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spaceorphan18 · 6 years ago

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Finding Kurt Hummel: A Wedding

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6x08: A Wedding

It’s kind of fitting that I’m writing this on the weekend that Darren and his lovely long time girlfriend/fiancee Mia are getting married. It’s also Love, Love, Love week in the TDB rewatch, and I mean Valentine’s Day weekend (but eh I’ve never cared about that.)

Anyway! .. Alright guys - we’re here! The culmination of the entire Klaine arc -- right here and... Alright, let’s be honest, this episode is, well, lacking. Personally, I think they could have added another hour to the episode - fleshed out the reunion just a tad more, given Blaine’s mom an actual story, and maybe not tie Klaine and Brittana in a nice bow together (personally - Klaine eloping would have been an interesting route).

But this is Glee. And it was more interested in being propaganda for gay marriage. And hey!! I’m totally here for all the gay marriage, and LGTB rights -- yes let’s do that!! But here... they sacrificed organic story for their message, which is mostly why I think this episode is disappointing. It kind of forgot about the heart of the characters

High-End Barn Wedding

So - we kick off the episode with Wedding Planner!Kurt... so for all of you who wished Kurt had planned his own wedding, well -- he mostly did. Actually, Artie is supposed to be the one who’s the wedding planner - but what has he really done? Really? It seems fitting that Kurt would take over the job.

While I don’t hate this episode (or even feel as disappointed by it) the way some of you do -- there are a few things I am sad we didn’t get with Klaine’s impromptu wedding shenanigans. I would have loved to have seen some kind of bachelor party shenanigans -- complete with a return of Cooper to crash either Blaine’s or Kurt’s weddings. I mean - how much fun would that have been?? Not to say that later, Cooper didn’t show up and throw some bachelor parties anyway after they got married. ;)

So, here’s my first issue with the episode. Kurt has a whole scene where he tries to calm down Brittany cause she’s freaking out and projecting her anxiety about getting married onto the little details of the barn set up. (Huh - totally wish we could have seen pre-wedding neurotic Kurt, too.) Kurt’s calm and collected and gets things going.

Okay, what frustrates me is that in the script - IN THE SCRIPT - there’s a moment where Brittany lingers on more about Kurt and his called-off wedding, and Kurt gets a little dreamy about the wedding planning, etc, etc -- and honestly, this one section would have fixed, like, 90% of my issues. See -- narratively speaking - Kurt needs a reason, a catalyst to run off and go see Blaine. He doesn’t have one in the episode, which makes the whole reunion feel out of nowhere and jarring. -- Likewise, in Love, Love, Love - the reunion was slightly out of nowhere, but at they at least alluded to it in a few lines and slightly set it up at the end of season 4.

But this time around, episode 7, being totally Blaine focused doesn’t have room to give Kurt his ‘ah-ha!’ moment. Which means there’s a link that’s not there. It was in the script... and then they cut it out. Why?? I don’t understand.

So, if they didn’t want to go that dreamy over a wedding thing - they could have also give Brittany the chance to tell Kurt about Blaine and Karofsky splitting up -- which would also be a catalyst and cause Kurt to start running. Mostly, though, this episode just isn’t well written. **shrugs**

Anyway - we get some awkward jokes from Brittany about Kurt’s ‘boyfriend’ being older than his dad. Which is - ew. But also I really don’t think Kurt is considering Walter his boyfriend, especially since Kurt just kinda doesn’t even acknowledge the comment. Meanwhile, to prove this episode is just awkwardly written - there’s a joke in here where Brittany doesn’t know that Burt Hummel is Kurt’s dad. But the set up is that Kurt calls his dad by his first name -- which he’s never done... ever. Who would say their parents’ name instead of saying -- hey my dad could help?

The details of this episode are... just not good, which is truly the unfortunate thing.

Run, Kurt, Run

So -- without any kind of set-up this scene feels... well... a little awkward, so let’s pretend Kurt has reason to feel that he and Blaine are actually going to the wedding together (there’s nothing missing from the script that sets it up either, btw.)

Basically - he’s doing the mature thing of telling Walter first that it’s over -- not that there was much to end, honestly. Obviously, he’s been talking to Walter about the Brittana wedding - enough so that Walter thinks they’re getting tuxes or something, (he’s really kind of assuming here) but Kurt says straight up - no, he’s going with Blaine. And the subtext here is --- hey it’s been fun, but I’m totally getting back together with my ex -- as if I haven’t talked about him enough, he totally kissed me, like, a week ago, and I came back here to get him, and I think we’re ready to be ‘on’ again, so you’re a nice dude, Walter - but I’m going in the direction I’m supposed to be.

Walter doesn’t seem shocked or surprised or even hurt that this is all going down. We get a lovely speech about young love and how Kurt should feel lucky that he gets to be in his youth to experience young (gay) love. And, I mean.... it’s a nice speech and all, but it feels more like older gay talking to younger gay about how he wishes he could have been wiser in his youth to run towards love. And an other example where the episode leans in to the idea of ‘gay marriage good’ rather than showing us how it can be good by organically letting these couples have their moments. Oh show...

The part I do like about Walter’s speech, however, is the advice he gives Kurt (which is actually similar to Brittany’s only taken in a different direction). He tells Kurt to go live, get hurt, get back up again, hang on to love, and, well, god I’m going to say it, don’t stop believing. And it almost feels like this is something that Kurt’s been waiting to hear for a while -- this kid has placed a protective shield around his heart for a long, long, long time now and he’s ready to be fully open with it again. He’s ready to let Blaine in fully -- and this is the reason I’m fine with the wedding being so soon after the reunion (even if the narrative is super awkward).

This whole journey from mid-season three to now has been about growing up, and figuring out how to be adults in love, and understanding that being in an adult relationship is different than the fairy tale their relationship started out being. And I love that concept -- love it! Even if I think how they told it is bumpy, awkward, and lacking a few key moments.

So -- in a mirror to the scene where Blaine and Karofsky split up (yeah - this “break up” is definitely the same kind of sentiment) Kurt starts running to go find Blaine...

Alright - so while this little reunion scene is rushed, I do like the urgency of it. From the moment Kurt runs in the door - he’s all, I love you, I’ve always loved you, I want and need you -- right now. He’s anxious - because he’s completely being emotionally honest right now -- and that’s not something Kurt really ever does. Blaine’s a little shocked at this development - but he’s been ready, too, so hey let’s just confirm we’re back together and call it good. (And yes, they probably had sex right then and there with the door open - because TV logic, but also because they just need to be with each other right now, and the talky stuff can wait until after the physical release.)

So. This idea that they get back together without solving their issues... here’s what I want to say about that. First of all -- Kurt has his one line of -- ‘I know everything was a mess before but now it’s not’. And, yeah, that does kind of wallpaper over things nicely - but I’ll argue that it’s also true. They had to work a lot on themselves this time around and they did that (mostly between season 5 and 6, actually). Kurt -- who sometimes runs away from the emotionally difficult situations (he broke it off with Blaine because he feared emotionally difficult would lead to something that can’t be fixed) has now run back into Blaine’s arms, knowing well that his heart will get bruised in what will be their long relationship -- but like the advice he gave to Blaine last season, it’s about trust, and he trusts himself that it’ll be okay.

Look - they’re always going to have issues, because every couple does. They’re always going to have things to work on and work through -- because that’s real. They aren’t two kids in a fairy tale relationship anymore, they’re two adults understanding what being in an adult relationship really means. And yeah, Glee could have fleshed this moment out, could have Kurt and/or Blaine explicitly say that - but you know? They really didn’t need to.

They fixed themselves in the early episodes of this season, the elevator gave them their friendship back, along with the ability to be with each other in an enclosed space, and Transitioning demonstrated that the spark is (as it always was) still there. So all they had to do was ditch the plot devices boyfriends and commit to each other.

And I do love this little moment, as Blaine just is like ‘fuck it’ and goes in for the kiss. While Kurt relaxes into his arms, finally able to reach the goal he set out for himself in the beginning of the season. My only “issue” with this scene is that they could have let it breath a little longer -- let the kiss be a little longer as they begin to enjoy each other again. But because this is Glee, and five million things going on, it’s cut away from very quickly.

American Gothic

So - according to, um, something this cute little moment was just Chris and Darren screwing around. I’m not gonna meta Klaine and American Gothic (the name of the famous painting in case you didn’t know.)

Instead - I’ll take a moment to talk about Blaine’s mom. Again, in the script, more stuff about her -- the reason she’s there was to do Brittana’s make-up (and, you know, be apart of the the mom’s group number). It’s hinted that Blaine’s dad left her and Cooper says hi. Geez. I also think it’s super weird that she hasn’t met Carol -- but did the writers give a shit? Nope, I just feel bad for Gina Gershon who is a lovely actress and they could have done so much with her, but instead do virtually nothing. I mean she and Blaine don��t even get a scene together. Ah well.

This scene is also, well, awkwardly written. Does Burt not know that they’re back together? (I find that hard to believe.) The prep work for this scene just don’t make much sense. Okay -- who was this written by? Hmm staff writer Ross Maxwell who’s been there since season three. He wrote Dance With Somebody, but also Previously Unaired Christmas and Sweet Dreams. This was directed by Bradley Beucker who did a lot of the big Klaine episodes, so I can’t even place fault there. Idk - this episode’s details are just so jarringly off, and there’s enough of them that it does take me out of the story a little bit.

Alright, so beyond my complaining about awkward set ups. Kurt gets told for the second time in fifteen minutes that he’s got to squeeze life to the fullest. You can’t predict what’s gonna happen next -- death, hardship, etc, etc, so live your best life, whatever that might be. Burt (hilariously) blames his philosophizing on there being a wedding, but Glee’s season 6 meta kick is still firmly here.

The thing I love about Kurt here though as he listens to his dad (and Carole) ramble on... he’s so happy and relaxed and reflective. Being together with Blaine again has just put his life back on track again. He is where he’s supposed to be and for the first time since the season started - he’s smiling and wistful and I love this kind of zen Kurt. But he’s also paying attention to his dad, too. This is all obvious set up for Kurt’s decision to get married on the spot, but it’s a nice sentiment, too -- that yeah, take a leap of faith - because you never know how long you’ll have the chance to do so.

Legit Brittan-emergency

I like the first few seconds of this scene - where they’re just casually chatting about the wedding while holding hands. They’ve been (nicely) not separated since they got back together, and I like this underlying theme that they want to have close physical contact as much as possible cause they missed quite a lot of that over the summer.

Anyway - Sue storms in and ruins the moment - and they aren’t playing dumb again! They won’t be getting locked in an elevator in a barn in Indiana so Sue can force them to have sex. Nope - that’s for the fic writers ;)

She’s got something else in mind...

Hey... at least she used the their season 6 (?) promo pics and not the creepy version she had in her hurt locker. It’s hard to say when Brittany got involved. I’d say the moment Sue walked in with the tuxes and the stand-ups. But Brittany claims she had this figured out while planning the wedding - which explains her kinda weird passive-aggressive attitude towards Kurt in the first scene, but since half of it was on the cutting room floor, it’s hard to buy here. But, you know, Santana’s gonna be okay with it and Brittany stops time with her mind, so you can figure the timeline out yourselfs on that one.

So, let’s break this down a little, shall we? After Brittany gets through her rambling about Klaine being role models (sure...) Sue jumps in and continues to break the fourth wall. Yeah -- she manipulated and kidnapped them, but she is... not us in this instant, but the writers. Because that’s what writers do -- we torture our characters so that they can have the happy ending we want to give them.

However, the Doylist view is not a favorite among many, so I’ll say - I’m not excusing Sue for her behavior. Don’t manipulate and kidnap people... it’s not nice and can be pretty hurtful. So - no, I’m not condoning Sue’s actions -- just explaining how Sue’s outside the narrative completely at this point.

I know a lot of people didn’t like this whole idea of Kurt (and Blaine) being what feels like forced to get married. And I will say this -- no one was forced to get married. No one was coerced. And had the script done its job correctly (I mean it tried - within the Walter and Burt speeches respectively) Kurt (and Blaine) being thrown an impromptu wedding would have felt much more organic. But this is Glee... in a world where real life rules don’t always apply.

I will say... had Kurt not wanted to - he would have flat out said no. No one has ever pushed Kurt Hummel around, least of all Sue and Brittany. In no way, shape, or form did anyone force Kurt to get married. And I really would like to make that clear -- there’s always a choice.

So - here’s the thing... Kurt’s mind is spinning. Things like this, this is crazy. His entire life, he’s tried to plan out to be perfect, and it’s always kind of blown up in his face. At the same time, life has always made him struggle, and now he gets the chance to have something nice -- and that’s... unexpected in the least.

Let’s hear his arguments...

This is crazy -- because it is. Who shares their wedding with someone else just for the hell of it? No one - because that is ridiculous.

He and Blaine just got back together -- but Kurt isn’t that concerned about this part of it, because he does know he and Blaine are forever. He’s beginning to get giddy with the idea here, but no - logic still prevails. It’s not that he and Blaine just got back together that’s the issue... it’s that Santana wouldn’t let them. But, eh, no, Santana��s gonna let things go cause plot.

He then says the following... It’s romantic. Sweet. And a little weird. Not -- I hate this idea. Not, it’s not going to work. Not, I don’t like these kind of surprises and I feel threatened. No, he’s smiling and excited and his mind is reeling at the prospect. He’s trying to be (semi-)logical about this, but his big, romantic heart is winning out.

Kurt says there’s no possible way they can get married, and looks to Blaine for confirmation...

Meanwhile, Blaine’s in the background. He’s a little timid, because he’s the one who never stopped wanting to be married. His only line is (lamely) about the rings, which Sue has covered. Honestly, I would have asked about the marriage license, but I’m sure Sue has one of those already forged as well.

But the thing is - when it comes down to it, Blaine’s ready -- he’s always been ready, and he’s just waiting for Kurt to finally, finally say yes. We get them holding hands, as Blaine stutters his way through an awkward speech. And then we cut to commercial....

Ug.

No really, why did this have to be an act break cliffhanger? Again, this writing! You could have had Blaine give a nice speech about being ready, and just waiting for Kurt and being okay with whatever they choose to do... and then Kurt could say that he does, indeed want to be married to Blaine. It’d have been a nice romantic moment here that... well, is no left to fanfic writers, I suppose. I also think it might have helped give Kurt some agency some felt he was lacking in this scene.

In addition, there is a nice wrap around moment - Kurt says in the series premiere during the break up scene - maybe he doesn’t want to get married. Now he’s faced with that choice again, and it comes full circle. Well... maybe in fact, he does...

I will say... the end of the scene, Kurt’s not scared Blaine will say he wants to get married and he’ll be forced into it. He wants to see if Blaine really does, because if he does -- Kurt’s given his choice. He’s scared, but also thrilled, because he could be given a pass to indulge on this huge romantic moment.

At Last

The moment Kurt comes on screen, we know his choice has been made, and look how he has this happy-drunk look on his face. As soon as Blaine said (off screen) that he wants to be married, Kurt probably snapped to and bam! let the romance happy-times begin. He knows -- based on all his previous experiences - that marriage won’t be an easy thing. He does. But now is their time to have a wonderful and lovely start to their marriage (and free!!) why not take this leap?

Anyway, I kind of love that he gets to walk with Brittany. They’ve got an interesting history together - and are both special unicorns, and I love that they get this little aisle walking moment together.

Meanwhile - let’s talk about the song At Last, beautifully sung by Mercedes and Artie. Klaine’s season 6 story, again being told not in songs that they’ve sung. This song is very them - and was originally going to be used during their car makeout session back in I Do, but I’m glad they saved it for here. It does fit Klaine, Brittana, and the whole gay marriage thing nicely.

Look at this bb waiting for his future husband to walk up the aisle. Again, I love how happy Kurt is! How relaxed! He even looks younger in this scene, because, c’mon, when’s the last time he’s been /this/ happy?? (Totally, btw, not the face of someone who doesn’t really want to be up there ;)) Kurt Hummel is getting married - and he is fucking excited about every last ounce of it.

Burt’s Speech = Gay Marriage Good and worth fighting for!! (I’m so glad they legalized it the summer after this was out)

I do like that in Burt’s speech, however, he does mention, again, some sentiments he did back in Love, Love, Love -- marriage is freakin’ hard. But it’s worth it if you keep working at it.

Oh - which probably brings me to another issue people had. All season Kurt keeps reiterating that they’re too young to get married. (And yeah, ngl, they are - and I really didn’t need this in my Klaine story) But two thoughts on this

1 - Kurt was holding on to the too young thing as an excuse for the other issues they were having... yeah, he didn’t want Finchel to get married because they were too young, but also definitely not ready. Kurt’s been through a ton, and at this moment, knows he and Blaine are committed to each other, so why not make it official -- especially since they are gay, and now can get married, it is a big deal.

2. I’ve talked a lot about Klaine being a fairy tale - and, while I don’t believe the story stops once you get married, and also believe Klaine was spiritually married back in Love, Love, Love, their story remains being framed as a fairy tale, and this is the happy ending, so narratively, it does all make sense.

The vows. Yeah, um, okay. So - my biggest issue here is that they’re all spliced together. This speech, kind of, doesn’t work - I mean, Santana says she’s been bullied? Really? They’re trying to tie both narratives together and tie that in with the theme of ‘gay marriage good’ and ug, c’mon. They could have nicely had one couple go and then the other, and it could have been a little more personalized. But whatever.

I will say! I think Kurt has the best lines, though. I love, love that he talks about being someone who always walked in the dark, and that Blaine did not force him into the light, but tore the stuff down that covered the sun. It’s really a beautiful notion - and one that says just how much Kurt loves, appreciates, and wants Blaine in his life. He’s always walked on his path on his own, but he doesn’t want to be alone anymore - Blaine is vital to him, and he always wants Blaine there to help him through.

I also like the sentiment that they’re a work in progress. It’s a nice nod to the fact that it isn’t the end of the story (while it is mostly for Klaine and absolutely for Brittana).

(Also - possibly shallow side note - Chris and Darren are just way better actors than Naya and especially Heather, and putting them side by side is a little jarring, too. Oops.)

Because touch and holding hands has always been a part of their narrative...

Old Marrieds...

Happy Big-Ass Double Gay Wedding!

Was it everything you ever wanted? Meh, no, but I’ve never been a fan of weddings in general - and nothing was gonna be able to top the proposal anyway. This is where the whole double wedding with a theme of social progression got in the way - because I think it stripped both couples (a little) of their own personalized story. But it was fine, and did what it needed to do. And Klaine got their happily ever after.

OTP

Yes, Kurt’s face is how I feel about (most of) the rest of the episode. We could have gotten a nice moment between Blaine and his mom - instead we get a full minute of Brittany’s dad being awkward and weird and unnecessary.

So, then Santana goes into this whole speech about OTPs. Omg... I know some people got uncomfortable with the fourth wall breaking in The Hurt Locker (both parts) but here I get a little squicky. Who uses otp in real life? And Santana has hats, god...

But, that aside, Kurt’s face is loving and happy when Santana mentions that he and Blaine have found each other - and it’s sweet and nice. And... omg, you can tell they’re back together again because to the background my lovely couple -- we’re playing by season 3 rules again!

No, okay my biggest issue -- bigger than the whole they don’t really get a first dance thing - is that they don’t get a moment to reflect -- at all -- about getting married. And this is kind of a trend -- they get together in Original Song, do they really get to reflect on that? Eh.. not really. What about their first time in The First Time?? Nope - they don’t speak about sex again for a long, long time. What about getting engaged??? Eh, not really anything on that -- so I shouldn’t expect anything. But man - it would have been nice if they had one private moment together just so they can have that one private moment together to revel in the fact that they are married and together-together.

(so, now we’re to two scenes this episode is missing for Klaine - shoulda been a two hour long episode...)

Instead of anything meaningful, we’re going to have songs now because we’re contractually obligated at this point to do something in this music-related show. (god, does this episode shoehorn in the music). I am kinda laughing at HeYa, though, cause it’s so, so meta. I’m also incredibly glad there was never a song Called CrissColfer.

Why didn’t Kurt, Blaine or Santana get to dance during this song though? Boo...At least they’re in the background...? Oh wait, they do at the end? And Blaine kinda dances with his mom, while Kurt dances with Carol? I mean, it’s kinda cute, but I’m still rolling my eyes a little.

And then we get more songs! This time the Treble Tones bring up the Moms for - I’m So Excited. I mean, I get it - if you’re gonna have Gloria Estefan on and not have her sing, it’s a bit ridiculous. But, ngl, I’m a little bored by this one. And it’s essentially two in a row (though the unnecessary Tina proposes to Mike plot happens in between). Kurt freaking out over Carole going crazy is kinda cute, but not enough to help the second half of this episode from being bogged down in musical numbers that feel obligatory.

We close out the reception-of-no-plot with Our Day Will Come. I like the little intro, where Kurt gets giddy about calling Blaine his ‘husband’. And it’s a sweet thank you to Brittany and Santana for letting them do the thing. But..

Okay, this is where I would have wanted, maybe... a more romantic song, sung by someone else, so that Klaine could slow dance. That was, like, the one thing I wanted in the second half of the episode, and I didn’t get it. I am a little sad about it. But at least they get to sing and look lovingly at each other?

This song is... fine. I’m surprised they hadn’t done this particular quartet before. It’s got a nice 60′s island beach theme going on. And it’s... again... a gay marriage = good song. It’s not really about Klaine or Brittana, it’s about gay people getting married. And - really, I promise, I am so happy that everyone is now able to get married here in the U.S. I want all the gay rights (and all the rest of the letters, too). But, c’mon, guys, you can sell that without being explicit -- these characters meant enough to enough people that just by them getting married and having a normal and organic way of things, it would have sold your message just fine without having to hit us over the head again with it.

There is a little bit of the lyrics I’d like to pull out though...

Kurt with Blaine: Our dreams have magic Because we'll always stay In love this way

If you’d like to know how the writers think this romance will play out... well, then, there ya go... and the show’s now over, so this is the way they’ll always be in our hearts. :)

The Gender Gentle AnderHummels

So, this is perhaps my favorite scene in the episode, and not just because of Kurt in that Kitten sweater. I think it’s because it’s the only scene in the episode that breathes a little, and allows both couples not to be saddled with the weight of carrying a HUGE MESSAGE of a VERY SPECIAL EPISODE - but about these two couples being themselves. It’s also the only time we really get to see Married Klaine interacting outside the tiny bit we get in the series finale.

Sue’s there to give them their honeymoon packages -- (oh Sue, meddling still in their plans...) And it’s okay that you guys only get a weekend versus Britanna’s month in the Bahamas... Brittana doesn’t get any more screen time, and you guys only get your one episode off. So, there’s that.

But then we get this little tag at the end (complete with season 2 scoring!) where Klaine and Brittana get a moment to themselves. I like that Blaine says that he can’t believe they got married, while Kurt is totally not fazed by that at all, and instead is amazed they survived the reception. (I’m sure the two of them snuck out early)

But then there’s this moment, where Kurt reaches behind him, automatically, for Blaine’s hand and they both look so, so happy. There was a big post going around for a while with intensive meta on it about this single moment, and man, I wish I could remember what it said, because it probably summarized it much better than I can. Beyond the whole hand holding thing -- again, the two are just so comfortable with each other - having found each other, and having made a life long commitment.

And, here’s why I think getting married wasn’t such a bad thing for this narrative. The ring is a symbol. And that somewhat toxic downward cycle the two of them can get into now gets reversed. Blaine is secure in his relationship, and of being loved, as well as being able to be out on his own, not relying on Kurt entirely, and because of that, he doesn’t get clingy or insecure, which in turn gives Kurt the breathing room he needs, and when Kurt is feeling not closed in, he becomes affectionate and open and will continue to reach for Blaine’s hand, and marriage is a reminder (to both) that they have to keep on working because they’ve made the commitment. (This was a horribly worded paragraph, sorry)

But my point is - they are now secure as individuals and secure in their relationship, and while, yes, I needed a few more scenes to flesh out and have the story make full sense, I’m happy to have this last scene that kind of encompasses everything together and puts the nice bow on it. They are both so, so happy and relaxed and in love in this scene, and it’s amazing because of it.

And yes - Brittany will probably call them on their anniversary every year (I kinda love the meta of that -- that Klaine and Brittana are always tied together now), but they’ll probably only see each other once every five-ish years or so. Their lives will go on and they’ll grow up further and away from each other. But, their love is all tied up together, and it’s a happy moment for both couples.

So yeah, that’s the wedding episode! It feels... slightly anticlimactic for as big as the series long story was -- but you know, even with all the scenes I’d have wanted in it, I’m not sure if it’d ever had been fully satisfying. And, you know, it’s true what they say about it being about the journey not just the ending. But, you know, they still got married, and the story still is something we’re talking about, and I still love that it kind of marries the idea of the fairy tale with a real relationship.

And, I’m a little sorry this is the end for Brittana, because it does feel, in a lot of ways, like a penultimate episode. Brittana is now done (which is another reason I think they got the bulk of the episode) but Klaine’s story has room for a little more in the final episodes - and I’m glad they get to have their nice little coda.

#finding kh #kurt hummel

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