#taika's kids right?

[evan-buck]

OUR FLAG MEANS DEATH Season 2 Behind The Scenes

[saltpepperbeard]

*comes back to tungle covered in blood* hi beloveds

[hang-on-lil-tomato]

Well, at least Izzy got to call someone a "rancid syphilitic cunt" before he died, so that's something.

[londonspirit]

Our Flag Means Death’s season-two finale has it all. There’s a declaration of true love between our favorite criminals, Stede Bonnet (Rhys Darby) and Ed, a.k.a. Blackbeard (Taika Waititi). There’s also a heartbreaking death (RIP, Con O’Neill’s Izzy Hands), a pirate wedding that ends with the words “You are now officially mateys,” and some big-time fight scenes. “Mermen” packs a tight punch in only 30 minutes. The episode is both thrilling and satisfying, so even if Max makes the grave mistake of not renewing the series, fans will feel closure in a way that they didn’t with season one’s sendoff. And Our Flag Means Death creator David Jenkins already has some fun ideas brewing for a third season (and beyond!). The A.V. Club spoke to Jenkins about his plans to evolve Ed and Stede’s relationship, potential spin-offs, and how everyone on the show is handling its passionate fanbase.

The A.V. Club: First of all, how dare you kill Izzy Hands? Was that always the plan when you mapped out season two? 

David Jenkins: [Laughs] Yes. I felt that Izzy had reached a point where he broke through a lot of his major patterns. It was fun to give him a season where he got to do everything and where Con O’Neill got to do everything. Well, I won’t say everything, because Con can do light years beyond what I think he can do, and I do think he can do anything. We wanted to show the depth of that character. Izzy is one of my favorites. He’s like middle management who is in a sort of love triangle [in season one]. He got his wish at the end of the first season by breaking up his boss and his boss’ lover. He got punished as a result, and he had to come out on the other side, which felt like a good journey.

AVC: Despite everything that happens in season two, including Izzy’s death, the finale ends on a happy note with Ed and Stede living together. Why was it important for you to show that?

DJ: Season one ends on such a tough note for them. As you said, after what they’ve been through, they should get a moment of happiness. I won’t say however fleeting. They are going to have challenges ahead. They’re both not the most mature yet. I think that’s the fun of it, to leave them in a place where it’s a good kind of stasis. They’ve sent the kids off in the car, so to speak, and now they’re going to have to really grow if they’re going to start an inn. It won’t be easy, but I like that they’re going to try.

AVC: “Mermen” has all the elements necessary for a season finale. Did you partly add all that as a way to provide closure in case this is the end for OFMD?

JD: What’s important to understand is that you never even know if you’re going to get a second season. Maybe if you get picked up for two right away, and even then, but especially right now, who knows? I think with season one’s end, it was a gamble to leave it the way it was. Everybody stomached through it. Now if it turned out they didn’t want us to make more, I just didn’t want to have another story where the same-sex love story ends in tragedy, unrequited love, or if one or both of them are being punished.

AVC: I actually love that about Our Flag Means Death. It reminds me of Schitt’s Creek in a way because the love story just exists and is perfect; there’s no questioning it as right or wrong.

JD: That’s such a nice compliment because I also think Schitt’s Creekdoes that really well.

AVC: You’ve previously said you want Our Flag to have only three seasons. Is that still true or do you feel like the show has scope to continue beyond that?

JD: I feel like Stede and Blackbeard’s story is a three-season story, but the world of the show could go beyond that. It’s a really rich world with so many stories to tell and really good performers to tell it. I do want to see how Ed and Stede become a mature couple in the next season. They’re a couple who is like in their late twenties right now as opposed to being teens at the end of season one.

AVC: So if OFMD continues in some other form, are there characters you’d like to focus more on or other historical references you’d like to include?

JD: Yeah, a lot, because it’s such a rich ensemble. How do you not want to see more of Joel Fry, Samson Kayo, Ewen Bremner, Nathan Foad, or Vico Ortiz? Any one of them could carry their own show. It’s fun to think about that and the storylines we can do with them, mixing and matching all our characters. Vico is incredible, for example, and I especially love watching them in an action sequence. This is a weird comparison, but there’s a Harrison Ford and Sigourney Weaver vibe they put out. I’m such a fan of what they do.

AVC: You also really like parallels and coming full circle as a storyteller.

JD: Yeah, I do.I knew I wanted to start season two in the Republic of Pirates and end by coming back there. Stede goes on an amazing journey between the episodes. He’s thrown out of there initially, but then he comes back as a hero. I like the symmetry of that. And then the Republic of Pirates gets destroyed; it dies. It’s not just Izzy; it’s the place too. It was important to have a home, this stronghold for everyone, be destroyed. But the characters are not crushed. They’re going to try to move on.

AVC: One of season two’s new characters is Zheng Yi Sao, played by Ruibo Qian, who quickly becomes an integral part of the crew. What was the casting process like for her?

JD: Ruibo is an amazing find. One of our incredible casting directors, Cindy Tolan, she had Ruibo in mind immediately for that part by the time it got to her. And we had looked and looked before talking to Cindy. Ruibo has her own fascinating story because apparently, she had a couple of strong premonitions that she’s going to play Zheng Yi Sao. She had a modern take on the part without it being strained. She’s incredible. She’s a trained theater actor with a lot of chops. She has to go toe-to-toe with Taika and Rhys. She did it with such grace.

AVC: Season two takes Blackbeard on an interesting turn of denouncing being a pirate. But in the finale, it’s almost like he’s reborn as one, especially with that gorgeous shot of him coming out of the water. What was the thought process behind this arc?

JD: Thank you. Blackbeard is a guy in recovery when he comes back to the ship when he’s wearing the jumpsuit. He’s trying to hang on and find some kind of footing. Who is he if he’s not a pirate? Meanwhile, Stede is on his way up and wants to experience the rockstar life of a pirate, while Ed as Blackbeard is over it. It was an interesting tension of, which one gives up their dream? A lot of times in relationships questions can come up, like who is going to give up on their dream to take care of the kids? Obviously, no one wants to, but someone ends up giving up more than they want to at some point. What’s wonderful about a mature romance, and what I’d want to see more of in season three, is Ed and Stede making these tough decisions.

AVC: Stede and Ed’s relationship has led to a passionate, vocal fandom, which you didn’t have as you were writing season one. While working on season two, how did you avoid doing fan service and focus on meaningful storytelling?

JD: I never anticipated the strong reaction to season one. It’s incredible it happened. Everybody is buoyed by it in the cast, crew, and the writers’ room. To be perceived on that level with such enthusiasm makes us want to make more of it. A lot of the things the fans love are not different from things the writers love. We are fans of the show. We’re writing fanfic, but it’s called fic when we write it. The big thing for us is to make sure we’re writing beats for the characters that feel true and have moments where all of us go, “Ooooh, we have to do this.” If the beats stay true, it won’t feel like we’re simply pandering.

AVC: How do you break down those beats for Ed and Stede’s relationship as they go from wanting to take it slow to sleeping with each other this season? And where do they go next?

JD: It’s challenging with them because most rom-coms end with couples getting together. They don’t then stay with them and say, “We’re together now, but it’s turbulent; how is that going to work out?” We thought, “Okay, let’s look at our relationships in the room. What have we encountered? Who’s been dumped? Who has had to forgive somebody?” These questions were fun for the second season. I think for the third, it would [be], “Okay, who’s had a relationship for over 10 years? What things do you have to work on?” It’s fun to watch two people like Ed and Stede go through this experience.

[piratecaptainscaptainpirates]

So you want to write about a Jewish Ed Teach - a quick guide to writing a Jewish man of color, by a Jewish moc

Given Taika Waititi is Jewish, I am always so happy when I see fanfic authors writing about Ed being Jewish! We need more Jewish poc rep and I'm always happy to see it. That being said, I've also seen a lot of misunderstandings, so I wanted to to write up a few quick guidelines.

Disclaimer: I'm just one Jew with an opinion, and this is based on my own experiences! I'd love if other Jews, especially other Jews of color, in the fandom would like to chime in with their thoughts as well!

It is possible to be a Jewish athiest! Judaism is membership in a people, and belief in g-d is not required (and, in my community, it's even considered a very personal question!). Some of the most observant Jews I know are athiests; belief in g-d and level of Jewish observance are not directly correlated. Cannot overstate how common it is for Jews to not believe in g-d or go back and forth on the question.

On that note, there are different levels of Jewish observance. Every individual is different, but in general there's Orthodox (very strict), and then, way on the other side, there's Reform and Conservative (Conservative does not equal politically Conservative). Conservative and Reform are very similar, except the Conservative movement tends to be more observant of traditional Jewish law and uses a lot more Hebrew. If you live in an area without a lot of Jews (like where I live!), it's very common for Reform and Conservative movements to have a lot of overlap and collaborate on a lot of stuff together.

Not every Jew keeps Kosher, or keeps Kosher to the same level of strictness.

Synagogue services are not like Christian services, especially outside of holiday services. Ordinary Saturday morning services are often more like a group conversation as we try to work new meaning out of the Torah. The B'Nei Mitzvah, the big ceremony that marks a kid being old enough to participate fully in Jewish life, is more like "baby's first thesis defense" than anything else! There have literally been pauses in services I've attended before as someone ran to the temple library to check their sources.

Not all Jews speak Hebrew. Some Jews might not know any, some might be able to stumble through the more important prayers, some might be able to sight-read okay, some might only know religious words but not modern words, some might be fluent! Just about any level of proficiency is believable.

Ed's got a lot of tattoos! Tattoos are a big traditional Jewish no-no, but (again!) different movements and different Jews have their own opinions. I know a Conservative tattoo artist! It's not something that other Jews would comment on (unless they're just assholes) and it wouldn't make anyone kick him out of synagogue services (no joke, I read that in a fic once).

Hannukah is not the only (or even the most important) Jewish holiday; it's just the one most non-Jews know about. The two biggest holidays are Rosh HaShanah and Yom Kippur. I think Ed's favorite holidays would be Purim (you get to wear costumes and put on plays!) and Passover (retelling of a story along with a big meal!).

Depending on the area and the Jewish demographic, Jews of color can sometimes feel uncomfortable in our own community, especially when other Jews automatically assume we must be converts. While this is a real issue, it is not something I want to read authors who aren't themselves Jews of color write about because it is a deeply inter-Jewish issue.

Depending on the community you grow up in, religious trauma isn't as common with queer Jews as it is with queer Christians. The Reform movement has been advocating for queer Jews since the 1960s (you read that right, yes). I'm not saying there are no queer Jews who have religious trauma, I'm just saing it's a lot less common, and I have always felt immediately accepted as queer in Jewish spaces.

The inverse is not true. Queer spaces are not always accepting of Jews (or of people of color, a double whammy!).

A few stereotypes to avoid: Jews are often stereotyped as being greedy and corrupt. Jewish kids are bullied by Christian kids because "we killed Jesus," when I was ten I had another kid ask to "see my horns." Always avoid comparing Ed directly to animals, especially rodents.

If you're a non-Jew looking to write about a Jewish Ed, I recommend doing some research. MyJewishLearning is a great website that's very accessible.

Every Jew interacts with our Judaism differently, so if you're writing a Jewish Ed, please take a moment to think about what it means for him! Membership in a community? Calming traditions that remind him of home, family, and community? A point of pride - we're a resilient lot! Even just a note in his background that he's not as connected to as he might like to be?

[gentlebeardsbarngrill]

02/19/2024 Daily OFMD Recap

TLDR; Cast & Crew; Rhys Darby; Con O'Neil; Kristian Nairn; Samba Schutte; Wee John Wondays; LubeAsACrew; Stats/Trends; Fan Spotlight; Engagement Prompts; LoveNotes; Daily Darby/Tonight's Taika

Hey All, today's been an off day for me, so please let me know if I've missed something. Hope you all had fun!

= Cast & Crew Sightings =

== Rhys Darby ==

Well, our goofball of a captain is back with more Red Dead Redemption II, check out Part 2 below:

Rhys also did comedy at Bourbon Room Hollywood last week, and = tmiddendorfphoto on IG captured quite a lot of photos of his set. Feel free to visit them:

== Con O ' Neill ==

Whoops! I had this prepped for yesterday then completely forgot, sorry Con! Con was out seeing BettyRules in NYC!

== Wee John Wonday ==

Kristian had Samba on WJW Today! Lots of cool stuff they chatted above! If you're unable to watch right now, there's a small breakdown of various high points below:

View this post on Instagram

A post shared by Kristian Nairn (@kristiannairn)

Highlights/Things We Learned:

Samba baby's name is Ocean

Samba was kind enough to stand in for WJW when someone else had to drop off for work.

Samba loves giving Kristian middle names: Kristian Victoria Nairn / Kristian Alexander Nairn / Kristian Valaria Nairn, Kristian Venereal Disease Nairn / Kristian Damien Nairn / Kristian Nicholas Nairn / Kristian Tabitha Nairn

There were live doves that would shit on you on set, and they shat on Samson

Kristian was a professional Chef

Samba wants to do Cryptic Factor w/Rhys

Samba is big into ufo's and cryptids

Kristian is also into paranormal stuff

Kristian - In New Zealand saw weird things on the lawn of his rental place (weird creatures focused on the balcony of his room)

David Fane - ate all the cheese in Calypso's Birthday

They really appreciate all the fans trying to save OFMD and would LOVE to get a season 3, even if only for 2 hours.

Samba would like ot do a bts/blooper combo but has to get permission first

For the wrap party, the cast members got each other gifts:

Samson got everyone crocs

EDIT: David Fane gave them Samoan necklaces (ty @denizbevan)!

Kristian said his "Gifts got stolen"

Samba gave them pictures / BTS videos

Q: Who was most elusive in regards to BTS?

Joel - also Ewan

Q: Favorite Soup?

Sambas favorite Soup - Chicken Noodle (chicken soup)

Kristian's favorite Soup - Cream of Tomato

Q: Did anything change with Roach in S2?

Yes, he became softer / trusting

Q: Lots of great energy and hanging out between crew members and family, (not something often seen) what do you think led to that?

Casting director Alison Jones - awesome at casting

Energy on set was positive and acceptance from the get go that helped

Sailing training, stunt training, sword fighting together helped bonding

Everyone on the cast was odd, and people moved out together so lots of small found family situations

Long hours together

Note: Stede's story time everyone is actually asleep, cause they've been up for like 18 hrs

Q: What's your favourite dessert, that you could live off forever?

Roach - Chocolate Mousse, really fluffy and airy

Kristian - Black Forest Cake

Q: What was best part of working in New Zealand?

8 hr days instead of 18 hrs days

Nature was gorgeous

Maori Elders did a land blessing

Q: Roach played a lot of roles, what do you think was his main role?

Cook, Doctor, therapist in that order.

Q: Would Aamba release a cookbook?

If enough interest, Yes - OFMD Cast Favorite Cookbook

And Mac and cheese recipe

Cakes and desserts

Q: What's it like being a new dad?

Amazing , no time to catch breath, feeling a lot of protectiveness and excitement and energy to step up and take care of the kiddo So fulfilling, Sambas a great dad.

Original Script / Deleted Scene Stuff:

In original script: Roach was going to end up with the crew of revenge, but then changed the script cause Samba would look like a kid who stole his dads jacket, so Frenchie was cap

Originally Zheng called the crew "beta" instead of "tender" but they changed it.

Innkeeper deleted scenes:

Everyone's eating soup on deck, roach was supposed to be serving people soup, and Fang says "Ah, Leroy, I'm so glad you're alive?" and Lucius goes "I'm sorry do you think my name is Leroy?"

Oluwande was crying, Jim asks if he was, he says no he gets that thing when he's around grass, and Jim says "A yeah lots of grass around here"

Other deleted scene:

Kristian saying "its sizest" doing big guy stuff

And roach says he's stuck doing tall skinnhy guy stuff

Pete asks if he's stuck doing bald guy stuff

More Deleted scenes:

Ewan zip lines over first and yells: "I was born to fly"

Roach zip line screams quietly cause they tell him to be quiet, and then he lands and says, "why its so sticky I wanna go back", and he tries to get back on the rope but Frenchie flys in and knocks him over.

Another Delete scene:

Wee John was going to dress up as cupid, would have encouraged Stede and Ed, who would have danced to "At Last" and then when and boned.

== Samba BTS ==

In honor of Wee John Wonday's, Samba added some more BTS starring Kristian, and shared the video he talked about in WJW regarding Kristian's birthday.

== Lube As A Crew ==

Astroglide sent @Seven_Sugars a carepackage for a lovely review!

== Stats Stats Stats / Trends ==

Thank you @meowzawowza_ as usual for the awesome insight!

Trends! Thank you @merryfinches and @debphotog for catching these!

== Fan Spotlight ==

For those of you not on twitter, you may not have seen @wndrngnomad's collage's she's been doing each day for the cast members! They go back quite a while so I'll add them all to the repo, but they kind enough to give me permission to share them with the everyone outside of twitter!

== Engagement Prompts ==

Over on Instagram @saveofmdcrewmates have some engagement prompts for tomorrow: #CrossoverCruesday. Time to switch it up! What is your fantasy crossover beween another show and OFMD? Crossover AU anyone?

== Articles ==

Special thanks to @heide79728 on Twitter for sharing all these international headlines!

HBO MAX "praised the loyal audience that engaged with the series and contributed to building an interactive community around it." - Article in Arabic

"14 Recommended Series-fans are already deeply engaged in a massive campaign to encourage another network to buy the rights and produce another season to give the story the ending it deserves" - Article in Hebrew

== Love Notes ==

Hey lovelies.

Have you had any water lately? Did you get to go outside and take a walk? Please remember that you need breaks sometimes, even if they're only a few minutes here or there.

You deserve rest-- and when things get rough, your brain needs a couple minutes to reset. Remember to take care of yourself and practice some self-care.

Self care means fun too!

Do something you enjoy that makes you smile. I'm not a fan of sticker/sticky things-- but I know a lot of people who love googly-eyes so I figured this was appropriate.

Anyway, gnight/gday crew, have a lovely one.

== Daily Darby / Tonight's Taika ==

I think I've done this Darby one on these recaps before, but I needed to have a theme tonight, and the them is well, I think you know. Yes that is Taika in the stash, from "Boy".

[punkascas]

okay, so i don't want to, like, Start Something or whatever so we're doing a barely-tagged, separate post. i also realise this is mostly pointless because others have already said what i'm going to say, and did it better, with far more grace, and sound less like an asshole than i do.

but jesus louise helen christ, the weird fucked up ideas people have around abuse and personal responsibility and the effect of trauma. like as an abuse and csa survivor, it genuinely alarms me to read posts that use arguments i remember my dad making. like, i'm assuming most of this rhetoric comes from gen z — maybe that's inaccurate; maybe that's unfair. but right now i'm very much Having A Moment Here that the kids aren't alright.

no 22-year-old should be repeating the same awful, manipulative, logically and morally bankrupt justifications for violence and torture my dad says. like literally what's in the first two episodes of ofmd s2 is torture.

i love ed; he's an amazing character. taika is hella wowza top marks acting him. but like.

like.

torture, my dude. physical and psychological. trauma. harassment. that we see the lasting effects of through s2.

just. i. what??

so here we go, okay. have too many, zealously highlighted screenshots so i can dig into details.

cut to save your dashes. content warning for discussions of abuse and trauma (if that wasn't obvious), as well as spoilers for ofmd s2.

re: ed knew what he was doing was wrong and felt guilty about it at the time:

we have no on-screen, textual examples of this. not in the dialogue; not in the acting; not in the blocking; not in the cinematography or music. nothing.

knowing the crew are overworked and kind of traumatised by all the violence, ed bribes them with cake. because, as we know, cake like tea fixes everything. only ed wasn't even with them to share in the eating of the cake. he made izzy responsible for that. he doesn't give the crew a break; he doesn't choose less ethically-fraught prizes to hunt. there is not one scene of ed talking directly to the crew — until he points a gun at each of them.

we see ed crying (and drinking, and rhino horn-ing [way to help further extinction, man]) but it's always paired with shots or flashbacks that reference stede. ed is still all up in his feelings about stede, and ed confirms this when he tells frenchie the myth about albatrosses never needing to return to land. ed cannot go back, does not want to go back, because he was rejected. (like, stede is literally landed gentry, come on!) all he wants to do instead is stay at sea committing to this unhinged version of unstable, sadistic piracy.

but okay, okay. say we ignore all of that. let's say ed does feel sorry and guilty and ashamed of his actions. he knows what he's doing is wrong and unfair and cruel. that it's harming others. that it's particularly harming the dude that ed has, for better or worse, basically spent his life with (izzy; i mean izzy). ed… still continues to do the things! how far off are we at this point from the definition of malicious? you know action x hurts person b and then you do it anyway. is that honestly a better, happier, more ethically defensible reading of the character?

re: the crew didn't mutiny because they love ed despite his violent, sadistic actions.

mutinies were a thing, yes. but both historically and in the world rules established by the show, mutiny is disincentivised through threats, distraction via extra work, and corporeal punishment. we see both ed and izzy use all three of these to try to prevent the crew from disobeying orders. they didn't wait until the storm and izzy shooting ed to mutiny because they understood or sympathised with ed; they took the chance to kill him then because that was the first real opportunity they'd had. the reward finally out-weighed the risk given that ed was going to kill them all that night anyway.

again, we have no scenes, no dialogue, no visual or audio cues to tell us that the crew understands or loves ed — excluding izzy, obviously. fang could also be on that list, if you take into account his personality and his behaviour both in s1 and later in s2 in the fishing boat scene. but in the first two episodes, we only see the crew show trauma responses around ed. they talk about him but almost never to him. and when they do have a direct conversation with ed, it is either confrontation or head down, submissive, "of course, blackbeard; anything you say" placating. i'm so baffled where the show points to any sign of love from the crew towards ed before his "death".

re: ed can't be held responsible because he was suicidal.

uhm. no. hard no. a harder no than stede's brazilian cherry wood mast. fucked up people do fucked up things but part of being an adult is owning your fucked-upped-ness and not fucking up others while you work on unfucking yourself. children, children are not fully responsible for the impact of their actions on others when they're deep in their feelings, especially if they're feeling their feelings as a trauma response. this is because literally their brain cannot do that kind of control. it doesn't have that software pack installed yet. ed does have all the adult updates installed, even if he isn't running them at that moment. he has no right to take out his feelings on other people: to maim them, to psychologically torture them, to abuse them, to work them to exhaustion. to kill them. he does not get a free pass to do suicide by abused employees. (like suicide by cop but more indirect and passive and harmful.) talk about passive aggressive.

secondly, ed is not just passively suicidal and happy to find new risks that might end his life. he is very purposefully taking izzy with him (see: literally removing the bits of izzy that would help let him walk away from ed; the fact that ed becomes actively suicidal only once he thinks izzy is dead; the whole keeping izzy's corpse in front of his and stede's beach shack i mean inn — the codependence, she runs deep). ed is also putting the crew through the same risks, the same isolation, the same danger. both stede and izzy agreed that ed had gone full scorched earth policy. you don't get forgiven for the murder part of a murder-suicide pact just because of the suicide part. not to mention that no one (once again, you could potentially argue izzy as an exception) was good on a murder-suicide pact with blackbeard.

and then to say the crew felt guilty? i assume i'm misreading that. the crew. felt guilty. for ed's actions. that is, if not victim blaming and if not darvo, a very close inbred cousin of them. like hapsburg jaw inbred close.

re: ed healing and his view of himself as a monster.

to heal means, in part, to accept responsibility for the harm you've caused, whether it was intentional or not. it means making amends. it means building or rebuilding relationships where possible. it means putting the other person or persons' feelings and boundaries and need for safety above your desire for absolution or forgiveness. it means working through your own guilt and shame and anger (or whatever drove you to act the way you did) in a separate space, not with the people you hurt, but someone who can be a step removed, more impersonal and objective to help you reflect and face hard truths as needed. i say this as both someone involved in activism and community reparations and as an abuse survivor who has done nearly 30 years of therapy learning this in order to not hurt people. it's not ed's fault he's fucked up just like it isn't my fault i am. but it is on me, like it is on anyone, to make sure i limited as much as possible the harm i can cause to others because i learned some awful but very effective tricks at a young age to survive.

ed does not really do any of the above. he doesn't say "sorry". he speaks in generalised language. he complains about the cat bell (which he seems to wear only for one day, given the implied timeline with lucius and pete's engagement). i have a model ship on a stand that says "this is a safe space ship" as a joke because i work for the government and have written press releases that sound just like ed's "apology". where you take no responsibility and encourage "the culture" to move on.

so, really, my question becomes: ed sees himself as a monster. in s1, we had enough balance between ed's current actions and his referenced past actions to see this belief as likely untrue. in s2 though — i mean, is it? is that an unfair or inaccurate belief? i can understand how carrying that belief can get in the way of ed's growth and eventual healing but like. from an outside perspective of ed-the-fictional-character. he's not a "good" person. he's capable of and has done and continued to do horrible, cruel things. ethically, can you argue with that statement about him?

re: ed trying to destroy relationships because of his self-worth issues and instead the consequences of his actions proving that he's loved.

this is the point that made me go: right, no, i need to respond. i need to say my piece about this. izzy and the crew suffering ed's violent tyranny and then sticking around on the revenge anyway afterwards is not a sign of love. it is not showing love to bear pain for someone. it not showing love to let someone mistreat you, threaten you, hurt you, maim you. their actions are selfish and done to give them feelings of power and control over you. lying back and thinking of england to get through it is not love. it is absolutely a survival technique. but it is not love when you do it at the expense of yourself or others.

i also disagree that ed was trying to push people away or break his relationships with others. we know from s1 that ed is fairly blasé about whether crew members die. again, we don't see any friendly or intimate exchanges between ed and any of the crew to imply any kind of relationship there beyond "tools who accomplish ed's goals". the one exception, as always, is izzy. and as previously stated, ed seems bound and determined, in a very conscious way, to bring izzy into death with him. ed does everything in his power to make izzy want to kill ed, or at least agree that it's best if ed dies, and to want to kill himself so ed doesn't have to die alone. that isn't ed breaking that relationship; it's making it permanent in a really fucked up shakespearian way. the only relationship we see ed waffle between wanting to keep and wanting to push away is stede. after his corporate "apology" and the fishing trip with fang, all of ed's dialogue is with stede and a little bit with zheng until izzy's death scene. the crew loving ed just isn't a thing, at least not one we're shown. not from either side. ed's relationships are with stede and kind of, sort of with izzy (because he does manage to, if not fully break, do some major damage to that).

love did not save ed. ed wanting to live, because stede came back, because he didn't want to jump off hornigold's cliff in the first place, saved ed. izzy saved everyone else.

so yeah: that's it; that's the post. the rhetoric that abuse is love or that abuse can be "cured" with love or that trauma isn't lasting and serious and has impacts on people's daily lives is just. wild. wild.

and terrifying.

my dad was born in the 40s. why is anyone born in the 80s or later still defending this mindset? it honestly, truly freaks me out.

guess it's good i have a fucking therapy appointment on monday.

[taika-taika]

@eldritchblastingcutie

This dimension was yet another disappointment. It had only been a few hours since Taika had dove through the rift, but she was already certain this wasn’t the right place. Nobody was tall enough here. She remembered everyone being tall when she was a kid, and of course she’d expect them to be a similar height to herself.

She walked aimlessly, head bowed, only barely keeping the tears back. She should have picked a dimension and stuck with it many dimensions ago. But every time she was lucky enough to spot a rift forming, she couldn’t fight the feeling that this might be the one that took her home.

Taika gave a frustrated groan and rubbed her eyes under her glasses. Starting over AGAIN. She can’t keep doing this forever! Someday she needs to just settle for what she has. She sighed, and when she righted her glasses again, she froze.

That is the tallest person she has seen in her adult life.

Oh god, don’t stare! But don’t avoid looking either. How do you look normally?? What do I do with my HANDS. Oh god why am I walking towards them whyyy- “Good- good afternoon! Same- same hair?? Hahah…”

Braids! We both have braids. That’s a normal thing to point out to a stranger, right? Not being weird at all.

[rhysdarbinizedarby]

“I Love Taking Risks”

Returning for the second season of his hit comedy series Our Flag Means Death this month, Rhys Darby chats to us about becoming ‘The Gentleman Pirate’.

It was the surprise hit of 2022 no-one had on their bingo card. Loosely based on the real-life exploits of Stede ‘The Gentleman Pirate’ Bonnet (Rhys Darby), Our Flag Means Death tells the hilarious and heartfelt story of the wealthy Barbadian landowner who gave it all up for life as a pirate in the 1700s.

After encountering the actually not-so-terrifying Blackbeard (Taika Waititi) of legend, who teaches him how to be a fearsome pirate – to little effect – in exchange for wisdom about the finer things in life, the two formed an unexpected romantic connection.

Of course, with the first season ending with the pair sadly going their separate ways, creator and writer David Jenkins previews things will be challenging for our star-crossed lovers in season two: “I think [we’ll be] watching… both reorient themselves. This is their first love… You’re rocked when that happens. You go into a crisis.” With the second season premiering this month, picking up a short time after the first, Darby sat down with FOXTEL magazine to give us the lowdown.

What’s your take on ‘The Gentleman Pirate’?

It’s an interesting role because this is a guy who has a midlife crisis, leaves his wife and kids, just runs out in the middle of the night and creates a pirate crew, heads off into the sunset. And in order to sort of get to grips with who would do that, you need to have someone play the role that you’ve got to root for but, at the same time, you go, ‘Is he crazy? Why has he done this? Does he not love his wife and kids?’ So, you know, I did a bit of reading about him and tried to get into that mindset as to why he would do such a thing. And I think what I got to was just midlife crisis and boredom, and he had the wealth to change his life.

Are you a risk-taker yourself?

I love taking risks; I could drop everything and suddenly fly to Mars, but I’d be sitting in the spaceship before launch and thinking about my kids and I would have opened the door and run back to them.

So there was something there, some deep-seated darkness in his soul that led him to that point. He’s a complicated guy. I’m glad I had to rise to the challenge and try to pull that off.

Will Stede ever be respected by his crew, do you think?

Yes. I think he will be. People did respect him eventually because he did become a decent pirate. If you look in the annals of the pirates and all the booty they took, there’s lists of who did the best and all that kind of stuff, and Stede’s up there.

Do you think he had any regrets about choosing that life in the end?

That’s a good question. If I was to guess I would say no, because he wanted the adventure. He regretted, in the end, not taking the pardon when he could have – the King put out a pardon and he said, ‘If any of you pirates come in and drop your swords now, you’ll be spared.’ A lot of them did sign that they would do it and then just went back to pirating.

Even in the end, Stede tried to get out of it – he really begged and pleaded and wrote letters to the King saying, ‘Please, I’ll do anything.’ But they wanted to make an example of him: it doesn’t matter how wealthy you are, you do what you did, you’re gonna hang. So they got him in the end. But they won’t get me!

You seem to have a knack for picking great roles. What does your process entail?

Yeah, it depends what you’re doing. You know, I’m not at a point where offers are rolling in left, right and centre. So you still do things because you need the money. But I’ve been lucky that my uniqueness has only really gifted me roles that suit me, for the most part. Usually they’re smaller roles and I do a lot of guest starring on comedy shows. Also, I have been lucky enough to do a lot of voicework through various animation channels and video games and things.

A few years ago, people started to realise that, and it’s through working with Taika and a few others in the comedy industry, that if you’re going to hire me, he’s going to give you a bit more than what’s on the paper. And he’s going to do it in his manner and his way, and that’s what you’re sort of paying for.

And so that meant that I wouldn’t get a lot of roles, but the ones that I did do, I would always shine in. So thank you, universe, for giving me anything.

Source: Foxtel Magazine Australia (October issue)

[musclesandhammering]

Unpopular Phase 4 & 5 Opinions

Quantumania is the worst Phase 4/5 movie. And it wasn’t even because “kang got beat by ants.” (I liked kang in this movie). It’s just that the Spy Kids aesthetic & bad acting & overall weird vibes just weren’t for me.

Love and Thunder is no worse than Ragnarok. I would argue that it’s better in a lot of ways, actually. I really liked it.

Taika Waititi ruined thor with bad humour all the way back in Ragnarok tbh, but y’all weren’t complaining about it then 😒.

BuckySarah is better than sambucky every day of the week.

The Marvels was a good ass movie & they’re one of my favorite teams in the mcu. I’ll never forgive cbm sites & online dudebros for killing the hype from the moment the film was announced.

I adore America Chavez & Kamala Kahn and I want to see them in everything. They must be protected at all costs.

Multiverse of Madness had shitty characterisation & basically just copy-pasted the ‘grief made me go off the deep end & hurt people, then I realised and stopped myself’ storyline from Wandavision… but Wanda was extremely selfish & apathetic to other people’s suffering from the time she was introduced in the mcu. MoM didn’t make her like that.

Wanda should’ve been looking for Vision (her actual real life boyfriend whom she spent years with irl) in MoM instead of the kids that weren’t even real that she spent like a week using as characters in her sitcom.

Making everyone forget Peter Parker wasn’t profound or poetic in any way- it was just frustrating and needlessly cruel.

I’m begging marvel to understand that heroes don’t have to be in constant suffering to be heroic & villains don’t have to sacrifice themselves to achieve redemption. Let characters heal and atone, you absolute weirdos.

What If…? is the most boring show ever. I’d rather watch Secret Invasion or She-Hulk.

Season 2 of Loki is, in a cinematic & artistic sense, the best marvel project period.

Loki season 1 was meh- more of a fun au than anything because his characterisation kinda sucked. Season 2 fixed it, though, and made it way easier for me to incorporate this version of Loki back into the larger mcu.

Having Steve stay in the past with Peggy was stupid af.

I don’t hate Peggy (or Captain Carter), though. I actually think she’s pretty cool.

I don’t really love Steve. He’s arrogant & they never really let him have flaws & something about him being a perfect metaphor for the American military industrial complex (and marvel painting that as a good thing) doesn’t sit right with me.

The Illuminati got done dirty and the only reason they went down so fast was because Wanda had all that plot armor.

I thought the retcon of having Wanda be “destined” to become the Scarlet Witch since birth was an annoying cop-out. Her powers originating from being experimented on with an infinity stone was way more interesting.

Loki & Wanda have almost the exact same powers.

Nebula deserved a bigger rule in killing Thanos & everything else moving forward.

I love Kathryn Newton but her acting as Cassie Lang was the worst acting I’ve ever seen in the mcu, like it was outrageously bad.

I’m glad Sam is the new Captain America and not Bucky.

The fact that Bucky probably isn’t gonna be one of Thee lead characters in the upcoming avengers movies feels sick and twisted.

Secret Invasion was actually passable until the G’iah scene at the end. That ruined it. And Nick Fury deserved way better for his solo series.

Kang is so much more interesting than Doctor Doom. I really hope they just recast him.

Carol Danvers does NOT deserve the hate she gets.

I actually disliked Carol until The Marvels. That movie made me a stan.

The way people treat Monica as Wanda’s little inferior pet creation or smth & then brag about it is uhh very sus.

I don’t like sylvie (bc she’s an amalgamation of 3 different comic characters- which killed any hopes of them appearing individually in the mcu, the creators used her existence to butcher Loki’s genderfluid rep, & she was written poorly) & I HATE sylki (bc it’s weird & unnecessary).

Marvel isn’t dead. I actually love where they’re taking things. But that’s just me.

[o-wild-west-wind]

It is the 1 year anniversary of the OFMD finale, and also the 5 year anniversary of my uncle’s death. For no particular reason, I’m feeling compelled to write something about it, so…here goes. This is more for myself than anyone else, but I guess I wanted to put it out there in case it resonates with anyone. I know a lot of us have found healing through this show 💛

When I first found OFMD, I was still in a state of mourning. The loss of my uncle hit me hard; I had been living with him on my breaks during college, and with no kids of his own, I was also his primary caretaker when he was ill. He took me in when my MAGA dad—his brother—couldn’t look at me without starting a fight. In many ways, he was the dad I wished I had.

And then, before he was ready to go, he was gone.

It wasn’t until after I started going through his things that I finally confirmed that he was gay (a copy of an application to be a mentor for the Trevor Project, and a sizable collection of gay erotica LOL). As nice as it felt to know, it also gutted me—because we had both feared backlash from my homophobic dad, neither of us had ever come out to the other. I felt an overwhelming amount of regret for never having talked about it with him, and I especially regretted that he’d lived alone, aside from me. I regretted that I’d never know if he had had the chance at love.

His death snapped something in my brain; I lost my spirituality, became obsessive about death, and was convinced that I was on my deathbed myself. I tried multiple different therapists, but nothing worked. And as years went by, I still felt the fog of grief, depression, and paranoia. The bitterness that my uncle could never be himself to his own family compounded on my bitterness that I had to hide myself in the same way, and I resigned myself to a life I felt almost to be condemned.

When OFMD started, my partner (a longtime Taika Waititi fan) suggested it to me, knowing how much I was looking for a distraction (and a laugh). I’d just been diagnosed with an alphabet soup of neurodivergencies, and told myself to hang onto the world at least until I could get my meds sorted out; but I had months to wait for my appointment, and I needed something, anything, to get me by until then.

So this silly little show came around, and it genuinely felt like the first seedling of spring after a long winter. It was fun, and funny, and just the world I wanted to escape to—but it was also about self-acceptance, love, queer joy, and—in its surprisingly understated way—death. It was a space to explore the themes that had haunted my own life, but in an overwhelmingly uplifting vessel. And it finally hit me that my uncle had never really been alone, like I’d assumed; there was and had always been a whole world of people out there, young and old, like us. We’d carved a space for ourselves, despite. It was the first time I really started feeling that it was okay to just…be.

I got onto an upward trajectory from there—I finally got on meds, came out to my close friends (half of which came out to me in turn lmao), and—thanks to Stede—found the courage to quit the job I hated and go back to grad school. But when S2 dropped, it really felt like the closure I didn’t even realize I needed. I’m not even exaggerating when I say that Ed’s arc basically cured my death anxiety—and the closure of his issues with his own father figures really helped me find a closure with mine.

I guess I say all this as a reflection of what this show gave me, and also in gratitude that a year later, I’m still in awe at the lasting power of its healing medicine. I still have my shit, and I’m working through more loss and grief I experienced during this span of time, but I’m honestly feeling…okay. Like I can breathe again, for once—no longer like I’m just waiting to drown.

I know that this piece of art just managed to be exactly what I needed at exactly the right point in time, but FUCK, am I glad it was. I’m devastated we don’t have more, but I’m so, SO grateful for what we ended up with, because it was exactly what I needed.

And while I wish I could’ve watched it with my uncle—he would’ve loved this show—I’m so grateful that it has turned his memory from something of deep pain to that of humor and joy. Like so many of the characters, he was funny, and brash, and caring beyond belief; he gave me my love of sailing, and taught me to treasure fine things, laugh in the face of hate, and never to give up on what I loved.

So cheers to you, Uncle R. Cheers to the renegades. And cheers to queer joy—because it feels good for the flag that once meant death to me to finally have a new meaning 🏳️‍🌈

[darerendevil]

Excerpts:

Do the characters Murphy plays stay with him? He talks about playing Tommy Shelby on Peaky Blinders for a decade. “By the fifth or sixth season he would be driving the car, not me ... I understood the character so well that sometimes he would make the choices, not me.” He laughs. “That sounds really pretentious and wanky, but that’s the truth.”

Murphy’s wife, Yvonne McGuinness, is a visual artist, and one of their two sons, Aran, who is 16, has been cast in Taika Waititi’s adaptation of the Kazuo Ishiguro novel Klara and the Sun. At home “there’s an awful lot of discussion about books and plays and shows”, says Murphy. “That’s always been the way if you’re two artists who are in a relationship – and then, naturally, the kids get stuck with it.”

Has he been enjoying the ceremonies? “Much, much more than I anticipated,” he says. “And mostly because you meet all these people whose work you’ve admired and watched throughout the year, and you get to have a really good chat about this sort of stuff, about art and music and making things, and that’s been, for me, the best part ...“I will say that it’s been so brilliant being out there and seeing all this amazing Irish talent, seeing Barry Keoghan and Andrew Scott and Paul Mescal, and then Ed Guiney and Andrew Lowe, who produced Poor Things. It is a staggering footprint we have on the world of cinema.”

“I think the most important thing is that we support and encourage and promote the next round, the next generation, all these young film-makers and actors who are coming up,” he says. “I think Screen Ireland is doing a good job of that, and I think the Government has got to keep funding it. I think it’s up to my generation, too, to encourage the next. I remember working with Brendan Gleeson [early on], and he was the most open, patient, kind man. He gave me a lift home and really listened to me when I asked him questions. He had no need to do that.”

Is he more conscious of that because Aran is now in the acting world too? “I am,” he says. He pauses and adds: “And he did that on his own ... It’s the next generation are the most exciting ones. Barry Keoghan and Paul Mescal, it’s kind of staggering how good they are.”

Is he nervous about the Oscar ceremony? “I get nervous, but there’s nothing you can do. I mean, the die is cast, and what will be will be. You just try to have a good night.” But he’d like an Oscar, right? He laughs and then smiles enigmatically. “No comment.”

[imabeautifulbutterfly]

Once Upon a Time on the Razor Crest

Summary: First steps to friendship

A/N: Hello lovelies,

I hope everyone had a good week. I just want to put this out there as someone who works in the medical field, please be kind to doctors, nurses, technicians, receptions, and cleaning crews.

Just be kind in general. I had a rough week with a very rude patient. It might not seem like much but after a while it takes a toll. So to everyone and anyone who needs to hear this, thank you for all the hard work you do.

Love oo

Due to the past history of the OC there will be discussions alluding to past domestic abuse, please note that as it could be a trigger for some.

Warnings: discussions of lunch, trying to avoid isolation, mentions of past trauma (blink and you'll miss it), discussions of being dirty (physically), possible mud (use your imagination). If I miss any warnings, please let me know.

AO3 Link |   Words: 909 |   Previous -> Next

Main Master List   |  Once Upon a Time on the Razor Crest

THE CRESTWORLD

CHAPTER NINE

As we watched Taika and Misty munching away, it made me remember we needed to eat too, “Din, what do you want for lunch? There’s some leftovers from last night’s dinner or I could make us a sandwich and salad …”

“You know…” he cut her off, realizing he needed to make more of an effort with her. 

Sure she was his employee, but he was also the only person she knew out here. Cobb and Fennec were always busy in town and the surrounding areas,  and Fennec had even less time than Cobb, being Boba’s right hand. Then there was Grogu, and as fun and enjoyable he was for a little kid, it wasn’t the same as having someone around her own age to hang out with. 

He nodded to himself, resolving he needed to do better, “You did a really good job today, Ann. Looking after Bessie, milking her, noticing there was something off about her. You could’ve easily brushed it off, or not even bothered to tell me about it. But you did, and because you did, I can tell you there will be a new addition to the ranch. Nerfs have a faster gestation than most quadrupeds. We should have a new addition in a month or two depending on if it’s a bull or calf. Not to mention you fed the nunas and collected the eggs, even though I know it freaks you out a little. I even noticed that you stamped the eggs with the date, and put them away. Cleaned out the pens as best you could … before I got here.” He smirked.

I tilted my head to look at him, resting my head on my arms that were propped on the railing of the corral. I didn’t say much, simply looking at him as I narrowed my eyes at Din, “I can’t tell if you’re making fun of me, or if you’re being genuine”

He chuckled, as he glanced over to her, shaking his head. “Genuine, I’m being genuine,” he turned back to look at Taika and Misty, “plus, I owe you for this morning.” 

I smirked, focusing back on the horses, “So … does this mean, I’ll get a pay bump?”

“Ha! No.” He stood stretching, “However, I do believe, your good work today, and for my …”

“Assery?”

“That’s not even a word.”

“Words aren’t words, until you start using them more often”

Din shook his head laughing, “Anyway, I do believe this entitles you to lunch on me. How about we go into town for lunch? I know a good restaurant.”

“Oh, um … yeah, I guess…”

He hadn’t expected that reaction, “Do you not want to?” Din glanced over to her.

A thousand scenarios ran through my mind, my biggest concern was bringing danger to this small town, but … Fennec went through a lot to cover my tracks so I could make it here. I couldn’t keep hiding on the ranch like I was. I needed to stop letting my ex dictate terms. I needed to start living again. 

I closed my eyes, and reminded myself, I wasn’t that same weak girl, he initially married.

 “No. No.” I focused on the landscape before, taking in the beautiful mountains, the crisp air. I was far away from him. “I’m up for going into town. After all, I need to see more of this area, get to know the town and people. As beautiful as this ranch is, I can’t exactly be holed up here forever.”

“No. You can’t” he smiled.

 I smirked, as my eyes glanced down, looking over my dirty outfit, “Maybe I should change? Take a shower at least?” My hand subconsciously went to my forehead and hair, wiping away some of the sweat and dirt.

Din shrugged, “You can if you want to but there’s no need, we’re going to a diner, not some fancy five-star high-end Coruscant restaurant. Plus this is a farming town, we’re all used to being a little dirty.”

“Hmmm … Well, I guess, if you’re going like that” I motioned to his shirt, “then I guess I can go like this” I motioned to my less than stellar outfit.

“What’s wrong with what I’m wearing?” He looked down, sure there was dirt, hay, dust, some grass strains, and something … he hoped but wasn’t entirely sure was mud. The more he thought about it, the more he changed his opinion, “You know, now that you mention it, maybe a change of shirt wouldn’t be the worst thing.”

I chuckled, nodding in agreement, as he tried to flick a nondescript dark matter off his shirt towards me. I squealed, flinching away from him, increasing the distance between us. “Hey …” I held up my finger as I moved further away, “I’ll have you know, I have enough of my own questionable dark matter on me, I don’t need to take on yours, too.” I shouted over to him, when I was far enough away and headed back into the house.  

Din watched as she headed back to the house, slipping off her boots before she went in. 

He stood in the open glancing over to the pens, the horses grazing, and Bessie chewing away as she stood there looking at him, and he couldn’t remember a time he felt this content from cleaning the pens and grooming Taika and Misty. He shook his head, pushing his thoughts aside as he headed into the house to change.

AO3 Link |   Words: 909 |   Previous -> Next

Main Master List   |  Once Upon a Time on the Razor Crest

@littlemisspascal @sprout-fics @liadamerondjarin @badbatch-simp24 @spicymcnuggies @lady-ren @firstofficerwiggles @darkangel4121 @discofern @kavecika @monako-jinn-stories @ladykatakuri @avathebestx @theroguesully @furyhellfire66 @carodealmeida @ciramaris @twinkofthedink @dindjarin-mandalorian @tortor-mcgee @sarcasmismyonlydefense24 @chiyo13

[michaelhholden]

Every Taika Waititi film ranked by how much I liked them, while I count down the days to the release of Next Goal Wins (my most anticipated movie of the year!)

DISCLAIMER: I like all Taika Waititi films, so don't get angry at me

7. Thor: Ragnarok (2017)

Fun and colourful, I love Korg, Jeff Goldblum is great, but to me this is just a Marvel movie. Sorry, Marvel fans, this movie was just OK.

6. Thor: Love and Thunder (2022)

More fun and colourful than Ragnarok, loved Christian Bale, loved the kids, loved Jane Foster's arc (I thought it was well handled!). There was a bit too much Korg, I admit. People say this movie had too many jokes and didn't take itself seriously enough. Well, of course it didn't! It's a movie about gods and aliens and stuff in space! Honestly it was a blast and I liked it better than the third one. I said what I said.

5. JoJo Rabbit (2019)

This is a great film, we all know that. It speaks really well of Taika's filmography that it's so down on the list. It was hilarious and adorable and important. I feel like the comedy-drama could have been better balanced, I couldn't fully connect emotionally. Still, it was great and hilarious, the parody aspects were really well done and I really liked it.

4. Hunt for the Wilderpeople (2016)

This one is really funny, it doesn't get enough credit for how funny it is. I loved the too leads, especially Sam Neill, I wasn't sure how well he'd fit into Taika's style, but he was fantastic. A really fun film.

3. Eagle vs Shark (2007)

All Eagle vs Shark haters are wrong, this film is great. Lily is the most adorable person, Jarrod is a dick but played with so much love that you can't help but emphatize with him and hope that he gets a redemption. The story was so sweet, I was actually, like, 'awww'ing out lout at times. Also the small town vibes and the awkwardness, and the feeling of having a giant crush on someone you have never really spoken to, it's all so real, I really love it.

2. What We Do in the Shadows (2014)

That I didn't rank this as number 1 is a surprise even to myself. This is one of my favourite movies and maybe my favourite comedy film of all time. I love the show as well, but to be honest I think the film is much much better. It's just- the vibes, man. The documentary aspect is fantastic. Also, Stu.

1. Boy (2010)

This movie feels like being told a secret, it's so personal. It is small and self-contained, but at the same time it creates a world so huge and lived-in that it's hard to believe it wasn't really filmed in the eighties. The kids are adorable, the scenery is so beautiful, the story is so heartfelt and full of emotions it genuinely made me cry (not for anything in particular, just everything had been done with so much love, it made me feel so many emotions and they could only escape through tears). It is Taika Waititi's masterpiece. Where he usually leans more into the comedy, here he lets the seriousness take over when necessary, and it really works so well. I just love this film, it is amazing, go watch it right now.

...and that's it. Taika Waititi is probably my favorite director at the moment, he's got a vision and is very good at realising it. He writes heartfelt and funny stories, likeable characters, amazing dialoge and his films always look very pretty. Totally recoment any of the ones in this list!

[jaskierx]

Not just about Taika (although of course a lot with Taika) but the number of times I've seen on Twitter someone talking about whatever celebrity, getting a comment saying that person is a Zionist and you're bad for "ignoring" it to support them, and then immediately backtracking like oh my god I didn't know I'll never watch them again *without doing ANY further research*. And half the time if there even *is* anything it's just the celebrity said "I want the hostages to be freed because there's civilians and kids in there". Like there HAS to be a scale here, not everyone who isn't shouting pro-Palestinian stuff online 24/7 is a "proud Zionist", and this kind of attacking people for not having the perfect response right away or not knowing enough on the issue yes, even now, because most of us have gone our entire lives *surrounded* by pro-Israel propaganda that is just starting to get broken through, is just going to push people away! And on top of that, no one should just be blindly believing random people on the internet or tumblr posts that say so-and-so is totally a Zionist and pro-genocide without looking into it further, half the time you're just doing antisemites' work for them.

it's maddening as well because as i keep saying it's diluting terms that actually mean something important

the more you say 'xyz is a proud zionist who supports genocide' about people who have done fuck all other than exist and be jewish, the more difficult you make it to call out people who actually are proud zionists who support genocide

and celebrities in the entertainment industry aren't here to be our moral compasses! they're literally just random people who happen to have a platform and yes it's great if they use that platform for good but they're not obligated to become an expert on every single geopolitical issue and take a public stance on every conflict. they're not activists. they're not politicians. they're not heads of state

stop harassing celebrities and their fans when you could be doing actual useful shit like contacting your elected officials or going on a protest or giving to charity or volunteering

[gentlebeardsbarngrill]

04/10/2024 Daily OFMD Recap

TLDR; Ruibo Qian; Kristian Nairn; Gypsy Taylor/Big Gay Energy Podcast; GlaadForOFMD; Daily Calendar; Watch Party Reminders; Fan Spotlight: Cast Cards; Never Left; Our Flag Means Fanfiction: Re: Izzy's Ring; Stede Quotes Twitter Polls; Mini Love Notes; Daily Darby; Today's Taika.

= Ruibo Qian =

Just a cute pic from our favorite Pirate queen. That hair <3 Img Src: Ruibo Qian's IG

= Kristian Nairn =

Wanna check out the new music? Visit: Kristian's Linktr.ee

Kristian also confirmed he'll be joining @/comicconnordics May 3-5 in Stockholm! For more info, visit Comic Con Nordic

== Gypsy Taylor / Big Gay Energy Pod ==

@adoptourcrew Was kind enough to do a much bigger breakdown of the Gypsy Taylor interview on @biggayenergypod's Podcast. If you haven't given it a listen already, please visit: If you're a reader as opposed to a listener, here's AdoptOurCrew's IG stills regarding it. (Read from left image to right, down, left to right, etc)

== GLAAD For OFMD ==

If you haven't voted for OFMD on the GLAAD fan favorites, please do! Did you know you can vote with multiple emails or even the same email? Well you can! Please click here!

== Event Calendar ==

Today is another Vacation today-- but think about what you'd like to share for #WhyWatchOFMD tomorrow!

== Watch Party Reminders! ==

== Flight Of the Conchords ==

Today we're on Season 1 Ep 7 and 8. Join OFMD Crew, and @iamadequate1 this week for Flight of the Conchords watch parties! You can watch each day at 4pm PT, 7 pm ET, 11pm BST! If you don't have access, feel free to join us on the #RhysDarbyFaction Discord server, you can hit me up for an invite.

Hashtags:

#FlagOfTheConchords

#OurFlagMeansDeath

== Taskmaster NZ ==

*Please Note*: @ineffablecollision was kind enough to let us know of some desyncing issues! Thanks friend!

"During the TMNZ watch party, depending on where you watch, you *will* get desynced! I don't know if TVNZ kept the ad break bumpers, but Ch4 has one missing (TMNZ has four ad breaks compared to TMUK's three, so they cut to fit), and YT has them cut altogether!"

Series 1 continues Friday at 11am PT / 2 pm ET / 7 pm BST on any of the @saveofmdcrewmates socials.

#Quartermaster

#OurFlagMeansDeath

Taskmaster

== Fan Spotlight ==

= Cast Cards =

Today's cast card is Boris McGiver, aka Father Bonnet! Thanks @melvisik for making sure he gets a spotlight as well! I personally enjoyed him in Person of Interest!

== Never Left ==

New Never Left episode! Part 4 of the Beautiful Princess Disorder! Please give it a listen if you have the time! Never Left Linktr.ee

Artwork by @AmyBirdHouse

== Our Flag Means Fanfiction ==

Have you been wondering what all the buzz is about regarding Con's ring? Where it's coming from is the Our Flag Means Fanfiction podcast which was linked on a previous day.

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If you get a chance, please give it a listen, there's some interesting news. Here's a short clip if you can't listen to the full episode:

RingaSunn Twitter (if you don't have twitter and wanna give it a listen shoot me a quick dm, but if you can, listen to the podcast episode!)

== Next Round of Stede Quotes ==

@iamadequate1 Has been running a twitter poll bracket on Stede's best quotes! Wanna weigh in? Visit Twitter.

== LOVE NOTES ==

Hey lovelies, I'm still swamped. Worked really late, got up early cause kid wasn't sleeping well. Gonna send some love note images that made me smile yesterday. Hope you're all doing well an having a good week. Sending love <3

img src @ ozo.art IG

Img Src: @ positivelypresent's IG

Img Src: @MadameHalloween's IG

Img Src: @_.hurtt's IG

== Daily Darby / Today's Taika ==

No theme, just goof.

Darby Gif Courtesy of @fandomsmeantheworldtome

Taika Gif Courtesy of @gattonswood