#tamara braun

[superghfan]

Kim Nero and Julian Jerome.

[narcobarbies]

bobbie spencer and carly spencer.

general hospital, 02/03/1999, 06/07/2001, 2006

[myoldsox]

Bosch (TV Series 2014–2021) - IMDb

Just watching for the 2nd time....so good

[soapsudsblog]

The things you find on the internet.

[allmo247]

[enjoying-entertainment]

Bobbie and her daughter Carly

[anyathefandom]

I have no clue what happened to Carly and where she was to have a homecoming party but she looks good.🤷 Whether it's Sarah or Tamara that face card won't be declining.

[shipperqueen6]

9 people you would like to get to know better

Tagged by @ksbbb

3 ships: Penelope/Colin, Angus/Mario and Malec

1st ship : Sonny/Carly(GH - Tamara Braun)

Last Song : Viva la Vida - Coldplay

Last Movie: Cloud 9

Currently Reading: Birthright by Nora Roberts

Currently Watching: A Discovery of Witches

Currently Consuming: Sour Skittles

Currently Craving: Big Cheez-its

Tagging: @dr-lizortecho , @elmaxed , @imaginationtherapy , @monsterrae1 , @nancy-drews ,@wildlife4life , @igotapocketfullofboredom and whoever else wants to

[archivyrep]

Creating Your Own History: Archival Themes in "The Watermelon Woman" [Part 2]

Continued from part 1

Following her setbacks in the library, Cheryl again goes through her mother’s files in the basement. Her mother’s friend, Shirley Hamilton (played by Ira Jeffries), reveals a key clue: the Watermelon Woman’s real name was Fae Richards, which Shirley knew because Fae sang under her real name. Cheryl also learns that, like her, Fae is a “sapphic sister”—a Black lesbian woman—and was in a relationship with Martha Page, the White female director of Plantation Memories and other 1930s films. Through her research, Cheryl learns the lesson that Alta Jett, coordinator for the community-focused Black Woman in the Middle West archives project, pointed out in 1986: “if you want the history of a white man, you go to the library. If you want the history of black women, you go to the attics, the closets, and the basements.” [5]

Reprinted from The American Archivist Reviews Portal. Thanks to Rose and Stephanie for their editing of this article! It was also posted on my Wading Through the Cultural Stacks WordPress blog on Jul. 5, 2022. This review contains some spoilers for the film The Watermelon Woman.

Jolie Braun, a modern literary and manuscripts scholar, has argued that The Watermelon Woman highlights the power of archival limits, critiques how archives and libraries control access to records, and reveals power relations that undergird research in those spaces. [6] John J. Kostka, a moving image specialist, described Cheryl’s contact with the librarian in her reference interview as “frustrating.” His description is accurate: the librarian does not initially listen to Cheryl and only offers assistance and takes her seriously after he realizes that she has done her research. [7] If Cheryl had been a White woman, the librarian may have been more gracious and less hostile, instead of telling her to check the “film,” “women,” and “Black” sections in a derisive tone. [8] The librarian, by redirecting her to look in those library sections, is representative of collections reinforcing cultural bias by marginalizing views that are not White, heteronormative, and male.

Although the librarian’s stance toward Cheryl hints that librarians are gatekeepers of information rather than information providers, Cheryl fully experiences the power of the archive when she travels to the Center for Lesbian Information & Technology (C.L.I.T.) Archive. While at this collective feminist lesbian archive, a parody of the Lesbian Herstory Archive, [9] with her friends Tamara and Annie, she meets an archivist voiced by queer academic Sarah Schulman. While researching at C.L.I.T., Cheryl discovers documents and photographs of Fae, including one given to Fae’s “special friend” June Walker. Later in the film, Cheryl talks to June, who angrily denies that Fae had a relationship with Page, a White woman.

At C.L.I.T., Cheryl faces pushback from the archivist, who explains that Black lesbian materials are segregated from the rest of the collection and that their donor wanted the materials to be used “exclusively” by Black lesbians. The archivist declares that she respects Black people by crossing out any White people in the collection’s photographs. It is implied that this brazen act of record defacement was deemed “acceptable” by the collective running the archive but runs against the wishes of the donor. While the donor restricting access to Black lesbians would seem to reverse archives’ typical power dynamics, this liberatory potential is squashed by the archivist who wants to maintain power over the records.

© 2022 Burkely Hermann. All rights reserved.

[5] Darlene Clark Hine and Patrick Kay Bidelman, “Introduction: The Black Women in the Middle West Project,” in The Black Women in the Middle West Project: A Comprehensive Resource Guide Illinois and Indiana (Purdue Research Foundation: Indianapolis, Indiana, 1986), 1.

[6] Jolie Braun, "Review: Make Your Own History: Documenting Feminist & Queer Activism in the 21st Century," RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 14, no. 1 (2013): 49, https://doi.org/10.5860/rbm.14.1.399.

[7] John J. Kostka, “Toward Transgression: The Changing Role(s) of the Postmodern Archivist,” All Access Pass: Theory + Practice, accessed March 3, 2022, https://web.archive.org/web/20190429001349/https://johnkostka.com/toward-transgression/.

[8] Jean Bessette, "Composing Historical Activism: Anecdotes, Archives, and Multimodality in Rhetorics of Lesbian History" (PhD Thesis, University of Pittsburgh, 2013), 169.

[9] Moira Donegan, “The Watermelon Woman Shows the Power of Gay History,” The New Republic, July 5, 2017, https://newrepublic.com/article/143703/watermelon-woman-shows-power-gay-history; Bessette, “Composing Historical Activism,” 184; Rebecka Taves Sheffield, "The Bedside Table Archives: Archive Intervention and Lesbian Intimate Domestic Culture," Radical History Review, no. 120 (2014): 112, https://doi.org/10.1215/01636545-2703751.

[nokzeit]

Neue Leitung für die Sozialen Dienste

Neue Leitung für die Sozialen Dienste Unser Bild zeigt Tamara Fischer-Pummer mit DRK-Präsident Gerhard Lauth (re.) und Kreisgeschäftsführer Guido Wenzel. (Foto: Braun) Mosbach. (pm) Tamara Fischer-Pummer hat im Mai die Leitung der Abteilung Soziale Dienste beim DRK-Kreisverband Mosbach übernommen. Sie folgt auf Manuela Weber, die beruflich neue Wege einschlägt. Die Aufgabe der Verwaltungsfachangestellten ist es, den großen Bereich der sozialen Aufgaben des Kreisverbands, für DRK-Präsident Gerhard Lauth ein Herzstück des Roten Kreuzes, zu organisieren und weiterzuentwickeln. Die 44-Jährige ist bereits seit 25 Jahren beim DRK-Kreisverband Mosbach beschäftigt und hat in den verschiedensten Bereichen Erfahrungen gesammelt, angefangen von der Service-Stelle über die Verwaltung der sozialen Dienste bis Lesen Sie den ganzen Artikel

[tvmusicnetwork]

‘Days of our Lives’: Soap Opera Spoilers Week of May 6

Here’s a look at what’s coming up on “Days of our Lives” for the week of May 6. The original Emmy-winning soap opera streams exclusively on Peacock. The show has been nominated for Emmy Awards, including acting nods for Tamara Braun, Eric Martsolf, Emily O’Brien, Linsey Godfrey, and Wally Kurth. For a complete list of nominations, visit: TVMusic Network: Daytime Emmys Monday, May 6, 2024 Jada and…

[superghfan]

Carly Corinthos.

[narcobarbies]

General Hospital — Jason stops Carly from shooting Alcazar (01/09/2004) Days Of Our Lives — Harris stops Ava from shooting a cop (09/06/2023)

[burned-lariat]

Im mostly indifferent towards Carly but I’ve watched in the early 2000s and Tamara Braun’s Carly was good, however she was constantly a damsel in distress begging for Sonny to love or respect her. LW’s Carly is actually close to the OG Carly. And to be fair, General Hospital is the same show that glorifies Sonny Corinthos and Jason Morgan who are criminal. So I don’t expect much

The bar for quality is in the Earth's core, like far below Hell. And there could be something interesting in the "Unholy Trinity" that is Sonny/Jason/Carly, but like you point out, they get glorified or written so poorly and contrary what they were originally so it just sucks the fun out of it. Why can't we get writers who can...actually write?!

[allmo247]

[pixhot]

Tamara Braun