#takaishi family
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digimoninteractions · 8 months ago
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izzyizumi · 2 years ago
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Takeru, Miyako, Hikari & Iori, Lost in a crowd and can't find Daisuke + Ken: This calls for-- Hikari: --"Drastic Measures". Takeru, hands cupped around mouth SHOUTING: KEN IS A [rEDACTED Swearing combo Learnt from French side and also via Mimi {once lived in U.S.} + YAMATO] JERK DAISUKE, IMMEDIATELY: WHAT DID YOU JUST SAY--- KEN: E-Excuse me??? (I Mean, I Kind of *Was*--) Takeru: There they Are. Miyako: (*can't help snickering in the background*) Iori, staring at Takeru wide eyed: ?!??! Hikari: (I knew Takeru had learnt some of that over the years, but this was New.) DAISUKE, Ken following behind: TakerU THAT WAS UNCOOL--- Takeru: But we found you. Ken: (It's true)
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blackchessknight · 10 months ago
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My love has recently returned from the war (I realised Digimon Adventure is one of my comfort shows so I rewatched a few episodes).
And I'm once again wondering why Takari isn't canon. I shipped these two before I knew what shipping was. And then I found out from different comments on the internet that there is a place where they're established as ending together in the epilogue of 02.
I've scrounged the internet. I looked for CD drama translations. There's apparently novels which I didn't know about. Some people say in the Japanese original it's said, but the ones I found didn't say anything in the subtitles to that. I did find however that in the English dub of Filipino Tai's son calls TK his uncle, so it's canon in that one at least (I checked myself).
But it still wasn't enough for me, then it hit me. I live in delulu land. And TK, who narrates the epilogue, never explicitly says Yamato and Sora got married. It's just inferred visually. He only explicitly says that Yolei and Ken get married. With that in mind I made my own explanation of how Takari is canon within the epilogue.
Besides the fact that Kari's son does resemble TK as a child A LOT, meaning visually we could connect the two. And that nothing else says that they didn't end up together, without being more of a deduction then said. I present my delulu solution:
Takari is a family with two sons. Kari and their eldest son went to the Digital World first and their youngest chose to stay and wait until TK finished what he was writing so he would get to go with his dad.
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hikaritakaishi · 8 months ago
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Digital World Collapse
I was talking to a friend of mine today and we found the PERFECT explanation of WHY the Digital World will collapse soon again. And all goes down to TAICHI AND YAMATO! (Again...)
Here are the rules for the Jogress Shinka: It cannot be male and female, only male and male, or female and female! Right? Right. AND it cannot be a FAMILY THING! No Taichi and Hikari, and no Takeru and Yamato. Right? Right.
BUT! THE PROBLEM IS: If... Takeru and Hikari start dating, Yamato and Taichi will be in-laws. THEN, BOOM! COLLAPSE! A FAMILY BUSINESS? NO WAY! BOOM, CATASTROPHE, THEY BROKE THE DIGITAL WORLD!?! NO!
Is this forbidden love? NO! IT'S PERFECT BALANCE BECAUSE WHERE IS LOVE, IS ALSO CAOS!
(Sorry guys, I had to share. Use it for fanfiction material if you will, is a good comic relief.)
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valekim · 1 year ago
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▶ Tsuiraku JK to Haijin Kyoushi - ep. 7 “Is there anything you want?" "A family."
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dnofsunshine · 5 months ago
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31 Days of Digimon, Day 1: Odaiba Day takaishida fic sneak peek:
“Hey.” Yamato softens his tone, and out of instinct, tilts Takeru’s chin to study him again. Now that the light’s on, he can see just how exhausted Takeru truly looks, with bags under his eyes and a light flush on his cheeks. “We can still hang out when you’re feeling better. But I’m not dragging you out and about if you’ve got a fever—it’s against older brother code.”
“There’s not a code,” Takeru says, and it’s more of a mumble this time. A sign of a defeat.
“There is too a code.”
“...are you gonna leave, then? Since I’m too sick to hang out?”
It’s heartbreaking, the way Takeru’s tone changes. He’s sixteen, but he sounds ten years younger, now, all in a moment. Something in Yamato’s chest—something rotten, something old, long forgotten—suddenly surfaces, and the way it makes his heart ache is all too familiar.
(Why had Hikari known that Takeru was sick, but not Yamato? What did she mean still? How long has he been sick? So many questions to which he doesn’t know the answer.)
“Of course not,” he tells him. “It’s the first. And my little brother is sick, so it’s my job to take care of him.”
[STAY TUNED! REST TO BE POSTED LATER THIS MONTH!]
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droshawoluv · 2 years ago
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Moments I love from Digimon Adventure (1999) - [10/?]
🤝🏹 T h e P r o p h e c y 🏹🤝
How can I not, this moment remains one of my top favorites in terms of hype and also how cute the older brothers behave: protective, willing to sacrifice or rather to trust in their respective younger sibling love/light/hope, encouraging, taking the lead, responsible, reliable. Very cute aspects to show in their roles of older brother.
Yes, the Taichi Yamato (was that Taito? I forgot) handholding was cute as fuck too; it felt intimate and natural, and I love that in general. I'm a man who since watching things as a kids, love watching other men showing affection and love to each other, whatever that is friendship or romance.
Now damn, did you see how smooth Yamato's "excuse"/line was to grab Taichi hand? No wonder they made him into a casanova when he grew up, he had that talent since then... (Meanwhile the lyrics of the song in the bg matching perfectly is so funny too)
This, including the culmination of their fight against Venom-Myotismon / Vamdemon, probably got me squealing so hard that I always take a time to go back for the Dark Masters arc (which I love because how tragic and dramatic everything is)
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Also. I feel that is cute how Koshiro is not only explaining everything like always, but his parents and tentomon are helping as well. Cute family bond of being the ones with brains.
Previous posts: [1] [2] [3] [4] [5] [6] [7] [8] [9]
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koushirouizumi · 3 months ago
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{Also, Takeru AT SOME POINT eventually gets sent This}
M E: (*TAKES DEEP BREATH*) Someone: Hey, why do you ship something so unusual, you know it'll never be canon righ--- m E: YES, I love TAKEMIYA aka MIYAKERU, I GET IT OK, I love TAKEMIYA, TAKEMIYA is a Brightest F*cking Starshine CRACK-SHIP aka RARE PAIR in My Life since my childhood days in this fan base, I f*cking ADORE THEM (+UNTIL THE END OF TIME AND WHEN THIS SERIES IS TRULY 'OVER'), YES okay y E S, I love TAKEMIYA, I DO also love Takeru and Miyako SEPARATELY, but I also love them TOGETHER, HOW many times are We Gonna Go Through This, I F*CKING LOVE TAKEMIYA BECAUSE WHEN I WAS YOUNG ME I WROTE THEM INTO AN 02 O.C.s based fic once AND I NEVER GOT OVER THEM AND THIS WAS BEFORE I EVEN GOT TO SEE THE 02 FINALE, yes I KNOW what happens in it, I do NOT dismiss that ship, in fact, if anything, I think it makes Take+Miya even more hilarious when you involve poly-ship dynamics and Shenanigans involving that character AND others, anyway all you need to know about the Take+Miya I once wrote is they initially act like the "Love-Love {Rabu-Rabu} couple" trainer class in that other Monster battling franchise after temporarily getting together during in-between years or just like any of the generally mushy battle duos and it confuses the f*ck out of EVERYONE else how they even came to form that dynamic and its HILARIOUS, meanwhile once amicably broken up with Takeru on good terms Miyako is making eyes at a certain Someone Else from afar in between and that person is just like only partly Oblivious all the way up until "The Beginning" era and possibly a little beyond, meanwhile Takeru is realizing Takeru's Very Not Over Miyako but then Takeru's also having OTHER Realizations about Self-
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ashxketchum · 10 months ago
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They uploaded the video where Agumon, Gabumon, Veemon and Wormon will call out names of fans and look! We get a glimpse at Taichi, Yamato, Daisuke and Ken's rooms!
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You know what this means? It's time for a certified Ayushi breakdown 🫡
There is so much blue in Taichi's room hahaha (taiyama win!), the soccer magazines + jump manga reference is so on point. And he has so many bags! Taichi why do you need so many backpacks, one for every outfit? 😆 THE DUMBBELLS THO my boy is working out to maintain that body we got a glimpse of in Tri 😌 The whistle hanging on the wall is also a nice touch, is it Hikari's whistle from when they were kids? 🥹 Or even if it's not, I'd like to imagine a scenario where Taichi helps Hikari with her kindergarten schoolwork occasionally by coaching football to the little kids in his free time! Can you imagine him running around with little kids who are about as tall as the football itself 🤣 I tried to zoom in to figure out what the magazine on his desk is for, and I could make out the word Nakano, so maybe it's just something he picked up on his way home (maybe he lives around Nakano?) since it looks slightly crumpled too, like it was shoved in his bag in a rush. His phone (and is that a wallet?) feel pretty standard. He is the only one who doesn't have a lamp on his desk + has some kind of reminder post-its stuck to his desktop, maybe he's not so good with passwords? Koushiro probably always lectures him about this every time he visits.
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Now let's talk about Yamato, FIRST OF ALL I WILL SCREAM ABOUT THE KOD TSHIRT! HE STILL WEARS IT! I'M CRYING RIGHT NOW!!! And then his guitars because I swear I did a one hour deep dive trying to figure out the brand and model and I think they're both Fender (an expensive brand I would say) which once again makes me wonder how much money does the TakaIshi family has for their sons to have expensive, bikes, cars and guitars. TO TOP IT OFF Yamato is definitely an Apple bitch too like look at that monitor and keyboard, that's Mac and his phone is very clearly Iphone. Now his room follows a very warm, muted tones of black and brown. We can spot some music related magazines on his shelf and a big, plain tote bag on the ground (see Taichi one big bag should be enough 🤣) which looks like something he uses for grocery shopping. Yamato is the only one who doesn't have a wheelie computer chair, but rather a wooden one. Now whether he did this to follow the aesthetic of the room (highly likely) or because he doesn't actually spend a lot of time in this space is something we can all think about. He has a framed portrait or photo(?) up on the wall and I did consider him more of a framed art guy over a poster guy always so this is good to see too. Also nice to note that on his desk, he has THE HARMONICA 😭 And the same Jump issue that Taichi has on his shelf! His room is honestly a lot like how I imagined it to be in terms of the furniture and colours so I'm very happy with this sneak peek!
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I am not qualified to comment on Daisuke and Ken's rooms, so will leave that to 02 fans!
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digimoninteractions · 8 months ago
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Takeru's Granddad
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izzyizumi · 8 months ago
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Digimon Adventure ~ J.P.N Version ~ Episode 39 + Izumi Koushiro{u}'s Parent + Kido Shin (Jou's 2nd eldest Sibling)
"Don't say such {negative} things! I {b e l i e v e} in these children!" - Koushiro's parent, referring to Koushiro and, the "Chosen Children" as a Whole, (including Jou)
"It'll be all right, Nii-san.
We'll make {absolutely} sure the s u n does 'come up'!"
-Kido Jou, after overhearing from afar, Triumphant-like
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My Commentary: This small but significant sequence takes place not long after Koushiro is revealed to be a canon Adoptee. Mrs. Izumi is fully aware that Koushiro has accepted Mrs. Izumi (+Izumis both) as Koushiro's true parent{s}, however, we are not given indication that the other supporting characters were actually told about 'the secret' of Koushiro's. Shin's surprise, in that regard, can hardly be held too much against Shin - which Mrs. Izumi eventually quickly recognizes, dropping the argument and frustration - Shin was likely completely unaware how strongly Mrs. Izumi felt during these moments, while Mrs. Izumi was likely running on pure adrenaline responding!
Mrs. Izumi, in the original version, is also using a neutrally polite speech pattern that is overall appropriate when speaking to children; Koushiro, in the original, is also known for speaking throughout the entire series with a formal and polite pattern that is "unusual" for Koushiro's age, while it's more "typical" for Mrs. Izumi to use similar in this sequence.
Shin Kido, Jou's 2nd eldest sibling closer in age, the 2nd born of the three Kidos, is the sibling who appears throughout Adventure Episodes 35~39 and later Adventure-specific episodes (such as flashback sequence in Dark Masters arc) specifically. In the 2nd sequel series, "02", Jou's oldest sibling, Shuu, was introduced. The U. S. dub combined "Shin" and "Shuu" into "Jim", a singular character, but they were actually two separate siblings! (Thus, Jou is speaking to Shin as if Shin is the younger of the two siblings, addressing Shin commonly with a 'casual' "Nii-san", though in this scene, Jou sounds surprisingly more 'assured' and perhaps a slight bit 'full of' self, but is quickly grounded by Sora and Mimi not long after.)
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atsoraasayoma · 9 months ago
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Love and Friendship go hand in hand. I love their dynamic. Great post! Excellent analysis!
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Digimon Adventure subtext analysis: The other family angle
Years ago, I had already tried to conduct an analysis on how Taichi, Hikari and Koushirou were set up in a way that displayed the importance of family within their bond [I, II, III]. The conclusion there was that, by closing his own family-related arc, Koushirou was capable of supporting Taichi and Hikari's (also indirectly family-related) struggles in the Dark Master's arc as well. In a very similar vain, it can be argued that Sora, Yamato and Takeru were set up similarly. The hypothesis here is that, by mirroring Sora's and Yamato's (and Takeru's) familial issues, they're capable of supporting each other in the final arc as well.
Let's see how these familial parallels and similarities play out:
While it can be argued that the majority of the characters keep their family-related trauma to themselves, in Sora's and Yamato's cases, it has the biggest effect on the group dynamic as a whole. Because while Taichi, for example, starts to get reckless in order NOT TO get reckless and protect everyone he loves, Sora's and Yamato's instinct is to pull away from everyone and everything to protect them, even if they may declare the opposite to be true. (Mind you, that is actually some kind of behaviour Taichi will adopt in Tri onwards as well, but that shall not be the point of this analysis.)
The most obvious parallel between them is that they have rather disruptive family lives. While Sora's parents aren't divorced, they're still not living together and her relationship to her mother is rather rocky, filled with misunderstandings based on expectations and different views on life. Yamato's and Takeru's parents are divorced and Yamato has a rather difficult time approaching his mother himself, telling her how he really feels about it all, etc. He tends to surround himself with an aura of coolness and aloofness, even though the viewer quickly learns that he is very emotional and is just trying to bottle it all up.
In the novels it is implied that Sora may have known that Yamato and Takeru were brothers from the very beginning - so her deflecting or not prying further into their lives at the start of the series, especially when Taichi and Koushirou are speculating about their relationship, makes sense. Because she understands that they need space.
And Yamato returns the favour later on, letting her cry it all out; when Sora is experiencing her outburst of emotions in her Crest episode, the viewer learns that she has been doing the same thing as Yamato: bottle it all up. In the same way, they are both prone to wanting to figure out how to deal with their "inner states" by themselves, they're both not particularly good at talking it all out - and so it shouldn't be surprising that they understand that aspect about the other and give each other time and space to breathe. It's not something everybody in the group understands, but it is a very distinctive parallel: Sora basically explains to them that she kept away from the group because she hadn't figured herself out yet. Thus, Sora explaining Takeru that Yamato needs time to do some soul-searching himself is a direct follow-up response here. She sensed Yamato's need to do this on his own and followed it up by the promise that Takeru would be safe in his absence.
Takeru is a good keyword at this point as well, because similarly to how Hikari was a focal point in the other analysis, he is the key factor that makes the family angle so apparent. Yamato may be the one to give Sora space - but Takeru is the one who tells Sora what she desperately needed to hear. He wants to keep the family together at all costs, he is fed up with separation scenes, so he doesn't want her to leave again, sees her as "family", wants her to know how valued and loved she is - and so, Sora is the one who reassures Takeru when Yamato is on the brink of leaving himself, believing that, eventually, everything will turn out fine. It may look like nothing more than repetitive behaviour at first - but it is a circle of learning and trust instead, to rekindle and have better family dynamics in the future.
It's due to their strained relationships with their parents, their masks, their coping mechanisms that Sora and Yamato think they don't have what it takes to activate or even deserve their respective Crests. Love and Friendship - they don't know what it means for them personally. It's why they're so prone to being engulfed by darkness, why their dark caves are dangerous manifestations of their declining mental health, self-doubt and fears.
That is why the soul-searching is needed, repeatedly so. It's why they understand each other's need to be left alone - which is something we will see throughout the entirety of the Adventure series for both of them. But it's also why they need Takeru's softness and Taichi's persistence (as well as Jyou's support and Mimi's reassurance at different times) to get it back together again. They have to be reminded that they don't HAVE TO be alone in all this (even if they often choose to).
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They know, deep down inside, that self-pity and giving in is not an option. They do ask themselves why they got into this situation, why they were chosen in the first place - but they also learn, through their experiences (and their respective bonds with and urge to support Taichi) that they're the ones who have the choice. To fight or to stay away - it's going to be their choice, again and again.
In the novels, the sight of Sora and Takeru together, right after he broke out of his own cave of darkness, even reminds Yamato of his mother, indicating that the entire journey is helping him to come to terms with slowly wanting to reconcile with her.
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In general, Sora's role in the Dark Master's arc is mirrored by Koushirou's - they're support systems for the Yagami siblings (and Taichi and Yamato in combat), but Sora in particular is also often put together with the younger siblings, protecting them (enforcing her motherly role) or actually fighting alongside them (in more equal matters). In addition, she is acting as a bridge between the Takaishida brothers, especially in the final arc in which she is the one who throws Yamato's keychain at Takeru, thus helping him to overcome his own insecurities as well and eventually activating his Crest of Hope himself.
Long story short; Sora had already been on her way of reconciliation with her own mother and, after everything she went through, was able to reassure Yamato that he could go on to find his own path as she did hers before, believing that he could do it too. In return, Yamato had been put - and eventually also put himself - in the position to pull Sora out of her own state of darkness as well. Because he had been there himself, he was finally able to put things into words. Because, at this point in time, they're both incredibly similar - and may have gained what it takes to make up with their mothers.
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laxmon · 1 year ago
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Digimon Evolution Lines 16/∞
Patamon and its main evolutionary family. This line, as partner Digimon to Takaishi "T.K." Takeru, is featured in Digimon Adventure, Digimon Adventure Tri, Digimon Adventure:, and numerous Digimon games.
Stages: LV1: Poyomon LV2: Tokomon LV3: Patamon LV4: Angemon LV5: HolyAngemon LV6: Seraphimon
Artwork by Bandai from the Digimon Reference Book.
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hikaritakaishi · 5 months ago
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Takari Week 2024 - Day 1: First Summer
Dias: [ 1 ] [2] [3] [4] [5] [6] [7]
Title: Mnemosyne [Prologue I] (First Summer)
Characters: Takeru Takaishi
Summary: The world performs in mysterious and strange ways. He didn't even understand the meaning of destiny at that time, but in the subsequent years he was grateful for every force in the universe that had made them reach that place together. Right when they needed each other the most.
Note: A collection of stories that gives us an insight into Takeru and Hikari's relationship over the years. It was really hard to put all the prompts explicitly in the story, so I tried to metaphorize some of them, in order for them to make sense at the end.
It is composed of two prologues, one for Takeru and one for Hikari, exposing events before 1999. And a final epilogue, summarizing all the feelings exposed in the previous chapters. In the intermediate chapters, we follow all the challenges that a long-term friendship has to face when it becomes a romantic relationship, and how we form solid and permanent bonds with the ones we love the most.
・。。・゜゜・。。・
His little hand gripped the pencil tightly. He didn't know what to write. In front of him, a piece of paper with the word family written in computer letter on top. And nothing more.
He couldn't think of anything good enough to write. His restless legs gently tapped the floor, again and again, impatiently.
In his poor understanding of his own emotions, he felt frustrated. Confused to say the least. Maybe a little scared even.
He just wanted to get away from there.
Not exactly going home, because home felt a little bit empty now. He didn't want to be alone, either. He felt alone most of the time lately. Even though he had friends at school, he knew they didn't understand what he was going through. And didn't want to talk about it. Despite all his mother's efforts to play it normally, he knew that even for her, it was a complicated situation to live with and to adapt. Everything was different, and there were no expectations of change.
"Why don't you write something about your mom or dad? "
Said the boy seated next to him, noticing the blank page in front of Takeru. "They are your family, aren't they?"
"I never saw your father, Takeru, is he alive?" 
Asked the girl who was sitting in the desk right behind him, trying to have a glimpse of his schoolwork. That statement was something that came naturally, unconsciously, that little girl did not think about what she said.
"Ah..."
His voice sounded insecure and lower than usual. He tightened his grip on the pencil even more. His little feet began to circle under the table.
"He just... doesn't live in the same... house, as me and my mom..."
"Is it just you and your mom?" Continued the girl. "That must be fell... lonely."
"Sometimes...But I know my mom loves me."
"Write that then!"
He couldn't.
He couldn't write that he felt alone in a text about his family that his mother could eventually read. The teacher would be uneased. And she would question him about that. And he didn't want to talk about it.
"I am writing about my brother and my sister!" The boy broke the brief silence that came upon them. "They are my heroes!"
The boy's tone of voice created a certain envy within Takeru's heart.
Yamato.
He missed his brother. They hadn't spoken in a few days, and he was afraid to ask to call again. He didn't want to be annoying or bother anyone. But what if Yamato forgets about him?
"It must be horrible to be an only child, right?"
He didn't know. Because he was not, an only child. But somehow, it felt horrible that it seemed like it for other people. Almost embarrassing.
What kind of siblings live apart?
And why couldn't he have a normal family?
Why did his parents have to hate each other?
He felt his head start spinning.
Slowly, placed the pencil on the table and raised his hand. His heart was beating hard, he felt like it would burst at any moment. He held back his tears until the teacher finally noticed his presence.
"Is everything ok, Takeru?"
"I just... need to go to the bathroom!"
"Oh... ok. "The teacher seemed surprised at first but then smiled. "You can go, but don't take too long!"
"Thank you..."
He left the classroom in complete silence, while he heard his classmates' pencils tapping on the table, and small, almost inaudible conversations going on in the back of the class. Were they talking about him? It didn't matter, he just wanted to get out of there for a few moments.
He walked to the end of the hallway and went down the stairs. The bathrooms were on the first floor, and he had classes on the second.
He started running when he reached the first floor straight to the bathrooms, noticing that no one was aroud.
Entering, Takeru closed the door softly so no one could hear him. He then sat in one humid and cold corner and hugged his legs. Lowered his head and rested it on his knees. Sighed. He could cry without anyone seeing him.
・。。・゜゜・。。・
You can also find it in: Fanfiction.net & Wattpad
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bagerfluff · 3 months ago
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Split Me Open
Older Takaishi Takeru x Male Reader
Inspiration - you split me open by anatui on Ao3
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Takeru, wasn’t the best with self preservation.
Always rushing head first, no matter how dangerous it was. Takeru would rush head in to stop an evil digimon from destroying something or someone.
Even if that meant putting himself in front of the attack. It didn’t matter to Takeru, no matter how bad the injury was.
A bruise, a cut, a gash, sprained something, maybe even broken.
It didn’t matter to Takeru, as long as someone was safe. When it can to his friends, Takeru could jump off a cliff if it meant they were safe.
Takeru cared about his friends more than anything, he shares that with his brother.
Takeru wouldn't let anything hurt his friends or the world, both worlds.
Especially darkness, Takeru wouldn’t let the powers of darkness hurt anything.
That’s part of what made Takeru himself. Takeru doesn’t care about himself, as long as his friends, family and other people are fine.
Though, Takeru’s not really fighting as much as he did in the past.
With Digital disasters on the low and new Digidestined fighting, Takeru spends most of his days not fighting.
But, that low self preservation is still there. Which is why you are now watching Takeru puke into the toilet.
“What happened?” You asked for the fourth time. Takeru was too busy throwing up to respond the previous times.
Takeru leaned up slightly, “I don’t know”, Takeru rasped. Voice rough from puking for a good few minutes.
You walked further into the bathroom. Leaning down to grab a tea towel from under the sink.
You then kneeled down to Takeru. You tilted Takeru’s head towards you and started to wipe his face off.
Takeru closed his eyes, leaning into your hand. Eventually leaning so far that he fell onto your shoulder.
You stumbled back, now sitting on your butt with Takeru in your lap. You wrapped an arm around Takeru and looked at his face.
Takeru’s face was noticeably red.
His eyes were closed and he was panting slightly. You furrowed your brows, what the hell happened?
Obviously something happened, even if Takeru didn’t know. You had come home after a shift at work to find Takeru in the bathroom throwing up.
Takeru was obviously sick, but how did this happen?
Takeru was tired, red, puking, and who knows what else. You pushed Takeru up, making him open his eyes and sit up straight.
Even though Takeru was swaying back and forth. “What were you doing today?” You asked, making sure Takeru wouldn’t fall before getting up.
“I was working on my novel since you left”, Takeru mumbled. Leaning back on his hand while covering his face with the other.
You sighed, that’s what Takeru’s been doing for the past week. It wasn’t healthy.
Takeru tended to ignore everything when he was writing. His sleep, food, water, bathing, it was a problem.
“You need help, you need to take more brakes”, you said. Throwing the dirty tea towel in the trash and grabbing a new one from under the sink.
You heard Takeru groan as you turned on the water. You soaked the new tea towel in the water.
You then squeezed the towel to remove the extra water. You sat back down on the floor, “come here”, you said.
Takeru scooted closer to you. You then grabbed Takeru and turned him around. So his back was to your chest.
You then started to remove Takeru’s shirt. As you did this Takeru kept moving, trying to find a comfortable way to lay.
Soon Takeru relaxed just as you got his shirt unbuttoned. You immediately noticed Takeru's chest was red.
You ran your hand over Takeru’s chest. Takeru let out a moan, your colder hands feeling nice on his hot skin.
Too hot skin, Takeru’s normally tan skin was pink instead. You then started to move the towel over Takeru’s skin.
Takeru moaned again, letting out a sigh as he let his head rest against your shoulder.
You paid attention, maybe too much attention to Takeru’s chest.
Noticing the water stick to his skin. You moved the towel up and down Takeru’s chest.
Noticing that Takeru seemed to be vocal when you went over his nipples.
You could hear every sound that Takeru made, his mouth right next to your ear.
You rubbed Takeru’s nipples more than you needed to just to hear Takeru moan. The buds now stiff and red, redder than his chest.
“Mmm, thank you Y/n”, Takeru whispered. You hummed, too focused on Takeru’s chest.
Takeru’s chest was covered in scars. Some small, some big, all from his adventures in the Digital World and more.
They were all over, under Takeru’s arms, over his chest, on his abs, even some covered by Takeru’s shorts.
You found yourself wanting to pull Takeru’s shorts down, to trace the scars there like you were doing with the ones you could see.
Takeru also had slight abs, not a lot, but not a little either. Takeru’s moans weren’t helping.
The crush you had on Takeru since you were both children probably wasn’t helping either.
You could feel Takeru’s heart beat, it was slower than yours, anyone's heart beat could be slower than yours.
Your face was now as red as Takeru’s chest was a few minutes ago.
You could also feel Takeru’s hands gripping your pants, he was getting more fidgety.
Moving around at the slightest touch to his chest. “Stop squirming”, you said. Moving your arm to hold Takeru still by his waist.
Takeru turned his head towards you, “mmmm, I like this, thank you Y/n, I like you”, Takeru mumbled the last part. But you heard it.
You stopped moving the tea towel across Takeru’s chest. Takeru was feverish, he was tired and out of his mind.
You dropped the tea towel and moved your other arm, resting your hand right over Takeru’s heart.
His heart was also beating out of his chest. You slowly moved your hand down Takeru’s chest, letting your heart think before your mind.
Or letting your lust think first.
You moved your hand to Takeru’s shorts, slowly pulling down the waist band. “You’re sick, can’t think straight’, you said.
You had to pay attention. Takeru was delirious, plus, he didn't even like guys, much less you, his best friend.
You pulled Takeru's shorts down further, watching as the scar that was once hidden by Takeru’s shorts were revealed.
“I know what I want though, have for years”, you froze at Takeru’s words.
You waited for more, an explanation, just to see that Takeru had fallen asleep. You pulled your hand back and took a deep breath.
Maybe you were starting to get a bit sick. You don’t normally act like this. You’re great at hiding your feelings.
But it looks like it was getting a bit too much.
You slowly stood up, slowly moving Takeru so you were carrying him like a child.
Takeru draped his hands over your shoulder, his head resting on your chest.
You walked towards the bedroom, trying to keep your mind and gaze off Takeru’s chest.
You laid Takeru on his bed and covered him up. Takeru shifted for a bit before fully falling asleep again.
You kneeled down and sighed, you’d have to tell Takeru about his working problems, and what he said.
You leaned forward and kissed Takeru’s forehead, trying to ignore the fact your hand was going down Takeru’s chest to feel his heart beat.
You pulled away slightly, taking your hand out from under the covers. “I like you too, Takeru”, you whispered.
When you pulled away Takeru smiled in his sleep before his face went neutral. You stood up, trying to get your heart to beat normally.
You turned around and walked out of Takeru’s room. You then sat down on the couch before laying on it.
You tried to get some rest, it was late and you worked around today.
Yet you couldn’t stop thinking about Takeru. His addictive moans, his chest, just himself.
Maybe moving into an apartment with your childhood best friend and crush wasn’t the best idea.
Though, if you got to interact with Takeru and see him like that again, and if he liked you back.
It wasn’t so bad.
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coochiequeens · 10 months ago
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These are a lot of examples of something that "never happens".
By Anna Slatz March 28, 2024
A female inmate at the Women’s Correctional Center in Washington has come forward to reveal that she was sexually assaulted by a violent transgender sex offender who was transferred into the women’s prison in 2021.
For the purposes of this article, the female inmate will be referred to as “Mary” in order to protect her privacy and prevent her from experiencing institutional repercussions.
Reduxx was provided Mary’s testimony through letters she passed on to an internal source, who then relayed the information out of the institution on her behalf.
Mary explains that the incident occurred in April of 2022 after a transgender inmate named Christopher Williams asked to be moved into her cell. Williams had previously been serving his sentence at a male facility, and has a criminal history including sex offenses and violent assault.
“Christopher asked if he could move into my room because he said his current roommate was bullying him … I had no issues with him being a transgender. But then he would make weird comments like ‘it hurts when it fills up with blood,’ like he wanted me to know when he was having an erection.”
Mary says that she became increasingly uncomfortable with Williams’ behavior towards her, which had a near-constant sexual undertone. At one point, Williams appeared to become frustrated with Mary’s lack of interest in him, and started issuing disturbing threats of sexual violence.
“He said to me, ‘I don’t know why you don’t want [my dick]. Everyone else does.’ Then he started to follow me into the bathroom. And one time he told me, ‘Just so you know, I can get you wherever I want.'”
Mary says she was voicing her concerns to staff, but was “pretty much being ignored.”
By Genevieve Gluck March 27, 2024
A trans-identified male who sexually assaulted three female employees at a disability support organization, of which he was a representative, has been sentenced to six years in prison for his crimes. Kazumi Watanabe, 57, who claims to “have a woman’s heart,” was sentenced March 27 at the Osaka District Court’s Sakai branch.
Watanabe was first arrested on February 7, 2023, after he was accused of sexual assault by multiple female staff members. At the time of his arrest, Watanabe was the owner and head of Aoi Sodanshitsu, a public company that provided services for disabled or otherwise disadvantaged individuals and their families. The company had an agreement with the municipal government of Takaishi, Osaka Prefecture, which referred people with vulnerabilities to Aoi Sodanshitsu for assistance when needed. Watanabe and his staff would then provide supportive consultations and referrals to relevant welfare services.
According to the indictment, Watanabe sexually assaulted multiple female employees and patrons of the business in 2021, luring them into a vulnerable position under the guise of giving them a “massage.” In order to make his victims comfortable enough to trust him, he’d claim he was not sexually attracted to women and had the “heart of a woman.” After they allowed him to touch their bodies, he would sexually assault them. In at least one of the cases, Watanabe raped a victim by forcible penetration.
One woman, in her forties, was a client of the disabilities counseling project. As Watanabe began to massage her, groping her breasts and genitals, he made comments about touching her “pubic bone,” and suggested he could make her breasts bigger, and made her walk around in her underwear.
In its decision, the District Court stated: “The method of committing the crime under the pretense of a offering a massage by lying about his gender identity was cunning, and the fact that he repeated it clearly showed that he had sexual distortions. He also took advantage of his position. This is a strong condemnation.”
By Anna Slatz March 26, 2024
A trans activist drag queen is standing trial for 2019 charges related to the sexual abuse of a teen boy he met through gay hookup app Grindr. Dwight Evan Chisholm, also known as “Sno Wight,” was already a lifetime entrant of the sex offender registry when he began grooming the boy.
As previously reported by Reduxx, Chisolm was initially convicted in 2011 on charges of sexually assaulting a child and sentenced to three years in prison in Brown County.
Upon his release in 2015, Chisolm was listed in official records as homeless and was therefore ordered to report his whereabouts to authorities on a weekly basis. But two years later, the Wisconsin Department of Corrections lost contact with Chisolm, who had stopped making the mandatory weekly declarations of his location. For the following year and a half, authorities were unable to locate him. 
In December of 2018, the state’s District Attorney’s office charged Chisolm with failure to provide information as a sex offender and a judge signed a warrant for his arrest.
That's a lot of sexual violence from mem who claim to be women
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