#tales from terminal terminal

[fanofspooky]

Scream King - Dick Miller

[skyfullofpods]

Happy audio fiction Sunday, friends! My blog post this week includes my thoughts on the emotional end of the first year of @breakerwhiskey, the return of both @tellnotalespod and @hellofromthehallowoods from their well-deserved breaks, and the intriguing new @remnantspod!

[ashes-in-a-jar]

At this point I need to put some podcasts on

1/'the-amount-of- time-it-takes-for-an-update-to-come-out'X speed

so I won't go insane with the wait

[grifff17]

Audiodrama Sunday 10/20/24

Happy Audio Drama Sunday! I think I'm going to stick with the more abridged format I did last week, just because I'm spending so much time writing these.

@worldsbeyondpod - “We’re having different days” really summed up this episode. I wonder how many episodes the party is going to stay split this time.

@lostterminalpod - Seth receives yet more ominous visions. The abandoned space base is very cool, you can tell how much research goes into this show.

Spout Lore - Aquaria’s moss suit concept is a very cool idea. The gang are finally going to complete the real quest - reuniting the whole wizard polycule. I laughed out loud at Tuk trying to write through Blackspire.

@midstpodcast - I finally got around to listening to the first 2 episodes of Unend. Star trek in Midst is a great premise, can't wait for more of this show.

@midnightburgr - Speaking of Midst, Third Person cameo?! Third person as a trio of AIs was great. It’s such a trip to recognize every new VA in an episode of an audiodrama.

Rude Tales Of Magic - Glad to see this show returning to its roots with genuinely terrifying monsters. I'm never going to forget Kebin.

@breakerwhiskey - A full listener transmission! It’s so cool how the listener transmissions are becoming canon and affecting the story.

Skyjacks: Courier's Call - The kids are reunited, at least temporarily! Kiran neglecting to mention that the person they’re dating is a ghost is so funny, I’m really excited to see where that relationship goes this season.

@storiesfromylelmore relisten - I've been recovering from getting my wisdom teeth out, so I decided to relisten to Ylelmore while recovering. The standout was Rion's character arc, which holds up really well on a relisten, even without knowing where it's going to end up at the end of this season.

Second Fiddles - We finally learn where tammy is! I like the naïve happy go lucky character who thinks that they have good luck but actually have terrible luck.

One of these days I really need to update my audiodrama website, I have like 10 shows that need to be added or updated.

[aemiron-main]

one of my favourite hobbies is scaring tourists that come out here….. people are not nearly scared enough of the forest. Im doing it for their own good. I’m wrapping a fear pill in salami for them like giving medication to a dog.

[temporarymotorfinger]

Welp, RIP @goodmotorfinger. Thank fucking god I made a backup account two days ago because I kinda knew this was coming. Second time I've been randomly terminated; I don't know if this time will be temporary like last time, or permanent.

Either way I came prepared. My backup account is currently functioning under the guise of @worsemotorfinger and I added it as an admin for all my sideblogs before @goodmotorfinger got killed, so I feel smart but not any less angry.

[cattailtales]

the attendants at my airport gate looking for the flight crew 15 minutes after we were supposed to board after changing the delay status of our flight back to Almost on time for the 57th time in the last two hours

[imsobadatnicknames2]

Wish I had been able to articulate this sooner but the current wave of discourse about Cozy Wholesome Farming Games really shows once again that a lot of people's metric for the line that divides "smart person doing good, thoughtful analysis" from "terminally online freak looking too deep into into shit to start pointless discourse" is when they look deep enough to find something to criticize in a Popular Thing.

Like. The takes "Stardew Valley is an anticapitalist tale about the importance of community because in it the members of this small rural community band together to kick out the Costco analogue" and "The fantasy of landwonership on which games like Stardew Valley are predicated on is kinda bourgeois and the fact that it's considered politically neutral enough to be a common subject matter for games explicitly labelling themselves as Cozy or Wholesome speaks to how entrenched it is in our our culture and art" attribute roughly equivalent weight and importance to the politics of a cutesy farming game, but one of them is very popular and widely liked and the other gets you anons like "Uhm it's literally just a hecking cute farming simularino!? Touch grass lol you should be at the club lol do you even enjoy stuff lol not everything is politics are you really trying to make my heckin' farmerino simulator problematic? Stop looking for politics in everything you're just looking for stuff to get mad at you are a tar pit" etc etc etc

[mostlysignssomeportents]

Sandra Newman’s “Julia”

The first chapter of Orwell's Nineteen Eighty-Four has a fantastic joke that nearly everyone misses: when Julia, Winston Smith's love interest, is introduced, she has oily hands and a giant wrench, which she uses in her "mechanical job on one of the novel-writing machines":

https://gutenberg.net.au/ebooks01/0100021.txt

That line just kills me every time I re-read the book – Orwell, a novelist, writing a dystopian future in which novels are written by giant, clanking mechanisms. Later on, when Winston and Julia begin their illicit affair, we get more detail:

She could describe the whole process of composing a novel, from the general directive issued by the Planning Committee down to the final touching-up by the Rewrite Squad. But she was not interested in the finished product. She 'didn't much care for reading,' she said. Books were just a commodity that had to be produced, like jam or bootlaces.

I always assumed Orwell was subtweeting his publishers and editors here, and you can only imagine that the editor who asked Orwell to tweak the 1984 manuscript must have felt an uncomfortable parallel between their requests and the notional Planning Committee and Rewrite Squad at the Ministry of Truth.

I first read 1984 in the early winter of, well, 1984, when I was thirteen years old. I was on a family trip that included as visit to my relatives in Leningrad, and the novel made a significant impact on me. I immediately connected it to the canon of dystopian science fiction that I was already avidly consuming, and to the geopolitics of a world that seemed on the brink of nuclear devastation. I also connected it to my own hopes for the nascent field of personal computing, which I'd gotten an early start on, when my father – then a computer science student – started bringing home dumb terminals and acoustic couplers from his university in the mid-1970s. Orwell crystallized my nascent horror at the oppressive uses of technology (such as the automated Mutually Assured Destruction nuclear systems that haunted my nightmares) and my dreams of the better worlds we could have with computers.

It's not an overstatement to say that the rest of my life has been about this tension. It's no coincidence that I wrote a series of "Little Brother" novels whose protagonist calls himself w1n5t0n:

https://craphound.com/littlebrother/Cory_Doctorow_-_Little_Brother.htm

I didn't stop with Orwell, of course. I wrote a whole series of widely read, award-winning stories with the same titles as famous sf tales, starting with "Anda's Game" ("Ender's Game"):

https://www.salon.com/2004/11/15/andas_game/

And "I, Robot":

https://craphound.com/overclocked/Cory_Doctorow_-_Overclocked_-_I_Robot.html

"The Martian Chronicles":

https://escapepod.org/2019/10/03/escape-pod-700-martian-chronicles-part-1/

"True Names":

https://archive.org/details/TrueNames

"The Man Who Sold the Moon":

https://memex.craphound.com/2015/05/22/the-man-who-sold-the-moon/

and "The Brave Little Toaster":

https://archive.org/details/Cory_Doctorow_Podcast_212

Writing stories about other stories that you hate or love or just can't get out of your head is a very old and important literary tradition. As EL Doctorow (no relation) writes in his essay "Genesis," the Hebrews stole their Genesis story from the Babylonians, rewriting it to their specifications:

https://www.penguinrandomhouse.com/books/41520/creationists-by-e-l-doctorow/

As my "famous title" stories and Little Brother books show, this work needn't be confined to antiquity. Modern copyright may be draconian, but it contains exceptions ("fair use" in the US, "fair dealing" in many other places) that allow for this kind of creative reworking. One of the most important fair use cases concerns The Wind Done Gone, Alice Randall's 2001 retelling of Margaret Mitchell's Gone With the Wind from the perspective of the enslaved characters, which was judged to be fair use after Mitchell's heirs tried to censor the book:

https://en.wikipedia.org/wiki/Suntrust_Bank_v._Houghton_Mifflin_Co.

In ruling for Randall, the Eleventh Circuit Court of Appeals emphasized that she had "fully employed those conscripted elements from Gone With the Wind to make war against it." Randall used several of Mitchell's most famous lines, "but vest[ed] them with a completely new significance":

https://law.justia.com/cases/federal/appellate-courts/F3/268/1257/608446/

The Wind Done Gone is an excellent book, and both its text and its legal controversy kept springing to mind as I read Sandra Newman's wonderful novel Julia, which retells 1984 from the perspective of Julia, she of the oily hands the novel-writing machine:

https://www.harpercollins.com/products/julia-sandra-newman?variant=41467936636962

Julia is the kind of fanfic that I love, in the tradition of both Wind Done gone and Rosenkrantz and Gildenstern Are Dead, in which a follow-on author takes on the original author's throwaway world-building with deadly seriousness, elucidating the weird implications and buried subtexts of all the stuff and people moving around in the wings and background of the original.

For Newman, the starting point here is Julia, an enigmatic lover who comes to Winston with all kinds of rebellious secrets – tradecraft for planning and executing dirty little assignations and acquiring black market goods. Julia embodies a common contradiction in the depiction of young women (she is some twenty years younger than Winston): on the one hand, she is a "native" of the world, while Winston is a late arrival, carrying around all his "oldthink" baggage that leaves him perennially baffled, terrified and angry; on the other hand, she's a naive "girl," who "doesn't much care for reading," and lacks the intellectual curiosity that propels Winston through the text.

This contradiction is the cleavage line that Newman drives her chisel into, fracturing Orwell's world in useful, fascinating, engrossing ways. For Winston, the world of 1984 is totalitarian: the Party knows all, controls all and misses nothing. To merely think a disloyal thought is to be doomed, because the omnipotent, omniscient, and omnicompetent Party will sense the thought and mark you for torture and "vaporization."

Orwell's readers experience all of 1984 through Winston's eyes and are encouraged to trust his assessment of his situation. But Newman brings in a second point of view, that of Julia, who is indeed far more worldly than Winston. But that's not because she's younger than him – it's because she's more provincial. Julia, we learn, grew up outside of the Home Counties, where the revolution was incomplete and where dissidents – like her parents – were sent into exile. Julia has experienced the periphery of the Party's power, the places where it is frayed and incomplete. For Julia, the Party may be ruthless and powerful, but it's hardly omnicompetent. Indeed, it's rather fumbling.

Which makes sense. After all, if we take Winston at his word and assume that every disloyal citizen of Oceania is arrested, tortured and murdered, where would that leave Oceania? Even Kim Jong Un can't murder everyone who hates him, or he'd get awfully lonely, and then awfully hungry.

Through Julia's eyes, we experience Oceania as a paranoid autocracy, corrupt and twitchy. We witness the obvious corollary of a culture of denunciation and arrest: the ruling Party of such an institution must be riddled with internecine struggle and backstabbing, to the point of paralyzed dysfunction. The Orwellian trick of switching from being at war with Eastasia to Eurasia and back again is actually driven by real military setbacks – not just faked battles designed to stir up patriotic fervor. The Party doesn't merely claim to be under assault from internal and external enemies – it actually is.

Julia is also perfectly positioned to uncover the vast blank spots in Winston's supposed intellectual curiosity, all the questions he doesn't ask – about her, about the Party, and about the world. I love this trope and used it myself, in Attack Surface, the third "Little Brother" book, which is told from the point of view of Marcus's frenemy Masha:

https://us.macmillan.com/books/9781250757531/attacksurface

Through Julia, we come to understand the seemingly omniscient, omnipotent Party as fumbling sadists. The Thought Police are like MI5, an Island of Misfit Toys where the paranoid, the stupid, the vicious and the thuggish come together to ruin the lives of thousands, in such a chaotic and pointless manner that their victims find themselves spinning devastatingly clever explanations for their behavior:

https://www.bbc.co.uk/blogs/adamcurtis/entries/3662a707-0af9-3149-963f-47bea720b460

And, as with Nineteen Eighty-Four, Julia is a first-rate novel, expertly plotted, with fantastic, nail-biting suspense and many smart turns and clever phrases. Newman is doing Orwell, and, at times, outdoing him. In her hands, Orwell – like Winston – is revealed as a kind of overly credulous romantic who can't believe that anyone as obviously stupid and deranged as the state's representatives could be kicking his ass so very thoroughly.

This was, in many ways, the defining trauma and problem of Orwell's life, from his origin story, in which he is shot through the throat by a fascist: sniper during the Spanish Civil War:

https://www.rjgeib.com/thoughts/soldiers/george-orwell-shot.html

To his final days, when he developed a foolish crush on a British state spy and tried to impress her by turning his erstwhile comrades in to her:

https://en.wikipedia.org/wiki/Orwell%27s_list

Newman's feminist retelling of Orwell is as much about puncturing the myth of male competence as it is about revealing the inner life, agency, and personhood of swooning love-interests. As someone who loves Orwell – but not unconditionally – I was moved, impressed, and delighted by Julia.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/09/28/novel-writing-machines/#fanfic

[vorestarr]

ascended astarion and vampire spouses

so I've been reading the dnd 2e manual "Van Richten's Guide to Vampires" for fic/game inspiration, and there's this really interesting chapter on vampire brides and grooms. after reading it, it's very clear to me that Astarion didn't turn Tav into a typical spawn, but into a vampire spouse, which are two very different rituals with very different outcomes.

the typical vampire spawn creation process is exactly what Astarion describes happening to him: a painful death, a painful rebirth into undeath, fighting his way out of his own coffin, and Cazador's complete control over him. this is described pretty clearly in the guide to vampires:

According to most related tales, a vampire can create another simply by killing a mortal either with its life-energy draining power (draining all the character's experience leveIs) or by exhausting the mortal of his or her blood supply. If the victim's body is not properly destroyed, it arises as a vampire, under the control of the creature who killed it, on the second night following the burial. [...] Most vampires remember the instant of their death and the nature of their killer, and understand immediately their new nature. Certainly their new hunger gives them a good idea of what they have become. They must immediately free themselves from their grave. either by breaking it open from within or by assuming gaseous form and diffusing out.

so that's definitely what happened to Astarion, but that's not what happens to Tav. after ascended Astarion turns Tav into a vampire, they can ask him what happened, and he describes the following:

Astarion: You are so beautiful... And you will be beautiful forever. Thank you for trusting me. Player: What exactly happened? Astarion: You were drained dry, and at the height of your delirium, I granted you one drop of my own blood. Things will be a touch different for you than they were for me when I was a spawn. I'm imbibed with unfathomable new talents. I am fairly certain I can extend Mephistopheles' blessings unto you. Player: Does that mean I need not fear the sun? Astarion: You need not fear anything. You will be stronger, swifter, sharper, but you won't be different. You were already perfect before. It's hard to improve.

for reference, this is how the guide to vampires describes the ritual for vampire spouses:

To actually create the bride, the vampire bestows what is known as the "Dark Kiss". lt samples the blood of its mortal paramour—once, twice, thrice—draining her almost to the point of death. This process causes the subject no pain; in fact, it has been described as the most euphoric, ecstatic experience, in comparison to which all ether pleasures fade into insignificance. Just as the subject is about to slip into the terminal coma from which there is no awakening, the vampire opens a gash in its own flesh—often in its throat—and holds the subject's mouth to the wound, As the burning draught that is the vampire’s blood gushes into the subject's mouth, the primitive feeding instinct is triggered, and she sucks hungrily at the wound, enraptured. With the first taste of the blood, the subject is possessed of great and frenzied strength (Str 18, if the character’s Str isn't already higher), and will use it to prevent the vampire from separating her from the fountain of wonder that is its bleeding wound. lt is at this point that the creator-vampire's strength is most sorely tested. He is weakened by his own blood loss, and also by his own rapture as the "victim" of a dark kiss. Overcoming the sudden loss of strength and the inclinations of lust, the vampire must pull her away from its own throat, hopefully without harming her, before she has overfed. Should the subject be allowed to feed for too long (more than 2 rounds), she is driven totally and incurably insane, and will die in agony within 24 hours. Once the subject has stopped feeding, she falls into a coma that lasts minutes or hours (2dl2 turns), at the end of which time she dies. Several (1 d3) hours later, she arises as a Fledgling vampire—and her creator's bride.

this to me sounds like what Astarion describes. he drains Tav almost dry, and at the very last moment, gives them a single drop of his blood. (also interesting reading this guide, the single drop avoids the problem of the vampire spouse being driven ravenous with hunger for the vampire creator's blood and attacking them. did Astarion know this and give them one drop on purpose to avoid that and Tav potentially being driven mad by it? or was he being selfish and this is just a nice but unanticipated outcome?)

i kept reading and there's a lot more interesting information about vampire spouses, but the most interesting thing I found related to the game was this:

Although there are some folk tales that describe the bride of a vampire as its slave, in much the same way that offspring are slaves, a bride is free-willed from the moment of her creation. The creator vampire does have great influence over the bride. however although this control is totally nonmagical. When a vampire is created in the traditional manner—that is, when a victim's life energy is completely drained away—the new fledgling instinctively understands much about the vampiric way of unlife, and about its own strengths, weaknesses* and needs. Not so the bride.

so basically, the vampire spouse is not tied to the vampire creator in the same way as a spawn (i.e., not able to be fully controlled) but is still extremely reliant on the vampire creator to teach them how to live as a vampire. the guide goes on to describe that some vampire creators may lie to their vampire spouse about the control or powers they have, in order to exert more control over them.

interestingly, if you ask Astarion if he can compel you the way Cazador compelled him, he doesn't give a straight answer, he just says this:

Player: Cazador could compel you - can you compel me? Astarion: Why would I need to? You're going to be wonderfully obedient.

to me, all of this says that Astarion was telling the truth when he told Tav that they would be different from him as a spawn, and also in emphasizing that they are not a spawn but a consort. he didn't create a spawn, he created a vampire spouse. he married Tav, and because of this Tav also retains their free will.

of course, Astarion doesn't say this. if he knows, he withholds this information in much the way that this guide describes, as a way for the creator to maintain more control over their spouse. but still, extremely interesting implications for the ascended Astarion romance, imo.

other interesting facts about vampire spouses from the guide to vampires:

the married couple has telepathic communication that can span miles -- so Tav and Astarion can potentially have a telepathic bond even after the tadpoles are gone. (another note, this communication has to be consensual both ways for it to work, so you can't just dig around someone's mind if they don't want it.)

the vampire creator is extremely jealous and possessive. (yeah lol)

their life forces are linked, so one suffering a great deal is felt by the other.

the bond can be broken, but the ritual to do so has to be initiated by the creator. to break it, they both spill their blood on the ground and allow it to mix. this dissolves all aspects of the bond (i.e., telepathy and linked life forces), but the spouse stays a vampire.

[mcflymemes]

THE MUMMY (1999) PROMPTS *  assorted dialogue from the film, adjust as necessary

looks to me like you're on the wrong side of the river!

by the way... why did you kiss me?

it seemed like a good idea at the time.

that's called stealing, you know.

is it dangerous?

stop it! you'll kill them!

get me a glass of bourbon.

this just keeps getting better and better.

this door doesn't open.

who opened that chest?

i only want four!

the map! i forgot the map!

i think he's filthy, rude, a complete scoundrel. i don't like him one bit.

i guess we go home empty-handed... again.

look what i got.

i think you found something.

what exactly is this man in prison for?

you just got promoted.

you're with me on this one, right?

keep him busy.

we are in serious trouble.

this creature is the bringer of death.

you must not read from the book!

where are they taking him?

there's only one person i know that can possibly give us any answers.

can you look me in the eye and guarantee me that this isn't all some kind of flimflam?

i'm a very lonely man.

look at my library!

you're gonna get yours, [name]!

never did like camels.

what do you suppose killed him?

time to go.

take my hand, and i will spare your friends.

will you look at that?

do they know something we don't?

i need a new job.

have you no respect for the dead?

i've dreamt about this since i was a little girl.

you dream about dead guys?

patience is a virtue.

any last requests?

loosen the knot and let me go.

i don't think we need to know this.

ooh... that's gotta hurt.

you... i just don't get.

you probably won't live through it.

everybody else we've bumped into has died. why not you?

you're wondering... what is a place like me doing in a girl like this?

yeah, i was there.

can you swim?

of course we don't let him go!

you'll be dead when they do this.

i think i'll kill you.

think of my children.

i only gamble with my life, never my money.

i may not be an explorer or an adventurer, or a treasure-seeker or a gunfighter, but i am proud of what i am.

give me frogs! flies! locusts! anything but you!

compared to you, the other plagues were a joy.

i am so very sorry. it was an accident.

you are a catastrophe.

oh my god, i hate it when these things do that.

is he supposed to look like that?

of course i can swim, if the occasion calls for it.

now, because of you, we have failed.

you think this justifies the killing of innocent people?

what did you say?

i don't want to tell you.

let me get this straight.

you don't have any children.

you lied to me.

i lie to everybody.

what makes you so special?

sorry. didn't mean to scare you.

the only thing that scares me are your manners.

have you got any bright ideas?

i'm thinking. i'm thinking!

you'd better think of something fast.

what are we going to do?

wait here! i'll go get help!

i thought you said you didn't believe in all this fairy tales and hokum stuff.

forget it! we're out the door, we're down the hall, and we're gone!

i told you not to play around with that thing.

you heard the man. no mortal weeapons can kill this guy.

listen! we've got to do something!

is that my problem?

i appreciate you saving my life and all, but when i signed on, i agreed to take you out there and bring you back. end of job, end of story, contract terminated.

that's all i am to you? a contract?

you can either tag along with me or stay here and try to save the world.

do something!

you know, nasty little fellows such as yourself always get their comeuppance.

what's the challenge then?

rescue the damsel in distress, kill the bad guy, and save the world.

death is only the beginning.

why are you going back?

i'm going downstairs to get me a drink. you want something?

[skyfullofpods]

Happy audio fiction Sunday! My listens this week included the beginning of a new year of @nightvaleofficial, a new story from @witcheverpath, and the return of @ethicstownpod!

[olderthannetfic]

Not gonna lie, sometimes being a writer in my native language feels... isolated and alienating. However not in the 'AO3 stats be low and less than English ones' that maybe one could thought of it at first, no, I know what I am doing writing and posting my non-English fanfics on AO3. I have really good friends and a minor readership that I love.

The isolation and alienation comes from people hating their own native languages and being so vocal (almost proud with others encouraging them) about it. Bet I am not the only who has see this. And I am sorry, but that just feel like hot bullshit. Why do you hate your own language that much? Why do you praise/treat like a better language English and English alone? Why do you say 'ew, a fanfic in my native language!" like that is a completely normal thing to say? I try to come with responses and their logic that aren't plain linguistic colonialism, but I can't. It feels alienating because I see it so. freaking. much. In Tumblr, in Discords, in Reddit, in Twitter, everywhere! Sometimes I have my lows and think 'man am I the wrong here? should I despise my own language, my own (literature) culture? everyone does it'. I respond with a 'no' obviously, since I keep writing in my native language and encourage everyone who approachs me to do it. That still doesn't erase the fact that seeing 'ew fics in my native language sucks!' comments in the wild are pretty demotivating and, to be quite honest, shitty, even if the people doing them aren't from my country.

This kind of feels like a consequence of how... imperialist (for a lack of a better word, sorry) the Internet has become in the past few years. Rather, the whole world, yes; and the Internet is just a part of it so of course fandom got affected by it. If it got affected by this puritanical, bigoted and radfem-y viewpoints, it was just a matter of time for this issue ('fics in English are superior/better in general/better to write/better to got numbers') to chime in. Damned 'globalization'. It was so fast.

--

I hate it. I hate it so much. It's been constant for decades (with the exception of a few languages like Mandarin). English isn't special! Whatever century's trade language can reach more people, but that's it: it isn't more beautiful, historic, nuanced, interesting, worthy, whatever.

And god is English not less cringey and terrible when it comes to words for dicks or squelchy sex noises or whatever else people find terminally embarrassing to write about. We native speakers had to get over it in order to write. Native speakers of anything can do the same!

Though, yes, Arabic-speaking anon from last time, I grant you that some languages' speakers are going to have to invent a whole new era of writing in the vernacular. Go forth. Write your Canterbury tales if that's what it takes.

[grifff17]

Audiodrama Sunday 10/13/2024

Happy Audiodrama Sunday! Last week I didn't get a chance to make one of these, so strap in, I've got a lot of shows to talk about this week. I may write this one more rushed than previous ones for that reason.

@midnightburgr - New Welcome to the Horizon. Verge’s secret finally comes out, I love how they set up verge having 4 arms in the last main feed episode. Bringing up the black exclusion law was so brutal, I’m from Oregon and somehow didn’t learn about that law until my senior year of high school, really felt like my education failed me there. Also the song was so good, audiodramas with original music is my favorite thing!

@brimstonevalleymall - It's back! I thought this show was dead! I decided to give it a relisten in prep for season 2, the standout scene was Trainee and Misroch’s heart to heart.

Dear Liisphyra - Season 4 finale. The ad read for an opposing radio station interrupted by a technical issue was so funny. I keep thinking I should submit a question to this show but I never get around to it.

Rude Tales of Magic - I finally started the Nethermurk campaign. this campaign is so quoteable. Both “if we die we die together” and “Hot dogs are made of boys” in specific silly voices are burned into my brain.

@breakerwhiskey - It's back! Much sooner than I expected. I can't wait to see what direction the story goes from here, an inconsistent upload schedule is really interesting given the framing device of the show.

Case Study IREC-A59 - We have communication! I love good “humans are space orcs” worldbuilding. 

Skyjacks: Courier's Call - I loved the overcomplicated discussion of code phrases. Erin breaking character and cracking up when Fenton figured out the curse was so funny. The worldbuilding that magic items come from someone trained in magic caring about an object for a long period of time is such an incredibly cool detail. I may steal that for a dnd game at some point.

@starfallpod - Season 2! Lots of new characters in this one. I like the orphan kids a lot. What is functionally a giant dragon mechsuit possibly coming to life is truly terrifying, though it seems likely that the kids stole it.

@lostterminalpod - Season 17! This show has such cool worldbuilding, it's a truly unique take on a post-apocalyptic world. My favorite part of post-apocalypses is always the theme of hope, which Lost Terminal nails.

@storiesfromylelmore - ItMe really knows exactly how to pull at my heart. Rion wanting to get rid of his werewolfness was heartbreaking, and Keryth sneaking out to make healing potions because she keeps injuring herself to give Rion luck was just as brutal.

Starwhal Odyssey - The quote “in the cutthroat world of interdimensional restaurateurs, theft is pretty common” really sums up this episode. I love all the tenants we're getting to meet, the tabaxi family based off the cast's cats is incredible.

@worldgonewrongpod - This episode got unexpectedly real, it really nailed the whole vibes of this show. Anyways, I'd want to meet the ghost of Alan Turing.

@kingmakerpod - Love to have the Kingmaker gang back for season 2.  A lot of pieces moved into place to set up this season, including what I'm guessing is World War 1! Getting more into the alt history and politics of the setting is very cool.

That was a lot. Hopefully I'll be able to keep up with future weeks.

[zvezdacito]

Ranking Malleus's Valentines Messages from 2021-2024🔥

People finally got the 2024 ones so I decided to make a list like this. Mostly based off which ones have both the most interesting contents and which ones are the sweetest(?) in a sense to Yuu lol. Terminal Malleyuu brain + and I mean they are Valentines cards after all.

Going from least to most personally favored:

4th: 2023

Text: "To my dear friend-

Thank you. Never did I envision someone presenting me with the gift of sweet treats. It would be a shame for me to eat them all by myself. I think I'll share them with you. Would you be willing to provide the tea to go with them?"

Very broadly friendly and nice I guess, but the message of the text is basic and the design of the letter card is also kinda basic🥀 like tbh if you changed the color of this card you could mistake this for something Riddle wrote instead. The ones for this year really just felt like they ran out of ideas and gave up, this is the only one on this list I can say I definitely don't really like that much

3rd: 2022

Text: "To my good friend-

A gift? For me, of all people? Your tastes are...distinctive, I must say. Worry not, though- I enjoyed it, of course. What would you like in return, I wonder? I shall take great pleasure in speculating the answer to that question."

Definitely more interesting than the 2023 one and his personality really comes out in the writing here. Though because of how his closeness to Yuu is characterized here I now feel like it would make more sense if this was the first card and the 2021 was the second one, since if you take the cards to be written in a chronological timeline it kinda feels like Malleus's closeness to Yuu regressed out of nowhere

Not saying people can't change or grow apart later on, but here it kinda has the vibe that he straight up hasn't met them much yet so its as if this was earlier into their relationship. Basically feels if Book 3-4 Malleus got the gift, while 2021 is like Book 6 and onwards Malleus getting the gift.

I really like this one both for the yuu crumbs and it's characterization of Malleus himself, but it's number 3 simply by default of me personally liking the next two more. The gap between it and 2023 is huge😭

2nd: 2024

Text: "To my good friend-

Thank you for your gift. Hmm... This fragrance is meant for pleasure and relaxation? What a tasteful choice. I rather like it; perhaps I shall take more of an interest in these things. You would be welcome to pay me a visit, by the way, should you feel so inclined. I would enjoy sharing an old tale or two."

These are probably the most fun design for the letter cards so far. I think after last year (the 2023 one) they realized they really did run out of ideas for box shaped letters lol.

In general I just like the very sweet and casual friendship implied in this card. As usual he is doing everything in his power to invite Yuu to his place at any given opportunity. Cute how when they hang out they'll tell each other chismis stories, and that Malleus is gonna commit to getting into something just because Yuu gifted it to him. TLDR he's very comfortable around Yuu here that's awesome

1st: 2021

Text: "Dearest,

My thanks for such a truly wonderful present. It is only fitting that I should give you something in return. How about the gift of beauty? Perhaps the gift of song? Or... Well, never mind. Just a joke based on the legends, you know. I shall give you something I picked out myself."

I don't really think anything will ever fully top this one tbh. The greeting just being "Dearest" was so powerful they had to pull bro to the side and tell him to tone it down for the next 3 years🥀

The "gift of beauty song or..." lines can be taken as just him being 3 seconds away from jumping to smooch Yuu (given in the movie the last gift was true loves kiss related after maleficent cursed the baby) which is honestly kinda funny. Down bad /j

Ok back to the main point and minus speculations. This is tied with the 2024 one with showing how close and comfortable (shown by how forward and playful he is here no concern of maintaing image or such) this point of his relationship with Yuu is. This is also the card where he feels the most excited and energetic I guess which is why it's still my overall favorite. Displex had no choice contain the raw Malleyuu power in this one to avoid bias accusations idk

If you want to read into it more I think it's also kinda funny that this could lowkey be taken as him saying we suck at singing/look ugly. And the reason he stopped before revealing the last line is because he realize the joke had already come off as insulting to a human not familiar with the Briar Valley even if his intention was just to be playful as friends do.

Although that would be consistent with the characterization of Malleus as being honest if anyone's performance in something (even Yuu from what we see in voicelines) is lackluster.

He is constructive tho. In these same voicelines usually offers to help teach them to get better and acknowledging it as a feat/compliment itself when they slightly improve, instead of the fanon characterization (usually for masterchef comics) that once he finds out Yuu is behind something he will autonomatically just see it as good quality already.

So yeah idk that's nice and awesome

↑ Drive compiling of the rest of the 2024 Valentines letter pics I found on twitter. There's still some characters missing + trying to look for a clearer picture of the Malleus one lol

[raven-at-the-writing-desk]

hrllo miss raven. in the topic of the new set (Jamil looks adorable btw), I'm just. DYING TO SEE LEONA AUUGHHHH JULY 2025 COMR HERE ALREADY

in one of the mangas (I don't remember which one) we see him sleeping SHIRTLESS........ I can't help but wonder if they'll be going with that or if they'll just force some pijamas on him but either way I know I will just. Die instantly. looking forward to seeing everyone else too!

[Referencing this post!]

I've been watching the nuclear fallout of the Jamil Relaxing in Room drop on my Jamil stan friends from the safety of my bunker... 🤡 Hair undone AND lookin' at you like that... Shit's wild out there. Jamil stans are truly going through it, they are in the TRENCHES Fans of other characters are going pretty crazy too, I've noticed. I think it's because Jamil came out serving so strong, it started to make everyone else nervous for what their own faves would look like when it's their turns to suffer. I can see, for example, that the terminal L*ona brain rot got to you too, Anon... Long time til July, so you can mentally prepare yourself for it.

YEAh SO I WASnmY THE ONLY ONE WhO THOUGHT QbOUT THAT 😭 In the Episode of Octavinelle manga, Leona is depicted as sleeping shirtless and with loose pants… LIKE SO:

S-Surely they’re not going to go with THAT for his Relaxing in Room Wear card, right??? I’d imagine the dev team would want to standardize the pajamas for everyone, with just some minor changes between them. This was the case for previous birthday cards, so they’ll probably do the same here. Edit: Nope, looks like everyone gets unique pajamas! Though this makes me wonder, will Idia get new pajamas or will we get his Lab Coat without the coat since he blatantly says he is wearing his pjs underneath??)

… It’s okay, I’m sure the pose and expression will do the same amount of psychic damage to us all anyway. For example, groggy fairy tale princess Silver will probably put all of our sleeping faces to shame 😂

P.S. Note related to Leona, Jamil, or Silver at all but I want to see Sebek with his hair down cuddling his squirshie (squirrel plushie) from the Harveston Sledathon 🥺