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lenalenouilleisblogging · 3 months ago

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2024 feminist movie retrospective ~ day 1

Yeah, let's get the big one™ out of the way first. Or one of the two big ones I guess. I'm sure you can guess what the second one is. Just a heads up : even if it doesn't reflect my convictions, I'll use "sex work is work" vocabulary in this review for the sake of time, clarity, and because the movie uses these words. Also obviously graphic talk of sexual content ahead. Spoilers will be in red.

Watched : November 3rd at an independent theater. The showing was quite packed.

I went to see this film with my mom and brother, and the conversation we had after the film immediately made me realize that gen Z male "feminists" like my brother are 100% this movie's target audience. You'll understand why later...

I'm gonna be transparent, I did not go into this with a fully open mind, I had 2 worries from the getgo : one, Adum from YMS gave this movie a 9/10. This guy is one of the most competent YouTube film critics but he's also a spineless, hypocritical liberal "male feminist", every time he recommends a movie about a feminist issue it's a red flag. And two, the only other Sean Baker film I've seen is Red Rocket. If you haven't seen it (honestly good for you) it's about an ex "porn star" who is now too old for the job and is forced to move back to his shitty home town. When he meets a teenage girl who develops an obvious crush on him, he sees it as an opportunity to groom her into "sex work" to make money off her and get back into the industry. Not only was the film really boring with zero likable characters, but knowing what I know now about Sean Baker, a creepy pro-porn, pro-unregulated prostitution """activist""" the movie is even creepier. (Full disclosure, I wasn't aware of these things when I saw Anora)

Let's start with what works in Anora. Honestly, I don't really have anything negative to say about the technical aspects of the film. It's very well shot, well lit, well edited. The dialogues are realistic, fun and dynamic and all the character interactions feel very real and genuine. Mikey Madison is the obvious standout in terms of acting but the rest of the cast is very good as well. The actor who plays Ivan (the husband) is quite good at being an absolute tête-à-claques (face made for slapping) as we say in french. Seriously this guy's insufferable. The two russian henchmen are a new spin on a tired character archetype and they're super likable and entertaining. I also appreciate that they cast Russian actors to play the russian characters, and not USAmerican actors of vaguely slavic descent. That's a big pet peeve of mine.

In short, the way the movie conveys what it conveys is very good. The problem is, well, WHAT it conveys.

Anora is the character who gives the movie its name. She's a prostitute at a strip club who meets Ivan, the son of a russian oligarch. He's a very easy client for her as he's very rich, not violent (or very active at all seemingly) in bed, gives her access to drugs and alcohol and he immediately decides to exclusively hire her. He buys her more and more often, to the point of bringing her to Vegas with his friends as a "date" and the two end up getting married there, and she moves into his massive house.

Problem is, Ivan didn't ask permission before spending massive amounts of money (and marrying a prostitute) in the US and his family's pissed off. They send three henchmen that are supposed to make him divorce Anora and bring him back to Russia, except he runs away and from then on, the movie follows Anora and the three henchmen in wacky situations as they look for him.

I just made the plot of this movie sound way more clear and concise than it actually is. Because in the actual final product, the rhythm is WACK. But that's by design. The movie sacrifices a lot to make the audience's dick hard, because a lot of it is just porn.

Ivan's family intervenes around the 45min mark, before that we follow Anora as she lives her prostitute life. We also see a lot of other prostitutes at the club she works at. The movie is EXTREMELY explicit for no reason. From what I can remember, there are at least 6 or 7 sex scenes (I count stripping scenes as sex scenes here) in that first third which is enormous, they don't seem to serve a purpose and seem to only exist to titillate the male audience. The stripping scenes in particular are just full dance/stripping routines with the actress shaking her ass and naked breasts at the camera. It drags on and it's very uncomfortable to watch. But hey what do I know. When people suggest skipping the sex scenes to move on to the actual plot this is how men on reddit react :

The movie's sexism doesn't stop at gratuitous sex and nudity. There's also the fact that Anora is BARELY a character. Apart from the fact that she fights off the russians to stay married to Ivan, she makes no real decision at all in the film. She has no fears, wants or dreams. She is entirely defined by what other people do TO her. She has no real personality, especially since the character herself plays a role of sort for a lot of it. She plays the role of a willing, consenting girlfriend/wife with Ivan AND with his family. As shown in the trailer, she's very angry and aggressive with the henchmen during a lot of the film, she physically fights them, she has a foul mouth, she's constantly antagonizing everyone. But it never makes her feel real. She feels like a character archetype in a hentai game. The rude prostitute with the Brooklyn accent who gets into fights but is super sweet to her rich husband <3

Apart from that, the most emotion we see from her is the final scene, after the final confrontation with Ivan's family. Him and Anora divorce, she's not gonna get anything out of it, she even gives the ring back, and she goes back to her sister's place where she lived at the beginning of the film. One of the henchmen, Igor, has been tasked with driving her there. (Igor is a very silent character but the camera often shows us his reactions to the action, and it's abundantly clear that he was on HER side during this whole ordeal) Before she exits the car, Igor reveals that he has managed to snatch the ring back, and he gives it to Anora. Anora then climbs on top of Igor in the car, and long story short (the scene is once again an uncomfortable length) she puts his penis in her and does her thing until he cums. (I feel like even in the context of the film I can't call what she does sex because it's something she does very clinically and almost on auto-pilot) Igor then tries to kiss her, which sends her into a fit of rage, she starts hitting him then slowly starts crying and breaks down in his arms. End of the movie.

So. If you're watching this movie with a feminist eye, the final scene feels like it makes sense. This poor woman has finally found a way to """escape sex work""" by sticking to one client who's not too bad, and just when it becomes comfortable, she is snatched back to the cold reality. When a man does something nice for her completely selflessly, she reacts by giving him sex because it feels to her like it's the only way to say thank you, she only sees sex as something transactional. What defines her interactions with all men. But when it turns out this man likes her as a person and not just as a piece of meat, she doesn't know how to react because it's so unknown to her. And she ends the movie sobbing because after all that, she has to go back to poverty and full-time sex work.

When it's told like this, it almost seems like this narrative takes a stand against prostitution right? It shows us how it broke this woman, how miserable she is, how it affects all of her relationships. Except that's when it all crumbles, because what makes this movie horrible is that this is very much NOT its message.

(just a quick note about the character of Igor because I don't know where in the review to put this : I'm curious what other women, especially women who are survivors, felt about him. That character actually really worried me for a big part of the film. Every time he was alone with Anora (which happens a few times) I was expecting something horrible to happen. In the end obviously it was fine, because this movie takes place in a fantasy land where strippers love their job and criminal henchmen are never inappropriate towards the tied up prostitute they're meant to be intimidating. And yeah I sincerely believe that the character is supposed to be read as this innocent guy who has a crush on Anora or at least really respects her. That's what I meant by "likes her as a person" anyway!)

As I said at the beginning of this post (approximately 84 years ago) I had a conversation with my mother and brother over some fries after the film. My mother and I started talking about how sad we were for the main character, saying pretty much what I've written in these last paragraphs. And then my brother intervenes. "No" he says. "She's so sad at the end of the film because she was genuinely in love with Ivan and that's why she fought so hard to stay married to him, and she has sex with Igor at the end because she likes him too, she has grown attracted to him during the movie." I'm sure you can imagine the look of disbelieving shock on my mother's and my face. The details of the discussion that followed don't matter (My brother was the only one who hadn't been made extremely uncomfortable by the half hour of sex and stripping in the film, funny that) but it made me think.

Let's see this movie for what it is. It's an hour of misery porn that follows 45 minutes of actual porn. It's the misadventures of a poor prostitute who gets thrown around by the plot, written, directed, and produced by a man who believes prostitution should be 100% unregulated and is proud of being a big onlyfans patron. (and holy shit don't look at his following list on twitter) Oh yeah, and he was okay with not having an intimacy coordinator because Mikey Madison didn't want one. It's fine if it's what she wanted right? Liberal feminism is starting to sound like a parody of itself.

As much as it hurts to admit, I think the film my "male feminist" brother believes he saw is closer to what the creator intended than what I think I saw. Because it just makes sense. If it's a porn fantasy about a prostitute who loves her job and falls in love with a rich client, then yeah, the nudity and sexual content are on theme. The ending is still bleak as fuck tho. But let's not forget that the movie at its core is still just award bait. And no wonder the old guys who give these awards loved it. It was made for them. And it's also easier for everyone, no one likes how dark the real world is. They want easy archetypes. That's why radical feminism is unpopular, it's depressing. This movie's highest rated comment on letterboxd is just "a terrifying tale of dating a mama's boy" because yeah, apparently everybody else agrees that what we saw in this film was "dating". What the hell, sure. I'm sure these people also thought Red Rocket was about a harmless cute couple with a bit of an age gap. Well anyway, that was my last Sean Baker.

Final rating : KAM/10

This post wasn't meant to be this long! I had more to say than expected. The other reviews won't be nearly as long. The only other movie I predict I'll yap this much about might be the other big one. See you tomorrow, same time for part 2!

#this one is SO all over the place i'm so sorryyyyy #this is what happens when a movie is fine technically but awful in terms of message i just become angry #review tag #film yapping tag #Léna's originals and additions #radical feminism #radblr

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