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#taurobolium
ancientcharm · 6 months
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Relief representing Marcus Aurelius and the members of the imperial family sacrificing before temple of Jupiter on Capitol. Created circa 176-180. Photo by Jean-Pol GRANDMONT at the Capitoline Museums of Rome, Italy.
This relief showing the ritual that roman called Taurobolium, the sacrifice of a bull to the god Jupiter offered by the emperor.
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prudenceanagram · 6 months
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taurobolium
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concupiscience · 2 months
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The best-known and most vivid description, though of the quite different taurobolium as it was revived in aristocratic pagan circles, is the notorious one that has coloured early scholarship, which was provided in an anti-pagan poem by the late 4th-century Christian Prudentius in Peristephanon: the priest of the Great Mother, clad in a silk toga worn in the Gabinian cincture, with golden crown and fillets on his head, takes his place in a trench covered by a platform of planks pierced with fine holes, on which a bull, magnificent with flowers and gold, is slain. The blood rains through the platform onto the priest below, who receives it on his face, and even on his tongue and palate, and after the baptism presents himself before his fellow-worshippers purified and regenerated, and receives their salutations and reverence.
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tensleepshrike · 6 months
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SHARE AT LEAST FIVE SONGS THAT REMIND YOU OF YOUR MUSE, OR THAT YOU ASSOCIATE WITH YOUR MUSE’S CHARACTER ARC. Including lyrics is optional.
TAGGED: @magicxecustos thank you bb ~ TAGGING: @glacierfront, @alonggoodbye, @deatheless, @soothfog, honestly anyone/everyone i live for character soundtracks tag me in them i will listen
Ptolemaea by Ethel Cain: I followed you in and I was with you there / I invited you in twice, I did / You love blood too much / But not like I do
Down in the Willow Garden by The Everly Brothers: Down in the willow garden / Where me and my love did meet / As we sat a-courtin' / My love fell off to sleep / I had a bottle of burgundy wine / My love she did not know / So I poisoned that dear little girl / On the banks below
Taurobolium by Devendra Banhart: I can't keep myself from evil / So much desire there left in me / So much perversion you can't see / So much desire there left in me / So much malignance you can't see / So much desire / So much desire / So much desire / Keep me from the evil
Hares on the Mountain by Davey Graham & Shirley Collins: Oh Sally, my dear, it's you I'd be kissing / She smiled and replied 'You don't know what you're missing' / [ ... ] / If all you young men were hares on the mountain / How many young girls would take guns and go hunting / [ ... ] / If all you young men were rushes a-growing / How many young girls would take scythes and go mowing
The Falcon by Mimi & Richard Farina: And the falcon was a pretty bird / Her voice was always still / But men with drums and men with guns / They taught her how to kill / Her eye was on the sparrow / Her mind was on the dove / But no one cared and no one dared / To speak to her of love / Her eyes are always hooded / Her claws are sharp as steel / We teach her not to see too much / We teach her not to feel
DO YOU DOUBT ME TRAITOR by Lingua Ignota: MY FRIENDS ALL WEAR YOUR COLORS / YOUR FLAG FLIES ABOVE EVERY DOOR / BUT BITCH, I SMELL YOU BLEEDING / AND I KNOW WHERE YOU SLEEP / DO YOU DOUBT ME, TRAITOR? / THROW YOUR BODY IN THE FUCKING RIVER / I'M THE CUNTKILLER / AND I DON'T EAT, I DON'T SLEEP / I DON'T EAT, I DON'T SLEEP
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suzy-queued · 2 years
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Heat
This week's @galladrabbles prompt comes from @lalazeewrites. Previously, on Maze of Terror ... Ian chased a beautiful boy through a haunted maze. He learned that Mickey had been trapped there for generations. Ian got trapped himself. Their love began to unlock the sealed exit. Now they have all the pieces of the key...
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Heat hits Ian in waves. It spreads from his hand, the Bull’s blood seeping into his skin.
The words around the exit tunnel explode with light. Taurobolium. Papaveraceae. Amorisveri. Burning into his vision, blinding him.
The guests comfort their friend, holding his injured arm. They glare at Ian, at the chainsaw. “What the hell is your problem? We’re gonna sue!”
The passages stretch like they’re made of taffy. Ian’s body suctions toward the tunnel, his exit, his freedom.
He claws the ground. He reaches for Mickey. He needs to drag Mickey with him.
But Ian’s amorisveri is too far away.
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drumcorundumconundrum · 3 months
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discos-e-pensamentos · 4 months
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Mala-Devendra Banhart
1-Golden Girls
2-Daniel
3-Für Hildegard von Bingen
4-Never Seen Such Good Things
5-Mi Negrita
6-Your Fine Petting Duck
7-The Ballad of Keenan Milton
8-A Gain
9-Won't You Come Over
10-Cristobal Risquez
11-Hatchet Wound
12-Mala
13-Won't You Come Home
14-Taurobolium
2013
🌃
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berlinonair · 2 years
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Club d'Elf - Taurobolium (Indie Rock | Jazz)
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🕑 Lesedauer: 1 min / 📷 CTTO / Club d’Elf Offizielles Erscheinungsdatum: 08.02.2023 Wenn es um Jazz Fusion und Psychedelic Rock geht, dann darf Club d'Elf's neustes Werk ‘Taurobolium' keines Falls auf eurer Playlist fehlen. Mit einem äußerst temperamentvollen Charakter und einer unglaublich virtuosen Spielweise sichert sich das Bostoner Kollektive ein klares Alleinstellungsmerkmal. Man könnte meinen, alles erschien willkürlich konzipiert, doch die Abstimmung der einzelnen Instrumente ist absolut genial. Zum Vorschein kommen Harmonien, die man so wohl kaum bei anderen Produktionen bzw Jazz Werken hören wird. Bläser und Gitarren drängen sich gemeinsam in die Lead Stimme, während die Drums mit ausgeklügelten Rhythmen die nötige Struktur mit einbringen. Für unser Gefühl ist 'Taurobolium' ein Track der buchstäblich unaufhaltsam scheint und keines Falls verpasst werden sollte. Hört direkt mal rein! Melodie: ★★★★☆ | Produktion: ★★★★★ | Arrangement: ★★★★☆ | Energie: ★★★★★ |  Spotify: https://open.spotify.com/track/3RAmQgTqJqEpAsxVgJSHi8 Instagram: https://www.instagram.com/club.delf/ Text: Adrian
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Μίθρας, Μιθραϊσμός & Μιθραϊκά Μυστήρια: Όλα τα Αρχαία Ελληνικά και Λατινικά Κείμενα που αναφέρονται στον Μίθρα και τους Μιθραϊστές
Mithras, Mithraism & Mithraic Mysteries: All Ancient Greek and Latin Texts Relating to Mithras and the Mithraists
ΑΝΑΔΗΜΟΣΙΕΥΣΗ ΑΠΟ ΤΟ ΣΗΜΕΡΑ ΑΝΕΝΕΡΓΟ ΜΠΛΟΓΚ “ΟΙ ΡΩΜΙΟΙ ΤΗΣ ΑΝΑΤΟΛΗΣ”
Το κείμενο του κ. Νίκου Μπαϋρακτάρη είχε αρχικά δημοσιευθεί την 7η Μαΐου 2019.
Αναδημοσίευση από το https://www.tertullian.org/ όλων των αρχαιοελληνικών και λατινικών κειμενικών αναφορών στον Μίθρα. Οι αρχαίες ιρανικές ιστορικές πηγές των αχαιμενιδικών, αρσακιδικών και σασανιδικών και οι αναφορές των Αρχαίων Ελλήνων και Ρωμαίων στον Μίθρα μας βοηθούν τόσο στην ανασύσταση της τρομερής θρησκευτικής διαπάλης των αχαιμενιδικών χρόνων (550-330) ανάμεσα στον Ζωροαστρισμό και τον Μιθραϊσμό, όσο και στην κατανόηση της μεγάλης άγνοιας των Αρχαίων Ελλήνων και Ρωμαίων σχετικά με τις θρησκείες του Ιράν. Με άλλα λόγια, οι Αρχαίοι Έλληνες και Ρωμαίοι δεν στάθηκαν ικανοί να διακρίνουν την τρομερή αντιπαλότητα των Ζωροαστριστών και Μιθραϊστών Ιρανών με τους οποίους συνδιαλέγοντο. Έτσι, η τεράστια σύγχυση σχετικά με το αχαιμενιδικό Ιράν διατηρήθηκε επί μακρόν και επέδρασε αρνητικά στις ρωμαιοϊρανικές σχέσεις κατά τα αρσακιδικά και τα σασανιδικά χρόνια. Αυτή η σύγχυση βρήκε την συνέχειά της στα χριστιανοϊσλαμικά χρόνια, όταν οι Ρωμιοί ιστορικοί δεν μπορούσαν να εννοήσουν τις θρησκευτικές, ψυχικές-πνευματικές, μυστικιστικές και θεολογικές έριδες οι οποίες εκδηλώθηκαν εντός του ισλαμικού χαλιφάτου.
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http://greeksoftheorient.wordpress.com/2019/05/07/μίθρας-μιθραϊσμός-μιθραϊκά-μυστήρι/ ====================
Οι Ρωμιοί της Ανατολής – Greeks of the Orient
Ρωμιοσύνη, Ρωμανία, Ανατολική Ρωμαϊκή Αυτοκρατορία
Ύστερα από το μεγάλο ενδιαφέρον που προκλήθηκε σχετικά με την διάδοση του Μιθραϊσμού ανάμεσα στους Έλληνες, τους Ρωμαίους, την Ρωμαϊκή Αυτοκρατορία και ολόκληρη την Ευρώπη εξαιτίας δύο πρώτων κειμένων μου σχετικά, δημοσιεύω σήμερα ένα πλήρη κατάλογο (στα αγγλικά) όλων των αποσπασμάτων αρχαίας ελληνικής και ρωμαϊκής γραμματείας που αναφέρονται στον Μίθρα και στους Μιθραϊστές.
Η επιστημονική εργασία αυτή δεν έχει βεβαίως γίνει από μένα, ούτε κι η ηλεκτρονική παρουσίαση του θέματος είναι δική μου. Παραθέτω τον σύνδεσμο. Είμαι όμως σίγουρος ότι όσοι ενδιαφέρονται σοβαρά θα βρουν εδώ όσα τους χρειάζονται για να κάνουν μόνοι τους την δική τους έρευνα.
Αποσπάσματα από τον Ηρόδοτο και τον Ξενοφώντα μέχρι τον Θεοφάνη και τον Φώτιο, περνώντας από τους Δίωνα Χρυσόστομο, τον Λουκιανό, τον Δίωνα Κάσσιο, τον Ψευδο-Καλλισθένη, τον Γρηγόριο Ναζιανζηνό, τον Ιουλιανό Παραβάτη, τον Ιερώνυμο, τον Κοσμά Ινδικοπλεύστη, τον Κοσμά Μελωδό, και πολλούς άλλους δείχνουν σε ποιον βαθμό είχε προχωρήσει ο πολιτισμικός εκπερσισμός των Αρχαίων Ελλήνων και των Ρωμαίων. Οι φιλολογικές μαρτυρίες παρουσιάζονται καταταγμένες χρονολογικά.
Εννοείται ότι δεν περιλαμβάνονται εδώ οι επιγραφικές μαρτυρίες: οι χιλιάδες επιγραφών σε αρχαία ελληνικά και λατινικά που έχουν ανασκαφεί κι ανευρεθεί από την Κομμαγηνή και τον Πόντο μέχρι την Γερμανία και την Βρεταννία κι από την Αλγερία και την Ιβηρική μέχρι τις στέππες της Ουκρανίας.
Επίσης δεν περιλαμβάνονται εδώ κατάλογοι αναγλύφων, αγαλμάτων, μνημείων, ναών του Μίθρα (: ‘Μιθραίων’) και γενικώτερα αρχαιολογικών χώρων που έχουν εντοπισθεί δυτικά του Ιράν και μέχρι τον Ατλαντικό, ή από την Βόρεια Ευρώπη μέχρι το Σουδάν.
Τα τρία πρότερα κείμενά μου για το θέμα βρίσκονται εδώ:
Οι Ατελείωτες Επελάσεις του Μίθρα προς την Δύση κι ο Πολιτισμικός Εξιρανισμός Ελλήνων, Ρωμαίων κι Ευρωπαίων
https://greeksoftheorient.wordpress.com/2019/04/29/οι-ατελείωτες-επελάσεις-του-μίθρα-προ/
(και πλέον: https://www.academia.edu/58627059/Οι_Ατελείωτες_Επελάσεις_του_Μίθρα_προς_την_Δύση_κι_ο_Πολιτισμικός_Εξιρανισμός_Ελλήνων_Ρωμαίων_κι_Ευρωπαίων)
Ταυροθυσίες και Μιθραϊκά Μυστήρια στην Κορυφή του Ολύμπου – Η Απόλυτη Επιβολή του Περσικού Πνεύματος ανάμεσα στους Έλληνες & το Τέλος της Αρχαίας Ελλάδας
https://greeksoftheorient.wordpress.com/2019/05/06/ταυροθυσίες-και-μιθραϊκά-μυστήρια-στ/
(και πλέον: https://www.academia.edu/62212919/Ταυροθυσίες_και_Μιθραϊκά_Μυστήρια_στην_Κορυφή_του_Ολύμπου_Η_Απόλυτη_Επιβολή_του_Περσικού_Πνεύματος_ανάμεσα_στους_Έλληνες_and_το_Τέλος_της_Αρχαίας_Ελλάδας)
και
Η Απόλυτη Κυριαρχία των Μιθραϊστών Πειρατών στο Αιγαίο, την Ελλάδα και τον Θεσσαλικό Όλυμπο στον 1ο Αιώνα π.Χ. – Τι λέει ο Πλούταρχος
http://greeksoftheorient.wordpress.com/2019/05/07/η-απόλυτη-κυριαρχία-των-μιθραϊστών-πε/
(και πλέον: https://www.academia.edu/62228155/Η_Απόλυτη_Κυριαρχία_των_Μιθραϊστών_Πειρατών_στο_Αιγαίο_την_Ελλάδα_και_τον_Θεσσαλικό_Όλυμπο_στον_1ο_Αιώνα_π_Χ_Τι_λέει_ο_Πλούταρχος)
Για όσους έχουν δυσκολία στα αγγλικά, τονίζω ότι θα επανέλθω συχνά-πυκνά εστιάζοντας σε πολλά από τα παρακάτω κείμενα.
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Ο Μίθρας στο Ιράν, Ανάγλυφο του Ταγ-ε Μποστάν (Taq-e_Bostan): στέψη του Αρντασίρ Β’ 379-383 μ.Χ. (αριστερά, κραδαίνοντας το μπαρσόμ)
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Ο Μίθρας στο Ιεροθέσιον Κορυφής (Νέμρουτ Νταγ) και άλλα μνημεία της Κομμαγηνής
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Ο Μίθρας στην Ρωμαϊκή Αυτοκρατορία και την Ευρώπη
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Ο Μίθρας στην Αυτοκρατορία της Μερόης (‘Αιθιοπία’: Αρχαίο Σουδάν), Αναπαράσταση των χρόνων του βασιλέως Σορκάρορ (Shorkaror – 20-30 μ.Χ.) από το Τζέμπελ Κέιλι (Jebel Qeili), ανατολικά του Χαρτούμ
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Mithras: all the passages in Graeco-Roman literature
http://www.tertullian.org/rpearse/mithras/literary_sources.htm
This page contains a list of all the passages in Greek or Latin literature that refer to “Mithra(s)”, in English translation. This includes all the material for both the ancient Persian cult of Mitra, and the Roman cult of Mithras, as it is sometimes not clear which is intended here, and the Romans themselves tended to suppose that Mithras and Mithra were the same, and used the same word for each.
I have indicated in each case, where possible, which is intended: the Persian cult by P, the Roman one by R. and those which could be either as ?.
The material here has mainly been gathered as follows:
· Use the bibliography from Manfred Clauss The Roman cult of Mithras.
· Use Geden Select passages illustrating Mithraism
· Use Cumont, Textes et Monuments 2. A number of passages which don’t mention Mithras, or else are from late saints’ lives, are omitted.
I have tried to link to complete English translations online where possible, and to indicate where the original language text can be found using {}. In some cases where more than one translation was available to me, I give both. Dates given for the works are approximate, for the convenience of the reader.
I have excluded Persian and Armenian material, which presumably would be inaccessible in the Greek and Roman world anyway. Geden translates a small selection of this.
· Herodotus (5th c. BC) P
· Ctesias (4th c. BC) P
· Xenophon (4th c. BC) P
· Duris of Samos (4th c. BC) P
· Strabo (20 BC) P
· Pliny the Elder (ca. 50 AD) P
· Quintus Curtius (40-50 AD) P
· Plutarch (c. 100 AD) P
· Dio Chrysostom (50-120 AD) P
· Statius (80 AD) R
· Justin Martyr (150 AD) R
· Lucian (120-200 AD) P
· Zenobius the Sophist (2nd century AD) ?
· Tertullian (ca. 200 AD) R
· Cassius Dio (ca. 200 AD) P
· Origen (200-254 AD) R
· Ps.Clement (200 AD) ?
· Porphyry (ca.270 AD) R
· Commodian (3rd c. AD) R
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· Arnobius the Elder (295 AD) ?
· P.Oxy.1802 (2-3rd c. AD) P
· Ps.Callisthenes (300 AD) P
· Greek Magical Papyri (3rd c. AD) ?
· Acts of Archelaus (Early 4th c. AD) R
· Firmicus Maternus (350 AD) R
· Gregory Nazianzen (370 AD) R
· Julian the Apostate (361-2 AD) R
· Himerius (ca. 362 AD) R
· Libanius (ca. 362 AD) R
· Epiphanius (late 4th c.)
· Jerome (ca. 400 AD) R
· Eunapius (late 4th c. AD) R
· Augustan History (late 4th c. AD) R
· Ambrose of Milan (late 4th c. AD) P
· Claudian (ca. 400 AD) P
· Prudentius (ca. 400 AD) ?
· Ps.-Paulinus of Nola / Carmen ad Antonium (ca. 400 AD) R
· Carmen ad Flavianum / contra Paganos (ca. 400 AD) R
· Augustine (early 5th c. AD) R
· Ambrosiaster (5th c. AD) R
· Dionysius the Areopagite (late 5th c. AD) P
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· Martianus Capella (5th c. AD) ?
· Socrates Scholasticus (early 5th c. AD) R
· Sozomen (5th c. AD) R
· Proclus (5th c. AD) P
· Hesychius (ca. 400 AD) P
· Zosimus the alchemist (300 AD) ?
· Zosimus (6th c. AD) ?
· Nonnus of Panopolis (ca. 400 AD) P
· Lactantius Placidus (5th century AD) R
· John the Lydian (6th c. AD) R
· Damascius (6th c. AD) ?
· Cosmas Indicopleustes (ca. 550 AD) P
· Maximus the Confessor (7th c. AD) P
· Nonnus the Mythographer (6th or 7th c. AD) R
· John the Lydian (6th c. AD) R
· Theophylact Simocatta (ca. 600 AD) ?
· Cosmas of Jerusalem (ca. 750 AD) R
· Theophanes (650+ AD) R
· The Suda (9-10 c. AD) R
· Photius (9 c. AD) R
· Panegyrici Latini (9th c. AD) ?
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Herodotus (5th c. B.C.) [=Mithra] {Cumont, ii, p.16-17}
Histories, book 1, ch. 131 (Geden p.24):
Others are accustomed to ascend the hill-tops and sacrifice to Zeus, the name they give to the whole expanse of the heavens. Sacrifice is offered also to the sun and moon, to the earth and fire and water and the winds. These alone are from ancient times the objects of their worship, but they have adopted also the practice of sacrifice to Urania, which they have learned from the Assyrians and Arabians. The Assyrians give to Aphrodite the name Mylitta, the Arabians Alilat and the Persians Mitra.
Cumont notes that Ambrose of Milan also calls Mithra female.
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Ctesias (after 398 B.C.) [=Mithra] {Cumont, ii, p.10}
Quoted by Athenaeus, Deipnosophists, book 10, ch.45 (2nd c.). Geden p.25:
Ktesias reports that among the Indians it was not lawful for the king to drink to excess. Among the Persians however the king was permitted to be intoxicated on the one day on which sacrifice was offered to Mithra.
Cumont adds that the passage from Athenaeus is reproduced in part by Eustathius, Commentary on the Odyssey, XVIII, 3, p.1854; and Commentary on the Iliad, p.957.
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Xenophon (ca. 397-340 B.C.) [=Mithra] {Cumont, ii, p.51}
Oeconomicus, IV. 24. Cyrus the Younger, addressing Lysander:
Do you wonder at this, Lysander? I swear to you by Mithra that whenever I am in health I never break my fast without perspiring. (Geden)
Cyropaedia, VII. 5. Spoken by Artabazus to Cyrus the Elder.
By Mithra I could not come to you yesterday without fighting my way through many foes. (Geden)
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Duris of Samos (Mid. 4th c. B.C.) [=Mithra] {Cumont, ii, p.10}
Quoted by Athenaeus, Deipnosophists, book 10, ch.45, immediately after the quote from Ctesias above. (2nd c. A.D.) Geden p.26.
In the seventh book of his Histories Duris has preserved the following account on this subject. Only at the festival celebrated by the Persians in honour of Mithra does the Persian king become drunken and dance after the Persian manner. On this day throughout Asia all abstain from the dance. For the Persians are taught both horsemanship and dancing; and they believe that the practice of these rhythmical movements strengthens and disciplines the body.
Cumont adds that the passage from Athenaeus is reproduced in part by Eustathius, Commentary on the Odyssey, XVIII, 3, p.1854; and Commentary on the Iliad, p.957.
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Strabo (20 B.C.) [=Mithra] {Cumont, ii, p.49}
Geographica, XI. 14:
The country (i.e. Armenia) is so excellently suited to the rearing of horses, being not inferior indeed to Media, that the Nisaean steeds are raised there also of the same breed that the Persian kings were wont to use. And the satrap of Armenia used to send annually to Persia twice ten thousand colts for the Mithraic festivals. (Geden)
Geographica, XV. 3:
The Persians therefore do not erect statues and altars, but sacrifice on a high place, regarding the heaven as Zeus; and they honour also the sun, whom they call Mithra, and the moon and Aphrodite and fire and earth and the winds and water. (Geden)
Cumont notes that the second passage reproduces Herodotus.
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Pliny the Elder (23-79 A.D.) [=Mithra] {Cumont, ii, p.32}
Natural History, book 37, chapter 10: (Jewels derived from the name)
Mithrax is brought from Persia and the hill-country of the Red Sea, a stone of varied colours that reflects the light of the sun. … The Assyrians prize Eumitren the jewel of Bel their most honoured deity, of a light-green colour and employed in divination. (Geden)
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Quintus Curtius (40-50 A.D.) [=Mithra] {Cumont, ii, p.10}
Geden p.27. History of Alexander, book 4, chapter. 13. The scene is before the battle of Arbela.
The king himself with his generals and Staff passed around the ranks of the armed men, praying to the sun and Mithra and the sacred eternal fire to inspire them with courage worthy of their ancient fame and the monuments of their ancestors.
Cumont adds that there is a variant here: mithrem rather than mithram.
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Plutarch (ca. 100 A.D.) [=Mithra] {Cumont, ii, p.33-36}
De Iside et Osiride, ch. 46. Theopompus lived in the 4th c. B.C.
The following is the opinion of the great majority of learned men. By some it is maintained that there are two gods, rivals as it were, authors the one of good and the other of evil. Others confine the name of god to the good power, the other they term demon, as was done by Zoroaster the Magian, who is said to have lived to old age five thousand years before the Trojan war. He calls the one Horomazes, the other Areimanius. The former he assserts is of all natural phenomena most closely akin to the light, the latter to darkness, and that Mithra holds an intermediate position. To Mithra therefore the Persians give the name of the mediator. Moreover he taught men to offer to Horomazes worthy and unblemished sacrifices, but to Areimanius imperfect and deformed. For they bruise a kind of grass called molu in a trough, and invoke Hades and Darkness; then mixing it with the blood of a slaughtered wolf they carry it to a sunless place and throw it away. For they regard some plants as the property of the good god, and some· of the evil demon; and so also such animals as dogs and birds ,and hedgehogs belong to the good deity, and the water rat to the evil. Of these last therefore it is meritorious to kill as many as possible.
They have also many stories to relate concerning the gods, for example that Horomazes was born of the purest light, Areimanius of the darkness, and these are hostile to one another. The former created six gods, the first three deities respectively of good-will, truth, and orderliness, the others of wisdom, wealth, and a good conscience. By the latter rivals as it were to these were formed of equal number. Then Horomazes extended himself to thrice his stature as far beyond the sun as the sun is beyond the earth, and adorned the heaven with stars, appointing one star, Sirius, as guardian and watcher before all. He made also other twenty-four gods and placed them in an egg, but Areimanius produced creatures of equal number and these crushed the egg . . . wherefore evil is mingled with good.
At the appointed time however Areimanius must be utterly brought to nought and destroyed by the pestilence and famine which he has himself caused, and the earth will be cleared and made free from obstruction, the habitation of a united community of men dwelling in happiness and speaking one tongue. Theopompus further reports that according to the magi for three thousand years in succession each of the gods holds sway or is in subjection, and that there will follow on these a further period of three thousand years of war and strife, in which they mutually destroy the works of one another. Finally Hades will be overthrown, and men will be blessed, and will neither need nourishment nor cast a shadow. And the deity who has accomplished these things will then take rest and solace for a period that is not long, especially for a god, and moderate for a sleeping man. To this effect then is the legendary account given by the magi.
Life of Alexander, c. 30:
If thou art not false to the interests of the Persians, but remainest loyal to me thy lord, tell me by thy regard for the great light of Mithra, and the royal right hand ….
Life of Artaxerxes Memnon, c.4:
Presenting a pomegranate of great size a certain Omisus said to him: By Mithra you may trust this man quickly to make an insignificant city great.
Vita Pompei (Life of Pompey) c.24, 5, 632CD. (This is often quoted as if it had some connection with Mithras of the legions; but surely relates to Mithridates and Persian Mithra in Asia Minor?).
There were of these corsairs above one thousand sail, and they had taken no less than four hundred cities, committing sacrilege upon the temples of the gods, and enriching themselves with the spoils of many never violated before, such as were those of Claros, Didyma, and Samothrace; and the temple of the Earth in Hermione, and that of Aesculapius in Epidaurus, those of Neptune at the Isthmus, at Taenarus, and at Calauria; those of Apollo at Actium and Leucas, and those of Juno in Samos, at Argos, and at Lacinium. They themselves offered strange sacrifices upon Mount Olympus, and performed certain secret rites or religious mysteries, among which those of Mithras have been preserved to our own time having received their previous institution from them. (Dryden)
They were accustomed to offer strange sacrifices on Olympus and to observe certain secret rites, of which that of Mithra is maintained to the present day by those by whom it was first established. (Geden)
(Ps.Plutarch) De fluviis, XXIII. 4.
Clauss says that the story is that Mithras spilled his seed onto a rock, and the stone gave birth to a son, named Diorphos, who, worsted and killed in a duel by Ares, was turned into the mountain of the same name not far from the Armenian river Araxes.
Near it also (i.e. the Araxes) is a mountain Diorphus, so called from the giant of that name, of which this story is told: Mithra being desirous of a son, and hating the female race, entered into a certain rock; and the stone becoming pregnant after the appointed time bore a child named Diorphus. The latter when he had grown to manhood challenged Ares to a contest of valour, and was slain. The purpose of the gods was then fulfilled in his transformation into the mountain which bears his name. (Geden)
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Dio Chrysostom (ca. 50-120 A.D.) [=Mithra] {Cumont, ii, p.60-64}
Oration 36. Marked as doubtful by Cumont.
In the secret mysteries the magi relate a further marvellous tradition concerning this god (Zeus) that he was the first and faultless charioteer of the unrivalled car. For they declare that the car of the sun is more recent, but on account of its prominent course in the sky is familiar to all. Whence is derived, it would seem, the common legend adopted by almost all the leading poets who have told of the risings and settings of the sun, the yoking of the steeds, and his ascent into the car. But of the mighty and perfect car of Zeus none of our writers hitherto has worthily sung, not even Homer or Hesiod, but the story is told by Zoroaster and the descendants of the magi who have learnt from him.
Of him the Persians relate that moved by love of wisdom and righteousness he separated himself from men and lived apart on a certain mountain, that fire subsequently fell from heaven and the whole mountain was kindled into flame. The king then with the most illustrious of the Persians approached wishing to offer prayer to the god. And Zoroaster came forth from the fire unharmed and gently bade them be of good courage and offer certain sacrifices, since it was the divine sanctuary to which the king had come.
Afterwards only those distinguished for love of the truth and who were worthy to approach the god were permitted to have access, and to these the Persians gave the name of magi, as being adepts in the divine service; differing therein from the Greeks who through ignorance of the name call such men wizards. And among other sacred rites they maintain for Zeus a pair of Nisaean steeds, these being the noblest and strongest that Asia yields, but one steed only for the sun. Moreover, they recount their legend not like our poets of the Muses who with all the arts of persuasion endeavour to carry conviction, but quite simply. For without doubt the control and government of the Supreme are unique, actuated always by the highest skill and strength, and that without cessation through endless ages.
The circuits then of the sun and moon are, as I said, movements of parts, and therefore readily discernible; most men however do not understand the movement and course of the whole, but the majestic order of its succession removes it above their comprehension. The further stories which they tell concerning the steeds and their management I hesitate to relate; and indeed they fail to take into account that the nature of the symbolism they employ betrays their own character. For it may be that it would be regarded as an act of folly for me to set forth a barbarian tale by the side of the fair Greek lays.
I must however make the venture. The first of the steeds is said to surpass infinitely in beauty and size and swiftness, running as it does on the outside round of the course, sacred to Zeus himself; and it is winged. The colour also of its skin is bright, of the purest sheen. And on it the sun and the moon are emblematically represented; I understand the meaning to be that these steeds have emblems moon-shaped or other; and they are seen by us indistinctly like sparks dancing in the bright blaze of a fire, each with its own proper motion. And the other stars receive their light through it and are all under its influence; and some have the same motion and are carried round with it, and others follow different courses. And the latter have each their own name among men, but the others are grouped together, assigned to certain forms and shapes.
The most handsome and variegated steed then is the favourite of Zeus himself, and on this account is lauded by them, receiving as is right the chief sacrifices and honours. The next to it in rank bears the name of Hera, being tractable and gentle, greatly inferior however in strength and swiftness. Its colour is naturally black, but that which is illuminated by the sun is always resplendent, while that which is in shadow during its circuit reveals the true character of the skin. The third is sacred to Poseidon, and is slower in movement than the second. His counterpart the poets say is found among men, meaning I suppose that which bears the name of Pegasus; a spring, according to the story, breaking forth in Corinth when the ground was opened.
The fourth is the strangest figure of all, fixed and motionless, not furnished with wings, named Hestia; but they do not hesitate to declare that this also is yoked to the car, remaining however in its place champing a bit of steel. And the others are on each side closely attached to it, the two nearest turning equally towards it, as though assailing it and resenting its control; but the leader on the outside circles constantly around it as though around a fixed centre post. For the most part therefore they live in peace and amity unhurt by one another, but eventually after a long time and many circuits the powerful breath of the leader descends from above and kindles into flame the proud spirit of the others, and most of all of the last.
His flaming mane then is set on fire, in which he took especial pride, and the whole universe. This calamity which they record they say that the Greeks attribute to Phaethon, for they refuse to blame Zeus’ driving of the car, and are unwilling to attach fault to the circuits of the sun … and again when in the course of further years the sacred colt of the Nymphs and Poseidon rouses itself to unaccustomed exertion, and incommoded with the sweat that pours from it drenches its own yokefellow, it gives rise to a destruction the contrary of the preceding, a flood of water. This then is the one catastrophe of which the Greeks have record owing to their recent origin and the shortness of their memory, and they relate that Deucalion reigned over them at that time before the universal destruction.
And in consequence of the ruin brought upon themselves men regard these rare occurrences as taking place neither in harmony with reason nor as a part of the general order, overlooking the fact that they occur in due course and in accordance with the will of the preserver and ruler of all. For it is just as when a charioteer chastises one of his steeds by checking it with the rein or touching it with the whip; the horse gives a start and is restless before settling down into its accustomed order. This earlier control then of the team they say is firm and the universe suffers no harm; but later a change takes place in the movement of the four, and their natures are mutually altered and interchanged, until they are all subdued by the higher power and a uniform character is imposed on all.
Nevertheless they do not hesitate to compare this movement to the conduct and driving of a car, for lack of a more impressive simile. As though a clever artificer should fashion horses out of wax, and should then smooth off the roughnesses of each, adding now to one and now to another, finally reducing all to one pattern, and forming his whole material into one shape. This however is not the case of a Creator fashioning and transforming from the outside the material substance of things without life, but the experience is that of the very substances themselves, as though they were contending for victory in a real and well-contested strife; and the crown of victory is awarded of right to the first and foremost in swiftness and strength and in every kind of virtue, to whom at the beginning of our discourse we gave the name of “chosen of Zeus.”.
For this one being the strongest and naturally fiery quickly consumed the others as though they had been really wax in a period not actually long, though to our limited reasoning it appears infinite; and absorbing into himself the entire substance of all is seen to be far greater and more glorious than before, having won the victory in the most formidable contest by no mortal or immortal aid, but by his own valour. Raised then proudly aloft and exulting in his victory, he takes possession of the widest possible domain, and yet such is his might and power that he craves further room for expansion. Having reached this conclusion they shrink from describing the nature of the living creature as the same; for that it is now no other than the soul of the charioteer and lord, or rather it has the same purpose and mind. (Geden)
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Statius (ca. 80 A.D.) [=Mithras] {Cumont, ii, p.46}
Thebaid, book 1, v.719-20:
(Mithras) ‘twists the unruly horns beneath the rocks of a Persian cave’ (Clauss)
717 …… seu te roseum Titana vocari Gentis Achaemeniae ritu, seu praestat Osirim Frugiferum, seu Persei sub rupibus antri Indignata sequi torquentem cornua Mithram.
Or:
Whether it please thee to bear the name of ruddy Titan after the manner of the Achaemenian race, or Osiris lord of the crops, or Mithra as beneath the rocks of the Persian cave he presses back the horns that resist his control. (Geden)
Geden suggests the horns must be those of the bull.
The scholia on Statius are attributed to a certain Lactantius Placidus.
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Justin Martyr (ca. 150 A.D.) [=Mithras] {Cumont, ii.20-21}
1st Apology, ch. 66
For the apostles, in the memoirs composed by them, which are called Gospels, have thus delivered unto us what was enjoined upon them; that Jesus took bread, and when He had given thanks, said, “This do ye in remembrance of Me, this is My body; “and that, after the same manner, having taken the cup and given thanks, He said, “This is My blood; “and gave it to them alone. Which the wicked devils have imitated in the mysteries of Mithras, commanding the same thing to be done. For, that bread and a cup of water are placed with certain incantations in the mystic rites of one who is being initiated, you either know or can learn. (ANF)
Dialogue with Trypho, ch. 70
70. And when those who record the mysteries of Mithras say that he was begotten of a rock, and call the place where those who believe in him are initiated a cave, do I not perceive here that the utterance of Daniel, that a stone without hands was cut out of a great mountain, has been imitated by them, and that they have attempted likewise to imitate the whole of Isaiah’s words? For they contrived that the words of righteousness be quoted also by them. But I must repeat to you the words of Isaiah referred to, in order that from them you may know that these things are so. They are these: `Hear, ye that are far off, what I have done; those that are near shall know my might.
The sinners in Zion are removed; trembling shall seize the impious. Who shall announce to you the everlasting place? The man who walks in righteousness, speaks in the right way, hates sin and unrighteousness, and keeps his hands pure from bribes, stops the ears from hearing the unjust judgment of blood closes the eyes from seeing unrighteousness: he shall dwell in the lofty cave of the strong rock. Bread shall be given to him, and his water [shall be] sure. Ye shall see the King with glory, and your eyes shall look far off. Your soul shall pursue diligently the fear of the Lord. Where is the scribe? where are the counsellors? where is he that numbers those who are nourished,-the small and great people? with whom they did not take counsel, nor knew the depth of the voices, so that they heard not.
The people who are become depreciated, and there is no understanding in him who hears.’ Now it is evident, that in this prophecy [allusion is made] to the bread which our Christ gave us to eat, in remembrance of His being made flesh for the sake of His believers, for whom also He suffered; and to the cup which He gave us to drink, in remembrance of His own blood, with giving of thanks. And this prophecy proves that we shall behold this very King with glory; and the very terms of the prophecy declare loudly, that the people foreknown to believe in Him were foreknown to pursue diligently the fear of the Lord. Moreover, these Scriptures are equally explicit in saying, that those who are reputed to know the writings of the Scriptures, and who hear the prophecies, have no understanding.
And when I hear, Trypho,” said I, “that Perseus was begotten of a virgin, I understand that the deceiving serpent counterfeited also this. (ANF)
78. … I have repeated to you,” I continued, “what Isaiah foretold about the sign which foreshadowed the cave; but for the sake of those who have come with us to-day, I shall again remind you of the passage.” Then I repeated the passage from Isaiah which I have already written, adding that, by means of those words, those who presided over the mysteries of Mithras were stirred up by the devil to say that in a place, called among them a cave, they were initiated by him. … (ANF)
Geden (p.39-40) renders these passages as:
(Apol. 1, 66) Accordingly in the mysteries of Mithra also we have heard that evil spirits practise mimicry. For at the initiatory rites bread and a cup of water are set out accompanied by certain formulae, as you know or may ascertain.
(Dial. 70) And when in the tradition of the Mithraic mysteries they relate that Mithra was born of a rock, and name the place where his followers receive initiation a cave, do I not know that they are perverting the saying of Daniel that “a stone was hewn without hands from a great mountain,” and likewise the words of Isaiah, all whose sayings also they endeavour to pervert? Noteworthy sayings too besides these they have artfully contrived to use.
(Dial. 78) According to the tradition of the Mithraic mysteries initiation takes place among them in a so-called cave, … a device of the evil one.
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Lucian (120-200 A.D.) [=?] {Cumont, ii.22}
The Gods in Council, chapter 9.
Momus. Ah; and out of consideration for him I suppose I must also abstain from any reference to the eagle, which is now a God like the rest of us, perches upon the royal sceptre, and may be expected at any moment to build his nest upon the head of Majesty?–Well, you must allow me Attis, Corybas, and 9 Sabazius: by what contrivance, now, did they get here? and that Mede there, Mithras, with the candys and tiara? why, the fellow cannot speak Greek; if you pledge him, he does not know what you mean. The consequence is, that Scythians and Goths, observing their success, snap their fingers at us, and distribute divinity and immortality right and left; that was how the slave Zamolxis’s name slipped into our register. However, let that pass. But I should just like to ask that Egyptian there–the dog-faced gentleman in the linen suit — who he is, and whether he proposes to establish his divinity by barking?
Or:
And Attis too, by heaven, and Korybas and Sabazius with what a flood have these deluged us, and your Mithra with his Assyrian cloak and crown, maintaining even their foreign tongue, so that when they give a toast no one can understand what they say. (Geden)
The Tragic Zeus, ch. 8:
There is Bendis herself and Anubis yonder and by his side Attis and Mithra and Men, all resplendent in gold, weighty and costly you may be sure.
Menippus, ch. 6:
Once as with these thoughts I was lying awake I determined to go to Babylon and there make inquiry of one of the magi, the disciples and successors of Zoroaster. I had heard that by incantations and magic rites they open the gates of Hades, and lead thither in safety whom they will, and restore him again to the upper world . . . so I arose at once, and without delay set out for Babylon.
On arrival I betook myself to a certain Chaldaean, a man skilled in the art of the diviner, grey-haired and wearing an imposing beard, whose name was Mithrobarzanes. With much trouble and importunity I won his consent, for whatever fee he liked to name, to be my guide on the way. He took me under his charge, and first for twenty-nine days from the new moon he conducted me at dawn to the Euphrates and bathed me, reciting some long invocation to the rising sun, which I did not fully understand; for like the second-rate heralds at the games he spoke in obscure and involved fashion. It was clear however that he was invoking certain deities.
Then after the invocation he spat thrice in front of me and conducted me back without looking in the face of any whom we met. For food we had acorns, and our drink was milk and honey-mead and the waters of the Choaspes, and we made our couch upon the grass in the open air. These preliminaries concluded he took me about midnight to the Tigris, cleansed and rubbed me down and purified me with resinous twigs and hyssop and many other things, reiterating at the same time the previous invocation. Then he threw spells over me and circumambulated me for my defence against the ghosts and led me back to the house, as I was, on foot; and the rest of the journey we made by boat. He himself put on some sort of a Magian robe, not unlike that of the Medes. And he further equipped me with the cap and lion’s skin and put into my hands the lyre, and bade me if I were asked my name not to answer Menippus, but to say Herakles or Odysseus or Orpheus ….
Arrived at a certain place, gloomy and desolate and overgrown with jungle, we disembarked, Mithrobarzanes leading the way, and dug a pit, and sacrificed the sheep, pouring out the blood over it. Then the Magian with lighted torch in his hand, no longer in subdued tones but exerting his voice to the utmost, invoked the whole host of demons with the Avengers and Furies, “and Hecate the queen of night and noble Persephone,” joining with them some foreign names of inordinate length. (Geden)
Cumont adds that the name of Mithras is explained in two of the scholia on Lucian. The second is similar to Hesychius. Scholia, c. 1. 1 (p.173 ed. Jacobitz), Cumont p.23. Translated by Andrew Eastbourne:
Cumont cites two scholia on Lucian which discuss Mithra(s), from the edition of Jacobitz. For a more recent edition, see Rabe, Scholia in Lucianum (1906).[1]
Scholion on Lucian, Zeus Rants / Jupiter tragoedus 8 [cf. Rabe, p. 60]
This Bendis…[2] Bendis is a Thracian goddess, and Anubis is an Egyptian [god], whom the theologoi[3] call “dog-faced.” Mithras is Persian, and Men is Phrygian. This Mithras is the same as Hephaestus, but others say [he is the same as] Helios. So then, because the barbarians would take pride[4] in wealth, they naturally also outfitted their own gods most expensively. And Attis is revered by the Phrygians…
Scholion on Lucian, The Parliament of the Gods / Deorum concilium 9 [cf. Rabe, p. 212]
Mithrês [Mithras]… Mithras is the sun [Helios], among the Persians.[5]
[1] I have noted points where Rabe’s edition differs in substance from the text printed by Cumont. Rabe’s edition is available online at http://www.archive.org/details/scholiainlucianu00rabe
[2] Lucian’s text here mentions Bendis, Anubis, Attis, Mithrês [Mithras], and Mên.
[3] The Greek term normally refers to poets who wrote about the gods, like Hesiod or Orpheus. Note that this is an emendation; the mss. read logoi (“words / discourses / accounts”), which Rabe adopts in his edition.
[4] Gk. ekômôn; lit., “wore their hair long / let their hair grow long.”
[5] Rabe’s text: “Mithras is the same as Helios, among the Persians.”
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Zenobius the Sophist (2nd century A.D.) [=?]
A Greek sophist of the reign of Hadrian. His collection of proverbs is partly extant.
Proverbia, book 5, 78 (in Corpus paroemiographorum Graecorum vol. 1, p.151). Quoted in Albert de Jong, Traditions of the Magi: Zoroastrianism in Greek and Latin literature, p.309:
Evander said that the gods who rule over everything are eight: Fire, Water, Earth, Heaven, Moon, Sun, Mithras, Night.
Not in Geden or Cumont.
Clauss p.70 n.84 also mentions literary evidence of syncretism of Mithras with the Orphic creator-god Phanes (no citation). This refers to a similar list from Iranian sources appearing in Theon of Smyrna’s Exposition of mathematical ideas useful for reading Plato, ch. 47 (from Exposition des connaissances mathematiques utiles pour la lecture de platon, J. Dupuis in 1892, p.173):
47. The number eight which is the first cube composed of unity and seven. Some say that there are eight gods who are masters of the universe, and this is also what we see in the sayings of Orpheus:
By the creators of things ever immortal, Fire and water, earth and heaven, moon, And sun, the great Phanes and the dark night.
And Evander reports that in Egypt may be found on a column an inscription of King Saturn and Queen Rhea: “The most ancient of all, King Osiris, to the immortal gods, to the spirit, to heaven and earth, to night and day, to the father of all that is and all that will be, and to Love, souvenir of the magificence of his life.” Timotheus also reports the proverb, “Eight is all, because the spheres of the world which rotate around the earth are eight.” And, as Erastothenes says,
“These eight spheres harmonise together in making their revolutions around the earth.”
The real basis for identification of Mithras and Phanes is some inscriptions.
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Bibliography
· Manfred CLAUSS, The Roman Cult of Mithras: The God and his Mysteries. Edinburgh University Press (2000). Tr. Richard GORDON.
· Franz CUMONT, The Mysteries of Mithra. London: Kegan Paul (1910). Tr. Thomas J. McCORMACK from the second French edition.
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Text
bovine themed names
Abigar (Abigar cattle)
Albion (Blue Albion, british breed of cattle)
Ankole (Ankole cattle)
anteng,javani,vanicu,tembad (Banteng/Bos javanicus/tembadau, cattle from southeast asia.)
antiqu (Bison antiquus, ancient bison from North America)
Asteri (crete name for minotaur)
athaba (American wood bison, Bison bison athabascae)
Auroch (Aurochs, a primitive cow)
Boskap, odbrok (Swedish Red Pied/Rödbrokig Svensk Boskap, a swedish cow)
Braunv, unvieh (Braunvieh, brown cattle from germany)
Bubalu (Bubalus arnee, wild water buffalo)
Buchis (Buchis/bakh/bakha ancient egypt sacred bull)
Bucran (bucranium, depiction of the skulls of ox in classical architecture)
Bugoni, bougon (bugonia/bougonia, ritual based on a cow carcass)
Camahu, mahuet (Camahueto, calf or bull with a small horn on its forehead from Chilote mythology)
Charol, rolais (Charolais cattle from france)
Damona (Damona, cow goddess worshipped in Gaul)
daquit, quitai (Blonde d'Aquitaine cattle from france)
eliobo (Cattle of Helios/ Ἠελίοιο βόες, Ēelíoio bóes, cattle on the island of Thrinacia)
Enkidu (wildman figure in Mesopotamian mythology)
gaurus (gaur/Bos gaurus, Indian bison)
Gertru (Santa Gertrudis cattle)
geushu (geush urva, "the spirit of the cow")
Girola, olando (Girolando cattle)
gudali (The Bison-beast, a hero slain in sumerian religion)
Haddad (Adad/Haddad/Hadad/iskur storm and rain god Mesopotamian religon with the symbolic animal of a bull)
Hadhay (Hadhayans, Zoroastrian mythological bovine)
Hamiti (Hamitic Longhorn, the origin species of highland cows)
hanaiz,zumien (Bison hanaizumiensis, japanese bison)
Hapian (Apis/hapis/Hapi-ankh, bull worshipped in ancient egypt)
Hathor (Hathor, egyptian cow goddess)
hazaha (golden calf/ēggel hazāhāv, idol made by the israelites)
heifer,adumma (Red heifer/para adumma, virgin cow made for sacrifice)
Herefo (Hereford cattle, british breed of beef cattle)
Hostei, Friesi (Holstein Friesian cattle)
ikaner (Afrikaner cattle)
Ilawar, awarra (Illawarra cattle from Australia)
Jaktor (the name of the forest the last auroch's died in)
Jallon, Malink, nadama (N'Dama, Boenca or Boyenca (Guinea-Bissau), Fouta Jallon, Djallonké or Djallonké cattle, Fouta Longhorn, Fouta Malinke, Futa, Malinke, Mandingo (Liberia), and N'Dama Petite)
Kamadh,Surabh (Kamadhenu/Surabhi bovine goddes in hinduism)
Kankre (Kankrej cattle)
laeosi,nensis (bison palaeosinensis, early bison)
Lamasu (lama/lamma/lamassu/shedu, Assyruian protective diety)
leborn, huidre (Lebor na hUidre [ˈl͈ʲevor nˠə huiðʲrʲə] or the Book of the Dun Cow)
lekijn (boelekijn/bullock, a young bull)
Limous, mousin (Limousin cattle from france)
Mehete (Mehet-Weret, "Celestial Cow" or "Cow Goddess" in ancient egypt)
Mnevis (ancient Egyptian bull god)
Moloch (Moloch/molech/molek, bull-headed idol appearing in the hebrew bible)
Nandiu (nandi, gate guardian diety in the hindu religion)
niutou (ox-head, one of two guardians of the underworld in Chinese mythology)
ociden (Bison occidentalis, extinct species of bison from North America)
oumbla (Auðumbla, primeval cow from norse mythology)
ovidae (Bovidae, the family of bovines)
pongif, cephal,halopa (Bovine spongiform encephalopathy, mad cow disease)
priscu (B.priscus, steppe bison)
rakens (Drakensberger cattle)
rangus (Brangus, cross between angus and brahman breeds)
rontal,mithun (gayal/Bos frontalis/mithun, indian domesticated bovine)
Sahiwa (Sahiwal cattle)
schoet,tensac (Pleistocene woodland bison, B. schoetensacki)
Senepo (Senepo cattle)
Taurin (Taurine cattle, domesticated species from europe)
Taurob (Taurobolium, practices involving the sacrifice of a bull)
tifron (Bison latifrons, giant/long horned bison)
Trigar,garanu (Tarvos Trigaranus, divine fingure in a roman monument)
uzerat, Guzera (Guzerá cattle)
Vechur (Vechur Cow)
wisent (European wood bison)
zerwon (Polish Red, Polska czerwona)
zubron (a hybrid of domestic cattle and bison)
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vulnicura · 3 years
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🦋
giving bad people good ideas by death grips
dragon by mount eerie
the tollbooth martyrs by piano magic
Fido, your leash is too long by the magnetic fields
goodbye by asobi seksu
drunken angel by Alynda Segarra
John saw that number by Neko Case
the price is right theme song by antarctigo vespucci
runner by black dresses
god by teen suicide
white fire by Angel Olsen
rage by spleen
house sparrow by xiu xiu
chondromalacia patella by black midi
body by Karen O
taurobolium by Devendra Banhart
cod'ine by Buffy Sainte-Marie
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prudenceanagram · 3 years
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taurobolium
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facelessoldgargoyle · 4 years
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HI
Lol the song that came up is Taurobolium by Devendra Banhart, which is a bop I haven’t heard in ages, and I would venture a monsterfucking anthem???
I can’t keep myself from evil
I can’t keep myself from evil
So much desire there left in me
So much perversion you can’t see
So much desire there left in me
So much malignance you can’t see
So much desire
So much desire
Keep me from evil
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usagibaba · 3 years
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there's this one song that almost makes me wanna create a lucifer amv and honestly...... i have no shame
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suzy-queued · 2 years
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100
So excited for this week's anniversary prompt submitted by @galladrabbles. 💯
To catch up on this ongoing story of two trapped boys, check out Maze of Terror. ---------
Ian slides to the floor, stunned, exhilarated. He pulls the notebook from his pocket. “I’ve had this theory. Look.”
Mickey sits beside him and reads.
“I worked out that Taurobolium means ‘bull’s blood.’ I snuck into Zelanski’s library and researched Papaveraceae. It means ‘poppy.’”
“That’s the opium flower.”
“Yep. We just gather these objects to break the spell.”
“That must mean we already have one.” Mickey’s eyes widen with understanding. “What’s the third item?”
Ian pauses. “True love.” He tilts his head, about to burst. “Are you ready to see how the outside world has changed in one hundred years?”
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