#talking little by little about the main plot

[skittles-secrets]

how do the batboys comfort reader when overstimulated?

wasn't sure which ones you wanted so i did like the main 5 (sorry i can't write duke yet i'll learn + the other ones) damian and tim are aged up btw if it wasn't implied anywhere else (but aged regularly in bruce's for plot convenience)

bruce wayne

would notice right away. he wouldn't waste a single second, figuring out the source of the issue and putting a stop to it.

"that a little better now?" he'll ask, turning off the light, the fan, and walking into tim and damian's rooms to get them to shut up. whatever made his baby happy.

richard grayson

would think it's his fault. he would do whatever you asked him to do. turn the tv off? you didn't even have to ask. the light's too bright? who even let that light be installed in the first place.

"sorry i talked your ear off earlier..." he would mumble solumnly, and he would only get done sulking after you told him it wasn't his fault.

jason todd

completely understands that, and is likely already feeling the same way as you. he already knew what to do, seeing as he'd been wanting to do it himself for an hour prior.

the only reason he hadn't done it earlier was because he wasn't sure if you wanted him to and he didn't know what would be okay. he always worried about what was okay with you, after all.

tim drake

didn't completely understand the first time it happened. he was cooperative, though. if you didn't want to be touched, he would be a little sad at first, but he wouldn't be upset with you.

"screen's too bright? so sorry, y/n, i'll put it away." he's always incredibly eager to please you, so he begs you to tell him the second he does something wrong to air on the side of caution.

damian wayne

wouldn't care if you were anyone else. having shared a house with a few people like you for the duration of his teenage years (post 10 years old, really..), he was already doing everything he could to get the dog to stop yapping at you.

"titus, cut the bull, y/n isn't in the mood for this right now." he says, gently kicking the large dog's back leg out the back door. he didn't talk much after the dog was out, and made sure not to touch you unless you told him it was okay.

[jadeshifting]

— DON’T FEEL GUILTY FOR YOUR MAIN CHARACTER SYNDROME

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on “the fact that i scripted this is so embarrassing” “ew you’re y/n in your DR” “scripting for attention” “why do you have to be the center of attention in your DR” in all it’s glory, why it’s completely normal, and why you should STOP being embarrassed about it

FEELING UNIMPORTANT IN YOUR CURRENT REALITY

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current reality? sometimes it’s just not it. maybe you’re feeling like an NPC in your own life—just another face in the crowd. it sucks, but guess what? that’s the old script. shifting? it’s your big rewrite. becoming aware of an infinite amount of realities where you’re not just noticed—you’re impossible to ignore

in this reality, people might miss the little things—your killer sense of humor, your kind heart, or how you’re way smarter than people give you credit for. but in your desired reality? everyone’s clocking it. your talents, your quirks, your whole vibe—it’s finally getting the standing ovation it deserves

in your desired reality, your name stays on people’s lips. you’re the plot twist everyone’s been waiting for. no more feeling like an afterthought; you’re finally front and center, with the spotlight right where it belongs—on you. you’re no longer the underrated gem. people are lining up to appreciate everything about you, from your sharp mind to the way you light up a room. it’s not about changing who you are—it’s about stepping into a reality that actually sees you for the star you’ve always been

in a world that works so hard to devalue especially women, and brush past even the qualities you’ve worked the hardest to have, don’t let anyone make you feel bad for using the control you have to finally get the recognition, admiration, and attention you deserve

EMBODYING THE CINEMATIC ENERGY WE’VE ALWAYS IDOLIZED

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we allllll know the scene where the main girly walks into a room, and everything slows down—the music swells, heads turn, and she’s indisputably it? shifting is the awareness that you can become the star of your own cinematic masterpiece. we’ve spent our whole lives watching them, not only worshipping them ourselves, but watching everyone else worship them too—why wouldn’t we want to emulate them? stand on that pedestal ourselves? see what it feels like to be the star, rather than just a planet in it’s orbit

your life becomes a montage of iconic moments—sipping lattes at golden hour, dramatic declarations of love, perfectly-timed witty comebacks. “directed by Sofia Coppola,” with a sprinkle of “scored by Hans Zimmer.” the mundane? not in this reality. you don’t have to romanticize it, it’s effortlessly romantic regardless. every day is a movie, and you’re the lead

FEELING LIKE YOU HAVE TO EARN THEIR LOVE (after all, you’ve loved them for how long?)

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let’s talk about it—so many shifters have spent hours obsessing over their comfort characters. like, not just casually liking them, but worshipping every single thing they do. from their messy hair to their stupid one-liners to how they hold a coffee cup—clocked it all. you’ve been practically crawling through the desert for their every move, memorizing their quirks, and feeling tsunamis of emotion over the tiniest details. they yawned? perfection. they glared? iconic. they exist? life-changing. i don’t have to explain this to you, you get the picture

so when you shift your awareness to your desired reality and meet them—right in front of you? yeah, it’s a whole new ball game now. you’re face-to-face with this person you’ve basically put on a pedestal for years, and suddenly it’s like, “i’ve gotta play catch-up now?” because seriously—you’ve already poured gallons of love and energy into them, but they’re just meeting you for the first time. they don’t have the context, the fanfiction, or the Pinterest boards. they don’t know you’ve been their day-one, silently adoring them from across realities (well, depending on what you script of course. maybe they do *shrug*)

it’s completely natural to feel like you’ve gotta put in the work to even things out. you’re out here thinking, “how do I make them see me the way I see them?” through your script you’re trying to charm them, show off your personality, and make sure they fall as hard as you already have. you might feel like every move has to be flawless, like you’re auditioning for the role of Most Important Person in Their Life

gentle reminder that your comfort character isn’t just a walking aesthetic—they’re layered, real, and perfectly imperfect (which, tbh, is probably why you fell for them in the first place.) and once they catch even a glimpse of who you are, it’s game over for them. they’re gonna feel that energy you’ve been radiating for years, and it’ll be magnetic (they’re gonna be sooo glued to you you’re gonna be looking at them like they’re crazy.)

so why does it matter? at the end of the day, script whatever you want the people in your DR to feel about you, script experiences to bring you closer until your fingers fall off and your head pops—their unconditional love for you is inevitable, so why should anyone be concerned about the rest stops on the trip there?

FINALLY HAVING ACCESS TO WHAT YOU DESERVE

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let’s cut to the chase: shifting is likely the first chance you’ve ever been aware of to claim what’s always been yours. you’re not asking, you’re taking. whether it’s love, fame, adventure, or just a life that feels like a dream, shifting found you, and it’s your time to reap the rewards

this isn’t about being selfish or having a need for attention—it’s about self-love. you’ve waited long enough, played it small long enough. now, you’re stepping into a world where you don’t just survive—you thrive. no guilt, no apologies, just you living the life you’ve always deserved. main character energy? that’s your birthright, babe. go claim it

love u all immensely :^) xx

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[muwapsturniolo]

ꔛ Bunny & Doll AU 

[ Combining mine and @bernardsbendystraws ‘s original au’s where Bunny is dating Chris and Doll is dating Matt. ]

orginal headcanons for doberman!chris and bunny!reader

Doll and Bunny have been friends since childhood, only getting closer throughout the years. The pair moved out to LA together. Bunny pursues her career in Ballet while Doll supports from the sidelines, helping Bunny with her social media persona since Doll does a lot of the behind-the-scenes work for a living. 

ꔛ How they met . . .  Bunny and Doll went to the same elementary school. Although they never talked or had the same classes, they eventually ended up running into each other during their first ballet recital. 

Doll was petrified, shaking as she squatted on the floor in her pink tutu that just didn’t fit right. Bunny was the one who got Doll to get up and go on stage, claiming that if Doll fell on accident, she’d fall on purpose so she wouldn’t have to be alone. 

Similar yet different, but somehow they meshed perfectly. 

ꔛ Matt and Chris come into the picture . . . Chris didn’t understand how someone like Bunny was dating him of all people. 

They met coincidentally. Nick had been working with Doll, Bunny’s roommate. He had papers he had to get to Doll, but didn’t have the time or the means to do so at the time. So he sent Chris. Chris arrived at the apartment in search of Doll, but instead he came face to face with an unforgettable girl – Bunny. 

Bunny and Chris clicked immediately, talking in secret and keeping it on the low. But, Chris has a couple mess-ups. Even in one of their videos, he claims he’s seen “The Nutcracker” at least five times. But he hasn’t. He just gets confused with all of Bunny’s ballet performances. 

Doll realizes soon enough that Bunny’s been busy. Too busy. A long talk leads to an entire confession. A drug dealer — well, a retired drug dealer. It takes Doll awhile to warm up to Chris, but eventually she starts to see him as an annoying little brother. 

But Bunny and Chris have plenty up their sleeve, constantly talking – constantly plotting. 

The duo realized Matt and Doll would be perfect for each other. But they also knew that neither of them would ever make the first move. In fact, Doll and Matt tried to push each other away more than anything else. Through plotting and planning, Bunny and Chris are proud when they push the couple together. 

(Stay tuned for more on doll and matt)

Now, they all live together. Bunny and Doll moved in. Nick is upstairs while Matt and Doll share his room on the main floor, Bunny and Chris creating their own space in the basement. 

Bunny and Doll are troublemakers together. Plenty of adventures and stories to be unveiled. Stay tuned!!! Any inbox messages about this AU are more than welcome!!!

[cringefortress2]

Finished reading the comics

Gonna cry so hard tonight you can't even imagine

I love everything about how it's done, knowing how little resourses they had. Gonna leave some spoiler thoughts ahead

(old artwork just to make this post a bit more presentable)

Sad that demo literally got no screen time, but I'm happy that he'll be living his best life. Love that he's still living with his ma and eyelander. Love those little details with him and sniper hanging out together, seems like they got a bit closer wich is cool even in a friendly way. But i still feel kina robbed (not blaming this on the creators of the comics though. they really did a great job not only finishing the "big plot", but also managing to at least a bit show us the future of all the characters)

Love the way scout turned out. I always hated him as a person, but now he's kinda..grown? He now takes responsibilities and learns that world doesn't spin around him. And it breaks my heart to realise he only has like about 8 years left to spend with his family until the "scout's death date".

Love how spy, that always seemed the most emotionally "grown-up" still finds a lesson to learn and to change for the loved ones. I love how they showed us his face and not pyro's. Spy hiding his face is a portrayel of him not really trusting people around. So seing him without his mask shows that maybe slowly, but he manages to start opening to the people that he cares about. And hopefully one day he'll finally be able to say out loud that he's scout's father. But it can easily stay off screen

Love Merasmus. I always loved his goofy interactions with soldier and mercs. It always was obvious he'll be trolled for the rest of his life. But I really love that he had at least some time to gain self-esteen, other's respect. And love that at the end he can stay with at least somebody (talking about his roommate Tom Jones, but also soldier I guess). It's silly. And I just love that not everyone has to survive for a happy ending. That's the TF2 vibe in general

And of course I really love Zhanna and Soldier arc. Love them so much and so happy that they got the screen time they deserved. Don't know how to express it, just seeing their emotions, love they show to each other, their kids. Not a big fan of the "And then they married and had kids" trope, but here it feels so sincere. They stayed chaotic and stupid. Love it

Oh, and also Saxton and Maggie's final scene... I love it. Can't put it into words in English since it's already pretty hard for me to translate most of my ideas, so here i'll just leave it be

ALSO I love a lot of things and details about the main plot, but I'm afraid it'll take me a bit too much time to wright all my thoughts about it so to make things short:

I love how they managed to portrait the "eye for an eye" and pointless revenge in here. Through the covers of the chapter. through emotions, moments, the whole concept

Love the fact that mercs are literally the loosers of a big company that didn't even get payed enought without even knowing it. They veren't supposed to play an important role. Yet they did. Just like the game itself did in real life. I love it.

And also of course huge thanks for the artists. This comics was one of the most detailed ones. Huge, a lot of pages, great colors. Maybe it's hard to get used to the new style (especially since some of the characters are reeeaally different from the previous chapters), but i'm glad to see it and see how much time and effort was put in it.

[inc0mple]

🗝️ ”Keys Are People, Too” 100 Chapter Q&A ⭐️ (ongoing!)

(Last edit: 12/20 10:40 CST)

Hi! :) If y’all don’t know me my name is Inco (it’s not but shh) and I write a fanfiction for Cinderella Boy called Keys Are People, Too. It’s not finished, it’s ongoing and rapidly approaching 100 chapters XD (yes we are like four chapters away but shh rounding) (I PROMISE WE’RE ALMOST TO THE LAST ACT). So because of an ask from @isitamia and, we’ll say the 100 chapter milestone… tada Q&A??

I don’t know how many people are going to engage with this but that’s totally okay :) I love ranting about stuff and I’ve put a lot of thought into this story, so it would be cool to have an outlet to answer some questions where they don’t get forgotten in AO3 comments. And if you guys also have general questions about writing advice/things like that, I am not an expert but I do also like talking about stories.

So please ask! I’m not planning to close this at any specific time—I was thinking y’all could comment questions under this post or via reblogs (I might miss them in reblogs though) and I will edit this post to answer them, and also reply to you so you know your question is answered. This might get like 10 notes and that’s fine haha (I have zero idea how many people regularly read my story beyond the ones who leave comments), but if there are a lot of questions I’ll try to categorize them. Really just a place to drop info for fun :)

Q&A below ⬇️

I tried to make it organized. It's... kind of organized. Kind of.

Plot/Characters

"What key archetype isn't one of the siblings? Do we get to know their archetypes soon?" asked by @spookieee28 12/20

I'm not gonna say the archetypes at this point in time because it risks spoilers. You will find out by the end of the story and hopefully by that points all of the archetypes should be relatively clear. Some have already been mentioned like the chapter "Heralds and Thieves" for Jade and Cooper, I think (?) Cora has been mentioned as the Innocent archetype, etcetera.

"Which character do you struggle writing the most and which feels easier for you, if you have preferences?" asked by @isitamia 12/20

"Do you ever struggle with keeping Cinderella Boy's canon characters in character?" asked by @isitamia 12/20

I'll answer both of these together. Chase is pretty easy for me because I just channel chaotic gremlin energy and it seems to work. Buddy is OKAY although I am struggling right now making him vulnerable while still retaining him Buddy-ish-ness if that makes sense? Deacon is just Deacon... I am sorry, I feel like I don't really do anything to characterize him, he's just there as a sounding board XD I will say- I daydream situations for CB ALL THE TIME which gives me a lot of comfortability with the canon characters and considering what they would do and say and how they would react. I do have a little bit of difficulty characterizing the human keys so I just kinda went like "oh WELL that's because, UUHHHH, the key siblings don't match the keys exactly! That's it that's the answer!" because I felt like Silver wasn't quite Silver-ish and stuff. As for struggling writing the most I have two main answers.

BRONTE. For those who maybe haven't read this but are scrolling through it anyway, or aren't there yet, Bronte is the "human" version of Bronze and I kinda accidentally eliminated him from the story until like... the 80th chapte ror something like that. I had a lot of trouble actually writing his dialogue and scenes with Chase. It just did not have Bronze's snarky energy. So that was tough and I feel bad because I really feel like I did not do him justice :c

DUKE RAVENELL!!!!!! Ravenell hates me. He gives me so much trouble primarily because I just plunked him in at the beginning and didn't give him a real personality beyond a few vague notions. I've really had to sculpt his character as I went and it's especially difficult because Ravenell is intended to do a lot of plot device-ing. He perpetuates a lot of themes in the story and he is a HUGE character foil to Chase, because he often reflects the opposite of Chase's (and Idonea's) values and intentions. I want him to be morally grey and I am constantly fighting a BATTLE with this man to make sure he isn't too likeable or too hateable. I posted on Tumblr like a week ago really just asking for a diagnostic and the response made my day because people are all OVER the place about this man, some people love him, some will never forgive him, some are like "he's alright but there's something off about him and I can't help but distrust him" and others are like "I know he keeps making mistakes but I can't help but trust him" and I LOVE IT. Fortunately I think he's finally in a place perception-wise where I want him. I want the confusion. So badly. Only now I have to continue to fight this stupid tug-o'-war to keep him properly dividing until the end of the story XD

Behind the scenes

"How did you come up with the plot for KAPT? Was it just a little thought that popped up in your head one day, or did you have like inspiration or something?" asked by @xcitrix 12/20

"Did you have an idea for how you wanted the story to end when you first started writing or did you come up with more ideas while working on it?" asked by @lapileaf 12/20

I'mma answer both of these (and any others if they are asked) in kinda the same go if that's alright. In August I was wanting to write some fanfiction for CB, and one idea rotating in my head was, what if Chase went into a nonfiction book? Like he thought it the most effective way to study for a history project, or he saw a mention of Ex Libris, or something. So, completely directionless, I drabbled out the first chapter of KAPT where they find the book in the museum and... adopt it. And then it sat there in my Google Docs for like two weeks while I worked on a different fanfiction, Violets and Chains. I tried to return to it a little bit and got through the first anthology chapter where they're in the Chartesia battle, but that too did not have a plot behind it, I was like "myeh... trebuchets... uh... and now there's a guy... oh maybe they're PRISONERS..." And then brain did not work and I gave up. Eventually got myself together, BS-ed the rest of the scene, and then sat down and essentially ranted to myself about potential ideas until I figured out the plot.

More ideas have kept cropping up as I've worked on it. There are certain puzzle pieces that are foreshadowed in even teh first ten chapters that I didn't even mean to foreshadow because I hadn't thought of the yet - the plot was generally mapped out but has defintely been refined and added to as time goes on. Eventually you get into the flow of a story and everything just starts clicking into place, like you yourself are theorizing about an external work. Keep in mind that because I am publishing it as I write each chapter, KAPT is a first draft, and I have to hatch out plot points and main parts of the story as I write and make my best effort to recover any loose threads or things like that. It's a fun exercise!

"Do you plan to stick to the story you have already till the end or is there a possiblity you'll have to change some things if we get to know more about canon Ex Libris/Buddy lore while it's still ongoing?" asked by @iwikpines 12/20

There are some new bits of information that are kinda iffy for KAPT, but ultimately because KAPT takes place inside a book most of the Buddy/Ex Libris lore is not applicable. Regarding Buddy's situation I am going to go ahead like I was planning to originally, and I'll add a disclaimer when time permits. I don't think either way throws a wrench in the plans too much but I would rather be confident in the themes I've already set up as opposed to trying to hastily recover new lore in the last third of the story, if that makes sense.

"How did you come up with your ocs? I know some, like Jaime, come from another original story of yours ... but what about characters like Ravenell, Galeus, and Rose? What inspired you? How did you decide their personaltiy, their struggles? Did you take inspiration from yourself for anyone, similar to how Punko took inspiration from herself for Chase? Do you follow any specific process to come up with ocs, like follow a list, scheme, or coming up with hypothetical scneraios?" asked by @isitamia 12/20

A lot of the characters are cameos from a passion project I've been working on for years called IFI (no I will not tell you what it stands for) - Jaime and emma are from there, as well as several others including Alexei, Nishan, Mattheo, Kelitia, Indie (the Marchioness), King Aarius, and King Olivyn. So those are just plunked in and then Jaime decided to become part of the plot. As for the other original characters made specifically for KAPT, they just kinda got plopped in for one reason or another (I wanted Rose to connect to the Chartesia lore, Ravenell to have a foil for Chase, and Galeus because, well, there had to be a king) and then I slowly worked to build connections, themes, and character. Often times I don't specifically sit down and think "this character will be this way", it just emerges naturally from their dialogue, like I'm chiseling something out that was already in the stone like an archeologist, as opposed to carving my own new sculpture. I've always written that way and it makes it difficult when I am required to add structure to my writing or explain why I do things the way I do. I will say it is all VERY inspired from my own life and beliefs; Rose exists as a confidante in the story, and many of her more preachy dialogue pieces are things I'm getting out of my system. So yeah, not really a lot of structure to it, they just appear... and I figure them out as I go... most of my characters are in some way facets of myself or the way I percieve life. As I get more experienced with writing I'm sure I'll be more intentional with them, but for now, they are Athena and I am Zeus.

"How do you post daily" (kind of) asked by @isitamia 12/20

To give an actual answer for this because I know it's a lot to post a 2-4k chapter PER DAY - I am a student and have a LOT of downtime in class where I can't really do anything but write. That is how. Also, I have taught myself to be a prolific writer because that is the thing in my life I can always rely on when other things are unstable.

"How did you extend the story so far? I love the plot and it's kinda insane how you were able to develop it so much, at this point it's a full novel and I kinda live for it LOL. Also how long would you consider one act?" asked by @shyve3 12/20

Two parts to this question, I will answer them both;

I didn't mean to. I am really bad about being concise; I can't. When I write and get passionate about a story there's so much I want to stay and I can rarely fit it into what most people consider a pallatable length. I just get going and... idk... unstoppable force or something lol. And yes KAPT is at least the length of a typical trilogy XD ITS BEEN FIVE MONTHS

Regarding the act question, I ORIGINALLY said KAPT would be three acts, with the first ending when Chase goes down into Rose's "tomb" for the first time, the second ending with the Bronte part, and the third being the final one. It is actually more like four now, with the "second" act split into two at the masquerade ball. We are so close to being onto the actual final act, which should be a 4th of the total fic, so we have maybe 30 chapters left (?) (we'll see lol)

I don't have a specific length, it's just the way the story tends to ebb and flow if that makes sense?

General stuff

"Do you have any advice as a writer?" asked by @iwikpines 12/20

I AM SO BAD ABOUT THIS because I really do just go type type type and words appear. I know there's more to it than that but I've spent a lot of time writing and not a lot of time learning how to write so I have the experience without the actual education behind it. Write what you care about :) I mean NO DUH but like - your best stories will come from the heart. You will find prolificness (is that a word?) in PASSION. If I didn't care about Cinderella Boy or the themes I'm trying to communicate in KAPT would I spent my days writing a chapter a day ABSOLUTELY FRIGGIN NOT I'd be writing a different story. So yeah - write what you love and your audience will find you. What the world needs is a buncha people doing what they love really well because it's what they care about. Also, I didn't include your full comment here, but I am excited to read your fanfiction! <3 Please post it on Tumblr when you also post it elsewhere!

[aprillikesthings]

okay actually I want to copy-paste what I wrote, because I think I ended up writing a REALLY good summary/advertisement for She-Ra--

Okay, so. Uh. Things to know:

It's listed as five seasons but it's actually four, because the second season was split into seasons two and three.

The animation budget was not super high, and you can tell. It improves in later seasons but it's still a little wonky here and there.

Like most animated shows theoretically aimed at children (it's rated y7 in the US), the first season takes a while to get going, because they have to introduce all the characters. The actual plot does start in the very first episode, though; and some fan-favorite moments of the show are in that first season.

When people say "yeah it's gay," they're not kidding lol. You could absolutely make the argument that there's not a single cishet character in the whole show. That said: I've met people who completely missed all the extremely heavy subtext up until the very last season. Somehow. But if you've already watched some Gay Cartoons or been in fandom before, there's obvious hints from episode one. JFC I remember watching that first episode and going "oh shit. They meant for us to ship this. It's....not even subtle."

If enemies to lovers is not your thing, you will not enjoy it. And by enemies I mean literally almost killing each other.

There are also themes of child abuse and religious trauma. They manage to not pull any punches while working around the y7 rating. If you're a child abuse survivor (hi!) or a religious trauma survivor (the show runner grew up conservative Calvinist/PCA) there's a few scenes which might be hard to watch, but everyone's different. (The themes around religious trauma are mostly told via allegory. The child abuse stuff is not.)

If you spend much time on any site where people are talking about the show you will be heavily, HEAVILY spoiled for a huge plot point at the end; but that might not bother you? I know I have a friend who refused to start watching it until she knew how it ended, and then marathoned it.

It rewards rewatching. It's a really wild experience to start over from the beginning Knowing The Things You Know. It also rewards close watching--people's expressions changing for just a split second happens a LOT. Multiple main characters are intentionally suppressing, literally unaware of, or lying to themselves/other people about their feelings and motives; and close watching/rewatching means picking up on that stuff, which (imho) is like, 80% of what makes it so damn fun.

I make the show sound entirely serious, and it's not lol, there's a lot of humor in it, too. It's not some grimdark edgy thing For Kids. Parts of it are fucking hilarious.

Someone on a she ra meme sub: hey Reddit keeps suggesting this sub, even tho I haven’t seen she-ra. I do like gay cartoons. But like. How gay is it

A few people: I mean it’s not really gay until the last season

Me, without having read any other replies: it’s gay from the first episode if you know what subtext is

[miss-conner3]

How would ando deal with the existencal horror of his brother never ever letting him die?

¡A question related to one of the central points of the AU! (OoO)

Happy and conflicted because answering your question would be a kind of spoiler, but maybe I can answer part of it in a different way (ouo)/

¡Here it goes!~

As I mentioned before, Ando is still not aware of what his brother did to him to bring him back, and even less that his brother has him tied to life for "a reason" that I have yet to draw <(ouo)>

(That also includes how Ando would react to knowing this, sorry.)

But what I can say is that whatever the lamb has done will have consequences.

Both for him and for Ando.

At some point, I will talk more about this, but for now, this is all (owo)

¡Thanks for asking, and sorry for the wait! (>//<)/

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[mikkeneko]

Please have your side characters talk to your main characters about literally any other topic than the main characters' romance. Please.

[shorthaltsjester]

you hit the nail on the head with my issues on their failure to address the groups dynamic with scanlan, bc the show paints it that the group still not caring much for scanlan isn’t even an issue, when all the other characters have had these moments of the group rallying behind them during their struggles, scanlan is just kinda left with “now i finally matter bc i have real family” and that’s kinda it?

and i think the vax and scanlan dynamic suffers greatly from this too bc literally last season ended with vax admitting he didn’t believe in scanlan (“i thought you’d run back there”) while scanlan stayed bc HE believed in VAX (“i don’t believe in that matron stuff but you do and i believe in you”) yet this season just reinforces that with no payoff. vax’s only acknowledgement of scanlan was “you’re rather quiet back me up here” and that’s IT, the group as a whole had a bigger reaction to keyleth and vax kissing than scanlan returning from his coma to help😭

i never expected bard’s lament to go exactly how it did on stream nor did i expect scanlan to fully even blow up at the group but my issue is that even if we’re exclusively looking at the show’s writing w/o c1 knowledge, they focus heavily on the development of scanlan’s devotion, that he starts off selfish and becomes someone who feels a sense of devotion and responsibility to multiple people, despite having this underlying feeling that no one cares for him and he doesn’t matter. and that arc and growth has been really amazing to see, but then why have all that development over 3 seasons if over half the people he’s become devoted to STILL don’t view him in a similar light? hell even him opening up about that a LITTLE bit was just used as an immediate transition to keyleth and vax announcing they’re going for keyleth’s aramente… anyway SORRY FOR RAMBLING IN YOUR INBOX and who knows what’s to come with season 4 but i just think it’s a lil ironic that the character who’s had built up self worth issues over feeling overlooked was just… extremely overlooked in the very arc that was supposed to address it.

oh anon. yeah yeah big agree to everythigg bc said . yeah . please do not apologize for rambling in my inbox it’s so very welcome (the delay in response is because sometimes i forget this thing exists and notifications are not friends of mine so apologies for That).

but no like. truly as my criticisms have grown for tlovm re: the reliance on a pre-existing care for the story being told even if you do not have pre-existing knowledge of the story itself for audience buy-in, scanlan has long been a strong rebuttal to my concerns about what the cost of a required lack of character depth might be in a story like tlovm where character depth is integral to the themes and the plot. because like you mention season 1 and 2 really do the work of setting up scanlan and all his flaws and his dynamic in the group and his inability to be genuine with them and the pain he therefore can’t really unpack With them. and then s3, in emphasizing so much the kaylie and scanlan dynamic, kind of loses sight (or maybe. gains sight — but i’ll get to that in a sec) of scanlan’s motivation for favouring kaylie so strongly over vox machina even in a time of turmoil (e.g., seeking her out rather than sticking with the group before whitestone — while he didn’t know about the attack, he Did know they were in the middle of Very Short Timeline End Of Dragon Fighting Urgency, his comment at the end of the season that kaylie is his Real family). and it also doesn’t use the group’s recognition of the fact that kaylie is this powerful force for scanlan at all since they don’t even know about kaylie until half way through the season and most of them don’t even get lines about the fact that scanlan is in a coma at all so. picking battles ig.

idk man it’s like. yeah i also didn’t expect a 1-for-1 bards lament and i actually agree with the sentiment that a perfectly written vox machina adaptation might not have any bards lament moment at all, but given the two seasons of character writing setting up the very same issues that amounted to bards lament in the campaign, there was a requirement for some release of that tension for a story that i would call well done, and, well. we got a calm and collected scene. for the sake of a happy and satisfying ending. in the vox machina show. yknow. based on a campaign notorious for its happy ending.

time doesn’t exist and i can’t remember if this ask was sent before or after the round table from my personal hell where sam explicitly said that most if not all of the scanlan and kaylie scenes were rewritten After Recording because it wasn’t until then that they’d realized what scanlan’s motivations were . that paired with the tlovm team talking about wanting to avoid cliffhangers at the end of s3 so not having bards lament but then still including a cliff hanger with the whispered one stuff. i will always enjoy tlovm because those are my blorbos made real with animation but. sometimes they are Not my blorbos sometimes they are bad iterations of them. it doesn’t matter that their creators are in the writers room if every messy part of the characters that make them compelling and humanizes them have been reduced until easy to swallow and wrap up with conveniently satisfactory end-of-season beats. i won’t call it objectively bad character writing (but i think it is) but i will say it has been extremely hard to get my non-critter/dnd friends who tend to enjoy stories for the characters in them to enjoy tlovm, since they almost always lose interest in characters they see as fairly flat with occasional bursts of depth that just highlight how flat they appear otherwise, and most of those friends have identified scanlan as a high point of the character writing. which is maybe why i find the choices around his arc deflation the most :/-inducing

[peccatula]

the hardest part about having oc stories that you plan on publishing is that you can't go on long-winded rants about the intricacies of side character number 27 and her impact on the plot because you want people to go in mostly blind so you just have to sit there like this

[kareenvorbarra]

doomed to always be the only nahuseresh fan in the chat

[lavellane]

crazy that i was offline for soooo fucking long this year to the point where i didnt post 1 single time about my galemancer wynevere who is maybe one of the greatest ocs ive ever dreamt up in my life. instant cult classic to the imaginary people who live inside my brain. truly outdid myself with her actually

[pennpenn]

I keep dreaming up Limbus Company sinner gets isekaid into Genshin Impact AUs

I sadly don't have the full set of 12 plotted yet, but I've started designing the ones I'm invested in.

Everyone having locations and then casually dropping that Outis is in the Arataki Gang. Give the old woman a gun again. She deserves it. ❤️

I also think she would get along with Shinobu.

It would be an entire lore dump on their general isekai'd lifestyle, their new social circle, if they share their history, and the possibility of them using specific weapons or visions. (Some characters have notes on skill/burst/idle animations)

Currently I am drawing each character with a basic weapon that is either tied any WAW egos a character has or an item that is related to their backstory.

[iridescentscarecrow]

whats ur favorite aspect about csm

hi nonnie! my favourite aspect of csm is reze :].

ok but seriously: the thing i've always admired in csm is the way the story is told, or more exactly how the characters are utilised.

it's like. the best i can describe is that many of the characters - the ones i call Actives in my head- are used as Elements to the plot - as Events which morph the more passive characters' journeys. yeah, csm is definitely character driven but not in an incoherent manner, more in a constructive manner? idk. i think there's something really sexy about characters that Are just metaphors.

and like. everything, even the smallest active-passive microcosms and interactions finally fall back into denji, who i'd regard as the most passive of them all. it's interesting because denji subverts the shounen mc archetype, he isn't really an actor in his own story, at least in part one. he's more a receiver of the ideas and the parallels that the people he encounters imbue him with.

death in csm is also something of note here. i quite like it when characters get fucked to serve a Larger Plot or another character if it's done in an intriguing manner, if it's something that adds to the narrative. but csm is unique in how it uses characters to propel not a strictly traditional plot, but other characters in their progression. the plot is the character. the subplots are the side characters. it's delicious, concise and tied together so, so well.

it's the trifecta of horror, comedy and the erotic, it's the symbolism packed rereadability of it. also makima could ruin my life and it'd be awful of her. i mean what.

[sonknuxadow]

they werent lying that knuckles series barely has knuckles in it