#technikart

[alexandredumontmanagement]

Arielle Dombasle : "J'ai retrouvé un cosmos musical" (Technikart)

Irrésistible comme toujours dans son nouvel EP “ICONICS”, la Marlene Dietrich du 8ème arrondissement Arielle Dombasle nous a confié ses secrets de jeunesse éternelle (les noix de cajou et l’amour). Interview barbiconic. Une interview à retrouver dans le nouveau numéro de Technikart, actuellement en kiosque. ICONICS, le nouvel album d’Arielle Dombasle, est actuellement disponible sur toutes les…

[candymay]

TECHNIKART MAGAZINE L’AMOUR FOU // TROP BEAU POUR ÊTRE VRAI?  Timothée Chalamet & Taylor Russell // Isabelle Huppert

[maximumwobblerbanditdonut]

"Following your instincts" In the series "Cult" (@primevideofr), César Domboy (@cesardomboy) embodies Raphaël, an ambitious young producer determined to transform French television.

📷 @jeannepieprzownik

#culte #serieculte #@cesardomboy #cult #technikartpeople #y2kforever #technikart @primevideofr

Posted 7th November 2024

[msclaritea]

Report: Jake Gyllenhaal Destroyed $30 Million Film With Strange, Erratic Behavior — World of Reel

Thomas Bidegain, one of the more famous French screenwriters, and longtime collaborator of Jacques Audiard (he also wrote Tom McCarthy’s “Stillwater”), recently released his second film as a director in France, titled “Soudain Seuls.”

Although the film was shot in French, with French actors, it was originally supposed to be shot in 2021, in English, with Jake Gyllenhaal and Vanessa Kirby as the main couple. It was a hot project that even had the likes of Margot Robbie eyeing to star.

As chronicled in the latest issue of Technikart, this $30 million film collapsed, mainly due to a paranoid, capricious and power-hungry Gyllenhaal — who was not just the lead actor, but also producer on the film. This story is wild.

It turns out Gylenhaal was very keen on rewriting and rethinking the whole project a mere 8 weeks before production was scheduled to begin, and as the sets were being built. It led to some major power moves on his part.

The report states how the film broke down as the crew was working hard on it in Iceland. The way Gyllenhaal is portrayed is rather, shall we say, unpleasant, bordering on psychopathic behavior.

Gyllenhaal had some incomprehensible whims (he demanded to drive a car "neither red nor white") to paranoia (asking the set constructors to sleep in their cars because he feared they'd bring covid to the hotel he shared with the crew) to many episodes of yelling at his director (he supposedly did the first reading rehearsal in the accent of Pepe Le Pew).

The strangest anecdote has Gyllenhaal, while visiting set locations, deciding to strip to his underwear and diving into the freezing ocean because "When I see the sea, I swim in the sea.” This bewildered the crew, which included Bidegain.

The nightmare finally ended when Bidegain had to make a “heartbreaking” call to producer Alain Attal, conceding defeat, “Our visions diverge too much. We won’t be able to shoot in September. … It’s all over, and the €26 million is gone!”

It’s not like this story is coming from a dubious source either. It’s been talked about heavily in France the last week, having been covered in some of the biggest media outlets in the country. I’m actually surprised nobody in the U.S. has picked up on this yet.

I'll bet old Jake won't be making anymore cracks about Cabbage Patch Kids, anytime soon.

[unpetitvelodanslacorse]

Photo Pierre Gayte - Réalisation Caroline Cornu - Assistant de prise de vue Simon Andreieff - Assistante de mode Nadia Stragliati - Maquillage Michelle Rainer - Coiffure Christian Faure - Modele Lia Crowe - Robe Yoshiki Hishinuma, collier Darja Richter, collant Christian Dior - Technikart n° 16

[ongshat]

Technikart 273 Digital Version

I recently sat down via Zoom with Jean-Baptiste Chiara of the French Art magazine, Technikart . Here is a link to the issue that has our conversation within. Description of Technikart News, cinema, music, literature, fashion: Technikart takes a different look at contemporary society every month. Having become since its creation in 1991 the essential witness to a world in perpetual change,…

[nothingunrealistic]

text translated from french by google:

The actress Eva Victor, revealed by the series Billions, divides her time between big productions and indie works. She came to visit us during her last stay in Paris.

In the series, you often play young people from Gen Z who question their environment. Are you as committed as the characters you play?     Eva Victor: I had the chance to play roles of people who try to do good. I like the idea that my generation wants the world to be better, that they at least have this hope. As I can be quite pessimistic, it's inspiring for me to play them.

You are on strike right now. Yes, in support of the Writers' Guild of America (WGA). I feel lucky to do it with the other members of my union, SAG, knowing that we are acting for those who are doing least well: many do not even earn enough to be entitled to health insurance (the threshold being set at $27,000 per year). This is insane.

Negotiations are moving slowly. Yes, because studios and streaming platforms want to continue making billions at our expense. They are not ready to give up what they have acquired on our backs. Right now, they want the right to our image forever by using Artificial Intelligence to eliminate our jobs. It's frightening. They don't want to recognize the value that we artists bring to the world. This is senseless, and devastating. There, they want to drag things out so that we end up giving up. We have to hold on.

You are also an author, with texts published in the New Yorker. If I couldn't write, I don't know what I would do. I'm so grateful that it was a job, that I was able to make money from my writing. People sometimes think that writing or acting are dream jobs, and therefore they don't deserve to be really paid. No, it’s work, daily, solitary, complex… It must be valued!   

You were born in Paris. How did you move from France to Los Angeles? Yes, I was born here, in the 1990s. My mother lived here for around ten years, she was an architect. And about a year and a half after I was born, she moved to San Francisco where she met the man who raised me with her.

How did you start acting? I knew I wanted to be an actress when I was 18. I studied theater in college, then I moved to New York and I was like, “This has to work!” I started auditioning, I acted in a few plays, I made my own little videos that I put online. I did that for about two years, it put me on the map. And I was on the set of a film for the first time and I understood that this was what I wanted to do.

On your social media bio, you put the pronouns “she” and “they”. I feel pretty fluid, and I think that attitude translates into everything we do. I wouldn't call myself an actress, for example, I just do what I want to do, when I can. Here you have "iel", but it's less common, right?

Yes, it remains within a restricted group of people. I love when people use “they” or “she” interchangeably, because it reminds me of my fluidity. And I like it when it confuses people. I think we live in such a binary world that this stuff deserves to explode and go beyond the binary.

Are you viscerally New Yorker? I love this city. But now, I left New York and traveled a lot for two years.��Every time I go back, I tell myself that it is a magnificent city, like Paris, with its particular magic. You can walk, the streets are lively... It's difficult to feel alone there.

Unlike Los Angeles? I'm from Northern California. I spent a lot of time there last year to see my family and enjoy the nature which is more easily accessible there than in New York. There's something truly beautiful about being in a cabin, alone, in the California wilderness.

Do you need solitude? I need a lot of time to think. So yes!

Are your stays in Paris a kind of pilgrimage? I try to come back here once a year. To recharge my batteries, to visit the place where my mother gave birth to me. You imagine? It's the 1990s. This woman is pregnant, alone, American. I think what if she gave birth to a baby in the middle of the night in Paris, in a city where she didn't speak the language very well, and in a hospital surrounded by French nurses smoking cigarettes while she gave birth, I can do everything!

When you are in Paris, do you feel connected to her? Everytime! We each have the same tattoo of Île Saint-Louis on our arms. When my mom got the tattoo, she almost fainted, but it was really cute. One day, we will come and settle here to grow old together. A day.

note that the word translated as “actress” in the lead section of the article is different than the word eva uses when they say they wouldn’t call themself an actress. though the latter is the same as the word used to describe eva in the headline 😒

[beautifulcinephile]

@strongestpotion My favorite photoshoots are the GQ photoshoot, the Document one, the British Vogue and Variety from last year, and as for interviews, the Corriere della Sera one is pretty great, the Technikart one with Taylor Russell, the British Vogue one, yeah, these are the ones I love.

Hi! I saw your post about Timothée's photoshoots and I'm curious on which one are your favorites, he does have some awesome photoshoots.

oh, there are so many great ones, but my favorite right now is the new oct 2022 one from vogue uk in black and white. i really want a copy of that one!!

my other favorites are probably the nov 2020 one for gq, the oct-nov 2021 one for time, mar-apr 2020 one for dazed china, and nov 2019 one with saoirse for entertainment weekly. oh, and the fall/winter 2020 one for document journal! i'm really eyeing the gq one because i loveee outdoor photoshoots. i like off-beat styling and bold colors, too, so i was really pleased when i first started looking at the shoots he's done.

his shoot with saoirse was one of the first i saw, and it has such a soft and balanced color palette, and the styling is so gorgeous, so i had to buy a copy lol

i'm still pretty new to timothée's work, so i'm still not aware of every shoot/interview. which ones are your favorites?

[c-decoco]

Jeremy Ferrari x TECHNIKART photographed by Jean-Baptiste Mondino.

[bjstuffs]

Reposted from @kanfoc - #viproomsttropez #sttropezsummer2019 #jeanroch #birdsofmind #djdirtylow #mathieucesar #vianney #davidbryanmusic #bonjovi #thomaslangmann #dijonrocca #manonvan #gettyimage #technikart #kanfoc @fockan @viproomttropez @davidbryanmusic - #regrann https://www.instagram.com/p/B0q2F1SBVVK/?igshid=f2jt2k1kxmus

[quartta]

Bilal Hassani Technikart’s Cover

↓ Get The Look ↓

𝐡𝐚𝐢𝐫 by KiaraZurk

𝐞𝐲𝐞𝐛𝐫𝐨𝐰𝐬 by @pralinesims

𝐞𝐲𝐞𝐬𝐡𝐚𝐝𝐨𝐰 by HappyMarzipan

𝐞𝐲𝐞𝐥𝐢𝐧𝐞𝐫 by @alf-si

𝐧𝐨𝐬𝐞 𝐜𝐨𝐧𝐭𝐨𝐮𝐫 by @mellouw

𝐛𝐥𝐮𝐬𝐡 by @pralinesims

𝐥𝐢𝐩𝐬𝐭𝐢𝐜𝐤 by @magnolia-c

𝐭𝐞𝐞𝐭𝐡 by @wistfulcastle

𝐝𝐫𝐞𝐬𝐬 by DarkNighTt

[unpetitvelodanslacorse]

Photo Pierre Gayte - Réalisation Caroline Cornu - Assistant de prise de vue Simon Andreieff - Assistante de mode Nadia Stragliati - Maquillage Michelle Rainer - Coiffure Christian Faure - Modèle Jean-Baptiste - Chemise Olivier Lapidus, jupe Christian Lacroix, haut-de-forme Jean-Paul Gaultier, étole Christian Dior - Technikart n° 16

[ongshat]

Technikart 273 Digital Version

I recently sat down via Zoom with Jean-Baptiste Chiara of the French Art magazine Technikart. Here is a link to the issue that has our conversation within. Description of Technikart News, cinema, music, literature, fashion: Technikart takes a different look at contemporary society every month. Having become since its creation in 1991 the essential witness to a world in perpetual change,…

[alittlefrenchtree]

No shit.

*patiently wait for the scans*

Timothée Chalamet and Taylor Russell on the cover of the November edition of Technikart Magazine (x)

[myhughniverse]

Mirwais' collab with

@kylieminogue

is due to be released in January 2022 as part of his new album, 'The Retrofuture'. According to Technikart magazine, the song "could be next year's hit". http://bit.ly/3tDVomv

Credit : "The World Still Turns" @KylieTWST

To be continued...

[mkdsgn-lab-blog]

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