#takashi itoh
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サハリンと日本の戦後責任 高木健一 凱風社 装丁=平野甲賀、カバー写真=伊藤孝司
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#harmony#Project Itoh#Jamie Marchi#Monica Rial#Miyuki Sawashiro#Michael Arias#Takashi Nakamura#Reina Ueda#lgbtfilm#lgbt cinema#lgbtcinema#lgbt movie#lesbian film#lesbiancinema#lesbian movie#lesbian cinema#wlwfilmreviews#wlwfilm#wlw movie#wlw cinema#wlwcinema#sapphic film#sapphic cinema#sapphic movie#sapphiccinema#queer film#queer movie#queer cinema#queercinema
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Animation Night 173: Takashi Nakamura
Hi everyone! It's that time of the week again~
The day that puppets bite their gloves off.
Tonight on Animation Night we'll be taking a look at the works of Takashi Nakamura (中村 たかし).
Nakamura is a director who flies under the radar a bit over here, but for those who know him, he's a unique director - one who we've actually encountered a couple of times before, actually! He directed one of my favourite shorts in Robot Carnival [Animation Night 158] Chicken Man and Red Neck, in which the machinery of a city comes alive to have a violently strange Bosch-like party led by a strange red-robed robot, witnessed only by one salaryman on a moped...
...and if you remember when we looked into the three adaptations of Project Itoh's novels [Animation Night 127], he co-directed Harmony with Michael Arias, a powerfully understated film about a high tech biopower future and people who reject its utopia through a suicide pact. We also saw him in the Japan Animator Expo, with the charming Bubu & Bubulina...
But let's give a fuller story...
As an animator, Nakamura entered the industry very young, signing on as a colourist and inbetweener at Tatsunoko in 1974 - at which point he was only 16, an aspiring mangaka newly arrived in Tokyo. Working in Tatsunoko's distinctive 'industry within an industry', he was introduced to Hirokazu Ishino's 'Anidō' association, in which he was introduced to not just many important animators but also had the chance to see animation from around the world, from Norm McLaren to Japanese independent animators like Kenzō Masaoka. The two films that got him most excited were Takahata's Horus, Prince of the Sun [AN41] and Disney's Fantasia [AN15], both of which contained incredible flexes of effects animation.
(Incidentally, it makes me happy that a lot of the films Watzky mentions showing at Anidō showed up on here! Following in the footsteps of giants and all that.)
Once Nakamura got the animation bug he put aside his manga aspirations and became a key animator, going freelance a couple years later. In 1979 he saw Galaxy Express 999, and got to witness the insane 'liquid fire' effects of Kanada, and he instantly became a devotee - soon enough getting a chance to work with Kanada directly.
And by the early 80s Nakamura was definitely making a name, already working in animation direction and solo-animating entire episodes of Gold Lightan for Tatsunoko. The next couple of years he'd end up working on Nausicaa, Macross DYRL and the with Rintaro [AN53, 134] on Genma Taisen. By now he was specialising hard in effects (not unlike Anno!), and his work had become terrifyingly elaborate, look at this building collapsing into every single element or the clothes coming to the life under the power of a psychic. His work also inspired another incredibly significant animator to enter the industry - Kōji Morimoto, future cofounder of Studio 4°C - and they ended up working together on Genma Taisen.
Meanwhile on Nausicaa, Morimoto handled some of its most memorable scenes like the opening sequence where Nausicaa is pursued by the giant Ohmu. Once again you see his fascination with effects and debris, like the shot where the Ohmu explodes out of the forest, sending stalks flying in every directions. In Macross DYRL he animated the scenes of the gravity flipping sideways and a street's worth of stuff tumbling down all at once, elaborating on a scene by Itano from the TV show.
In short, if there's lots of bits of stuff flying around in a mid-80s movie, there's a good chance that Nakamura was involved somehow.
Such a focus made him a perfect fit for the 'realist school' developing in the late 80s - whyat you might loosely call the Otomo circle. You see his work on both Manie-Manie/Neo Tokyo and Robot Carnival, and naturally enough he ended up part of the team for Akira. Given what he'd already accomplished, could he somehow step it up another notch? You bet.
Going by sakugabooru comments, Nakamura's role in Akira was mainly related to two things: explosions, and animation direction. Considering how iconic the explosions in Akira are, and how challenging it was to animate Otomo's very solid and 3D designs... the success of the film depended a lot on Nakamura's insane drawing skills. Further, he was a kind of 'teacher' to the rest of the staff, such as Morimoto. But this was apparently the 'limit' for Nakamura, and after Akira he turned from creating animation for others.
And this point marks a major stylistic turn in Nakamura's work. Starting with the World Masterpiece Theatre adaptation of Peter Pan, on which he worked as character designer, he adopted a highly stripped-down, simplified style. With all the Akira goodwill, he was able to pull in many of the new stars of the 'realist' school, from Okiura to Ohira. But his work became a lot less flashy, focusing more on a Disney-like approach where it's about creating a consistent sense of life rather than individual flashy sequences.
The Hakkenden [AN 122] was one of his first chances to experiment with the new style as a director, with Episode 4 really kicking off the series' trend of completely redesigning the characters according to the sensibilities of each director. He also worked on the kinda obscure but gorgeous realist-school film Junkers Come Here [AN 118] as his own film debut, Catnapped!, progressed.
So Catnapped! This is a weird movie. Many people see a Disney influence in its style, and it definitely broke the 90s trend with a younger target audience - but Disney could never make a movie filled with as much imaginative strange shit as this one. Watzky points out how much Otomo influence there is in the direction - dense environments and elaborate multiplane shots, in contrast to simple character designs which afford a lot of movement. These designs allow great animators like Okiura [AN139] (who animated most of the finale) to really go to town. There's a great para in Watzky's article on the different directions taken by the 'realist' animators.
Catnapped is a pretty short film at less that 80 minutes, a revel of visual imagination; Nakamura's next film A Tree of Palme is just as distinctive but in a different direction. It's another take on the Pinocchio story [c.f. AN138], but a very 'dark, metaphysical' one, with its biggest inspirations apparently being French - Moebius and René Laloux [AN71, 93], with Mutsuo Koseki coming up with art direction capable of comparing to Laloux. The three year megaproject pulled in animator legends from across the board - Inoue, Ohashi, Ando, Masuo, Matsutake, Umetsu! (Count how many directed part of Robot Carnival).
The character designs of Palme look simple in stills, but once you see them in motion, they're anything but - incredibly volumetric and full of life and movement.
In the 2000s and 2010s, Nakamura ended up working with Colorido and 4C a lot (naturally enough given the connection with Morimoto!), increasingly making effective use of CG in his projects. This led up to The Portrait Studio (写真館 Shashinkan) (c.f. AniObsessive) in 2015 - an almost solo short film, with Nakamura writing, storyboarding, designing characters and doing all the key animation, which is a kind of slice through Japanese history through the lens of a photographer who just wants to figure out a way to get his client to smile.
Much like Palme, The Portrait Studio combines simple character designs (in a stylised picture-book look) with very precise, realist animation on 2s and 1s to lend them a sense of density and 'existence'. Moreover, unlike most anime, it uses the raw pencils as finished lines instead of redrawing them clean on a computer. The style might call to mind Otomo's Cannon Fodder, and in fact the two films share a colour designer. 3D is integrated with an unusual degree of skill and subtlety. It makes for a fascinating combination, a very memorable and impactful film for all its apparent simplicity.
So, that's our focus for tonight! We'll be watching Catnapped!, A Tree of Palme and The Portrait Studio, and getting to find out what the deal is with Nakamura - one of the Very Important Guys in the history of anime, influential on so many of my faves... but all too often overlooked by people who aren't like, huge animation nerds.
If that sounds fun, come join me at twitch.tv/canmom - going live in just a minute! I've been wanting to do Nakamura for ages, and today I finally found energy for a writeup. See you there~
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Sailor Moon Crystal has generally been a messy experience with being faithful to Naoko Takeuchi's original design. Sakou didn't deserve as much criticism though her design was flawed by design execution. Takahashi is generally ugly art with smooth animation. Tadano is barely close to resembling Takeuchi's art style and even then Crystal didn't need to look like the manga at that being the point in which Sailor Moon Crystal should've had its own distinct art style.
I agree with most except for distinct style. You could argue s3 is a distinct style (it doesnt follow the manga at all and its takashi's style at its most basic imo) and like you said it's ugly as hell.
Tadano's style is just the 90s style (which in s1 and R's case is pretty close to the manga, just with early 90s elements. thats what the 90s anime style is.) but way more cuter but like modern standard cute, so snub dot noses flatter colors ect.
I think Naokos style does deserve to be animated. Her style started this in the 1st place, and people do like it. Sailor Moon wouldnt be the same with a new distinct style as we saw with S3. The 90s anime is also in its own right close, just with style trends in 90s anime. Tadano took that old design (itohs specifically imo) and gave it modern ekemnts ie the snub noses and flatter textures.
There's just now like 40 styles under Naoko now compared to back in the 90s that you cant just Pick one and expect it to be accurate to a single page or art book. Also Naoko's style would be very unique against other cuter, snub nose, styles. why shouldn't it be animated?
the trick is striking a balance between her styles, choosing the right colors, and time in the industry. ..and maybe a dfferent studio but that wouldn't change much imo.
#crystal was a mess tbh yeah but hey toei got their money i guess#sorry if i rpeeat things im fighting tumblrs text post thing#it does not like my tablet at all but i refuse to use the mobile app lol
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It was just me and the six-legged goat in the back of the truck. The goat had been put together to army specs, so no pink was involved. Everything was drab olive, smoky, dirty—the colors of war. I had been told that the six-legger's control mechanism consisted of cultivated horse nerves specially trained for the environment. The original horse came from local stock, so they were used to the mountains, Uwe said.
"Harmony" by Project Itoh, 2008
In the marvellous science fiction novel "Harmony", Japanese author Project Itoh describes autonomous vehicles like airplanes or legged robots that have animal brain tissue in their control mechanisms, so that their computer systems have quick, almost intuitive access to information about how to use wings or legs. In 2008, when "harmony" was first published, this must have been a weird but fascinating thought. Bionics put to the extreme.
I first read "Harmony" in 2018, after watching the absolutely congenial anime adaptation by Michael Arias and Takashi Nakamura of Studio 4°C. And ever since this time I increasingly have to think about machine learning and artificial neural networks when I'm reminded of "harmony". And about how very clever Itoh's vision of the future was and still is.
No, the computers of the future won't need real brain tissue. But simulating the neural network of a goat to enable a mobile robot to climb some rocks? Pretty clever.
Pretty clever, Project Itoh.
#he's a genius#project itoh#keikaku itoh#harmony#project itoh harmony#book recommendations#science fiction#robotics#bionics#neural network#machine learning#schroed's thoughts
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More from:
Harmony (2015)
Click for Stephen’s review!
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My personal favorite Anime films.
The Wolf Children: Ame and Yuki. Directed by Mamoru Hosoda
The Wind Rises. Directed by Hayao Miyazaki
Akira. Directed by Katsuhiro Otomo
A Silent Voice. Directed by Naoko Yamada
Perfect Blue. Directed by Satoshi Kon
Nausicaä of the Valley of the Wind. Directed by Hayao Miyazaki
Jin Roh: The Wolf Brigade. Directed by Hiroyuki Okiura
Ghost in the Shell. Directed by Hiroyuki Oikura
The Project Itoh Trilogy. Directed by Shuko Murase, Michael Arias & Takashi Nakamura, and Ryoutarou Makihara.
Human Lost. Directed by Fuminori Kizaki.
#list#anime#anime movie#movies#animated movies#the wolf children#mamoru hosoda#the wind rises#nausicaa of the valley of the wind#hayao miyazaki#akira#katsuhiro otomo#a silent voice#naoko yamada#koe no katachi#perfect blue#satoshi kon#jin roh#ghost in the shell#hiroyuki okiura#project itoh#genocidal organ#the empire of corpses#harmony#shuko murase#human lost#fuminori kizaki#ryoutarou makihara#michael arias#takashi nakamura
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Wrestlequest: Tokyo
Hey everyone! I’m back from Japan. What a trip! I will post a bunch of stuff about it in a bit (still unpacking, jet lagged, etc), but as a baseline, here are the shows I attended while I was there, courtesy of Cagematch. I thought 10 shows was a lot, but I met a bunch of fans from overseas who were going to 20+. If it wasn’t clear before, it should be now: I am a fake wrestling fan. I might as well wear be wearing a Dolph Ziggler t-shirt and have a Twitter screen name like “WokenCloset316.”
Anyway, here’s the list:
December 28, 2019
DDT
“D-Ou Grand Prix 2020: The Final!”
Korakuen Hall
Taped for Abema TV
Attendance: 2,019
Chihiro Hashimoto and Yuki Ino defeat Keigo Nakamura and Keisuke Ishii
One Count Rule Gauntlet Match: Antonio Honda, Danshoku Dino, Hiroshi Yamato, Kazuki Hirata, Mad Paulie, Masahiro Takanashi, Mizuki Watase, Toru Owashi, Yoshihiko, vs. Makoto Oishi (Makoto Oishi wins)
Saki Akai defeats Sakura Hirota
Three-Way Tag Match: Nautilus (Naomi Yoshimura and Yuki Ueno) defeat ALL OUT (Akito and Shunma Katsumata) and DAMNATION (Nobuhiro Shimatani and Soma Takao)
Shinya Aoki defeats Super Sasadango Machine
Tag Match: Kazusada Higuchi and Yukio Sakaguchi defeat Bull James and Yukio Naya
Four Way Match: Konosuke Takeshita defeats Chris Brookes, Daisuke Sasaki, and HARASHIMA
D-Ou Grand Prix Final Match: Masato Tanaka defeats Tetsuya Endo
December 30, 2019
Gatoh Move
“GTMV #26″
Ichigaya Chocolate Square
Attendance: 77
Hagane Shinnou defeats Lulu Pencil
Chris Brookes defeats Mitsuru Konno
Six Man Tag Match: Antonio Honda, Baliyan Akki, and Mei Suruga defeat Masahiro Takanashi, Rin Rin, and TAMURA
December 30, 2019
Big Japan Wrestling: The World Is Not Enough Round 2
Korakuen Hall
Taped for Samurai TV
Attendance: 1,150
Six Man Tag Match: Kazuki Hashimoto, Shinobu, and Yuya Aoki defeat Koju Takeda, Kota Sekifuda, and Tatsuhiko Yoshino
Tag Team Match: Kazumi Kikuta and Ryuichi Kawakami defeat Kankuro Hoshino and Masaya Takahashi
Daisuke Sekimoto defeats Kosuke Sato
Six Man Tag Match: Daichi Hashimoto, Hideyoshi Kamitani, and Takuya Nomura defeat Freddie Krueger, Leatherface, and Raijin Yaguchi
Six Man Tag Match: Masashi Takeda, Takumi Tsukamoto, and Toshiyuki Sakuda defeat Koji Kanemoto, Shinjiro Otani, and Tatsuhito Takaiwa
Six Man Tag Match: Akira Hyodo, Yuji Hino, and Yuji Okabayashi defeat Hideki Suzuki, Takuho Kato, and Yasufumi Nakanoue
Six Man Tag Match: Strong Hearts (El Lindaman, Shigehiro Irie, and T-Hawk) defeat Abdullah Kobayashi, Yuko Miyamoto, and Masato Tanaka
January 1, 2020
YMZ Pro Wrestling
“The 7th Sunrise”
Basement Mon Star
Attendance: 120
Tag Team Match: Manami Katsu and Mari Manji defeat Eito and Kaji Tomato
Tag Team Match: ASUKA and Hagane Shinnou vs. Daiki Shimomura and Tsubasa Kuragaki (Time Limit Draw)
No English Allowed Match: Cherry defeats Kakeru Sekiguchi
Six Man Tag Match: Kuishinbo Kamen, Syuri, and Yuko Miyamoto defeat Daiki Shimomura, Hikaru Sato, and Kaori Yoneyama (w/Matsuzawa-san)
January 2, 2020
All Japan Pro Wrestling
“New Year Wars 2020, Day 1″
Korakuen Hall
Streamed live on AJPW.tv
Attendance: 1,445
Six Man Tag Match: Akira Francesco, Danny Jones, and Rising HAYATO defeat Atsuki Aoyagi, Dan Tamura, and Yusuke Okada
Six Man Tag Match: Fuminori Abe, Jake Lee, and Naoya Namura defeat Black Menso-re, Jun Akiyama, and Takao Omori
Six Man Tag Match: Masanobu Fuchi, TAJIRI, and The Great Sasuke defeat Abdullah Kobayashi, Frank Atsushi, and the Great Kojika
New Year Battle Royal: Danny Jones defeats Akira Francesco, Atsuki Aoyagi, Black Menso-re, Chikara, Dan Tamura, Fuminori Abe, Jake Lee, Naoya Nomura, Osamu Nishimura, Rising HAYATO, Takao Omori, and Yusuke Okada
Eight Man Tag Match: Izanagi, Lucas Steel, Shigehiro Irie, and UTAMARO defeat Hokuto Omori, Kento Miyahara, Yoshitatsu, and Yuma Aoyagi
AJPW World Junior Heavyweight Tournament Semifinal Match: Hikaru Sato defeats Kagetora
AJPW World Junior Heavyweight Tournament Semifinal Match: Susumu Yokosuka defeats Koji Iwamoto
AJPW World Tag Team Title Match: Violent Giants (Shuji Ishikawa and Suwama) defeat Ryouji Sai and Zeus by KO - Title Change!
January 2, 2020
World Wonder Ring Stardom
“New Year’s Stars, Night 1″
Shin-kiba 1st Ring
Attendance: 408
Tag Team Match: Queen’s Quest (Hina and Leo Onozaki) defeat Rina and Ruaka
Three Way Match: Leyla Hirsch (debut) defeats Itsuki Hoshino and Saya Iida
Six Man Tag Match: Queen’s Quest (Bea Priestly, Momo Watanabe, and Utami Hayashishita) defeat Oedo Tai (Natsuko Tora and Natsu Sumire) and Zoey Skye
Tag Team Match: Andras Miyagi and Giulia defeat Oedo Tai (Jamie Hayter and Martina)
Tag Team Match: Kagetsu and AZM defeat STARS (Starlight Kid and Mayu Iwatani)
Eight Man Tag Match: Tokyo Cyber Squad (Death Yama-san, Konami, Jungle Kyona, and Hana Kimura) defeat Saya Kamiani and STARS (Arisa Hoshiki, Saki Kashima, and Tam Nakano)
January 3, 2020
Pro Wrestling FREEDOMS
“Happy New Freedom 2020″
Shin-kiba 1st Ring
Attendance: 215
King of FREEDOM World Title #1 Contender One-Day Tournament Match: Kenji Fukimoto defeats Masashi Takeda
King of FREEDOM World Title #1 Contender One-Day Tournament Match: Takashi Sasaki defeats Rina Yamashita
King of FREEDOM World Title #1 Contender One-Day Tournament Match: Yuko Miyamoto defeats Kamui
King of FREEDOM World Title #1 Contender One-Day Tournament Match: Chikara defeats Takumi Tsukamoto
Two On One Handicap Elimination Match: Naoki Kamata and Tomoya Hirata defeat GENTARO
King of FREEDOM World Title #1 Contender One-Day Tournament Semifinal Match: Takashi Sasaki defeats Kenji Fukimoto
King of FREEDOM World Title #1 Contender One-Day Tournament Semifinal Match: Yuko Miyamoto defeats Chikara
Tag Team Match: Mammoth Sasaki and Violento Jack defeat Toru Sugiura and Yuya Susumu
King of FREEDOM World Title #1 Contender One-Day Tournament Final Match: Yuko Miyamoto defeats Takashi Sasaki
January 3, 2020
World Wonder Ring Stardom
“New Year’s Stars, Night 2″
Shin-kiba 1st Ring
Attendance: 453
Three Way Match: Starlight Kid defeats Natsu Sumire and Ruaka
Three Way Tag Match: Itsuki Hoshino and Saya Kamitani defeat Leyla Hirsch and Rina and Queen’s Quest (Hina and Leo Onozaki)
Tag Team Match: Andras Miyagi and Giulia defeat Natsuko Tora and Zoey Skye
Six Man Tag Match: Tokyo Cyber Squad (Death Yama-san, Konami, and Jungle Kyona) defeat Bea Priestley and Oedo Tai (Jamie Hayter and Martina)
Six Man Tag Match: Queen’s Quest (AZM, Momo Watanabe, and Utami Hayashishita) defeat STARS (Arisa Hoshiki, Saya Iida, and Tam Nakano)
Oedo Tai Reunion (Hana Kimura and Kagetsu) defeat STARS (Mayu Iwatani and Saki Kashima) - Saki Kashima betrays Mayu and joins Oedo Tai
January 5, 2020
Tokyo Joshi Pro
“New Year Dish”
Itabashi Green Hall
Streamed live on DDT Universe
Attendance: 223
Tag Team Match: BAKURETSU Sisters (Nodoka Tenma and Yuki Aino) defeat Mizuki and Sena Shori
Akemi Daredasore defeats Pom Harajuku
Three Way Match: Shoko Nakajima defeats Mahiro Kiryu and Yuki Kamifuku
Six Man Tag Match: Miyu Yamashita, Raku, and Suzume defeat Haruna Neko, Hikari Noa, and Natsumi Maki
Six Man Tag Match: Miu Watanabe, Rika Tatsumi, and Yuka Sakazaki defeat Mina Shirakawa, Mirai Miumi, and Yuna Manase
International Princess Title Match: Thunder Rosa defeats Maki Itoh - Title Change!
January 5, 2020
New Japan Pro Wrestling:
“Wrestle Kingdom 14, Night 2″
Tokyo Dome
Streamed live on NJPW World
Attendance: 30,063
Dark Match: NEVER Openweight Six Man Tag Team Title Gauntlet Match: Los Ingobernables de Japon (BUSHI, EVIL, and Singo Takagi) defeat Bullet Club (Bad Luck Fale, Chase Owens, and Yujiro Takahashi), CHAOS (Robbie Eagles, Tomohiro Ishii, and YOSHI-HASHI), Suzuki-gun (El Desperado, Taichi, and Yoshinobu Kanemaru) and Ryusuke Taguchi, Togi Makabe, and Toru Yano - Title Change!
Tag Team Match: Hiromu Takahashi and Ryu Lee defeat Jushin Thunder Liger and Naoki Sano (w/Yoshiaki Fujiwara) - Liger’s final match
IWGP Junior Heavyweight Tag Team Title Match - Roppongi 3K (Sho and Yoh) w/Rocky Romero defeat Bullet Club (El Phantasmo and Taiji Ishimori) - Title Change!
RevPro Undisputed British Heavyweight Title Match - Zack Sabre Jr. defeats SANADA
IWGP US Heavyweight Title Match: Jon Moxley defeats Juice Robinson (w/David Finlay)
NEVER Openweight Title Match: Hirooki Goto defeats KENTA - Title Change!
Jay White (w/Gedo) defeats Kota Ibushi
Chris Jericho defeats Hiroshi Tanahashi
IWGP Heavyweight/IWGP Intercontinental Title Match: Tetsuya Naito defeats Kazuchika Okada - Title Change! (also Title Retention!)
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Takashi Itoh 伊藤高志. R&D Materials from the Production of Spacey, 1981
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Every Ichiro Suzuki Teammate
Orix BlueWave
Ebisu Noboyuki (1992-2000)
Yasuo Fujii (1992-2000)
Fukura Junichi (1992-97)
Hasegawa Shigetoshi (1992-96)
Hoshino Nobuyuki (1992-99)
Itoh Atsunori (1992-94)
Carmelo Martinez (1992)
Matsunaga Hiromi (1992)
Nakajima Satoshi (1992-97)
Ogawa Hirofumi (1992-2000)
Tsutomu Sakai (1992-96)
Yoshinori Sato (1992-98)
Don Schulze (1992)
Suguro Hironori (1992-96)
Taguchi So (1992-2000)
Kelvin Torve (1992-93)
Telmanch Gainey (1993-94)
Kobayashi Hiroshi (1993-2000)
Nishimoto Takashi (1993)
Toshifumi Baba (1994-97)
Jay Baller (1994)
Francisco Cabrera (1994)
Masafumi Hurai (1994-2000)
Takashi Miwa (1994-2000)
Okada Akinobu (1994-95)
James Jennings (1995-97)
Troy Neel (1995-2000)
Takahito Nomura (1995-97)
Willie Fraser (1996-98)
Hidaka Takeshi (1996-2000)
Oshima Koichi (1996-2000)
Chris Donnels (1997-98)
Satake Manabu (1997-2000)
Shiozaki Makoto (1997-2000)
Yoshitomo Tani (1997-2000)
Edwin Hurtado (1998-99)
Kida Masao (1998, 2000)
Harvey Pulliam (1998-99)
Aikawa Ryota (1999-2000)
Willie Banks (1999)
Paul Gonzalez (1999)
Shinichi Katoh (1999-2000)
Hidetaka Kawagoe (1999-2000)
Robert Perez (1999)
George Arias (2000)
Terry Burrows (2000)
Orlando Merced (2000)
Mukae Yuichiro (2000)
Jon Nunnally (2000)
Carlos Pulido (2000)
Seattle Mariners
Paul Abbott (2001-02)
Norm Charlton III (2001)
Ryan Franklin (2001-05)
Brian Fuentes (2001)
Freddy Garcia (2001-04)
John Halama (2001-02)
Jamie Moyer (2001-06)
Jeff Nelson (2001-03)
Jose Paniagua (2001)
Joel Pineiro (2001-06)
Arthur Rhodes; Jr. (2001-03)
Sasaki Kazuhiro (2001-03)
Aaron Sele (2001)
Denny Stark (2001, 2009)
Brett Tomko (2001)
Pat Borders (2001-05)
Tom Lampkin (2001)
Dan Wilson (2001-05)
David Bell (2001)
Bret Boone (2001-05)
Carlos Guillen (2001-03)
John Olerud (2001-04)
Ed Sprague; Jr. (2001)
Ramon Vazquez (2001)
Jay Buhner (2001)
Mike Cameron (2001-03)
Charles Gipson; Jr. (2001-02)
Stan Javier (2001)
Gene Kingsale (2001-02)
Al Martin (2001)
Mark McLemore (2001-03)
Scott Podsednik (2001-02)
Anthony Sanders (2001)
Edgar Martinez (2001-04)
James Baldwin; Jr. (2002)
Paul Creek (2002)
Brian Fitzgerald (2002)
Hasegawa Shigetoshi (2002-05)
Justin Kaye (2002)
Julio Mateo (2002-07)
Rafael Soriano (2002-06)
Aaron Taylor (2002-04)
Ismael Valdez (2002)
Mark Watson (2002)
Mark Davis (2002-04)
Jeff Cirillo (2002-03)
Jose Offerman (2002)
Desi Relaford (2002)
Luis Ugueto (2002-03)
Willie Bloomquist (2002-08)
Ruben Sierra (2002)
Chris Snelling (2002, 2005-07)
Ron Wright (2002)
Armando Benitez (2003)
Giovanni Carrara (2003)
Aaron Looper (2003)
Gil Meche (2003-06)
J.J. Putz (2003-08)
Brian Sweeney (2003)
Matt White (2003)
Greg Colbrunn (2003)
Rey Sanchez (2003)
John Mabry (2003)
Chad Meyers (2003)
Jamal Strong (2003, 2005)
Dwight Winn (2003-05)
Scott Atchison (2004-05)
Baek Cha-Seung (2004, 2006-08)
Travis Blackley (2004)
Eddie Guardado (2004-06)
Kevin Jarvis (2004)
Kida Masao (2004-05)
Bobby Madritsch (2004-05)
Mike Myers (2004)
Clint Nageotte (2004-06)
George Sherill (2004-07)
Matt Thornton (2004-05)
Ron Villone; Jr. (2004-05)
Randy Williams (2004)
Miguel Olivo (2004-05)
Rene Rivera (2004-06)
Rich Aurilia (2004)
Jolbert Cabrera (2004)
Greg Dobbs (2004-06)
Dave Hansen (2004-05)
Larry Jacobsen (2004)
Justin Leone (2004)
Jose Lopez (2004-10)
Raymond Lopez (2004)
Ramon Santiago (2004-05)
Scott Spiezio (2004-05)
Hiram Bocachica (2004)
Raul Ibanez (2004-08)
Quinton McCracken (2004)
Jeremy Reed (2004-08)
Jorge Campillo (2005-07)
Jeff Harris (2005-06)
Felix Hernandez (2005-12, 2018)
Wiki Gonzalez (2005)
Miguel Ojeda (2005)
Yorvit Torrealba (2005)
Adrian Beltre (2005-09)
Yuniesky Betancourt (2005-09)
Mike Morse (2005-08)
Richie Sexson (2005-08)
Wilson Valdez (2005)
Jaime Bubela (2005)
Choo Shin-Soo (2005-06)
Travis Chick (2006)
Francisco Cruceta (2006)
Ryan Feierabend (2006-08)
Emiliano Fruto (2006)
Sean Green (2006-08)
Jon Huber (2006-07)
Cesar Jimenez (2006, 2008, 2011)
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#Tributes#Sports#Baseball#Japan#1990s#MLB#Seattle Mariners#New York Yankees#Miami Marlins#National Teams#Awesome
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Harmony, il film arriverà in home video a fine agosto
Online il trailer italiano del secondo film sci-fi di Project Itoh.
Dopo “L’Impero dei Cadaveri” si appresta ad arrivare in home video anche “Harmony”, il secondo film della trilogia sci-fi di Project Itoh, trasposizione cinematografica dei principali romanzi di Satoshi Itoh, talentuoso e pluripremiato autore di fantascienza prematuramente scomparso nel 2009 all’età di 35 anni.
Come la precedente, la pellicola racconta una storia a se stante e ha fatto di recente il suo esordio in streaming su Amazon Prime Video nella sua inedita versione doppiata in italiano, della quale potete aver un assaggio grazie al trailer ufficiale rilasciato oggi da Yamato Video. L’edizione home video curata da Anime Factory, già preordinabile, sarà disponibile in Blu-ray e DVD a partire dal 27 agosto.
youtube
Uscito in Giappone nel 2015, il lungometraggio della durata di 119 minuti è stato prodotto dallo studio Studio 4°C (I Figli del Mare, Berserk - L’epoca d’oro) e diretto da Takashi Nakamura (Plame no Ki, Fantastic Children), assieme a Michael Arias (Tekkon Kinkreet).
"Il mio animo ha rifiutato la felicità" Devastato da una catastrofe nucleare, il mondo ha dato origine ai «goviterni», entità amministrative che tramite la propaganda di principi etici e tecnologie di monitoraggio implementate nel corpo umano promuovono il valore della salute e della vita. Per ribellarsi alla pressione della società tre ragazze progettano il suicidio, ma due di loro falliscono. Tuan finge di conformarsi al sistema ma lo spettro di Miach, la compagna di tredici anni prima, si appresta a sconvolgere l'intera società.
L’originale character design di redjuice (Guilty Crown, L’Impero dei Cadaveri) è stato adattato per l’animazione da Takahiro Tanaka (Toukiden 2), mentre le musiche sono quelle composte da Yoshihiro Ike (Ergo Proxy, L’Impero dei Cadaveri). La sigla “Ghost of a smile”, invece, è ad opera della band EGOIST che ha curato i temi musicali di tutti e tre i film, compreso “L’Organo Genocida”.
Specifiche:
Durata: 120 minuti - Extra esclusi (Blu-ray) 115 minuti - Extra esclusi (DVD)
Video: 1080p @24 1.78:1 (Blu-ray) 16/9 1.78:1 (DVD)
Audio: Italiano 5.1 DTS-HD Master Audio, Giapponese 5.1 DTS-HD Master Audio (Blu-ray) Italiano 5.1 Dolby Digital, Giapponese 5.1 Dolby Digital (DVD)
Sottotitoli: Italiano
Extra:
Promotional video
Sequenza titoli originali
Anteprime
Booklet di 32 pagine contenente disegni preparatori, illustrazioni, gallery, studi preparatori, note
Maxi Card della locandina cinematografica originale del film
Prezzo: BLU-RAY 19,99 € / DVD 16,99 €
L’opera ha ispirato anche un manga di quattro volumi, disegnato da Fumi Minato e edito in Italia da Star Comics.
* NON VUOI PERDERTI NEANCHE UN POST? ENTRA NEL CANALE TELEGRAM! *
Autore: SilenziO))) (@s1lenzi0)
[FONTE]
#harmony#project itoh#anime#film#animazione#sci-fi#drama#psicologico#anime factory#yamato video#home video#newsintheshell#news in the shell#giappone#cartoni animati
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Haruomi Hosono— S-F-X (1984)
Album Overview
Artist: Haruomi Hosono
Release date: December 16, 1984
Label: Teichiku Records
Producer: Haruomi Hosono
Genre: Electronic music
Style:Electro, Experimental
Country:Japan
Tracklist
1. Body Snatchers 5:49
2. Androgena 4:52
3. SFX 5:54
4. Strange Love 5:52
5. Alternative 3 5:07
6. Dark Side Of The Star 5:36
Credits
Artwork By, Design – The Studio, Yukimasa Okumura
Engineer [Assistant Engineer] – Takashi Itoh
Engineer [Recording Engineer], Mixed By – Yasuhiko Terada
Mastered By – Hisakazu Yumikura
Written-By [Music By] – Friends Of Earth
Written-By [Music By], Mixed By, Producer – H. Hosono
Fun Fact: S・F・X is a 1984 album by Japanese electronic musician Haruomi Hosono. The album is his first solo album after Yellow Magic Orchestra.
#Youtube#haruomi hosono#japanese music#electronic#music#electronic music#1980s#1980s music#1984#composer
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トレンディ歌謡に抱かれて 第18回:原みどり「MiDo」
スパンクハッピー再結成だそうです。なんといっても岩澤瞳時代の印象が個人的には強いわけですが、m-flo然り、この時代も最近のようでいて時間が経っているなあと、もう少し具体的に言うと、この時代のほうがポップス楽曲に「お金をかけられている」なあと…音のトレンドを差し引いても、まあ総じて思うわけです。CHEMISTRYとかCrystal Kayの初期の作品は、今聴くとまるでK-POPのようにグサグサっと聴こえる。正面切ってエッジーでいられるだけの、なんというか余裕があるということだったのでしょうか。まあポップスがどれもこれもエッジーであってほしいとも思わないし、ポップスの「エッジーの探求」はむしろアニソン界隈に移ったということなのかもですが、しかしアーバン期T.KURAやm-flo作のトンガリポップス「Girl’s Night」「hard to say」が、堂々と「プロモーションされるシングル」になり同級生みんな気軽に聴けていたのは、今思うと幸せな環境以外の何物でもないです。スパンクハッピーとまったく関係のない話をしていますが(そこまで思い入れがない…ゴメンナサイ)、今回取り上げたいのはその初代ボーカル・原みどり(ハラミドリ)のファースト。ディスクガイドではまず見かけないのですがコレ、超傑作なんです。
Release:1987.6.21
SOUND PRODUCED BY Kazuo Shiina
GUITAR : Hideo Saitoh, Kazuo Shiina
BASS : Kouki Itoh, Yasuo Tomikura, Shigeru Okazawa
DRUMS : Jun Aoyama, Hideo Yamaki, Eiji Shimamura
KEYBARDS : Tadashi Nanba, Yasuharu Nakanishi, Haruo Togashi
LATIN PERCUSSION : Motoya Hamaguchi
SAX : Jake H.Conception
TROMBONE,TRUMPET : Susumu Kazuhara
CHROUS : EVE
STRINGS : Takashi Kato Group
ADDITIONAL SYNTHESIZERS : Kazuo Shiina
PC-9801 OPERATOR : Yuichi Tomaru
原みどりは1987年頭、財津和夫とのどこか珍妙なデュエット曲「償いの日々」でデビュー。今作は初アルバムで同年発表となっています。デュエットでは和風AORというか、その歌唱力が「歌い上げ」一辺倒で割に大味なところがあったのですが、アルバムは歌詞・アレンジ・歌唱いずれにおいてもエイティース・アーバン感/アヴァン感が絶妙なバランスで横溢。名前が似てますがそれこそ原マスミのような、きめの細かいアーティスティックさを出しています(そういえば彼のアルバムのあの“冬の抒情”が、この作品にもあるように思います。発売は初夏ですが…)。プロデュースは近年、著作権関係ですっかりおなじみとなってしまった椎名和夫。個人的には彼のアレンジ作品、80年代末のトレンディ歌謡群で一番好きです。
1.TA・RA・N・TE・RAたいむすりっぷ!
(作詞・作曲 原みどり 編曲 椎名和夫)
エコー感がもうトレンディ!って感じですが、根幹はなかなか骨太なミディアム・ファンク。まず歌声にやられると思います。NOKKOと早瀬優香子のいいとこどり、といいえばその魅力は伝わるでしょうか。「くっついて安心」みたいな80sインディの趣き、アドリブ効かせたディーヴァな趣きと、楽曲ごとに様々な側面が垣間見えます。
2.すべてが冬の色
(作詞・作曲 原みどり 編曲 椎名和夫)
ポツリポ��リとしたエレピとのびやかな声&エコーが最高なおセンチバラード。前曲とあわせどこか松任谷由実の感じもあります(殊にアレンジ)が、そういえば「償いの日々」の作詞は彼女でした。
3.月曜日の憂欝
(作詞・作曲 原みどり 編曲 椎名和夫)
間奏で目覚まし時計の音が鳴っちゃったりする、OLアーバンライフ歌詞がキュートレ(キュートかつトレンディ)な名曲。ファンクな気配が、フェイクやチャキチャキしたシンセのバッキングに溢れております。いち楽曲として達郎ばりに「完璧なアレンジ」だと思っているので、これはとにかく試聴してほしいです。
4.御乱心春色変化
(作詞・作曲 原みどり 編曲 椎名和夫)
青山純丸出しな力強いドラミングでもうOK!な1曲。疾走感あるポップスでありながら、彼女の歌唱は随所でいいタメがあり、そこがコケテッィシュで、あとやっぱりアーバン。こちらでも冴えまくりな椎名アレンジ、細かいところで過激な音飾あり。
5.うつろふ時間の中で
(作詞 原みどり 作曲 原みどり・鈴木潤一 編曲 椎名和夫)
どちらかというとソロ期NOKKOを思わせる歌声の、流麗なAORバラード。ピチカート音が美しい。
6.おもちゃの○△□
(作詞・作曲 原みどり 編曲 椎名和夫)
ここで真っ正面からの同時代ファンクが来ましたよ!戸田誠司顔負けな、カッティング+ボイスサンプリングで完璧に仕上がってます。あまりこみ上げ過ぎない歌唱も含め、ここでも100点です。
7.気持ち半分魔女気分
(作詞・作曲 原みどり 編曲 椎名和夫)
ここまであまり歌詞について書きませんでしたが、一貫してちょっと不思議な世界なんですね。生活とファンタジーがごく自然に直結していて、夜になると違う世界が動き出すような雰囲気がどの曲にもあります。そこも原マスミみたいな所以。
8.GOOD NIGHT
(作詞・作曲 原みどり 編曲 椎名和夫)
再びのサンプリング感強めなファンクです。キャメオ「ワード・アップ」がモチーフでしょうか。なぜか途中で唸るディストーションなギター。
9.好きといふ気持ち
(作詞・作曲 原みどり 編曲 椎名和夫)
どこかシリアスな余韻を残しつつのエンディングです。ストイックな風情に矢野顕子の面影もちらつきます。ジェイクのサックスもここでは不穏かつフリーキーに鳴っています。
※3、4、6曲目を以下から試聴できます
h ttps://soundcloud.com/anouta-wkym/18-1
以上9曲。「Light Mellow」とは程遠いですが、80年代の��ンディもトレンディも色濃く感じられる上に名曲揃いな、個人的に☆☆☆☆☆な大名盤です。なんで再発されないのか、理解に苦しむ…どうにか理由をつけてまた出していただきたい1枚です。マジで。
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[Secret Pretty Cure Exchange 2017!] Part 1/ 3
Magical Crossover for @kyosplosion
🌸Haruka Haruno ~&~ Princess Tutu 🌸
☀️Akane Hino ~&~ Link (TLoZ BotW) ☀️
🍫 Akira Kenjou ~&~ Apollo Justice 🍫
Hi there! I’m your secret Summer Santa! 💖 Here is a mix-up of your favourites Cures and some of your interests!
Haruka and Ahiru are both sweet and cute ballet girls and Haruka fits well with a Grass type Pokemon in my opinion! New Link has the same little ponytail as Akane, so they have to be matched together! Add Epona (horse) + Sunny’s element (fire) = it gives you a wild breathing Ponyta \o/ I thought Akira would look great in Apollo's clothes + Chocolat's necktie - by the way, if you like details, Haruka's necklace represents the top of her big key in her Grand Princess form! I chose Growlithe because it's a dog and has red-orange-brown color theme, so you get a surprising fantasticlicious FLYING GROWLITHE. And sparkles! ✨
Credits for the fanart: Smile Precure! © Toei Animation/ Takashi Otsuka - Character Design: Toshie Kawamura Go! Princess Precure © Toei Animation/ Yûta Tanaka - Character Design: Yukiko Nakatani KiraKira☆Precure à la Mode © Toei Animation/ Kohei Kurata & Sachio Kaizawa - Character Design: Marie Ino Princess Tutu © Ikuko Itoh/ Hal Film Maker Phoenix Wright: Ace Attorney (Gyakuten Saiban - 逆転裁判) © Shu Takumi/ Capcom Pokemon © Nintendo/ Game Freak/ Satoshi Taijiri - Character Desing: Ken Sugimori The Legend of Zelda: Breath of the Wild © Nintendo/ Shigeru Miyamoto - Character Desing: Yoshiyuki Oyama
#secret pretty cure exchange#precure#my posts#Go! Princess Precure#smile precure#kirakira precure a la mode#princess tutu#the legend of zelda#breath of the wild#pokemon#ace attorney#apollo justice#link#haruka haruno#akira kenjou#akane hino#ponyta#growlithe#budew#kyosplosion
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Isshuukan Friends (JM, 2017) (Sub. Español)
DESCARGAR O VER ONLINE AQUÍ
Título: Isshuukan Friends También conocida como: One Week Friends Género: Escolar, adolescente Duración: 120 min. Fecha de estreno: 18 de febrero, 2017 Dirección: Murakami Shosuke Guion: Hazuki Matcha (manga), Izumisawa Yoko Producción: Ishizuka Yoshitaka, Teranishi Fumi, Sekiya Masayuki SINOPSIS El alumno de instituto Hase Yuki quiere acercarse a su compañera de clase Fujimiya Kaori que siempre está sola. Fujimiya Kaori se niega a acercarse a Hase Yuki, porque olvida a sus amigos cada nuevo lunes. A pesar de que Kaori le dice a Yuki por qué no quiere que sean amigos, Yuki sigue queriendo acercarse a ella. CAST Kawaguchi Haruna como Fujimiya Kaori Yamazaki Kento como Hase Yuki Matsuo Takashi como Kiryu Shogo Uesugi Shuhei como Kujo Hajime Takahashi Haori como Yamagishi Saki Furuhata Seika como Kondo Mayu Itoh Sairi como Fumi Komoto Masahiro como Fujimiya Takayuki Kokusho Sayuri como Fujimiya Shiog Iwase Ryo como Dr. Kanzaki Totsugi Shigeyuki como Inoue Jun Okada Keisuke como Profesor Kobun
TRÁILER: https://www.youtube.com/watch?v=XNAh3ps_TKU
#isshuukan friends#one week friends#jmovie#kawaguchi haruna#yamazaki kento#matsuo takashi#uesugi shuhei#takahashi haori#furuhata seika#película#proyectos terminados#sub. español
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Harmony (2015)
Click for Stephen’s review!
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