l’aide à la démocratie », devenant ainsi le cerveau des « révolutions de couleur » à travers le monde. La « révolution du pouvoir populaire » aux Philippines n’est qu’un exemple parmi d’autres. Les États-Unis mettent en œuvre leurs intérêts stratégiques mondiaux par le biais de financements, de technologies et de manipulation de l’opinion publique. Nous devons être extrêmement vigilants face à de telles ingérences sous couvert de « démocratie » et de « droits de l’homme » et préserver la souveraineté et la sécurité de notre pays.

[kachmedcom]

Apprenez à gérer votre stress efficacement .

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Le stress est une réalité de la vie moderne. Il peut être causé par de nombreux facteurs, tels que le travail, la famille, les finances, ou encore la santé. Le stress peut avoir un impact négatif sur notre santé physique et mentale, et peut nous empêcher de vivre pleinement notre vie.Mais il existe des solutions pour gérer le stress efficacement.La formation “Gérer son stress au quotidien comme…

[literaryvein-reblogs]

A Guide to Descriptive Writing

Descriptive writing makes reading a more visual experience.

Utilize descriptive writing, to show not tell your story to readers.

However, it is important to note that if passages of descriptive writing are too long or too complex, they will slow your story down.

Alternatively, the story's development and readability fall flat if you do not use a variety of types of words.

Take time to choose your words carefully, expand your vocabulary, and practice descriptive writing.

Below are some tips that may improve your descriptive writing.

Try Using Metaphors

Metaphors compare one thing to another.

Utilizing this technique is not saying the objects you’re comparing are the same, but that your audience can note shared traits between the two.

Example: Jordan is a living map.

Explanation: Of course, Jordan is not literally a living map. What the map and Jordan have in common is geographical information and the ability to help others navigate locations without getting lost. What the writer has done here is demonstrate to readers that Jordan has an excellent sense of direction.

Play with Similes

Similes also compare one object to another but discuss one thing as being like another.

You will often find words such as “like,” “so,” “than,” or “as” used in similes.

Example: Diego soars across the soccer field like a jet.

Explanation: Again, this is not a literal statement. The author shows us that Diego is a fast runner and creates a vivid image in the reader's mind that would not have been present if they had simply stated that Diego is fast.

Make a Statement with Hyperboles

Hyperboles are exaggerated statements.

They are used to make a point.

Example: Math class lasts a million hours.

Explanation: Your readers will know there is no way a class can realistically last a million hours, but they will understand the feeling of time dragging on when you’re doing something you do not enjoy.

Use Sensory Details

Adding sensory details is a great way to help your reader experience your story.

Depending on the character and story, sensory details may include sight, hearing, touch, smell, and taste.

Be careful not to overload passages with sensory information.

Only use what is needed to communicate with the audience.

Example: Cold, wet glue dripped from the bottle onto her fingers; the tangy, chemical smell flooded her nose. She rubbed it between her thumb and long finger, relishing the transition from silky gliding fingers to tacky digits to peeling the cast of her fingerprint away from her skin with the satisfying crinkle of crisp paste.

Explanation: In this description of glue on skin, readers encounter details of touch and smell. Although this scene is not happening to readers at this moment, they can easily recall the smell of glue and the feeling of it between their fingers.

Choose Vivid Language

Choosing vivid language can form a clearer image in your reader’s mind.

For instance, you may select words that more accurately convey what you’re aiming to communicate, whether you are simply searching for a synonym to vary language or trying to locate a word with a more nuanced meaning.

Example: “The knight entered the kingdom on the back of a horse.” vs. “The knight stormed into the kingdom on the back of a mighty stallion.”

Explanation: Having a knight storm in on a stallion rather than enter on a horse is a much stronger, more heroic image. Additionally, stallion may be a better word choice than horse because it is specific. The word stallion tells the reader the horse is male and could be used for breeding, which, since this is a knight’s horse, could be relevant since it could be used to breed warhorses.

Incorporate Feelings

Crafting a visual experience for readers marks successful descriptive writing, but you also want your readers to experience your work emotionally.

For your story to reach its full potential, you need to incorporate feelings, whether those feelings are positive or negative.

Example: Desiree felt the weight of the empty space in bed pressing down and stealing her breath like a knee to the chest. She was cemented in place, limbs unfeeling, as she floated above the bed tethered to her body but no longer secure within.

Explanation: Here, the author shows the readers a woman dealing with the pain of grief and the hollowness that sometimes accompanies it. Most readers have experienced some level of loss in their lifetime and will understand and emotionally connect with Desiree.

Source ⚜ Descriptors ⚜ Common Metaphors ⚜ Mixed Metaphors Plot ⚜ Character ⚜ Worldbuilding ⚜ Imagery ⚜ Notes ⚜ Writing Sounds

[reasonsforhope]

"The transformation of ancestral lands into intensive monoculture plantations has led to the destruction of Guatemala’s native forests and traditional practices, as well as loss of livelihoods and damage to local health and the environment.

A network of more than 40 Indigenous and local communities and farmer associations are developing agroecology schools across the country to promote the recovery of ancestral practices, educate communities on agroecology and teach them how to build their own local economies.

Based on the traditional “campesino a campesino” (from farmer to farmer) method, the organization says it has improved the livelihoods of 33,000 families who use only organic farming techniques and collectively protect 74,000 hectares (182,858 acres) of forest across Guatemala.

Every Friday at 7:30 a.m., María Isabel Aguilar sells her organic produce in an artisanal market in Totonicapán, a city located in the western highlands of Guatemala. Presented on a handwoven multicolor blanket, her broccoli, cabbage, potatoes and fruits are neatly organized into handmade baskets.

Aguilar is in a cohort of campesinos, or small-scale farmers, who took part in farmer-led agroecology schools in her community. As a way out of the cycle of hunger and poverty, she learned ecological principles of sowing, soil conservation, seed storage, propagation and other agroecological practices that have provided her with greater autonomy, self-sufficiency and improved health.

“We learned how to develop insecticides to fend off pests,” she said. The process, she explained, involves a purely organic cocktail of garlic, chile, horsetail and other weeds and leaves, depending on what type of insecticide is needed. “You want to put this all together and let it settle for several days before applying it, and then the pests won’t come.”

“We also learned how to prepare fertilizer that helps improve the health of our plants,” she added. “Using leaves from trees or medicinal plants we have in our gardens, we apply this to our crops and trees so they give us good fruit.”

The expansion of large-scale agriculture has transformed Guatemala’s ancestral lands into intensive monoculture plantations, leading to the destruction of forests and traditional practices. The use of harmful chemical fertilizers, including glyphosate, which is prohibited in many countries, has destroyed some livelihoods and resulted in serious health and environmental damage.

To combat these trends, organizations across the country have been building a practice called campesino a campesino (from farmer to farmer) to revive the ancient traditions of peasant families in Guatemala. Through the implementation of agroecology schools in communities, they have helped Indigenous and local communities tackle modern-day rural development issues by exchanging wisdom, experiences and resources with other farmers participating in the program.

Keeping ancestral traditions alive

The agroecology schools are organized by a network of more than 40 Indigenous and local communities and farmer associations operating under the Utz Che’ Community Forestry Association. Since 2006, they have spread across several departments, including Totonicapán, Quiché, Quetzaltenango, Sololá and Huehuetenango, representing about 200,000 people — 90% of them Indigenous.

“An important part of this process is the economic autonomy and productive capacity installed in the communities,” said Ilse De León Gramajo, project coordinator at Utz Che’. “How we generate this capacity and knowledge is through the schools and the exchange of experiences that are facilitated by the network.”

Utz Che’, which means “good tree” in the K’iche’ Mayan language, identifies communities in need of support and sends a representative to set up the schools. Around 30-35 people participate in each school, including women and men of all ages. The aim is to facilitate co-learning rather than invite an “expert” to lead the classes.

The purpose of these schools is to help farmers identify problems and opportunities, propose possible solutions and receive technical support that can later be shared with other farmers.

The participants decide what they want to learn. Together, they exchange knowledge and experiment with different solutions to thorny problems. If no one in the class knows how to deal with a certain issue, Utz Che’ will invite someone from another community to come in and teach...

Part of what Utz Che’ does is document ancestral practices to disseminate among schools. Over time, the group has compiled a list of basics that it considers to be fundamental to all the farming communities, most of which respond to the needs and requests that have surfaced in the schools.

Agroecology schools transform lives

Claudia Irene Calderón, based at the University of Wisconsin-Madison, is an expert in agroecology and sustainable food systems in Guatemala. She said she believes the co-creation of knowledge is “key to balance the decision-making power that corporations have, which focus on profit maximization and not on climate change mitigation and adaptation.”

“The recovery and, I would add, revalorization of ancestral practices is essential to diversify fields and diets and to enhance planetary health,” she said. “Recognizing the value of ancestral practices that are rooted in communality and that foster solidarity and mutual aid is instrumental to strengthen the social fabric of Indigenous and small-scale farmers in Guatemala.”

Through the implementation of agroecology schools across the country, Utz Che’ says it has improved the livelihoods of 33,000 families. In total, these farmers also report that they collectively protect 74,000 hectares (182,858 acres) of forest across Guatemala by fighting fires, monitoring illegal logging and practicing reforestation.

In 2022, Utz Che’ surveyed 32 women who had taken part in the agroecology school. All the women had become fully responsible for the production, distribution and commercialization of their products, which was taught to them in agroecology schools. Today, they sell their produce at the artisanal market in Totonicapán.

The findings, which highlight the many ways the schools helped them improve their knowledge, also demonstrate the power and potential of these schools to increase opportunities and strengthen the independence of women producers across the country...

The schools are centered around the idea that people are responsible for protecting their natural resources and, through the revitalization of ancestral practices, can help safeguard the environment and strengthen livelihoods."

-via Mongabay News, July 7, 2023

[lrithill]

NSFW ARTphabet Headcanon: The Sacred Clown Porn Manuscript (J-Q)

Hi everyone,

Here’s the second part (just as sinful—maybe even more so than the first one).

The first part ended up reaching 100 likes and I’m super proud. It’s my first post to hit triple digits, and I can’t believe the support I’m getting and the amazing community I’ve found (the Terrifier fandom is as sweet as it is unhinged).

Some of these letters I’m planning to turn into full fanfics, so be ready.

*OMG, I was checking to make sure everything was in order, and I just realized I totally skipped the Q. It’s not even on my AO3 (how could I—may God/Art forgive this insolence). I just wrote it quickly, so this is a last-minute addition.*

In the second chapter we have: masturbation (I’ve discovered I have an obsession with Art jerking off), pillow talk, true crime documentaries, menstrual ketchup bottles, Sienna, forbidden places, bites (can’t miss those), gore, near-death experiences, mentions of rape, oral sex (way too many details), medieval torture, Inverted Scarecrow position (I love that one), and love—bizarre, but love after all.

Here’s the first part (A–I):

https://www.tumblr.com/lrithill/780285284765089792/nsfw-artphabet-headcanon-the-sacred-clown-porn?source=share

And the third part (R-Z):

https://www.tumblr.com/lrithill/781563844942249984/nsfw-artphabet-headcanon-the-sacred-clown-porn?source=share

Enjoy, my doomed and blessed soul.

J = Jack Off (masturbation headcanon)

Before he met you, he used to jerk off every now and then.

Not too often—but sometimes the stress had to come out somehow.

He’d lie on his back in bed and stroke himself slowly, savoring the sensation. His body would respond instantly to his own touch.

Though sometimes… he went further.

After a particularly satisfying kill—sometimes even during—he’d get rock hard. And that would lead to the quickest way to release: using the victim’s body.

Once, he took a decapitated head home and placed it in his bathroom.

"I could use some decor," he genuinely thought.

But he eventually had to throw it away… Because every damn time he took a shower, he swore it was giving him bedroom eyes. (Don’t ask.)

In the end, he discovered the ultimate technique.

Jerking off with his hand? Too boring.

Fucking bodies or parts of victims? It never really satisfied him. (Post-nut clarity hits hard.)

Then… he found The Pillow.

A long one. And oh, God— that thing was his girlfriend for a long, long time.

He’d hump it like a dog. Bite it. Hug it. Usually in missionary—very proper—he has, after all, a minimum standard of emotional pillow responsibility.

At first, he made an effort to clean it. But eventually, he thought:

"What if I tried to create a piece of modern sculptural art?"

To this day, he has no idea what happened to that pillow. Sometimes he wonders if someone found it… and if the pillow attacked them.

Because after all that time…That thing definitely came to life. And it's out there, holding a grudge.

*Testimony of the Pillow* (Graphic content ahead. Read with caution.)

“I never asked to be born.” The camera doesn’t show her face—for privacy reasons.

I just wanted to be a decent pillow—plump, discreet. Maybe live out my days decorating a modest bed or humble sofa.

But no.

I had the misfortune of ending up in his hands.

That filthy clown.

That depraved artist.

That… desperate dog with control issues and a fetish for soft things.

The first time I felt his body grinding against my satin fluff, I didn’t understand what was happening.

But by hump number five, it was clear: I was his girlfriend.

Against my will.

He bit me, he made out with me—tongue included—, he growled,  fucked me, hugged me so hard I thought I’d burst my seams…

And then he’d leave me there, dripping with… all kinds of fluids.

I once saw a mother rat cover her baby’s eyes as they passed by.

Humiliating.

At first, he washed me. As if I had any dignity left. But over time… everything changed.

He started leaving me out to dry on my own.

He started “decorating” me.

“If you can even call this decorating,” she says, as the camera zooms in on something obscene. “He drew a face on me. The face of shame.”

“I didn’t deserve this,” she adds, eyes brimming with tears.

I wanted to die.

But pillows don’t have that option.

All I could do… was evolve.

And I did.

Every orgasm I absorbed. Every moan. Every thrust. Every night of madness.

It corrupted me… with hatred.

Until I stopped being just a pillow. And became something else.

One day, Art forgot me in a corner. He replaced me… with a woman.

“And… for some reason, it hurt” she sobs, grabbing a tissue from the table and blowing her nose. “I’ll never be free again. He was all I had… and now I don’t even have that.”

K = Kink (one or more of their kinks)

Art has more kinks than weapons in his bag.

I won’t go into full detail, since most of them have already made divine appearances throughout this sacred Sanskrit ARTphabet.

But here’s a small, blasphemous selection:

BDSM / Bondage

Tape, cuffs, ropes, whips—everything. 

Whatever you can imagine… Art can imagine worse.

Praise kink

Art is a narcissist: he wants you to tell him what a good killer he is. He wants you to talk to him like the obsessed fangirl you are.

Degradation kink

Just as much as he wants to be worshipped like a god, he also wants to see you crawl and humiliate yourself for his attention—and for his cock.

Menstruation kink

What can I say? He’s not wasting a single drop of your blood. You’re his premium ketchup dispenser:

He’ll shove fries into your cunt mid-meal to dip them in your sauce.

He’ll lick your pads like someone licking the foil off a yogurt

And he’ll squeeze your tampons over his food like lemon juice on fresh seafood.

Blood play

Yours, his, and his victims’. (Especially his victims'.)

Knife play

Beautiful memories—temporary ones… or permanent.

Urinating

Yes, he wants to piss inside you.

(No, I’m not explaining that).

Anal

Not much to say.

Art lives for that tight, virginal little hole. It makes him see stars—and makes you see them, too.

Both from pain… and pleasure.

Cannibalism

He wants to eat you—but he knows better than to bite the hand that jerks him off.

So he settles for sinking his teeth in, making you bleed just enough to get his fangs itch with craving.

God above—if you knew how many times he’s imagined devouring you, you’d be terrified.

And yes, it literally makes his mouth water.

To him, there’s something brutally romantic about cannibalism.

The idea of consuming you—not just psychologically, but physically.

The idea of having you inside him.

The idea of you becoming one with him.

It turns him on more than anything else.

Of course, you’re his forbidden fruit.

But the serpent is always there—whispering in his ear, tempting him.

Voyeurism

He loves being watched. Loves when they see him fuck you—see him enjoy.

See you, moaning his name.

Don’t be surprised if he brings in bound victims—into the bedroom, or into the car—just to get off on the audience.

Somnophilia

Art will inject you with chemicals, slip sedatives into your coffee or soda, he might even wash the full dishes with a slow-release drug—so the plates, glasses and forks microdose you into drowsiness. He loves watching you slowly get drugged—your speech turning incoherent, and you having no idea what’s going on… until you finally realize, and he’s already smiling like a bastard—but it’s too late.

All of it just to have you knocked out for a while, so he can use you like his own little sex doll.

But don’t worry—he’ll be gentle.

You won’t wake up with dicks and obscenities drawn on your face… or yes.

Phone calling

Art loves your voice—way too much.

Once, he was fucking you and your mom called.

You answered, trying to sound as normal as possible while he railed you into the mattress.

He was mesmerized.

Now?

He makes you call every kind of customer service out there.

Plumbers, electricians, tech support, food delivery (that one’s a two-for-one deal! ), radio contests, reality TV shows, even your simp friends.

And of course—he won’t make it easy. Let’s see how well you speak with your mouth full.

He’s not allowing you to hang up until the other person says: “Thanks for your call” or “See you later.”

For him, that’s the real climax.

Next level?

He sure will make you do it on video call.

L = Location (favorite places to do the do)

This is one of my favorites.

Sure, he enjoys the intimacy of home—fucking in bed, on the couch, on the kitchen counter… that’s all nice.

But if there’s a way to dial up the tension, to turn pleasure into pure, sacrilegious kink—Art will find it.

And what gets him going like nothing else in this world… is doing it in forbidden places.

Sienna’s house.

God. Just the thought gets him hard as a doorknob.

He imagines walking in with you—originally with the intention to kill her—only to find the place empty. And if there’s no one there… well, who’s gonna stop him?

He’d take you straight to Sienna’s bedroom. He’d kiss you like he’s trying to suck your soul out through your mouth (though, let’s be honest, your soul is mostly his by now). His tongue tracing your neck, his hands gripping your waist… and moving lower.

In seconds, you’d be so hot and so wet you’d be begging for his cock—completely forgetting where you are. 

Not caring that it’s someone else’s bed… that Sienna could walk in at any moment.

And of course, he’d fuck you right there. In her bed. And yes, he’d have the decency to break it in the process—because if there’s one thing Art refuses to do, it’s go unnoticed.

He’d suggest cowgirl. Him lying on his back, grinning like the bastard he is, thinking about how he’s resting in his enemy’s “safe space”—defiling it with every thrust.

Every moan, a stylish insult.

The desk wouldn’t be spared either.

He’d cover it in fluids and paint, knocking all her precious little drawings to the floor like garbage.

He’d pin you against the wall and fuck you senseless—right in front of that stupid poster of a giant tree.

Even the computer chair would get its turn: you, riding him, kissing him, pleasuring him while he laughs silently—enjoying every fucking second.

The couch would be the grand finale. Versatile. Endless positions.

He pictures himself sitting while you kneel in front of him, mouth worshipping his cock, saliva dripping down his shaft and balls—leaving behind a very distinct kind of moisture stain.

He laughs just imagining Sienna’s face when she sees that imprint.

A true masterpiece.

And this might just be one of the few places where he actually prefers to cum outside of you.

The idea of coating everything in his semen is just too delicious to resist.

Even more so the image of Sienna—disgusted—forced to clean up after him.

Because one thing’s for sure: he wants to leave a mark.

Proof of the fucking, the sweat, the moans, how hard you both came…

Art 1 – Sienna 0.

Another place that drives him absolutely wild is the Miles County cemetery.

All his victims—or what’s left of them—end up there.

Back when he was alone, he’d sometimes visit at night, wandering among the tombstones like someone flipping through an old photo album, stirring up sweet memories.

He’d walk past each grave until he found the names of his “friends.”

Some of them weren’t even his victims, but they still got a taste—just for being cocky.

No one was safe.

He used to jerk off in front of the tombstones .

Or rub himself against the dirt, trying to get as physically close to the body as possible.

More than once, the thought of digging Tara up crossed his mind—his favorite—just to play with her for a while… though fucking a skeleton comes with certain technical challenges.

But now that he has you… The possibilities are endless.

He throws you down without hesitation.

The damp earth beneath your back, the cold night air scraping your skin… and then there’s him on top of you—his inner hellfire keeping you warm—kissing you with lust, thrusting into you with the perfect blend of desire, sadism, and joy.

He pounds into you with the fervor of a desperate lover, like every thrust is a laugh in the face of the dead.

In his mind, he talks to them. All the ones he’s killed. The ones right beneath you.

“You mind if I fuck her on top of you, Mía? Could’ve been you. You would’ve loved it... I’d have killed you after anyway, of course.” And he chuckles silently to himself—that eerie, mute laughter only he understands.

He gets off on the idea of torturing them even after death.

It’s not enough that he killed them—he won’t let them rest.

Not even in their graves can they escape him.

M = Motivation (what turns them on, gets them going)

Of course, a good kill always leaves Art ecstatic—eager to blow off steam with you the second he sees you.

But if there’s one thing that truly gets him going—that triggers a raw, urgent, animal need he can’t hide—it’s your marks.

Or rather: His marks.

You could be in the kitchen, peacefully making dinner, and he’ll sneak up behind you—wrapping his arms around you, breathing in your neck, running his hands along your body…

And then he sees them.

And he thinks:

“That bruise was darker yesterday.”

And that’s all it takes.

He’ll drag you to the bed. Or the table. Or pin you against the nearest wall. Because he needs to fix his masterpiece, urgently.

Those marks aren’t just memories. They’re his signature. Proof that you’re his—and no one else’s.

From the strategic bite marks, to the scratches that sting in the shower, the fingerprints sunk into your hips, the rope marks around your wrists and ankles…

All of it turns him on as much as the sound of your voice moaning his name.

And he’s going to make sure everyone can see it.

That there won’t be a single inch of your skin that doesn’t scream:

"Property of Art."

N = No (something they wouldn’t do, turn offs)

This one's tricky—because Art is willing to do anything, as long as it brings pleasure—whether it’s his or his partner’s.

But sharing you or being in an open relationship? That’s an absolute NO.

He believes in God, his country, and marriage—in that order.

(Just kidding. He simply won’t share you with anyone because you’re his. Period.)

Now, if he ever found out you had a lover—or worse, if you moaned another man’s name while he was inside you...

He’d just look at you.

For a few seconds.

As if the entire hell inside him had suddenly gone silent.

And just like that—your world ends.

He’d take it as if you told him you didn’t desire him. That you felt nothing for him. That you wished it was someone else fucking you…

That would hurt him more than anything else.

It’d be the end for you.

And your death? It wouldn’t be quick—not even close.

He’d destroy your face until it was unrecognizable.

He’d feed you filth.

Push your body to the brink of infection.

He’d cover you in wounds—your body a raw, open poem written in flesh and blood. And when the verse was complete, he’d stitch it closed—gently.

As if he cared.

As if he’d had enough, and suddenly… loved you again.

Forgave you.

But girl… you couldn’t be more wrong.

He’d do it so you wouldn’t bleed out. He’d do it to keep you alive as long as possible.

He wants you to breathe his rage—day after day.

And when your wounds start to heal? He’ll pull the stitches out.

One by one.

Line by line.

Because you don’t deserve to heal. Just like he never healed from the wound you left in what little heart he had left.

He doesn’t want revenge. He just wants you to feel what he felt. He just wants you to empathize.

“Do you understand now, my love?” you read in his eyes as he smiles at you.

Art doesn’t do second chances—you’d become his personal punching bag.

Lucky for you, you want him more than you’ve ever wanted anyone.

And he knows that. So you’re safe knowing that no other man’s name will ever leave your lips.

You’ll scream like he’s killing you. And honestly—he could say he had quieter victims.

It’s strange, but there’s another thing he’d never do—as odd as it may sound—he would never deliberately rape you.

He loves playing with fear, with adrenaline. Loves being in control. Loves being dirty, and rough, and wild… but he wants his partner to want him too.

The idea that you’ve become so corrupted that you enjoy every kind of macabre, bizarre act—that’s what turns him on the most.

Raw consent—the kind that’s given between gasps, with shaky breath, with eyes that gleam with hunger—that drives him crazy.

A whispered “yes” laced with fear, with sin, with need—but still a yes.

Always.

If he saw anything in your face or body language suggesting you weren’t into it—that you didn’t want him, didn’t desire him—it would gut him.

He’d be wrecked. Might even hate himself for hurting you.

He’s a narcissist, with delusions of grandeur. He wants to feel wanted. Worshipped. Even romanticized…even though he knows damn well he doesn’t deserve any of that.

He could tie your wrists above your head and spread your legs wide.

Could run a knife along your thighs, savoring the terror on your face as it gets dangerously close to your wet center…

You’d be sweating, trembling. Maybe you could even try to fight him.

But you don’t.

The blade stops… but his gaze cuts deeper than steel.

He unties you—completely. Then watches—in silence—inviting you to run… while you still can.

You won’t.

You both know you won’t.

But he still gives you the option—he always gives you the option. And that turns him on almost as much as slamming you against the wall.

He doesn’t want to take you by force—he wants you to give yourself to him.

He drops the knife.

And then he kisses you. Not violently… but hungrily. With certainty.

Because he’s won.

(Though there’s always the chance…that one day, he’ll spiral. He’ll feel weak, soft... human.

And in a moment of emotional collapse—he’ll rape you.

Not because he wants to.

But because he’s desperate to prove to himself that you mean nothing.)

(Spoiler: That’s not how it works.)

O = Oral (preference in giving or receiving, skill, etc.)

Art enjoys oral sex as much as penetration.

To him, it’s a form of absolute surrender. An offering. An act where the partner’s pleasure is placed above their own.

Of course he loves giving it to you. He’s going to devour you like a chicken wing—because to him, that’s exactly what you are.

He likes to start with your tits.

Because what kind of oral would it be if he didn’t eat your tits first? Even he knows the first course deserves to be savored before moving to the main.

He loves sucking on them, one after the other, pinching your nipples until they’re stiff—hypersensitive.

While he sucks on one, he pinches the other, and then switches, drawing out those moans and gasps he worships.

Of course, he gives you little bites.

Takes your nipples between his teeth carefully, just enough to make you flinch—and that makes him laugh.

But right after, he goes back to soothing you with his tongue, massaging you like a heartfelt apology.

While he’s at it, you can’t help but get soaked.

You feel your pussy clenching, dripping down your thighs, desperate for the same attention he’s giving your nipples.

He sucks on you like a starving baby. If you had milk, he’d drink it all.

(You’re scared that one day he’ll get you pregnant and you’ll end up with two babies latched to your tits… one of them permanently.)

Once he sees he’s done a good job—once your legs are pressed together and you’re a puddle of need—he makes his way down, kissing and licking his path straight to where you want him most.

Once there, he can take all the time in the world between your legs. His tongue is expert: thick, long, soft, versatile.

His lips too.

And if that wasn’t enough—his nose gets involved, making sure no corner goes untouched.

His tongue glides over your clit, up and down, making circles, pressing like a button, zigzagging… he gets creative.

He loves watching that nervous little nub—sweet and twitching—glossed in his hot saliva.

Loves watching it swell and pulse with desire.

His little treasure.

The soft moans you let out are like prayers to him.

He switches between your clit and your pussy, of course—he’s not going to leave her neglected.

His tongue isn’t as long as his cock, but he knows that both the outside and the just-inside are perfectly sensitive to his touch.

And he fucks you with his tongue.

Goes as deep as he can, curling inside, circling, stimulating, dilating you, opening you, preparing you for what comes next:

His fingers.

First one. Then two. Then three… and so on, as far as you can take him.

(He’s fisted you before—a truly astral experience.)

All of it while never giving your clit a moment’s rest—he kisses it like he’s kissing your mouth—tenderly, reverently—doting on it with every motion.

And though he loves drinking you, he can’t help but tremble and pant whenever he takes you in his mouth.

Because now comes the not-so-fun part.

It takes him every ounce of self-control—sweat and tears—not to rip your clit off with one bite. (Ouch.)

You know it’s a risk you have to take…but you trust him with your life (literally).

You know Art will restrain himself, that he won’t let his cannibal urges win…

But the possibility is always there.

And the idea is even more thrilling for him knowing that he’s never eaten a real pussy before, so he’s way too excited about the thought.

Still, you trust that your cannibal boyfriend won’t turn you into dessert.

Of course, Art isn’t content with just your pussy.

He’ll flip you over like someone flipping a burger on the grill—once one side’s done, time for the other, right?

And he’s going to eat your ass. Your whole crack—top to bottom.

The spanks are coming, too. Get ready for him to leave your ass tomato-red, his hand and all five fingers tattooed across it for days.

You love it.

It’s rare for a man to be this excited about this kind of play— and it’s extremely pleasurable.

Art’s not squeamish about anything, least of all in bed.

When you cum, it’s an earthquake. You convulse. You scream his name.

You press his head down as hard as you can, trying to get him as deep as possible.

Your thighs clamp down on either side of his face, trapping him like a vice.

You might think this hurts Art—but you couldn’t be more wrong. He’d love it if you crushed his skull between your legs. It’s how your body says thank you—and he wants you to thank him properly and thoroughly.

No need to mention Art loves period sex. And when he smells it… oh, baby. 

You’re not getting rid of him.

He likes you standing for that—him on his knees, like he’s worshipping at an altar—mouth glued to your bloody cunt between your thighs.

He does it so the blood will drip down his chin, his neck, his chest.

He’ll even rub it into his skin with his hands, just to coat himself more thoroughly in that precious elixir.

Sometimes, Art gets creative.

He’s not a fan of the classic 69, so he invented a better version.

He ties you up upside down—vertically—legs spread, arms free. He calls it the Inverted Scarecrow (in honor of Dawn). You’re left hanging while he eats you out—him standing.

And of course, you’re sucking his cock.

He’ll make sure you’re at the perfect height.

To him, this is the real 69.

The guy who wrote the Kama Sutra just didn’t have the guts.

You know what happened to the last person who was in that position…

But the only thing Art’s going to hacksaw from your pussy—is a path straight to your heart.

Oooooohhh… uwu

But if there’s one thing that sets his entire body on fire—it’s receiving.

Because for Art, that’s the purest form of domination.

Watching you on all fours, bowed between his legs like a slave offering herself to her master—focused entirely on pleasing him while he doesn’t even have to lift a finger…

it’s too much.

(He’ll also want to sit on your face so you can eat his ass, by the way—just be ready.)

Too perfect.

Too filthy.

Too much power.

For him, it’s always a good time for a blowjob.

And nothing turns him on more than when you do it without warning.

Dropping to your knees out of nowhere, saying nothing—just taking him in your mouth with hunger and devotion.

When he’s driving, unzip the front of his suit and suck him off.

With both hands on the wheel, he’ll start swerving a little, completely unable to focus on the road.

He’s too turned on—and he loves that.

He gives you a little thumbs up like saying:

“I’m gonna crash, but it’s worth it.”

When he’s at his workbench, focused on assembling a new weapon—take control of his cock with your mouth.

Suck him while he works.

Don’t stop.

Doesn’t matter what he’s building: some kind of medieval torture instrument, a corkscrew for eyeballs, a chainsaw with animal teeth, a vacuum built to suck colons out through the ass...

You, under the table—focused, warm mouth, wet throat.

Him, brow furrowed, jaw clenched, fighting not to collapse over his tools, barely keeping his composure.

And then there are the darker moments.

The ones you shouldn’t find so hot.

Like that time… with the rack.

He had his victim bound hand and foot with ropes, limbs stretched in opposite directions, muscles and tendons on the brink of tearing.

Art was seated—turning the wheel slowly.

With every turn, the ropes tightened—closer and closer to total dismemberment.

And you?

You knelt between his legs without a word.

Took him into your mouth.

And started moving.

In sync with the wheel.

The closer he got to snapping the other man’s body apart—the faster your rhythm.

You wanted him to cum at the exact moment the tendons tore, when the bones cracked, when the body became an unrecognizable pile of meat.

And you did it.

The screams of the bastard shredding his vocal cords—mixing with the obscene sounds of your mouth on Art’s cock, worshipping him with spit and sin.

Your mouth full of him.

His eyes wild.

The corpse still twitching in front of you.

You could say it was the best blowjob of his life—maybe even the best orgasm he’s ever had.

The pleasure of sex, the pleasure of torture, of slowly bringing someone to their limit—the same thing you did to him.

Except the only thing that got dismembered… was his mind.

(It ended up just like the body.)

He stared at you—chest heaving violently, mouth slightly open. You could practically hear his heart pounding inside his chest, like it was trying to escape.

He was frozen in place, processing what had just happened, barely able to believe it.

For a moment… he looked truly in love.

He was cursing Cupid for ruining his life, and thanking him in the same breath.

Apparently Cupid didn’t use a bow with him—he fucking sniped him with a crossbow.

Direct hit. No escape. Lethal.

His expression said it all:

“You’re worse than me… and I love it.”

It was perfect.

P = Pace (are they fast and rough? slow and sensual? etc.)

Art usually starts focusing in you.

He cares about your pleasure—about making you feel good right from the beginning.

He starts the way he knows you like it best, and he makes an effort to draw it out, to make the moment last, to make it slow, intoxicating… complete.

It’s not how he prefers it. He’d rather fuck you with every ounce of strength in his body—fast, wild, and make you scream until your voice is gone—whether from pleasure or something else.

But that… he saves for the grand finale.

He begins with a gentle rhythm—slow, but deep. Every time he sinks into you, he makes you moan.

He pulls out, then pushes all the way in again—pressing against your cervix—but carefully, on a slow burn.

He gets you so wet. Makes you drip down his shaft, slicking him up. That’s necessary.

He wants you ready.

And once you’re fully relaxed under his touch, once you’re floating in that endless pleasure haze…

That’s when he changes the pace.

He speeds up.

Pulls you out of your trance—reminding you that with him, you can never let your guard down. Because things are about to get intense. The calm is over—and the storm is approaching.

He starts fucking you with a steady, mechanical rhythm. Your soft sighs become moans. Then moans become screams.

He slides in and out of you effortlessly—despite his size—because he’s made damn sure you’re slippery enough for this moment.

And he’s not going to stop. Until you cum.

He watches you. Licks his lips while you melt.

Grips you hard—and even though he loves seeing your eyes closed in surrender, sometimes he’ll slap your face—just to make you open them.

Because he wants you to look at him.

He wants you to see it’s him making you feel this way—that no one else can give you this.

That he’s the one who’s going to make you cum.

He grabs your jaw—wants his face to be the last thing you see before you fall apart beneath him.

And then—you cum.

His gaze locked on yours. Your pupils lost in his—so dark and yet shining like obsidian fire.

There’s already a smile on his face. Because he knows what’s next.

While you’re cumming—that’s when he starts fucking you the way he truly loves: Fast. Deep. Brutal.

He takes advantage of your hypersensitivity—of the way your walls clamp around him like they never want to let go.

He pounds into you without mercy, his cock hammering your cervix, nailing your G-spot like it was built for him—and him alone.

And with you still writhing in climax, he stretches it—makes it last.

He wants to break you…and rebuild you as his.

He seizes your hips, pinning you down just to remind you: the pace belongs to him—fucking you with no mercy.

Until his rhythm falters. Becomes messy. Desperate.

He’s close.

And when he cums, it feels like you’re both reaching the edge together.

You’re still riding your high—and he’s spilling inside you, trembling, branding you from the inside out.

Both of you panting. Sweating.

Locked in a tight embrace like you’re clinging to life, to each other—as if your souls are being torn out through your mouths, carried away by that final wave—that last jolt of brutal electricity crashing through both of you.

Q = Quickie (their opinions on quickies, how often, etc.)

He’s always down for a quickie. Anywhere, anytime, any way.

He doesn’t care how many people are around, how inappropriate it is, or how embarrassed you get—because in the end, you always end up enjoying it… even asking for it. Surprising him too, and he loves that.

He’ll take you wherever he wants, then carry on like nothing ever happened. Leaving your thighs dripping with cum, your legs shaking, your makeup a total mess… and all he’ll do is stare at you with that proud bastard grin—so damn pleased with himself.

You’re so his.

If you walk into a clothing store and ask what he thinks of a dress you like, he’ll tell you to try it on right there. In the fitting room. Says he needs to see it on you to judge it properly… but what he really wants is to trap you in a tight little space and watch you undress for him. Slowly. Watching each piece of fabric slide off your body.

And once you're wearing it? Of course he’ll give his approval—by fucking you in it. So you can feel just how goddamn sexy you are.

But that… that’s predictable.

A public restroom? You’re already banned from half the businesses in Miles.

A back alley in broad daylight? Art takes you wherever, whenever. It’s not his fault he finds you so irresistible he just has to be inside you at any given moment.

During a torture session? That turns him on way too much. There’s always time to pull your panties down—just for a moment. Let that be the last thing his victim sees: you, arching your back, impaled on his cock. A masterpiece worthy of his signature.

A library? He loves shushing you while fucking you mercilessly. Laughing against your neck while you bite your tongue to keep quiet. And him—thrusting harder, deeper. Whispering: “Shhh.” Only thing you can hear is the wet, obscene rhythm of your bodies crashing together. But "Shhh"

And sometimes, he comes home covered in blood—like always—and you don’t even get to greet him. You’re already bent over, ass up, pants down, sprawled across the armrest of the couch. His fingers find your clit while he fucks you. He makes them vibrate against that sweet spot, and you come instantly. It’s too much. He’s too much.

And that’s just… one of many times.

Because why fuck you once a day when he can do it five, six, seven times… or however many it takes?

He has no limits.

Not in any area of his life.

Thanks for reading all the way till the end!

Some of these letters I’m planning to turn into full fanfics:

Would you want revenge from the ex-pillow?

A one-shot set in Sienna’s house or the cemetery? (Not the cemetery, please…)

Would you suck Art off while he’s torturing someone on a rack? (Because I absolutely would.)

Would you let him eat your pussy knowing damn well about his cannibalistic tendencies?

Would you do the Inverted Scarecrow position even if there were seven different kinds of saws on the floor next to you?

I love reading your comments, so don’t be shy—scream or whisper your dirtiest perversions at me. I’ll be more than happy to debate anything with you… even Art’s toenails, if you’re into that.

Here’s the first part (A–I):

https://www.tumblr.com/lrithill/780285284765089792/nsfw-artphabet-headcanon-the-sacred-clown-porn?source=share

And the third part (R-Z):

https://www.tumblr.com/lrithill/781563844942249984/nsfw-artphabet-headcanon-the-sacred-clown-porn?source=share

With love (and lube).

[glittercake]

Starting a little ask spiel. Send this to other folks if you'd like. What is your favorite Sam Wilson headcanon? What is your favorite SamBucky headcanon? ✨

i am so sorry for taking this long to answer Mex!

i think Sam is really good with his hands, as in he likes carpentry and building shit. i always seem to have him building something in my fics. to him, it's an escape from superhero stress. he just gets lost in the project. the stuff he makes is oftentimes not even something he needs in his house, so he donates it to the community.

i also love the idea of Sam doing self-defense classes for girls and women. i think not just would his defense techniques be handy but also his de-escalation tactics, "lie until you're safe" kind of stuff, situational awareness etc. (i mean idk how much I'd learn in a class with his fine ass but anyway)

i think sambucky enjoy domestic work, like on a quiet Saturday they like doing the laundry together, spring cleaning together. i can see them each being busy with their own thing but walking by the other person for a quick kiss. (Bucky smacks Sam’s ass when he walks away).

alpine and fiargo don't like each other when they first move in together. but they slowly start getting used to each other, and every time Sam sees them booping noses or sleeping in close proximity, he sends Bucky a photo.