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theomnicode · 3 months ago
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Motivation, interpersonal relations & Food; Sharing is caring
In-depth Saitama character analysis
V Original date of writing: Oct 4 2022 V Location: Draft folder
Content warning: Old and extremely long analysis
In previous installments of Saitama and food, I've touched on the issues of self-consciousness and his aversion to eating well in public setting and how it may affect his body image or it being a metaphor for him eating well being beneficial to his health.
Saitama loves good food, that much is a given. He's often going after sales, cannot resist good meat and cannot resist invitations for a good meal and won't hesitate to take an advantage of a scenario for a chance of food, something a lot of other characters have taken note of.
But what does food otherwise mean for Saitama? In what kind of settings does he indulge in food? What is food besides nourishment?
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The obvious answer is interpersonal relationships. Financial security. Comfort. The more he has money, the more he can afford food yes? Eating out in a group is less hassle than eating alone yea?
The less obvious answer though?
Base source of happiness.
Being able to share his love for food and tastes with people he most cares about. Being able to provide for them. Learning and showing indirectly that he cares.
Let's deep dive into the realm of Saitama and his relationship with food. And what it means with his relationship with Genos and other people.
Warning, this is a very, very long post. But I feel like it's a cathartic one when talking about Saitama and his relationships with people and how it develops over the course of the series. Saitama is at the same time, complex but inherently external motivation driven.
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The very first thing Saitama does after Genos comes to his house, is set up tea for Genos. A means of expressing his hospitality but also setting the precedent that Saitama is willing to provide and share food with Genos, a very obvious cyborg he knows little about, regardless if he eats and regardless of his taste preferences. Showing that Saitama has always treated Genos like a human in this aspect. Saitama seems to score pretty highly on the conscientious scale in general.
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"Go home after you drink."
An invitation for Genos and ticket for him to eat with Saitama in his house. A leeway no other character has, despite them enjoying hot pot together and I will explain why later. Possibly because Genos had already slightly impressed him in the fight against Mosquito girl by killing all the mosquitoes from around him because they annoyed him. To Saitama, perseverance is strenght of character but Genos is also showing interest in him, which has never really happened to Saitama before. Genos killed the mosquitoes, so Saitama saves Genos by taking care of Mosquito girl in return.
It is the first instance in which Saitama provides Genos with food, before Genos has accepted to becoming his disciple. Saitama barely manages to listen to Genos' speech, despite not really wanting to, but he deigns interest because Genos actually showed up like he promised. And learns quite a few things about his acquaintance that he can empathize with.
The teacup coincidentally reads: "Good things come to those who wait."
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"Go home! It's not like we're related."
(The implications of these statements from Saitama cannot be understated. Genos perseverance to stay and help is what ultimately endears him to Saitama and he becomes a steady figure in his life and he finds a new home in Saitama's home.)
The second time Saitama gives Genos tea is when he's once again, at his house after he met Sonic. Saitama unloads his grievances to Genos when he realises nobody knows who he is. It is a sore point that he has done so much hero work, yet nobody actually cares and it was a close call that he did not give up on being a hero entirely. It's not like he particularly likes the violence involved and he's not getting any of the satisfaction from doing a good job from being thanked for doing it since nobody knows he's doing hero work, so what's the point if it no longer makes him happy?
Genos insisting on listening to his problems, despite Saitama trying to aggressively shoo him away, being a willing listener and providing an immediate solution and even agreeing to come along so Saitama does not feel alone and socially anxious does endear him to Saitama immediately and so, Saitama feels indebted to Genos.
Quid pro quo, Genos helped him out on heroism, so Saitama will mentor him.
Becoming a pro hero gave him immediate source of steady funding and suddenly he has a bit more money to spend. It's really not a lot, C and B-class heroes really don't earn a lot, but it's a start. He no longer has to look for an extra job, so he can just focus on being a hero. Or anything really that he wants to do. More money means more doors are open since everyday activities can cost things and it's a definite obstacle in enjoying the little things in life.
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Saitama's immediate reaction is feeling bummed if Genos does not actually like his meal tastes. Noodles are affordable and Saitama just tested this noodle place few days before, so he knows it's a good place to take his new disciple out to eat.
It is to share his first meal with his disciple who already helped him out financially, helped him build public relations, aided his route to heroism and sets a good example of what it means to be a hero. Not to mention cool af.
Genos is just plain amazing. Hand's down. And already doing quite a lot for him.
Sharing a meal with Genos and providing is Saitama's way of showing he cares. That he wants to get to know Genos better and he's comfortable in his company.
When he's usually closeted off, to the point where people like Fubuki can't get his preferences out of him even via force and is surprised how easy it was to bribe Saitama with just a pack of meat, he willingly shares his preferences in food with Genos because he wants the connection. Or he's testing the waters with this newfound relationship.
He is glad he Genos likes udon and he's not picky. It makes it easier for Saitama to provide him with good food and share his preferential foods with Genos. It makes Genos more relatable to Saitama too.
Nothing bums a good cook more than people showing distaste in the food you make with love. We'll get back to this later.
So right afterwards of their sparring when they've become pro heroes, Saitama knows he's low on funds, but he's willing to provide regardless. He's now a mentor to Genos, his job is to see that his disciple has everything he needs.
Genos continues to surprise him by being able to eat even more than he can on a good day and being a good sport about it. But the scene already shows that Saitama is comfortable in Genos company that he does not care about other people gawking at them eating. Neither does Genos care if he eats his fill on food and instead, joins in on the fun of eating.
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Saitama: “No, I couldnt take the stares I was getting pigging out alone.”
Saitama does not eat big meals alone. It's wasteful and he does not feel comfortable doing it. Other people would judge him if he ate his fill in calories and he becomes incredibly self-conscious about it.
But in addition, it's because he has nobody to share a good meal with. Share his love for good food. He probably feels lonely eating large meals alone. He barely cooks at home before Genos arrives either, just rice on eggs, despite knowing how. He was only going to buy crab pincers because they were cheap source of protein. He has the skillsets of being able to cook good meals but does not bother.
Smaller note about the crab pincers is that Saitama had to go buy new food after he had taken care of Beefcake. His heroism is directly interfering with his daily life and causing undue unhappiness, like when he broke his new eggs too. This is a point for later.
Afterwards, said disciple decides to move in with him. Without asking. Once again butting in on his life with the force of a bull that does not listen. He's comfortable in his company now, possibly trying to mentor him as well but living with the guy? Saitama already knows he's a handful and he has reservations.
How can he feed two mouths? He's the teacher and the master of the household, he should provide food right? And other essentials too. He doesn't have the money for that.
We know now that Saitama never used the rent money Genos gave him from interviews. So it is not greed that let him allow Genos to actually stay and turn around his mind.
It's the assurance that Genos can provide for himself, in the worst case scenario that Saitama cannot.
It's also assurance that Genos is willing to participate in the cost of utilities, should the need arise.
Because he's richer, he should have no issue even if shit hit the fan. That the younger cyborg, who is still under the age of majority of 20 years old MIND YOU, can apparently financially support himself, is a relief. Saitama at this point does not know what role Dr. Kuseno plays in Genos life and if he provides for Genos or not.
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So Saitama only fondly asks if Genos has brought his own toothbrush with him, more apparent in the tone inflection of anime version. Brushing teeth is important for Saitama, so he wants to make sure Genos has basic necessities for living with him if he's to provide for him. He apparently can't shoo this insistent cyborg away.
Saitama can relate with Genos insistence for company. Because Saitama often relates with loneliness. He's been very lonely himself and yet he still craves human connectivity. He also relates to Genos' self-destructive tendencies, which keep popping up later in the story when he keeps finding Genos destroyed in some form or another.
Saitama officially takes Genos in his home and under his wing.
Guess he is stuck with Genos now. For good.
There is just one slight issue.
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How the hell is he going to teach Genos? What the hell can he even teach him?
Meanwhile, Genos keeps raising the bar by taking the mentorship ultra seriously. Saitama feels even more indebted to provide something in return because he doesn't want to feel like an ass or a scammer. He can't yet figure out why Genos would want to stay at his place instead of somewhere else.
When Genos tells him that suddenly, his capacity to financially provide for the guy is in danger too, he gets very stressed out. If he can't get money, he can't feed his new disciple or buy him any necessities. Otherwise he probably would not care that much.
Then he even urges Genos to reach top ten, while bullshitting the entire time. Chances are he feels guilt about that, because it's very much unsafe to prompt his disciple to push himself in an environment like that.
Prompting Genos into getting into this workaholic attitude about heroism comes back to bite him later.
We are not shown or told this...but when he gets the money from arresting Sonic...he probably has a light bulb moment. About what he can actually provide for Genos. What he can mentor Genos with. What Genos was seeking for when he wanted to become his disciple and why he's insisting on staying at his house.
That Genos no longer considers himself human, so he would show him humanity. That he would never have to pinch pennies, because Saitama would provide for him and teach him how to save money. Give him a safe, familial and happy life in a peaceful environment. A place to live in that Saitama can protect to avoid homelessness. A family that is so strong he would never practically die to an attack. Teach him how to survive even when solo so he'd never be helpless again. Give him company so he'd never be truly alone again.
This is the gist that he retains from Genos' long introduction speech that he thinks Genos is missing in his life and why he came to Saitama in the first place. The rest, I am not sure if Saitama even retained because he has difficulty following long conversation and the only reason he listened was because he empathized.
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Saitama can painfully relate, because he has no family of his own. He has lived alone since he was 12 and he's lonely as well. One thing he thinks daily is food insecurity because he does not have a lot of money, so he's pinching pennies all the time. Food is a source of comfort, security, warmth and social connectivity and eating food is one of the few sources of comfort he has left, having lost all motivation.
Because Genos listened to his problems, it was his turn to return the favour. And provide he does. In ways he can. Show him the value of life and enjoyment in the little things that life has to offer to Genos. Take him out to festivals. Take him out to bathhouse. Things like that. Start small, figure out what Genos likes to do.
And perhaps intentionally or unintentionally gives him the means of training his mental strenght in safe environment.
At Saitama's core, what motivates him is helping other people. It makes him happy to help other people and see them happy. Genos coming to him and asking to become his disciple and unloading to him like that meant he was unhappy and asking for his aid.
So Saitama would attempt his best to help Genos attain that happiness that he was lacking in his life.
Saitama: No no, that’s not it! Stuff like this is just FUN! It helps you forget the bad times! See? Festivals are the epitome of Summer! Look at all the kakigori (shaved ice) and yakisoba (fried noodles), and all the bustling food stands! For a normal young person, this kind of stuff really gets you in the mood, right? Genos: I am sorry, Sensei. I am not like other normal human beings as I have artificial parts and… Saitama: No, this has nothing to do with parts! sighs I just thought that, well, you’re always fighting monsters and taking all these notes, always being so serious and putting yourself under stress. I thought that maybe going out to places like this will be good for you. And it’s free too… Saitama: I see…I guess you’re not really into those kind of things? Well, it’s been a really long time for me as well…
One of the important things Saitama values in life is comfort in food. It helps him forget the bad times. The stress from being a hero and being able to unwind and relax in the comfort of his own house.
Saitama actually gets the motivation to start cooking again. For Genos.
He probably hasn't cooked in a while but now he can share that meal with someone else who would eat the food he makes. He wouldn't really bother to cook large meals for himself, not after he got depressed and lost motivation to do much anything. He can share a meal with someone else and Genos gets to eat food he makes.
(Provided he does not reveal the possible monster ingredients, he's unsure how Genos would react to that)
Sharing dinner becomes a tradition and Saitama is happy to cook for someone else. Showing that he cares.
He shops at the first opportunity for Kombu(seaweed) soup ingredients because he just got paid, showing he can provide in the household even with his meager funds and prepares a meal with a smile on his face.
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Genos unfortunatly COMPLETELY misreads his intentions and provides a commentary about hair growth instead of the you know, food...like asking how it tastes or showing any kind of interest.
"Nobody said anything about hair!"
The dejection in the voice is real.
Haha, poor Saitama, everything is about his lack of hair. But it's ok. They have dinner now. But maybe the dinner just wasn't up to Genos' standards, he seems like a high maintenance sort of guy.
Pun intended.
(One might think Saitama's hair complex is rooted here because Genos was staring at his bald head, the next time Saitama thinks about providing Genos with food. His brain makes all kinds of interesting connections.)
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The ingredients being on sale, the satisfaction of being able to make good, filling and tasty dinner for both of them (read: Genos), makes Saitama feel triumphant enough that his divine power flashes and his facial features change for a moment to show the true self.
That's a lot of motivation huh? A rare flash of his drive that's not hidden beneath apathy or veils.
He's bloody good at this sensei-thing. But Genos is apparently the best external motivator. Saitama seems to need a lot of external motivation in order to operate.
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"Dinner target acquired." *smirk*
No doubt he hasn't actually made his favourite food in ages. If he has, only sparingly. Meat is expensive after all.
He lists out loud what kind of hotpots there are that they could make, for Genos benefit but also for himself. Listing the hotpots makes it easier to remember the ingredients it appears, but the second he gets to the Chicken hotpot, his memory is jarred and he remembers the premium chicken sale that was going on.
Hot pot without cabbage is according to Saitama, not a real hotpot though, so missing out on either ingredient immediately stresses him out. Hot pot without cabbage would taste bland, unfulfilling and it would not be a satisfactory enough meal. Only his best cooking effort would suffice since Genos didn't show interest in Kombu soup. Maybe Genos didn't like vegetarian foods.
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Genos proves his worth as a disciple, by sharing the cost of food and by going above and beyond his duty and provides them with the meat for the hot pot regardless of everything that happened to Genos. Cementing his place as a reliable person in Saitama's household and not minding sharing the costs of food that allows Saitama more leeway to provide for Genos in multiple ways.
In parallel, Genos is able to provide the meat for the food despite doing his heroic duty, while Saitama in episode 1, lost the crab pincers he tried to buy because he had to go do his heroic duty and then had to go shop for eggs instead. So with Genos inclusion to the household, their source of food is in safer hands with the two of them. Even if Saitama has to take care of threathening enemies, it would not threathen their acquisition for good food. Such as source of protein that Saitama personally needs, so Genos is looking out for him back. Again a good source of motivation to keep Genos around but he does empathize that Genos had a rough time...about missing the sale.
Saitama also spoke from experience when he told Genos to not lose his house keys.
A growing trend in Saitama's quest to provide meaningful life for Genos in the form of happiness, comfort and familial environment, is Saitama's heroism coming in the way of that. Needing to make a choice between providing for Genos and needing to perform his heroic duty.
During meteorite incident, his favourite Supermarket got trashed because he did not perform his heroic duty "adequately" enough, making it harder to source food fast and get to supermarkets on time for sales. Leading to everyone in the town criticizing his actions as a hero and being a failure. Then he even forgot a sale for food because of that.
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The combination of being able to get some potential crab meat in the house and finding a strong enemy at the same time is good amount of motivation to head out.
That Genos is willing to follow him, regardless of his stance on heroism and stay by Saitama's side and encouraging him to ignore the citizens and still believing he's a good person despite that, does wonders to Saitama's self-esteem and his self-worth. Genos believes in him as a person, not as a hero, that he's not too weak and is amazing in his own right and he's doing something right with this mentorship and that he does not need to be a perfect example of a role model hero to be a good mentor. Heroism isn't what he's trying to teach to Genos anyway, because Saitama feels Genos is a far better hero than he is. Genos prioritizing Saitama's comfort and happiness and encouraging him to get out of the situation and back home gives him massive points in Saitama's eye.
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Saitama also tries to teach Genos to be self-sufficient. Because Genos wants to be strong but Saitama cannot exactly teach him traditionally, Saitama finds other ways to help Genos be self-sufficient so he can grow as a person and become as strong as he can be. Spiritual training. Such as teaching him how to clean house and source his food from wild game (and monsters), in the case that Genos cannot buy meat from the store.
No doubt Saitama has at this point, been the guy who taught Genos how exactly to clean the house, fix the apartment and the surrounding blocks and other life lesson that Genos takes to like fish to water. Saitama has done numerous odd jobs and probably had to learn how to fix his house and the surrounding blocks just because monster attacks became so numerous. And he has a tendency to break stuff.
Z-city emptied and Saitama also knows the scarcity of being able to get food. Grocery stores closing, supermarkets getting destroyed in monster attacks...there are many ways how person is incapable of just being able to buy food, even if they had the money.
Saitama provides life lessons to Genos, but not stiffle his potential. So whenever Genos asks Saitama to not interfere when he's tackling a monster, Saitama does not because it's important for Genos and his own protection that he become as strong as he can be and without facing any challenges, Genos cannot reach his true potential. It is not that Saitama is blase. It is more that he wants to trust in Genos abilities. Genos needs to be able to survive on his own if he's to be happy in life.
When the Sea king incident arrives, Saitama truly begins to worry for the first time for Genos' safety. And he is relieved that Genos is alive, for now. But it awakens the protective instincts in Saitama.
He worries, when enemies get increasingly difficult and increasingly numerous and Genos does not actually come home in time.
Unable to come home in time to eat dinner.
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That Genos being heroic is also a detriment to his ability to stay intact, that Saitama prompted him into doing. Detriment to Genos being able to stay happy if he continues to be workaholic.
Being able to provide for Genos is one thing, but there are some things you can't buy with money. There are more important things in life than just material goods and even food. That's being able to preserve the life of those he cares about and having immaterial things around him can bring him happiness too. Saitama is slowly coming to realize what Genos truly means to him.
The age old saying that money cannot buy happiness.
Food has always equaled happiness to Saitama. A source of dopamine his brain desperately needs. Food is material so it won't ask for anything back...unlike other people might.
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Genos is always more than willing to go buy expensive meat for food. Genos knows by now that Saitama can't resist free meat. But what if Genos ran out of money? Making do with what ingredients you have can still make an excellent meal when prepped optimally, such as when Saitama tells Genos that just adding BBQ sauce to cabbage alone is a good meal. Being frugal can save money for bad day, for worst case scenario. So he would never have to go hungry just because he lacked access to certain ingredients.
But Saitama also attempts to teach Genos to be more prepared to face the unexpected scenarios that one comes across in their lives that make it difficult to live life at their fullest.
Unexpected loss of life is one.
Saitama feels very responsible for whatever happens with Genos, so like a good mentor he is, will also stop Genos from drinking as he's still under the age of majority and should not be allowed to drink.
Life continues on after Boros' attack as Saitama continues to provide for Genos. In life lessons and in food and utilities. Things like shampoo, despite Saitama not even having hair, he feels responsible for Genos life now and his well-being and that Genos continues to enjoy the major and little things in life to the fullest.
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He takes Genos out to festivals, to bathhouse, to fishing, to flying a kite, to swimming, christmas meal at home etc. Everything he can think of, he wants to share what he values in life to Genos.
Then he meets King and one of the first things Saitama again does, is extend an invitation with food towards King because he thinks he can relate with King in some way. Notably extending an offer of drinks. Discuss their life over food and start relating to each other sounds like a fair deal.
Saitama shows incredible empathy for King's situation and he relates to the need of requirement to be strong. That one cannot appear to be weak in this world filled by monsters and people need a role model to encourage them to be strong too. That he too needs to be a good role model for Genos so Genos can grow strong as well. But Saitama probably questions if he's a good role model to begin with because in his mind, he just pretends to be a hero, still. But Saitama cares a lot and so tells King he will come around to play games with him in the future. Saitama offers his hand and maybe, he can have fun playing games with King in return.
Ironically enough, it is only at this point that Saitama even gets any inkling that Genos has been able to eat, let alone taste the food he makes. Yet it does not bother him. Genos ate the food he provided and seemed happy to do so, that was all that mattered. It was the connection he made with Genos and the relationship they share over eating that mattered more.
He advises Genos to not look at gift horse in the mouth. If an offer of kindness such as free food is given, it would be rude to refuse. Sharing is caring after all. Saitama can also appreciate Dr. Kuseno who gave Genos ability to eat and taste food and enjoy this comfort in life.
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What Saitama does NOT appreciate however, is other people butting in when he attempts to have quiet and peaceful dinner with Genos. And attempts of destroying his means of sharing these moments with Genos really pisses him off.
Saitama has really grown to appreciate the comfortable setting of just enjoying a peaceful meal with Genos, as it gives him peace of mind as well and allows him an opportunity to relax. The constant surge of monsters all around the cities, the forces of evil not stopping, can easily wear one down.
Somewhere down the line, he has also taught Genos how to cook as well. Genos is a quick learner and the more self-sufficient he is, the better. That Genos wants to cook for Saitama is a sweet sentiment to show that he cares back, something Saitama definitely understands.
Not offering Fubuki any refreshments or food when she comes knocking? Nope, Saitama can't relate with that woman as of yet lmao. And does not want to, apparently. Acquaintance-zoned.
He's more than happy to buy some bananas and check on Mumen at the hospital though.
Saitama seems to have internalized that sharing food works as means that he can show his empathy for other people's blights and that he can relate with it. This is something he has learned from interacting with Genos, who has so far been receptive to the idea that sharing food works to connect with other people, because he really has difficulties with forming relationships with other people. It has become a way for him to offer his care and comfort to them.
It is so very cute in a neurodivergent way.
'I empathize. Here, have some food, for comfort. You'll feel better eating.'
It does not seem like much to others, far from it. But Saitama honestly tries. Mumen selflessly helped save Genos and shared food with him and did not expect anything back. So Saitama after hearing Mumen is in the hospital, goes out on his way to bring him some food.
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I am laughing a bit when he offers Tank-top Master a banana too, the very second he mentions taking out monsters in one hit. Saitama you're being so wholesome.
Quid pro quo still applies, since he offers his empathy, he can probably ask for something in return.
Saitama really does not ask for a lot in life and he has gotten very little help in his own life. So this type of approach probably stems from his bad experiences in social life in general. Not getting anything for free but he has to offer something first and extend a hand. Then they are less likely to turn him down if they feel indebted, even if they don't actually like him. Interacting with Genos seems to have reinforced this mentality.
It is sad in a clever, survivalist point of view. He does not know Tank top master, so he won't know how he would react, but he really wants to know more about what happened to him in detail.
What I have personally determined must be ADHD is actually popping up on his chapter more too, when he gets very distracted and hyperfixated on the price money. For a long time, he could be secure financially? Count him in!
Emotional dysregulation and difficulties with connecting with people do go hand in hand with being neurodivergent.
The tournament arc does serve a major turning point in Saitama's life however. That he has learned to empathize with the blight of other people when previously in fight with Beefcake, he did not empathize at all. The guy's brother dies and the city goes splat and all he says is "oh." He used to care a lot in the past but when he started losing to apathy and losing his humanity, he also lost the ability to empathize. Meeting Genos and allowing him in turns him back on the right track and provided him the means of how to become a true hero.
Once again, the feeling of being inadequate in his heroism, no matter if he tries his best, rears it's head again. That he's just letting all these monsters roam free when he seemingly does not care enough. Letting all these monsters do what they wish, like hurting people he cares about, such as hurting Genos.
Saitama does care, a lot. He instinctually pulled the big chinned kid from out of the way of harm and awakened his drive and source of passion deep within. And after that he showed care and empathy for other people like when he saved King, without thinking he needed to get something in return. He used to be happy just doing service for society and protecting other people, just because, not out of need to get anything back but simply from his own desire.
That he has forgotten his, he has forgotten what made his hero work satisfactory in the first place and what motivates him to do it. Personal interest is very integral for people with ADHD as key motivation. So it slowly became quid pro quo and when nobody appreciated what he was doing because he started tackling stronger and stronger monsters and not interacting with actual people any longer, he simply lost all the motivation, source of happiness and became bored and unhappy. He always wanted, at this base core, protect and connect with other people more.
He needed to gain something to be bothered to do hero work again, so he turned to seeking stronger opponents for the thrill and trying to motivate himself. Saitama does not like violence though, so when he began to tackle monsters instead of helping old ladies cross the street and saving kids from getting ran over a car, he started hating himself too. Hating his powers and hating what he does. Feeling like a shitty person for becoming too strong. The stronger he got, the more his apathy grew because he had to become detatched from his own emotions in order to continue his hero work so he would dislike himself less. The stronger he got, the more he started to have difficulties enjoying small things in life and what constituted as his source of happiness in life, like playing games. He was breaking things he enjoyed doing. It created stress. Stress meant he became more impulsive. It became a self-perpetuating cycle.
Chasing heroism for the sake of being a hero does not work as a motivator for Saitama, as he tells to King. Being a hero was just the end to achieve the means of what he truly wanted to do; not have his heart be so empty anymore and attain that happiness. Not be weak anymore to help other people and find his place in the society.
More stress means he is connecting with his emotions more though and he worries for Genos when King reminds him that he hasn't even seen Genos all day. Unfortunately, Saitama is also easily distracted, yet another trait of ADHD.
He does succesfully punch the monster and finds Genos somewhat intact, so that's a relief that he made it in time at least.
Punching away stress not only released the negative emotion, seeing Genos be unharmed from his serious punch made him feel relaxed again. That and being able to trust in King's advice, that King has great heroic instincts, would allow him to keep Genos safe.
^ Original date of writing: Oct 4 2022 ^
Location: Draft folder
v New edit: September 22, 2024 v
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Uh oh
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Wee-oo-wee-oo-wee-ooo *sirens blaring*
Genos does not seem like he's alright here. He's completely flipped how he thinks about Saitama's heroism to its head. This idolization is very concerning.
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totallyradicalmucky · 7 months ago
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SO OBSESSED WITH ALL THE HUMAN MASTER SHAKES IM SEEING THEYRE SOO 🗣️🗣️🗣️🗣️🗣️
I wanted to draw one 2
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emikomusubi · 2 years ago
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hello opm fandom pt 3 (pt 1 // pt 2)
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no1monstersimp · 2 years ago
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Flirting in OPM is so weird, like what is this???
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rants-about-opm · 1 year ago
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Murata: Garou and Metal Bat are made for each other
Me: Gay
Murata: No. They just vibrate well together.
Me: Yeah, gay.
Murata: Incorrect. They play off each other seamlessly, they are their best selves when they are near each other, like caramel and chocolate, their unique abilities are amplified ten fold when they are in each other's presence, these two are a well oiled machine that keenly understands itself even if it doesn't know it yet.
Me: ...How about we talk about Genos and Saitama instead?
Murata: Ah, yes. Genos and Saitama are made for each other-
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badjohnspeakeasy · 2 months ago
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Can Flashy Flash survive the SPOOKY TERRORS of Household Safety?!
Probably, but not for lack of effort on Tatsumaki's part.
Have a safe but scary Halloween!
Nyeheheheheheheheheheheeeeeeee
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fishnetinsides · 1 year ago
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SAW X SPOILERS!!!
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amanda young serving copious amounts of cunt in the saw x storyboards (by evan yarbrough)
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luffysfakebeard · 2 months ago
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a totally normal thing to say
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checrawford · 1 year ago
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How to choose your BBEG
part 7
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coolicywind · 2 years ago
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MUMENMASTER SHIPPERS, AMAZOMB SHIPPERS HOW WE FEELING? (Shipping aside these are actually really cute omg! 🥺)
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melancholicumbrella · 1 year ago
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Wanpanmas Day 3: Keep warm
Wait! aren't you cold?
(Probably not, but warm company is always welcome~~)
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gofancyninjaworld · 2 years ago
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Hands
I'm no artist, but I do appreciate good art when I see it. A little love then for Murata's portrayal of hands. I first wrote this sometime in 2016, one of my first posts on the OPM subreddit. I think it it’s still good!
I may tend to dig into different aspects of OPM, but it's only to consider the aspects that the writing or art actually cares about. For example, I'm yet to consider the geopolitics of OPM -- it's not important to ONE and I leave it there.
I like looking at hands in general, but my gateway drug were Genos's. Something was naggingly familiar about them, and then I realised: they're Jack Kirby hands, big, beautiful Kirby hands! Anyone who considers affordances in a mechanical rendering is my friend -- they look like they might almost work. For example he doesn't have the equivalent of metacarpals (the bones in the palm of your hand) as the palm needs to be a solid piece for the incineration cannon exhausts. It means that the width of his hand is fixed and he can’t reshape his hand for many of the precision grips we take for granted. So Murata has taken it into account, for example, when you realise that he has a telescoping thumb in some arm sets to compensate. We wouldn't have minded if Murata didn't consider such detail so consistently, but when someone works that hard to to get the trifles right, I have to care too. And then I started to look at other characters' hands too.
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drawn like some thought has gone into how to engineer a functional hand rather than metal textures drawn over a regular hand -- I just fell in love with Murata’s art over this.
By and large Murata has given regular characters their own hands, rather than generic ones (which again we wouldn't have noticed or cared about). My other favourites then:
Saitama's hands have surprisingly long fingers. One almost doubts that they belong on a fighter... and then they curl into that fist. All part of the character everyone loves to underestimate.
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doesn’t it look like he should be a pianist?
Garou has some of the longest fingers I've seen on a non-deformed character -- when he flips you off, you stay flipped off. But they don't create a sense of delicacy: while they're long and thin, they look as hard as bone. They fit so well with his fighting style -- when he spears them into his opponent, their devastating impact is utterly believable.
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At the opposite end to delicate are Tank Top Master's. Again, without being deformed, his are these giant meat hooks that form into wrecking ball fists. The brutality of those hands contrasts so clearly with the kind face he has.
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Sometimes it's not the look of the hands that's notable, but what the characters do with them instead. In that respect, Metal Bat is particularly noteworthy. He has hungry hands: they seemingly cannot hang at his side but must be touching something, holding a bat, stuck in his pockets, his sister's hand, his own hands, something. It adds a sense of restless energy to his character that you notice, but don't realise that you do.
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this is as still as you’ll ever find Metal Bat
A very different kind of restlessness comes across in Dr. Genus's hands: he has bitten his fingernails to the quick, which go so well with the haunted look he wears.
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Hands I was curious about then:
Dr. Kuseno. I hadn't noticed until I was compiling this list, but I've not seen them at all. They're only ever tightly locked behind his back. Everything he does is effected through robots. Now I'm curious. Well the years pass and chapter 89 rolls round and we get to see the doctor’s hands: they’re tiny, in keeping with the rest of his dimunitive self. And they’re not afraid to touch Genos. But next day comes round and they’re right back behind his back.
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needless to say, this is one of my favourite panels: the care that’s gone into every character’s hands is excellent. I especially like the detail of Bang being left-handed, and notice that Genos’s fingers swivel from the knuckle to allow him to grip the chopsticks precisely. 
Looking at hands, can I draw attention to King’s for a moment?  I thought they looked a bit familiar. And then I realised that Murata has referenced his own hands to give to King. It just gives me the biggest smile.
Even in something so small, Murata has taken care to make sure it speaks to who characters are.
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jewishcissiekj · 9 months ago
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oops girl I took your origin story character with 7 and a half second of screen time two comic pages and one supporting role in a book and gave him a supporting cast and lore. not giving him back
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first time drawing Ky Narec (more or less) so the tattoos aren't that good lol. gave him his Legends (Republic #60) ponytail because. bottom left is Mana, his master from one line in Dooku: Jedi Lost. They're a nonbinary Zabrak designed with my sister's help. next, the bottom middle is my OC Bliz, Ky's best friend who was supper bummed out when he crash-landed on Rattatak. She and Ky were aspiring Wayseekers and I have this entire idea of their arguments with Qui-Gon. she does not have eternal youth I just haven't drawn her too old yet. She isn't a general during the clone wars, and she dies when she goes to check in on her former Padawan post-Order 66. finally her 3 padawans, from left to right, Nyyra (middle child), Sevo (oldest child) and Arck (youngest child). they have a fairly healthy familial relationship but it is an attachment and they have a lot of problems with that. Nyyra dies in Order 66, Sevo dies in 15-14 BBY (killed by an Inquisitor, Iskat Akaris) and Arck is killed by Asajj at the beginning of the Clone Wars. Sevo and Nyyra knew Ky but Arck only met Asajj
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no1monstersimp · 11 months ago
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airandangels · 7 months ago
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So we’re watching Lego Masters Australia Versus the World - four Australian teams and teams from France, Denmark, Germany and the USA.
I don’t care who wins as long as it’s not the Americans.
Actually I think the French can get fucked too
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badjohnspeakeasy · 10 months ago
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Tatsumaki: Cosmic Pez Mode
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