#tb/d

[lascapigliata]

my dad's brother (the one who used to live in russia and whose son is a neonazi who maybe tried to kill him kinda (a story i never got around to telling on here)) who was apparently living in costa rica which i didn't know, met a woman who was on vaca there and then moved back with her to some place in germany, and is currently working in her cafe that she otherwise runs totally solo and they're soon going to go on some long vacation themselves

there's a ton to unpack here, the first item being: if she was a tourist, how long did he even know her before he moved across the fucking globe ? a week? a month? does that mean her cafe that she runs solo was just closed the whole time? and now will be again? how can she afford to do that??

also idk how healthcare works for expats in either costa rica or germany but i assume that hiv medication isn't magically free there, so... how has he been getting money to pay for those meds on top of his life and now this new vacation? or is she bankrolling him, in which case just how profitable is this little cafe that's run by one person and seems to potentially just close for weeks at a time?

as usual his life continues to be fascinating. my dad already thought he'd been in with some soviet black market shit but daniel and i think it's not all super past tense bc none of his life makes sense otherwise. not even just in terms of having squirreled away money before, i mean right fucking now bc otherwise why was he stealing ~50k from my dad's mom?

...i feel like there are some new people here since i last posted about him. so yk. welcome to the party, ask away

[ohnoitstbskyen]

In your one piece shorts you were saying that zoro is the vice captain of the crew, but what about nami? She seems to be giving orders to the straw hats quite frequently and probably even more frequently than luffy. (I'm currently in the water 7 arc so if there's something that happenes in later arcs that supports your claim please let me know)

So, firstly, there are no ranks on the Straw Hat crew - Luffy is captain, but his crew regularly overrules him when they don't like his ideas or orders, or flat out ignore him.

But if there WERE ranks, Zoro would be vice-captain and/or first mate. This is most obviously on display at times like at Water 7 where he's the one who has to insist to Luffy that he must enact some kind of discipline with Usopp as the figurehead leader of the crew, and Zoro is usually the one who steps in as Luffy's second. The "nothing happened" moment with Kuma is a good example of this - Zoro there is taking on the duty that Luffy himself would otherwise have insisted on.

Nami is the navigator, which means she's the one who makes the call about where the ship is going and what routes to take. Jinbe is the helmsman, so he's the one steering and directing the ship on a moment-to-moment basis. Usopp is the cannoneer, sniper and scout, Chopper is the doctor, Brook is the musician, and Sanji is the cook and shares quartermaster duties with Nami (who handles the money), while Franky is the shipwright, and Robin.......... is also there.

I kid, I kid, Robin is the archeologist, historian and researcher, which is not a role we usually think of as being important on a ship, but for a voyage of adventure and discovery? Actually a crucial role, and well founded in history. She's the Charles Darwin of this particular Beagle, as it were.

Zoro has no clear role in the Straw Hat crew, however, except "swordsman," unless you pay attention to the social role he plays with the crew, and it becomes clear that he is... not so much the "second-in-command," but the guy who most stringently holds Luffy to account, and who steps in to take on burdens that Luffy can't. He and Luffy's pledge with one another is to pursue their dreams and ideals without compromise, and Zoro is the one holding Luffy to that pledge.

[tbdragoonfly]

little doodle of Thrasherpaw, @todaysbird 's character

[tbshorts]

The Best Panels of One Piece, Romance Dawn (chapter 1-7)

Full video scripts below the cut

Chapter 1:

What are the best panels in One Piece?

Chapter 1, being the very first one, obviously has quite a few contenders. Luffy's very first Gum Gum Pistol is an obvious one, setting the tone of One Piece's battles with its mixture of goofy and badass. Plus, god damn, even in chapter one Oda knew how to do an epic splash page.

I also like this panel, where Lucky Roux shoots a mountain bandit in the head. This too is a major tone setter, driving home the seriousness and danger of pirate life. The story up to this point mostly plays as fairly lighthearted comedy, and seeing the jolly cartoon fat guy casually murder a man shocks the audience a little bit. Despite the cartoony artstyle, this isn't a kiddy pirate adventure.

But the crown has to go to the passing of the straw hat from Shanks to Luffy. It's a panel that has only ever taken on more meaning as the story has gone on, and the symbol of the straw hat has taken on more and more importance. It represents the promise between Luffy and Shanks to meet again, Shanks recognizing Luffy as an equal, and it's the passing of a torch. That straw hat means something, and Shanks is passing it on to someone who he feels is a worthy heir to that significance. “Romance Dawn” indeed.

Chapter 2:

What are the best panels in One Piece?

Chapter 2 is all about establishing Luffy's character now that he's grown up, and especially the scale of the odds he's up against. What does his dream to be king of the pirates really mean?

And this is where Oda shows his skill not just as an action and comedy artist, but as a storyteller. He introduces Koby the Cabin Boy, a character who mostly exists to contrast Luffy. Scared, self-defeating and cowardly, even his body language is Luffy's direct opposite.

When Luffy says he will be king of the pirates, Oda drops the angle down low, playing Luffy's chill, unaffected sitting posture against Koby's shouting. His arms are wide, foreshortening even out of the panel as the nervous boy tries to communicate the jaw-dropping scale of what Luffy has said he will accomplish. "Don't tell me you're after the One Piece"?

We feel the weight of Koby's astonishment here, the monumental nature of what Luffy has promised to do. The One Piece isn't a silly bed-time story for children, it is a real thing, and to go after it is to march to almost certain death. And the fact that Luffy is so casual about it, because he has accepted death, is not normal. Luffy is not normal, and Oda establishes this visually through acting in every interaction he has with Koby.

Chapter 3:

What are the best panels in One Piece?

Chapter 3 introduces Zoro with this amazing panel, which, given how much of a martyr he is for the crew and Luffy, WOW what a hell of an establishing shot. But it also establishes one of the great running themes of One Piece, which is the abuse of power, and the value of freedom. Helmeppo lords his status as a navy failson over the townsfolk, abusing his position and status in a way we will see villains in the story do over and over again.

And Luffy does what Luffy will always do to those who use their power in this way. When he learns that Helmeppo lied to Zoro, let him believe he would be free if he survived a month tied up, only to plan an execution behind his back…

This happens.

There are many reasons One Piece is a fun and satisfying narrative to follow, Oda's dynamic and exciting art is a big one for me, but the thing I love the most might the vicious delight the story takes in showing us the ruling classes getting the ass-kicking they so richly deserve.

Chapter 4:

What are the best panels in One Piece?

Chapter 4 gives us perhaps one of the weakest villain designs in the series, which is Axe-Hand Morgan. His obsession with power and control foreshadows many of One Piece's best villains, but… hoo boy, not Oda's best character design.

On a better note, though, we're getting one of the most important recurring story beats in the narrative, which is the effect Luffy has on people around him. Koby, who not two chapters ago was a cowering appeasing wretch, walks into the execution grounds to free Zoro because he can't stand to see the navy oppressing people this way. He accepted abuse from Alvida, but no more. Luffy changes the people around him, and the most important thing he does is set them free of their fear. He teaches people to pursue their freedom, even if it costs them their lives. He will do this many times throughout the story, and Koby won't be the last person who almost dies to chase the dream Luffy kindled in them.

Chapter 5:

What are the best panels in One Piece?

In Chapter 5 the obvious choice might be Luffy taking bullets for his friends in the nick of time, which is a very Luffy thing to do, but I think the best panel is something much quieter. We get a flashback to Zoro's backstory, and his rivalry with childhood friend and swordfighting prodigy Kuina, who is idly one of the most transmasculine characters in anime history.

The panel that strikes me the most in this chapter, though, is this one. It's just a little transitional panel, Kuina lying there, dead, with the words "humans are fragile things Zoro" hovering above. Oda uses crosshatching to just barely hint at the eye sockets under the cloth, which otherwise erases Kuina's face, erasing identity, erasing life. It's such a quiet and disquieting panel, such a matter-of-fact reminder of cold mortality in the middle of all Zoro's hotblooded shouting. It's a death that is so meaningless, and Zoro, in taking Kuina's sword with him, is trying desperately to make it meaningful. If he becomes the greatest swordsman in the world, then everyone will know that Kuina was his greatest rival.

I think it's the same reason so many One Piece fans want Tashigi to turn out to be Kuina in the end. Because the idea that people can just vanish from our lives, so coldly and so pointlessly… it's a scary thought to have.

Chapter 6:

What are the best panels in One Piece?

In Chapter 6, the easy answer, I guess, is the big epic Oda splash page of the Gum Gum Whip taking out a dozen Marines, but… I mean you know it has to be the introduction of the Three Sword Style. Dear Zoro, with his cool bandana and his intense looks and his tragic backstory… and here he is with a sword in his mouth.

This is the power of One Piece. Because on the one hand, this is stupid. This is objectively stupid. Holding a sword in your mouth is dumb, this looks dumb, this doesn't work, this is cartoon nonsense that doesn't make any goddamn sense.

On the other hand… this totally fucking rules. Oda presents it so perfectly with that hunched over power pose blocking ten swords at once, and the black bandana over his head, although I'll never forgive the translators for covering this much of the art over with sound effects. You miss the rope still falling from his body and the scabbards still in the air from Zoro unsheating them so fast. This panel bypasses every critical neuron in my brain, and speaks to the primal, stupid lizard and monkey part of my man brain that goes "ooooh, three swords cool!" And nobody does that like Oda.

Chapter 7:

What are the best panels in One Piece?

Chapter 7 sees our first parting of ways, with Koby remaining behind to enlist in the Marines. It's mostly an exposition chapter, a cool down from all the action with Axe Hand Morgan, but Oda once again uses what could be boring exposition to do good character building. Because Luffy and Zoro are pirates, they can't stay in a navy town, and as they leave, Luffy begins to spill the beans on how Koby was a cabin boy for a pirate, which might ruin his chances to enlist. And Koby, desperately torn up about saying goodbye to his first real friend… punches Luffy to shut him up. Which then becomes evidence that Koby isn't with them, isn't a pirate, so he can enlist.

It's the first moment Koby fully asserts himself, it's the first punch he throws for his dream as a Marine, but it is also a moment of revelation. However simple-minded Luffy seems, so straightforward and oblivious, here he reveals a deep understanding not only of other people but of the things they need, the push they need to find their courage. He pushes Koby's buttons to force him to commit to his dream, to force him to renounce piracy, and when Koby does… Luffy couldn't be more proud. And maybe a little smug.

[making-your-fave-in-fr]

This goober

I made this goober from title_pending in Flight Rising!

M Coatl (Dark Shadow eyes) Navy/Metallic | Ultramarine/Alloy | Lemon/Firebreather

Golden Silk Veil, Accent: TV Cryptid by AngelSami

[atopvisenyashill]

Bro the ppl you stan are so at odds with the other, your level of starkcels are always alicent-sansa stans, which is a shame bc if they open their eyes they'll see the sansa-rhaenyra-catelyn parallels 😔🥀

Messing with my stats fr 😒 (no hate btw, I'm also a sansa-rhaenyra stan)

it GENUINELY causes me pain, and like i get it, the fandom beefs go crazyyyy and i blame both d&d and the shitty way we teach literature analysis in high school for it getting as bad as it has. one of my xwitter moots got into asoiaf thru hotd bc she saw “lesbian undertones & dragons” and got curious & she said the other day never has she been in a fandom as genuinely evil, she was NOT prepared & i would say that’s just xwitter but we’ve ALL seen crazy behavior on every platform & also i can fully acknowledge that i, like many others, have gotten pettier & more quickly annoyed over the years ajsjdj. but my GOD i really do choose the toughest battles for no goddamn reason 😭🤧.

it’s pretty much like a two way split in fandom the way i see it, and i’m speaking in just the most broad, wankified strokes imaginable but -

targnation aka tb/dany(/arya) people who will genuinely honest to god argue that nettles is valyrian & daemon’s daughter bc only valyrians can ride dragons & really disingenuously misunderstand every point you make about how few good options a lot of the people on tg had.

the starkcels, infamous for being staunch jonsa shippers and/or sansa qitn truthers/stans, & they are all hardcore tg-but-usually-specifically-alicent stans. these people never stop BITCHING and NITPICKING, with the worst of it very much directed at being disingenuous about rhaenyra & baela’s motivations, in a very *dakota johnson voice* ellen you know that’s not true, sort of way.

(there’s other radioactive flavors, we don’t need to get into the aegon ii/king jon-or-stannis types on reddit, for instance).

and the problem here is that i call that second group my home bc it is a break off from the Main Branch which is very hostile to jonsa & associated theories, and therefore a lot of the most intensely starkcel people (such as me 😁) congregate there

(which, bizarrely to me, the Main Branch consists of largely tg/dany stans IF they watch the show seriously, if they don’t watch the show well that’s just main branch & it takes a second longer rant to explain that one but all of these groups are very hostile to starkcels & tbf starkcels are incredibly hostile to them aksjd). i Do believe i get the worst of both worlds as i try to exist in multiple subfandoms, altho i’m sure people at other intersections in fandom will disagree (they’re wrong i have it worse).

and this is a fandom just WILDLY HOSTILE to comparisons. u even think the words “sansa & ned are a little similar” and u get tomatoes thrown at you and that’s just her FATHER. i saw a minor meltdown on two different websites bc someone called margaery “the little queen” when “well that’s DAENAERA’S TITLE” brother no character owns a phrase or archetypes, and george’s style is basically just writing the same 12 archetypes that he really enjoys and doing them slightly to the left each time and as someone who loves doing that (there’s so many things to say!!! so many ways it can go if you just tweak one thing!!!!!) this series is crack to me, but if u dare compare two characters that have a different group of stans, even if those characters dead ass have the exact same life on paper, they try to execute you in the town square. so we just ignore the sansa-rhaenyra and rhaenyra-catelyn parallelism even tho it’s very obvious to me, bc it is apparently an insult to george himself to compare two characters he wrote 🤧

anyways sansa-rhaenyra stans of the world unite, there are dozens of us. dozens i tell you!!!!

[maxybabyy]

The sheets are cold when Daniel wakes, and Max is nowhere to be seen.

Dawn’s about to break, but the streets of Paris are still alight; loud and bountiful as people make their way back home. He’s only been here for a handful of months, but Paris is already so much different than back home. Daniel doesn’t know how he lived without it.

When he finds Max, he’s outside on the balcony, dressed in his robe from the night before, soft white stark even against his pale skin.

Before, Daniel had stared at the elephant in awe. The impressive architecture and intricate decorations. Had wondered what it would be like to live there, a place fit for a prince. Now he knows better.

“You’re gonna get a cold out here,” he says, wraps his arms around Max’s waist. He kisses his shoulder, drags his lips over the knobs of his spine until he reaches the lock of his necklace, the pendant enormous as it lies in the hollow of his neck.

It’s a recent addition, a gift from the duke. Awful and gauche in taste, but worth more than anything Daniel’s ever owned. Less than Max deserves, but still more than he could ever dream of giving him.

Max shivers in his arms, his entire body tense against his. Not unlike how he had been when they first met.

Well – not, not the very first time, Daniel thinks.

“Enchante,” Daniel had said in broken French and kissed his hand. Max wide-eyed and sweaty straight after a show. Max had been keen then. Even as he had thought Daniel was the duke, part of him had wanted it too. Max had told him so, after. When the truth had come out.

That Daniel wasn’t a duke, but another one of Charles’ idealistic friends who believed in love before everything else. In song and poetry, in creativity and feeling.

Max had been mad then. Furious and mad, embarrassed that he had let Daniel into his bed so easily. So used to the give and take, that Daniel’s adoration hadn’t felt like it was enough. But it was, is enough, Daniel knows now.

“Christian came by,” Max says, his voice hoarse. It could be the cold, the nipping wind that has come with the turn of fall, but Daniel thinks he must have been crying too. “After – when the show ended, after he came by.”

“Yeah?” Daniel says, cautious. His hands tighten on Max’s hips, the bones jutted out awkwardly where they used to be soft. He’s getting too thin, Daniel thinks. If it’s not a show, he’s at rehearsal – Charles relentless in his vision of the perfect play. “What did he want then? Had another brilliant idea, did he?”

Max breathes out, steady and quiet. Daniel feels how his chest expands with the motion, how he trembles as the air leaves him.

“He came to say the duke could not come, that he was busy with business,” Max tells him, steadfast. “That he would see me tonight instead. He left me another present also. But this I don’t care about.”

Daniel frowns. “Why is this –“

Max doesn’t care much for the duke. Christian needs him to keep the theatre in business, Max needs Christian, so Max keeps the duke happy.

Daniel doesn’t like to imagine how it works. He knows Max has sex with the duke when he isn’t with him, that he’s supposed to only be with the duke and no one else, that Christian promised it would be as such. Daniel doesn’t care about that. But Max –

Max doesn’t lie. His heart lives on his sleeve, and his mouth doesn’t ever stay shut, even when it should. But still the duke doesn’t know, believes Max to be as infatuated with him as he is with Max.

“That’s a good thing, no?” He asks.

Max turns in his arms, leans against the railing. It puts another inch of space between them, and Daniel already hates it, braces himself for what Max will say next. “Daniel, if he had come, if Christian had not come here instead, he would of course have seen you,” Max says, tugs the robe tighter around him.

“I would have –“ Daniel says in a rush, pushes closer to Max. “We would have heard him, Maxy. I would have slipped out before –“ But Max twists away from him and escapes inside.

“Always you sleep like the dead, Daniel.” Max snarls. His head is in his hands, but Daniel hears him clearly. “Charles was here last week to work on the finale, and still you slept! You would not have woken, and we would have been caught. He would know that I am with you also, that you have my heart.”

“But he didn’t,” Daniel says and gives chases, quick to follow in Max’s steps. “He didn’t come, and he doesn’t know, won’t ever know. I promise you, Max.”

Max shakes his head, “We have to stop. He cannot know, Daniel.”

“We cannot stop, please Maxy. I love –“

Max sucks in a breath. There’s fucking murder in his eyes as he glares at him, and if Daniel was any less of a man, his mouth would stay shut. But he isn’t, cannot be if he wants to be with Max.

“I love you, Max.” He says again, reaches for Max, and this time Max lets him hold him. “I love you. Don’t let him change that.”

They’ve been here before, Max with one foot out of the door. But Daniel loves him enough to keep pulling him back in, to make sure he knows there is nothing he wants more than Max’s love. That all this would be for nought if Max turned him away now.

“He will of course never stop,” Max says, miserable.

“And neither will I,” Daniel says and leans in for a kiss. “I will write you a million love songs, so even if – if he takes you away from me, you will always know how I feel. How I love you, Max.”

“Daniel, don’t –“ But it’s Daniel’s turn to shake his head.

“Just promise me that you will always love me, that’s all I ask,” Daniel says, begs of him. “Everything else, we can figure out. But this, please, Max. Promise me.”

“I do, I of course do,” Max says, kisses him desperately. “I love you too, Daniel.”

And that is enough for now, it has to be, he knows.

[bloos-bloo]

TOYBOX SHAMURA PFP TOYBOX SHAMURA PFP 💥💥💥💥💥💥💥💥

TEE HEEE- YES YES

AS MUCH AS I LOVE MY BELOVED DEPRESSED SQUID- I CANT STAND NOT SHOWING LOVE TO MY PORCELAIN SPIDER

LOOK AT THEMMMMM- UGGHHHHHH THEYRE SO CUTE- FUCCCKKKK

[puekjh]

sigma skibidi ohio

sigma skibidi ohio

I HAVEN'T SEEN THIS ASK. IT'S MR PEE PEEE AAAAAAA.

[lorefulevil]

Chapters: 1/1 Fandom: 3rd Life | Last Life SMP Series Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Martyn Littlewood | InTheLittleWood/Rendog Characters: Martyn Littlewood | InTheLittleWood, Rendog, The Watchers (Evolution SMP) Additional Tags: Treebark Week 2024, Unreliable Narration, Fade to Black, intrusive thoughts and vaguely dissociative symptoms, Minor Character Death Summary:

Odd that, when Ren looked at him, Martyn was the one who felt naked. He was glad to settle himself on the footstool behind the tub, out of sight; glad that all the mirrors in the room were broken or fogged. Ren tipped his head back and let his long hair spill into Martyn’s hands. Martyn filled the jug and sluiced water over his head, careful not to let it run into his eyes, and Ren sighed. “Feels nice.”

It's one of the bad days, and the Hand washes his king's hair. For @treebarkweek Day 5!

[ohnoitstbskyen]

So I know you headcanon Nami as a lesbian and Luffy as aroaco (both which is heavily agree with!) What are your romance/sexuality headcanons for the other Strawhats?

Hm. I think Zoro is ace, but not aro, but also the only thing he's really in love with is his dream of fulfilling his promise to Kuina, becoming the greatest swordsman in the world. Once he accomplishes that... well, I am not 100% sure he'll survive accomplishing it, actually, I think the story is signaling pretty hard that his moment of transcendence is going to be connected with the moment of his death (the "King of Hell" thing, all the Buddhism imagery, his tendency to find revelations about swordsmanship on the brink of death) but if he does survive it, that's when maybe romance can become a consideration for him. Maybe. That's when he can figure out who he's even into.

Sanji is extremely romantic - hyperromantic, even - but honestly in a way that's... almost totally disconnected from actual romance? He worships women as divine goddesses and sources of extreme aesthetic and emotional joy for him, but he seems to struggle enormously to actually relate to them a lot of the time. He seems more invested in Being A Gentleman Who Loves Women than he does in... actually being in any sort of a realistic relationship with a woman.

Pudding is the closest he comes to forming an actual romantic relationship, and even then, so much of it is ultimately motivated by his romantic fantasy of Being The Prince, of being the noble, self-sacrificing hero who Saves The Girl, of Being A Good Man. Committing to her is, for him, an act of self-sacrifice, for the sake of his crew, for the sake of his family (Zeff and the Baratie, not the Vinsmokes), and for the sake of her more than it is an earnest desire to build a future with a true partner. He's resigning himself to a life of being her perfect domestic husband servant, in worship and adoration of her, but never in partnership.

In an extremely weird way, the vibe I get from Sanji is he's like a... hyperromantic... aromantic? He's EXTREMELY invested in romantic fantasies, but not so much in the actual day-to-day mundanities of romance, he's in love with the idea of being in love, with the experience of being in love, with the thrill and act and performance of being in love, more than he is in love with any actual person?

Partly this comes down to One Piece just not being a romance story - romance is generally sidelined and elided in most situations, and Sanji's romantic obsessions are played for comedy 99% of the time, they are not taken seriously, so he never has an opportunity to really go through the process of romance as a grounded, flesh-and-blood process, but I can only discuss him as he is presented.

Robin, I think, might be the most straightforward of the crew. I am on board with the Frobin agenda, I think she's probably straight and... if not cis, then about as cis as you can be with a power like the Hana Hana no Mi. And I think she genuinely would be very attracted to a loud, dependable eccentric like Franky, as the other half to her quiet dependable eccentric personality. Especially since he is loudly and obviously an extremely decent man with a heart of gold, and Robin carries so much trauma of being a "devil child," I think she probably needs that kind of uncomplicated light of goodness in her life.

Usopp, again, is probably a fairly straightforward sort. The live action gives him a thing for Kaya, but I could see him being bi or pan, but much like Zoro I don't think he's going to quite have the capacity for Romance™ until he fulfils his dream of becoming a great warrior of the sea (he already has, of course, but he needs to internalize it and realize it within himself). I ONE HUNDRED percent believe he might end up taking a Giant for a spouse.

Franky is... okay this makes no sense whatsoever but I feel that he's gay? But also would fall for Robin? ... but in a gay way???

Look I don't know how that works either, it's a vibe it's a brain feeling it's a wibbly wobbly romance gender sort of situation. Franky is clearly in love with the male body, with masculinity, with maleness, and he especially loves building himself into those images of hypermasculinity, but he does in a way that feels hella queer to me. I don't really think you can be a self-made cyborg building his own body without being some flavor of queer-coded, like, I just don't think that that can be a cishet thing anymore.

He would fall for Robin is my point, in part because they share a knack for creating themselves, in part because Robin would appreciate and need him, in part because she would adore his cybernetic self-creation and find it charming and beautiful, and I think he needs someone who will love his creations (including, y'know, his body) as much as he does.

It's like... y'know how Neo and Trinity in the Matrix are clearly, OBVIOUSLY a t4t couple even though they're both technically cis in the text of the story? It's like that with Frobin for me. Yeah, sure, they're both cis and straight, but also they are trans and gay.

Jinbei I have no idea, actually, he could be into absolutely anything. Kind of a gay bear vibe? That's the best I got. Chopper is a child and I don't think he really has any idea yet either, and Brook... look, I don't think you can be THAT level of flamboyant rockstar and not be some flavor of queer. The Soul King wears Elton John outfits half the time. I don't know that he has a sexuality anymore necessarily (he could be ace, what with the having no carnal flesh and all), but if he's not at least bi romantically then nothing about him makes sense.

[finalset]

im not gonna lie this year has truly beat my ass so far but like those spiky meat hammers it did make me softer to be honest

[tbshorts]

The Best Panels of One Piece, Syrup Village (chapter 33-41)

[goodfellowe]

what if they were crime fighting time travelers?

[atopvisenyashill]

ultimate hater take is that there are two types of targ nation people, there's the rabid twitter people who think every single targ except like three or four (usually aegon ii, aemond, aegon iv, sometimes maegor and aerys ii) are Undisputed Uncomplicated Heroes Of The Story and that the series will end with a targ restoration happy ending. then there's the targ nation people who think basically every single historical targ was a villain EXCEPT FOR dany and she is not only the Undisputed Uncomplicated Hero Of The Story but will absolutely burn/sack both Vaes Dothrak and Volantis but these will be Good Things because she's killing slavers.

[catholicxknees]

Taking Back Sunday being dweebs in Timberwolves at New Jersey (1/3)