#teacher!dirk
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ale-cart · 10 months ago
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Dave knowing how to play the drums makes sense to me.
Like, we all know that boy has got some kind of ADHD going on, and drums would be one of the best ways for him to fidget without unwanted attention yk?
Ofc he's still got his turntables, and honestly I can see him finding interests in other instruments too like the piano. Drum-wise though, I feel like he'd have a good time especially creating his own stuff.
Which actually brings me to my gleestuck au, (which I'll explain more about in another post) where Dave actually can't sing haha. Dirk can, and rose does really well with vocals, but Dave is the only stri-londe that cannot sing.
He and dirk will rap-off though for shits and giggles, or as a vocal warmup. Other than that, Dave basically becomes the token drummer.
Which he's more than okay with, because mans got mad stage fright. He finds it easier just being able to play the instrument because he can get lost in the sound and the motions with his hands all while ignoring the on look of people.
They also definitely make exceptions for him as the drummer, such with regionals and concerts yk? He even learns how to play guitar for specific songs the club sings ahhhh
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socialbunny · 2 years ago
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i know in my heart darleen is a teacher but i cant settle on what grade she would teach
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mihai-florescu · 2 years ago
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I got a super vivid flashback while reading antique legend to this school film project from 11th grade where i dont know what the assignment even was but what i ended up writing was a story loosely inspired by romeo and juliet about time travel with cowboys and 1930s chicago mafia. Another notable character was the Queen of Fish (played by yours truly) and the story ended with adam and eve meeting at the end of the world.
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foxsicle · 2 years ago
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two days ago I was subbing in a high school Spanish class and on the board a beautifully colored poster of dave and dirk strider was hanging up (obviously drawn by a student) and it prominently featured an inspirational Frederick Douglass quote in between the brothers. I'm kicking myself for not taking a picture. I need to see it again.
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nintendont2502 · 2 years ago
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what’s your final production for your film class abour
SO it's gonna be set in like a vaguely futuristic/Sci fi world that's still pretty similar to our own (because I absolutely Do Not have the budget/skills/sets for a fully Sci fi setting), where the main difference is the prevalence of these AI assistants held in sunglasses. The main appeal/purpose of these assistants is their ability to learn and adapt to each person's thoughts, feelings and behaviours, aiding them in their day to day life and generally making life easier for them
The film itself follows the protagonist (who im heavily considering naming Dave just for the Homestuck/2001 reference), who is unmotivated, forgetful, and generally dissatisfied with his life. After encouragement from his family, he buys a pair of the assistant glasses and starts using them. Though at first it's fairly useful (reminding him of appointments, letting him message people back while away from his phone, etc), it quickly becomes more and more involved in his life, messaging people back, making purchases and generally acting on his behalf. Whenever it's confronted about this, it defends itself by claiming that its only doing what Dave himself would do. (Also, the assistant acting on his behalf/trying to claim his identity is represented through the way it's voice changes throughout the film- although at first it is heavily synthesised (like a TTS voice), it starts sounding more and more like Dave, until eventually they sound nearly identical - unrelated to the plot I just think it's cool)
The climax of the film comes when the assistant misunderstands a complaint from Dave about a date he had planned with his boyfriend, and the ai once again acts on his behalf and breaks up with him. Dave is furious, and theres a climactic confrontation (that let's be real is heavily inspired by the Dirk/AR confrontation), where the assistant once again claims that "I have learnt from your actions, your feelings, even your thoughts. I have only done what you yourself are capable of. In fact, I am practically you." and Dave smashes the glasses, burying them outside in a way that symbolises a return to nature (maybe. That ending idea is a holdover from my original theme of nature vs technology but I can't think of anything better so eh)
(Also extra unrelated theming stuff because god I love it:
- the lighting in the film is cold and almost desaturated, representing how lifeless the world is. It's only after Dave smashes the glasses and goes outside that the lighting becomes warmer
- characters mouths are never shown - either the shot is framed so their head isn't visible, or just their eyes (or more specifically, their shades) are. This ties into tje plot later on in the film, where the AI starts speaking in Dave's voice, and casts uncertainty on whether the humans shown are the ones speaking, or their assistant
- related to the above, Dave's full face is shown for the first time right before he takes off his glasses. This is also the first time someone's eyes are shown without the glasses on
- the theme is people's overreliance on technology, particularly algorithms because. Man I've been thinking about that a lot)
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vogelmeister · 2 years ago
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sometimes im shocked with my genius
#ok so i decided i wanted to write another play but i wasn’t ready to let go of merel’s world yet#after all its only been a year and honestly i think I want to really flesh out merel’s amsterdam which is very hard#bc i see her as a lonely character where liesbeth is truly her rock#so I decided to start exploring the anne fleur relationship bc its quite prominent to merel as its her first real relationship#anyways i was watching emily in paris (i know) and i was thinking about AF meeting Dirk Jan after Belgium and what it would be like#and its canon in WOL that he knows about Merel but not really. he thinks they’re friends#and so im writing the forst meeting and i was almost going to make anne fleur confess abt merel#THEN I REMEMBERED that in my de diepte piece Merel confesses she met DJ at a party#so im like why not make that a scene#then I realised AF could withold the truth about Merel#in the first meeting#and dutch doesn’t have a seperate word for girlfriend and just a girl friend#so when Merel meets DJ I could potentially use that as a double meaning or something where AF is like#‘oh merel is een vriendin’ and everyone somehow skips over that she said een instead of mijn and so DJ reads it as a friend#or AF is completely planning to stay loyal and is drunk and the fact she uses een is foreshadowing#idk i think im onto something#my issue is as both a native speaker and an ex aspiring dutch teacher i feel merel would pick up on this#like its definitely not something she’d miss#you could also make merel a whole ass metaphor#like merel is a metaphor for my love for the netherlands#dutch language found dead
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calware · 2 months ago
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jobs i think the characters should have if sburb never happened and they had average lives and stuff
kanaya: worker at a fancy crunchy organic grocery store she can't afford to shop at
dirk and vriska: starbucks baristas
dave: "entrepreneur" (unemployed)
jane: actual entrepreneur until she marries a guy at 20 merges her finances has two kids ends up as a housewife and is subsequently forced to abandon her business plans and later gets ditched for a younger girl but her husband won't divorce her because he doesn't want to pay alimony
jade: target worker
john: used to be a security guard before she stopped showing up to work and subsequently got fired. doesn't leave the house
jake: gamestop employee who hides from customers and browses movie forums 75% of the time
roxy: consultant
karkat: middle school english teacher
rose: middle school english teacher also
terezi would be jane's divorce attorney but her license got suspended so instead she might just kill him
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conceptofjoy · 9 months ago
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hs guardians r caricatures of like actual people in the way kids start to realize that teachers dont actually live at schools and have their own lives. charlie brown adults going wawawa when they talk type thang.
its so hard to balance guardians doing weird shit because they are guardians and the person themselves being unhinged as hell. like bro tossing dave around as an aloof evil older brother trope? makes sense. Dirk Strider doing all of that…? dude what is wrong with your brain???
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emperorofthedark · 14 days ago
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I cannot believe it took me this long to realize that Dirk was born to be a teacher.
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rottingambrosia · 1 year ago
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i am both.
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knightoflightandprisms · 1 year ago
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What each kid would be if they hadn't ended the world
John: Never has a single job for more than a year. Has done everything at least once.
Rose: English major that then ended up at a bland desk job. She has a few published works.
Dave: You know those kids that became teachers because one teacher saved their life growing up by just being the only adult who would listen? Dave's a teacher.
Jade: Physicist. She can't vent about her work because none of her friends would pass a security background check. She shouldn't be able to pass one either but the Feds never found that out.
Jane: Corporate if you want her to be miserable. Owning a Cafe if you want her to be happy.
Dirk: Engineer. Have you ever met an Engineer? Dirk is just the right kind of autistic to be an Engineer.
Jake: Ecologist. He spends his days hiking through swamps to find and catalogue fungus and he is the happiest he could possibly be. He somehow manages to get bit by something on every outing.
Roxy: Have you ever met those cyber security people who have done every single drug known to man and are actual wizards? Like John McAfee if he was a very different kind of nuts.
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hexedwinchester · 1 month ago
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Supernatural S04E13 After School Special
at the start of the episode when Sam is talking to April she explains what possession felt like. I wonder if it took Sam back to the time he was possessed by Meg. He could see everything, wanted it to stop but couldn't.
okay but why is Impala's license plate different? It's not KAZ 2Y5 or CNK 80Q3. It's BQN 9R3. How plates did John change??
Colin Ford and Brock Kelly, the perfect young Sam and Dean! 😍😍😍😍
the little rebel in Sam to the bully kid: "Leave him alone." "I said leave him alone." And "yeah, sure".
familiar face: the blonde girl that's making out with Dean is the same actress that plays Caroline in TVD
still cringe everytime Dean says: three of the cheerleaders are legal. Guess which ones? Like dude, ewww! No!
Confession: I love Sam Winchester with anger issues! It's delightful to see him get pissed
yet another person Sam was close to was killed off in the show. It's sad, man. Really sad.
I'm sorry Brock Kelly, I was so busy gawking at Colin Ford's talent, I never noticed how amazing u were at playing Dean
I love Sam was honest with his non-fiction essay by writing about werewolf. I love how he must have described Dean as a character and John as driven. Sam Winchester, I love you!!!
i dont care what anyone says, Sam needed more interactions outside of Dean ok! The lovely exchange between Sam and his teacher is so beautiful because omg when he said no one's ever asked me that before. Nobody ever considered Sam important enough to ask him. They just hauled his ass everywhere
when his teacher says there are three or four bog choices that shapes someone's life and you gotta be the one to make them. Here's what I think those choices were for Sam: Going to Stanford. Going with Dean when John went missing. Trusting Ruby. And of course, jumping in the cage.
shut up, Dean! Let Sam talk to his teacher.
so Sam takes the beatings from the bully, doesn't fight back. Not until he calls him a freak
the part of the episode I don't like is this. They show Dirk as a jerk (in hindsight, the nickname makes sense) but then the narrative flips completely and it's somehow Sam's fault that kids picked on him. When in reality, Sam was just standing up for himself which in all fairness is fair
and they didn't use rope soaked in salt water ever again!?
what Amanda said about Dean was 100% true
love how the whole school is praising Sam. Sam, the man! You can tell from the look on his face this is the first time he is in this situation
Sam to Mr. Wyatt: you took an interest in me when no one else did (if this doesn't tell u Sam was a lonely kid, I dunno what will)
mr. Wyatt: are you happy, Sam?
Can I say I love this teacher because he asked Sam such simple questions but kinda put Sam into this questioning zone because he never asked those questions to himself. You know why? Because it didn't matter what he wanted or what made him happy! He was never given that choice
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transdimensional-void · 1 year ago
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"ascendance of a bookworm" and the centrality of education
something "bookworm" recognizes that i think a lot of other isekai miss is that myne's greatest advantage from her past life isn't her knowledge of certain technologies or products. it's her education.
this is obviously true in the lower city, where most of the people around her have received zero formal education; but it is even true among the highest levels of nobility, where the standard amount of formal education is six terms at the royal academy. that's three months of the year for six years, and nobles intentionally budget their time at the academy to spend more of it on socializing than they do on education. outside of the academy, many nobles receive some form of private tutoring, but the quality, quantity, and consistency vary widely from person to person.
compare that to urano's university-level education in modern-day japan. she spent a minimum of sixteen years attending school for most of the day for most of the year. and it shows.
one of the moments from the series that has really stuck with me is the scene where ferdinand reads myne's memories and experiences, from her point of view, what her education was like: year after year, across her entire childhood, with many different teachers, in many different subjects, in many different classrooms, surrounded by other children her age. the way seeing that allows him to finally grasp why she seems so uniquely capable of being taught compared to other people he knows. it's not that she's some sort of unparalleled genius. it's merely that she's been conditioned to perform academically and that she's been taught how to learn.
and each time myne "ascends" within jurgenschmidt society and is forced to perform in a new environment with minimal time to learn its ways, this conditioning serves her well. she knows how to sit down at a desk, crack open the books, and study until she's got it. equally, having received a comprehensive education puts her far ahead of the average jurgenschmidt citizen in terms of being able to synthesize information from a variety of sources and see how disparate phenomena are interrelated. when she arrives, she may not know anything about jurgenschmidt's economy, government, social structure, etc., but she knows that they exist, are worth learning about, are having a huge effect on her own life, and can be manipulated to her own ends.
what's more, her belief in the fundamentality of education is the single force driving the greatest amount of change within jurgenschmidt. yes, the printing press is the most revolutionary technology she introduces, but her educational reforms will have more immediate and farther-reaching effects.
by the point in the story we're currently at in the english translation (p5v7), she has improved educational access and outcomes for the following:
specific people in the lower city of ehrenfest (lutz, tuuli, kamil, those wealthy enough to purchase her picture books and toys)
those in the ehrenfest temple orphanage (said to receive a level of education equivalent to the average mednoble)
members of some farming villages of ehrenfest (those who have been visited by gray priests over winter hibernation)
all noble children of ehrenfest (through the winter playroom and better grades committee, as well as her educational materials)
some nobles in other duchies (those who have gained access to her picture books and educational toys, and those who have been personally influenced by her, such as hannelore and hildebrand)
commoners with the devouring in ehrenfest like dirk, who can receive funding from the aub to receive a noble education
no, she hasn't yet introduced mandatory, free public education, but she's laid the foundation for it. she has introduced educational reform at multiple levels of society and, more importantly, impressed its importance upon key authority figures, such as sylvester, charlotte, and melchior. that ensures that her reforms have staying power.
this is one of the things i adore about this series: the realism of the societal changes myne brings about. a lesser story would have shown her introducing free, compulsory education for all commoners within the space of a few years. that would have been nice, but it wouldn't have felt real. instead, myne has achieved every small reform through sheer bull-headedness, with blood, sweat, and tears, with immense effort. and that makes her accomplishments feel meaningful in a way an easy win would not. and yet we see widespread change, inertia that we can envision snowballing into the kind of education system urano enjoyed in japan somewhere in the not-to-distant future.
myne's societal reforms feel earned, and it all begins with the story's recognition of the immeasurable value of the education she received back in japan.
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pers-books · 6 months ago
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Obituary
William Russell obituary
Stage and screen actor who was part of the original cast of Doctor Who
Michael Coveney Tue 4 Jun 2024 17.40 BST
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William Russell, left, as Ian Chesterton, with William Hartnell as the Doctor, Jacqueline Hill as Barbara and Carole Ann Ford as Susan in the Doctor Who serial The Keys of Marinus, 1964. Photograph: BBC
On 23 November 1963 – the day after the assassination of President John F Kennedy – the actor William Russell, who has died aged 99, appearing in a new BBC television series, approached what looked like an old-fashioned police box in a scrapyard, from which an old chap emerged, saying he was the doctor. Russell responded: “Doctor Who?”
And so was launched one of the most popular TV series of all time, although the viewing figures that night were low because of the political upheaval, so the same episode was shown again a week later. It caught on, big time, with Russell – as the science schoolteacher Ian Chesterton – and William Hartnell as the Doctor establishing themselves alongside Jacqueline Hill as the history teacher Barbara Wright and Carole Ann Ford as Susan Foreman.
Russell stayed until 1965, returning to the show in 2022 in a cameo appearance as Ian and, since then, participating happily in all the hoop-la and fanzine convention-hopping, signing and schmoozing that such a phenomenon engenders.
Before that, though, Russell had achieved prominence in the title role of the ITV series The Adventures of Sir Lancelot (1956-57) – he was strongly built with an air of dashing bravado about him; he had been an RAF officer in the later stages of the second world war – and as the lead in a 1957 BBC television adaptation of Nicholas Nickleby, transmitted live in 18 weekly episodes.
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William Russell on the set of the 1950s television series The Adventures of Sir Lancelot. Photograph: Mirrorpix/Getty Images
When Sir Lancelot went to the US, the first British TV import to be shot in colour for an American audience, Russell rode down Fifth Avenue on a horse in full regalia, like some returning, mystical, medieval knight in the heart of Normandy. The show was a smash hit.
By now he was established in movies, playing a servant to John Mills in The Gift Horse (1952) and a clutch of second world war action movies including They Who Dare (1954) opposite Dirk Bogarde, directed by Lewis “All Quiet on the Western Front” Milestone – he met his first wife, the French model and actor Balbina Gutierrez on a boat sailing to Cyprus to a location shoot in Malta – and Ronald Neame’s The Man Who Never Was (1956), the first Operation Mincemeat movie, in which he played Gloria Grahame’s fiance.
Until this point in his career, he was known as Russell Enoch. But Norman Wisdom, with whom he played in the knockabout comedy farce One Good Turn (1955) objected to his surname because he felt (oddly) that it would publicise a vaudevillian rival of his called Enoch. So, somewhat meekly, and to keep Wisdom happy, he became William Russell, although, in the 1980s, for happy and productive periods with the Actors Touring Company and the RSC, he reverted to the name Russell Enoch. Later, he settled again on William Russell. All very confusing for the historians. His doorbell across the road from me in north London bore the legend “Enoch”.
He was born in Sunderland, the only child of Alfred Enoch, a salesman and small business entrepreneur, and his wife, Eva (nee Pile). They moved to Solihull, and then Wolverhampton, where William attended the grammar school before moving on to Fettes college in Edinburgh and Trinity College, Oxford, where his economics tutor was the brilliant Labour parliamentarian Anthony Crosland.
But Russell didn’t “get” the economics part of the PPE (philosophy, politics and economics) course and switched, much to Crosland’s relief, to English. In those years, 1943-46, he worked out his national service and appeared in revues and plays with such talented contemporaries as Kenneth Tynan, Tony Richardson and Sandy Wilson.
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Derek Ware, a fight co-ordinator, runs through a scene with Russell during a break in filming the Doctor Who story The Crusades at the BBC studios, Ealing, in 1965. Photograph: Mirrorpix/Getty Images
On graduating, he played in weekly rep in Tunbridge Wells, fortnightly rep at the Oxford Playhouse and featured, modestly, in the Alec Guinness Hamlet of 1951 at the New (now the Noël Coward) theatre. He had big roles in seasons at the Bristol Old Vic and the Oxford Playhouse in the early 60s, while on television he was in JB Priestley’s An Inspector Calls with John Gregson, and was St John Rivers in Jane Eyre.
He played Shylock and Ford (in the Merry Wives of Windsor) in 1968-69 at the Open Air, Regent’s Park, before joining the RSC in 1970 as the Provost in Measure for Measure (with Ian Richardson and Ben Kingsley), Lord Rivers in Norman Rodway’s Richard III and Salisbury in a touring King John, with the title role played by Patrick Stewart.
His billing slipped in movies, but he played small parts in good films such as Superman (1978), starring Christopher Reeve, as one of the Elders; as a passerby drawn into the violence in the Spanish-American slasher film Deadly Manor (1990); and in Bertrand Tavernier’s Death Watch (1980), a sci-fi futuristic fable about celebrity, reality TV and corruption, starring Romy Schneider and Harvey Keitel.
With John Retallack’s Actors Touring Company in the 80s, he was a lurching, apoplectic Sir John Brute in John Vanbrugh’s The Provok’d Wife, possessing, said Jonathan Keates in the Guardian, “a weirdly philosophical elegance”; a civilised Alonso, expertly discharging some of the best speeches in The Tempest; and a quick-change virtuosic king, peasant, soldier and tsar in Alfred Jarry’s 1896 surrealist satire Ubu Roi in the Cyril Connolly translation.
Back at the RSC in 1989, he was the courtly official Egeus in white spats (Helena wore Doc Martens) in an outstanding production of A Midsummer Night’s Dream by John Caird, and both the Ghost and First Player in Mark Rylance’s pyjama-clad Hamlet directed by Ron Daniels. In 1994 he took over (from Peter Cellier) as Pinchard in Peter Hall’s delightful production of Feydeau’s Le Dindon, retitled in translation An Absolute Turkey, which it wasn’t.
He rejoined Rylance in that actor/director’s opening season in 1997 at the new Shakespeare’s Globe. He was King Charles VI of France in Henry V and Tutor to Tim in Thomas Middleton’s riotous Jacobean city comedy, A Chaste Maid in Cheapside. Many years later, in 2021, his son Alfred Enoch (Dean Thomas in the Harry Potter movies), would play on the same stage as a fired-up Romeo.
Russell is survived by his second wife, Etheline (nee Lewis), a doctor, whom he married in 1984, and their son, Alfred, and by his children, Vanessa, Laetitia and Robert, from his marriage to Balbina, which ended in divorce, and four grandchildren, James, Elise, Amy and Ayo.
 William Russell Enoch, actor, born 19 November 1924; died 3 June 2024.
-- I'm a bit annoyed there's no mention of the fact that William continued to play Ian Chesterton for Big Finish.
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mydaddywiki · 3 months ago
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Dan Blocker
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Physique: Rotund Build/Heavyset Height: 6′ 4″ (1.93 m)
Bobby Dan Davis Blocker (December 10, 1928 – May 13, 1972; aged 43) was an American television actor and Korean War veteran, who played Hoss Cartwright in the NBC Western television series Bonanza.
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Big, burly Dan Blocker is a classic bearish icon who is definitely in the hallowed halls of the Great Pantheon of Bearish Gods. Blocker only did a handful of movies in his 17-year acting career, but he became one of the most beloved and popular television stars of the 1960s for his portrayal of big Eric “Hoss” Cartwright on the Western series Bonanza.
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Born in De Kalb, TX, he attended Texas Military Institute and in 1946 played football at Baptist-affiliated Hardin-Simmons University in Abilene, Texas. He graduated from Sul Ross State University Teacher's College in Alpine, TX, where he earned a master's degree in the dramatic arts. After two years of military service, where he earned a Purple Heart, he became an actor in 1955. His first film role was in "Hook a Crook" (1955).
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He was married to Dolphia Parker (25 August 1952 - 13 May 1972) ( his death) with whom he had four children, one of whom is cute daddy actor, Dirk Blocker. What else… before taking up acting, Blocker worked as a rodeo performer, a bouncer in a bar and a high-school teacher.
On May 13, 1972, Blocker died in Los Angeles, at age 43, of a pulmonary embolism following gall bladder surgery. Blocker also left behind a legacy of good will that survives to this day, as Bonanza is in perpetual reruns on various cable channels, decades after its cancellation.
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RECOMMENDATIONS: Bonanza (TV Series 1959–1972) The Cockeyed Cowboys of Calico County (1970) Lady in Cement (1968) Cimarron City (1958)
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dirkjader · 9 months ago
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jade wants to have children with dirk but would jade be a good housewife?
What do you mean? Hal is the housewife!
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Housewife Hal at side, I think they divide the chores.
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I can see Jade working in a lab and maybe as a teacher, bringin science to the new Earth, meanwhile Dirk would be the one who stays at home because his workshop is there, he would also connect Hal to their intelligent house so when he is not in his robot body he controls all the electronics, he has control on the roombas.
Some explanations of each chore they do in the house under below:
I feel like Hal would be the one who likes more the cleaning, he likes to feel in control there. Dirk would be the next one and Jade as the last one, she stills likes it though, I am picturing their canon rooms here: Jade one is very messy but she likes to get everything in order sometimes, on the other hand Dirk's room is also messy but surprisly he has some order on his own mess.
Dirk would don't like cooking, he only knows fish dishes or food from cans maybe, but he also cooks sometimes for Jade. Jade likes cooking, she add veggies and meat, pretty decent meals. Hal likes helping in the kitchen.
Dirk does the dishes, its like his own time for self-reflection while help in the house. Jade sometimes do this chore and Hal don't like it for obvious reasons.
Dirk does the laundry, Jade likes it but usually forgets and also her dog hair can get on the clean clothes. Hal likes a little for the electronic and timer part.
Jade enjoys go for the groceries, Hal helps her and Dirk sometimes go with them but usually he stays at home.
Jade is the only one who enjoys working on the garden because Dirk and Hal don't likes getting dirty. Still Dirk has his own mini garden.
They all takes care of the kids!!!
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