#synth house

[haveyoulistenedtothisalbum-poll]

Tracklist:

Microchip Angel • Four Days Earlier • The Third Adam • Dye Menshun • Robot Moves • Dream Frequency • Swing Machines • You In The Strobe Light • Jacob's Looking Glass • Project Eve • Eighty Seven • Sweet Tweets • Warped Soul • Semiconducting • Arcadians

Bandcamp ♪ YouTube

[treasureseason]

I've been enjoying dreamier synth house lately and tried to capture some of my favorite elements in this track.

[strange-house-art]

𝖂𝖗𝖆𝖎𝖙𝖍 II

[splash96]

now streaming on amazon music | Apple Music | Spotify | YouTube Music

[phonographica]

Rigopolar - Situs (2023)

[stirsux]

random teto design that came to me in a dream (no it didnt im lying)

[bmpmp3]

not used to this kind of mascot

[haveyouheardthisband]

[ongawdclub]

D a f t P u n k

[quetzii]

(Repload bc mistake)

Recently, I've discovered dungeon synth genre

Pretty good, but I only ended liking 2 songs

Anyway

Doodles as break bc I'm working on other things that soon I'll post

Without editing

[dykedvonte]

Benny would be thrilled by Nick Valentine. Like I know the concept of synths and replacing people would initially shock him but I don’t think for long.

He’s not a technology guy by any means but he certainly appreciates it and understands what it can do. He’d be pro-synth and synths at people for purely pragmatic reason at first but seeing some noir detective would have him thinking of all the ways he could improve on his plan if he had that tech for Yes-Man.

If Yes-Man could pass as human he’d have no reason to hide him and could even have him buddy up with the rest of the Chairmen! Even if he’s found out and House wants him and especially synth Yes-Man out their is a loyalty to them that is only made stronger that Yes-Man looks like them now. It’s also such a complex thing for Yes-Man too now to struggle with “humanity” in a new context and his teacher tragic being Benny Fucking Gecko.

[haveyoulistenedtothisalbum-poll]

Tracklist:

Phoenix • Starlight • Galaxian • Atari 800 • Afroboticks

Spotify ♪ Bandcamp ♪ YouTube

[rins-brainrot-artdump]

If Charisma House does a crossover/collab project with Crypton Future Media I'd go crazy tbh

[catsonsynthesizersinspace]

[kemetic-dreams]

Amapiano, a Nguni word loosely translated to "the pianos", is a South African subgenre of house music that emerged in South Africa in the mid-2010s. It is a hybrid of deep house, jazz, and lounge music characterized by synths and wide percussive basslines.

There is ambiguity and debate concerning its origins, with various accounts of the musical styles in the Johannesburg townships. Because it has a small similarities with Bacardi, some people assert the genre began in Pretoria but it remains uncertain. Various accounts as to who formed the popular genre make it impossible to accurately pinpoint its origins.

The word amapiano is a IsiZulu or IsiXhosa, or dipiano is a word loosely translated to "the pianos", The genre is mostly sang in Zulu and Xhosa, Sotho, Setswana, Xitsonga, one of South Africa's native tongues.

Amapiano is a subgenre of house and kwaito music. It is a hybrid of deep house, jazz, and lounge music characterised by synths and wide percussive basslines.

Amapiano is distinguished by high-pitched piano melodies, kwaito from South Africa basslines, low tempo 1990s South African house rhythms and percussions from another local subgenre of house known as tribal house.

An important element of the genre is the prevalent use of the "log drum", a wide percussive bassline, which was popularised by producer MDU aka TRP. According to amapiano pioneer Kabza De Small:

I don't know what happened. I don't know how he figured out the log drum. Amapiano music has always been there, but he's the one who came up with the log drum sound. These boys like experimenting. They always check out new plug-ins. So when MDU figured it out, he ran with it.

The use of percussive basslines in South African house music predates amapiano, and was possibly pioneered by kwaito producer M’Du (also known as Mdu Masilela.)