#take a shot every time I use the :(

[ivymarquis]

The Neighbor

Hello friends I fucked off for a month but I’m back and I bring Price smut as an apology for my absence. @sky-is-the-limit’s “Im here to do what your boyfriend cant” prompt has lived in my brain rent free ecer since I read it and while I didn’t follow it verbatim, I did keep in spirit with the theme :)

Also womp I was gone for the Price challenge by @glitterypirateduck but this actually checks off a couple of the prompt options (first time being intimate, a confession/secret is discovered/revealed) so I’m submitting it.

There are a lot of tags. Make sure you read them.

Pairing| John Price x Reader Rating| M Word Count| 4.8k Kinks/Content/Warnings| Accidental voyuerism by virtue of living in an apartment, the reader has a dogshit boyfriend at the beginning of the fic (there is no cheating), slut shaming (from the dogshit boyfriend), these two idiots are down bad for each other, sex toys, oral (F!receiving), unprotected PiV, gratuitous squirting because I’m me, not really heavy on BDSM elements but mentions of the following: bondage/restraints (John uses his hands, nothing crazy), something akin to subspace from how good the nut is, aftercare, John is a prick to the now-ex, very brief angst due to a quick misunderstanding, very vaguely implied somnophilia, rampant abuse of italics. Lemme know if I missed anything.

His neighbor is clearly used to Price being deployed.

She’s a sweet thing, really, and on the whole isn’t that disagreeable of a neighbor.

He just has one problem with her (not even her, really) that is a thorn in his fucking side- her boyfriend.

The boyfriend was not an issue when they first met- wasn’t in the picture at all.

And no John most assuredly hasn’t had it out for the guy since Day 1. The fact that John had gathered himself up to ask his pretty neighbor out when he came back from his latest mission, only to find out about the new boyfriend, does not color his impression of the other man. He’s grown and this is not the first time his advances have been turned away for whatever reason.

But there are, to his knowledge, no true redeeming qualities about the man and he is about as useful as a screen door on a submarine.

He catches bits and pieces through the walls. The boyfriend is not attentive, caring, or sweet to her. She is treated as a guest in her own home, and twice he’s heard bellowing shouts that had Price at the door with his fist banging against it- both to shut him up and make it exceptionally well known that if the boyfriend thinks intimidating a woman is going to fly, that Price will not hesitate to kick the door in.

The most appalling part of it all is that John has a front row seat to just how atrocious he is in bed.

For the life of him John does not understand. It’s not even like the lad’s a good lay.

He’s heard many stories of women tolerating absolutely atrocious behavior from the muppets they were with because he knew how to make them see stars.

That is exceptionally not the case here. And John is rapidly finding his patience wearing thin at continually being subjugated to his pathetic performance.

So what the hell is it about the boyfriend that keeps his neighbor so enamored with him?

John stares at the ceiling, watching the blades of the fan turn as he tries to tune out the thumping of the headboard against the wall.

He thinks that if the man was just a bad lay and completely incapable of getting her anywhere, that would be one thing and John would continue to be frustrated but ultimately understand. But it’s the way he seems to actively ruin it anytime she has the audacity to enjoy having sex with him that truly grates on John’s nerves.

It’s not often, but even a blind squirrel finds a nut every now and then. The thumping of the headboard is accompanied by her sweet voice moaning lowly in short staccato notes as the boyfriend appears to finally be doing something right.

The thumping comes to a halt, and John groans in frustration.

“Why’d you stop?” He can hear his pretty neighbor lament through the thin walls.

“Why the fuck are you being so loud? Trying to give the neighbor a show?”

John squints his eyes and pinches the bridge of his nose in annoyance. The fucking muppet can’t do anything right.

If the neighbor was his, John wouldn’t give a fuck who heard. Let all the neighbors know that he could fuck the sense clear out of her pretty little head. John could show the muppet what loud is.

“No! I’m not trying to do anything- it just felt good,” she defends herself.

“Well, be quieter about it, no one needs to hear that. You sound like a whore,” the muppet snaps at her irritably, and John is nearly at his fucking limit when the god damn headboard starts to thump against the wall again.

“Get out.”

Oh.

John is impressed- pleasure and pride coursing through him as his sweet neighbor stands up for herself rather than letting that ungrateful swine continue to berate her.

Good fucking girl.

“What did you just say?” The thumping stops.

“You don’t get to call me names. Get off of me and get out.”

For all his sins, it seems even the muppet has a line he’s not willing to cross.

There’s a shifting as he presumably pulls out and gets off the bed- the words are muffled but the tone is clear. The muppet isn’t above laying into her verbally though consent is (smartly) a line he won’t toe.

And good thinking on his part- John would probably tear through the drywall and turn him into a chew toy had that conversation gone in any other direction.

The door slams loudly, announcing the boyfriend’s departure.

John can’t help but keep his attention on his neighbor to see what her reaction is going to be. It is taking every ounce of self control he has to not follow the boyfriend and wring his neck in the parking lot.

There’s no conventional guide for how to address this situation with your neighbor. ‘Hello, I’ve fancied you for quite some time and that ungrateful prick somehow swept you up before I got the nerve to ask you out. I've had to hear you have the most lackluster sex ever for the past several months, and equal parts want to check in on how you’re doing emotionally after his latest stunt, and also want to bend you over and pin you to the mattress until you’re squealing. May I come in?’

He can’t say he is too surprised to hear things slamming about in the apartment- his pretty neighbor sounding more pissed off than upset, catching snippets of “Who the fuck does he think he is, talking to me like that” and “Motherfucker couldn’t find my clit with a map and a headlamp but can find the audacity to call me names-”

Okay, John has to fight back the urge to laugh at that last one lest she hear him. She’s quite the viper when (finally) provoked, and it just endears her more to him.

She doesn’t appear particularly distraught, the slamming and huffing and muttering concluding with her tossing herself on the bed.

It’s a very common occurrence that after the neighbor’s rendezvous with her lazy boyfriend, John is treated to a show where she finishes herself off with her toys.

The boyfriend, like many inadequate men, is threatened by them and John has heard the snide remarks.

Hilarious, he finds it, that a man incapable of getting her off is so adamant that she gets rid of them.

She hasn’t listened, clearly, as the low sound of her vibrator can be heard through the wall.

John is soon graced with the sound of her panting moans. His cock stiffens in interest at her voice, which is a frequent occurrence. She makes such pretty noises, mewling and whimpering as she works herself up.

Tonight is a whirlwind of emotions for his pretty neighbor, and at the end of the day her no-good boyfriend left her high and dry.

John will gladly enjoy the consequences of the boyfriend’s actions, one hand wrapping around his cock and beginning to stroke in time with her whines.

What he wouldn’t give for a chance to make her see stars. He’d be so good to her.

The reality of his job makes dating a logistical nightmare, part of what stayed his hand for so long.

He’s not blind. His neighbor is kind and sweet with a killer smile and wandering eyes. He’s caught her more than once ogling him when he’s returned home in uniform, or more nondescript tactical clothing.

Feeling her gaze on him always makes him puff up with pride, enjoying holding her attention no matter how fleeting. If he takes his time after a run and makes a point to pull the hem of his shirt up to wipe at his brow where she can see it, that’s his business.

So John thinks he’s dreaming when he hears that lovely voice whimper his name from the other side of the wall.

He stiffens, quietly waiting to see if he hears it again.

“John- Oh, fuck- please,” is all he needs to hear before he’s well and truly lost any semblance of patience.

Only having the presence of mind to dress himself enough to not warrant any errant looks from the other neighbors, he is at her door in a second.

It’s only after he knocks that he realizes he may well have killed whatever momentum she’s built for herself- given her muttering as she approaches the door- but he fully intends to make up for the stolen release.

She opens the door without looking through the peephole, obviously expecting it to be the ex based on the vitriol poised to spill at John’s chest, approximately eye level with where the (hopefully ex) boyfriend would be.

Once again he has to stifle a laugh, finding her a comical vision when the anger on her face melts away as her eyes flick up to his face with the realization that it is him at the door and not the object of her ire.

“What are you doing here, John?” Christ, he’s always been a sucker for pretty doe eyes. If he held even an ounce less of restraint he’d be mounting her right here for everyone to see.

“I’m here to do what your sorry excuse of a boyfriend can’t.”

Even as he reaches out to pull her in for a kiss, he’s watching her body language- gauging if she stiffens or shifts away.

She doesn’t.

In fact, her arms loop behind him and pull him closer, tugging on his hair and his shirt.

John’s not wasting any more time than he already has, walking her backwards into the apartment and shutting the door with his foot before reaching back to lock it- he’s got no desire for any interruptions from wayward former boyfriends.

They separate for a moment as she paws at the hem of his shirt, clearly wanting it off of him. John is all too happy to oblige, preening under her attention. He’s always had the stockier build of a man who’s fitness came from utility in the field, opposed to the hard defined abs of someone who spends most of their time in the gym.

It’s cute, the way she has to pry her eyes up to his face- clearly liking what she sees and flustered by the fact that John can see her staring.

“I broke up with him,” she clarifies.

“Good,” is his simplistic response, although if John’s being honest with himself he doesn’t really care about the finer details. The little prick never deserved to have her and John finally has his chance to prove himself worthy.

“The bedroom’s this way,” she prompts between kisses.

Their clothes are peeled off in turns as they stumble towards the room. The layout is inverted to John’s own flat nextdoor, so despite having never stepped foot inside before he guides her to keep her from crashing into something behind her.

By the time they are collapsing against her bed, they’re stripped of everything except a scant thong on her and his own boxers.

She’s just so delightfully soft in his grip, John can’t keep his hands or his mouth off of her.

The feeling is reciprocated as she pushes up off the bed to grind against him. As much as he’s relishing in them dry humping and making out like teenagers, he’s wanted her for so long and now that she’s finally willing and pliant underneath him, he’s itching for a taste of her.

Kissing his way down her body- starting at her jaw, the column of her neck, across her collar bone, down her sternum; latching onto each nipple and teasing them to hardened peaks before continuing his path down.

He’s compelled by the urge to turn her into a chew toy as he reaches her belly, although he stifles that urge and keeps his teeth to himself.

He can’t quite resist giving a small nip as she squirms, clearly excited by the implication of where he’s heading.

There’s a damp spot on her underwear already as he kisses along the waistband while his hands tease with the elastic on either side of her hips.

The sound of her breath hitching in anticipation makes him smirk, attention drifting further south.

The fabric is in his way as he presses a kiss against her clothed cunt, gripping handfuls of her hips to keep her still as she bucks in his grasp.

“Easy, sweetheart- we’ve got all night,” he soothes before moving his attention up one thigh to the backside of her knee.

Those sweet thighs are splayed open for him, giving John unfettered access as he continues to tease.

“When’s this sweet cunt been eaten last, hm?”

He knows he’s heard her give that undeserving muppet head, but can’t recall any reciprocation occuring. There’s not much that can shock John at this point in his life, and he’s willing to roll the dice by dragging up her now-ex because he knows this poor thing hasn’t been eaten until she’s begging him off in ages.

“I couldn’t even begin to tell you,” she answers breathlessly, anticipating having her thighs twitching in his hold.

Out of the corner of his eye, John spies a torn condom wrapper that didn’t quite make it into the bin. Well that keeps him from having to ask two questions, then. Smart girl.

“What a shame,” he tsks lightly, peppering kisses back up and down her thigh.

Deciding that she’s waited long enough and he’s had his fun being a tease, John is quick to remove the scant lace and pull it off of her legs before tossing it to who-knows-where.

The sounds she makes as he makes a meal out of her is music to his ears. Each hitched moan and breathy whimper makes him stiffen in interest.

His attention shifts to focus on her clit, tongue circling the sensitive nub as his hands hold her hips in place.

As focused as he is on what’s right in front of him, it takes a moment for John to realize that she’s stifling her noises. One hand is fisting the sheets beneath her while the other is clamped across her lips.

Well. That simply won’t do.

The ex may have trained and shamed her into silence, but John didn’t make it as a military captain without learning how to break someone else’s bad habits.

He ignores her whimper of protest as he stops, one hand abandoning the softness of her hip in favor of grabbing her wrist and pulling her hand away from her mouth.

“None of that,” he admonishes gently, pressing a kiss to one thigh. “Let me hear you.”

“I-I’m too loud,” she protests and for a split second John sees red.

To his credit, he does not leave her wet and leaking on the bed to go bludgeon her ex to death with a blunt object.

“No such thing, sweetheart,” he soothes before having a thought to tease her. “Who are you worried is going to hear you?” He asks kindly, a shit eating grin as he speaks again, “the neighbor?”

Her wide eyed expression is thoroughly scandalized and John can’t fight the chuckle that escapes him.

He hasn’t released her wrist yet, deciding that it’s time to get back to his meal. If she abandons gripping the sheet with her free hand to cover her mouth again, he simply plans to hold both of her wrists.

It’s tentative at first, still not entirely trusting John at his word that he wants to hear her.

But John is all for positive reinforcement as a motivator, crooking his fingers to stroke that one spot that makes her see stars to encourage more from her.

She’s a quick study, although when she releases the sheet John is watching her like a hawk.

Rather than clasping over her mouth again, John is pleased when her fingers end up burying in his hair.

More than happy to let her guide him, John takes his cues from how she pulls at his hair. The feel of her thighs twitching as she breathes in staccato breaths is all the reward he needs.

“You’re getting close,” he says against her cunt, pointing out the obvious before getting back to work. She’s anxious, he thinks, the closer she gets to her climax. Poor girl doesn’t know what to do with herself with an orgasm she hasn’t had to put all the work into.

“D-don’t stop,” she stammers, rewarded immediately with John redoubling his efforts.

He’s not going to stop. Pretty thing like her deserves nothing less than laying on her back and enjoying getting her cunt eaten out.

“O-oh fuck,” is his only warning before she’s gushing on his face and John is like a kid on Christmas morning.

He doesn’t even know if she realizes she’s squirted, too caught up in the pleasure of her high.

He’s always thought it was hot- now that he knows his pretty neighbor is a squirter he is more than willing to get on his knees and pray to whoever is listening that this isn’t a one time event. He’ll do anything to get her to keep him.

Even as her high fades he doesn’t let up on her, continuing to work his middle and ring finger inside of her. All he wants is to see her cum- wants to see those eyes roll as she squeezes them shut in anticipation.

Despite pulling his face away from her wet pussy, he doesn’t leave her clit unattended for long before his thumb is gently circling in time with the thrusts of his fingers.

Kissing his way back up her body, John can’t help but be pleased as she pulls him in to make out with him. Snatched gasps and bucks of her hips grace his ears as he works her from orgasm to the next, the wet sound of his palm slapping against her.

“John Im gonna cum again,” she whimpers in warning.

He feels like a god with the way she stares up at him reverently, eyes wide and desperate for another climax.

“Come on,” he goads, “Show me- let me see your face when you cum.”

Christ if her leg twitches any harder it’s going to start vibrating, serving to only encourage him.

“O-oh,” she mewls, “God- don’t stop, don’t stop, don’t-“ she’s pleading with him like he wouldn’t sit at her feet if she asked him to.

The bewildered look on her face is darling, and John nearly finishes untouched; he's so wound up it’s not going to take much.

A few choice thoughts keep his own eminent climax at bay and buys him enough breathing room. She bucks and trembles in his hold, a high pitched squeal escaping her as he proves not only can he make her cum twice, but he can make her squirt like a faucet twice.

As soon as she’s starting to come down from her high she’s pulling at him, drawing up her knees to spread her legs in invitation.

“Greedy girl,” he teases as he kisses her- wet fingers abandoning her cunt in favor of manhandling her, wrapping her legs around his waist as he positions himself.

“Please, please, please-“ she begs so prettily for him, pleading for him to do exactly what he’s been fantasizing about for months.

He’s not a small man and mindful of that fact, but she’s well prepped and takes him easily. The desperate whimper that escapes her sears into John’s memory.

The buildup of everything finally gets to him as he wastes no time setting a steady pace.

“That’s it, sweetheart, just like that. Let me hear you,” he encourages as she cants her hips in time with his, whines of pleasure escaping her on each thrust.

“John, please,” she begs, eyebrows furrowing in pleasure as she watches where they’re joined.

“Eyes up here,” he instructs and Christ he almost loses it when her gaze flicks from between their bodies up to his face.

His hands find hers, fingers lacing together as he lowers his torso in order to kiss the ethereal creature underneath him.

She whimpers into his mouth, her sounds only encouraging John.

Everything about her is warm and inviting, from her soft skin to her warm cunt and the way she sings for him at every thrust.

Maneuvering them so he can grip both her wrists with one of his hands, the other immediately dives between their bodies to find her clit again.

His pretty neighbor has spent months not having an orgasm she didn’t give herself, and John is determined to prove to her that he can give her as many as she can handle.

“John I can’t cum again,” she pleads even as her thighs shake on either side of him.

“Yes you can,” he assures her. “One more time for me, yeah?”

Now, should she insist she’s done and satisfied then John would leave her clit alone and finish up their fun. As it is, though, she nods in acquiescence before the trembling in her thighs increases.

“Good girl,” he praises, fingers continuing their steady pace around her clit as she creeps closer to the edge.

She’s babbling in his ear as he presses a kiss to her temple and he knows she’s almost there.

“Good girl,” he praises again, a cocksure grin pulling at the corners of his lips at her immediate response.

“My good girl,” he ups the ante, testing her response to John staking a claim on her. And God did it ever work. That last little bit is all it takes to finally tip her over.

She clenches down on him like a vice and John immediately loses it, groaning low as the haze of his orgasm washes over him.

It’s everything he wants- she’s everything he wants as he recovers enough from his climax to finally notice that the bed is an utter mess beneath them.

It’s not his immediate concern however, more interested in soothing her through the come down of her high. She’s shivering underneath him, eyes glossy from the intensity of her last orgasm.

“Easy, sweetheart,” he murmurs reassuringly. “Just breathe for me.”

He gathers her up in his arms, listening as her heartbeat relaxes in time with his own.

Eventually when enough time passes she’s more alert and happily snuggling against his chest. After giving her a chance to rest he herds her along to the bathroom so she doesn’t give herself a UTI. She tries to brush him off but her legs are taking their sweet time cooperating again.

Of course, she’s not exactly a recruit taking a piss test so he gives her her privacy and she’s able to return on her own albeit on shaky legs.

John pets at her head idly, attention drifting in post coital bliss as his hand strokes down along her back.

“I can’t believe you’re actually in my bed,” she giggles deliriously after a stretch of quiet.

“Only reason I wasn’t here sooner was because of that muppet,” he assures her. He doesn’t want her thinking that this is a one time thing for him. He’s wanted her for so long he can’t possibly be expected to turn her loose at the end of the night.

“I only dated him because I didn’t think you liked me,” she scoffs at herself.

“Oh, it was nearly the first moment I laid eyes on you. But with my work I kept talking myself out of doing anything,” he tells her. “Kept telling myself you deserve better. And then you brought the muppet home and kept him around,” John grouses good naturedly at her. “Think they say the definition of insanity is doing the same thing over and over again and expecting a different result.”

“I plead temporary insanity,” she jokes, snuggling closer against his chest. “But I got rid of him. And you finally made your move.”

He hums in agreement, sleep pulling at him now that he has her tucked up against his side.

John doesn’t remember falling asleep but he wakes with a jolt to the sound of pounding on her door.

He’s only been out for an hour or so when he checks the clock on the nightstand, his neighbor sprawled out next to him.

Well, now he knows she snores. The sound is light enough to have never heard it through the wall, but curled up next to him she’s like a cat purring loudly in his ear.

And he’s exceptionally pissed right off at the fact someone has woken him up. Especially considering he has one guess who it is.

He fully debates answering the door buck ass naked to teach the prick a lesson about banging on doors after midnight but settles on tossing his joggers on.

Much like when she opened the door for John, the ex is automatically trained at where her head would be rather than looking at John’s face.

“My eyes are here,” he quips sarcastically. “Why the fuck are you banging on the door this late.”

“Why th-“ the ex starts to parrot back before cutting himself off. “Why the fuck are you in her apartment? Why isn’t she answering?”

“She’s asleep,” John answers simply. There’s no obligation to explain the why and how he ended up in her apartment.

“What the fuck do you mean she’s asleep? How is she asleep after she just dumped me? And why the fuck are you here?”

The boyfriend (the ex boyfriend, he thinks with glee) is either oblivious or…

Well. The ex boyfriend is oblivious. Let’s just keep it at that.

“I’m here because you can’t do your job right. She’s asleep because I can. What part of that is confusing?”

“That stupid slag’s been fucking you behind my back-“

“No.” John is somewhat mindful of not giving a full on “screaming at recruits” bellow, but his voice booms into the corridor outside the apartment anyway. “You watch your fucking mouth. This” John gestures vaguely at his own presence in her flat, “just happened after she dumped you. You don’t get to hurl insults.”

“She hopped off of my cock and straight to yours- what the fuck else is it?”

“You couldn’t get her off,” John hisses in annoyance. “I’ve had front row seats to your shitty little performance more than once. Not 5 minutes after you leave and she’s having to handle it herself.”

“I can’t be expected to compete with a fucking vibrator!”

“Well I sure as shit didn’t need one to get the job done. Poor girl could barely get her legs to work to go to the loo and not give herself a UTI. Your skill issues are what started all of this.”

“You know what? Fucking have her. I don’t need this shit.”

Ah yes, because John needs the ex’s permission to date a newly single woman. Absolutely. That’s entirely how that works.

“Never needed your blessing. Now fuck off. I’m trying to sleep.”

The ex responds with a two finger salute as he spins on his heel and storms off.

John is almost tempted to grab him by the back of his neck and turn him into a chew toy. Given his military career, his patience for muppets giving him attitude is virtually nonexistent.

But the siren call of his pretty neighbor is a stronger pull than the muppet can ever hope to achieve. John’s succeeded in his mission to run the prick off, and he’s going to try to get a few more hours of sleep before seeing if she’s interested in another romp in the morning when she wakes up.

The bedroom is dark and poorly lit but John immediately picks up on the silence.

Rather than being sprawled out and snoring like when he left her, she’s quiet and curled into a ball.

She’s awake.

“Sweetheart?” He calls softly.

She jolts, fabric rustling from the sheets falling off her as she sits up.

“You’re still here,” the surprise in her tone cuts, although he knows she didn’t mean for it to.

She seems to realize how that comes across and clarifies further, “I- I heard the door shut.”

It falls into place for him then- she woke up to the sound of the door and John nowhere to be found. She thought he’d left.

“Oh, sweetheart,” he consoles, making his way back to the bed. “You’re not getting rid of me that easily,” he assures her while gathering her back into his arms.

Sleep comes back readily once the two of them are situated back in the bed.

Come morning, John’s got the patience and the presence of mind to throw a towel on the bed. He finds out for himself that his neighbor makes the prettiest noises with her arse propped up in the air and her face still buried in her pillow.

He can’t help but laugh later when she texts him that one of the neighbors made a noise complaint.

Age in bio/pinned or I will block you ♡

[getyinyusedtoit]

thinking about xie lian getting asked to stop dropping random facts, quotes, recipes, etc into the communication array by the heavenly officials because they find him annoying, meanwhile hua cheng is not only enraptured by everything xie lian has to say but he has his own 800+ years of random knowledge and trivia stored up and prepared to randomly share back.

[aroaceleovaldez]

mildly entertaining pjo fandom curse (mostly in that you can make games out of it):

everybody draws Piper showing skin. half the time Shel as well. literally almost EVERYBODY. go look at Piper fanart. is she wearing a crop top? i bet she is. or if she's wearing a dress hers is gonna be one of the most revealing. bonus points if they gave her a belly button piercing. and it's almost always only Piper and/or Shel. i thought we had a whole discussion about sexualizing young indigenous girls back in like 2021 but i guess nobody processed that part cause pjo fandom acts like if they dont have Piper show her stomach or have her shirt ride up they'll die.

the curse is that you will never unsee this. have fun with that.

[peace-hunter]

While in battle what do the primes mostly do? Just sit N watch

yeah kinda!

unfortunately they're very limited on what they can actually do beyond giving some advice when required, which is a source of frustration for everyone involved. being forced to stand on the sidelines without being able to physically help out rapidly becomes one of their least favorite things about being bound to the matrix.

the first time Optimus gets badly hurt during battle and they realize there's absolutely nothing they can do about it is,,, Rough.

they do get to become Optimus' second (thirteenth?) pair of eyes though. literally nothing happens around him without them seeing it. he very quickly gets a reputation for having crazy reflexes and it's really hard to catch him off-guard but it's because he has thirteen ghosts following him around at all times and they're hyper-aware of anything that gets close to OP.

there's a learning curve of how much they can chime in during battle without distracting OP and making things worse, but they get the hang of it eventually. and OP learns to trust them implicitly too, following their warnings with no hesitation, which saves his life more times than he can count.

it is a little freaky for everyone around him, but they kinda get used to it. things are already so goddamn weird around here anyway.

[castingpods]

Listening to stuff from the audio drama renaissance is so funny. why were there only like 5 voice actors and how were they all in each others shows

[crossbackpoke-check]

blessed be (lorscher bienensegen) | telling the bees (wiþ ymbe)

"Bees" [remixed, abridged], Claudia Emerson // "Letter to Someone Living Fifty Years from Now" [remixed. abridged], Matthew Olzmann // "Letter to my Great, Great Grandchild" [remixed, abridged], J.P. Grasser | Len Redkole, Nina Weiss, Brian Babineau, Christian Peterson, Mitchell Leff, Dave Isaac, Megan DeRuchie

[ruegarding]

for context, @rosabell14 is referring to tags on this post.

ok we're going off-road w this one

generally speaking, i like the concept of "some things aren't meant to be controlled," which annabeth says to percy after he controls the poison. this is said and then immediately forgotten abt, however, this could be another angle of change, a reoccurring theme in hoo, as well as a continued theme from pjo.

obviously, from pjo, the change is addressed w the myths, the theme of yielding, and w the conclusion of the story:

hoo continues this concept of change w the percy-jason switch, the greek-roman conflict, the idea of what an identity is and how to change it, etc. there's a lot of individual character work w this idea, but there's less of a mythological concept attached to it. gaea is a static and flatly written antagonist, octavian becomes incredibly flat as a character and his development into this sort of fanatical antagonist that is never explored, there's a lot of teeth-gritting abt how the gods are gods and they never change and everyone just has to accept it, the myths aren't challenged in the same way they were in pjo, etc. there's a few major exceptions, i'll get to that.

this is a glaring issue i have w hoo. it wouldn't be as bad as a standalone, but hoo makes the entirety of the previous series meaningless. in tlo, percy asks for kids to get claimed and be trained so when (or if) they have to go on dangerous quests/fight monsters/etc they're both older and more experienced. this is the conclusion to the war and how the status quo is changed (disability accommodations expanded to reach more ppl and work more effectively).

hoo, however, does not do this. camp jupiter infamously has a child army while the adults are retired, all of the new characters are younger than percy (who is still 16), and only two of them have spent a long period of time training, although hazel's isn't formal/in a camp (and piper doesn't even learn how to fight until book four ffs). this sort of immediately bastardizes pjo in a way that is never acknowledge by the series and makes it, and anything after it, a failure as a continuation of pjo.

and that's where this theme could've come in. when bob is remembering who he is, him and percy have this back-and-forth abt identity. percy relates to bob bc he, too, just had his memory erased and that vulnerability exploited (annabeth's perspective in this conversation is very different bc she doesn't have this same experience nor does she understand percy's feelings abt it. a good way to build tension using different povs, but, once again, doesn't get fully utilized). in the conclusion that conversation, there's an interesting moment:

this is that idea again, "some things aren't meant to be controlled," like fate, like identity. titans are meant to "be the same...forever." and here percy is, not only as the catalyst for change by throwing bob into the river lethe, but also by encouraging him to commit to this change once bob should know better. this was percy's role in the previous series, as well, where he constantly challenges the perspective of other characters to be more quote human unquote.

afterwards, annabeth has a similar moment w damasen:

i also think these are very funny to have side-by-side, just as character analysis, bc percy is very much both insecure and empathetic like u can choose ur future, it's up to u, etc, whereas annabeth is like i am right, listen to me.

anyway, both of these moments repeat the idea from pjo/tlo: immortals can't change. but they are changing. and they will change. the rules of the world are malleable (i also think hazel's monologue abt seeing the minotaur as a victim would be another aspect of this to explore). what abt traditions? what abt camp jupiter's child army? how should these change? going back to the og thought, tho, what shouldn't change? what are the "some things" that aren't meant to be controlled? how do you balance traditions and reform (great opportunity to use octavian btw!)? why can't a god be human, act human? why are the ancient rules important? that's an important discussion to have if we're growing this universe.

i don't particularly like that hoo immediately reverts back w the premise of the story, like i was talking abt earlier, nor do i think these characters were introduced or used well in canon, but using these characters, these moments, these conversations, rick could've salvaged this mess by embracing change isn't a static thing. he doesn't, tho, so it's all lost potential.

separately, something i've always liked abt the akhlys fight is that percy wins the literal, physical fight against her, but loses the metaphorical fight. he gets to walk away, but he walks away miserable. and this is bc the gods aren't ppl, they're physical representations of concepts. and percy has this thought abt tartarus and gaea while in tartarus, and i believe it's brought up in boo, but it's barely relevant. it's something i wish was explored more.

now onto specific characters. i talk abt my general idea here, ie this moment in tartarus is forcing percy and annabeth to confront their worst-case scenarios.

for annabeth, i've repeatedly gone on record to say i hate the way annabeth is written in hoo, here is an example, ie her fatal flaw does not come thru in her character (i also think she and percy switched characterizations from pjo to hoo, but...). separate issue is that annabeth's character revolves around percy a lot. so there are two issues i would focus on, largely bc she's not written well and doesn't have established unique conflicts. like,

this is a big revelation at the end of hoh, that she has to "step back" and she can't "protect everyone she love[s]." except it doesn't make any sense. tlo ended w annabeth telling percy to give luke her knife which luke uses to kill himself. not to mention, thalia's sacrifice on hbh. ALSO. percy accepting the prophecy and "taking the brunt of the danger"! and finally. annabeth has been at camp for 7-8 years. 1) she should have relationships w these ppl and 2) she should care that some of the ogs died in the previous war (which would also require rick to figure out who died lol). but the point is, this isn't a new conflict for annabeth!

the thought she had in moa abt having to accept she's not always the best person for the job:

this is not built up nor is it delivered on, but would be interesting, given that she demanded to be on the quest and if there was an actual power struggle instead of writing her as the de facto leader. this would be a better conflict than accepting that "she couldn't protect everyone she loved" when she has historically not been able to protect everyone she loved.

anyway, back on topic.

first, this moment exists to challenge her perception of percy, which is important to challenge bc she quite frankly has an unhealthy attachment to him. other ppl have said this better than i, so here's a post abt codependency and p*rcabeth and here's another one i rbed a while ago.

tldr; rick treats annabeth's abandonment issues/possessiveness/codependency as like. cute, peak romance. and he's been doing this since pjo, right, like annabeth's abandonment issues and possessiveness didn't matter when it was thalia joining the hunters,—bc there's no romance trope here w thalia—but gods forbid percy speak to rachel.

and this doesn't change in hoo. in fact, it's worse. like,

i'm going to [statement redacted] rick for this. what part of this is cute??? i'm killing it with fire.

so anyway, i want to treat annabeth's possessiveness/etc as an actual, consistent, character flaw, that she can grow out of, even. maybe even connect it to her hubris or her rsd. explore her feelings abt luke now that we have her pov to do it in. the fallout from this moment w akhlys is a great way to begin delving into that bc it's a shocking moment for her.

second, and going back to the theme of change, annabeth is different from percy in the sense that she has a different relationship to the gods than him (which i'm comparing bc i think rick (and fandom) has a hard time giving these two consistent and separate personalities/beliefs post pjo). the two times she has rebelled against the gods directly were bc of percy's influence (again, this is percy's role in pjo), 1) in the zoo truck, a scene that only takes place bc percy challenged her view of the poseidon-athena rivalry and their place in it, and 2) w hera where the first words out of annabeth's mouth are literally "percy is right."

i find this interesting especially bc her fatal flaw is hubris, which is common in mythology and frequently ends up fatal bc ppl challenge the gods. so, annabeth using the gods and these stories to keep her hubris in check makes complete sense.

and it seems like this is the same approach she's using w percy:

percy is directly challenging a god for power, and more than that, he's challenging a domain he's not supposed to have control of at all.

very interesting! does not get explored. such is common for hoo.

for percy, this scene is part of a long-running conversation of his powers (which is a huge part of his disability coding!!!!!). and it doesn't go anywhere.

percy has established anger issues and implied emotional dysregulation. this has been a thing since the beginning, literally chapter one of tlt! punishing percy for this when he's clearly not getting the support he needs is. a choice. also there's the issue that hoo kinda. erases this aspect of percy's character until the confrontation w akhlys, which is a separate but related issue.

there really should've been more buildup to this outburst (eg: in son percy punches a shelf in the library and immediately feels guilty bc he scares frank and hazel. percy is in an incredibly stressful situation; this should've happened more), but that would mean rick would treat it and the disability conversation seriously (which falls flat after son) and do less teeth-gritting abt the whole gods thing.

so, to go back on my "using the different povs to build tension was wildly underutilized" train, a featured part of almost everyone's pov is that percy is very kind, and gentle, and forgiving. i discuss a moment w frank being impressed w percy's selflessness here and he also says that he would follow percy anywhere, jason says percy is "a nice guy" after like 2 days, nico has his whole thing, hazel says "percy was a child of poseidon’s better nature," going on to describe him as gentle, etc.

and all of this praise goes nowhere and kinda just becomes percy is so awesome...and then turns into everything is percy's fault in boo...it's bad writing.

but it's an interesting opportunity to play w perspective. percy in pjo is dehumanized in that he is both villainized and idolized, and obviously hoo is continuing the trend w idolization. rick sets up a great plotline w this in moa:

and this doesn't go anywhere bc apparently percy's problem is that he needs to learn to step back. which. part of this is bc rick recycled plotlines from percy and gave them to other characters, which means that percy cannot be in character anymore without making themlook bad (the recycled plotlines i'm talking abt are the idolization, imposter syndrome, wanting to step back but constantly pushed into the spotlight, being seen as different/elevated status bc of ur parentage, struggling to connect to who your parent is, even the dehumanization as a weapon is straight out of percy's writing in pjo). this is a big problem w hoo in general ie characters becoming ooc by necessity (see: bad writing). the other part to blame is that rick is literally trying to redo tlo what w the whole "you are not the hero." it's all the same from pjo except written worse. it's a running theme of hoo (and a bonus). bad writing all the way down!

ANYWAY. so pjo ends w percy at an elevated status bc he 1) survived an unsurvivable prophecy, 2) was offered godhood, and 3) turned down godhood to improve the lives of the demigods while all the demigods watched. and he has the curse of achilles but. we all know how that went. the point is, all of this puts percy on a pedestal. i like to think it's the biggest reason hera kidnapped percy: if he said no, if he refused, she would've lost the support of almost all the demigods at chb (also the metaphor for the audience lol). i think making percy go on the quest, or at least to new rome, is the only good bit of world building rick did between books.

the problem is, rick is kinda all over the place w how percy is perceived and misses both the point of percy's character (callback to what i said abt his disability) and the world building of the previous series (what happened to power-scaling, narrative consequence, etc fr). that's what creates the flip-flopping "percy is perfect" and "everything is percy's fault," and neither are particularly good reads.

going back to annabeth, i don't think she's an exception in idolizing percy. she has no reason to see percy's vindictive side bc he works hard to hide it. even w crusty, annabeth is preoccupied. annabeth is smart, she's not omniscient. instead, there's the famous "percy is too nice" from som. i also like to think this is why she keeps trying to talk to percy abt luke as if luke is a good person who didn't try to kill percy. she doesn't understand that percy would hate luke for betraying him bc why would he? percy is a good person.

(for the record, i think the exceptions are: 1) grover, who chooses not to bring it up w the exception of his nemesis comment in tlt, 2) rachel, who made a painting where percy's "expression in the picture was fierce—disturbing, even—so it was hard to tell if I was the good guy or the bad guy" and simply said that's how he looked, and 3) arguably nico—considering percy has attacked him before—but i do think "very [dangerous]. to his enemies." does a good job of capturing that, it just doesn't go anywhere).

so, to condense all of this, ppl are idolizing percy in terms of both strength and morals and percy feels stifled by this knowing that he is not as strong or good as ppl think (and also by the fault that he was demonized prior and has corresponding low self-esteem bc of that lol). keep this in mind, i'm changing the topic.

in botl, percy's torture scene is used primarily to set up how powerful he is. he can cause an eruption that necessitates the evacuation of thousands of ppl and wake the biggest threat in greek mythos, but he would never know that if he wasn't back into a corner. bc that's not who he is. he shies away from power and titles. he wins his fights w strategy and very rarely relies on his powers to overpower his opponents.

just to clarify, i categorize percy's powers in two sorts of ways: involuntary and voluntary. involuntary is like speaking to sea creatures, healing in water, things that don't require a lot of energy/effort/focus. he's not scared of this. he's wary of the voluntary, powerful explosions, the things that set him apart from his peers. that's what i'm referring to in this section.

so, percy has to come to terms w the fact that he 1) blew up a mountain, 2) survived blowing up a mountain, and 3) woke typhon. and what does he say immediately after that?

he immediately deflects! he wasn't in control, it wasn't him that's powerful, it was an accident, and besides, he can't do it again bc he almost died. and what's even more interesting is the only time he uses his powers after this (in botl) is when grover asks him to stop the fire in the woods.

so, what lesson did percy actually take from mt saint helens? that he's dangerous. very interesting to use this teaching moment and have the protagonist come to the quote wrong unquote conclusion.

in hoh, we don't have a purpose for the torture scene. there's no significance to confronting how powerful percy is. percy is not addressing his self-sacrificing tendencies nor his propensity for bottling his emotions up. there's no questioning of p*rcabeth's relationship. there's no questioning of the gods. it's a cool scene w no narrative purpose.

so, take two. what is percy supposed to be learning from akhlys? how do we relate this to percy taking the wrong lesson from mt st helens?

at the end of botl, nico comes up w the river styx plan and percy takes almost a full year to agree to it. how much further ahead in the war would they have been if percy had accepted the curse sooner? how many fights could percy have won faster if he used his powers? if he trained his powers? if he trusted his powers?

there's a really interesting comparison w phorcys and akhyls where percy doesn't attempt to fight phorcys bc he assumes he won't be able to overpower him,

but w akhyls he tries anyway,

bc he's backed against a corner. and he succeeds.

percy is a character who very much embodies duality. i've talked abt this before wrt his loyalty being both his greatest strength and greatest weakness and how it clashes w his desire for freedom, but it's true for almost every trait. he's honest and manipulative. he's ruthless and merciful. he's kind and violent. he's looked up to and looked down upon. he's the saint and the scapegoat. etc etc. and percy responds to this by frequently trying to deny his quote worse unquote traits until they eventually bubble up and explode out of him. this is part of why juno calls him a loose-canon (which btw, i love. everyone has been treating him as a loose canon and no one on this side has the balls to say it until then, seven books in).

all this to say, *ethan voice* it's abt balance! this moment should've been abt percy confronting his unfair treatment! the idolization from his peers! the demonization of his flaws/disability!

thanks for coming to my tedtalk.

[cowboylu]

Call me crazy but I’m watching gladiator and thinking about Abby either being a gladiator or being on gladiator

[everyones-least-favorite-bard]

false idol

[im-tired1124]

It’s crispy leaf season gamers!!!

I really want to do the Castoff fanart marathon challenge, but I kept putting it off because A: I have my own Webcomic to work on, B: I have schoolwork I need to focus on, and C: I have far too many art projects that I desperately need to finish. Unfortunately, for my horrible time management skills, I made a little drawing of Frankie in my sketchbook in a very pretty dress while I was bored in a movie theater, and it was a sketch that I liked very much. However, once I threw on the lineart and colors, I realize that I did not have the proper combination of T.J. Maxx clearance section alcohol markers to color and Frankie skin, and the poor fellow end ended up looking like crispy fried Oompa Loompa, so I thought, “Hey, why don’t I just remake this on digital?” And I created the most time-sparing art peice that I have concocted in what feels like years. As for my previous mention of the Castoff fanart marathon, I did desperately want to do it, however, the reason why decided that I couldn’t because I could not decide who my favorite character was, however seeing how Frankie been included in the most art pieces out of all of them (18-19) and he’s probably the one I talk to my friends about the most, I suppose I shall submit this little doodle as my first addition to the challenge.

[quigzahhutt]

Jasonnnnnn, can I ask for Hand/Fingers kink with gewis🥺🥺

oh my goodness, YES! i am a man of my word, your wish is my command. tender hand/finger kink and a mild praise kink bcuz its george and lewis like. the praise is a given with these two

babys first gewis fic omg!! a milestone...

George is familiar with obsession. He knows what it's like to be so enraptured with something that it begins taking over every aspect of your life.

He's been there before; overly invested in a project- perfecting a turn, ensuring his weight stays at the exact half kilo necessary. Sometimes it's harmful, and other times it's just... Distracting.

This time is one of those times.

Lewis is sitting across from him, placing a bulky hand against George's knee as he leans in and invades his space in order to show him something on his iPad. George is ashamed to say he isn't paying attention to anything Lewis is saying, too distracted by the shift of each individual muscle as his fingers move across the screen.

As soon as Lewis begins tapering off, George wordlessly maneuvers Lewis' hand until it's lying palm-down in his lap, and he hardly notices the way his own mouth is hanging open, breaths being dragged raggedly through teeth as George follows the lines of Lewis' fingers with his eyes. He can't believe how much he wants to have his mouth on them.

He feels like a hound, catching the scent of a rabbit in the bush; hardwired to find it, track it down with the hard commands of his owner echoing heavily in his ears, a rifle shot not far behind. It's life or death whether he finds the catch.

Lewis has just been watching this whole time, mild bemusement visible in George's periphery, cocooned in a layer of something tender and patient.

George drags Lewis' hands up to his mouth next, and he can feel a short moment of struggle as Lewis startles, his muscles lurching for a brief moment before realization sets in and his fingers go lax in George's grip.

George doesn't know what he's doing; his brain is filled to the brim in fog, all of his rational thoughts drowned out by a vicious, needy desire.

His teeth are out before he even realizes, dragging along the soft flesh on the back of Lewis' hand, getting caught on the skin of his knuckles where it bunches and folds around the joint.

There's a quiet, hitching breath somewhere in front of him, almost like Lewis is afraid of being hurt, and George nearly throws himself off of the couch– never in a million years would he dream of hurting Lewis, but the fact that he's flinching away like he thought he might? It almost makes George want to cry.

He pulls Lewis' hand away, then, his brows furrowing in guilt; but before George can even eke out an apology, Lewis is shifting, moving so his unoccupied hand can cup George's jaw, maneuvering him so they're looking eye to eye.

"Keep going, sweetheart, it's okay," Lewis says, and his voice is so overt, soft like a distant memory, and George can feel himself split open at the tone, vulnerable like a freshly sutured wound.

His hands are shaking when he eventually pulls Lewis' fingers into his mouth, and a whimper is escaping his throat before he can stop it, a fragile sound that wavers when the blunt end of Lewis' nails bump the roof of his mouth.

Lewis then begins a slow thrusting motion, rocking his fingers further into George's mouth, the rough pads of his fingers dragging gratingly against his tongue.

His other hand never left George's jaw, and it eventually moves to cup the back of his head, carefully guiding his mouth against the intrusions, all while Lewis begins whispering soft praises.

It all becomes too much, too soft, too tender, nothing he deserves, and George's fingers tighten around Lewis' wrist, yanking his fingers out of his mouth with a rough tug and a harsh sob.

Lewis is immediately leaning in, silencing every breath with a slow kiss, a gentle hand burying itself in George's hair, tugging and petting in a calculated comforting motion, and George melts at the sensation; the mental image of Lewis' hand curling through each strand of hair purely mind melting.

Before he could say or do anything stupid, George pulls away from the kiss, scrambling to get Lewis' fingers back into his mouth, licking them up and reveling in the sensation of the digits between his lips, effectively silencing his mental clutter.

George then tugs Lewis' other hand out of where it had been buried in his hair, grasping it with his own hand, turning it around so he can dig the blunt end of his nail into Lewis' palm, tracing each wrinkle and crease with his thumb, reading it like a fortune.

George wishes he could feel and touch every inch of Lewis' hands, wishes he could trace the lines of his tattoos, wishes he could study the clunky joints of his fingers; wants, needs to do it all at once.

He must vocalize something, then, uttering out a noise he was unaware of, because Lewis soon chuckles.

"It's okay. You're doing so well, George. Treating me so well," Lewis coos, flexing his fingers in George's grip. The shift of each muscle is mind-numbing, something George wants to cradle in his chest, preserve in stone, never to be seen by anyone else ever again.

The praise makes him whimper; the idea that Lewis is enjoying himself, pleasured by George's bizarre behavior all the same even though he doesn't even know what he doing. It's a bit dizzying.

George changes his approach, after that, pulling the fingers out of his mouth, absolutely enchanted by the sight of his own saliva as it coats the surface of Lewis' dark skin, shiny and dirty and wet.

He tilts Lewis' hand down after that, placing a kiss on his knuckles like in the movies, when the bachelor kisses the back of a beautiful woman's hand in greeting. George can't help but think Lewis fits the role insanely well, gussied up and gorgeous, deserving nothing but the highest of treatment.

George then shapes his tongue to a point, laving over the back of Lewis' hands, tracing the lines of his tattoos over and over, memorizing each curve, treating it like a graph to be studied, something he'll be quizzed on at a later date.

Lewis starts shifting his other hand, adjusting it so that he can lace their fingers together, enveloping George's lanky hand with his own, bulkier one before bringing both their hands down to grind against George's groin.

The sound George makes is almost inhuman. He thinks he could stay here forever.

---

thank you san for the prompt omg i LOVED writing this and i hope it fulfilled ur every wish!!

[xxplastic-cubexx]

im forcing you all to look shady-car-salesman erik

[What If Magneto Had Formed The X-Men With Professor X?]

[hummingbird-games]

2023 In Review (Indie Games)

Last year's! | 2021

I apologize in advance for how long this might be. As a reminder, I don't bash games here so even if I hated something with every fiber of my being...I ain't sharing. As a second reminder, my more in depth reviews and live blogging has moved to Gem's Game Gems so I don't clutter the HBG's main blog. Okay. ON WITH THE REVIEW!!

DEMOS

Diffraction (Demo)- A rainy day otome indeed. I love the quiet gentleness of this game, the two romance options, and the fact that our MC is a photographer and struggling with her art and stack of life "failures" (because...SAME!!)

Alaris - I was asleep and now I am awake: I came late for the advertised fae and dragon lore, stayed seated and waiting for Fenir zjgjdf. Oh, and I guess the mystery surrounding our MC's abilities LOL.

The Summit Library - When I say I was maaaaaad when I realized I blew through chapter 1 and would have to go back to waiting for more content??? LOL, I was very miffed. Anyhoo, check out this title for the gorgeous art, another intriguing mystery (like what is *up* with the magic in the poor library?? who or what is to blame?? 👀) and of course the lovely characters we've been introduced to thus far.

Of Sense and Soul - I'm a regency romance girl. Like after you strip away the other stuff, I am but a poor woman with simple needs: a good ass love story 🤧💛 It's about the yearning and the slow burn and the will they/won't they/PLEASEEE they...I've never been so charmed by a demo, and the full game is going to be amazing I just know it!

Made Marion - This project is a game I've been keeping tabs on for a hot minute but hadn't taken the time to sit and properly enjoy the demo. I'M SO GLAD I DID!!! It's in early access now, so I'm hoping eventually I'll be able to carve out some time to play, but guysss Velvet Cupcake is doing the Thing?!? No idea which love interest I'll go for first, but I had a fun time meeting the Nottingham peeps in the demo.

Herotome (Super Demo) - Oh gosh. Oh gosh oh gosh oh my GOSHHH. Where do I even began?? (Really the question is where the hell do I end because this is one of those projects I talk about a lot/think about a lot and surprisingly haven't run out of things to say zkjfksjd). Another game I've been following for a while, it 100% lives up to the superhero genre in its aesthetic, the characters you interact with, the music and sound design, and of course the slowly unfurling story. Jade and Mia had come out as my top faves, Warden is still there, like hovering in the backgroud, shhhh but I have a special place in my heart for Griffin too (that conversation we have with her?? I have so many screenshots just so I can go back and reread and sear the words in my brain. Like a weirdo. Yup.)

Celestial Crowns - Stats building, celestial royalty, dating sim where you fuck around and find out your choices directly affect your MC's personality?? I'm sat. I supported the Kickstarter and now I try to practice patience for the full game's release siiiiiiiiiiiiiiiiiiiiiiiiiiiiiighh.

OTOME/JOSEI JAM

Please note this is a SUPER abridged list for my sanity and I fell a little more in love with these 2 jams with each entry I played...

Intertwine - As embarrassing as it sounds, I've never given much thought to the "red string" thing, and I consume more than enough romance media LOL!! But Van is suuuuuch a beautiful man, the UI for this game is so interactive and lovely, the music is ALSO lovely, just lovely-love all the way around teehee. (Also this game encourages replayabillity so like, do with that info what you will.)

Spring Boy [Demo] - I believe this game is going through a complete rehaul, so my thoughts and feelings refer to the original jam entry I played. The art is bright and cute and it's a super super short demo, but I was intrigued by the other student we meet on our mission to plead with our professor about our bombed exam lol!

Assignment Due: Project Blue - IRl group projects??? Suck absolute ass. Group projects with a guy name Asher?? Suddenly it's my new favorite thing in the world 😁

Cryptid Campaign Manager [DEMO] - Remember the last time I looked over a cryptid dating sim??? Remember how I was SUCH a fool?? Good thing I didn't make that mistake again!! The prologue is such a tease but you get an idea of what the full game is gonna be like, and I'm excited to see where my career involving love (and politics) goes!

Heart Cage [Demo] - Yoooooo I stay my ass far far far away from yanderes (could never get into the trope or the character type). WELP. Guess I just needed to keep searching because I really downloaded this off a whim--well, the whim being one of my fellow dev peers playing and rating-- and proceeded to get sucked in 🤧I thought being a detective would be the highlight, but I guuuueeesssss I was more into the romance options than I thought. Oops.

Evernight - I tried to explain what this game meant to me on the side blog, but words failed me. I still don't know what to say other than I loved it?? Which is like ummm I say I love everything, and yeah I'm easy to please BUT Y'ALLLLLL if you play no other game, play this one. Please. Date a werewolf. Or a vampire. Or a fae. Plz. Also figuring out the mystery of your MC's abilities and past is just delightful, ugh.

Bright Oak (demo) - Anotha one I wrote about on the side blog!!! Play this one!!! The writing is lush and atmospheric and the characters are all delightful and it's another game with a mystery to untangle!

The Faithfulness of the Universe- This one gets the award for most unique all around entry that I played. Theeeeee prettiest pixel art to bless my eyeballs, and this tasty mystery concerning Fate and witch Faustina's future (or lack thereof 👀) and what it all means. As a player I very much want to know what it all means!

A Cup For All Seasons - Another game that needs its flowers y'all. It's short but super healing and super cozy and the voice acting and music really tie the gaming experience together???

The Working Woman's Guide to Burning Bridges - DEMO - It's the way I played the demo twice and I've been thinking about it ever since 😭😭😭🙃 obviously life happens and things come up, plus this was a demo. But. BUT!!! I am on my hands and knees prayinnggg the team gets together again to finish the game. I love playing as a stressed, lowkey bitter hot mess who doesn't have her life together 😂somehow the fictional version is soooo much more entertaining!!!

Keyframes (Spring Demo) - After the game College Craze, this is legit THE college, slice of life visual novel of my dreams. I cannot wait for the updated demo next year, and the Kickstarter whenever that rolls around. And now that the developer is on Tumblr, I've definitely been stalking the account and reading each new post like it's my day/night/weekend job 🤧

Hello Counsel 💋 - Okay I take it back, Evernight is like a 20/10 but Hello Counsel is like an 100/10 👁️👄👁️ This game is necessary for my mental, emotional, physical, and spiritual health, alright? The banter ✅ the character designs ✅ the music ✅ the sizzling chemistry between Poise and Salem ✅ I wish this game had more buzz because IT'S SO GOOD!!! (also the dev, Miseri, is who I wanna be when I grow up. I've made it through almost their whole backlog of games and there are no misses and EVERY game is different from the rest and it makes it hard for a toodler dev--ME--to cope LOL)

Candied Hearts - Isekaied into a candy themed game?? Sign me TF UP!!! (Peppermint I love you dearly, you must understand.)

Fully Released & Played (at least 1 playthrough)

The Knight's Dilemma - I don't even know how I originally stumbled upon this??? I just know it had been in my backlog for a hot minute and I was intrigued enough to save it way back when. Y'ALL WHY DIDN'T I PLAY SOONER SKJFHFJFH! There's a couple different endings, I loved the voice direction, AND it's such a simple concept of a game that was just executed beautifully.

Trouble Comes Twice - If I had to make a top 5 list of romance VNs, guess who makes the list?? Guess. Guess guess guess. Have you guessed yet??? LOL! I have been in love with TCT since it's development days and with each passing month, waiting in anticipation, playing the Pateron beta builds, screaming on the main blog about every single thought I had about Jace and Hazel (shoutout to Jace for helping me figure out *me*) Lol if you're curious about said thoughts, those posts are on this blog and not the side blog.

Aelfric the Wondrous - 10/10 would love to forget my first play through JUST to have that experience fresh again 😭😭💛Cute and funny and a wonderful parody type game all around.

A Summer's End - Hong Kong 1986 - Goodness, there's no excuse for why this took me years to finish but anyhoo, I finished, I loved it, I recommend it! It's romantic and achingly authentic and the art is soooo gorgeous I literally can't stand it 😭

The Things You Do For Love - Unhinged yandere manages to entertain and garner sympathy and laughter from Gemini. And that poly ending is chef's kiss too????

Band Camp Boyfriend - There are a handful of games I found and loved before I began my game development journey, and this is one of them. BCB is so dear to me, because of the story and characters but also because of the Dynamic Duo creators and their team behind the scenes. I was never a band kid I was a chorus kid but just as the band geeks loved this game to pieces, us normal folks do too!! Even the boys who I didn't like I STILL managed to find joy in playing their routes (still have a few more to finish at the time of this posting lol, GOTTA GET THE FINAL ROUTE YO). Anyway, this game more than delivered for me and I hope more people keep discovering it!!

Belle Automata: Chronicle I [RELEASED] - While only Chronicle 1 is out at the time of this posting, I already know that the 2nd and 3rd parts are going to be just as amazing???? I wrote about this one on the side blog, so here's my copypaste that still rings true:  

I love TNP (The Nightmare Prince) but Victor’s route hit the sweet spot for me. Maybe it’s the slow(er) burn nature of this route, maybe it’s the reserved nature of Victor and watching him slowly start to care (AND NOT KNOW WHAT TO DO WITH THOSE FEELINGS TEEHEE) for me.

A Date with Death - I wrote about this on the side blog--again--. The demo. And then right after finishing a route. And then again where I was fully awake and still managed to sound deranged. No copypaste for that, I shall be nice. But yeah!! Another game where I was screaming at the sky about how much I love it and how I'll never know peace as long as I live.

Our Life: Baxter DLC - I need to offer an official apology to both Cove and Derek because falling head over heels, down the stairs, crashing into the parking lot, falling again but down a manhole for Baxter's infuriating ass was NOT on my 2023 bingo board??? HELLO???? I bought his DLC just to complete my OL collection. Was not expecting to love it this much. Was not expecting to be called to write fanfic and abandon all responsibilities to do this. WHILE DOWN WITH COVID TOO. Allow me to play the song of my people. *Send in the Clowns plays*

Our Cinderella - (this is so funny I'm taking about a side game before the main game LOLOLOLOL) Guys. Guysss. You guyyyysss 🥹if you're looking for a cozy, hilarious, equally oddly and wonderfully sweet short game, this is the one!! You may have your personal favorite Iggy ship (like me) but all the pairings are so amazing and just make sense lol!

Wylde Flowers - This is the only non visual novel game on here but it gets the spotlight because I did NOT spend 90+ hours on this game to gatekeep this beauty. No. It the coziest, the funniest, the funnest, the most addictive Switch game (after Teacup) I've ever played.

Fully Released (& still on 1st playthrough)

Garden of Seif: Chronicles of an Assassin - Life kicked my butt and then sat on me SO while I finally got my grubby hands on the full copy, I still have only played the entirety of the demo. But. We will return to this in 2024 and hopefully I'll have a full review for the next wrap up!

Our Wonderland - I looked back at the side blog and I can't believe it was only THIS year that I started OW??? Because I'd known of the game and the dev for longer than that??? So basically what I'm saying is that I was chicken shit for longer than I've been in love with this world that Developer Carrot has created kjzhhshggj. But OMG to get me, who is scared oh so easily to get hella invested in this clearly labeled horror game??????????????? And even with shit gets super absurd and hella disturbing, I cannot stop playing. At the time of this post, I'm only in Act 4, hence the category above, but it's only because I play each act in a sitting and lose track of space and time and myself. That's a compliment btw.

...

Okie!! That's 2023 in a nutshell! I played a looooot of really good games this year and while I would have liked to talk about them all, I think this list provides a nice overview.

Let me know if we share any favorites!

- Gemini 💛

[littleoddwriter]

one thing (of many) I really love about Trap is that every time Cooper escapes in the third act, you can see him do it before he actually does it.

when he escapes through the tunnel he built under his house into his neighbour's garden, we see him prepare to do that by cleaning out the closet, and then we hear his voice pretending to be SWAT to drive Lady Raven away from there, letting us know that he managed to escape the house this way before the police/FBI know.

when he escapes the limousine, we know he plans on using the Lady Raven merch to disguise himself because we see him look at the clothes, putting them in focus, and how he considers it. and then we also see him slip away into the crowd on the sidelines, so he can walk away when it's safe, as he pretends to be one of many people with a phone, filming the limousine and Lady Raven.

and when he stops to put Riley's bike upright on the lawn, at the very end, we see his arm move around the tyre in a way that indicates he's pulling something out of it, and we are later shown that the tyre is missing one of those wires that he uses to unlock the handcuffs.

every time he plans an escape and starts to prepare/execute it, we see him do it. thus, allowing the viewer to piece it together before it's revealed. of course, the same thing happens throughout the movie in general whenever Cooper tries to find a way to leave the concert venue without being detected; but since his escapes in that third act are actually more surprising/unexpected to some viewers, I wanted to highlight the way they're shown to be planned out and happening. and I appreciate those details so much because it fills gaps and makes sure that none of the escapes come out of the blue or are completely unexplainable. it's also just fun to notice all of that when re-watching the movie!

[a-bottle-of-tyelenol]

Action vs Inaction in regards to Eurylochus and Odysseus

This isn’t really that hot take of an analysis and I might just be corn-plating, but i don’t see many people taking about this aspect to their characters so I wanted to bring it up.

I think there’s something to be said about how Eurylochus and Odysseus don’t really disagree on a lot of things, it just appears as though they do because of the nature of their approaches. Odysseus very often either shuts Eurylochus down or he expresses a view that seems to differ to Eurylochus’, but if you boil each of these conflicts down to what they really are, all that’s happening is that they want the same end result, they just have differing perspectives on how to get there.

To Eurylochus, early saga Odysseus doesn’t act— which isn’t strictly true since it’s more accurate to say that Odysseus doesn’t react outside the times his guilt fuels his decisions, but it’s a perspective that Eurylochus has nonetheless. In Full Speed Ahead, Eurylochus proposes that they raid the village— action. Odysseus, while still agreeing to be on the offensive, takes the wait and see approach— inaction in the eyes of Eurylochus. In Remember Them, when more cyclops appear, Eurylochus wants to run— action. Odysseus, again, tells him to wait— inaction. Storm is probably one of the only times early on that this isn’t true strictly since Eurylochus is mostly just expressing his concern over the ships while Odysseus charges ahead (so it’s a conflict in that they’re focusing on different things, it’s just not one that I would count for this purpose), but the windbag is another case of Odysseus telling everyone to wait, to trust him, and Eurylochus acting based on what he thinks is right— I personally will always have the opinion that Eurylochus opened the bag either to settle the unease of the crew or on behalf of them (either because they asked him to or they were going to open it anyways and, as the second highest ranking member, Eurylochus took responsibility for it).

It doesn’t actually matter who was wrong or right— it’s impossible to actually tell in most of these situations. If they had raided the lotus eater village, would the effects be better or worse than being led to Polyphemus’ cave? If they had ran when the other cyclops’ showed up, would they have been caught or would they have been able to sneak away before Odysseus could shout his name? Even if Eurylochus was totally objectively wrong in every single one of these decisions, the part that matters is that he and Odysseus want the same thing thing— to make it home with as many people alive as possible.

Which leads to Puppeteer, a fascinating display of two men who have fundamentally agreed on something, and just have two different outlooks on how to approach it, suddenly flipping in terms of where they stand because of their guilt.

They are both reacting to what just happened. Eurylochus is reeling from the fact that it was majorly his doing that got everyone killed. He is someone that greatly prioritizes the lives of the crew and he had to watch like five hundred of them die to his actions. His response to that is wanting to leave the dozen or so men that were caught by Circe for the sake of saving the others— sacrifice the one to save the many. Odysseus, on the other hand, believes it was his inaction that got everyone killed. He wasn’t able to save Polites, he didn’t kill the cyclops, he couldn’t stop them from opening the bag or Poseidon from killing everyone EXCEPT the ones who opened it. So, unlike Eurylochus who doesn’t want to directly cause more harm, Odysseus feels like he’s obligated to save his men after everything his lack of action has caused. Eurylochus is suddenly the one vying for inaction and Odysseus is suddenly the one to call to action.

This is a big reason why Eurylochus is so upset in Mutiny— not only does he see this as Odysseus going against the very thing that he convinced Eurylochus was right, but it’s him defaulting to inaction again.

“When we fought the cyclops, you were quick to hatch a plan, and when we fought with Circe, it was you who left behind no man—“

Eurylochus is pointing out Odysseus’ action here, even if he disagreed with him or didn’t like what resulted of it.

To Eurylochus, someone that has been pushing for more action and sees himself as someone genuinely trying, he’d rather see Odysseus do something earnestly and it fail than see him intentionally do ‘nothing’ while others suffer and it succeeds— with the caveat being how you measure that success. Obviously, if success leads to a bunch of other issues (like Odysseus taking action in getting the windbag, only for it to sow distrust in the crew because Aeolus is playing tricks) then it isn’t much of a success, is it?

A lot of it is projection, obviously, with Eurylochus feeling hurt because he’s always done what he thought was right with major consequences (either in the form of Poseidon killing everyone or even him possibly interpreting Odysseus’ decision regarding Scylla as a personal punishment because he had Eurylochus be the one who chooses who dies— which gives even more layers to ‘if you want all the power, you must carry all the blame’ if you interpret power as the ability to disregard other people’s lives), while Odysseus gets to do something he feels is wrong and seemingly suffer nothing.

“But when we fought this monster, we didn't take a stand— we just ran. Say something!”

Eurylochus is calling to action— begging for it, really. They have, once again, switched on how they want to approach things. He needs an explanation for why Odysseus would, in his mind, suddenly change. It’s not like Odysseus told them about his monstrous revelations and how his priority is no longer getting as many people home alive as much as it is just getting himself there. To Eurylochus, nothing has changed between Circe and Thunder except Odysseus has now been taking action more than he has inaction. Killing the sirens is an action and it’s implied that he’s been running things this way since they left the Underworld, which we can estimate has been anywhere from a couple months ago to maybe half a year ago. For once, it feels like they’re on the same page since we can assume Eurylochus has gone back to his typical perspective of taking action— Circe’s island was likely a lapse of judgement and, even if it wasn’t, we can assume that Odysseus’ speech along with saving their men and giving them an avenue forward has led Eurylochus back to thinking that taking action is the right thing to do. To him, current Odysseus is the same as the Odysseus that confronted Circe— the one that valued lives and held on to the open arms philosophy a little too much.

I, personally, also think this is why Ares uses this as his argument in God Games— he sees Odysseus’ inaction throughout everything as cowardly and Scylla is just the best representation of that since it happened after a string of Odysseus taking action.

Anyways, I’ve never seen anyone specifically argue against the idea of Eurylochus’ arc being implied like this, but I have seen a lot of people call him a hypocrite without fully understanding why he’s taking these stances. Eurylochus has been acting throughout the entire show— his first appearance is him taking charge and asking Odysseus what they should do about the food issues. His only act of inaction (if you don’t count Storm) is on Circe’s island. That is, again, a lapse of judgment due to his guilt and fear, at most; it’s not a hard trait to base his entire character on.

Now, I know what you’re thinking— but what about Luck Runs Out? Isn’t that Eurylochus criticizing Odysseus for taking action here? Isn’t he asking for inaction? Doesn’t that completely negate this entire post?

And, admittedly, it does a little, but I touched on it a bit earlier with acknowledging how Eurylochus could see this as the exception, rather than the rule, because of how things turned out and I do have further argument for this. I think it’s important to remember that Eurylochus is still human. While he does prioritize action, he doesn’t have to adhere to that belief every single time. He has always been fairly reasonable and cautious so it would make sense that he falls to inaction when he’s unsure. The fact that he doesn’t more often, especially as compared to Odysseus, is really interesting and could possibly be a testament to who he was before the war (a kid in poverty, as mentioned by Jorge, who is maybe a little more prone to inaction and letting his life pass him by, only to meet the princess and take his first real action in pursuing her).

I also think that Eurylochus’ hesitation here had more to do with the fact that they just lost men, including Polites who was likely very close to Eurylochus as well, and is simply just him being uninterested in the possibility of losing even more. I mentioned before that Storm had an element of passiveness to it and I really think that Luck Runs Out is meant to continue this and be the lead up to Eurylochus’ own inaction in the Circe Saga. His arc, in that case, looks like this—

Eurylochus prioritizes action and disavows Odysseus’ inaction -> Eurylochus starts to withdraw because of loss and wants to prioritize people’s lives instead, which leads him to push Odysseus (who has been, reversely, pushed to action by Polites’ death) to his typical inaction -> Eurylochus sees that the action works (the bag gives them a way home) and tentatively returns to valuing action, which leads him to immediately be punished by opening the bag -> the loss is a hundred times worse than it was before and Eurylochus, therefore, decides that inaction actually was the correct way -> Eurylochus learns from Odysseus that this is wrong and taking action is correct as shown by Odysseus saving their men from Circe and getting them to the Underworld -> Eurylochus sees Odysseus’ decision with Scylla as him regressing back to something he thought they both agreed was bad -> Eurylochus feels betrayed, like he doesn’t know who Odysseus is, and leads the mutiny

When you look at things like this, everything else I said still makes sense. Luck Runs Out is Eurylochus promoting inaction due to the events with the cyclops and Puppeteer is Eurylochus actually committing inaction due to the events with Poseidon. Everything else remains true even with this aspect and it still doesn’t make him a hypocrite for criticizing Odysseus in Mutiny either.

Anyways, back to Puppeteer— I say this song/part of the story is fascinating not just because it’s the only time that Eurylochus falls to inaction, but also because it’s the only time we are explicitly told that Eurylochus and Odysseus do understand each other.

“Of course, I'd like to leave now, of course I'd like to run, but I can hardly sleep now knowing everything we've done.”

In literally any other context, Odysseus very likely would’ve agreed with Eurylochus and abandoned their men. It is only because of his guilt of Polites and the crew Poseidon killed that he’s sparked into taking action, instead of simply abandoning them. In that same vein, if it weren’t for that very same context, Eurylochus very likely would have agreed with Odysseus and only didn’t because they literally just lost everyone and he couldn’t handle losing any more. This is not a matter of being wrong or right or even being at fault for either of them because arguments can be made for both; it’s simply them reacting instead of wholly thinking things through the way they normally would.

Eurylochus would love to save their men, but he’s just watched what happens when you fuck with magic and he doesn’t want to risk things any more than he has. That isn’t him evading responsibility, it’s him trying not to make the same mistake again. I think the most telling lyric of Puppeteer for both of them is when Eurylochus asks, “What if she can’t be killed? Would you choose to stay?” and Odysseus responds with, “I don’t know.”

In the same way that Eurylochus is giving up and opting for what is essentially suicide in Mutiny with the cows, it feels like a similar thing is happening with Odysseus and these pigs. Eurylochus is begging Odysseus not to do something that he sees as certain death and Odysseus’ response is that he isn’t sure he would leave even if he knew for a fact it was certain death. Just like how Odysseus begged Eurylochus not to do something in Thunder and Eurylochus’ response was to ask, “How much longer must I push through doubt?”

The way that Eurylochus speedruns Odysseus’ arc in Ocean, this time doing it with Zeus in Thunder, has been talked about before but I really think it goes further than that. It isn’t just Eurylochus taking the role of captain, only to invoke the wrath of a god because of actions he took in the midst of grief. It’s the aftermath of that too— only, this time, Eurylochus faces the aftermath (the resignation to death after so much guilt and grief) and that’s what causes the god to arrive.

Mutiny is not meant to parallel Luck Runs Out, it parallels Puppeteer. Eurylochus’ arc and how it fools Odysseus is not meant to just be Ocean, it includes Circe too.

“There's no length I wouldn't go if it was you I had to save. I can only hope you'd do the same.”

“Don’t make me fight you, brother, you know you would do the same.”

They are so, so similar, but they fundamentally misunderstand each other. Like how much of the audience misinterprets these events, Eurylochus and Odysseus don’t even realize that they’re in the same boat, on the same path, going through the same arcs. Eurylochus finally sees Odysseus acting after two years of inaction and doesn’t understand why he goes back on it, and Odysseus sees Eurylochus finally support inaction one time and is convinced he wholly understands every other similar decision. The betrayal was so strong because, for a moment on Circe’s island, they did understand the perspective opposite to what they typically believe and they both came to the conclusion that the opposite perspective was a bad idea.

[hauntingblue]

making a collection

making another collection with a threatening aura